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The Metro #741
This week on The Metro, Rev. Jeff Ivins brings the following bands for your 80s time warp: The Cars, Annie Lennox, Kid Creole & the Coconuts, Pet Shop Boys, Erasure, George Michael, a-ha, Nik Kershaw, Heaven 17, Tears for Fears, Tracey Ullman, Toni Basil, and finishing off with Steve Perry. Stream The Metro #741. Download The Metro #741.
#A-Ha#Annie Lennox#Erasure#George Michael#Heaven 17#Kid Creole & the Coconuts#Nik Kershaw#Pet Shop Boys#radio free satan#Reverend Jeff Ivins#Steve Perry#Tears For Fears.#the cars#the metro#Toni Basil#Tracey Ullman
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12 dicembre … ricordiamo …
12 dicembre … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: Stuart Margolin, è stato un attore e regista statunitense. Margolin ha dichiarato di aver condotto un’infanzia da “teppista”, è stato espulso dalle scuole pubbliche del Texas ed è stato mandato dai suoi genitori in un collegio. La sua carriera nel mondo del cinema è iniziata prima degl’anni ’70 e ha diretto programmi televisivi dall’inizio degli anni ’70. Margolin ha scritto diverse canzoni…
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#12 dicembre#Ann Reinking#Anne Baxter#Antonio Cifariello#Audrey Mary Totter#Audrey Totter#Charles Van Dell Johnson#Douglas Fairbanks#Eleanor Boardman#Fay Compton#George Montgomery#Jack Cassidy#John Joseph Edward Cassidy#Julius Elton Thomas Ullman#Lilian Emmeline Mackenzie#Morti 12 dicembre#nato George Montgomery Letz#Odile Marie-Josèphe Léonie Bérard#Odile Rodin#Pierre Yantorny#Pietro Iantorni#Rudolf Ernst Paul Schündler#Rudolf Schündler#Stuart Margolin#Tallulah Bankhead#Tallulah Brockman Bankhead#Van Johnson#Vicente Fernández
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Fifty trade union women pictured outside City Hall, March 23, 1923. The delegation, led by the secretary of the Women's Trade Union League, Mabel Leslie, had gathered to call on Assemblyman George N. Jones before marching to the home of Assemblyman Sol Ullman to ask both men to vote for the minimum wage commission and 48-hour workweek bills.
Photo: Paul Thompson via Getty Images
#vintage New York#1920s#Paul Thompson#unions#union women#trade union women#March 23#23 March#minimum wage#workweek limit#Mabel Leslie#women united
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Lost, but Not Forgotten: What Price Beauty? (1925)
Direction: Thomas Buckingham
Scenario & Story: Natacha Rambova
Titles: Malcolm Stuart Boylan
Production Manager: S. George Ullman
Camera: J. D. Jennings
Art Direction: Natacha Rambova
Production Design: William Cameron Menzies
Costume Design: Adrian
Studio: Circle Films (Production) & Pathé Exchange (Distribution)
Performers: Nita Naldi, Pierre Gendron, Virginia Pearson, Dolores Johnson, Myrna Loy, Sally Winters, La Supervia, Marilyn Newkirk, Victor Potel, Spike Rankin, Rosalind Byrne, Templar Saxe, Leo White Maybe: John Steppling, Paulette Duval, Dorothy Dwan, and Sally Long
Premiere: None, general release: January 22, 1928
Status: Presumed entirely lost.
Length: Variously reported as 5000 and 4000 feet (more commonly listed as 4000) or 5 reels
Synopsis (synthesized from magazine summaries of the plot):
Mary, a.k.a. “Miss Simplicity” (Dolores Johnson) is a starry-eyed, country-to-city transplant. She works at a beauty shop operated by a glamorous matron (Virginia Pearson) and owned by the young and handsome Clay (Pierre Gendron).
Mary is in love with Clay, but doesn’t have the nerve or feminine wiles to woo him. The uber-sophisticated Rita (Nita Naldi), however, is chock full of nerves and wile. Rita’s fancy clothes and perfumes and advanced flirting skills leave Mary feeling destined to fail at winning Clay’s amorous attention.
These feelings sublimate into an expressionistic dream for Mary, where she finds herself transformed into a sophisticate like Rita. Her boss is seen as a magnificent wizard, converting her clients into archetypes of glamour: exotic types, flappers, and sirens. Her competition, Rita, is seen as a bewitching spider.
In the end, surprising Mary, it turns out that her fresh-faced, unassuming charm is more appealing to Clay than Rita’s more practiced charm.
Additional sequence(s) featured in the film (but I’m not sure where they fit in the continuity):
Scene of the trials and tribulations of a fat woman trying to “reduce”
Points of Interest:
Only one quarter of Nita Naldi’s Hollywood films have survived (7 extant titles/21 lost or mostly lost titles).
——— ——— ———
What Price Beauty? was the first and only film produced under Natacha Rambova’s own company. Coordinating production for the film was the business manager for Rambova and her husband Rudolph Valentino, S. George Ullman. The couple met Ullman when he was working for Mineralava beauty products, the sponsor of their 1922-3 dancing tour.
When Rudolph Valentino entered into a contract with United Artists, said contract reportedly stipulated that Valentino-Rambova were not a package deal. Therefore, Rambova could not collaborate with Valentino on his productions for United. Possibly as consolation, Ullman funded a production for Rambova while Valentino worked on The Eagle (1925, extant).
For Rambova, What Price Beauty? was meant to be a proving ground for her idea that an artistic film could be made on a modest budget. She also wished to remind people that she was a skilled artist in her own right.
In an interview in Picture Play Magazine from August 1925, Rambova asserts:
“…I do not want the production in any sense to be referred to as high-brow or ‘arty’. My reputation for being ‘arty’ is one of the things that I have to live down, and I hope by this picture, which is a comedy—even to the extent of gags and hokum—to overcome that idea. “A woman who marries a celebrity is bound to find herself in a more or less equivocal position, it seems, and her difficulties are only increased when she happens to have had some artistic ambitions of her own before her marriage. I am afraid that those who have accused me of meddling in my husband’s affairs forget that I enjoyed a certain reputation and a very good remuneration for my work as well before I became Mrs. Valentino.”
“What I desire personally is simply to be known for the work which I have always done, and that has brought me a reputation entirely independent of my marriage.”
There isn’t a vast amount of information on what exactly prevented WPB from gaining release in a timely fashion. If the film was truly nothing more than a ploy to separate Rambova from Valentino, that would be an absurd waste of time, money (~$80,000 in 1925 USD), and talent—Rambova employed soon-to-be famous designer Adrian for costumes and William Cameron Menzies for set decoration. Not to mention that, in front of the camera, Nita Naldi was still a popular star and the Rambova discovery, Myrna Loy, made her quickly hyped debut.
When Pathé finally purchased WPB for distribution in 1928, they did very little to promote the film. Naldi had moved on from the film industry—as had Rambova. And, while Loy hadn’t become the huge star we know today by January of 1928, Warner Brothers had already given her top billing in a number of films. Pathé barely mentions Loy’s role in the little promotion they did do.
To put WPB’s release in the context of Rambova’s personal/professional biography (which you can read more about here):
June/July 1925 – WPB is completed, Rambova and Valentino separate (in July according to Rambova’s mother as quoted in Rambova’s book Rudy)
August 1925 – Rambova leaves Hollywood for New York City, reportedly to negotiate distribution for WPB. She and Valentino would see each other in person for the last time. Rambova leaves NYC for Europe.
September 1925 – Valentino draws up a new will disinheriting Rambova
November 1925 – Rambova returns to the US to act in a film, When Love Grows Cold (1926, presumed lost), a title which Rambova objected to
December 1925 – Rambova files for divorce
August 1926 – Valentino dies
January 1928 – WPB is finally released with no fanfare by Pathé
In my research for my Rambova cosplay, the suspicious production/release history for this film stood out to me. I hoped that I might find some reliable evidence of whether WPB was a consolation prize and/or a scheme to keep Rambova and Valentino apart. Honestly and unfortunately, circumstantial evidence does support it!
After poring over what few contemporary sources cover WPB, there seemed to be no plan in place for distribution as the film was in production. United Artists, at whose lot the film was shot, claimed to have nothing to do with its release. Ullman had a news item placed about negotiating the distribution rights in the East. However, in Ullman’s own memoir, he admits that when he travelled to New York with Rambova, it was in a personal, not professional capacity—navigating the couple’s separation. (Ullman’s book contains many disprovable claims and misrepresentations, so anything cited from it should be taken with a grain of salt.) That said, Ullman’s failure to secure even a modest distribution deal for WPB in a reasonable timeframe speaks to how ill-founded Valentino’s and Rambova’s trust in his business acumen was.
WPB cost $80,000 to produce, which converts to $1.4 million in 2023 USD. While that wasn’t an outrageous budget for a Hollywood feature film at the time, especially one with such advanced production value, it’s certainly an absurd cost if the goal was only to separate a bankable star from his wife and collaborator.
A close friend and employee of Valentino and Rambova, Lou Mahoney, recalled in Michael Morris’ Madam Valentino:
“The picture was previewed at a theater on the east side of Pasadena, and Mahoney remembered the audience reaction as positive, but, thereafter, What Price Beauty? was consigned to oblivion. Mahoney knew why: ‘No help came from anyone, no thoughts of trying to get this picture properly released. No help came from Ullman, Schenck, or anybody else. Their whole thought was that if the picture were a success, Mrs. Valentino would be a success. She would then start producing under the Rudolph Valentino Production Company. But this nobody wanted—except herself, and Mr. Valentino.’”
——— ——— ———
The few reviews from 1928 that I was able to find are not very complimentary of WPB. The critics seem thrown by the film’s tone or genre—reading it as a drama. (Part of that is Pathé’s fault as they listed it as one.) But, according to sources contemporary to WPB’s production, it was intended to be a farcical satire of the beauty industry and social expectations of feminine beauty. Given the simple story, the intentional typage of characters (“The Sport,” “The Sissy,” and “Miss Simplicity”), and the over-the-top-but-on-a-budget art design of WPB, all signs point to high camp. In 1925 as well as 1928, the stodgier side of the critical spectrum would likely fail to see its appeal.
It’s a true shame we can’t find out for ourselves how good, bad, or campy WPB was as of yet, but here’s hoping the film resurfaces!
More about Rambova
GIFs of some of her design work on film
☕Appreciate my work? Buy me a coffee! ☕
Transcribed Sources & Annotations over on the WMM Blog!
#1920s#1925#1928#natacha rambova#nita naldi#cinema#silent cinema#american film#independent film#classic film#classic movies#film#silent film#silent movies#silent era#classic cinema#silent comedy#lost film#film history#history
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It's the most iconic race in the world so it's deserved it's own post & playlist. I give you the all the drivers in the 2024 24 Hours of Le Mans racing tunes. Enjoy (even though this post is a little late). 😊
John Hartshorne (18th April 1957) - Malcolm Vaughan - The World Is Mine
Thomas Flohr (17th March 1960) - Bert Weedon - Big Beat Boogie
Claudio Schiavoni (14th November 1960) - Brenda Lee - I Want To Be Wanted
Satoshi Hoshino (7th April 1961) - Nat 'King' Cole - The World In My Arms
Johnny Laursen (16th February 1964) - Cliff Richard - Don't Talk To Him
George Kurtz (5th May 1965) - Pretty Things - Honey I Need
Hiroshi Koizumi (25th May 1969) - Marvin Gaye - I Heard It Through The Grapevine
Takeshi Kimura (22nd October 1970) - Tom Jones - I (Who Have Nothing)
Ben Keating (18th August 1971) - Gilbert O'Sullivan - We Will
John Falb (13th December 1971) - The Who - Let's See Action
Alexander Mattschull (2nd March 1972) - The Partridge Family - It's One Of Those Nights
Michael Wainwright (25th July 1973) - Stevie Wonder - You Are The Sunshine Of My Life
Rodrigo Sales (2nd November 1973) - Rod Stewart - Oh No Not My Baby
Ian James (22nd July 1974) - Main Ingredient - Just Don't Want To Be Lonely
Naveen Rao (21st May 1975) - Billy Swan - Don't Be Cruel
Giacomo Petrobelli (7th November 1975) - George Harrison - You
Hiroshi Hamaguchi (1st October 1976) - Smokey Robinson & The Miracles - Tears Of A Clown
Francois Perrodo (14th February 1977) - Fleetwood Mac - Go Your Own Way
Valentino Rossi (16th February 1979) - The Pretenders - Stop Your Sobbing
Sebastien Bourdais (28th February 1979) - Elvis Costello & The Attractions - Oliver's Army
Brendan Iribe (12th August 1979) - David Bowie - DJ
David Heinemeier Hansson (15th October 1979) - Secret Affair - Time For Action
Jenson Button (19th January 1980) - Rupert Holmes - Escape (The Pina Colada Song)
Scott Dixon (22nd July 1980) - Leo Sayer - More Than I Can Say
Ryan Hardwick (3rd October 1980) - Gladys Knight & The Pips - Taste Of Bitter Love
Frederic Makowiecki (22nd November 1980) - David Bowie - Fashion
Ahmad Al Harthy (31st August 1981) - Central Line - Walking Into Sunshine
Patrick Pilet (8th October 1981) - Orchestral Manoeuvres In The Dark - Souvenir
Andre Lotterer (19th November 1981) - The Four Tops - When She Was My Girl
Loic Duval (12th June 1982) - Danger Danger - Comin' Home
Jose Maria Lopez (26th April 1983) - Eurthymics - Love Is A Stranger
P.J Hyett (10th August 1983) - Shakin' Stevens - It's Late
Augusto Farfus (3rd September 1983) - Paul Young - Wherever I Lay My Hat (That's My Home)
Francois Heriau (25th October 1983) - Hot Streak - Body Work
Neel Jani (8th December 1983) - Robert Plant - In The Mood
Richard Lietz (17th December 1983) - Ann Breen - Pal Of My Cradle Days
Alessandro Pier Guidi (18th December 1983) - Black Lace - Superman
Oliver Jarvis (9th January 1984) - Lionel Richie - Running With The Night
James Cottingham (21st January 1984) - Pat Benatar - Love Is A Battlefield
Daniel Serra (24th February 1984) - Bourgie Bourgie - Breaking Point
Franck Perara (21st March 1984) - World Famous Supreme Team - Hey DJ
Nicolas Lapierre (2nd April 1984) - Rockwell - Somebody's Watching Me
Arnold Robin (7th October 1984) - Orange Juice - Lean Period
Matteo Cressoni (28th October 1984) - Tracey Ullman - Helpless
Nick Tandy (5th November 1984) - Paul McCartney - No More Lonely Nights
Robert Kubica (7th December 1984) - Meat Loaf - Nowhere Fast
Ben Hanley (22nd January 1985) - Bronski Beat - It Ain't Necessarily So
Filipe Albuquerque (13th June 1985) - Bruce Springsteen - Born In The USA
Salih Yoluc (22nd August 1985) - Maria Vidal - Body Rock
Renger Van Der Zande (16th February 1986) - The Damned - Eloise
Rahel Frey (23rd February 1986) - Madonna - Dress You Up
Maxime Martin (20th March 1986) - Dee C Lee - Come Hell Or Waters High
Paul Di Resta (16th April 1986) - Simple Minds - Sanctify Yourself
Romain Grosjean (17th April 1986) - Jim Diamond - Hi Ho Silver
Mathias Beche (28th June 1986) - Madonna - Live To Tell
Davide Rigon (26th August 1986) - Pam Hall - Dear Boopsie
Kamui Kobayashi (13th September 1986) - Modern Talking - Brother Louie
Rene Rast (26th October 1986) - Marti Webb & The Simon May Orchestra - Always There
Edoardo Mortara (12th January 1987) - Mick Karn - Buoy
Francesco Castellacci (4th April 1987) - Lionel Richie - Se La
Alex Malykhin (17th August 1987) - Total Contrast - Jody
Tom Van Rompuy (8th September 1987) - Marshall Hain - Dancin' In The City
Darren Leung (25th September 1987) - ABC - The Night You Murdered Love
Jean-Karl Vernay (31st October 1987) - Rick Astley - Whenever You Need Somebody
Nicky Catsburg (15th February 1988) - The Cure - Hot Hot Hot
Paul Lafarque (8th July 1988) - Natalie Cole - Everlasting
Daniel Mancinelli (23rd July 1988) - Maxi Priest - Wild World
Colin Braun (22nd September 1988) - The Beatmasters & PP Arnold - Burn It Up
Kevin Estre (28th October 1988) - Bobby McFerrin - Don't Worry By Happy
Sebastien Buemi (31st October 1988) - Robert Palmer - She Makes My Day
Miguel Molina (17th February 1989) - Big Country - Peace In Our Time
Sarah Bovy (15th May 1989) - Royal House ft Ian Star - A Better Way
Christopher Mies (24th May 1989) - Swing Out Sister - You On My Mind
James Calado (13th June 1989) - Robert Palmer - Change His Ways
Matt Bell (5th November 1989) - Erasure - Drama!
Marco Wittmann (24th November 1989) - D Mob Introducing Cathy Dennis - C'mon And Get My Love
Brendon Hartley (10th November 1989) - Phil Collins - Another Day In Paradise
Mirko Bortolotti (10th January 1990) - Inner City - Whatcha Gonna Do With My Lovin'
Andrea Caldarelli (14th February 1990) - The Beloved - Hello
Stephane Richelmi (17th March 1990) - David A Stewart ft Candy Dulfer - Lily Was Here
Ollie Millroy (21st April 1990) - Lloyd Cole - Don't Look Back
Jean-Eric Vergne (25th April 1990) - MC Duke - The Final Conflict
Earl Bamber (9th July 1990) - Luciano Pavarotti - Nessun Dorma
Michael Christensen (28th August 1990) - DNA ft Suzanne Vega - Tom's Diner
Marco Sorensen (6th September 1990) - Happy Mondays - Step On
Matthias Kaiser (22nd January 1991) - Alexander O'Neal - All True Man
Jack Hawksworth (28th February 1991) - Patsy Cline - I Fall To Pieces
Ryan Cullen (26th March 1991) - The Bee Gees - Secret Love
Ben Barker (23rd April 1991) - Inspiral Carpets - Caravan
Daniel Juncadella (7th May 1991) - Pet Shop Boys - Where The Streets Have No Name
Laurens Vanthoor (8th May 1991) - Vic Reeves & The Roman Numerals - Born Free
Jordan Taylor (10th May 1991) - K-Klass - Rhythm Is A Mystery
Will Stevens (28th June 1991) - Divinyls - I Touch Myself
Klaus Bachler (27th July 1991) - Amy Grant - Baby Baby
Robin Frijns (7th August 1991) - Voice Of The Beehive - Monsters And Angels
Jakub Smiechowski (11th October 1991) - Gloria Estefan - Live For Loving You
Paul-Loup Chatin (19th October 1991) - Oleta Adams - Don't Let The Sun Go Down On Me
Harry Tincknell (29th October 1991) - Public Enemy - Can't Truss It
Nicolas Costa (14th November 1991) - Love And Money - Winter
Rene Binder (1st January 1992) - James - Sound
Nico Muller (25th February 1992) - Texas - Alone With You
Stoffel Vandoorne (26th March 1992) - The Charlatans - Weirdo
Zacharie Robichon (31st May 1992) - Michael Jackson - In The Closet
Norman Nato (8th July 1992) - KWS - Please Don't Go
Felipe Nasr (21st August 1992) - Luther Vandross & Janet Jackson - The Best Things In Life Are Free
Alex Lynn (17th September 1993) - Pet Shop Boys - Go West
Pipo Derani (12th October 1993) - Salt-N-Pepa - Shoop
Antonio Giovinazzi (14th December 1993) - Brian May - Last Horizon
Michelle Gatting (31st December 1993) - Belinda Carlisle - Lay Down Your Arms
Alex Riberas (27th January 1994) - Peabo Bryson & Regina Belle - A Whole New World
Ryo Hirakawa (7th March 1994) - Morrissey - The More You Ignore Me, The Closer I Get
Giorgio Roda (18th March 1994) - Urban Cookie Collective - Sail Away
Daniil Kvyat (26th April 1994) - Roxette - Sleeping In My Car
Mathieu Jaminet (24th October 1994) - Take That - Sure
Matthieu Vaxiviere (3rd December 1994) - Sophie B Hawkins - Don't Don't Tell Me No
Raffaele Marciello (17th December 1994) - PJ & Duncan - Eternal Love
Mikkel Jensen (31st December 1994) - Pearl Jam - Spin The Black Circle
Nyck De Vries (6th February 1995) - M People - Open Your Heart
Matt Campbell (17th February 1995) - MN8 - I've Got A Little Something For You
Alessio Rovera (22nd June 1995) - Pizzaman - Sex On The Streets
Charlie Eastwood (11th August 1995) - Oasis - Some Might Say
Jack Aitken (23rd September 1995) - Vanessa Williams - Colours Of The Wind
Dennis Olsen (14th April 1996) - Oasis - Supersonic
Antonio Fuoco (20th May 1996) - Kavana - Crazy Chance
Matteo Cairoli (1st June 1996) - Gloria Estefan - Reach
Kelvin Van Der Linde (20th June 1996) - Blur - Charmless Man
James Allen (4th July 1996) - Gina G - Ooh Aah.. Just A Little Bit
Larry Ten Voorde (2nd November 1996) - Los Del Rio - Macarena
Sean Gelael (1st November 1996) - Huff & Puff - Help Me Make It
Ben Barnicoat (20th December 1996) - Phil Collins - Dance Into The Light
Mikkel O.Pedersen (26th January 1997) - The Prodigy - Poison
Nicklas Nielsen (6th February 1997) - Kavana - I Can Make You Feel Good
Ben Tuck (3rd March 1997) - Space - Dark Clouds
Alex Palou (1st April 1997) - Spice Girls - Who Do You Think You Are
Louis Deletraz (22nd April 1997) - Michelle Gayle - Sensational
Ferdinand Habsburg (20th June 1997) - Sneaker Pimps - Six Underground
Laurents Horr (11th September 1997) - Refugee Allstars & Lauryn Hill - The Sweetest Thing
Frederik Schandorff (26th December 1997) - Course - Best Love
Dries Vanthoor (20th April 1998) - Ultra - Say You Do
Erwan Bastard (9th June 1998) - Solid Harmonie - I Want You To Want Me
Job Van Uitert (10th October 1998) - Ultra - The Right Time
Callum Ilott (11th November 1998) - Culture Club - I Just Wanna Be Loved
Mick Schumacher (22nd March 1999) - Men Of Vizion - Do You Feel Me? (Freak You)
Marino Sato (12th May 1999) - Melky Sedeck - Raw
Sheldon Van Der Linde (13th May 1999) - Busta Rhymes ft Janet Jackson - What's It Gonna Be?
Fabio Scherer (13th June 1999) - Bjork - All Is Full Of Love
Riccardo Pera (4th July 1999) - Salt Tank - Dimension
Julien Andlauer (5th July 1999) - Luscious Jackson - Ladyfingers
Phil Hanson (5th July 1999) - Tina Cousins - Forever
Ritomo Miyata (10th August 1999) - Lolly - Viva La Radio
Robert Shwartzman (16th September 1999) - Paul Johnson - Get Get Down
Bent Viscaal (18th September 1999) - Supergrass - Moving
Rui Andrade (23rd September 1999) - Lauryn Hill - Everything Is Everything
Gregoire Saucy (26th December 1999) - Holly Johnson - The Power Of Love
Scott Huffaker (28th December 1999) - Leann Rimes - Crazy
Felipe Drugovich (23rd May 2000) - Mel C & Lisa 'Left Eye' Lopes - Never Be The Same Again
Timur Boguslavskiy (30th April 2000) - Andreas Johnson - Glorious
Yifei Ye (16th June 2000) - Peter Lazonby - Sacred Cycles
Sebastian Baud (6th July 2000) - Morgan - Flying High
Oliver Rasmussen (6th November 2000) - Texas - In Demand
Nicolas Varrone (6th November 2000) - Darude - Feel The Beat
Jean-Baptiste Simmenauer (19th November 2000) - Robbie Williams & Kylie Minogue - Kids
Clement Novalak (23rd December 2000) - Kandi - Don't Think I'm Not
Alex Quinn (29th December 2000) - Britney Spears - Stronger
Simon Mann (10th February 2001) - ATB ft York - The Fields Of Love
Roman De Angelis (15th February 2001) - Ash - Shining Light
Charles Milesi (4th March 2001) - Spooks - Things I've Seen
Joel Sturm (28th November 2001) - Dido - Hunter
Frederik Vesti (13th January 2002) - Westlife - Queen Of My Heart
Olli Caldwell (11th June 2002) - Sugababes - Freak Like Me
Bijoy Garg (15th July 2002) - The Prodigy - Baby's Got A Temper
Antonio Serravalle (18th September 2002) - Nore - Nothin'
Reshad De Gerus (1st July 2003) - Flaming Lips - Fight Test
Malthe Jakobsen (29th October 2003) - Sheryl Crow - The First Cut Is The Deepest
Carl Bennett (2nd September 2004) - Stonebridge ft Therese - Put Em High
Esteban Masson (18th September 2004) - Easyworld - How Did It Ever Come To This
Nico Pino (21st September 2004) - Kylie Minogue - Slow
Kyffin Simpson (9th October 2004) - The 411 - Dumb
Nolan Siegel (8th November 2004) - Kaiser Chiefs - I Predict A Riot
Lorenzo Fluxa (23rd November 2004) - Daniel Bedingfield - Nothing Hurts Like Love
Jonas Ried (18th December 2004) - Natasha Bedingfield - Unwritten
Vladislav Lomko (27th December 2004) - Electric Six - Radio Gaga
Morris Schuring (20th February 2005) - Keane - Bedshaped
Maceo Capietto (12th January 2006) - James Blunt - Goodbye My Lover
Conrad Laursen (11th May 2006) - Beyonce ft Slim Thug - Check On It
And here is the link to the playlist 😊
#this took me forever so i hope you appreciate it 😊#i've done car number chart positions for the drivers#valentino rossi#jenson button#scott dixon#andre lotterer#robert kubica#rene rast#nico muller#stoffel vandoorne#alex lynn#nyck de vries#jack aitken#alex palou#louis deletraz#callum ilott#felipe drugovich#clement novalak#frederik vesti#olli caldwell#kyffin simpson#nolan siegel#le mans#24 hours of le mans#music#spotify#racing tunes
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Discharge Petition for H.R. 7152, the Civil Rights Act of 1964
Record Group 233: Records of the U.S. House of RepresentativesSeries: General Records
This item, H.R. 7152, the Civil Rights Act of 1964, faced strong opposition in the House Rules Committee. Howard Smith, Chairman of the committee, refused to schedule hearings for the bill. Emanuel Celler, Chairman of the Judiciary Committee, attempted to use this discharge petition to move the bill out of committee without holding hearings. The petition failed to gain the required majority of Congress (218 signatures), but forced Chairman Smith to schedule hearings.
88th CONGRESS. House of Representatives No. 5 Motion to Discharge a Committee from the Consideration of a RESOLUTION (State whether bill, joint resolution, or resolution) December 9, 1963 To the Clerk of the House of Representatives: Pursuant to Clause 4 of Rule XXVII (see rule on page 7), I EMANUEL CELLER (Name of Member), move to discharge to the Commitee on RULES (Committee) from the consideration of the RESOLUTION; H. Res. 574 entitled, a RESOLUTION PROVIDING FOR THE CONSIDERATION OF THE BILL (H. R. 7152) which was referred to said committee November 27, 1963 in support of which motion the undersigned Members of the House of Representatives affix their signatures, to wit: 1. Emanuel Celler 2. John J. Rooney 3. Seymour Halpern 4. James G Fulton 5. Thomas W Pelly 6. Robt N. C. Nix 7. Jeffery Cohelan 8. W A Barrett 9. William S. Mailiard 10. 11. Augustus F. Hawkins 12. Otis G. Pike 13. Benjamin S Rosenthal 14. Spark M Matsunaga 15. Frank M. Clark 16. William L Dawson 17. Melvin Price 18. John C. Kluczynski 19. Barratt O'Hara 20. George E. Shipley 21. Dan Rostenkowski 22. Ralph J. Rivers[page] 2 23. Everett G. Burkhalter 24. Robert L. Leggett 25. William L St Onge 26. Edward P. Boland 27. Winfield K. Denton 28. David J. Flood 29. 30. Lucian N. Nedzi 31. James Roosevelt 32. Henry C Reuss 33. Charles S. Joelson 34. Samuel N. Friedel 35. George M. Rhodes 36. William F. Ryan 37. Clarence D. Long 38. Charles C. Diggs Jr 39. Morris K. Udall 40. Wm J. Randall 41. 42. Donald M. Fraser 43. Joseph G. Minish 44. Edith Green 45. Neil Staebler 46. 47. Ralph R. Harding 48. Frank M. Karsten 49. 50. John H. Dent 51. John Brademas 52. John E. Moss 53. Jacob H. Gilbert 54. Leonor K. Sullivan 55. John F. Shelley 56. 57. Lionel Van Deerlin 58. Carlton R. Sickles 59. 60. Edward R. Finnegan 61. Julia Butler Hansen 62. Richard Bolling 63. Ken Heckler 64. Herman Toll 65. Ray J Madden 66. J Edward Roush 67. James A. Burke 68. Frank C. Osmers Jr 69. Adam Powell 70. 71. Fred Schwengel 72. Philip J. Philiben 73. Byron G. Rogers 74. John F. Baldwin 75. Joseph Karth 76. 77. Roland V. Libonati 78. John V. Lindsay 79. Stanley R. Tupper 80. Joseph M. McDade 81. Wm Broomfield 82. 83. 84. Robert J Corbett 85. 86. Craig Hosmer87. Robert N. Giaimo 88. Claude Pepper 89. William T Murphy 90. George H. Fallon 91. Hugh L. Carey 92. Robert T. Secrest 93. Harley O. Staggers 94. Thor C. Tollefson 95. Edward J. Patten 96. 97. Al Ullman 98. Bernard F. Grabowski 99. John A. Blatnik 100. 101. Florence P. Dwyer 102. Thomas L. ? 103. 104. Peter W. Rodino 105. Milton W. Glenn 106. Harlan Hagen 107. James A. Byrne 108. John M. Murphy 109. Henry B. Gonzalez 110. Arnold Olson 111. Harold D Donahue 112. Kenneth J. Gray 113. James C. Healey 114. Michael A Feighan 115. Thomas R. O'Neill 116. Alphonzo Bell 117. George M. Wallhauser 118. Richard S. Schweiker 119. 120. Albert Thomas 121. 122. Graham Purcell 123. Homer Thornberry 124. 125. Leo W. O'Brien 126. Thomas E. Morgan 127. Joseph M. Montoya 128. Leonard Farbstein 129. John S. Monagan 130. Brad Morse 131. Neil Smith 132. Harry R. Sheppard 133. Don Edwards 134. James G. O'Hara 135. 136. Fred B. Rooney 137. George E. Brown Jr. 138. 139. Edward R. Roybal 140. Harris. B McDowell jr. 141. Torbert H. McDonall 142. Edward A. Garmatz 143. Richard E. Lankford 144. Richard Fulton 145. Elizabeth Kee 146. James J. Delaney 147. Frank Thompson Jr 148. 149. Lester R. Johnson 150. Charles A. Buckley4 151. Richard T. Hanna 152. James Corman 153. Paul A Fino 154. Harold M. Ryan 155. Martha W. Griffiths 156. Adam E. Konski 157. Chas W. Wilson 158. Michael J. Kewan 160. Alex Brooks 161. Clark W. Thompson 162. John D. Gringell [?] 163. Thomas P. Gill 164. Edna F. Kelly 165. Eugene J. Keogh 166 John. B. Duncan 167. Elmer J. Dolland 168. Joe Caul 169. Arnold Olsen 170. Monte B. Fascell [?] 171. [not deciphered] 172. J. Dulek 173. Joe W. [undeciphered] 174. J. J. Pickle [Numbers 175 through 214 are blank]
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Candid shot of Liv Ullman and George Kennedy on the set of Lost Horizon (1973)
#george kennedy#liv ullmann#lost horizon#1973#hollywood#old hollywood#classic movies#old movies#70s movies#on the set#musicals
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If the cult of Valentino were to claim its chief vestal, she would be none other than his second wife, Natacha Rambova, the woman who stood behind the myth and to a large degree created it. [...] Their story was Pygmalion and Galatea in reverse, the only time in Hollywood history that a woman fashioned a male star to an image of her imagination and shared that image with millions.
From the very beginning of their relationship Rambova molded Valentino into an effigy made to her liking. Under her spell, the well-groomed, muscular sophisticate emerged with his polished European manners and romantic bearing. George Ullman saw how much power the exotic and beautiful woman had over Valentino: "It is only fair to say that her culture, which she had painstakingly but subtly communicated to her husband, was one which others recognized and which in my opinion put him forever in her debt. He was truly, and in the highest sense, elevated by his association with Natacha."
In her own right she designed America's first "art film." But her greatest and most lasting creation was the image of Valentino as a love god, Hollywood's first great male idol. This was accomplished subtly at first, be designing costumes for him that complemented his physical endowments. Later, as she took greater control of his career, she sought to find and develop specific film projects that would showcase not only his corporeal attributes and athletic prowess, but also manifest his noble spirit to an audience hungry for romance, legend, and lore. As his popularity grew, Rambova guided, negotiated, and defended Valentino's image while jealous studio moguls tried to gain possession of it. That he deferred to her judgment was manifest by a platinum bracelet of interlocked chain, a "slave bracelet' she had designed for him -- and that he wore faithfully, always, even to the grave.
Michael Morris, Madam Valentino
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THE GHOST IN THE INVISIBLE BIKINI (1966) – Episode 187 – Decades of Horror: The Classic Era
“I’m steaming. I’m steaming. I’m… I’m so exaggerated! I’m mad at that princess. The only girl I ever loved and now she and them street slobs are going to steal a million clams from them folks and they didn’t even invite me. ” Eric von Zipper has a way with words, doesn’t he? Join this episode’s Grue-Crew – Doc Rotten, Chad Hunt, Jeff Mohr, and guest Dirk Rogers – as they check out one of the last of AIP’s beach party movies, The Ghost in the Invisible Bikini (1966).
Decades of Horror: The Classic Era Episode 187 – The Ghost in the Invisible Bikini (1966)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/
A corpse has 24 hours to mastermind a good deed without leaving his crypt, to go “up there” and have his youth restored.
Directed by: Don Weis
Writing Credits: Louis M. Heyward and Elwood Ullman
Selected Cast:
Tommy Kirk as Chuck Phillips
Deborah Walley as Lili Morton
Aron Kincaid as Bobby
Quinn O’Hara as Sinistra
Jesse White as J. Sinister Hulk
Harvey Lembeck as Eric Von Zipper
The Rat Pack
Andy Romano as J.D.
Alberta Nelson as Puss
Myrna Ross as Boots
Jerry Brutsche as Jerome
Bob Harvey as Bobby
Sam Page as Chauncey
John Macchia as Joey
Allen Fife as Beard
Basil Rathbone as Reginald Ripper
Patsy Kelly as Myrtle Forbush
Boris Karloff as The Corpse
Susan Hart as The Ghost
Nancy Sinatra as Vicki
Claudia Martin as Lulu
Francis X. Bushman as Malcolm
Benny Rubin as Chicken Feather
Bobbie Shaw Chance as Princess Yolanda (as Bobbi Shaw)
George Barrows as Monstro the Gorilla
Piccola Pupa as Piccola
Luree Holmes as Luree
Ed Garner as Ed
Frank Alesia as Frank
Mary Hughes as Mary
Salli Sachse as Salli
Patti Chandler as Patti
Sue Hamilton as Sue
The Bobby Fuller Four as Themselves (Bobby Fuller, Randy Fuller, DeWayne Quirico, Jim Reese)
Elena Andreas as Statue (uncredited)
Herb Andress as Statue (uncredited)
Philip Bent as Beach Boy (uncredited)
Gary Daily as Boy in Blue and White Trunks (uncredited)
Bobbi McCall as Girl in Blue Bikini (uncredited)
Christopher Riordan as Beach Boy (uncredited)
The Grue-Crew and guest host Dirk Rogers take a trip to the beach with one of the last of the Beach Party movies. Wait, what? There’s no beach? No ocean? No surfing? And AIP disliked the product so much that they added Boris Karloff and the whole ghost-in-the-invisible-bikini schtick after the fact?
Well, The Ghost in the Invisible Bikini (1966) makes for a nice title. Let’s face it. It’s a bad movie. It’s even a dumb movie. But it can be a fun movie, especially if you love the lame, teen music numbers inserted throughout the film as much as the Grue-Crew do. And even if you despise the music (yeah, the Grue-Crew didn’t like it either – except Doc, of course), you can have fun with this flick.
With Deborah Walley and Tommy Kirk (subbing for Annette and Frankie), Basil Rathbone, Patsy Kelly, Harvey Lembeck (Eric von Zipper!), Jesse White, and Nancy Sinatra, there’s always something to watch. Think “the Three Stooges in an old dark house.”
At the time of this writing, The Ghost in the Invisible Bikini (1966) is available to stream from MGM+, Amazon Prime, and several PPV options.
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Next in their very flexible schedule – this one chosen by Jeff – is The Shadow of the Cat (1961), a Hammer Film directed by John Gillin, featuring Barbara Shelley and André Morell, recently released as part of Scream Factory’s Universal Horror Collection Vol. 6!
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of them, “Thank you so much for watching and listening!”
Check out this episode!
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Lillian Gish at MGM
John Gilbert and Lillian Gish in La Bohème (King Vidor, 1926)
La Bohème (King Vidor, 1926)
Cast: Lillian Gish, John Gilbert, Renée Adorée, George Hassell, Roy D'Arcy, Edward Everett Horton, Karl Dane, Mathilde Comont, Gino Corrado, Eugene Pouyet. Screenplay: Frédérique De Grésac; titles: William M. Conselman, Ruth Cummings; based on a novel by Henri Murger and an opera libretto by Luigi Illica and Giuseppe Giacosa. Cinematography: Henrik Sartov. Art direction: Cedric Gibbons, A. Arnold Gillespie. Costume design: Erté. Film editing: Hugh Wynn.
Bohème without Puccini, except for a few themes from the opera interpolated into the piano accompaniment for some contemporary prints. The screenplay by Frédérique (billed as Fred) De Grésac is said to be "suggested by Life in the Latin Quarter" by Henri Murger, which is also the source of the opera libretto by Luigi Illica and Giuseppe Giacosa. But the librettists took liberties with Murger, combining several characters and incidents, that are copied in the movie, so it's pretty clear that De Grésac paid at least as much attention to the opera as he did to Murger. It's very much a vehicle for Lillian Gish, making her debut at MGM. She wanted John Gilbert to play Rodolphe to her Mimi, but sometimes seems to be playing an anything-you-can-do-I-can-do-better game with her co-star. There is, for example, a scene in which Gilbert acts out the proposed ending to the play he is writing, with much swashbuckling. Then, a few scenes later, Gish acts it out again with similar verve for a potential backer for the play. Their courtship is a surprisingly hyperactive one, particularly in the scene in which they and their fellow bohemians go on a picnic that involves much running about. And Gish is not content to die calmly: On hearing that she won't live through the night, she makes a mad dash across Paris to be reunited with her lover, at one point allowing herself to be dragged along the streets while hanging onto the back of a horse-cart. Gilbert poses with feet apart and arms akimbo much too often, and the starving bohemians are given to much dashing and dancing. (Among them is the endearing and enduring Edward Everett Horton as Colline.) It's all a bit too much, and I have a feeling that the print I saw shown at the wrong speed, giving it that herky-jerky quality we used to attribute to silent films before experts corrected the speed at which they should be projected. The costumes are by the celebrated designer Erté, who is said to have had so much trouble working with Gish that he gave up designing for Hollywood.
Lars Hanson and Lillian Gish in The Scarlet Letter (Victor Sjöström, 1926)
The Scarlet Letter (Victor Sjöström, 1926)
Cast: Lillian Gish, Lars Hanson, Henry B. Walthall, Karl Dane, William H. Tooker, Marcelle Corday, Fred Herzog, Jules Cowles, Mary Hawes, Joyce Coad, James A. Marcus. Screenplay: Frances Marion, based on a novel by Nathaniel Hawthorne. Cinematography: Henrik Sartov. Art direction: Cedric Gibbons, Sidney Ullman. Film editing: Hugh Wynn.
I'm pretty sure that any high school students who think they can get by watching Frances Marion's adaptation of Nathaniel Hawthorne's The Scarlet Letter instead of reading it are likely to be disappointed in English class. That said, no film version is going to reproduce the depth of characterization, the symbolic force, or the intellectual density of Hawthorne, so we should be grateful for what this one does give us: one of Lillian Gish's greatest performances. This was Gish's second film for MGM, after La Bohème, and it suggests that her talents were better suited to a contemplative director like Victor Sjöström -- or Seastrom, as MGM insisted on anglicizing his name -- than to King Vidor's more action-oriented style. If her Mimi in La Bohème was disturbingly hyperactive, her Hester Prynne is a marvel of understated acting. She uses her eyes and mouth and the tilt of her chin to convey a miraculous range of emotions, from stubbornness to fear, from strength to frailty. It's a pity that her Dimmesdale, Lars Hanson, doesn't match her in subtlety. He's more successful in this regard in their 1928 collaboration The Wind, which was also directed by Sjöström.
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Tiptoeing through the “A Farewell to Arms” guest cast
Guest cast (they mentioned someone in the press release!):
Marilu Henner as Elizabeth Henner is a longtime working actress on television. She was Elaine Nardo in Taxi, Ava Evans Newton (Burt Reynolds wife) in Evening Shade, Vivian Ludley in Brooklyn Nine-Nine and Aida Teagarden in Aurora Teagarden Mysteries.
Provided the voice of Veronica Vreeland in Batman: The Animated Series and The New Batman Adventures.
Guest roles include The Paper Chase, Alfred Hitchcock Presents, Who's the Boss, The Tracey Ullman Show, Cybill, George & Leo, Providence, Greg the Bunny, Living with Fran, Center of the Universe, The Comeback, My Boys, ER, Party Down, Numb3rs, Grey's Anatomy, Unforgettable, Two and a Half Men, The Glades, The Crazy Ones, Signed Sealed Delivered, The Neighborhood, Bob Hearts Abishola and VC Andrews' Landry Family.
Henner was featured on 60 Minutes as a person with an "Endless Memory".
Written by: Chad Mazero co-wrote "Internal Affairs", "Revenge Deferred" and "Where Everybody Knows Your Name", "The Noble Maidens" and "Pandora’s Box". Wrote "Tidings We Bring", "Can I Get a Witness", "All Is Bright", "Diamond in the Rough", "High Society", "Murder of Crows", "Overdue", "Sorry for Your Loss" and "Flesh & Blood".
Directed by: John P. Kousakis directed "Imposters", "Sacrifice", "San Voir" part one, "The Fifth Man", "Parley", "Inelegant Heart", "Chernoff, K.", "Active Measures", "The Long Goodbye", "Talion", "Glasnost", "Unleashed", "Party Crashers", "This Is What We Do" (episode 200), "Goodbye Vietnam", "Ninguna Salida", "The Guardian", "High Society", "A Tale of Two Igors", "Under the Influence", "Genesis", "Come Together", all of the Afghanistan scenes from "Iron Curtain Rising" to "Zero Days" in season five and all of Kensi’s injury/recovery storyline scenes from "The Queen’s Gambit" to "Sirens" in season eight.
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List of friends
Cortana zahra neiva Jessa rhodes
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tom cruise wine
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adam driver
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katrina
eskmo
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george
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valerie
anato james jeff soto
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elijah wood sean astin
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alli martinez monika jablonska christiano ronaldo lloyd omadhebo
adele
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taylor rae
ashly anderson
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brandon marston hefner
tyler okonma sarah fergley daniel hernandez
steven rinella brenton thwaites chloe pacey
james patrick caviezel nina milano
jason ritcher
leonardo dicaprio constanze saemann shia lebouf tavis bradley
alyssa funk jessica alba
monique friend ali
ryan huber shea jones
esther heesch jenna j ross alejandro
psychic surfing
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northwood blyth
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max reynders emily butt robert coral
birdwell henry cavill
annie belsar
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allen gifo
ginebra emma mae emma macdonald chris styan alex brown grace villarreal
gemma arterton asuna fox imogen heap wir russell brand jeff goldblum
vincenzo luvineri elçin sangu matilda
anna ingrid lutz antonio folletto alex roe
felipe andres coronel carla morrison
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ryan reynolds chris pratt ella hughes
danny d kornelia suchecka
ryan gosling caprice maddy belle
tabatha natalie zbrailova sam
worthington maria ozawa alfonso ribeiro jada pinkett smith
orlando bloom kiera knightley will smith vanessa chester
kate beckinsale cazzie david hailie jade johnathan jim sturgess evan rachel wood
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mcadams steven strait
brad pitt jeff daniels angelina steven downes
keanu reeves michael jackson halle
berry hozier how to dress well
jenna ortega thalia crawford brianda deyanara
clara noa rigmor kitty de jong yasmin
amneeria susanna wurs
nicole pry below ska lydia ldsse riley reid jordan ullman lana rhoades majid al maskati
bruce venture serapis queen victor dee dee
sasha rose dj laya
victor lou nina james light daria sidorchuk
karol g
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bree
fevre stefanie scott sasha obama chris milton
bella
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santos emanuel sasha rose
eddy grim Pollyanna fruzsi tóth andrea furnari franceska fournier
jesse kat oddica
katrina jade victoria sweet
irine
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merve jessy hartel sarah innocenzi whosjessy
pien wekking daria esra heijmans diana raych
ege dev suggs asli enver kasia bielecka
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polina rai hande ercel aly bivins Olivia culpa
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I'm done with you!
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this is a really interesting cultural phenomenon. because, for Context Reasons, there's a good chance that this is a sexy drawing of my 10th-great-grandmother (and possibly yours; she has a LOT of descendants)
Priscilla Mullins was born around 1602 in Surrey, England. in 1620, she traveled with her parents and younger brother to North America, on the Mayflower, to escape family legal troubles and find a new market for her father's shoemaking business. they were NOT Pilgrims, but rather what the Pilgrims called "strangers"- people traveling on the ship who were unrelated to the whole Religious Freedom aspect of the journey. in 1621, her parents and brother died in a disease outbreak at Plymouth Colony, and in 1622 she married John Alden- another stranger, who had been the Mayflower's cooper (in charge of the water and alcohol supplies). probably some variant of a situation where he first proposed to her on behalf of his friend and the Mayflower's captain, Miles Standish, and she responded that he should "speak for himself" instead. she died in Duxbury around the late 1680s, beloved wife and mother of ten living children. not bad!
and that's all we know about her life. so why is she famous, beyond a mention in books about Mayflower passengers?
one descendant in particular: Henry Wadsworth Longfellow
interest in the Mayflower spiked during the 19th century (1800s) as Americans tried to find a collective identity in their relatively new country. and with interest came romanticization. Longfellow published a very long poem called "The Courtship of Miles Standish" in 1858, detailing a fictionalized version of the Speak For Yourself story. the title's a bit of a misnomer, since Standish's courtship really ended before it began, but regardless the poem was HUGELY popular. John and Priscilla Alden gained massive name recognition among the American public, and despite the facts that:
no images of them from life are currently known to exist
they weren't Pilgrims
even actual Pilgrims didn't dress like the classic Thanksgiving Decoration Pilgrims
they became the ur-Pilgrim CoupleTM in Victorian art and pop culture. one tell-tale sign is the presence of a spinning-wheel; the poem puts Priscilla at her spinning when the proposal happens, although the earliest known family account of the incident (early 19th century) claims that John in fact came to talk to her still-living father first and Priscilla was called in later to say yes or no according to her wishes
George H. Boughton, 1884
Ullman Manufacturing Company, c. 1900
Metropolitan News Co., late 19th century
John Rodgers, 1885. I've actually seen a cast of this one in person, at the Peabody Essex Museum.
and on into the 20th century, the tradition continued.
Sebastian Co., c. 1958.
Kamman Jewellers' box, 1950s
Bradley Co. bookends, 1920s
even when the story is not directly referenced, "Priscilla" became the most popular name for generic Pilgrim Woman characters as a result
and that's how this pinup is an indirect sexy portrait of a woman who died over 300 years ago, whose appearance we don't even know beyond "white, around 20 when she married," and whose claim to fame is telling a self-effacing hottie to knock it off and just marry her himself already.
Bill Randall - "Priscilla" - November 1965 Date Book Calendar Illustration - Kemper-Thomas Calendar Co. - American Pin-up Calendar Collection
#long post#history#american history#pilgrims#mayflower#Priscilla Alden And The Victorian Construction of Ideal American Womanhood is a thesis just waiting to burst out of me
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The 80s List
Update: Every Sunday
Last: November 3, 2024
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500 Miles - The Hooters
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A Different Corner - George Michael
A Good Heart - Feargal Sharkey
A Love Supreme - Will Downing
A Matter Of Trust - Billy Joel
A Question Of Time - Depeche Mode
Abracadabra - Steve Miller Band
Absolute Beginners - David Bowie
Addicted To Love - Robert Palmer
Advice For The Young At Heart - Tears For Fears
Africa - Toto
Age Of Reason - John Farnham
Against All Odds - Phil Collins
Ain’t Nobody - Rufus, Chaka Khan
Airhead - Thomas Dolby
All Around The World - Lisa Stansfield
All I Need Is A Miracle - Mike + The Mechanics
All I Want Is You - Carly Simon
All Night Long - Lionel Richie
All Of My Heart - ABC
All Out Of Love - Air Supply
All Through The Night - Cyndi Lauper
All You Zombies - The Hooters
Always On My Mind - Pet Shop Boys
Amanda - Boston
Americanos - Holly Johnson
Amoureux Solitaires - Lio
Angel - Fra Lippo Lippi
Angel 07 - Hubert Kah
Angel Eyes - Wet Wet Wet
Angel Of The Morning - Juice Newton
Another Day In Paradise - Phil Collins
Another Life - Kano
Another Lonely Night In New York - Robin Gibb
Anything For You - Gloria Estefan & Miami Sound Machine
Appetite - Prefab Sprout
Are You Man Enough - C.C. Catch
Around My Dream - Silver Pozzoli
Around My Heart - Sandra
Arthur's Theme (Best That You Can Do) - Christopher Cross
Attention To Me - The Nolans
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Babooshka - Kate Bush
Baby Baby - Eighth Wonder
Baby Can I Hold You - Tracy Chapman
Baby I Don’t Care - Transvision Vamp
Baby Jane - Rod Stewart
Baby Love - Regina
Back On Holiday - Robbie Nevil
Back On The Chain Gang - Pretenders
Back To Life - Soul II Soul
Bad - Michael Jackson
Bad Boys - Inner Circle
Ball And Chain - Wax
Ballet Dancer - The Twins
Beatles Medley - Stars On 45
Beds Are Burning - Midnight Oil
Beethoven (I Love To Listen To) - Eurythmics
Bette Davis Eyes - Kim Carnes
Better Be Good To Me - Tina Turner
Between Something And Nothing - The Ocean Blue
Big Fun - Inner City
Big In Japan - Alphaville
Big Love - Fleetwood Mac
Big Time - Peter Gabriel
Billie Jean - Michael Jackson
Black Man Ray - China Crisis
Blow The House Down - Living In A Box
Blue Hotel - Chris Isaak
Blue Kiss - Jane Wiedlin
Blue Monday - New Order
Blue Monday 88 - New Order
Borrowed Love - The S.O.S. Band
Boys Of Summer - Don Henley
Brand New Toy - The Jeremy Days
Breakaway - Tracey Ullman
Bridge To Your Heart - Wax
Broken Wings - Mr. Mister
Brother Louie - Modern Talking
Brothers In Arms - Dire Straits
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Ultimate Playlist: Women’s Names, N-Q
There aren’t a lot of names for these four letters, but there are a lot for R, so we’ll keep this one short.
Nikita by Elton John George Michael sings backup on this track about a crush on an East German border guard patrolling the Berlin Wall. While Nikita is a woman’s name in many language, it is a male name in Russian. But I’m not taking it off the list.
Candle in the Wind by Elton John The opening line of the song, “Goodbye, Norma Jean,” uses Marilyn Monroe’s real name, so that’s where it appears on this list. Rolling Stone ranked it number 347 in its list of the 500 greatest songs of all time.
Olivia by One Direction Harry Styles said Olivia isn’t about a specific person, but “could be about a person or place.” Sure, Harry. The line, “She’s lyin’ in bed with my t-shirt on” definitely suggests a place. Right.
Ophelia by The Lumineers Apparently this song isn’t actually about a woman either. Wesley Schultz told EW, “Ophelia is a vague reference to people falling in love with fame.”
Pamela by Toto Another ’80s love song, this was Toto’s last US hit. I'm glad they wrote it. It’s the only name in this list that begins with P.
Queenie Eye by Paul McCartney And there’s one song for the letter Q, based on a children’s game Paul played as a child. The video has appearances by Johnny Depp, Jeremy Irons, Chris Pine, Jude Law, Sean Penn, James Corden, Meryl Streep, Tracey Ullman, Kate Moss, and many others.
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The alien joke is pretty funny is catching hard and it's catching on and it's very funny you have like Mr Ullman in his face is coming out he says maybe he's in a trumpster. And it's gross Trump says. That's really weird Trump is George Stephanopoulos face comes out of you. I wanted to shut up and that's the dumbest thing I've heard he says but really it's true we want this thing to work and he's thinking of how and stuff but really you need a ringleader and it is a woman she's been talking about it other fundraisers and he just had another idea George Stephanopoulos can head up his charity I have an idea of what to do and others have their ideas and our friend has an idea for rescue rangers and it's supposed to be thought of as a sucker he says and so you go out there and we're loaded and we're not using our money for anything and it doesn't work very good and his is like the biggest one but ours will be a place to go to to talk about things and now I'm starting to figure out what I'm saying this is what it is that place was used for that by his clan and they came up with a plan and they're still running it and they're probably tons of them alive but they're in trouble real trouble and we have to get there and now on several fundraisers to go and everybody else does and says we have tons of money and we want the pseudo empire to go there too
Barbra Streisand
We're going to be there and we're going to be there with a bunch of people and we're going to have our own causes and we're going to list them we're going to send this out and we're going to contact you and see if we can get you to do it
Mac
We have a performance thing on the grounds up there it's a little theater and it is for a functions like this they're closed just for wealthy people and some of us don't look into clean up okay and you can bring your hot cars by and we'll start that crap and we want to have a fundraiser because we need one we're in trouble as a people I know how to do this and I'm going to do it
Ben Arnold
Olympus
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