#gaëlle choisne

[killyridols]

anathem – polydactylie by gaëlle choisne, 2022, oak + printed fabric + indigo shibori fabric + glazed ceramic + gold plated chains + shells + lockers + mobile phone + strawberry-flavoured condoms + black panthers viagra, 200 × 97 × 3 centimeters

[jordi-gali]

Gaëlle Choisne, (détail), 2018 Verre, plâtre, métaux, céramique, résine époxy, tatouages éphémères © Adagp, Paris 2022 Photo © Philippe Lebruman https://www.macval.fr/Autel-detail

[philoursmars]

Marseille, peu avant ma remontée dans le Nord.

Je suis allé voir une expo d'art contemporain des Outremers, à la Friche Belle-de-Mai, "Un Champ d'Îles" :

Julie Bessard : "Ailes"

idem (on voit que le cuivré est créé par des centaines d'agrafes)

Raphaël Barontini : série "Solar Cloaks" - "Eurydice", "Toussaint Bréda", "Black Minerva Cape"

idem

Ricardo Ozier-Lafontaine : "Martinique, l'Île aux Fleurs"

Gaëlle Choisne : "War of Images - Distortion and Temporal Ellipses"

Jérémie Paul : "Les Tiags de mon Oncle"

[siltobject]

Gaëlle Choisne

Safe space for a passing History _ Nour tattoo, 2023, Plywood, glazed ceramic, mesh rib, gems, ephemeral tatoos, coin, cori, uv printing, collage, painting, 8 1/2 × 7 × 2 in | 21.6 × 17.8 × 5.1 cm

Marie-Jeanne Lamartinière, 2023, Remains of wooden crates from the 5th New Museum Triennial (Soft Water Hard Stone), prints, resin, pencil, acrylic, nail, clay, 15 3/10 × 27 1/5 in | 38.9 × 69.1 cm

Safe space for a passing History _ 778, 2023, Plywood, glazed ceramic, mesh rib, gems, ephemeral tatoos, coin, cori, uv printing, collage, painting, 8 1/2 × 7 × 1 1/2 in | 21.6 × 17.8 × 3.8 cm

[artlimited]

Gaëlle Choisne | Temple of love - Atopos https://www.artlimited.net/agenda/gaelle-choisne-temple-of-love-atopos-exposition-mac-val-vitry-sur-seine/fr/7584779

[theories-of]

GAËLLE CHOISNE, 'HERMAPHRODITE', 2020. PLASTIC, TATTOO PRINTED COLOR SEWED

[mimeticspace]

Gaëlle Choisne

[thenoisyflowerbouquet]

Gaëlle Choisne (1985-) Langugage of Birds, Installation and Video, 2017

https://universes.art/en/sharjah-biennial/2017/beirut/unpredictable-expression/gaelle-choisne-2/

[tuckercontemporaryart]

Dust Specks on the Sea – Contemporary Sculpture from the French Caribbean & Haiti Contemporaryand.com: “Hundreds of independent art and museums spaces were forced to close due to the Corona-Crisis. In this series we are celebrating the fantastic artistic events that are right now sitting behind closed doors. Challenging France’s history as a powerful colonizing force in the Caribbean, the New York exhibition Dust Specks on the Sea focuses on sculptural works by twenty-two artists from Guadeloupe, Martinique, French Guiana, & Haiti. It presents various approaches to subject matter, materials, and process that speak to contemporary practices by artists of this region, evincing their participation in a globalized art world and putting pressure on notions of who is at its “center” and who is on its “periphery”. “ Exhibiting artists: Mathieu Kleyebe Abonnenc, Raphaël Barontini, Sylvia Berté, Julie Bessard, Hervé Beuze, Jean-François Boclé, Alex Burke, Vladimir Cybil Charlier, Gaëlle Choisne, Ronald Cyrille, Jean-Ulrick Désert, Kenny Dunkan, Edouard Duval-Carrié, Adler Guerrier, Jean-Marc Hunt, Nathalie Leroy-Fiévée, Audry Liseron-Monfils, Louisa Marajo, Ricardo Ozier-Lafontaine, Jérémie Paul, Marielle Plaisir, Michelle Lisa Polissaint and Najja Moon, Tabita Rezaire, Yoan Sorin, Jude Papaloko Thegenus, Kira Tippenhauer #wearecontemporaryand #art #contemporaryand #contemporaryart #africandiaspora #Caribbean #Haiti #colonization #france #newyork #tuckercontemporaryart #whatsupwithart https://www.instagram.com/p/B_gpmeNlTeY/?igshid=1xeof5l71u03c

[theartnewspaperfrance]

In Pictures - Notre sélection parmi les expositions à Marrakech. www.theartnewspaper.fr ------- Dada, vaste espace d’exposition situé sur la Place Jemaa el Fna, accueille une exposition réunissant les œuvres de Gaëlle Choisne, Neïla Czermak Ichti, Rayane Mcirdi, Sara Sadik et Mohamed Bourouissa autour de la représentation des identités contemporaines. « Hamdoulah ça va ! », jusqu’au 1er mars, Dada Marrakech, Marrakech, Maroc, www.dadamarrakech.com ------- Vue de l’exposition « Hamdoulah ça va ! », 2020. © Nicolas Brasseur / Say Who ------- #theartnewspaperfrance #dadamarrakech #hamdoulahçava (à Marrakech) https://www.instagram.com/p/B88Xc3TIQJs/?igshid=1rjco51fnome0

[killyridols]

safe space for a passing history_marie-jeanne lamartinière by gaëlle choisne, 2022, remains of wooden crates from the 5th new museum triennial (soft water hard stone) + prints + resin + penci + acrylic + nail clay, 39 × 69 centimeters

[jornal-do-reboucas]

Oscar Niemeyer será a maior sede da 14ª Bienal de Curitiba

A 14ª Bienal Internacional de Arte Contemporânea de Curitiba: “Fronteiras em Aberto” será inaugurada oficialmente neste sábado (21), no Museu Oscar Niemeyer (MON). O maior museu de arte da América Latina é também a maior sede do evento, apresentando o trabalho de aproximadamente 100 artistas distribuídos entre as Salas 1, 2, 4, 9, 11, Espaço Araucária, Torre, Olho e Espaço Externo.

Excepcionalmente neste sábado, em razão da abertura da Bienal, a visitação ao MON será encerrada às 17h. A bilheteria fará a venda de ingressos até as 16h. A visitação às salas da Bienal, com entrada gratuita, terá início às 18h.

Com destaque à participação de artistas contemporâneos dos países do Brics (Brasil, Rússia, Índia, China e África do Sul), as obras expostas contam com curadoria de Adolfo Montejo Navas (Espanha), Tereza de Arruda (Brasil/Alemanha), Ernestine White-Mifetu (África do Sul), Gabriela Urtiaga (Argentina), Massimo Scaringella (Itália), Daniel Faust (Suíça), Esenija Bannan (Rússia), Lu Zhengyuan (China) e Li Xiangning (China).

“A Bienal é o conhecimento do novo e o revisionismo necessário. O olhar novo e o novo olhar. É um continente novo para quem precisa migrar em busca de novas inspirações. São 25 anos de reinvenção”, afirma o secretário estadual da Comunicação Social e da Cultura, Hudson José.

A diretora-presidente do Museu Oscar Niemeyer, Juliana Vosnika, diz que o MON, orgulhosamente, é um dos espaços oficiais do evento. “Aqui, exposições e atividades da Bienal não se limitam às paredes internas do prédio e vão além. O público se surpreende com instalações na área externa, performances ou propostas interativas no vão livre, além das significativas exposições nas salas oficiais”, explica.

Juliana afirma ainda que, como instituição, o Museu Oscar Niemeyer compartilha do mesmo objetivo da Bienal: extrapolar paredes e fronteiras. “O principal desafio do MON é estar cada vez mais próximo do público e incentivar a sociedade a fazer parte do cotidiano do Museu, o que o mantém vivo e dinâmico”.

Assim como a Bienal, o objetivo do Museu é transbordar arte e através dela atingir cada cidadão. “Olhamos para o futuro tendo a certeza do quanto ele depende do acesso à cultura. Parabéns, Bienal, por contribuir para manter as fronteiras sempre abertas por meio da arte”, diz Juliana.

Bienal no MON: espaços expositivos

SALA 1 – BRICS

A sala abriga duas exposições em homenagem aos países integrantes do Brics. A primeira, de curadoria da sul-africana Ernestine White, traz trabalhos dos artistas Buhlebezwe Siwani (ZA), James Webb (ZA), Khaya Witbooi (ZA), Lerato Shadi Mosako Wa Nako (ZA), Lucky Mbonani (ZA), Mary Sibande (ZA), Noria Mabasa (ZA), Sethembile Msezane (ZA) e Simphiwe Ndzube (ZA).

A segunda exposição tem como curadora Tereza de Arruda, com obras de Farnese de Andrade Neto (BR), Isabelle Borges (BR), Navjot Altaf (IN), Rakhi Peswani (IN) e Reena Kallat (IN).

SALA 2 – BRICS

Seguindo as homenagens ao grupo Brics, a sala exibe obras de artistas contemporâneos brasileiros, russos e chineses. Sob curadoria de Adolfo Montejo, ganha destaque Cildo Meireles, um dos maiores artistas contemporâneos brasileiros. Os curadores Tereza de Arruda, Esenjia Bannan e Lu Zhengyuan trazem artistas como: AES + F (RU), Bai Xiaogang (CN), Berna Realle (BR), Cao Jigang (CN), Chen Shuxia (CN), Fan Bo (CN), Fan Xueyi (CN), Huang Wong Sally (CN), Ilya e Emilia Kabakov (RU), Kang Jianfei (CN), Kang Lei (CN), Li Xiangqun (CN), Leonardo Kossoy (BR), Liu Qinghe (CN), Liu Zheng (CN), Luo Fahui (CN), Pang Maokun (CN), Sergei Tchoban (RU), Sui Jianguo (CN), Tan Xun (CN), Wang Chengyun (CN), Xiong Yu (CN), Yan Feng (CN), Yu Xiangming (CN), Zhan Wang (CN) e Zhang Congyun (CN).

SALA 4 – ENTREMUNDOS

A exposição “Entremundos”, de curadoria de Adolfo Montejo Navas, apresenta o trabalho dos artistas brasileiros Alex Flemming, Mario Cravo Neto, Anna Maria Maiolino, Ana Vitória Mussi, Arthur Bispo do Rosário, Arthur Omar, Cao Guimarães, Eliane Prolik, Geórgia Kyriakakis, Julio Leite, Marcelo Cipis, Paulo Bruscky, Paulo Climachauska, Raul Mourão, Rejane Cantoni, Rubens Gerchman, Victor Arruda, Ana Dantas, André Vallias, Anna Bella Geiger, Giselle Beiguelman, Nelson Leirner, Regina Vater e Márcia X.

SALA 9 – MAC NO MON

A Bienal ocupa também a Sala 9, onde temporariamente funciona o Museu de Arte Contemporânea do Paraná. Nesse espaço estarão expostas obras de artistas chineses e sul-africanos, sob curadoria de Massimo Scaringella e Ernestine White.

Na Sala 9, a Bienal apresenta também projetos de arquitetura contemporânea sob curadoria do suíço Daniel Faust, responsável pelo Circuito de Arquitetura da Bienal.

SALA 11

A curadora argentina Gabriela Urtiaga apresenta uma mostra de mulheres artistas argentinas, sob discussões estéticas e etimológicas no que tange a relação entre feminismo(s) e arte contemporânea, através do trabalho das artistas Catalina Leòn, Diana Aisenberg, Inés Drangosch, Inès Raiteri, Karina El Azem, Marisa Caichiolo e Teresa Pereda. A sala também conta com a curadoria de Massimo Scaringella, que traz ao público trabalhos de Alexis Minkiewicz (AR), Christian Balzano (IT), Daniel Mullen (GB), Hannes Egger (IT), Hannu Palosuo (FI), Jorge Miño (AR), Meital Katz Minerbo (IL), Philipp Messner (IT), Raquel Fayad (BR), Silvana Camilotti (BR), Stefano Cagol (IT), Virginia Ryan (AU), Jane Katharina di Renzo / Ineke Reinders (DE/TR), Elena Dahn (AR), César Meneghetti (BR), Patricia Claro (CL), Yan Longjiao (CN), Dai Hua (CN), Wang Jingwei (CN), Valérie Oka (CI), Igor Grubic (HR), Annu Palakunnathu Matthew (IN), Adriana Omodei (IT), Agnese Purgatorio (IT), Sergio Racanati (IT), Antonio Trimani (IT), Yohan Han (KR), Shay Frisch (IL), Munkhjargal Jargalsaikhan (MN), Hassan Meer (OM), Muzna Almusafer (OM), Su Hui-Yu (TW) e Yao Juichung (TW).

TORRE E ESPAÇO ARAUCÁRIA

Na Torre, em direção ao Olho do MON, o público poderá conferir trabalhos dos artistas Eduardo Scala (ES), Joan Brossa (ES) e Nicanor Parra (CL). No Espaço Araucária, será exibido o trabalho de Eduardo Kac (BR).

OLHO – FRONTEIRAS EM ABERTO

O Olho apresenta o tema geral da 14ª Bienal de Curitiba: “Fronteiras em Aberto”. Sob a curadoria de Adolfo Montejo Navas, os visitantes terão contato com obras dos artistas Antoni Muntadas (ES), Arthur Omar (BR), Daniel Canogar (ES) e Juan Luis Moraza (ES). Tereza de Arruda Adriane Guimarães (BR), Anne Le Troter (FR), Brigitte Waldach (DE), Clemens Krauss (AU), Emmanuel Bornstein (FR), Gaëlle Choisne (FR), Gerda Lepke (DE), Hito Steyerl (DE), Jasmina Metwaly/Philip Rizk (PL/CY), Liv Schulmann (AR/FR), Nino Rezende (BR), Olaf Nicolai (DE), Reena Kallat (IN), Thu Van Tran (VN), Tobias Zielony (DE) e Veronika Kellndorfer (DE), sob curadoria de Tereza de Arruda.

ESPAÇO EXTERNO

Na parte externa do MON, será possível visitar as obras de Alex Caminiti (IT), Jairo Valdati (BR) e Marcos Amaro (BR), com curadoria de Massimo Scaringella, além da artista Ana Vitória Mussi (BR), com curadoria de Adolfo Montejo Navas.

SOBRE A BIENAL - A 14ª Bienal de Curitiba acontece de 21 de setembro de 2019 até 1° de março de 2020. Nesta edição, conta com o tema “Fronteiras em Aberto”, assinado pelos curadores Adolfo Montejo Navas e Tereza de Arruda. A programação geral terá a participação de artistas dos cinco continentes, com destaque para artistas da Rússia, Índia, China e África do Sul – países membros do bloco Brics.

Esta edição ocupará todos os museus e centros culturais de Curitiba e também terá sedes em outras cinco cidades do Paraná, além de Florianópolis (Santa Catarina) e Brasília (Distrito Federal).

Ao longo dos meses de evento, o público contará com uma agenda intensa de circuitos, palestras, intervenções urbanas e oficinas, como os já tradicionais Circuito de Galerias, Circuito de Arquitetura, Circuito de Ateliês, Circuito Universitário (CUBIC), Semana de Performances, entre outros.

Por fim, expandindo ainda mais suas fronteiras, a Bienal contará com uma programação de mostras internacionais em países da América do Sul e Europa. A programação completa pode ser conferida nas redes sociais e no site da Bienal de Curitiba.

Instagram: @bienaldecuritiba

Facebook:/BienaldeCuritiba

www.bienaldecuritiba.com.br

Patrocínio: Furnas, Copel, Havan e Bergerson.

REALIZAÇÃO - Secretaria da Comunicação Social e da Cultura do Governo do Paraná, Fundação Cultural de Curitiba, Prefeitura Municipal de Curitiba, Secretaria Especial da Cultura do Ministério da Cidadania do Governo Federal.

SERVIÇO - A visitação ao MON será encerrada às 17h. A bilheteria fará a venda de ingressos até as 16h. A visitação às salas da Bienal, com entrada gratuita, terá início às 18h.

Museu Oscar Niemeyer (MON) - Rua Marechal Hermes, 999 - Curitiba – Paraná.

museuoscarniemeyer.org.br

[gaellechoisne]

TEMPLE OF LOVE-S’abîmer (To be engulfed), installation,

Gaëlle Choisne. Temple of Love: to be Engulfed, exhbition view, Zachęta Project Room, photo by Weronika Wysocka

2019, Video, 16/9, color, 25’00’00

[siltobject]

Gaëlle Choisne

Safe space for a passing History_Sanité infinity, 2022, Remains of wooden crates from the 5th New Museum Triennial (Soft Water Hard Stone), prints, resin, pencil, acrylic, nail, clay, 9 4/5 × 10 3/5 × 4/5 in | 25 × 27 × 2 cm

[theories-of]

GAËLLE CHOISNE

[sandrateitge]

“A tale of trash mountains, garbage rivers and migratory birds” (2017)

Franziska Pierwoss and Sandra Teitge (Concept & Dramaturgy)

Duration: 2-3 hours

In the framework of the ongoing garbage crisis in Lebanon, a crisis that can be read as a potent symbol of the country’s often dysfunctional infrastructure and sectarian politics, Franziska Pierwoss and Sandra Teitge organize a dinner performance that addresses the multiple layers of this situation. Continuing the investigation into global structures of waste management that started in Mexico City in the spring of 2017 with a culinary evening that gathered key figures in the field at the MUAC (Museo Universitario Arte Contemporáneo), the dinner in Beirut equally invites audience members and experts on this matter to converse over a menu specifically conceived for the context. During this culinary and discursive evening, questions of private and public responsibility, informal and formal economies, as well as associated phenomena such as international waste trade and waste disposal will be raised and explored.

Through the practice of research-based culinary collaborations that may take the form of dinners, tastings or soup kitchens, Franziska Pierwoss and Sandra Teitge explore the nature of political or so-called historical moments and the potential of the culinary. Old or found menu cards are used as a starting point to investigate the atmosphere that might have influenced historical decisions and the context, in which food was used as a political agent. Assuming that politics do not only happen around the table in the private realm but also on an international level, Pierwoss and Teitge aim to renegotiate the nature of specific events and to debate food as a tool of power.

Sharjah Biennial 13, Tamawuj Upon a Shifting Plate and Act II October 14–22, 2017 www.sharjahart.org www.ashkalalwan.org

Beirut, Lebanon

Sharjah Art Foundation (SAF) announces the participants of Sharjah Biennial 13’s (SB13) concluding programme in Beirut, organised with Ashkal Alwan, including the off-site project Upon a Shifting Plate and Act II of the Biennial.

Upon a Shifting Plate October 14–15, 2017

With: Maya Abu Al-Hayat, Brigitte Caland, Tarek El-Ariss, Forager Collective, Monika Halkort, Candice Lin, Sahar Mandour, Iman Mersal, Lina Mounzer, Franziska Pierwoss and Sandra Teitge, SPURSE, and James T. Hong

Themed around the keyword "culinary," Upon a Shifting Plate is the Biennial’s fourth and final off-site project. Ashkal Alwan–the SB13 interlocutor of the culinary programme–presents a weekend of discursive and performative projects, where workshops, walks, talks, and cooking sessions will explore the production and consumption of culinary heritage, and how our eating habits condition and shape our psychological and cultural dispositions.

SB13 Act II Exhibitions opening: October 14, 2017 Public programme: October 16–22, 2017

With: Noor Abuarafeh*, Omar Abusaada, Leila Arab, Vartan Avakian, Pedro Barateiro and Quinn Latimer, Tamara Barrage*, Eric Baudelaire, Sabrina Belouaar, Mohamed Bourouissa*, Madison Bycroft, Los Carpinteros, Sara Sejin Chang (Sara van der Heide), Ali Cherri, Gaëlle Choisne, CJ Clarke, Céline Condorelli, Jesse Darling, Haitham Ennasr*, Rami Farook, Claire Fontaine*, Forensic Architecture, Khalil El Ghrib, Laura Henno, Sandi Hilal and Alessandro Petti, Ho Rui An, Eric van Hove, Iman Issa*, Emily Jacir*, Tushar Joag, Hiwa K, Christoph Keller*, Mohamed Khan, Dina Khouri*, Rayane M'cirdi, Randa Maroufi, Naeem Mohaiemen, Radouan Mriziga, Rabih Mroué and Lina Majdalanie, Dala Nasser, Wendelien van Oldenborgh, Christodoulos Panayiotou, Younes Rahmoun, Mostafa Saifi Rahmouni, Sigil*, Christopher Ian Smith, Praneet Soi, Rania Stephan*, SUPERFLEX, Rayyane Tabet, Akira Takayama*, Tamawuj.org, TAO Dance Theatre, Bahar Temiz and Felix Mathias Ott, Anton Vidokle, Karine Wehbé*, and Young-Hae Chang Heavy Industries

*Presenting new commissions

On October 14, Act II launches two exhibitions conceived by guest curators Hicham Khalidi and Reem Fadda at Beirut Art Center and Sursock Museum respectively.

In this final chapter of the Biennial, Reem Fadda’s exhibition Fruit of Sleep explores the notion of dormancy, looking at sleep as an act of neither the singular or collective mind, but rather of a social body carefully plotting action in the face of failed revolutionary attempts.

Hicham Khalidi’s exhibition An unpredictable expression of human potential seeks to address the current moment of disenfranchisement and frustration, pondering whether the young generation holds the vitality needed to upturn the socio-political legacies of modernity.

In addition, Act II features a public programme of talks, film screenings, and performances across the city, including new commissions and publications released throughout SB13 in Beirut, Dakar, Istanbul, Ramallah, and Sharjah.

The full programme will be released shortly on Sharjah Art Foundation and Ashkal Alwan’s websites.

Curated by Christine Tohme, Sharjah Biennial 13: Tamawuj unfolds in five parts, from October 2016 to October 2017. SB13 includes exhibitions and a public programme in two acts in Sharjah and Beirut; a year-long education programme in Sharjah; off-site projects in Dakar, Istanbul, Ramallah, and Beirut; and the online publishing platform, tamawuj.org.

Christine Tohme is the director of Ashkal Alwan, a nonprofit organisation established in Beirut in 1993 that supports contemporary artistic practice. She is the recipient of the Prince Claus Award (2006) and CCS Bard Audrey Irmas Award for Curatorial Excellence (2015).

Ashkal Alwan is a nonprofit organisation based in Beirut. Since 1993, the association has been committed to the production, facilitation, and circulation of creative and theoretical endeavors across a range of disciplines and media.

Sharjah Biennial is organised by Sharjah Art Foundation, which brings a broad range of contemporary art and cultural programmes to the communities of Sharjah, the UAE and the region. Since 1993, Sharjah Biennial has commissioned, produced, and presented large-scale public installations, performances, and films, offering artists from the region and beyond an internationally recognised platform for exhibition and experimentation.