#getting painted the villain by everyone

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[skunkes]

that "i wish that being aware of a mindset being ridiculous would make it easier to snap out of it" post hitting hard every single day

[programmedtoexterminate]

HGK live action is producing a lot of interesting ppl who somehow watch a show about how isolating having a disability can be because of able-bodied people's lack of empathy or willingness to reach out and connect with disabled people on their level and how that can hurt, and then turn around and call one of the disabled characters a raging irredeemable bitch because she's standoffish towards their able-bodied precious cinnamon roll and insults him (notice how she never says anything other characters haven't already said to him) not considering why she might act or feel that way.

[tenojan-in-tevinter]

Honestly I really want to be able to side with Solas in dreadwolf. I think it'd be super interesting to play as an elf in Tevinter and be able to just go "yeah actually I think Fen'Harel is right let's tear down that veil." I mean I assume the main conflict will be Solas trying to convince your character to join him, or your character being told they have to try and stop him, and there are not enough games that let you side with the presented "villain" character. I want to see what the world is like with no veil I'm so interested. Also so interested to see what full-on Fen'Harel Solas is like. Is he still as empathetic? Or is he more conniving and distanced from "mortals" like the old stories would have us believe?

[sammygender]

the narrative (slash god, because it’s the same thing in spn) hates sam winchester and it loves dean winchester and both of these are equally damaging to their lives. in this essay, i will

[pleasantlyinsincere]

How he acts so innocently... 🫣

[hauntingblue]

NAMI NEEDS TO GO UP THERE AND FIGHT BIG MOM I AM SO SERIOUS!!! THIS IS A BATTLE FOR THE ROMANCE DOWN TRIO!! SANJI DO NOT DARE TAKE HER SPOT!!!

[6-2-aestheticsofhate]

Ultratober day 15-16 character you hate

Technically, saying I hate M/inos or V/2 would be VERY inaccurate because i do like them but sometimes people use them to put down Sisyphus or V1 and THEN I momentarily dislike them but then I bounce back and enjoy them again not long after.

[unproduciblesmackdown]

speaking of the horrors brian goosebumpsphantomoftheauditorium is still So funny for being like yeah i'm a ghost i know i'm a ghost. & he's befriended the horror fan menace duo who are giggling clutching each other like omg omg okay. we're fine. we're breaking into the school at night to investigate the horrors aaaa what if there's a ghost eek ok ok!!! & brian ghost who knows he's a ghost is like omg guys aaaa stopppp ;;m;; suffering thee Most but he's not putting on an act to conceal his phantomly destiny. he's just like that

[technicolorxsn]

watched the new hunger games movie with my mom and aunt today and was looking it up on youtube after to see what other people's thoughts on it were and. I forgot people on youtube are so stupid

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more

[dclovesdanny]

DcxDp prompts

2/4

Danny Fenton, a new student at Gotham University, is 100% going to be a villain. Everyone knows it. The teachers, the students, even the dean knew that Fenton was destined to become a terrifying rogue. They all also were going to delay it as much as possible.

No one ever picked on Fenton, and any bullied kid quickly learned to flock to him, and he’d protect them. The teachers and RAs learned to turn a blind eye to the explosions from the student labs, and anytime Fenton had trouble in class, his friends quickly helped him understand so he wouldn’t get upset.(teachers debated on just marking everything correct, but they didn’t know if that would offend him more)

Everyone knew Fenton was a tragedy away from becoming the next Gotham Rogue, and given how he managed to build a rocket launcher for paint ball with half an hour, no one wanted to know what he would do with real anger behind him.

Danny loved his new school! Everyone was really nice to him. His friends were always willing to help him when he needed it, and always hyped him up. The teachers were always nice to him, and no one bothered him when he was inventing. The best part was no one bullied him! He loved Gotham.

His only concern was why his classmates got so pale when he talked about the local villains.

[glow-in-the-dark-death]

The Daycare

Danny moves to Gotham after Lady Gotham themselves asks for his help.

Gotham's natural ecto has been deteriorating, and considering ecto was what held everything in existence together safely this was a major problem for Lady Gotham.

If Gotham got too bad it would spread to the rest of the world, and could cause it to cease to exist entirely.

So Danny came, as the Ghost King he had the power to filter in great amounts of the corrupt ecto just by being in the city.

But part of his obsession was protection & helping, Gotham already had a lot of help (Batfam). So he decided to focus on helping not with the problem at the top (villains), but with the problems at the bottom.

The problems at the bottom that would be the root cause in breeding more problems.

After all, many didn't start evil, but need and desperation pushed them towards that path.

So Danny moved to the worst part of Gotham, The Bowery.

What did he do there?

Why open a Daycare of course!

Many parents could not get a good or stable job simply because they needed to look after their kids and could not afford to pay the daycare fee.

Danny wasn't worried about money after all the coffers that he inherited as king would take forever to even make a dent in it, and that's only if he was living a very lavish lifestyle everyday for several human generations.

With this in mind his Daycare fee was pretty much nothing.

He would take care of the children of a very wide age group, while the adults could focus on getting a decent job or even returning to school for a higher education for better opportunities.

How does he care for so many children?

He duplicates himself of course!

At least in the very beginning, after a while he begins expanding his Daycare offering classes and tutoring to the children as well as free food at all times.

Who's helping him ?

His ex-rouges and other ghosts who volunteered.

Lunch Lady absolutely adores having so many people and kids to make food for, and Box Lunch can socialize and play with the other kids while she works.

Ember even volunteers to be the music teacher!

Danny has the help of many ghosts who once they heard his plans were very excited to help, many having the obsession with teaching children or in general. Other ghosts helped with building, expanding, and just generally helping maintain the building in great shape. Even building a very diverse and fun playground.

Of course all this catches the attention of Red Hood. Danny just appears one day on his territory with many others and practically having a building appear out of nowhere with how fast it was built, asking literal pennies to take care of the children, and free food for anyone who asks.

All that gains a lot of attention and is rather suspicious.

But the crime rate has been going down since he opened, which is a good thing.

But many people don't want good things and decide messing with Danny and his Daycare.

Unfortunately for them cuz Danny is absolutely down for violence if he's protecting what's his.

~

Villain: "What a lovely place you have here would be a shame if something were to happen"

Danny who has the audacity to fight Gods and win: "Someone call an ambulance! But not for me!

Also Danny: "These hands are rated E for everyone"

~

Other people:"Should we call someone for help?"

The ghosts:" Nah, let him have his fun he needs his enrichment"

~

Red Hood: "He's very suspicious"

Danny is absolutely covered in paint and singing Twinkle Twinkle Little Star with the young kids: "Ah yes I'm totally doing normal Gothamite behavior"

~

Lady Gotham is having some self care spa time she's having a grand time: "Should I warn the young king of the other halfa (Jason)? Hmm best not, it'll be more entertaining if it happens naturally"

~

Just an Idea

[psychronia]

I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.

We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.

What's important here, though, is Zuko's introduction to the Southern Water Tribe.

Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.

Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.

He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.

Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.

And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.

And then...

He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.

And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."

This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.

It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.

Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.

And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys". He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.

[witherby]

Itsame!! How do you think the batfam would react to taking in a Mouse that was a villain kid? annnddd had somewhat unhinged tendencies from growing up w/ their parents?

thank you el!

--🎆

Hmm. In normal circumstances, I think they'd all react very patiently and just steer you in the direction of making good decisions instead of bad. Damian was raised by a league of killers, and they rolled with that without blinking. You'd have to be the child of someone super fucked up to make them think twice about who you are as a person. Like extremely fucked up.

Like, the worst person they could think of.

The cave was dead silent. Every member of the family stood around a table and looked at the documentation Bruce finished putting together in regards to the child he'd locked in a cell just down the hall with a mixture of dread and concern. Information was sparse, but the DNA tests and mannerisms were more than enough to paint the picture no one was acknowledging.

Tonight's patrol was supposed to be a routine one — investigate some leads, stop some crimes, then come home and go to bed. What Batman and Robin found instead, by pure happenstance, was a partially completed setup for an elaborate death trap that the Joker had been working on, which was then subsequently blown up in a half-hearted effort to kill them so he could escape.

They'd survived, obviously, but it wasn't just Batman and Robin that came back.

"So the clown fucks," Jason finally blurted. "Think he's only got one spawn?"

"Yes, as far as I can tell," Bruce said, rubbing the back of his neck. The migraine he'd been fighting off all night was swiftly worsening. He just wanted to go to bed. "Joker didn't seem to realize he'd left the child behind when he escaped tonight. I think she wasn't supposed to be there."

"Understatement of the century, B," Dick mumbled, thumbing through the papers again. "How did he manage to keep her secret for so long? That kid is, like, seven or eight."

"How did that frivolous hack keep her alive for so long?" Damian asked. "I'm just as impressed as I am concerned."

"We can figure that out later," Tim said, addressing the biggest problem, "what do we do about the Joker's kid?"

Everyone exchanged looks with each other, all silently coming to the same series of conclusions:

1. They couldn't put the child in the System. Her history and yet uncatalogued behaviors could lead to major issues, and the Joker would find and retrieve his kid in a matter of days.

2. They couldn't put the child in Arkham. There wasn't a ward set up to handle children. She was too young to be there, and breakouts from the Asylum were a common occurrence, so she'd inevitably go back to him.

3. They couldn't put the child in Juvenile Detention. As far as they knew, she hadn't committed any crimes, so there was nothing to convict her of in order to have her admitted.

Which meant, for the foreseeable future...

Jason stood up, thumbs gliding down the handles of his guns. Bruce gave him a sharp look and he holstered them with a shrug.

"You know I'm not actually gonna hurt 'er," he sneered, grabbing his helmet to slide it on. "But she don't know that. What's a little intimidation between a captor and captive, huh? I'm just lookin' to get some info about our new roomie is all."

"You can just ask," Bruce said. "That's a child in there, Hood, regardless of whose it is. We can approach this peacefully."

"Oh, fuck off. Your favorite wacko popped out a baby and he's been raising it for years. We can't assume this kid is any more logical than the shit-pile it came from."

Jason marched past Bruce and vanished down the hall where they kept the containment cells. Bruce hurried after him, scowling, and the remaining three followed suit with different levels of curiosity and caution.

"This isn't going to be good..." Dick muttered.

It didn't take long to reach your cell. The door was made of bulletproof glass, and the walls and floor were a smooth beige color, with pressure sensors to keep track of your location, oxygen levels, and heart rate. In one corner of the room was a toilet with a privacy curtain and a sink, and in the other was a plain bed with two pillows and a blanket.

You were lying in the middle of the floor, staring up at the ceiling with vacant eyes a placid smile on your face. You had on white face paint with a bold, red lip and blue triangles above and below your eyes, a bright green button-up shirt with a black bowtie, suspenders, brown pants, and black shoes that clicked every time you bumped your feet together.

Click. Click. Click.

Aside from the rhythmic bumping of your shoes, you were dead silent and unmoving in the cell. You didn't even look up when Jason walked up to the door and leaned against it, whistling for your attention.

"Hey, you," he called. "Name, now."

You didn't answer. Jason banged his fist against the glass, listening to the sharp reverb.

"When I speak, you answer," he barked. "What's your fuckin' name, kid?"

Click. Click. Click. You continued to admire the ceiling, arms splayed out at your sides.

"That's real cute," Jason growled, punching in the code to unlock your cell door. "You gonna pretend like you can't hear me? That's fine, lemme come to you then. I'll make sure you pick up the message loud and clear —"

"Red Hood!" Bruce said, grabbing his arm. Jason shook it off and stormed inside, grabbing a fistful of your shirt and lifting you off the ground. You didn't fight him, body limp and pliant in his grasp, and continued to watch the ceiling.

Click. Click. Click. Your feet bumped against each other even still. Unbothered. Undisturbed.

"Name," Jason demanded, voice warping badly through his voice modulator the angrier he got. You didn't acknowledge him. "I'll start asking you in other languages. Don't think you can get out of answering me that way, either."

"I think that's enough, Red Hood," Dick said, slipping into the room before Bruce could get in and potentially make things violent. He walked around behind you and gently hooked his hands under your armpits, coaxing you out of Jason's grasp. "You're probably scaring her. Let's all just —"

You giggled. It startled Dick badly enough he dropped you, and you crumbled to the floor like a puppet with cut strings. Your giggling grew louder as you carefully straightened out, lying on your back with your arms splayed again, and you smiled up at the ceiling.

"What's there to be afraid of?" You asked, voice sweet and cheery. It was also strangely soft, nothing like the harsh pitch of your progenitor. "The batcifists have captured me. I'm perfectly safe and sound."

No one moved. You hummed, shifting your head side to side with a wistful sigh.

"Batcifists. Get it? Bat-pacifists? Because you don't kill people? Popsy said you guys didn't find most jokes funny, and I guess it's true..."

Click. Click. Click. You knock your feet together again as silence momentarily descends upon the room.

"Does your popsy talk about us a lot?" Tim asked from the doorway.

"You're my bedtime stories," you muttered. Click. Click. Click. "Popsy says his greatest dream is to make you all laugh so hard you choke."

Dick crouched down next to you, frowning. You kept your gaze on the ceiling.

"What about you?" He asked. "What's your dream?"

"I'm Popsy's favorite toy." The smile on your face grew wider, more genuine. Click. Click. Click. "His absolute favorite."

Jason abruptly turned and left the room, stomping down the hallway. Damian looked visibly uncomfortable and followed soundlessly after his brother.

Click. Click. Click.

"Well, we can't call you Toy, can we?" Dick reasoned gently. "Do you have a name? What does your popsy call you?"

You giggled again. It was a gentle, melodic thing, that gradually worsened and grew louder, until you were clutching your stomach and kicking your feet with sheer glee. Your sharp cackling echoed through the room, the remaining bats all watching you with varying levels of horror. In the throes of it, you sounded exactly like him.

Nearly a minute went by before you started settling down again, wiping a stray tear from your face. You chirped your name with obvious pride as you clicked your feet together.

"Punchline!"

[harmonydiaries]

“but i guess people are fine with it because it’s easier to ignore a character who has been insensitive from the beginning than it is to accept that a kind and easygoing character can have some flaws and aren’t always perfect.” <— CLOCK ITT

oh also, i see a lot of patton hate because "he's mean to logan" when i never saw this kind of sentiment when logan (and roman) was being dismissive of patton and even outright insulting him in s1 and even in recent episodes.

now i love and relate to logan as much as anyone else, but let’s not kid ourselves and pretend like he was perfect from the beginning. he has apologized or tried to make an effort to make it up to patton a couple times, but he still ends up insulting patton and not taking him seriously. so there’s not much progress there but i guess people are fine with it because it’s easier to ignore a character who has been insensitive from the beginning than it is to accept that a kind and easygoing character can have some flaws and aren’t always perfect.

if you’re going to judge patton for talking over logan or revealing his name without his consent (which btw logan didn’t even seem to care about, he never seemed to give that much importance to his name, since he is logic either way) you’re gonna have to judge the other sides whenever they’re being mean as well. criticizing or disliking a character is fine, i’m not gonna tell you how to feel about a character. but it’s the double standards that really pisses me off.