#garry naples

[anticnovaartgallerys]

Escuela del Norte de Italia, alrededor de 1700. Bodegón de flores y frutos con un perro y un loro

BODEGON,NAPOLES,PRIMERA MITAD DEL SIGLO XVIII CIRCULO DE #NICOLACASISSA

Gran bodegón Napolitano de la primera mitad del siglo XVIII con jarrón de flores,perro y loro en un jardín

#NicolaCasissa (active in 17th century early 18th-century, died 1731) was an Italian painter, active in Campania and Naples as a painter of still-life scenes of fruits, flowers, and birds.He was a pupil of Andrea Belvedere. A number of this paintings were in the 1714 inventory of Duke Nicola Coppola of Canzano. Among his pupils are Leonardo Coccorante and Giorgio Garri.

ReferencesEdit^ Museo d'Arco, Mantua, biography by Angela Tecce.^ Le belle arti, Volumes 1-2, By Giovanni Battista Gennaro Grossi, Tipografia del Giornale Enciclopedico, Strada del Salvadore a Sant'Angelo a Nilo

Medidas: 1,30 x 1,80 cms

Disponible/For Sale

[nofatclips]

Us Against by Without Waves from the album Lunar

[stadiumbound]

#Repost @kobemural with @make_repost ・・・ As of August 24, there are 590 public murals honoring Kobe & Gigi, including 320 in Southern California. New murals continue to go up every week 🙏 Thank you to the hundreds of artists, from over 40 countries worldwide, and the thousands of fans who have helped make this free resource possible. Visit our bio link for the free worldwide mural map and directions for every Kobe & Gianna mural. This is a free resource dedicated to the fans, families and artists. —— Slide 1: Victory Boulevard & Vineland Avenue in North Hollywood, 514 W Colorado St in Glendale, 4420 W Victory Blvd in Burbank, 2471 Whittier Blvd in Boyle Heights Slide 2: 1336 Lebanon St in Downtown LA (across from Staples Center) Slide 3: 1525 S Broadway in Downtown LA, 400 W Pico in Downtown LA, 970 Cottage Place in Downtown LA (across from LA Live), 1525 S Broadway in Downtown LA, Naples Italy Slide 4: China, 54 Eldridge St in New York City Slide 5: Grand Central Market in Downtown LA Slide 6: 1612 S Cloverdale Ave in Los Angeles Slide 7: 215 East 4th St in Downtown LA, Tampa FL, Rome Italy, 1342 Bison Ave in Newport Beach Slide 8: 7829 Melrose Ave in LA, 1525 S Broadway in Downtown LA, Charlotte NC, 3601 W Garry Ave in Santa Ana, 20 Union St Unit 160 in Pasadena Slide 9: Hollywood & Highland Center in LA, 1020 Mission St in South Pasadena Slide 10: Free mural map at our bio link (at Los Angeles, California) https://www.instagram.com/p/CS-mYb-liKn/?utm_medium=tumblr

[micaramel]

Artist: Pádraig Timoney

Venue: The Modern Institute, Glasgow

Exhibition Title: Superfare

Date: February 3 – April 4, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of the artist and The Modern Institute/Toby Webster Ltd., Glasgow. Photos by Patrick Jameson.

Press Release:

‘Paintings owe their existence – of which we are suddenly rendered conscious – of the apparent visible and the hidden visible – which in nature, are never separated. Something visible always hides something else, equally visible. But these paintings testify immediately – and unexpectedly – to this state of things. Something goes on in the world, between that which is visible and that which the visible hides, which is visible: a sort of combat…”

– Réne Magritte 1

Superfare marks Pádraig Timoney’s fifth solo-exhibition with The Modern Institute. The multifaceted and at times unorthodox grouping of paintings and prints at the gallery’s Osborne Street location demonstrate a unique approach to image-making that relentlessly seeks to reinvent and reexamine, create, metaphorise, and condense.

Drawing from an evolving continuum of images, thoughts and occurances, Timoney’s work explores painting’s potential to construct, convey and challenge. Through a multitude of different processes, Timoney’s ideas are reproduced and translated both materially and conceptually, ensuring these factors are mutually supportive. His surfaces, rendered in a multitude of (often) contradictory languages, coalesce into a body of work that self-generates new ideas, manners and abstractions.

Indeed, this adaptive and inventive approach to making is evident throughout Timoney’s new body of work. In There’s No Stopping… (2020), titled from a misquoted lyric from the Ramone’s 1977 song ‘Cretin Hop’, Timoney uses photographic developer to make oil paint soluble in water enabling Timoney to reinvigorate the dried paint from previous sessions in the studio – extending the potential influence of a certain colour or palette beyond a single sitting or work. In this, the exhibition’s largest work, his reworking is perhaps most apparent as under close inspection solid foregrounded form gives way to a delicate transparent intermediary layer and pointillist underpainting beyond. Through this extended process of layering, Timoney offers pictures within pictures, displaying a fascination of that which is under but not immediately seen.

Further in the show, two works both portray a small laughing figure, uniformed and sporting an indistinguishable expression amidst a backdrop of seemingly a street on fire, however, Timoney’s depiction lacks attribution, definition or explantation. What is identifiable is the uniform, the fire, a helicopter and the word ‘DEEDLE’ above the character’s head. The smaller original study, OriginalBorderDeedle, (2017), is playfully sketched in inks, acrylics and pigment, with the larger replica, realised in oil, offering a more distanced energy, a layer or step beneath the original sketch. Filangieri’s (2020), presents a further key example of Timoney’s painterly openness, the solid circular and semicircular forms, which closely match the oil drawing underneath, partially camouflaging or revealing fragments of the image beneath the surface layer. The crucial obscuring thinness of the oil layer provokes the idea of what is more fortunate- that which has been revealed or that which is imagined underneath.

In Superfare the notion of layers becomes a scattered thematic, as Timoney eagerly and relentlessly pursues the ideas that inform his work, images are constructed and reconstructed, pushed and pulled to the point of collapse only to be developed into a cohesive whole. Superfare documents a fundamental intention and on-going attention by not looking like it does at all.

As Timoney himself suggests, ‘I try to find the right image for a thing that comes to mind – I don’t want yet to rationalize or describe an underlying intentionality of selecting images or whatever. I’m trying, I suppose to still make excitement for the eyes – that a practice based in historicity and the present could find some new space. That there would always be, with the hand-made, coherence, distance, dirt, all that stuff that gets in your eyes when you open them in the morning. That you know, that you recognize, that you know you recognize, that you recognize maybe with a smile. Eyes talk, eyes already being the outmost stalks of brain tissue. They see thinking. The concepts, although present, have no more weight than the material. That there are echoes off every surface- our ears already deal with all that richness without thinking too much about it. That there is still space makeable for this activity. Super-fare.’2

Pádraig Timoney (born 1968, Derry; Lives and works in New York). Notable solo exhibitions include: Lulu, Mexico City (2018); The Scrambled Eggs Salute The Trifle, The Modern Institute, Airds Lane (2016); A lu tiempo de…, Museo Madre, Naples (2014); Fontwell Helix Feely Raven Row, London (2013); Shepard Tone, The Modern Institute, Osborne Street, Glasgow (2012); and The Fear of All Sums – Ten Million Dice to Weigh, Void, Derry, Northern Ireland (2006).

Group shows include The Painting Show, British Council touring exhibition, Limerick City Gallery of Art, Limerick (2017) and Contemporary Art Centre, Vilnius, Lithuania (2016); Collected by Thea Westreich and Ethan Wagner, Whitney Museum of American Art, New York/ Centre Pompidou, Paris (2016); Terminal Convention at the former Cork International Airport (2011) ; Frequency: Mark Garry, Pádraig Timoney, Hayley Tompkins, The Hugh Lane Gallery, Dublin, Ireland (2009); Un Monde d’Imag, Frac Picardie, Beauvais, France and The British Art Show 5 (2000).

In 2014, the most extensive monograph on the artist’s practice, Microtome was published by Electa on the occasion of the artist’s mid-career retrospective at Museo Madre.

1 Réne Magritte, (cited in Patrick Waldberg, p.248, Rene Magritte, Andre de Rache pub, Brussels 1965)

2 A reference to the exhibition’s title and an accompanying painting in the show, as well as the combination of the two words which from Italian translates to make (or do) super. This poses further a duality of ideas.

Link: Pádraig Timoney at The Modern Institute

from Contemporary Art Daily https://bit.ly/3bAPBEe

[gbhbl]

Album Review: Black Sites - Exile (Hoove Child)

Album Review: Black Sites – Exile (Hoove Child)

Black Sites are an amalgamation of talent from Chicago’s underground music scene. Former Trials vocalist Mark Sugar is joined by his long-time collaborator Ryan Bruchert on guitar, José Salazar (Satan’s Hallow) on bass, and Garry Naples (Novembers Doom, Without Waves) on drums.

Drawing on influences from Black Sabbath to Queensryche and Paradise Lost, Black Sites delivers a sound that’s been…

[francejpo00]

Florida Real Estate Bounces Back After Irma

Now the dust has settled in hurricane-hit Florida, Richard Way explains why property in Orlando and the Gulf Coast has lost none of its shine…

The most powerful hurricane ever recorded over the Atlantic made landfall in Florida in September 2017, giving homeowners there a stark reminder that every so often conditions in the Sunshine State momentarily turn treacherous.

The statistics surrounding Hurricane Irma, a category 5 storm when it first hit the state’s south-west corner, are alarming – wind speeds of 140-plus miles per hour, evacuation plans for more than six million and insurance claims worth over $5-billion from nearly 800,000 affected property-owners (State Office of Insurance Regulation, as of end of October 2017).

But Florida is accustomed to hurricanes – Irma is hardly the first and won’t be the last – and its residents are well versed in protecting themselves and their homes. Reassuringly, the state-wide building code there, implemented in the early 2000s and constantly updated, has made a significant difference to reducing both storm damage to buildings and injuries to occupants.

“Florida has the strictest building code in the country,” said Tiffany McQuaid, president of Naples realty firm McQuaid & Company. “Most damage caused by hurricane Irma was either natural debris, such as trees, or poorly secured pool cages or shingle tiles from older properties.”

Ms McQuaid is helping to organise a fund-raising concert in recognition of local communities affacted by Irma. Unlike inland areas, Naples and the southwest of Florida were hit especially hard in September, due to topographical reasons.“Central Orlando is never an area where we worry about hurricanes,” said Zoe Attwood at Homes of America. “They will always hit the coastal areas first, leaving inland areas sheltered from any storm surge. This time, Irma did come right over our home, but by the time it reached us it was almost like a stormy day that I remember in the UK!”

And according to Garry Walmsley at The Orlando Agency, it’s no coincidence Disney World is where it is: “Walt Disney did his homework. One of the reasons he selected Orlando as the location for the Disney resort was for the weather patterns in the middle of the state, which he studied for many years prior.”

Inevitably, Irma caused a blip in sales and new listings in Florida’s property market in September 2017. Now though there is no reason to delay your search for a Florida property – for peace of mind, be sure that properties you consider are built to storm-proof standards and are not in a flood zone and when you do buy, get adequate hurricane and/or flood insurance.

Orlando and central Florida

The Orlando and so-called ‘Golden Triangle’ areas around Disney continue to cater predominantly for UK couples and families buying a vacation home, although realtors also note interest from investors.

“Eighty-five percent of our purchases at the moment are for vacation homes for short-term rentals,” said Mark Shore at Florida Horizons Real Estate. “Most of our British clients are spending between $200,000 and $250,000, and opting for a resale single-family home, usually with four or five bedrooms and pool. They like gated communities such as Cumbrian Lakes in Kissimmee, just 15 minutes from Disney. UK clients who recently bought there paid $230,000.”

Other Disney communities popular for vacation properties and zoned for short-term rentals, so enabling owners to cover their running costs, including West Haven, Windsor Hills, Emerald Island, Tuscan Hills, Watersong, Bella Vida and Veranda Palms. Typical family homes there are $230,000- $300,000.

“People who want something a little lusher look outside of the tourist areas,” added Ms Attwood at Homes of America. “They may spend $400,000-$600,000 for something more exotic and just for their own use, maybe for six months a year.”

In terms of new developments, a noticeable trend is for vacation-style resorts with amenities that stretch beyond just a pool and clubhouse. “The key difference is the size of the resort and the level of amenities offered,” said Mr Walmsley at The Orlando Agency Villas. “All are designed to attract and increase the number of guests to seven of the world’s top theme parks and US’s largest convention centre.”

Examples could be The Retreat at ChampionsGate and The Encore Club at Reunion, both with access to championship golf courses, and where new family homes range from just under $480,000-$800,000, unfurnished. “But first take a look at resales there,” added Mr Walmsley. “I’m starting to see some great opportunities from around $380,000 that are no more than 3-4 years old and typically come furnished, which can also be amortized in any mortgage agreement.”

Another option could be Balmoral at Waters Edge in Haines City, a recently opened five-star resort set around a lake, which has townhomes as well as large detached villas available. Realtors warn investors and anyone looking to maximise rentals to be wary of homeowners association (HOA) fees – these rise in line with the size of a resort and the facilities available there, thereby eating into rental income.

Gulf Coast

Cities and resorts on Florida’s white sandy Gulf coast remain popular with mature British second homeowners, including retirees, who value culture and coastal leisure activities over the bright lights of Disney. Sarasota and its adjoining islands, including famed Siesta Key, is a lively city complemented by a beach and nautical scene.

“In Sarasota, I’m seeing a steady flow of lifestyle buyers,” said Pat Tan, an expat realtor at Your Global Agents. “Some do rentals when not using their property. Renters here tend to come for one to three months. This is longer than in the Orlando area, which typically means fewer turnovers, less wear and tear, and lower management charges.”

Most of Ms Tan’s clients this year have bought villas, usually in communities with resort-like amenities and with price tags of $300,000-$400,000. Some retirees have opted for smaller condos, spending $150,000 to $225,000.

“Another trend we are seeing is new ‘multi-generational’ homes, which are villas with a separate granny annexe. These allow British buyers to keep one part of the home for themselves and put a long-term tenant in the other part of the property. These homes start at around $360,000.”

Ms Tan, who has never been hit directly by a hurricane in 20 years of living in Sarasota, highlights the Soleil development as a particularly attractive buy right now. “Offering two and three-bed coach homes and with prices in the low $200,000s, these brand new homes are just seven minutes’ drive to downtown Sarasota and 15 minutes to St Armand’s Circle and Lido Key beaches.

North of Sarasota is the popular area of St Petersburg, whilst further south in the upmarket resort of Naples, another established destination for discerning UK buyers, Brits are back looking for homes. “Only last week we had five British couples come into our office off the street,” said Ms McQuaid at McQuaid & Company at the end of October. “Two were looking to buy an amenity-rich resort-style condo near the beach, while another was looking for a single-family home in a golf community. Their budgets ranged between $550,000 and $1.6million. The remaining two were looking for seasonal rental property.”

Popular golf communities in Naples right now include Quail Creek, with prices from $600,000s, and the more affordable Vineyards. For condo homes, Ms McQuaid suggests the Isles of Collier, with prices starting in the mid $500,000s, or the more central Naples Square development in downtown Naples.

Source Article

The post Florida Real Estate Bounces Back After Irma appeared first on Looking For Apartments In St Petersburg.

Learn More At: http://www.francejpo.com/florida-real-estate-bounces-back-after-irma/

[jdrespling]

NY IN 64: The Gentle Indifference Of The Night Streaming At Decibel Magazine; LP Out Tomorrow Through Magic Bullet Records

NY IN 64: The Gentle Indifference Of The Night Streaming At Decibel Magazine; LP Out Tomorrow Through Magic Bullet Records

The track listing is as follows; 01. ‘Devils Light’ 02. ‘Plague Bird’ 03. ‘Ghost’ 04. ‘Ever After’ 05. ‘Hamartia’ 06. ‘Apostasy’ 07. ‘Miasma’ 08. ‘Zephyr’ 09. ‘Waves In The Red Cloth’ 10. ‘Borderline’ Novembers Doom’s line-up is as follows; Paul Kuhr (vocals) Larry Roberts (guitars) Vito Marchese (guitars) Mike Feldman (bass) Garry Naples (drums) The track ‘Plague Bird’ has been made available…

[m3t4ln3rd]

Immortal Bird announce new effort Empress/Abscess; reveal spring tour dates

Immortal Bird announce new effort Empress/Abscess; reveal spring tour dates

Midwestern blackened death grinders Immortal Bird have a new record due out this year titled Empress/Abscess. The effort was produced by Pete Grossmann (Weekend Nachos, Harm’s Way, Dead In The Dirt) at Bricktop Recording in Chicago, IL earlier this year and mixed and mastered by Colin Marston (Gorguts, Krallice, Nader Sadek, Atheist, Origin etc.) at Menegroth, The Thousand Cavesin Queens, NY.…

[thisisnotascene]

Novembers Doom - Bled White

Novembers Doom – Bled White

Novembers Doom are one of the United States’ continuously running doom bands. They have been at this game since 1989 and the release of “Amid It’s Hallowed Mirth” shortly thereafter. The line-up has changed several times with only vocalist and founder, Paul Kuhr, remaining from the original lineup. Their latest lineup is made up of Kuhr, Larry Roberts (guitars), Vito Marchese (guitars), Mike…

[jdrespling]

NY IN 64 Premieres “50 Lbs. Of Ash” Through New Noise Magazine; The Gentle Indifference Of The Night LP Due In Late May Via Magic Bullet Records

NY IN 64 Premieres “50 Lbs. Of Ash” Through New Noise Magazine; The Gentle Indifference Of The Night LP Due In Late May Via Magic Bullet Records

The track listing is as follows; 01. ‘Devils Light’ 02. ‘Plague Bird’ 03. ‘Ghost’ 04. ‘Ever After’ 05. ‘Hamartia’ 06. ‘Apostasy’ 07. ‘Miasma’ 08. ‘Zephyr’ 09. ‘Waves In The Red Cloth’ 10. ‘Borderline’ Novembers Doom’s line-up is as follows; Paul Kuhr (vocals) Larry Roberts (guitars) Vito Marchese (guitars) Mike Feldman (bass) Garry Naples (drums) The track ‘Plague Bird’ has been made available…