#garden design cardiff

[shootsandrootswales]

Shootsandrootswales is the leading services provider of landscaping and garden design maintenance services in Cardiff. We also offer services such as Landscaping, Paving, patios, fencing repair & maintenance in Cardiff. For more information visit https://www.shootsandrootswales.co.uk  

[shelleytheodore]

CV

SHELLEY THEODORE Born in Brisbane, Australia Lives and works in London, Barcelona and France https://shelleytheodore.tumblr.com/ https://www.axisweb.org/p/shelleytheodore/ EDUCATION 2012 MA Visual Art (Fine Art), Camberwell College of Art, University of the Arts, London 1995 Bachelor of Fine Art (Hons), Goldsmiths College, University of London 1992 Dept of Continuing Education, Goldsmiths College, University of London, Certificate in Art 1980 Bachelor of Social Work, University of Queensland, Australia SELECTED EXHIBITIONS AND PUBLICATIONS 2022 Artist Feature Special Issue: Best Artists of 2022 Magazine 43, Hong Kong 2022 Magazine 43 Film Friday featured artist April 2022 https://magazine43.substack.com 2021 Deptford X Festival, Art in the open Supported Application Guide shapeslewisham introducing@shelley_theodore 23 March 2021 Deptford London 2021 Post Analogue Labyrinth IV, virtual exhibition, https://www.artsteps.com/view/ 6092eeaca33cc06fe89a823f 2019 Post Analogue Labyrinth Ill, as part of DEPTFORD X FRINGE, AAJA Deptford 2018 Post Analogue Labyrinth 11, Sister Midnight Records 4 Tanners Hill London Gaze, Axisweb: Contemporary Art UK Network, online exhibition Aesthetica Issue 81, p157, Artists' Directory, Published on Jan 24,2018 2017 Drawing Open, 26 -28 May, No Format Gallery, Arch 29, Rolt Street, Deptford 2016 Prison Drawing Project, Dean Road Prison, Scarborough, UK Artrooms Fair 2016, Melia Whitehouse Hotel, London 2015 Uncertain States Annual, Mile End Art Pavilion, Mile End 2014 Pala, an online digital program of artist's film and video works curated by Laura Mansfield 2013 Bloomberg New Contemporaries 2013, Spike Island, Bristol, and ICA, London 8 STUDIOS FROM HERE, Faircharm Studios, Deptford Postcard From My Studio, Acme Project Space 44 Bonner Road, Bethnal Green, London 2012 Crash OPEN, Charlie Dutton Gallery, 1a Princeton Street, London The Salon Art Prize Exhibition 2012, Matt Roberts Art, 25b Vyner Street, London Jerwood Drawing Prize Exhibition 2012, Jerwood Space, London No Now, Space Station Sixty Five, Kennington Bend over Shirley, Beaconsfield Contemporary Art 2011 CCW Artist Moving Image, HMV Curzon, Wimbledon 'Chain letter' worldwide exhibition 2011, GIBSMIR family, Zurich, Switzerland. Flash in the Pan, curated by Naomi Sidefin and David Crawford, Beaconsfield Contemporary Art The Unsung Heroes of the studio, ASYLUM, The Chapel, Caroline Gardens, Peckham 2010 Peckham Space Open, Peckham Space, Peckham Deptford X Fringe Award, Deptford X Fringe Nunhead Open Art Exhibition, The Surgery, Nunhead 2009 Creekside Open, selected by Mark Wallinger, APT Gallery, Deptford Creekside Open, selected by Jenni Lomax, APT Gallery, Deptford 2008 London Art Fair, Islington, Beverley Knowles Fine Art 2007 London Art Fair, Islington, Beverley Knowles Fine Art RESIDENCIES 2022 Studio Residency, San Quirze Safaja, Barcelona 2021 Photography Workshop with Architect Lisa Harmey and architecture students University of Cardiff, UK 2015 'Backs to the Future' Residency, FIVE YEARS 66 Richmond Studios, 8 Andrews Road, E84QN 2014 2014 LUX Critical forum, London 2012 Gasworks Curatorial Workshop, Gasworks 2011 Urban fabric 2 (UF2) Paradox Conference, Crawford College of Art and Design, Cork, Ireland 'Sculptural Drawing Collaboration', The Woodmill Project Space, Bermondsey

[atwwoodendoorsuk]

Discover Beautiful Wooden Doors with 10-Year Guarantee

Looking to elevate the look and security of your home? At Authentic Timber Windows Ltd, we offer an exquisite selection of wooden doors that combine style, durability, and security. Whether you're searching for oak doors, softwood doors, or hardwood doors, our wide range of external doors is designed to suit all homes and tastes. With expert door fitters located in London, Bristol, Manchester, Birmingham, Cardiff, and Cambridge, we provide professional installation services that ensure a flawless finish and enhanced security for your home.

A Wide Range of Beautiful and Secure Wooden Doors

At Authentic Timber Windows Ltd, we pride ourselves on delivering high-quality wooden doors that not only look beautiful but also provide top-tier security. Here are some of the door options we offer:

Front Doors: Create a welcoming and stylish entrance with our front doors, available in oak, softwood, and hardwood. These doors are crafted to be both elegant and strong, ensuring a perfect balance of aesthetics and protection.

Back Doors: Our secure back doors come in various designs and materials, providing you with peace of mind without compromising on style.

French Doors: Let in the natural light and create a seamless connection between your indoor and outdoor spaces with our elegant French doors.

Bifold Doors and Bifolding Doors: Maximize space and enjoy an open feel with our versatile bifold and bifolding doors, perfect for modern homes.

Patio Doors: Enhance your outdoor views with our sleek and secure patio doors. These doors allow you to enjoy your garden or patio space while keeping your home safe.

Sliding Doors: Looking for a contemporary option? Our sliding doors provide a smooth transition between spaces, combining style with practicality.

Stable Doors and Dutch Doors: For a unique and traditional touch, our stable doors and Dutch doors offer charm, durability, and added ventilation without compromising security.

Insulated Doors: Stay energy-efficient with our insulated doors. These doors are designed to keep your home warm in winter and cool in summer while providing excellent security.

Professional Installation by Expert Door Fitters

A great door deserves a great installation. That’s why we have a team of expert door fitters who operate in London, Bristol, Manchester, Birmingham, Cardiff, and Cambridge. Our professional installers ensure that every door is perfectly fitted to offer not just beauty but also maximum security. With years of experience, our team will make sure your new front door, back door, or external door fits seamlessly into your home.

Advanced Security for Complete Peace of Mind

Every door from Authentic Timber Windows Ltd is fitted with the latest in security technology. From security doors to safe doors, each one comes equipped with a multipoint locking system and a 3-star high-security cylinder. These features are designed to keep your home secure, so you can enjoy peace of mind knowing that your family and belongings are safe behind one of our doors.

10-Year Guarantee on All Doors

We stand by the quality of our wooden doors and the craftsmanship that goes into every installation. That’s why we offer a 10-year guarantee on all our doors, ensuring long-lasting performance. Whether you choose one of our oak doors, softwood doors, hardwood doors, or any of our external doors, you’re making a smart investment in both style and security.

Enhance Your Home’s Curb Appeal and Value

Upgrading your door is not just about security—it’s also about improving your home’s overall look and value. With a wide range of designs, from traditional oak doors to modern bifolding doors, Authentic Timber Windows Ltd helps you make the perfect choice for your home. Our doors not only boost curb appeal but also increase the market value of your property, making them a wise long-term investment.

Serving Homes Across the UK

No matter where you are in the UK, whether it's London, Bristol, Manchester, Birmingham, Cardiff, or Cambridge, Authentic Timber Windows Ltd is here to help you find the perfect door for your home. Our local installers ensure timely and professional service, ensuring your home is both stylish and secure.

Find Your Perfect Wooden Door Today

Ready to transform your home with a new front door, back door, or patio door? Explore our collection of stunning wooden doors at Authentic Timber Windows Ltd and discover how we can enhance both the beauty and security of your home. Whether you're looking for a classic oak door or a sleek sliding door, our expert team is here to help you make the right choice.

[diamond-engagement-rings-uk]

Best Jewellery Directory Site in United Kingdom

If you're looking to find the best jewellers in the UK, these websites stand out as the go-to destinations for discovering top-tier jewellery stores in their respective cities. Each platform is dedicated to connecting customers with the finest jewellers, offering everything from stunning engagement rings and luxury watches to bespoke designs and timeless accessories. Here's why each site is your best bet for finding the perfect jeweller in their city:

Belfast Jewellers (belfast-jehatwellers.co.uk) For those in Belfast, this website is a treasure trove of the city's finest jewellers. It showcases a variety of stores, each known for their expertise in crafting both contemporary and traditional pieces. Whether you're looking for a special occasion gift or an engagement ring, this is your go-to platform for discovering Belfast's top jewellers.

Cardiff Jewellers (cardiff-jewellers.co.uk) Cardiff's jewellery scene is diverse and rich in craftsmanship, and this website perfectly reflects that. Cardiff Jewellers connects you with the most reputable jewellers in the city, offering everything from custom pieces to ready-made collections. Whether you're after diamonds, gold, or platinum, this site helps you find the best jewellers Cardiff has to offer.

Glasgow Jewellers (glasgow-jewellers.co.uk) Glasgow Jewellers is the definitive guide for anyone in search of exceptional jewellery in Glasgow. This website showcases the city's best jewellers, renowned for their craftsmanship and stunning collections. From engagement rings to everyday luxury, this site helps you navigate Glasgow’s jewellery offerings with ease.

Manchester Jewellers (manchester-jewellers.co.uk) Manchester is home to some of the UK's most talented jewellers, and this website ensures you're connected with the very best. Whether you're seeking a bespoke design or shopping for timeless classics, Manchester Jewellers is your trusted source for finding the finest jewellery stores in the city.

Hatton Garden Jewellers (thehattongarden.com) Hatton Garden is synonymous with luxury jewellery in the UK, and this website is the ultimate resource for exploring the iconic district. Known for its diamonds and bespoke creations, Hatton Garden is home to some of the most respected jewellers in the world. This platform provides an insider’s guide to the top jewellery stores in the area, whether you're looking for an engagement ring or an investment piece.

Liverpool Jewellers (liverpool-jewellers.co.uk) Liverpool Jewellers showcases the city's top jewellers, making it easy to find everything from high-end jewellery to affordable luxury. Whether you’re shopping for a special gift or treating yourself, this website connects you with the finest jewellers in Liverpool, each known for their exceptional quality and service.

Leeds Jewellers (leeds-jewellers.co.uk) Leeds Jewellers is the go-to platform for discovering the best jewellers in the city. Whether you're looking for modern designs or timeless classics, this site offers access to a variety of jewellers known for their craftsmanship and exquisite collections. For anyone in Leeds seeking top-quality jewellery, this website is an essential resource.

These websites are dedicated to helping you find the best jewellers in their respective cities, offering a wide range of jewellery to suit any style or occasion. From diamonds and gold to bespoke designs, you're guaranteed to find something special at any of these highly recommended destinations.

[cardiffandcarephillycarpentry]

Customized Garden Design with the Best Carpenters in Cardiff

Cardiff and Caerphilly Carpentry are among the top-rated carpentry services near Cardiff. Being the Best Carpenters In Cardiff, they can offer you complete solutions in…..

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[randrspaces]

Build Your Own Garden Office in Cardiff with R&R Spaces

Are you seeking a quiet and inexpensive garden office in Cardiff? There is no need to look for any place else than R & R Spaces.  Find your in-tune space and work quietly in the tranquility of nature. Our shipping container offices which serve as a custom-built design provide the trendiest and the strongest option for online work.

[blackridge]

Top 10 Data Center Projects in Europe

Data centers play a crucial role in today’s digital landscape, serving as the backbone of industries such as telecommunications, cloud computing, and finance. In Europe, the demand for data centers has been booming, with record growth predicted for the coming years. In this article, we will delve into the top 10 data center projects in Europe, showcasing their size, innovation, and impact on the region’s digital infrastructure.

Here are the Top 10 Data Center Projects in Europe

1. Covilhã Data Center — Portugal

2. Vantage Cardiff Data Center Campus, CWL1 — Wales

3. FRA 1 — Frankfurt, Germany

4. Microsoft Dublin Data Center — Ireland

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To find out More about the Top 10 Data Center Projects in Europe check out

Top 10 Data Center Projects in Europe

Data centers play a crucial role in today's digital landscape, serving as the backbone of industries such as…

www.blackridgeresearch.com

1. Covilhã Data Center — Portugal

Located in Covilhã, Portugal, the Covilhã Data Center stands as one of the largest and most innovative facilities globally. Covering a staggering 800,000 square feet, this data center has gained recognition for its impressive architecture, environmental commitment, and design. Situated in the Centro region, the center benefits from favorable natural conditions such as low humidity, low salinity, low seismic, and flood risk. Notably, it is one of the coldest points across Portugal, making it an ideal location for data storage.

The Covilhã Data Center boasts a rainwater collection system, on-site photovoltaic solar power generation, and a captivating garden housing over 600 trees. These environmental commitments align with the center’s mission to minimize its ecological footprint while providing exceptional data storage solutions. Altice Portugal, formerly known as Portugal Telecom, operates this facility. Earlier this year, reports circulated about Altice negotiating the sale of its flagship data center for €100 million.

2. Vantage Cardiff Data Center Campus, CWL1 — Wales

Situated in Newport, Wales, the Vantage Cardiff Data Center Campus stands out as a remarkable facility in terms of size and capabilities. Spanning approximately 750,000 square feet, this three-story building houses nearly 375,000 square feet of technical space. The campus, designed to exceed Tier III standards, has the capacity to accommodate up to 19,000 cabinets.

Once fully developed, the 46-acre Vantage Cardiff Data Center Campus will include three data centers. Two of these facilities are already operational, catering to the increasing demand for data storage and processing. Vantage Data Centres, a leading data center provider, operates this campus, aiming to meet customer demand from around the world.

3. FRA 1 — Frankfurt, Germany

Frankfurt, Germany, stands as the leading data center market in the country, making it an attractive location for data center providers. NTT, a prominent player in the data center industry, established FRA 1, a facility spanning over 561,876 square feet of IT space. The FRA 1 data center consists of seven free-standing buildings, offering ample space for clients’ data storage needs.

With a focus on providing additional data center space for its clients, NTT strategically selected Frankfurt for this facility and its subsequent projects. The data center market in Frankfurt continues to thrive, and NTT’s FRA 1 plays a significant role in meeting the increasing demand for data processing and storage in the region.

4. Microsoft Dublin Data Center — Ireland

Microsoft’s Dublin Data Center, located in Clondalkin, Ireland, represents a pioneering facility that relies heavily on fresh air for cooling purposes. When the data center was commissioned in 2009, it set an example as one of the early adopters of fresh air cooling systems. The facility, with its 550,000 square feet of space, became Microsoft’s first data center outside of the United States.

Since its inception, the Dublin Data Center has undergone multiple expansions to meet the growing demands of Microsoft’s customers across Europe. The facility’s innovative cooling system, combined with its significant size, positions it as a key player in the European data center landscape.

Conclusion

The top 10 data center projects in Europe represent a diverse range of facilities, each contributing to the region’s digital infrastructure in its unique way. From the expansive Covilhã Data Center in Portugal to the innovative Facebook Luleå Data Center in Sweden, these facilities showcase the industry’s commitment to efficiency, sustainability, and cutting-edge technology. As Europe’s demand for data storage and processing continues to grow, these data centers play a crucial role in supporting various industries and driving technological advancements across the continent.

Find Upcoming Data Center Facility Projects in Europe with Ease.

Are you looking for a platform that gives you reliable, high-quality, and timely project insights for Data Center Facility Projects in Europe?

Discover the Global Project Tracking (GPT) platform by Blackridge Research, designed to provide you with the most recent Data Center Facility Projects in Europe better and faster across various stages of development:

Upcoming projects

Tender Notices

Contract award announcements

Projects in progress or under construction

Successfully completed projects.

The user-friendly interface helps you obtain early-stage awareness of projects and find the right business opportunity quickly.

Each project will have all the essential details, such as scope, capacity, CapEx, status, project description, companies involved, funding information, location, periodic updates, important event dates like construction start date, commissioning dates, and key contact information of project owners and stakeholders.

The database is a vital resource for a wide range of entities, EPC Companies, data analytics and software providers, consulting and advisory firms, investors, multilateral banks and financial institutions, and law firms.

Book a Free demo to learn more about the Data Center Facility Projects in Europe database and how we can help you achieve your goals.

[woodendoorsatw]

Unlocking Elegance: The Allure of Wooden Doors by Authentic Timber Windows Ltd

When it comes to home sweet home, the entrance is the curtain raiser, and what better way to make a grand statement than with a Timber Door? Authentic Timber Windows Ltd, the leading Wooden Doors Manufacturer in the UK, takes pride in crafting doors that not only safeguard your castle but also elevate its charm.

Front Timber Doors: Where Security Meets Style

Traditional or modern, your call! These bespoke timber entrance doors from Authentic Timber Windows Ltd aren't just about aesthetics; they're a fortress. High-security locks and cylinders with a 3-star rating mean your home is as safe as Fort Knox, minus the moat.

French Wooden Doors: Elegance in Every Frame

Elevate your garden or balcony with the elegance of timber French doors. Not only do they exude sophistication, but they're also a budget-friendly alternative to bi-fold or patio doors. Let the light flood in without breaking the bank.

Bifold Doors: The Grand Unveiling

Open your home to a world of light and space with Bifold Doors. Authentic Timber Windows Ltd believes these doors are more than an investment—they're a lifestyle upgrade. Witness an improved view, bask in more sunshine, and enjoy the feeling of expanded space.

Wooden Patio Doors: Connecting Interiors with Exteriors

Slide into a sunlit haven with sliding patio doors. Maximizing sunlight and space, these doors save space and add prestige to your garden. Opt for an Oak Door to sprinkle a touch of luxury to your outdoor haven.

Timber Back Doors: Simplicity with a Touch of Customization

Enhance the rear or side of your property with a simpler design. Authentic Timber Windows Ltd offers back doors that blend functionality with customization. Choose from a range of double-glazed glass, wood colors, and ironmongery options to suit your style.

Stable Timber Doors: Rustic Charm for Modern Living

For farmhouses and cottages, the barn-style timber stable doors from Authentic Timber Windows Ltd are the perfect blend of practicality and charm. Also known as barn doors or Dutch doors, they bring rustic vibes to your back or kitchen entrance.

Garage Timber Doors: Beyond Conventional

Garage doors needn't be mundane. Authentic Timber Windows Ltd crafts garage doors with the same quality as other doors, ensuring insulation and energy savings for high-end properties. Your garage deserves the royal treatment too!

Oak Doors: Where Durability Meets Elegance

If durability and elegance are on your checklist, Authentic Timber Windows Ltd has the answer—external oak doors. Crafted from solid oak wood, these doors resist weather, insects, and decay. Choose from various styles, sizes, and finishes to make a lasting impression.

Why Choose Authentic Timber Windows Ltd?

- Craftsmanship: Each door is a masterpiece, crafted with precision and expertise.

- Security: From front doors to garage doors, security is paramount.

- Customization: Your home, your style. Tailor doors to your preferences.

- Durability: Timber doors that weather the storm, literally.

For top-notch Timber Doors in London, Bristol, Manchester, Birmingham, Cardiff, Cambridge, Authentic Timber Windows Ltd is the name to trust. Contact them today for a free quote and consultation, and let your doors make a statement as grand as your home. Elevate. Impress. Welcome home.

[swosh]

Reading and Respons

Time and Motion by Terry Barret: 

In “Time and Motion” by Terry Barret, explains the variety of showing motion and time in different media. Barret reveals that time and be detected through implied, actual, or recorded time. Furthermore, he expresses the use of actual time through Robert Irwin’s “Getty Garden” which featured a variety of foliage over a period of time, growing into adults and going in and out of seasonal cycles. Barret also showed the short film by Chris Wedge, “Bunny” to exhibit implied time, where the time feels longer than the seven minutes. Wedge achieved this effect by having a series of events between the protagonist, the bunny, and the presumed antagonist, the moth. What Barret is trying to point out through the article, is that as 4d artists, it is important to create an environment for the viewer whether it is by the duration and tempo they create integrated into their art. This leads me to what I learned from the reading which, inspired by Chris Wedge and Rober Irwin, is to utilize materials and take advantage of the timely possibilities that they offer like using plants to show time passing through seasonal changes from green to amber and using video to speed up or slow down events within a period of time. One thing I have been wanting to learn more about from the reading is the art series, “The Creation” by Duane Michals and what they are trying to portray. A theoretical part of the reading is the reaction the viewers will take on seeing different types of art in motion or on time.

Walking Art: The Movement In-Between by  Andreas Hudelist and Elena Pilipets In the reading: Walking Art: The Movement In-Between by Andreas Hudelist and Elena Pilipets, is about relational art, immersing the viewer into an experience that connects them to an experience through time by utilizing space and technology to reveal hidden socio-political and economic messages. Throughout the article, Hudelist and Pilipets both explore new ways to present art through the use of 4d elements in contemporary post-modernism art. One “walk of art” they introduced was Alter Bahnhof Video Walk by Janet Cardiff and George Bures Miller, who used the popular Kulturbahnhof train station in order to highlight the expressiveness solely coming from the motion of the viewer through time. This installation focuses on the inter-human relations that ultimately support the post-modernism approach of the importance of encounters with one another rather than the individual artists themselves. The main idea of the article is to explain the many variations of post-modern contemporary art that break down previously separated media like technology, science, and economy into one to create harmonious, yet complex interpretations of society’s burdens. Something influential that I’ve learned through this reading is how to make the best of the space that surrounds or involves the art, this could change my own vision of art to make me consider more about its relationship to the space and viewer. Furthermore, it challenges me to consider things about how the art is presented and viewed and to take advantage of it. I’d like to understand a bit more about ‘designer’ or ‘contemporary’ capitalism. The readings are theoretical where they question whether or not interactive art is political.

Robert Irwin Detail of the Getty Garden

Chris Wedge, “Bunny” 

Alter Bahnhof Video Walk by Janet Cardiff and George Bures Miller

Night Walk for Edinburgh by Janet Cardiff and George Bures Miller

Spider, Alexander Calder 1939

[howaminotinthestrokesyet]

Married With Children: Andy Bell

The second bassist for Oasis was born on August 11, 1970 in Cardiff, Wales. His first group Ride was formed with guitarist Mark Gardener, while he attended the Cheney School in Oxford, a secondary school. The two would move on to attend Foundation Studies in Art and Design at Banbury in 1988, where Laurence Colbert (drummer) and Steve Queralt (bassist) joined the group. The band would produce demos for the tracks “Chelsea Girl” and “Drive Blind”, which led to the group filling in for a canceled student union performance at Oxford Polytechnic, which is now Oxford Brookes University. This exposure got the attention of Alan McGee, head of Creation Records. After touring as the opener for Soup Dragons, McGee signed them to his label in 1989. The group would release three EP’s entitled Ride, Play, and Fall within the following year. The group earned a moderate amount of financial success with these releases, but the critics could not get enough of the band. Ride’s debut album was released in October 1990 entitled Nowhere, which many critics applauded as a potentially great band in the future. As a songwriter, Bell would contribute seven tracks to that first album including “Seagull", "Kaleidoscope", "In a Different Place", Polar Bear", "Dreams Burn Down", "Paralysed", and "Vapour Trail.” In 1991, a rumor spread that was neither confirmed or denied that Robert Smith of the Cure refused to play the Great British Music Weekend concert unless Ride was added to the lineup. Coincidentally, the band did play that festival. The group released their second album in March 1992 entitled Going Blank Again. Once again, Bell contributed multiple tracks including “Not Fazed", "Chrome Waves", "Time Of Her Time", "Cool Your Boots" and "Making Judy Smile.” With this record, the band relied upon the utilization of Gardner and Bell’s dual use of guitars playing together emphasized by a large amount of distortion. The two guitarists used Wah Wah pedal’s almost exclusively. Ride represented a quintessentially 90’s shoegaze band, but unfortunately the emergence of Britpop was on its way changing the relevance of their music.

At this time, tension began to increase within the group despite the fact that the group slowly built up a good number of fans and their music sold fairly well. The problem emerged in that the group had not created a breakthrough song or album throughout their existence. The third album Carnival Light was released in 1994, which coincided with the arrival of Oasis and the overnight success of Definitely Maybe. Bell became a very early fan of the group, eventually becoming very friendly with the two Gallagher brothers. The tensions only increased for Ride as they began recording their fourth album Tarantula. Fighting between Bell and Gardner reached a point of no return, which led to the official break up of the band. The record would eventually be released, but it was then announced that the album would be deleted after one week. One song in particular that Andy wrote for the album described the group's current situation entitled “Castle on the Hill.”Bell would later talk about the break up admitting to some mistakes on his part that led to the end of the group. In 2014, Ride reunited for a 2015 tour, which eventually led to the recording of their fifth album Weather Diaries in 2017. A sixth studio album was released in 2019, This Is Not a Safe Place.

Andy Bell’s next band was formed in 1997, Hurricane #1. Once again, Bell signed with Creation Records and Alan McGee.The group emerged as a vehicle for Bell’s own music as he brought in lead singer Alex Lowe to sing tracks written by him. Their debut album, which was self-titled, came out in 1997. The first single “Step Into my World” reached number 29 on the UK charts. The other singles from the album did not do as well, so Bell quickly wrote more songs for a second album entitled Only the Strongest Will Survive in 1998. This record contains the only track ever released by the group that Bell did not write. “What Do I Know?” was written by lead singer Alex Lowe. Many critics observed that Hurricane #1 had many striking similarities to Oasis. For his part, the guitarist would later say that the group was not merely influenced by the band, but inspired by them. Upon joining Oasis, Bell needed to learn how to play bass guitar in order to tour and record with the group. He would also contribute to the songwriting on future albums with the most notable examples coming on Don’t Believe the Truth with “Turn Up the Sun” and “Keep the Dream Alive.” After the break up of Oasis, the guitarist joined with other former members to create Liam Gallagher's Beady Eye. Bell would return to his natural instrument of lead guitar in this group. He wrote four songs for their debut album and co-wrote two others. Throughout his career, Andy Bell has also been a producer for not only his own groups like Hurricane # 1 and Ride, but also other artists. They include Swedish band Weeping the willows and Kynd. With Weeping Willows lead singer Magnus Carlson, the two have also performed as resident DJs at several events in the past few years. In October 2020, Bell finally released his debut solo album entitled The View From Halfway Down. In his personal life, the guitarist is married to Shiarra, while having two children from a previous marriage to Swedish singer Idha Övelius.

[shootsandrootswales]

Are you looking for the best Paving in Radyr? We use the best natural stone to create a wide variety of stunning patios. Contact Shoots & Roots for more details.

[spyskrapbook]

"XIX Productive Structures" _ Review _ MArch 2021-22 _ Welsh School of Architecture, Cardiff University _ Friday 22.10.2021 _ Visiting critic _ With Alexandros Kallegias and Nikoletta Karastathi _ Photographs by Spyros Kaprinis [22.10.2021].

"At the strategic core of an urban regeneration scheme lies the ideology of a mixed city. Yet a lot of cities around the world are less mixed than what we make them to be. The economy of production, fabrication and restoration are integral activities of our urban existence. For the contemporary city to be more resilient the aspect of productivity needs to be revisited. As each city is focusing on developing its own industry, the sensation of living in fragments becomes a growing issue. Having different modes of production will enable new opportunities for city growth. That will be through social interactions and sustainability. Hence the aim for encouraging production, making production more visible and connecting it to daily life and the city fabric becomes ever more crucial. And the architect is defining what is productive by looking at creative open- ended scenarios of urbanism.  The question also looks at the production itself; how do we define a productive city? Is the city focusing on agriculture, or on industrial products? Is it focusing on becoming more cultural or more conscious? A city’s production range varies. And it is the architect’s role to find an urban entry point that will enable rejuvenation and facilitate sustainability. We will ask ourselves how the people will inhabit our design proposals. What kind of productive interaction is going to take place between the edifice and the urban systems that it is a part of? These will be some of the questions that we will aim to respond. At the end of the year, the unit’s work will comprise a catalogue of design strategies depicting a series of urban regeneration proposals. The proposed site location for design proposals is the North Woolwich area on the south-east side of the Royal Group of Docks, specifically the strip of land by River Thames, located between the Royal Victoria Gardens and Thames Barrier Park. North Woolwich was formerly the site of several cable and ship-building industries. Since the docks closed down in 1980’s, there have been recurrent efforts in redeveloping the area with limited outcomes. The area has gained multiple infrastructure links nearby in the past decades, namely the London City Airport, an extension of Docklands Light Railway (DLR), Jubilee Line, and the proposed Cross rail extension which will begin to serve the area in the near future. Moreover, the redevelopment scheme has implemented the constructions of the University of East London (UEL) and the ExCeL Exhibition Centre, both of which are expected to increase the regeneration of the area. Projects will respond to the design problem of situating a structure in the void spaces of London’s Royal Docks."  

[text from the "XIX Productive Structures" brief]

[architectnews]

RIBA reveals UK's best buildings for 2021

The Royal Institute of British Architects has announced 54 winners of the 2021 RIBA National Awards for architecture including a floating church, the MK gallery and a mosque in Cambridge.

Awarded annually since 1966, the RIBA National Awards celebrates the best buildings in the UK.

This year's 54 winning projects were chosen from the shortlist for the 2020 RIBA Regional, RIAS, RSUA, and RSAW Awards after last year's awards were postponed due to the coronavirus pandemic.

"Ranging from radical, cutting-edge new designs to clever, creative restorations that breathe new life into historic buildings, these projects illustrate the enduring importance and impact of British architecture," said RIBA president Simon Alford.

The Cambridge Mosque by Marks Barfield Architects was one of the 54 winners. Photo is by Morley von Sternberg

Included on the list are numerous educational projects, including the Centre Building at LSE by Rogers Stirk Harbour & Partners and the School of Science and Sport by OMA at Brighton College.

"There are a good number of well-designed school and university buildings that are powerful investments in the future, and I am sure they will inspire young people, their teachers and communities," said Alford.

"I am also thrilled to see many of these make creative use of existing structures. Well-designed education facilities should be the rule rather than the exception – every child deserves an effective learning environment, and these projects provide rich inspiration."

Grimshaw's Bath Schools of Art and Design was one of several educational winners. Photo is by Paul Raftery

Alford also drew attention to the number of projects that adapt and extend existing buildings.

These included the extension to the MK Gallery in Milton Keynes by 6a Architects (pictured top) and Grimshaw's renovation of its former Herman Miller factory into a building for Bath Schools of Art and Design.

"When a new building is essential, we need to make sure it will last and serve the future well – so it needs to be flexible and reusable," he said. "Long life; loose fit; low energy architecture is the present and the future."

"It is therefore very encouraging to see restoration and sensitive adaptation feature so prominently this year; with many buildings acknowledging their history, the needs of the present and the potential of their dynamic future," he added.

Floating church by Denizen Works was also a winner. Photo is by Gilbert McCarragher

The 54 national winners form the longlist for the Stirling Prize – the UK's most prestigious architecture award. The Stirling Prize shortlist will be announced next week with the winner revealed on 14 October.

See the full list of winners, divided by RIBA region, below:

East › Cambridge Central Mosque by Marks Barfield Architects › Imperial War Museums Paper Store by Architype › Key Worker Housing, Eddington by Stanton Williams › The Water Tower by Tonkin Liu

Peter Barber Architects' Peckham housing was one of the winners. Photo is by Morley von Sternberg

London › 95 Peckham Road by Peter Barber Architects › Blackfriars Circus by Maccreanor Lavington › Caudale Housing Scheme Mae Architects › Centre Building at LSE by Rogers Stirk Harbour & Partners › Centre for Creative Learning, Francis Holland School by BDP › English National Ballet at the Mulryan Centre for Dance by Glenn Howells Architects › Floating Church by Denizen Works › House-within-a-House by Alma-nac › Kingston University London – Town House by Grafton Architects › Moore Park Mews by Stephen Taylor Architects › North Street by Peter Barber Architects › Royal Academy of Arts David Chipperfield Architects › Royal College of Pathologists by Bennetts Associates › The Ray Farringdon by Allford Hall Monaghan Morris › The Rye Apartments by Tikari Works › The Standard by Orms › The Student Centre, UCL by Nicholas Hare Architects › Tiger Way by Hawkins\Brown › Tottenham Hotspur Stadium by Populous › Wooden Roof by Tsuruta Architects › Zayed Centre for Research into Rare Disease in Children by Stanton Williams

Windermere Jetty Museum won one of two awards for Carmody Groarke. Photo is by Christian Richter

North East › Lower Mountjoy Teaching and Learning Centre Durham University by FaulknerBrowns Architects

North West › Pele Tower House by Woollacott Gilmartin Architects › The Gables by DK-Architects › The Oglesby Centre at Hallé St Peter's by Stephenson Hamilton Risley Studio › Windermere Jetty Museum by Carmody Groarke

Brighton College was another winner. Photo is by Laurian Ghinitoiu

Scotland › Aberdeen Art Gallery by Hoskins Architects › Bayes Centre, University of Edinburgh by Bennetts Associates › Sportscotland National Sports Training Centre Inverclyde by Reiach and Hall Architects › The Egg Shed by Oliver Chapman Architects › The Hill House Box by Carmody Groarke

South & South East › Brighton College – School of Science and Sport by OMA › Library and Study Centre St Johns College Oxford University by Wright & Wright Architects › MK Gallery by 6a architects › Moor's Nook by Coffey Architects › The Clore Music Studios New College Oxford University, John McAslan + Partners › The Dorothy Wadham Building Wadham College Oxford University, Allies and Morrison › The King's School, Canterbury International College by Walters & Cohen Architects › The Malthouse, The King's School Canterbury by Tim Ronalds Architects › The Narula House by John Pardey Architects › Walmer Castle and Gardens Learning Centre by Adam Richards Architects › Winchester Cathedral South Transept Exhibition Spaces by Nick Cox Architects with Metaphor

Tintagel Castle Footbridge was designed by Ney & Partners and William Matthews Associates. Photo is by David Levine

South West › Bath Schools of Art and Design by Grimshaw › Redhill Barn by TYPE Studio › The Story of Gardening Museum by Stonewood Design with Mark Thomas Architects and Henry Fagan Engineering › Tintagel Castle Footbridge for English Heritage by Ney & Partners and William Matthews Associates › Windward House by Alison Brooks Architects

Maggie's Cardiff was the only winner in Wales. Photo is by Anthony Coleman

Wales › Maggie's Cardiff by Dow Jones Architects

West Midlands › Jaguar Land Rover Advanced Product Creation Centre by Bennetts Associates › Prof Lord Bhattacharyya Building University of Warwick by Cullinan Studio

The post RIBA reveals UK's best buildings for 2021 appeared first on Dezeen.

[fuckofffuckofffuckoffloveme]

Runaway - Part Seventeen

~Masterlist~

Concept: Hazel Richards is a twenty-year-old woman living in London. When she meets a mysterious time-travelling alien known only as the Hunter, she’s thrust into a world of wonder she could only have imagined.

Warnings: swearing, follows S1 of Doctor Who.

The Hunter blinked as she woke, finding herself in a cupboard that seemed to be spinning dangerously. She made for a wall to lean against, then yelped as it gave way and she fell out into a brightly-carpeted corridor. "What's happening?" she demanded, struggling to get to her feet.

"Oh my God!" a high-pitched voice squeaked, making her wince. "I don't believe it! Why'd they put you in there? They never said you were coming."

"What happened? I was -" She cut herself off as she lurched sideways, the woman rushing to support her.

"Careful now. Oh! Oh, mind yourself!" she exclaimed as the Hunter hit her head on the wall behind her. "Oh, that's the transmat. It scrambles your head. I was sick for days. All right?" She let her stand for herself, leaning heavily against the wall. "So, what's your name then, sweetheart?"

"Art- no, no, that's not right. The Hunter, I think. I was, er - I don't know. What happened? How -?"

"You got chosen," the blonde woman stated.

The Hunter blinked, holding her head. "Chosen for what?"

"You're a housemate," the woman told her, grinning. "You're in the house. Isn't that brilliant?!"

"That's not fair!" a young man exclaimed. "We've got eviction in five minutes! I've been here for all nine weeks, I've followed the rules, I haven't had a single warning, and then she comes swanning in."

Another woman joined in. "If they keep changing the rules, I'm going to protest, I am. You watch me, I'm going to paint the walls."

A tannoy rang out across the room. "Would the Hunter please come to the Diary Room?" The blonde woman showed the Hunter through a door with a stylised eye on it, and the Time Lady sat in a comfy chair, trying to figure out what the hell was going on. "You are live on channel forty four thousand. Please do not swear."

"You have got to be kidding me," the Hunter rolled her eyes as she finally recognised where she was.

***

Hazel groaned a little as she stirred, blinking when she saw a dark-skinned young man watching over her. "What happened?" she asked, her voice croaky from lack of use.

"It's all right," the man assured her. "It's the transmat. Does your head in. Get a bit of amnesia. What's your name?"

"Hazel. But where's the Hunter?"

"Just remember, do what the android says," the man advised. "Don't provoke it. The android's word is law."

Hazel frowned. "What do you mean, android? Like a robot?"

A woman called out instructions from about twenty yards away. "Positions, everyone! Thank you!"

"Come on, hurry up," the man said, helping Hazel to her feet and supporting her when she stumbled. "Steady, steady."

"I was travelling," Hazel remembered, "with the Hunter and a man called Captain Jack. The Hunter wouldn't just leave me."

"That's enough chat! Positions! Final call! Good luck!"

Hazel blinked, clutching onto the podium for balance. "But I'm not supposed to be here."

"It says Hazel on the podium," the man stated, shrugging. Judging by his podium, he was called Rodrick. "Come on."

"Hold on, I must be going mad," Hazel frowned, looking around at the set-up of the place. "It can't be... This looks like the -"

"Android activated!" the floor manager called.

Hazel's eyes widened as the robot came into view. "Oh my God, the android. The Anne Droid."

"Welcome to The Weakest Link!" the Anne Droid announced.

***

"Here we go again," a female voice sighed. "We've got our work cut out for us."

"I don't know," another stated. "He's sort of handsome. Has a good lantern jaw."

"Lantern jaws are so last year," the first scoffed.

Jack opened his eyes blearily to see a pair of droids - one tall and thin, the other short and curvy - looking down at him. He appeared to be lying on an examination couch, and a quick glance around showed not much more than some mirrors and a few racks of clothes. He grinned nervously. "Sorry, but - nice to meet you, ladies - but where exactly am I?"

"We're giving you a brand new image," one of the droids said. According to the badge on her front, her name was Trine-E.

"Hold on, I was with Queenie and Jules," Jack remembered. Then, what the droid had said caught up to him, and he frowned, standing. "Why, is there something wrong with what I'm wearing?"

"It's all very twentieth century," the other droid, Zu-Zana, complained. "Where did you get that denim?" She was eyeing his jeans suggestively.

"A little place in Cardiff," Jack replied. "It was called the Top Shop."

"Ah!" Zu-Zana clearly knew of it. "Design classic."

"But we're going to have to find you some new colours," Trine-E decided. "Maybe get rid of that Oklahoma Farm Boy thing you've got going on."

"Just stand still and let the Defabricator work its magic," Zu-Zana advised.

Jack frowned. "What's a defabricator?" Trine-E didn't answer, just activated it. Jack looked down at himself as his clothes vanished. "Okay. Defabricator. Does exactly what it says on the tin. Am I naked in front of millions of viewers?"

"Absolutely!" Trine-E and Zu-Zana cried simultaneously.

Jack grinned confidently. "Ladies, your viewing figures just went up."

***

The Hunter had left the Diary Room to investigate the house. She hadn't got her jacket with her, but thankfully, she'd been using her sonic screwdriver as a decorative piece in her simple up-do, so she was able to use it to try and open the door out of the house. She swore when the door refused to budge. "I can't open it."

"It's got a deadlock seal, ever since Big Brother five hundred and four when they all walked out. You must remember that," the blonde woman told her.

"What about this?" the Hunter asked, indicating what looked like a darkened window.

"Oh, that's exoglass," the woman supplied. "You'd need a nuclear bomb to get through."

The Hunter rolled her eyes, biting her lip as she worried about where Hazel and Jack were. "Don't tempt me."

"I know you're not supposed to talk about the outside world, but you must've been watching," the woman said, looking nervous. "Do people like me? Lynda. Lynda with a Y, not Linda with an I. She got forcibly evicted because she damaged the camera. Am I popular?"

"I don't remember," the Hunter shrugged, trying to brush it off as she searched for a possible exit.

Lynda's eyes widened. "Oh, but does than mean I'm nothing. Some people get this far just because they're insignificant. Doesn't anybody notice me?"

The Hunter sighed. "No, you're, you're nice. You're sweet. Everybody thinks you're sweet."

"Oh, is that right?" Lynda's face had lit up. "Is that what I am? Oh, no one's ever told me that before. Am I sweet? Really?"

"Yeah," the Hunter flashed a grin. "Dead sweet."

"Thank you," Lynda smiled sincerely.

The Hunter frowned as she came to the other end of the house. "It's a wall." She remembered times she'd seen it on TV at Jace's flat. "Isn't there supposed to be a garden out there or something?"

Lynda snorted. "Don't be daft. No one's got a garden anymore. Who's got a garden? Don't tell me you've got a garden."

"No, I've just got the TARDIS." The Hunter's eyes widened. "I remember!"

"That's the amnesia," Lynda nodded, grinning. So what happened? Where did they get you?"

"We'd just left Raxacoricofallapatorius," the Hunter remembered. "Then we went to Kyoto. That's right, Japan in 1336, and we only just escaped. We were together, we were laughing, and then there was this light. This white light coming through the walls, and then - and then I woke up here."

"Yeah, that's the transmat beam," Lynda told her. "That's how they pick the housemates."

"Oh, Lynda with a Y. Sweet little Lynda," the Hunter sighed, shaking her head. "It's worse than that. I'm not just a passing traveller. No stupid little transmat gets inside my ship. That beam was fifteen million times more powerful, which means this isn't just a game. There's something else going on." She turned to one of the cameras and glared at it. "Well, here's the latest update from the Big Brother house. I'm getting out. I'm going to find my friends, and then I'm going to find you."

***

"Seventeen, sixteen, fifteen," the floor manager counted down. "Thank you, people. Transmitting in twelve, eleven, ten..."

"But I need to find the Hun-!" Hazel protested.

"Just shut up and play the game," Rodrick hissed. There was something in his voice that made her want to play, if only to kick his ass.

"All right, then," she shrugged. "What the hell. I'm going to play to win!"

"Three, and cue!"

The Anne Droid came to life suddenly. "Let's play The Weakest Link. Start the clock. Agorax, the name of which basic foodstuff is an anagram of the word 'beard'?"

"Bread," Agorax answered, looking scared.

"Correct. Fitch, in the Pan Traffic Calendar, which month comes after Hoob?"

"Is - Is it Clavadoe?" Fitch guessed.

"No, Pandoff. Hazel, in maths, what is 258 minus 158?"

"One hundred," Hazel answered confidently. This wasn't so hard.

"Correct. Rodrick -"

"Bank," he stated.

"Which letter of the alphabet appears in the word dangle but not in the word gland?"

"E," Rodrick answered.

"Correct. Colleen, in social security, what D is the name of the payment given to Martian Drones?"

"Default," she answered.

"Correct, Broff, the Great Cobalt Pyramid is built on the remains of which famous Old Earth Institute?"

"Er, Touchdown," he guessed, trying to sound confident.

"No, Torchwood. Agorax, in language, all five examples of which type of letter appear in the word facetious?"

"Vowels," Agorax answered.

"Correct. Fitch, in biology, which blood cells contain iron? Red or white?"

"White," Fitch tried.

"No, red. Hazel, in the holovid series 'Jupiter Rising', the Grexnik is married to whom?"

Hazel laughed, shrugging. "How should I know?"

"No, the correct answer is Lord Drayvole. Rodrick, in maths, what is nine squared?"

"Eighty one," he answered.

***

Jack was posing in front of the mirror, not looking convinced about his new outfit.

"It's the buccaneer look," Trine-E assured him. "Little dash pirate and just a tweak of President Schwarzenegger."

"Er, not sure about the vest," Jack confessed. "What about a little bit of colour to lift it?"

"Absolutely not," Zu-Zana admonished. "Never wear black with colour. It makes the colour look cheap and the black look boring. Now, let's talk jackets."

"I kind of like the first one," Jack suggested, his mind too busy trying to figure out a plan to focus on the jackets.

"No, that's a bit too much Hell's Angel," Zu-Zana told him. "I think I like the shorter one. Look, waist length, nice and slimming, shows off the bum."

Jack shrugged as she slapped his ass. "Works for me," he smirked.

"Once we've got an outfit, we can look at the face. Ever thought about cosmetic surgery?" Trine-E asked.

"I've considered it, yeah," he nodded. "A little lift around the eyes, tighten up the jaw line. What do you think?"

"Oh, let's have a bit more ambition," Trine-E stated. "Let's go something cutting edge." Her forearm detached to reveal a spinning chainsaw. Jack gulped.

***

"So, Hazel, what do you actually do?" the Anne Droid questioned.

"I just travel around a bit," Hazel shrugged. "Bit of a tourist, I suppose."

"Another way of saying unemployed," the Anne Droid stated.

Hazel narrowed her eyes. "No."

"Have you got a job?"

She blinked. "Well, not really, no, but -"

"Then you are unemployed. And yet, you've still got enough money to buy peroxide," the Anne Droid noted. Hazel frowned. She was a natural blonde! "Why Fitch?"

"Er, I think she got a few of the questions wrong, that's all," Hazel bit her lip.

"Oh, you'd know all about that."

Hazel glared. "Well, yeah, but I can't vote for myself, so it had to be Fitch." She blinked as Fitch burst into tears. "I'm sorry, that's the game. That's how it works. I had to vote for someone."

"Let me try again!" Fitch begged, tears streaming down her cheeks. "It was the lights and everything. I couldn't think."

"In fact, with three answers wrong, Broff was the weakest link in that round, but it's votes that count," the Anne Droid reported.

"I'm sorry!" Fitch cried. "Please! Oh God, help me!"

"Fitch, you are the weakest link. Goodbye!" A gun came out of the Anne Droid's mouth and the beam it shot disintegrated Fitch.

"And we've gone to the adverts," the floor manager announced. "Back in three minutes."

"What's that?" Hazel demanded, staring in horror at where Fitch had stood, a small pile of dust being all that remained of her. "What just happened?"

"She was the weakest link, she gets disintegrated," Rodrick shrugged. "Blasted into atoms."

"But I voted for her," Hazel whispered, feeling nauseous. "Oh my God. This is sick. All of you, you're just sick! I'm not playing this."

"I'm not playing!" Broff shouted suddenly, drowning her out. "I can't do it! I'm not - Please, somebody let me out of here." He started running across the studio.

"You are the weakest link," the Anne Droid announced, and disintegrated him. "Goodbye."

"Don't try to escape," Rodrick advised a pale Hazel. "It's play or die."

***

"Hunter, they said all the housemates must gather on the sofa," Lynda called. "You've got to."

"I'm busy getting out, thanks," the Hunter told her, sonicing the door to no effect.

"But if you don't obey, then all the housemates get punished," Lynda reasoned.

She shrugged. "Well, maybe I'll be voted out, then."

"How stupid are you?" the man, Strood, demanded. "You've only just joined, you're not eligible."

"Don't try anything clever or we all get it in the neck," Lynda warned as the Hunter sighed, coming over and sitting on the sofa.

The TV in front of them came to life suddenly. "Big Brother House, this is Davina Droid. Crosbie, Lynda, and Strood, you have all been nominated for eviction. And the eighth person to be evicted from the Big Brother House is..." There was a long, drawn-out pause, making the Hunter roll her eyes, lean back and put her feet up on the table. "Crosbie!"

Lynda gasped. "I'm sorry! Oh, I'm sorry! Sorry!"

"Oh, it should've been me," Strood said, hugging Crosbie. "Oh, that's not fair, Crosbie love."

"Crosbie, you have ten seconds to make your farewells, and then we're going to get you."

"I won't forget you," Lynda promised.

"I'm sorry I stole your soap," Crosbie apologised tearfully.

"I don't mind, honestly," Lynda assured her.

"Thanks for the food," Strood said. "You're a smashing cook. Bless you."

"Crosbie, please leave the Big Brother House," Davina Droid ordered. A door opened into a short white corridor, with another door at the far end.

"Bye then," Crosbie whispered. "Bye, Lynda."

"Bye," Lynda sniffed. She and Strood made an arch with their arms and Crosbie walked through into the corridor. The door shut behind her, and she appeared on the TV screen. "I don't believe it. Crosbie."

"It's only a game show," the Hunter pointed out, rolling her eyes. "She'll make a fortune on the outside. Sell her story, release a record, fitness video, all of that. She'll be laughing."

"What do you mean, on the outside?" Lynda asked, staring at her tearfully.

"Here we go," Strood muttered, and the pair of them ran to see Crosbie onscreen.

"What are they waiting for?" the Hunter frowned. "Why don't they just let her go?"

"Stop it, it's not funny!"

"Eviction in five, four, three, two one." A beam came from the ceiling and hit Crosbie. She disappeared in a puff of smoke.

The Hunter, who up until this point had only been half-watching, shot up, her eyes widening. "What was that?"

"Disintegrator beam," Strood replied.

"She's been evicted. From life," Lynda added.

"Are you insane?" the Hunter demanded angrily. "You just step right into the disintegrator? Is it that important, getting your face on the telly? Is it worth dying for?"

"You're talking like we've got a choice!" Lynda shot back.

Now the Time Lady was confused. "But I thought you had to apply."

"Don't be so stupid," Strood scowled. "That's how they played it centuries back."

"You get chosen whether you like it or not," Lynda explained. "Everyone on Earth is a potential contestant. The transmat beam picks you out at random. And it's non-stop. There are sixty Big Brother houses running all at once."

"How many? Sixty?" the Hunter asked, paling.

"They've had to cut back," Strood nodded. "It's not what it was."

"It's a charnel house!" the Hunter retorted. "What about the winners? What do they get?"

"They get to live," Lynda stated.

"Is that it?"

"Well, isn't that enough?"

"Hazel's out there," the Hunter realised. "She and Jack got caught in the transmat. They're contestants. Time I got out." She got up. "That other contestant, uh, Linda with an I. She was forcibly evicted for what?"

"Damage to property," Lynda supplied.

"What, like this?" the Hunter asked, crushing a camera telekinetically.

***

Now Jack was in tennis whites. "No, I'm just not getting this," he sighed, keeping an eye on the droids behind him. "It's just too safe. Too decent. And you'd never keep it clean."

"Stage two, ready and waiting," Zu-Zana announced.

"Bring it on, girls." They disintegrated his clothes again.

"And now it's time for the face off!" Trine-E cheered.

"What does that mean?" Jack asked warily. "Do I get to compete with someone else?"

"No. Like I said, face off." Trine-E started up her chainsaw.

"I think you'd look good with a dog's head," Zu-Zana suggested, snipping a pair of large scizzors menacingly.

"Or maybe no head at all," Trine-E countered. "That would be so outrageous."

"And we could stitch your legs to the middle of your chest," Zu-Zana added.

"Nothing is too extreme," Trine-E declared. "It's to die for."

Jack sighed. "Now, hold on, ladies. I don't want to have to shoot either one of you."

"But you're unarmed!" Trine-E pointed out.

"You're naked!" Zu-Zana added. Jack grabbed a small gun from behind him. "But that's a Compact Laser Deluxe!"

"Where were you hiding that?" Trine-E questioned.

"You really don't want to know," Jack chuckled.

"Give me that accessory," Trine-E ordered, moving forwards with Zu-Zana. Jack shot their heads off.

***

"You are the weakest link. Goodbye!" Colleen was atomised.

"Going to the break!" the floor manager called. "Two minutes on the clock. Just a reminder we've got solar flare activity coming up in ten. Thanks, everyone."

"Colleen was clever," Hazel hissed. "She banked all our money. Why'd you vote for her?"

"Because I want to keep you in," Rodrick told her. "You're stupid! You don't even know the Princess Vossaheen's surname. When it comes to the final, I want to be up against you, so that you get disintegrated and I get a stack load of credits courtesy of the Bad Wolf Corporation."

Hazel had blanched, but not at the disintegration thing. "What do you mean? Who's Bad Wolf?"

"They're in charge," Rodrick shrugged. "They run the Game Station."

"Why are they called Bad Wolf?" Hazel questioned.

"I don't know," he frowned. "It's just a name. It's like an Old Earth nursery rhyme sort of thing - what does it matter?"

"I keep hearing those words everywhere we go," Hazel remembered. "Bad Wolf."

"The things you've seen. The darkness. The big bad wolf."

"Attention all personnel. Bad Wolf One descending."

"Blaidd Drwg."

"What's it mean?"

"Bad Wolf."

She smiled, remembering the little boy that had graffitied Bad Wolf on the TARDIS at the Powell Estate. "Different times, different places, like it's written all over the universe."

"What're you going on about?" Rodrick frowned, confused.

"If the Bad Wolf is in charge of this quiz, then maybe I'm not here by mistake. Someone's been planning this," Hazel realised, seeing a tiny glimmer of hope.

***

"Hunter, you've broken the House Rules. Big Brother has no choice but to evict you. You have ten seconds to make your farewells, and then we're going to get you!"

"That's more like it!" the Hunter grinned, banging on the door. "Come on, then. Open up!"

"You're mad!" Lynda shook her head. "It's like you want to die!"

"I reckon she's a plant," Strood decided. "She was only brought in to stir things up."

"The Hunter, please leave the Big Brother house."

The Hunter grinned, running into the corridor, then smiled for the camera. "Come on, then, disintegrate me! Come on, what're you waiting for? Disintegrate me! What are you waiting for?"

"Eviction in five, four, three, two, one." The machine shut down.

"See! I knew it!" the Hunter grinned victoriously. "You see, someone brought me into this game. If they'd wanted me dead, they could've transmatted me into a volcano. They want me alive." She turned to the door that lead outside. "Maybe security isn't as tight this end. Are you following this? I'm getting out!" She soniced the door, opening it. Lynda opened the other door. "Come with me."

"We're not allowed!" Strood protested.

"Stay in there, you've got a fifty fifty chance of disintegration," the Hunter pointed out. "Stay with me, I promise I'll get you out alive. Come on!"

"No, I can't. I can't," Lynda hesitated.

"Lynda, you're sweet," the Hunter sighed. "From what I've seen of your world, do you think anyone votes for sweet?" She held out her hand. Lynda took it and they left the house. The Hunter frowned as they entered a long, familiar-looking corridor. "Hold on. I've been here before. This is Satellite Five. No guards," she noticed. "That makes a change. You'd think a big business like Satellite Five would be armed to the teeth."

Lynda frowned. "No one's called it Satellite Five in ages. It's the Game Station now. Hasn't been Satellite Five in about a hundred years."

"A hundred years exactly," the Hunter confirmed. "It's the year two zero zero one zero zero. I was here before, Floor One Thirty Nine. The Satellite was broadcasting news channels back then. Had a bit of trouble upstairs. Nothing too serious. Easy. Gave them a hand, home in time for tea."

"A hundred years ago?" Lynda echoed. "What, you were here a hundred years ago?"

"Yep."

"You're looking good on it," she mentioned.

The Hunter flashed her a grin, getting out her sonic screwdriver. "I moisturise. Funny sorts of readings. All kinds of energy. The place is humming. It's weird. This goes way beyond normal transmissions. What would they need all that power for?"

"I don't know," Lynda shrugged. "I think we're the first ever contestants to get outside."

"I had two friends travelling with me," the Hunter stated. "They must've got caught in the same transmat. Where would they be?"

Lynda shrugged again. "I don't know. They could've been allocated anywhere. There's a hundred different games."

"Like what?"

"Well, there's ten floors of Big Brother. There's a different House behind each of those doors. And then beyond that, there's all sorts of shows. It's non-stop. There's Call My Bluff, with real guns. Countdown, where you've got thirty seconds to stop the bomb going off. Ground Force, which is a nasty one. You get turned into compost. Uh, Wipeout, speaks for itself. Oh, and Stars In Their Eyes. Literally, stars in their eyes. If you don't sing, you get blinded."

The Hunter raised her eyebrows. "And you watch this stuff?"

"Everyone does," Lynda told her. "How come you don't?"

"Never paid for my licence," the Hunter shrugged.

"Oh my God!" Lynda gasped, her eyes wide. "You get executed for that."

The Hunter snorted. "I'd like to see them try."

"You keep saying things that don't make sense. Who are you though, Hunter, really?" Lynda asked.

"It doesn't matter," the Time Lady dismissed.

"Well, it does to me. I've just put my life in your hands," Lynda pointed out.

The Hunter smiled briefly. "I'm just a traveller, wandering past. Believe it or not, all I'm after is a quiet life."

"So, if we get out of here, what're you going to do?" Lynda wondered. "Just wander off again?"

"Fast as I can," the Hunter nodded.

"So, I could come with you?" Lynda suggested casually.

"Maybe you could."

"I wouldn't get in the way."

The Hunter smirked. "Yeah, but first, we've got to concentrate on the getting out part. And to do that, you've got to know your enemy. Who's controlling it? Who's in charge of the satellite now?"

"Hold on," Lynda muttered. She ran over to a breaker lever and pulled it, lighting up a sign behind the Hunter. "Your lords and masters." The Hunter turned and blanched when she saw the name - Bad Wolf Corporation.

***

Jack had found himself some decent clothes before starting to take apart the Defabricator for parts. "Compatible systems," he muttered. "Just align the wave signature... Attaboy! Got myself a gun. Well, ladies, the pleasure was all mine. Which is the only thing that matters in the end." He ran out onto Floor Two Ninety Nine, called the lift, then checked his vortex manipulator, scanning the space station. "Two hearts, that's her. Which floor?" He smirked, getting into the lift.

***

"Blimey!" Lynda breathed, looking out of a large observation window to the planet below. "I've never seen it for real before. Not from orbit. Planet Earth."

The Hunter frowned, her brow furrowing at the sight before her. "What's happened to it?"

"Well, it's always been like that," Lynda shrugged. "Ever since I was born. See that there? That's the Great Atlantic Smog Storm. It's been going twenty years. We get newsflashes telling us when it's safe to breath outside."

"So the population just sits there?" the Hunter asked. "Half the world's too fat, and half the world's too thin, and you lot just watch telly?"

"Ten thousand channels, all beaming down from here," Lynda confirmed.

"The Human Race. Brainless sheep being fed on a diet of -" She paused, distracted. "Mind you, have they still got that programme with three people have to live with a bear?"

"Oh, Bear With Me!" Lynda grinned. "I love that one!"

"And me," the Hunter grinned. "The celebrity edition where the bear got in the bath."

"Got in the bath!" Lynda exclaimed at the same time, laughing.

"But it's all gone wrong," the Hunter shook her head, suddenly serious again. "I mean, history's gone wrong again. This should be the Fourth Great and Bountiful Human Empire. I don't understand. Last time I was here I put it right."

"No, but that's when it first went wrong," Lynda stated. "A hundred years ago, like you said. All the news channels, they just shut down overnight."

"But that was me," the Hunter blinked. "I did that."

"There was nothing in their place," Lynda explained. "No information. The whole planet just froze. The government, the economy, they collapsed. That was the start of it. One hundred years of hell."

The Hunter had blanched, staring down at the ruin of a planet below. "I made this world," she realised.

***

Agorax screamed as he was disintegrated, and Hazel bit her lip, closing her eyes.

"That leaves Hazel and Rodrick," the Anne Droid announced. "You're going head to head. Let's play The Weakest Link."

Rodrick nodded. "Right, that's the end of tactical voting. You're on your own now."

***

"Hey, gorgeous!" The Hunter whipped round and ran to hug Jack as he stepped out of the lift. "Good to see you too, Queenie. Any sign of Jules?"

"Can't you track her down?" she asked, indicating his vortex manipulator.

He shook his head. "She must still be inside the games. All the rooms are shielded."

"If I can just get inside this computer," she sighed, returning to it. Lynda eyed Jack curiously. "She's got to be here somewhere."

"Well, you'd better hurry up. These games don't have a happy ending," Jack stated.

She bristled. "Do you think I don't know that?"

Jack squeezed her shoulder, handing over his vortex manipulator. "There you go, patch that in. It's programmed to find her."

"Thanks," she muttered, and he turned to Lynda.

"Hey, there."

"Hello," Lynda smiled.

"Captain Jack Harkness."

"Lynda Moss."

Jack winked. "Nice to meet you, Lynda Moss."

The Hunter rolled her eyes. "Do you mind flirting outside?"

"I was just saying hello!" Jack protested, grinning.

"For you, that's flirting," the Hunter reminded him.

"I'm not complaining," Lynda blushed.

"Muchas gracias," Jack grinned.

The Hunter growled. "It's not compatible. This stupid system doesn't make sense!" Jack took off the front plate and started working inside the computer. "This place should be a basic broadcaster, but the systems are twice as complicated. It's more than just television. This station's transmitting something else."

"Like what?" Jack asked.

"I don't know," the Hunter sighed. "This whole Bad Wolf thing's tied up with me. Someone's manipulated my entire life. It's some sort of trap and Hazel is stuck inside it."

***

"Hazel, in geography, the Grand Central Ravine is named after which ancient British city?"

"Is it York?" Hazel guessed.

"No, the correct answer is Sheffield."

***

"Found her," the Hunter exclaimed victoriously. "Floor Four Oh Seven."

Lynda blanched. "Oh my God. She's with the Anne Droid. You've got to get her out of there."

***

"Rodrick, in literature, the author Lucky was Jackie who?"

"Stewart," Rodrick answered.

"No, the correct answer is Collins. Hazel, the oldest inhabitant of Isop Galaxy is the Face of what?"

"Boe!" Hazel exclaimed, ignoring Rodrick's surprised expression. "The Face of Boe!"

"That is the correct answer."

***

"Come on, come on!" the Hunter muttered, bouncing on her toes impatiently in the lift.

***

"Rodrick, in history, who was the President of the Red Velvets?"

"Hoshbin Frane," Rodrick replied.

"That is the correct answer. Hazel, in food, the dish Gaffabeque originated on which planet?"

Hazel bit her lip. "Uh, is it Mars?"

"No, the correct answer is Lucifer. Rodrick, which measurement of length is said to have been defined by the Emperor Jate as the distance from his nose to his fingertip?"

"Would that be a goffle?" Rodrick guessed.

"No, the correct answer is a paab. Hazel, in fashion, Stella Pok Baint is famous for what?"

"Shoes," Hazel replied, shrugging.

"No, the correct answer is hats. Rodrick, in physics, who discovered the Fifteen Dash Ten Barric Fields?"

***

"Game Room Six, which one is it?" the Hunter demanded as they ran out of the lift on Four Oh Seven.

"Over here!" Lynda called.

***

"San Hazeldine," Rodrick stated.

"No, the correct answer is San Chen."

***

"Stand back, let me blast it open," Jack ordered.

The Hunter shook her head, pulling out her sonic screwdriver. "You can't. It's made of Hydra combination."

***

"Hazel, in history, which Icelandic city hosted Murder Spree Twenty?"

"Reykjavik?" Hazel guessed, her heart thumping.

"No, the correct is Pola Ventura." Hazel's heart sank.

"Oh my God! I've done it! You've lost!" Rodrick exclaimed.

***

"Come on, come on, come on," the Hunter muttered under her breath as she worked on the lock.

***

"But I'm not meant to be here!" Hazel protested, close to tears, fighting to keep it together. "I need to find the Hunter, she's got to be here somewhere, she's always here! She wouldn't just leave me!"

"Rodrick, you are the strongest link, you will be transported home with one thousand six hundred credits."

"Oh, thank you, thank you so much!" Rodrick was crying in relief.

"This game is illegal!" Hazel insisted. "I'm telling you to stop!"

The Hunter burst through the door. "Haze! Stop this game!"

"Hazel, you leave this life with nothing."

"Stop this game!" Jack shouted.

"I order you to stop this game!" the Hunter yelled.

"You are the weakest link."

"Look out for the Anne Droid, it's armed!" Hazel cried. She ran towards the Hunter and Jack, and the Anne Droid shot her, the beam disintegrating her instantly. The Hunter ran to where she'd been, kneeling next to the pile of dust.

"Back off!" Jack shouted as guards flooded in, keeping them away from the Hunter. "Don't you touch her! Leave her alone!"

A security guard took the Hunter's arm, trying to pull her away, while another dealt with Jack. "Sir, put down the gun or I'll have to shoot."

"You killed her!" Jack cried, his voice cracking. "Your stupid freaking game show killed her!"

"Ma'am, I'm arresting you under Private Legislation Sixteen of the Game Station Syndicate."

***

"Can you tell us the purpose of this device, ma'am?" A guard brandished the sonic screwdriver in front of the Hunter's emotionless face. "Can you tell us how you got on board?"

"Just leave her alone," Lynda scowled.

The guard glared at her. "I'm asking her. Ma'am? Can you tell us who you are?" He sighed, giving up. "You will be taken from this place to the Lunar Penal Colony, there to be held without trial. You may not appeal against this sentence. Is that understood?"

As a second guard unlocked the cage to let his colleague out, the Hunter glanced at Jack and said the first words she'd spoken since Hazel's death. "Let's do it."

Immediately, Jack kicked out the legs of the guard, before the Hunter telekinetically smashing the other man's head into a wall, then threw them both in the cell and locked the door. Jack grabbed his Defabricator gun, the Hunter took her sonic screwdriver, and Lynda stole the guards' weapons.

They ran to the lift. "Floor 500," the Hunter ordered.

***

"Okay, move away from the desk!" Jack ordered as he left the lift first, aiming his Defabricator gun at the staff. "Nobody try anything clever. Everybody clear. Stand to the side and stay there."

The Hunter came out next, Lynda following her. "Who's in charge of this place?" the Hunter demanded, walking towards a woman who was hooked up to the computers, the Controller.

"Nineteen, eighteen..." the Controller counted.

"This Satellite's more than a Game Station."

"Seventy nine, eighty..."

"Who killed Hazel Norton?"

"All staff are reminded that solar flares -"

"I want an answer!"

"Occur in delta point one -"

"She can't reply," one man exclaimed, then cowered as the Hunter turned to him. "Don't shoot."

"Oh, don't be so thick," the Hunter rolled her eyes. She threw the gun she'd commandeered to him, then glanced at a computer, seeing guards getting into the lifts on some kind of CCTV. "Captain, we've got more guards on the way up. Secure the exits."

Jack nodded. "Yes, ma'am."

The Hunter pointed at the man who now held her gun. "You. What were you saying?"

"But I've got your gun," he stammered.

She narrowed her eyes. "Okay, so shoot me. Why can't she answer?"

"She's uh... Can I put this down?"

"If you want, just hurry up."

"Thanks. Sorry. The Controller is linked to the transmissions. The entire output goes through her brain," the man explained. "You're not a member of staff so she doesn't recognise your existence."

"What's her name?" the Hunter questioned.

"I don't know. She was installed when she was five years old. That's the only life she's ever known."

"Door's sealed," Jack reported. "We should be safe for about ten minutes."

"Keep an eye on them," the Hunter called back, meeting his eyes for a second before looking away, swallowing.

"But that stuff you were saying about something going on with the Game Station," the man said. "I think you're right. I've kept a log. Unauthorised transmats, encrypted signals, it's been going on for years."

"Show me," the Hunter ordered.

***

Jack tried to open another door, seeing if it was an exit. A woman tried to stop him. "You're not allowed in there. Archive Six is out of bounds."

"Lady, I am holding a gun and my sister is dead because of you," Jack glared. "You really wanna tell me what I can and can't do?" She backed off, and he opened the door, grinning a little when he saw the TARDIS. He went inside and activated the monitor. "What the hell?"

***

"Solar flare activity in delta point zero fifteen," the Controller stated.

"If you're not holding us hostage, then open the door and let us out," a woman pleaded. "The staff are terrified."

"That's the same staff who execute hundreds of contestants every day, yes?" the Hunter checked, not looking up from the computer she was looking at.

"Yes, but - That's not out faults! We're just doing our jobs."

The Hunter looked up to give her a cold glare. "And with that sentence you just lost the right to even talk to me. Now back off!" She looked round as the power cut out.

"That's just the solar flares," the man - who'd introduced himself as Pavale - assured her. "They interfere with the broadcast signal, so this place automatically powers down. Planet Earth gets a few repeats. It's all quite normal."

"Hunter," the Controller whispered.

"Hunter?" the woman asked.

The Hunter just barely kept herself from screaming at her. "Whatever it is, you can wait."

"I think she wants you," the woman said, ignoring the Time Lady's anger.

"Hunter? Hunter? Where's the Hunter?"

"I'm here," the Hunter stated, moving to look up at her.

"Can't see. I'm blind. So blind. All my life, blind. All I can see is numbers, but I saw you."

"What do you want?" the Hunter questioned.

"Solar flares hiding me," the Controller muttered. "They can't hear me. My masters, they always listen but they can't hear me now. The sun, the sun is so bright."

"Who are your masters?"

"They wired my head. The name's forbidden. They control my thoughts. My masters. My masters, I had to be careful. They monitor transmissions but they don't watch the programmes. I could hide you inside the games. Knew that you would find me."

"My... my friend died inside your games," the Hunter said, narrowing her eyes.

"Doesn't matter."

The Hunter bristled. "Don't you dare tell me that!"

"They've been hiding. My masters hiding in the dark space, watching and shaping the Earth so, so, so many years. Always been there, guiding humanity, hundreds and hundreds of years."

"Who are they?" the Hunter asked.

"They wait and plan and grow in numbers. They're strong now. So strong, my masters."

"Who are they?"

"But they speak of you, my masters, they fear the Hunter."

"Tell me, who are they?" the Hunter demanded.

The power came back on. "Twenty one, twenty two," the Controller muttered.

"When's the next solar flare?" the Hunter asked.

"Two years time," Pavale stated quietly.

The Hunter swore. "Fat lot of good that is."

"Found the TARDIS," Jack announced, jogging out of Archive Six.

"We're not leaving now," the Hunter told him.

"No, but she worked it out," Jack grinned, moving to a nearby console. "You'll want to watch this. Lynda, could you stand over there for me please?"

"I just want to go home," Lynda mumbled.

"It'll only take a second," Jack promised, flashing that brilliant grin. "Could you stand in that spot, quick as you can. Everybody watching? Okay, three, two, one." He pressed a button. A beam came down, and Lynda vanished in a puff of smoke.

The Hunter blanched, staring at her friend in horror. "But you killed her!"

Jack grinned. "Oh, do you think?" Another button made another beam, and Lynda reappeared.

"What the hell was that?" she asked, looking dazed.

"It's a transmat beam," Jack replied, and the Hunter's eyes widened in hope. "Not a disintegrator, a secondary transmat system. People don't get killed in the games, they get transported across space. Queenie, Jules is still alive!" She hugged him, crying in relief, him laughing happily.

***

Hazel stirred, feeling the ground below her humming. Her eyes widened when she saw a very familiar enemy approaching her. "No, it can't be. You're dead. I saw you die!"

***

"She's out there somewhere," the Hunter whispered, grinning as she worked at a console, trying to figure out where she'd been taken to.

"Hunter," the Controller called, making the Time Lady look up. "Co-ordinates five point six point one -"

The Hunter quickly typed them in. "Don't! The solar flare's gone. They'll hear you."

"Point four three four. No, my masters, no! I defy you! Stigma seven seven -" She disappeared with a scream and a puff of smoke.

"They took her," the Hunter sighed, inputting the co-ordinates. They weren't done yet.

"Look, use that," Pavale said, offering them a disc. "It might contain the final numbers. I kept a log of all the unscheduled transmissions."

"Nice, thanks," Jack smiled. "Captain Jack Harkness, by the way."

"I'm Davitch Pavale."

"Nice to meet you, Davitch Pavale," Jack grinned.

"Time and place, Jack," the Hunter admonished, but it was in much better spirits than it had been earlier.

"Are you saying this entire set-up's been a disguise all along?" a woman asked.

"Going way back," the Hunter confirmed. "Installing the Jagrafess a hundred years ago. Someone's been playing a long game, controlling the human race from behind the scenes for generations."

Jack grinned as he found the co-ordinates. "Click on this. The transmat delivers to that point, right on the edge of the solar system." A hologram screen showed a blank bit of space.

"There's nothing there," the woman pointed out.

The Hunter shook her head. "It looks like nothing because that's what this satellite does. Underneath the transmission there's another signal."

"Doing what?" Pavale asked.

"Hiding whatever's out there," the Hunter replied. "Hiding it from sonar, radar, scanner. There's something sitting right on top of planet Earth, but it's completely invisible. If I cancel the signal..." She typed at the computer, then looked up as she heard Jack's gasp.

He'd blanched at the sight of a familiar bronze saucer, the screen zooming out to show dozens more. "That's impossible. I know those ships. They were destroyed."

"Obviously they survived," the Hunter breathed, her own face paling in horror.

"Who did?" Lynda asked. "Who are they?"

"Two hundred ships," the Hunter whispered. "More than two thousand on board each one. That's just about half a million of them."

"Half a million what?" Pavale demanded.

The Hunter grabbed Jack's hand, squeezing it tight. "Daleks."

***

"Alert. Alert. We are detected."

"It is the Hunter! She has located us. Open communications channel."

"The female will stand. Stand!" Hazel stumbled to her feet amongst the hundreds of Daleks, seeing a viewscreen pop up, showing the Hunter and Jack, and some other people she didn't know.

"I will talk to the Hunter," one Dalek stated, moving forwards.

"Oh, will you?" the Hunter rolled her eyes. "That's nice. Hello!" She waved sarcastically.

"The Dalek stratagem nears completion. The fleet is almost ready. You will not intervene."

"Oh, really? Why's that, then?" the Hunter asked innocently.

"We have your associate. You will obey or she will be exterminated."

The Hunter snorted. "Yeah, no, I don't think so, love."

The Dalek shifted uneasily. "Explain yourself."

"I said, no."

"What is the meaning of this negative?" the Dalek demanded.

"Ooh, you skipped the queue for brains, didn't you? It means no, dumbass."

"But she will be destroyed," the Dalek threatened.

"Nope," the Hunter smiled sweetly. "Because this is what I'm going to do. I'm going to rescue her. I'm going to save Hazel Norton from the middle of the Dalek fleet and then I'm going to save the Earth, and then, just to finish off, I'm going to wipe every last bloody Dalek out of the sky!"

"But you have no weapons, no defences, no plan," the Dalek pointed out.

"Yeah," the Hunter agreed. "And doesn't that scare you to death. Haze?"

"Yes, Artie?" Hazel asked, grinning.

The Hunter flashed a quick, reassuring grin. "I'm coming to get you." She soniced the transmission, ending it.

"The Hunter is initiating hostile action."

"The stratagem must advance. Begin the invasion of Earth!"

"The Hunter will be exterminated!"

"Exterminate! Exterminate! Exterminate!"

~~~

If you enjoyed, please like and/or reblog, and consider helping me out by donating to my Kofi! Thanks for reading :)

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1920's Vintage Home Design ~ 1-click Foundation Spanish Colonial, 41th in the Series

The forty-first house in my "1920s Series" - inspired by 62 Beautiful Vintage Home Designs from the 1920s - is a Spanish Colonial (named Cardiff? :eyeroll: Yeah, well, I didn't come up with the names *shrug*) It has "6 Rooms and [a] Bath" - and it's design is "Simple yet effective..." according to the brochure. All the rooms are quite spacious - each of the three bedrooms has a full closet (the Master's closet was swapped for an armoire, but you could easily change it for a closet if you'd rather.) I built this on a larger lot thinking that if a family with kids lived here, they might like room to add a pool, or maybe a gardener would like to beautify the lawns? At any rate, I hope your sims will be happy living here. As you can see in the pictures - it has the Big Dog seal of approval ;)

This lot has been adjusted with Mootilda's GridAdjuster to have a cute little 1-click foundation. AND it has a basement (a regular dug-out basement, not a no-slope/page-down-to-the-Nether basement.) It is also Big Dog approved (Thanks to Shasta and Huge Lunatic.)

Download at MTS