#genuinely Being Pissed Off will ruin my life its so easy for me to suppress what im not pissed off about in exchange for the satisfaction of

[mihotose]

oigh. gekikyuu makki.

[filmista]

🎀 Female Characters And Performances I l❤️ve 🎞

1. Clarice Starling (Jodie Foster, The Silence Of The Lambs)

-Starling, when I told that sheriff we shouldn't talk in front of a woman, that really burned you, didn't it? It was just smoke, Starling. I had to get rid of him.

-It matters, Mr. Crawford. Cops look at you to see how to act. It matters.

Why?:

She is perhaps my all-time favorite female character and of the first ones, that I think of when I hear the phrase “strong women” in reference to films. She doesn’t go around kicking literal ass but she takes pride what she does. 

She is driven and passionate about her work and even with obstacles, she believes in herself. Which isn’t to say that she isn’t vulnerable or scared at times, she is. But rather than beat herself up about it or suppress she eventually learns to overcome it. Or rather work around it and draws strength from it and in the end shows that real strength isn’t not feeling fear, it isn’t being emotionless or numb it is continuing in spite of it. 

2. Amy Dunne (Rosamund Pike, Gone Girl) 

“It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.” ― Gillian Flynn, Gone Girl

Why?:

Because she is one of the most complex female characters in modern literature and cinema. It’s incredibly easy to write her off as a female psychopath or a crazy bitch. While I don’t doubt that she might have mental problems, the film also shows us what might have caused some of her problems (the relationship with her parents, the pressure of living up to being Amazing Amy).

All of this aside, she’s just an incredibly fun and interesting character to watch. No matter what you might think of her morally. 

There’s a phrase in the book that goes if I remember correctly something like this: “Amy likes to play god when she’s not happy. Old Testament God.” And yes, she’s incredibly pissed off for a large part of the film and does loads of scary, crazy shit throughout the film... all motivated by her absolutely astounding smartness and cunningness. 

Personally, I wouldn’t say I agree with everything Amy does (I would be crazy if I did) but I do understand where some of her anger comes from and I even sympathize with her in a few instances in the film.

Point is though there should be more of these difficult, morally complex women in film. Sadly sometimes when women are unlikeable or difficult in a film we tend to as an audience dismiss them as “a crazy bitch”, or worse sometimes equate the actress behind the character to her on-screen persona. 

3. Ellen Ripley (Sigourney Weaver, Alien)

“Did IQs just drop sharply while I was away?”

Why?:

Instead of naming the obvious reasons which are her stubbornness and overall badassery, determination and courage. What I love about her is the fact that she’s not really always likable, she’s quite moody and cranky and even plain bitchy sometimes. 

She speaks her mind even when that doesn’t always make her popular with those around her. A not always likable female lead isn’t so unusual nowadays but Ripley really was one of the first ones in a big blockbuster. And she’s a cat lady.

Also if I ever get a cat again, I want to name it Jonesy or if it’s a black one Salem. 

4. Shelly Johnson (Mädchen Amick, Twin Peaks) 

“I’m a waitress in a diner. I’ve never been compared to a goddess before.”

Why?:

Okay, first of all, I’ll admit to having a small crush on Shelly (like probably many a Twin Peaks fan) but she’s more than just a sexy waitress. We all know she married an absolute piece of shit of a man, and when we see her at home she is almost always silent and completely submissive out of fear.

But then we see her at the diner, and she transforms: she’s charismatic, flirty, bubbly and just insanely loveable overall. What I think makes her a great character though is that there are also hints at rougher and darker edges.

In Episode 4 of season 1, after Laura’s funeral (after Leland falls into the coffin and sobs hysterically, which yes I thought was quite hysterical) we see her making fun of Leland in the diner in front of a group of admiring old men. There’s an interesting side to her that seems to want to bully almost, perhaps as a way to get what she is experiencing at home out of her system. 

5. Mademoiselle De Poitiers ( Helen Morse, Picnic At Hanging Rock) 

-Ah! Now I know.

-What do you know?

I know that Miranda is a Botticelli angel.

Why?:

Because she is for her time (which was not always easy for women) an incredibly sunny, optimistic and kind person. While everyone is telling the girls at the school off or being strict with them she treats them with respect and shows an interest in their “teenage world”. 

While she might seem like a conventional and quite traditional female character, I adore that she seems like she genuinely enjoys her feminity. You look at her and see a woman who you can tell simply loves and revels in flirting and romance and it’s incredibly charming performance to watch. 

6. Laura (Gene Tierney, Laura) 

“You forced me to give you my word. I never have been and I never will be bound by anything I don't do of my own free will.”

Why?: 

I think it’s a remarkable film for its time. Laura is portrayed (once she appears) as an incredibly charismatic, alluring and smart woman that values her privacy and independence and as loving and being successful in her career. 

The twist though is that for a seemingly very strong woman she has a very toxic friendship with a male friend who’s extremely jealous and possessive of her. He has ruined countless of her romantic relationships because no man is ever good enough for his Laura. 

Finally, she dumps him as she realizes his manipulation and stays with the man she’d fallen in love with, which might seem like a conventional ending but I love how Laura, in the end, takes control of her own happiness and by extension her life. 

7. Vanessa Lutz (Reese Witherspoon, Freeway)

I know there’s a lot of sick guys that get hard… thinkin’ about messin’ women up. Hell, that’s all you ever see on TV. But when a guy goes and does that for real like you were plannin’ on doin’ – I was just trying to scare you. You had your turn to talk! I think it’s only fair to let me get my two cents in. You’re absolutely right. Sorry. Please, go on. But when a guy goes and hurts someone who never hurt them… that makes him a criminal first and a sick guy second. It’s like being sick has to take second place to being crooked.

Why?:

Reese Witherspoon’s plentiful and colorful swearing, as well as her unapologetic aggressiveness. She’s a trashy and violent female character, and I always find it incredibly interesting to take a look at female characters that are perpetrators of violence and what motivated them. 

An interesting thing is also that she is supposedly a morally despicable, white trash and uneducated character but actually has a better understanding of and less twisted sense of morality than any of the characters that are supposedly well adjusted, refined and educated people. Some of her blunt, often shocking comments hit the nail on the head on several problems in American and general society. 

8. Melanie Daniels (Tippi Hedren, The Birds)

“I thought you knew! I want to go through life jumping into fountains naked, good night!”

Why?: 

She’s my all-time favorite Hitchcock heroine. What I love about her particularly as a character is her spontaneity, her assertiveness, sass, and humor but above all her perseverance and genuine strength (though she’s occasionally prone to the dramatic sighing or shrieking women just sometimes did in older films ).

A delight for me in the film is that it turns a common romantic trope around: she is the one that first sets her sights on the man and consequently chases and gets with him.

She also consistently stands up for herself, point in case: the scene in the diner in which a local accuses her of causing the bird’s irrational and unexplainable behavior. I really believe she’s one of Hitchcock's most underestimated heroines and in my opinion also written with a depth that proves he was not a misogynist as is so often believed.

9. Wendy (Shelley Duvall, The Shining)

“You son of a bitch! You did this to him, didn't you! How could you! How could you!”

Why?:

While controversial just like Tippi Hedren’s performance in The Birds, I absolutely love Shelley Duvall’s work in The Shining and I think her performance is often very wrongly looked down upon. 

Personally, I always thought film Wendy was stronger than book Wendy her performance is often dismissed as hysterical, over the top and she’s also called a dumb character very frequently. 

In contrast to Nicholson’s performance though she’s pretty calm. What I love about the performance is the very subtle and slow changes in her attitude. People often find her a weak character, because she stays with her abusive husband I don’t think however that it is that unrealistic.

People in real life sometimes also tend to stay in these relationships until something drastic happens that forces them to really evaluate the situation. Her husband has moments where he convincingly plays at pretending to be the “nice and good husband” and so she chooses to buy it. 

However once in the hotel, as Jack becomes increasingly mad she realizes her husband was never a good man, to begin with, and that she has reason to be very, very afraid of him and Duvall absolutely illustrates that fear brilliantly. At this point, instead of walking on eggshells as she did initially she realizes she and her son must simply get away from that man if they are to live. 

I see how some people might not like her a character, it does feel like she screams a lot sometimes, but I find it incredible that even in her fear she still soldiers for herself and her child. 

10. Ana (Isabelle Adjani, Possession)

“We are all the same. Different words, different bodies, different versions. Like insects! Meat!”

Why?:

Very simply put, Adjani’s utterly crazy and unhinged performance. It’s also a fantastic depiction of a slow and finally full blown descend into madness. What I love most of all is that while it may easy to dismiss her as a “psycho, hysteric” kind of female character she is not completely that there’s more nuance to it. 

The film shows that the unhappiness in her marriage and the hints of abuse in it played a huge role as well. A showcase of the fact that love can sometimes truly drive us mad and make us lose ourselves. 

Some fictional ladies that didn’t quite make this particular list, but might make appearances on another one: 

Thelma  (Geena Davis, Thelma & Louise)

-It’s not like I killed anybody, for God’s sake!

-Thelma!

Grace (Brie Larson, Short Term 12)

-Grace, you are a line staff. It's not your job to interpret tears. That's what our trained therapists are here for.

-Then your trained therapists don't know shit.

Celine (Julie Delpy, Before Trilogy)  

“I always feel this pressure of being a strong and independent icon of womanhood, and without making it look like my whole life is revolving around some guy. But loving someone, and being loved means so much to me. We always make fun of it and stuff. But isn’t everything we do in life a way to be loved a little more?”