#fx6
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Tolmie 137th Sports festival in country Victoria Australia 🇦🇺 .
🪵🪓 fun event
to work on 🎞️
#fujifilm#photography#vintage#artwork#digital art#shoot2kill#clouds#melbourne#foodgasm#xh2s#fx6#country victoria#festival#video production#wood#videography
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I was thrilled to DP and edit this video for the amazing Autoheart, recording a live / semi-unplugged version of their latest single "Juggernaut" at Urchin Studios in East London. Stream the song wherever takes your fancy, here: https://lnk.to/jugger0FA
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I want to be the Michael Bay of the commercial world but with less plot holes. That’s the FX6 On the ronin 3 * * * #filmmaker #setlife #director #videography #videographer #fx6 #michaelbay #cinematography #setlife (at Atlanta, Georgia) https://www.instagram.com/p/CopOR3irrI2/?igshid=NGJjMDIxMWI=
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Star Trek: The Next Generation (TNG and ST:TNG) is an American science fiction television series created by Gene Roddenberry debuted on September 28, 1987.
#Vulcan Tourism & Trek Centre#Vulcan#Alberta#Canada#summer 2024#travel#original photography#vacation#tourist attraction#landmark#cityscape#architecture#Vulcan Star ship FX6-1995-A#wrong ship#Star Trek: The Next Generation#TNG#ST:TNG#debuted#28 September 1987#Hollywood Walk of Fame#California#35th anniversary#US history#TV show#TV series#my favorite Star Trek show#Patrick Stewart#USA#summer 2011
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Great shoot last month with UCHealth for their Avs Family Values campaign featuring three of the player’s significant others!
Thanks to a great client, @jenrossproductions and a fantastic crew that made these fun videos! Go to @uchealth to watch and let us know what you think!
#stabio productions#stabio#brad stabio#colorado#Sony FX6#colorado avalanche#behind the scenes#Brook Aitken#goavsgo#Avs#gabe landeskog#Landeskog#Instagram
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It should also be noted that the Ursa Pro Mini G2 that he sidegraded from is also $6000
Highlights from James Somerton’s apology Video:
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Sony FX3 vs FX6 vs FX9: A Full Comparison
Picture this: You are ready to get that perfect shot and the piece of equipment in your hand is the most vital element to determine the ideal shot. FX3, FX6, FX9 – all three of them are strong models, but how do they complement your creative skills? It doesn’t matter if you want to step into the cinematic universe with the light weighted and easy-to-operate Sony FX3, try to achieve the balance of versatility with the FX6, or try to take larger-scale productions with the Sony FX9, every model has its distinctive taste and set of capabilities.
The differences are not limited only to the specs, they are modeled for different styles and different purposes in other contexts. If you look closer, you will see they have different advantages, which can be well-suited for different cinematographers. Starting with the power to operate the FX3 and its compact nature which is very useful for fast-paced projects, then the FX3 which is a mixture of speed and controlled parts for professional use, and going up to the FX9 which provides cinema quality images – the choices can be exhaustive.
However, the truth is, that the end is closer than it appears. After figuring out which camera goes well with your style, your setup requirements, and your project goals, you will be more informed to make the selection that elevates your work. Are you ready to explore the full capabilities of these ‘cinematic beasts’? Then continue as we talk about the different strengths and features of the Sony FX3, FX6, and FX9 and in the end help you make the decision that will complete your filmmaking.
Introduction to the Sony FX3, FX6, and FX9
Sony has made a name for itself as a manufacturer of high-end cinema cameras. The Sony FX3, FX6, and FX9 are all professional-grade filmmakers’ cameras belonging to the FX series. In particular, every camera serves a specific purpose and targets a particular niche in the filmmaking world.
Sony FX3: This model is very compact and very easily adjustable. It is perfect for run-and-gun filming situations, hence its popularity.
Sony FX6: Striking a good balance between small size and strong capabilities, it is a useful device for different places of shooting.
Sony FX9: This camera is more capable and has many more features than the rest of the models, making it the best choice for bigger shoots that require exceptional cinematography.
Performance Analytics and Image Quality
FX6 Same Sensor as FX3? Movie makers are given resources that allow them to attain impressive resolution and detail because the FX3 and FX6 feature a full-frame 4K sensor. With their shared sensor technology, they deliver a cinematic look that is visually stimulating, making them suitable for movement-filled shots or beauty shots. This shared sensor is built for low light situations and even in lowly lit surroundings; it still manages to glimpse well.
FX9 Sensor BenefitA 6k full-frame sensor implemented in the Sony FX9 goes a notch higher, thus thriving in detail and enabling the capture of imagery in incredible detail. Its 6k image output, however, is where the sensor shines with sharpness and color accuracy, unlike many 4k devices since it is downsampled from 6k. In large-scale productions where the detail of the image is a prerequisite, the FX9’s sensor easily becomes a resource.
ISO Performance and Low Light Capabilities
Sony FX3 Dual Native ISO and Dual Native ISO of FX3A striking feature of the FX3 from Sony is the dual native ISO whereby the native is naturally 640 and the secondary base is at 12,800. Because of this capability, the FX3 works perfectly even in dark environments since it avoids noise and maintains image quality. The unique dual-base ISO FX3 system is quite useful for filmmakers who tend to operate in diverse lighting conditions.
FX6 and FX9 ISO SpecificsThe FX6 has a dual native ISO system as well and its low ISO performance can be compared directly to that of the FX3. On the other hand, the FX9 does not have the feature of dual native ISO. The FX9 does however use its high-quality sensor and advanced image processing for low-light situations but it is not quite as versatile as the FX3 and the FX6.
Physical Dimensions, Mass, and Ease of Handling
Loose Weight and Compact Design of Sony FX3For independent filmmakers, the size and weight often become deciding factors. The Sony FX3 is especially lightweight with a weight of about 640 grams. It is designed to be compact which means more flexibility, especially in hand-held shooting or when mounted on gimbals. As far as videographers in Dubai are concerned, this is a big plus as the Sony FX3 is light and easy to use.
FX6 vs FX3 in Portable DesignThe FX6 on the other hand is slightly bigger and heavier slightly but still has a compact design with a weight of almost 890 grams. It may not be as portable as the FX3 but it does strike the right balance between size and functionality. It does provide more advanced controls and enhanced usability but comes with the cost of enhanced weight.
Weight Considerations When using FX9The FX9, unlike the FX3 and FX6, is a bit on the larger, heavier side. Similar to how the fugly Z CAM cameras work. They seem to weigh around 5250 grams and as such, these cameras are best paired with Tripods or Rigs during the shoot. The size and weight of the FX9 may seem constraining for movement but it makes up for the lost mobility with more features and superb image quality which is something hard to ignore.
Key Specifications and Features
The Comparison between Sony FX3 and FX6 Full Frame Cinema CamerasWhen evaluating the FX3 vs FX6 specs, it can be observed that both cameras have full sensor coverage while also offering 4k video. However, FX6 being a step up offers additional professional controls, making it a good option for more scenarios and styles of shoots.
FX3 vs FX6 Key DifferencesThe FX3 and FX6 have a good number of shareable roots but the innate differences make them quite unique. The FX6’s built-in electronic ND filters and greater frame rate options make it more well-rounded for creative tasks of varying exposures. For shoots, these options are beneficial by increasing the overall control and quality when switching between different lighting conditions.
FX6 vs FX9 in Professional FeaturesThe FX9 is the one that has more specific features to enhance high-budget productions versus the FX6. With superior color science, quality codecs, etc., the FX9 is meant for projects that will prioritize the images as well as the post-production work. It offers dual-link 3G SDI which has understood video output needs for multicam and live broadcasting setups.
Image Stabilization and Usability in MotionBoth the FX3 and FX6 have in-body stabilization which is important when shooting handheld or in movement situations. It is clear that the Sony FX3 has a built-in five-axis stabilization system which is helpful in providing clearer shots, especially when shots are handheld. On the other hand, the Sony FX6 has electronic stabilization which functions with external stabilizer gear to provide necessary stabilization when required in more complicated filming scenarios.
In this case, consideration of FX9’s in-body stabilization seems problematic because FX9 does require external stabilizer equipment. This may seem a weakness however it is part of FX9’s classification of a lesser camera for more stable positioning in high-quality setups.
Targeted User Groups
Sony FX3 for Run and Gun MonteursOn the off chance that effectiveness and movement are your main goals, the Sony FX3 is made for creators on the go. This makes it excellent for individual operators and content creators, as it is lightweight and compact, which in turn makes it ideal for use in travel, vlogs, and rapid documentary styles. The use of this camera also means that extensive lighting equipment is not necessary since the filmmakers will have a dual native ISO.
Sony FX6 for All Functions in VideographyPower users who need flexibility and quality will be compelled to use the Sony FX6. It is also a good option for commercials, events, and small narrative pieces. Rapid transitions between indoor and outdoor shooting can be achieved with the dual native ISO and electronic ND filters built into the FX6, allowing videographers more freedom during shooting.
Sony FX9 for Enhanced Cinematic Look.For high-caliber filmmakers and production houses, the use of Sony FX9 ensures flexibility in regards to control and image quality which is unheard of in FX3 and FX6. These cameras are made for individuals looking for cinema quality, especially with their 6K sensor, advanced codecs, and quality color science. No matter the purpose- feature films, commercials, or high-end documentaries, the robust design, as well as the specifications of FX9 make it highly suitable for big-scale productions.
Pricing and Value:
Considering all these attributes, age is another issue. The FX3 costs the least, then the FX6 comes in as a mid-range option and the FX9 is considered the high-end option. But for content creators and independent videographer in Dubai FX3 is a great buy when working on projects with fast turnaround. For commercial videographers, the FX6 will be appreciated since they may require some versatility in their projects, but for filmmakers, the FX9 is a great investment as they will not compromise on quality.
Final Comparison: Sony FX3 vs FX6 vs FX9
On a final note, it is worth restating that the decision on which one to go for also centers on an individual’s requirements as well as their style of production. For professional todos who wish to travel light, the FX3 is a great and versatile camera offering superior-quality images. Many users who desire the combination of having a small camera body integrated with powerful capabilities will be satisfied with the FX6. Those who view filmmaking as an art and want only the best from all cameras and specially designed equipment for shooting in massive but controlled spaces will opt for the FX9.
In summary:
Sony FX3: Great for portable shooting that requires versatile angles while being effective in challenging light situations.
Sony FX6: Best suited for more sequential narrative but mid-size projects where a great deal of dominance would be required.
Sony FX9: It is the best option for higher productions due to its great image quality and wider specifications.
Making the right choice of camera for your business projects is significant. If for instance, you are a videographer in Dubai shooting the colorful scenes of the city, or if part of a Dubai video production company trying to produce the most advantageous result for its customers, you can consider Sony FX3, FX6, and FX9. Finding the most appropriate model for your projects will make it possible for you to enhance the storytelling aspects of photography, making sure that every shot has the right texture, pressure, and focus.
If you are looking to make your videos audacious and are keen on excellence, seeking the best videographer in Dubai is recommended. Meant for both corporate business and automotive business, Automedia is a creative videography and photography agency dedicated to producing content that helps your business reach its objectives. Contact your Dubai videographer now and start professional videography of your business with us.
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We bought a dana dolly to do camera shit with.
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Filming Armin van Buuren
#armin van buuren#Armada music#Roemer van oostenbrugge#Avalon film productions#Ferry corsten#aftermovie#music video#Avalon#sony fs7#sony fx6#Glidecam#Ronin#DJI
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even more random youtube videos i enjoy
I promise this story about fonts is interesting
a goofy history of classic doctor who (1963-99)
Legends Summarized: Arthur's Knights
merlin being sassy for 15 minutes straight
The Curious Life of a Mars Rover | Nat Geo Live
The Experimental Phones of the 2000s…
the criminally underrated costume design of Jennifer's Body
8 Terrible Science Takes
Hands (2024) | A Student Short Film on Female Friendships (Shot on Sony FX6 & FX9)
Stanford Computer Scientist Answers Coding Questions From Twitter | Tech Support | WIRED
#youtube#recommendations#video recommendation#fonts#bbc merlin#doctor who#classic who#arthuriana#mars#mars rover#national geographic#tech#2000s#smartphones#phones#science#short film#friendship#scishow#hank green#coding#computer science#kaye recommends#kj post
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The funniest thing for me personally, coming out of all the James Somerton shit, is the camera choises that he made. I've seen a couple of his more recent videos, there is nothing there that requires spending more than a couple of grand max on a complete camera rig. If what you do is sit in front of a stationary background in controlled lighting and talk at the camera, you can make that work with fucking 8-bit footage (I wouldn't for the sake of flexibility, but it's very doable), keeping in mind it's gonna compress down to a garbage-fire bitrate for streaming. And you go from a Ursa Mini Pro G2 to an FX6? When you're supposedly running out of money? Everything about an FX6 is more money. You need FF glass, you probably want AF lenses, probably mirrorless ones too (no sigma 18-35 1.8 for full frame), and for what, slightly better low light performance (not an issue on a professional set, most cine cams shoot at low EI values) and AF, which again isn't an issue shooting with cine lenses because they don't have fucking AF motors. "I wAnT tO sHoOt AnAmOrPhIc" buy a flare filter and crop your footage and spend the money you saved hiring people to do what actually needs to be done to make a good film, which doesn't involve blowing your budget on camera gear.
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Name that Pokémon! * * * #fx6 #sonyfx6 #sonyfx6users #sonyfans #cameraman #camerlust #videography #cinematography https://www.instagram.com/p/CoAwnQYPJ0V/?igshid=NGJjMDIxMWI=
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Vulcan, AB (No. 3)
Enterprise or USS Enterprise, often referred to as the Starship Enterprise, is the name of several fictional spacecraft, some of which are the main craft and setting for various television series and films in the Star Trek science fiction franchise. The most notable were Captain James T. Kirk's USS Enterprise (NCC-1701) from the original 1960s television series, and Captain Jean-Luc Picard's USS Enterprise (NCC-1701-D) from Star Trek: The Next Generation.
Source: Wikipedia
USS Enterprise (NCC-1701) is a starship in the Star Trek media franchise. It is the main setting of the original Star Trek television series (1966–69), and it is depicted in films, other television series, spin-off fiction, products, and fan-created media. Under the command of Captain James T. Kirk, the Enterprise carries its crew on a mission "to explore strange, new worlds; to seek out new life and new civilizations; to boldly go where no man has gone before." Star Trek: Strange New Worlds (2022–present) depicts the Enterprise under the command of Kirk's predecessor, Captain Christopher Pike.
Matt Jefferies designed the Enterprise for television, and its core components – a saucer-shaped primary hull, two offset engine nacelles, and a cylindrical secondary hull – persisted across several television and film redesigns. The vessel influenced the design of subsequent franchise spacecraft, and the model filmed for the original Star Trek TV series has been on display for decades at the National Air and Space Museum.
Initially a vision of the potential for human spaceflight, the Enterprise became a popular culture icon. The Enterprise has repeatedly been identified as one of the best-designed and most influential science fiction spacecraft.
Source: Wikipedia
#Vulcan Tourism & Trek Centre#Vulcan Starship Monument#FX6-1995-A#Vulcan#Alberta#Canada#summer 2024#travel#original photography#vacation#tourist attraction#landmark#cityscape#architecture#Star Trek#roadside attraction#sign#Starship Enterprise
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*lists my fluval fx6 for sale* gee i hope no one buys this
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