#gay vampires from a tv show

[jaypentaghast]

you made me forget?? you loved me, yes I know you did, I remember now, and you made me forget the most meaningful relationship of my life? just like that. just ZIP, gone. and for what? so that you could play house in fucking alcatraz with your hubby who doesn't like you more than the ass who broke his heart 70 years ago?

what is wrong with you? no, you know what, it's all slowly coming back to me. yeah. I know exactly what's wrong with you, is that why you did it? someone saw behind the curtain and you couldn't stand it any longer? oh, you did it for me? always the good samaritan, is that why you turned me now, too? you knew I was going to die and you felt bad, Armand? after all we'd been through you decided to do your old pal a solid? I bet it was worth it for all those microwaves you set on fire inside my apartment

[blackparadedean]

can yall believe they spent decades trying to convince the world that those vampires weren't homosexuals

[ariaste]

Hello, published author here who just noticed a thing in the s3 teaser that may help us to determine the timeline:

This is not an ARC. ARCs, aka "Advance Review Copies" or "Advance Reader Copies" are sent out in advance of the publication of a book in order for magazines/newspapers/whoever (and these days, online book influencers) to review it, and for booksellers to have a chance to read it so they can order copies for their store and hand-sell it better on publication day. ARCs usually go out around 3-4 months before publication.

ARCs are also sometimes called "advance uncorrected proofs" because they usually haven't been through copyedits yet (aka typo-finding and punctuation-checking). ARCs are always clearly marked on the front cover as what they are, to make it harder for people to sell them online and so that bookstores don't accidentally put them out as merchandise.

We know that the IWTV team knows this becaaaaause, from the end of s2e8:

*THAT'S* an ARC. You can see how it says so all over, both "advance reader's copy" and "advance uncorrected proof". It's also a paperback (as ARCs usually are) rather than the hardback that Lestat is holding -- all very typical and correct.

And here is a finished copy. And we know exactly how far after publication it is, because:

Daniel also gives a shout out to a "book fair" and Atlanta, which I take to mean the Decatur Book Festival, which takes place in October. So that means the book would have been published in June -- nice timing! Get all that good Pride Month promo for this gay-ass vampire memoir. So far we are nailing the Expected Publishing Industry Timeline And Behaviors.

So the only thing I can tell you definitively about what this means is that Louis got that ARC probably in February, aka around eight fucking months ago at the end of s2, and still hasn't even skimmed it, and that is HILARIOUS of him. not a shred of guilt on him about it either. (if you get a print ARC (as opposed to an e-ARC) and you don't even read it, it is polite to be a little embarrassed about that. not my personal best friend Louis DPDL tho.)

As for whether Daniel is a vampire during the s3 trailer -- the thing we are all clamoring to know -- I have two possible ways the timeline could be working, given the publishing industry stuff:

OPTION 1: Louis leaves Dubai -> Goes to New Orleans for Depression Hovel reunion, refuses to get back together with Lestat -> Lestat "I will woo him back with a Song, just like last time. ok that didn't work I'LL GO BIGGER. that didn't work. BIGGER" Lioncourt starts his rockstar career as a Gotta Get My Man Back tantrum -> Daniel finishes the manuscript, delivers it to his publisher, and sends an ARC to Louis (February) -> Book is published, bestseller (June) -> Daniel (who was turned at some unknown point) goes on TV about it (October) -> famous currently-bestselling journalist gets in touch with up-and-coming rockstar to get his side of the story -> Lestat has a mental breakdown on camera about how Louis is not even paying attention to all the albums he is recording, hurtful, tragic, heartbreaking

or

OPTION 2: Daniel DEFINITELY got out of Dubai alive -> [all of the above up to "Daniel sends an ARC to Louis"] -> book is getting great reviews -> already-famous Pulitzer Prize-winning journalist gets in contact with up-and-coming rockstar to do the sequel even before the book is out (slightly odd publishing choice but when you have two Pulitzers, the rules are different, so it's not implausible) -> Daniel gets his finished copies of the book (which brings us to probably May at the earliest; you don't usually get your finished copies more than a month in advance) and has one on set for interviewing Lestat -> Lestat has his sexy little rockstar breakdown on camera -> Daniel is human for interviewing Lestat but gets turned by Armand somewhere in the five-month span between finished copies arriving in May and his TV interview in October.

Option 1 gives the show writers a little more timeline wiggle room, which can be useful, but Option 2 is more Dramatic and builds extra tension if Daniel is trying to do this interview while not having a good time with his Parkinson's. Either way Louis is just out here not answering anybody's phone calls or reading the lovely ARC he was so thoughtfully sent bc he's busy redecorating his house.

THAT SAID, please take all of this with a grain of salt, i have been losing my mind over the s3 trailer and i may have missed something

this has been your war correspondent a report from the publishing industry. thank you and goodnight

[raayllum]

Sometimes it hits just how tonally different The Dragon Prince is from virtually every other kids show on TV and I lose my mind. I'd argue something like Infinity Train gets closest with its emphasis on psychological horror and morality, or even Transformers: Prime (if you know, you know) with its severe focus on war (aka one of the more lowkey episodes is a main character having a suicide bomb forcibly strapped to their chest). Steven Universe Future and Jurassic World: Camp Cretaeceous/Chaos Theory are also probably honourable mentions.

All of these shows have mature content in them, which isn't different from more popular shows like Owl House, She-Ra, or even ATLA, but often times in aforementioned three that content is presented in lighter ways and/or interrupted by bathos (this is true for She-Ra in particular). Most of TOH's heaviness is reserved for S2 Hunter or S3 Luz; ATLA has some episodes that particularly emotionally heavy (The Southern Raiders, Zuko Alone, the Southern Air Temple) or are quite hitting in exploring themes of colonization (Imprisoned, City of Walls and Secrets, Northern Air Temple), but a good deal, I'd say even the majority, are also pretty fun shenanigans, too. To be clear as well, a lighter tone is not a Problem never mind a negative (ATLA has a very strong thematic point to its own about the sanctity of children and childhood amid the horrors of how imperialism strips it away), but it is a tonal difference.

And it's not as though TDP doesn't have episodes where there are fun shenanigans (Callum and Rayla's initial exploration of Xadia in 3x02 is nothing but fluff, Soren and Corvus are a more gay comedic duo in 6x02) but the series more or less operates like "What if every episode was The Southern Raiders?" due to its consistent emphasis on grief and morality. They use words like kill and death and murder all the time.

From the pilot / opening episodes

and to when characters are having breakdowns because they murdered someone (and we're still supposed to like them) or have done horrible things, with the show's heaviness ramping up particularly from S4 onwards.

When loved ones die (and the show has a body count of 20+ named characters who have died, six seasons in, some even being children) the show depicts mourning in all its stages and ugly glory. The sadness, the anger, the revenge, the desperation, shifting blame and cognitive dissonances, thinking you had moved on only for that wound (which never fully healed) to be ripped wide open again.

Characters get tortured by being electrocuted or having their blood frozen in their veins or beaten up (5x08). There are successful assassination attempts (1x03, 3x02). People, even children younger than the main cast of characters, are put on trial with the death penalty (4x06, 6x09). Within the first three episodes, a character is running down stairs and tripping over dead bodies.

Sometimes three different characters in one episode will be having a breakdown or dealing with something absolutely devastating to their emotional state (2x08, 3x07, 6x01, 6x09, 7x01). The magic system is a trolley problem on steroids. Do you kill a monster to feed starving kingdoms, or to save yourself, or to save someone you love? What makes it a monster? What if the monster isn't a monster? What if you have to kill a child? What if it means killing your child? What if it means killing yourself?

There are two characters who canonically have cannibalized other people, one being a blood-drinker / vampire variant.

This doesn't mean the show isn't fun or funny. One character consistently thinks bathroom humour is funny (while being one of the most tragic characters in the entire show). The characters cheer each other up, take care of each other, are goofy, etc. The show is ultimately hopeful.

But the emotional weight afforded to the choices the characters are making, even good-intentioned ones with unforeseen disastrous consequences, the way show focuses on their emotional processing (or lack of) is very unique in the landscape of western animation, especially to this degree, I think. Never mind the increasing amounts of blood. Nor does this make the show inappropriate for children! Tiny me was morbid as fuck at 7 years old, I would've loved it, and I know many kids from ages 7-12 who do in my work as a tutor. But when people say "TDP isn't like most kids shows," I think what that means is sometimes lost in translation in conflating it with what people usually say aren't 'just kids shows,' when TDP... really, really isn't.

The show begins with assassins sent by a grieving mother to execute a father and his child in revenge for the father killing her partner and child, and it never lets you forget it.

[thealogie]

picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

[caainhurst]

Are you interested in queer media centering around a gay trans man? Are you a fan of the TV shows Hannibal and Interview with the Vampire? Do you long for writing that calls back to the 90s Gothic genre defined by Poppy Z. Brite? Then this novel is for you. For years Vincent MacLachlan, agent of Britain's Secret Intelligence Service, trans man, and recently turned vampire, has been on the trail of a prolific, anonymous serial killer who defies profiling. The latest break in the case has taken him to San Francisco, and to handsome, charismatic dance instructor Nick Reynolds. Nick becomes Vincent's new link to the hidden world of magic, though Nick is also not what he seems, and invites Vincent into the intricate bondage and sadomasochism scene. Although Vincent thrives in this new atmosphere with Nick, it ignites buried feelings from his childhood; things he thought he had left behind. Will Vincent's bloodlust swallow him whole, or will Nick destroy him first? Master & Servant is my debut novel, the first in a trilogy. Please join me in exploring just how far Vincent will go in his journey of vicious self-discovery!

Hello all! In September I will be partnering with BackerKit's Booktopia to introduce my debut novel, Master & Servant. It would mean a lot to me if people would spread the word about our project and give my novel a chance!

[jjs-other-other-blog]

Like. Imagine though. You get a small role on a popular tv show and somehow your 3 episode stint extends to a 12 year main character thing.

And you find out there's a huge cult following surrounding the non-canon relationship between your character and one if the other main characters, but your not really supposed to talk about it. You sympathise und you kinda like the idea of that love story, but the show doesn't really want to cater to those kind of fans because this is a manly man's show!

Then they have you record a love confession scene, but when you say the words "homosexual declaration of love" out loud, you get a call from your boss who tells you to go online and rectify because it's not actually gay love, "it's up for interpretation".

They kill off your character and refuse to bring him back, even though you're in the series finale promo picture. They cut you out of the finale and rewrite the script "because covid", but they bring back Jenny the vampire despite covid.

Then they ban you from speaking about your character's sexuality and they ban fans from asking questions about your character's romantic feelings. They don't want no queers associated with their masterpiece of masculinity.

Two years later they ask you to pretend to be bisexual for the rest of your life because that's what's best for the show they all but kicked you out of.

[neroushalvaus]

Tumblr in the 60s – deleted posts

Some people requested a sequel to this post so I thought I'd post these drafts that didn't make it to the original. Maybe doing more at some point if the inspiration hits me but I hope these bring you some joy.

🚀 starrfleet Follow

HEY GUYS!! We're buying The Beatles so John and Paul can finally get together!! Who's in

🎹 nixonsafascist Follow

Call that... Beatles for Sale

🚀 starrfleet Follow

Dude this is serious. We want to free them. Why is homophobia so very funny to you?

🎶 mclennstarrison Follow

Didn't The Beatles start managing themselves after Mr Epstein died? So you plan to buy them... From themselves?

🚀 starrfleet Follow

Oh so the george harrison vampire mpreg blog is going to preach to us now.

92 notes

📻 lesbianbobdylan Follow

"Let men have short hair!!" "It's okay to not agree with the civil rights folk" "Don't let tumblr tell you that serving your country is bad" You are all so chronically online and convinced your little hippie bubble represents the world that you have the worst takes. Conservatism is alive and well, us hippies are the fucking minority. The outside world is perfectly okay with all the anti-mlk short-haired men who are happily getting drafted. You are not counterculture.

15,5 t. notes

☁️ ankin-vaimo Follow

Tumblr is so US/UK centric. Scrolling through this site you'd think there were no other tv shows than star trek and no other bands than the monkees and that the stonewall riots were the only meaningful political activism that has ever happened. There's so much great culture elsewhere. I bet you have never even heard of Tapani Kansa.

🇻🇳 shirellesofficial

#shhh don't tell Tumblr that other countries exist #they couldn't even admit Please Mr. Postman was originated by black women (tags via @marvelettesofficial)

peer reviewed tags

#sorry for going through your tumblr marvelettesofficial #you're just so funny #hope i'm not annoying you

54 notes

🌼 andpeoplesaywebeatlearound Follow

People really like to pretend us Beatles girlies hate Y*ko for being asian and a woman like she didn't literally make John cheat on his wife and leave his young son

🪕 prostitutesandlesbians Follow

don't talk like us beatles girlies are all the same, i personally want to fuck her on a canvas while we're both covered in menstrual blood, creating modern art by making love

✝️ jesusrevolution Follow

Op is this you? ↓

🎶 mclennstarrison Follow

Also like, "made John cheat on his wife and leave his young son", did John himself have nothing to do with that decision or..?

🪕 prostitutesandlesbians Follow

do you guys think she and john do mommy play

🎶 mclennstarrison Follow

I appreciate the input @prostitutesandlesbians but we're trying to call the op out for being a racist misogynist

🪕 prostitutesandlesbians Follow

sorry

346 notes

🤪 thekinkykinks Follow

Why is there even discourse about this... Yeah, the folks at Stonewall could have been more respectful towards the police officers who were just doing their jobs, but why are we acting like throwing some pennies at the police officers and calling them "Lily Law" is the worst type of oppression

🥿 trustnobutch Follow

You know what? No. Fuck you. I'm tired of you all talking about these people like they were your poor little meow meows. Have you read about this at all? The raid did not happen because the police "hates gay people wah wah". Stonewall Inn was run by the mob. The. Fucking. Mob. Would you rather have the police not protecting us from criminals, huh??? And the rioters were nothing but a bunch of attention seekers. I heard that a guy from the fucking Mattachine Society phoned newspapers and took pictures of the riot. I'm so disappointed, that was the only gay group that seemed to care about looking respectable in the eyes of the heterosexuals. People who were there made us all look bad and set our movement back like 50 years. Fuck you for supporting them.

🍊 kissmemissoklaholma Follow

Yeah. I heard someone threw a brick.

✌ draftdodgerdyke

??? Nobody threw bricks, where the fuck do you get your information ??

#they should have tho #chilling at the stockholm airport finding the weirdest takes

998 notes

🧸 teddyboyfemme Follow

i'm sharing a joint with this cute ass butch with the cutest curliest hair ever guyyyyssss I think i'm falling in love

🧸 teddyboyfemme Follow

she plays the harmonica for me i want to fuck her to the mattress

🧸 teddyboyfemme Follow

i don't have any idea what she's singing about but i think she likes the rolling stones too, we have so much in commonnnn

🧸 teddyboyfemme Follow

So it turns out that was Bob Dylan.

70,9 t. notes

[doctorcurdlejr]

Niko!! what'd you think of I saw the tv glow. I finally saw it last night and noticed you posting about it so I wanted to know your thoughts :)

Levi!!! I was JUST wondering what you were thinking about the movie after I saw you posting about it as well... we are so media discussion pilled in this way, it's awesome. ANYWAYS I've had so many thoughts since I first saw it and I've been trying to turn them into something coherent for a little bit now.

Ummm okay I have written 1k+ words about this movie, the suburbs, and escapism via teen TV.... clearly I was dying for somebody to ask this I guess so thank you for indulging me <3

First and foremost, I absolutely loved it! I've seen it twice now and the first time I watched it I got to see Jane Schoenbrun talk about the film right after. I already really liked it from that first watch alone. I found it so deeply relatable to my experiences - both in terms of growing up gay and trans, but where I am now in my 20s trying to navigate adulthood. Hearing what Schoenbrun had to say really cemented my feelings and thoughts about the film.

Buffy the Vampire Slayer was a big influence on the movie (it's why Amber Benson makes a cameo as Johnny Link's mom). Even though I don't have the same emotional link to Buffy since I never watched it, I recognize it as the same type of warmth I experienced growing up with Riverdale. When Owen says he feels like his insides have been scooped out but that he's too afraid to look and have that wrongness everybody knows is there be confirmed, Maddy simply responds "Maybe you're like Isabel. Afraid of what's inside you." Tears forming but not falling, breathing shallowly, I grabbed the paper and pen the theater keeps at the seats for people to order food with and wrote that line down - the slip of paper is still somewhere in my car. Writing it now almost feels lame in its simplicity, but it felt like my insides were being flayed open.

During the director discussion, Schoenbrun talked a little bit about this idea of how truly fucking bizarre it is to grow up in the suburbs. Like, when we think about the pinnacle of normality in American culture, it's the image of middle-class cis-hetero-white suburbia. At the same time, despite this cultural dream of normality, everybody is hyper-aware that the suburbs are one of the least normal things ever. So, the ACTUAL cultural understanding of it is that it's where we go to, like, passively kill ourselves (*George Costanza voice* WE LIVE IN A SOCIETY YOU KNOW!). This idea isn't new, I mean there are so many films and shows about navigating that specific bizarre dissonance from Rebel Without a Cause to Heathers to Twin Peaks. Probably half the pre-teen to teen TV I watched obsessively growing up, stuff like Strange Days at Blake Holsey High, Making Fiends, Truth or Scare, and eventually Riverdale, were never shy about being weird and morbid and saying "yes, the suburbs are exactly as bizarre and lethal in the ways you can already feel in your bones at 13." I Saw the TV Glow does a really good job of keying not only into that mental dissonance but more specifically into how those of us who have felt so intrinsically weird and different and wrong fell back on these shows like they were capable of doing the emotional version of a rescue breath maneuver after being drowned.

In high school, if there were two things about me that any person who even vaguely knew me could list off it was that I watched Riverdale, and I was a lesbian - and I was mocked more for the Riverdale. At that age, I was, without a doubt, the most miserable I have ever felt in my life. I rarely left the house because my family lived in a development that made me want to scratch my skin off when I walked out our front door. Owen didn't leave the house for days, afraid Maddy could somehow force him out. I sobbed constantly and frequently to depressing indie rock on the floor of my closet while hoping my family would just once read the (honest to god) KEEP OUT poster plastered on my door since I didn't have a lock on it. Owen didn't leave his room for days, afraid of what Maddy recognized in him. I didn't go on dates and kept my chest binder shoved to the bottom of my bookbag while wearing dresses that could've come from a how-to-be the perfect 50s housewife manual. Owen didn't leave his bed for days, afraid of Maddy touching his neck and Isabel's dress. I also watched Riverdale with the kind of zeal you see in a Pentecostal who has found God and started speaking in tongues to let you know it. I own a button that says, "Don't Make Me Go Dark Betty On You," I cherish it in a way that is only achieved by knowing exactly how corny and trite it is and then moving straight past that because well actually, and most people wouldn't get this, she's holding back something deeply dark and wild and- and disgusting. something painful yet intrinsically her. but i get it, obviously. or maybe not obviously! hopefully not obviously, but- basically, I'm just saying I get it: the experience of reflection and recognition through the other and all that.

Whatever, the point is that this movie is one big glaring trans allegory about how it sucks dog shit to live in the suburbs, and even at our most repressed we find these little snow globes of actualization in the glow of a tv screen that isn't afraid to show you the world you see. I've seen some people say that, like, in this context accepting or coming into your transness is this monumental death of self, which I get, but I feel there lacks a nuance in that because either way Owen is dying. Unlike Maddy who buries herself alive only to come out renewed, Owen doesn't kill himself upon facing the reality that the world is constructed to keep him miserable and the only way out is to take back what it is that the world wants to keep scooped out of him. Instead he just passively lets it drag him to a much more permanent death. This lack of suicide sucks in the kind of way that forces you to sit in your car on the midnight drive home and think to yourself am I letting myself suffocate because at some point knowing the misery became less scary than admitting I've been capable of doing something about it the whole time?

Clearly, I’ve been enchanted by the film’s narrative and meta-textual language. If you're familiar with it, you can see how Schoenbrun built this movie like a long-form dream episode of a canceled teen show filmed in Vancouver. Lynchian? Yeah, sure. Riverdalesque? THIS we cannot possibly deny. Schoenbrun said they included Amber Benson as an act of healing the inner rage experienced at Tara’s death in Buffy. This is a Roberto Aguirre-Sacasa ending Riverdale with a bisexual polycule after his gay Archie play got ceased-and-desisted type move. There’s probably more I could say about the soundtrack and the visuals, but I’ve hit over 1k words on this, so I’ll leave it at I enjoyed this movie a lot. :)

Maddy is an out lesbian who left town to escape the misery and found it strapped to her ankles. She slinks out, an animal pressed against the gymnasium floor, and says "I'm not telling you anything you don't already know." Owen looks into the camera and narrates. He cuts himself open with a box cutter, fully acknowledges what's there, and the movie ends with his suffocating apology parade for the unremarkable inconvenience of his excruciating suffering. You can be gay and trans, you can know it and you can stop repressing it, but you're not going to stop suffocating until you can find a way to destroy the part of you that truly deeply does want to die, reaching for the comforting euthanasia of normalcy. Stop visiting the dream of the life you want and make it into your reality with the same kind of unrepentant conviction seen in some underfunded but wildly ambitious teen television series. In other words: you must try to survive the ego death of being weird. A weirdo, who doesn't fit in and doesn't want to fit in!

[beanghostprincess]

Silly vampire buggy being so very normal about it while the rest are absolutely FERAL is so funny.

Buggy, before Roger passed, still on the Oro: hmm, I'm kinda thirsty-

Shanks, ripping his already open shirt further off: Oh Dear, Oh My Look At ALL THIS So Very BITEABLE SKIN, Sure Hope There's No VAMPIRES Thirsting Near Me, Wink Wink!!!!

Buggy: I bet Gabban still has some juice boxes. I hope he has that guava one. I'll be right back!

Shanks, half naked and drooping: 🥺😟😥😫

<><><><><><><><><>

Mihawk: I read this interesting novel yesterday which gave me much to ponder.

Buggy: oh? Awesome! Which was it?

Mihawk, side-eying Buggy pointedly: it was a supernatural romance between a human and vampire. It was rather explicit and had many scenes which piqued my interest.

Buggy, absolutely Not Getting It: oh man. I usually hate those. It's a toss up between bad writing or the vampire is always a top. Like? Give me gay bottom vampires too, we deserve to be recognized!! Oh, Hawky, can you hand me my sunscreen?

Mihawk: ........... here.

Buggy: thanks, love!

<><><><><><><><><><><><><><>

Crocodile: hey you drink blood.

Buggy, sipping A+ out of a care bear cup: yeah?

Croc: does it work on Logia users? Or would your fangs need Haki to pierce us?

Buggy: hm. Good question? I dunno, actually!

Crocodile: seems this could be a learning experience. Would be a shame to not experiment. I know how much you like your science.

Buggy: I do like science. Yeah. Yeah. You're right! I SHOULD experiment on that!!

Croc, unbuttoning his shirt, tugging down his cravat: uh huh, well, I suppose we ought to get to it- where are you going

Buggy: to my workshop! Science waits for no man!!! Nor clown, in my case. Man clown? Vampire? Who knows. Wait. Am I a man...? Hm, what is the gender today... wait, have I eaten at all? I don't remember. Anyway, I need to grab my suit, I'm low on sunscreen again. Oh, remind me to add that to the next shipment request. Oh, I should also grab a bloody mary!! That sounds great! Okay. Bye bye!!

Croc, halfway undressed, watching Buggy run outside, start swearing bc he didn't pull up his hood and is cursing the light, before tripping flat onto his face: ............. shit.

<><><><><><><><><><><><><><>

Buggy rarely pushes the limits of his abilities BECAUSE of the vampirism. If he uses his DF more than usual, it makes him hungrier. And once he hits a certain point, he begins to lose his already loosey-goosey sense of humanity. It scares him to be so cold and uninterested, especially since he always feels things turned up to eleven. When his hits that point, EVERYTHING turns off. At best, he'll be mildly annoyed, angry, amused - but it's like being in a glass bowl, watching things happen from the outside. It terrifies him.

His partners...? Well. It does things to them too, but terror isn't exactly the dominating feeling... 👀

((Also, the romanticism of blood. Of life energy. Of an exchange of that out of love. Of giving parts of yourself to sustain and satiate another. Carrying pieces of someone else in your body to propagate your own life. Of giving and taking consensually the liquid which carries your time. The inherent provocative nature of taking someone else's essence into yourself with full permission and full understanding because they receive so much from you in turn that it is simple, easy, logical to consent to this.))

Vampires 🥰

THE FIRST ONE IS SO REAL EFJKBWEJKBWJEKBF Shanks does that constantly he's DYING for Buggy to bite him and the clown won't even notice he's trying so much. It's ridiculous. Shanks and his failguy moment simping for a vampire that doesn't want his blood.

Mihawk and Crocodile trying to flirt and failing miserably because Buggy is always oblivious to what they do is amazing and no matter the AU it's always like this. I adore. They just want their vampire boyfriend to bite them :(( Failguys.

The last thing you said is so real. Vampires can be something so romantic and I think usually books/TV shows/Media in general don't focus on the important stuff. I want to see teen!Shuggy with Buggy and Shanks traveling together right after the crew disbands (before Roger's death) and Buggy not having access to other types of blood. So Shanks offers him his blood and they have like-- This moment of realization of how intimate it is. And Buggy will forever remember what it felt like to feel Shanks' embrace while sucking his blood without any complaints. And!! Both Mihawk and Crocodile wanting to do the same but it's definitely just for the horny, they don't expect it to be so passionate and intimate, and romantic.

Also, I agree with Buggy, the vampire should be the bottom. Really necessary for this situation.

[olderthannetfic]

I'm IWTV-wank-avoidance-asking Anon and it kinda missed me that it would be a wanky topic lol I was trying to see if the show is worth watching. A lot of my mutuals are posting IWTV gifs so I assume it's good, but I was curious if anyone who read the novel would think "Better read the novel". I don't realize an asking-for-rec ask would be wanky, but now that I think about who the writer is, it kinda makes sense. My bad lol

--

Ahahahaha.

Around here, I don't think anyone is precious enough about Anne Rice to start the genuine version of this wank, but Rice fandom can be... uh... very intense even on top of Rice herself having been the queen of drama.

You know about Red Beans Anne Rice, right?

Many years ago, Anne got all butthurt about a tacky-ass restaurant taking over an abandoned building that she'd had Lestat being emo in in one of the books. Instead of gothic atmosphere, it was now very PINK and LOUD. So she wasted money taking out ads in the local paper as Lestat trying to shame the restaurant owner... at which point a bunch of other restaurant owners also wasted money to respond in newspaper ads saying that they welcomed fellow businesspeople. It all ended in the restaurant's grand opening and people with plates of "Red beans Anne Rice" (i.e. red beans and rice).

--

Anyway, I read the first book back in the 90s when I was like 15. It's decent from what I remember. The thing that made it iconic when it came out in 1976 was that it was pretty heavily pushing the vampire=drug addict metaphor. This is everywhere in sexy goth sadboi vampire media now, but it wasn't as much of a thing at the time.

It was also very, very gay but in that way where (at least in the first book), nobody really says the word. That meant something in the 70s. Even by the 90s, it wasn't such a big deal, and it's a big nothingburger in the 2020s.

Book 1 is Rice dealing with the death of her child. It's all about suicidal feelings and Catholic weirdness. The main character is Louis, a.k.a. Rice's self-insert (which she confirmed herself).

Books 2 onward are about Lestat's dick.

He becomes a rockstar, vampire-bones the ur vampire, which causes him to mega level up, thus enabling him to thwart her plot to kill all men on earth aside form a few for breeding purposes, bodyswaps so he has a working penis again, fucks a nun, swaps back, gets Louis back by trying to commit suicide and accidentally getting a tan, etc... Much, much later books are about the other bonkers vampires, most of them more in the horny rockstar mold than the sad mommy of dead baby one.

In book 1, Louis is a depressed plantation owner who eats a bunch of his slaves among other fucked up shit. Claudia, their vampire daughter, is a small child who is upset about being stuck as a kid forever. One of the more disturbing parts is when Louis finds out she's fucking adult men. Lestat turns out to be a French nobleman with mommy issues despite Louis thinking he was only pretending to be upper class.

-- The TV series moved the entire plot much later in history, made Louis black, and gave him a spine. Some racists cried about this and some of tumblr cried about how it was offensive to take the plantation owner and make him black instead of doing that with the other one.

The show also made it more overt that Lestat is an abusive jackass boyfriend. This apparently came as a surprise to people with poor reading comprehension. Others have wanked about fans still liking Louis/Lestat instead of Louis/less terrible boyfriends. But... like... It's IWTV. What did they expect?

(So yes, some book fans will be immensely wanky about the show. Ignore them.)

Also, I hear they fuck on the show? Rice's vampires don't have working junk, which we know because Lestat stands in front of an entire wall of mirrors in the most bougie bathroom ever in Akasha's evil lair and discusses how his penis—I mean "The Organ"—no longer does anything.

Also, Armand in the books is the 14-year-old kept boy of a Renaissance painter with a harem of boys or something like that. (It's been a very long time since I read these.) Shit like this never makes it into the adaptations.

--

If you're curious about the history of vampire media or about a certain kind of Southern gothic shit, sure, read the books, particularly the first one with its radically different tone and much greater historical importance.

The old movie is a decent adaptation of book 1, though it makes it less gay (or at least removes Louis' weird boner for his dead brother) and messes with the ending in a way that would have made sequels veer off from the books. I haven't seen that other old movie with Aaliyah, but it looks like a campy time capsule of baaaad movies of that era.

Anyway, no, you don't need to read the book before watching the show. They changed a massive amount of stuff.

I'm in more of a Chinese media phase right now, but a bunch of friends have watched and said the show is genuinely good.

[slaygentford]

appears in the bedroom of 12 year old me on livejournal at 3am on a school night shhhh stop screaming it's me IT'S ME. dont worry about our hair. focus. seventeen years from now you will be watching an interview with the vampire tv show CALM DOWN. be quiet so I can finish. I don't have much time. you'll be watching an iwtv tv show and claudia and madeleine are going to be gay. the wormhole is closing but never forget what I've told you today claudia and Madeleine are gay together, claudia is gay, listen to me, remember me, don't forget this, DON'T FORGET (interstellar theme playing). I love you. I love you

[couldtransitionsaveher]

LOUIS DE POINTE DU LAC from INTERVIEW WITH THE VAMPIRE (TV SERIES)

JUSTIFICATION:

"schrodingers trans person (equally trans masc and trans femme). literally textually a gothic heroine. entire character about the fierce performance of masculinity in order to stay afloat/provide for family only to finally have an outlet for his "monstrous" desires via vampiric transformation and then his family stops seeing him. what if an insane woman wrote a gay man as her self insert to cope w her patriarchal marriage and then the same character in the more self aware tv show understands his patriarchal marriage through relating to women" - Anonymous

Reminder: Submissions are always open! Submit here!

Did you make your daily click today?

[theriverbeyond]

what series scratch the same "itch" as TLT for you? Recently finished the trilogy and feel empty and have found nothing to fill the void in my chest (lol) that TLT had in the weeks I was reading it. I have already experienced homestuck, when thhey cry, and most of the other "big names" of similar media. Any format works as long as its good. I like morally grey characters (Ianthe), well written female leads, character driven narratives and lesbians (in that order.

1. Princess Floralinda and the forty-flight tower (by Tamsyn Muir. excellent audio book narrated by Moira Quirk, same voice actor as TLT)

2. All of Tamsyn Muir's other novellas and short stories (The magician's apprentice, The house that did 16 loops of time, undercover, chew, the deepwater bride, etc)

Next up is entirely my personal and extremely picky and subjective preferences of brain zing, ranked in order of me remembering them

Chainsaw man manga (i read this 5x back to back when I first got into it in 2021. part 1 is complete, part 2 is still updating. part 1 can be experienced as a complete work. the anime is very good but the first episode is not as good as everything after it)

This is how we lose the time war book (feels sorta like fanfiction but the prose is gorgeous)

Interview with the vampire tv show (it's fun, it's camp, there are a lot of gay and bisexual people making really terrible decisions and being very hot)

Gurren Lagann anime (my favorite anime of all time. the women characters are not good, as is typical of many animes. the bathhouse episode can be skipped in its entierty without losing any plot. the overall story is really good and gives me that zing)

Arcane tv show (i watched this in full once and every since have just watched a caitvi + jinx whump clipshow but it did give me that zing. i do not care about the men)

Fullmetal alchemist manga or FMA brotherhood (really good and at this point a classic. royai is the queerplatonic campal blueprint i will not be taking critique at this time)

Revolutionary girl utena anime (watch the sub, do not watch the dub, the dub didn't make them gay. it's really good but heavy TWs and also it is paced like a 90's anime so: slow with a fair amount of filler, which can be good or bad depending on your preferences)

I have complicated feelings about Baru Cormerant and recommend reading up on content warnings if things like violent homophobia and very intimate portrayals of being a colonized subject are things that would upset you. It felt a little too personal to my life for me to like... think it was "fun" or whatever like it felt uncomfortably personal (and also subjectively I didn't super enjoy the pacing of the latter 2 books) but it did make me feel a lot of things and think a lot of thoughts. if the blurb sounds like something you are interested in then I recomend giving it a shot and then you can decide what you think of it yourself

Ancillary justice book (liked this one a lot, but havent felt motivated to read the sequel)

Other fun Studio Trigger animes such as Promare, Cyberpunk 2077, Kill la Kill

Nausicaa and the valley of the wind manga (the movie is good but the manga spanned 10 years, is gorgeously rendered, and goes MUCH more in depth especially wrt climate philosophy and such)

Slay the Princess video game (on steam but also I got into it just by watching letsplays online. It's really good and REALLY interesting, i love how it uses the visual novel format to its story advantage to pull of some incredibly cool story twists. Highly recomend!)

I feel like I am forgetting things that made my brain zing. My childhood special interest was CATS the musical (stage play and 1998 recorded production) and i definitely got brain zing from that but I don't think it has a lot of taste overlaps with tlt. this post really went off the rails but in my defense, it is after midnight

[weird-dork37]

Intro post

Ok so turns out I actually might post stuff so I guess for ppl who see these posts here’s a bit about me

My name is Iris (my friend helped me pick it out and I love it so much)

My sexuality is Aroace, Im Genderfluid, Any pronouns are fine, INFP, Aries, Hufflepuff, minor so pls don’t be creepy and weird, I like to read and paint and give ppl gifts, I play the French horn and trumpet( I want to learn the Saxophone, piano, Violin, Drums, Bass, Guitar, etc) I love cats and dogs, I have 3 dogs but no cats😔( my dad is allergic), I want a ferret cause I think they are cute, My fav wild animal is an Otter, I love Frogs, I like memes and gay stuff and band and theatre, IM OBSESSED WITH DUCKS( I HAVE A COLLECTION OF RUBBER DUCKS AND I WANT TO HAVE ATLEAST 1000 BY THE TIME THAT I DIE) ill prolly add more as I remember

Music that I like- Taylor Swift, Conan Gray, Olivia Rodrigo, Chloe Ament, Cavetown, Girl in Red, Mistki, Laufey, Lady Gaga, Orla Gartland, mxmtoon, Baby Queen, beabadoobee, Wolf Alice, Billie Eilish, Sabrina Carpenter, Hozier, Benson Boone, Djo, Chapell Roan, Tate McRae, Arctic Monkeys, Gracie Abrams, Lana del Rey, Melanie Martinez, etc

Books that I like- HEARTSTOPPER(Osemanverse), Hunger games, PJO(the entire universe of PJO), Harry Potter, Divergent, The Cruel Prince, A good girls guide to murder, The inheritance games, The Babysitters Club, Shatter Me, Six of Crows/ Shadow and Bone, The inheritance cycle, Acotar, Fablehaven/Dragonwatch, Better than the movies, prolly others I just can’t remember

Movies that I like- Hunger Games, Love Simon, Nimona, Inside out, Tangled, Crush, Harry Potter, Luca, 10 Things I hate about you, Clueless, Big hero 6, Barbie, Enola Holmes, Encanto, Coco, Little Woman, Marvel, Maze Runner, Megamind, Shrek, Ik there are others but my memory is rlly bad rn so I’ll just add them when I remember them

TV Shows that I like- HEARTSTOPPER, The Owl house(TOH), She-ra, Heartbreak High, Bridgerton, Friends, Survivor, The Good Place, Big bang Theory, How I met your Mother, Home Economics, The Vampire Diaries, Abbott Elementary, Anne with an E, Arcane, Bojack Horseman, Boy Meets World, Girl Meets World, Brooklyn 99, Carmen Sandiago, Hazbin Hotel, Helluva Boss, Miraculous Ladybug, Criminal minds, Stranger things, Gilmore Girls, Julie and the Phantoms, Love Victor, Ik there is more but yk bad memory

Ppl that I Kin big time- Luz noceda, Tori spring, Charlie spring, Robin Buckley, Hunter from TOH, The collector from TOH, Will Byers, Nick Nelson, Rain whispers from TOH, Entrapta from she-ra

Ik there’s more to say but I honestly can’t remember) I guess just look at what I post and repost🤷‍♀️

You guys seem like awesome ppl😊

So guess all that’s left to say is Hi!

Edit- My Pinterest username is rAiNbOw_MaFiA (I don’t post much on there, but I have a LOT of boards and pins saved)

[imperiuswrecked]

I NEVER want to see people say "but they COULDN'T cast an Actor of Color for a Character of Color because they couldn't find an actor to play the part!" As a defense for TV shows/Movies whitewashing a character ever again.

If a casting director could find a damn near carbon copy of an actor to portray said actor in his younger years, then a casting director can find anyone. I didn't even know this actor existed before the gay vampire show. This proves that if studios really wanted, they would.

So anybody in this day and age still defending whitewashing under the excuse of "studios not finding anybody" is stupid and dumb. Do you think big studios like Disney don't know when they're whitewashing characters of color? Do you really think they're just smol little beans trying to make fun movies by erasing characters of Romani, or etc (insert whomever they whitewashed here) heritage?

It's a casting director's JOB to match the actor to the character. If they aren't doing it properly, then they're a bad casting director. If studios executives are choosing to whitewash characters then know it's either on purpose or they don't think it's important enough to cast to character, and at that point I no longer give a fuck about whatever show/movie they are making.

Seriously it's embarrassing to watch you people defend whitewashing, it makes you look stupid.

(Note: I have nothing against the actors from Interview with the Vampire, I'm just using them as an example that there's so many actors out there and studios should always find the right person for the job.)