#gaikotsu shotenin honda-san
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SKULL-FACE BOOKSELLER HONDA-SAN VOLUME 1
#skull face bookseller honda san#Gaikotsu Shotenin Honda-san#Skeleton Bookstore Employee Honda#honda#comedy#manga#mangacap
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started reading that skeleton animanga and Lantern literally has me weak. why does she enthrall me so much.
#Gaikotsu Shotenin Honda-san#skull-face bookseller honda-san#this stupid skeleton has such a beautiful butch coworker its ridiculous#cab blabs
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Obscure Anime of the day:
Skull-face Bookseller Honda-san
Aired: 2018
Genres: Comedy, Slice of LIfe
#skull-face bookseller honda-san#gaikotsu shotenin honda-san#obscure anime of the day#anime#ガイコツ書店員本田さん
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ACen 2019 - Sunday
Did you know I have a plastic skeleton? We obviously had to bring him to ACen!
Armor // @awesomecos Pest Mask // @tartecosplay Koomote // @fae2day Paper Bag // @pkIove Kendo // @15jellies Photo // @zoomsplays
#Gaikotsu Shotenin Honda-san#Skull-Face Bookseller Honda-san#cosplay#skeleton#Honda#Honda-san#paper bag#Kamibukuro#Koomote#Kendo#Armor#Pest Mask#acen#anime central#acen 2019#anime central 2019
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Photo
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Anime of the Day: Pull List
2.43: Seiin High School Boys Volleyball Team
Alt title: 2.43: Seiin Koukou Danshi Volley-bu
Skull-face Bookseller Honda-san
Alt title: Gaikotsu Shotenin Honda-san
When Will Ayumu Make His Move?
Alt title: Soredemo Ayumu wa Yosetekuru
#anime review#anime recommendation#anime#anime of the day#anime rec list#anime rec#2.43: Seiin High School Boys Volleyball Team#2.43: Seiin Koukou Danshi Volley-bu#Skull-face Bookseller Honda-san#Gaikotsu Shotenin Honda-san#When Will Ayumu Make His Move?#Soredemo Ayumu wa Yosetekuru
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Tarde 179 - Promoção da promoção de promoção.
#fanart#felpsverso#illustration#art#digital art#felps#felps fanart#artists on tumblr#digital illustration#digital drawing#Gaikotsu Shotenin Honda-san
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SKULL FACE BOOKSELLER HONDA SAN
#skull face bookseller honda san#gaikotsu shotenin honda san#fyanimegifs#animangahive#mygifs#mine#userroh#usermoh#userkyaa#this is for approximately six people#i see you 🫵
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My Honda-san cosplay returned for a cosplay meet a couple of months and i'm just now finding pics from it
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Favorite Shoujo / Josei Anime (Round 1)
#shoujojoseitournament#my next life as a villainess#gaikotsu shotenin honda san#my next life as a villianess all routes lead to doom#skull face bookseller honda san#otome game no hametsu flag#shoujo anime#round 1#poll#polls
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I made lantern fanart because I think she's so swag. augh
#GODDDD I DONT KNOW WHY I LIKE HER SO MUCH. SHES SO HOT#MY BEAUTIFUL BUTCH PUMPKIN GIRLFRIEND#Gaikotsu Shotenin Honda-san#skull-face bookseller honda-san#art cabinet#lantern
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Skull-Face Bookseller Honda-San
by Honda
Translation by Amanda Haley
Lettering by Bianca Pistillo
#comics#comic books#art#illustration#panelswithoutpeople#b&w#black and white#manga#slice of life#skull-face bookseller honda-san#honda#amanda haley#bianca pistillo#gaikotsu shotenin honda san
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instagram
We had a great time!
Armor // @awesomecos Pest Mask // @tartecosplay Koomote // @fae2day Paper Bag // @pkIove Kendo // @15jellies Video // @zoomsplays
#Instagram#Gaikotsu Shotenin Honda-san#Skull-Face Bookseller Honda-san#cosplay#skeleton#Honda#Honda-san#paper bag#Kamibukuro#Koomote#Kendo#Armor#Pest Mask#acen#anime central#acen 2019#anime central 2019#video
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Skull-Face Bookseller Honda-San Review
There are two types of people in this world: those who love taking a trip to their local bookstore, and those who hate fun. I happen to be part of the former group, and try to visit my local Indigo at least once or twice a month just to check out what’s there. Sometimes, its just nice to wander through the aisles, and casually explore what’s there, without really looking for anything in particular. Its a place so laid back, it begs the question: ‘Working there can’t be that hard, can it?’
As it turns out, working at a bookstore is pretty complicated, something that I learned after watching this month’s assigned anime: Skull-Face Bookseller Honda-San. Based on the manga of the same name, this series follows a skeleton named Honda who works at a non-descript bookstore in Japan, stocking shelves and helping customers. Each day brings new challenges which Honda and his odd-headed co-workers must face, in wacky (sometimes barely animated) hijinks.
Skull-Face Bookseller (abbreviated to SFBH from now on for brevity) is a series whose main focus is being a ‘relatable’ workplace comedy. Folks like me who’ve never worked at a bookstore might find themselves getting confused at all the workplace lingo thrown around, though the series does a good job at explaining the concepts to the audience. The series, though, has this overall sense of expectancy over it, as if the creators are waiting in the bushes for you to laugh at their ‘relatable’ jokes. Every time a character complains about working too long, about how customers are rude, or how their job sucks, the anime expects you to relate that to your own working experience and therefore laugh along.
And yet, it always stops before it gets too pessimistic. Most shows that I’m familiar with about people with jobs go down this doom spiral, where characters obsessively complain about work. Their job sucks, something happens that they weren’t expecting, they react negatively, rinse and repeat. Here, though, the writer steps back right before the spiral begins, acknowledging the problem but refusing to let it control their life. SFBH is a refreshing take on the time-worn workplace comedy, because it doesn’t make the entire joke of the series ‘Working sucks’.
Instead, the main joke of the series is the appearance of the bookstore employees. Just like in the original manga, Honda and her co-workers are depicted as wearing unusual helmets or masks, giving them a sense of cartoonish silliness that separates them from the customers at first glance. I’m not exactly sure why they look like that (my guess is to protect the identities of the real people involved), but the weird faces has an added benefit beyond simple aesthetics. In a series that revolves around a large cast of recurring characters, confusion is inevitable, especially since some manga artists suffer from ‘Same Face Syndrome’ with their female characters. Since the main cast of SFBH are all wearing weird head-coverings, its easier to remember who is who, and every character looks distinct.
SFBH’s characters also fall into this weird grey area when it comes to gender recognition. Since most characters have their faces fully covered, our only traditional means of distinguishing are from dialogue. Nobody ever mentions the word ‘man’ or ‘woman’ (and knowing Japan, I’d be shocked if the concept of non-binary was even hinted at), but the occasional ‘him’ or ‘she’ is thrown around when referring to someone. The Japanese voice actors sound like what one might expect from a ‘she’ or a ‘he’, but when it comes to Honda, things get complicated.
Honda is, of course, a skeleton, who lacks any stereotypically feminine or masculine traits. His face is plain, his bony frame is mostly hidden under a white shirt and blue work apron (and what would we even expect to be under there, besides bones?). By all accounts, Honda is pretty androgynous, something that isn’t too common in a series where that isn’t the main punchline.
What makes things interesting is how Honda herself identifies. In the anime, Honda is voiced by Soma Saito, who you might recognize as that green-haired wimp Tadashi from Haikyu. Because of this, Honda sounds very masculine, and the subtitles agree, referring to him as ‘he’ or ‘him’. At the same time, the character is intended to be representing the author, who identifies as female. There are a few times in the manga where Honda is read as female, including being referred to as an “older sister” type, or when a customer declines her offer to help carry a heavy bag because it would be ‘too heavy for a woman’.
Honda flip flops between being read as male or female, while showing no obvious signs of being either. The very beginning of the series has him lament about the typical image of a bookseller being a sweet, glasses-wearing young woman, and how he doesn’t fit that image. Yet, later in the series, when Honda talks with her manga editor about a live-action adaptation, they joke about which male actor they would cast as her. I’d like to believe that Honda is genderfluid, which would be groundbreaking for a Japanese manga, so it gets representation points in my books.
Beyond complicated gender identities, anyone who is even mildly versed in manga will get a kick out of this series for how often it references popular series. Characters will burst into a scene, asking if there’s more copies of a famous manga in stock, all the while the name is barely censored because of copyright. Well-known manga references are thrown all over the place, giving the fictional bookstore a greater sense of legitimacy. Instead of making obviously fake titles, they just said ‘screw it’ and used real ones, making it feel more real. While watching this anime, I found myself trying to identify all the manga mentioned by characters in dialogue, almost like a little game. Its pretty fun, if you know your stuff.
I’d also like to think that whoever recommended this series to me knows me really well, because the amount of references to yaoi or BL in this anime is shockingly high. The entire first episode is practically devoted to it, culminating in a scene where Honda has to deal with an English-speaking customer who is looking for an explicit doujinshi that his daughter wanted. I really don’t know what’s worse: the fact that a character mentioned a BL series vaguely in an off-hand comment and I immediately knew what it was (despite never having read it), or that I knew exactly which doujinshi the English-speaking dad was looking for. Let’s just say that I haven’t watched Gintama yet, but I have some experience with the main character...
SFBH is a good anime: not great, not fantastic, but not bad either. It wasn’t trying to be some over the top, zany comedy, or some deep meditation about workplace culture. Its a short, snappy, and visually distinct series with it’s own sense of humor, one that relies more on weird people and situations than pessimism and ‘relatability’. I enjoyed how much it had to say about how bookstores work, and I felt like I learned while watching it. One thing’s for sure: I have a new sense of respect for bookstore workers, after seeing all the hard work that goes into keeping everything in order. Now, I can rest assured that when I bring my big stacks of plastic-wrapped BL to the counter, the employee ringing me up is just as embarrassed as I am. What a relief.
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