#future riddim

[thetaizuru]

(sanjaux)

[azernionmusic]

If anyone checking this, follow my music on SoundCloud !!

[monsoon-season-us]

KALIBR's new 'Lotus' hits digital shelves blooming with flower power bass [Track Write-Up]

Future riddim meets color bass in KALIBR‘s newest floral-inspired self-released bass tune – LOTUS. Written by: Garth Jones [Founder of Monsoon Season & Editor-In-Chief] ❀ KALIBR – LOTUS ❀ Virginia-based cyberstep artist who is best known under his moniker of KALIBR returns to our storm system bearing an auditory weapon titled Lotus‘, sure to give listeners a dose of the future he has…

[lawrichai]

(SAFEinSOUND)

[haveyoulistenedtothisalbum-poll]

Tracklist:

bluecore is dead • monsterfucker • maypulcore • sonic is in melee trust me • joson, that is strange • for legal reasons, i killed the queen • everything christians call evil fucking rocks

Spotify ♪ Bandcamp ♪ YouTube

[nctrnm]

#NowPlaying: "KTM - UNIVERSAL" by Audio Cure

[burgardrecords]

another future trash step riddim future dubstep complextro track is out

[curryvillain]

Heph B & Nascent The Future Are "Grateful" In New Video

Over the past few months, AfroDancehall Artist Heph B has been busy promoting his “AMARII (Deluxe)” album. The 2022 release is still connecting with new listeners daily, and Heph has secured new content to further support the album. Just when you thought he was done, he reels you back in with the video for the track, “Grateful“. Directed by Zoomm Creative, “Grateful” features Dancehall Artist…

[theofficialwolfplanet]

Scraps

[anyaexe]

charanya.delaney@MacBook-Pro ~ % cd /Users/charanya.delaney/Projects/music_recommendation_algorithm.py

These are the outputs of a (very lazy) machine learning model that set out to predict what songs a listener would enjoy based on their input. Partly inspired by (x), using the songs from the discord server for funsies. Made my computer freeze like three times. Have I listened to all of these songs? Absolutely not

Nat:

Already Over - Sabrina Carpenter

The Manuscript - Taylor Swift

I know it won't work - Gracie Abrams

i wish i hated you - Ariana Grande

Anya:

Now U Do - DJ Seinfeld & Confidence Man

Sober Feels - Nia Archives

I can be your future - Mozey & Shady Novelle

Sunshine Riddim - Bandit & Disrupta

Ollie:

Never Need Me - Rachel Chinouriri

breaking news - flowerovlove

Talk Talk - Charli XCX

Strangers - Ethel Cain

Lola:

Unwritten - Natasha Beddingfield

How will I know - Whitney Houston

Say my name - Destiny's Child

Jealous - Nick Jonas & Tinashe

Eddie:

Savior Complex - Phoebe Bridgers

Futile Devices - Sufjan Stevens

Kokomo, IN - Japanese Breakfast

Everything is Embarrassing - Sky Ferreira

Heni:

Homesick - Noah Kahan & Sam Fender

Creatures in Heaven - Glass Animals

Tiny Moves - Bleachers

Nonsense - Sabrina Carpenter

Parker:

The Feminine Urge - The Last Dinner Party

Cool About It - boygenius

why did you invite me to your wedding - Kevin Atwater

tolerate it - Taylor Swift

Rhia:

Back to the Old House - The Smiths

Sunday - The Cranberries

When the Sun Hits - Slowdive

Cherry Waves - Deftones

Logan:

Silk Chiffon - MUNA & Phoebe Bridgers

Crying Over U - Medium Build

Deeper Vell - Kacey Musgraves

Time Shrinks - Arcy Drive

Jesse:

Highway Tune - Greta van Fleet

Killing in the Name - Rage against the Machine

Run - Foo Fighters

Californication - Red Hot Chilli Peppers

Monty:

Not - Big Thief

Ladies and gentlemen we are floating in space - Spiritualized

Teen Age Riot - Sonic Youth

I Don't Belong - Fontaines DC

Gen:

Apple - Charli XCX

Too Sweet - Hozier

get him back! - Olivia Rodrigo

Style (Taylor's Version) - Taylor Swift

Freddie:

Whatta Man - Salt-N-Pepa & En Vogue

Party Up (Up In Here) - DMX

Da' Dip - Freak Nasty

Dream Job - Yard Act

Charlie:

Mean Girls - Charli XCX

Tears - Perrie

ART - Tyla

French Exit - Dua Lipa

Silja:

Starburned And Unkissed - Caroline Polachek

Hater's Anthem - Infinity Song

Crushcrushcrush - paramore

Missing Out - Maya Hawke

[nctrnm]

#NowPlaying: "BAD TIMEZ - NEED U NOW" by Audio Cure

[asstheticbabydolly]

Whats your favorite edm genre?

Oh gosh, I'm honestly all over the place. I think my most listened genres are hard/acid techno, hardstyle, dubstep/riddim, and trance. Very interesting mix!

While I was traveling, I traveled to music events and my diverse taste definitely shows that. Sonar in Barcelona for techno/house, DEFQON in NL for hardstyle, Kappa Futur in Torino for deep house/Afterlife, State of Trance in London for trance, and Awakenings in NL for techno.

[cnvisualart]

(Installation photo credit: Hai Zhang)

Exhibition | Ah New Riddim: A Marked (Black) Axiological Shift at Cuchifritos Gallery + Project Space

Can the axiologies and stories oscillating at the margins mark the discourse of Western logic positioned at the center, and how might this marking register in visual representations of the urban?

Ah New Riddim (2023) is the third and final iteration of the multimedia series Constructs and Context Relativity (2019-2023) by interdisciplinary artist Christie Neptune. The installation and interactive documentary examines the spatial-temporal relationship of memory and place embedded within the implosion of dancehall culture in East Flatbush. The film utilizes 80’s dancehall archival footage, the quiet of black subjectivity, and concentric interactive storytelling to expound the relationship between black globality and dancehall in the American urban. In a pivot around her embodied experience as a black Caribbean American, Neptune considers the potential of black popular culture in marking space.

In Ah New Riddim, concentric storytelling registers a cacophony of black perspectives. Neptune’s subjective experience in the American urban and the migration stories of community members in East Flatbush pivot around dancehall home video of Neptune’s father. Research, writing, and art produced from this series work to frame an artistic intelligence around Marked Axiological Shifts, a concept introduced by Neptune in a recent essay that defines a new language in visual culture grounded in African world-making cosmologies.

Marked Axiological Shifts are nonlinear and interactive artistic approaches that register a perpetual reimagining of black futures across space and time. It marks the decorum of modern cinema and visual culture with the conventions of African temporality to foster multiple planes of perspectives and fields of movement within concentric forward moving narratives mapped across moving images, sculpture, performance art, and print. In this exhibition, six channels of video interface with scaffolded speakers made of mirror, LED monitors, and wood. The speakers, a re-articulation of the Caribbean Sound System tradition, add further nuance to the filmic encounter in space. As material, screen, haptic surface, and sculptural unit, the sound system transmits information that doubles the spectator’s spatial perception. Upon contact, the spectator experiences temporal disjuncture caused by the collapse of their point of view, embodied form, and projected media upon the unit’s reflective surface. The gesture fosters multiple fields of viewing within a single expressive form, an element integral to African frameworks of temporality.

Ah New Riddim demonstrates the potential of black popular culture within representational practices that speaks across both dominant and marginal spatialities. This new framework of understanding considers the agency of marked axiological shifts within discursive urban space, an intervention that superimposes a wide aperture of black subjectivity(s) upon the narrow plane of the American urban.

This exhibition draws from Christie Neptune’s research paper “Ah New Riddim: A Marked (Black) Axiological Shift Across Space and Time” [READ HERE]

August 04, 2023 to September 16, 2023 Cuchifritos Gallery and Project Space Inside Essex Market, 88 Essex St #21, New York, NY 10002

Exhibition Link: https://www.artistsallianceinc.org/exhibitions/

Thank you to every supporter who contributed to make this exhibition happen:

Foundation of Contemporary Art, MIT Council of the Arts, MIT Art, Culture, and Technology program, Artist Alliance Inc., Cecile Chong, Emily B. Yang, Tariku Shiferaw, Larry Cook, Ayesha Charles, Jenna Charles, Terence Washington, David Freedman, Claire Watson, Mike Tan, Jodi Waynberg, Micaela Martegani, Jeff Swinton, Carl Hazelwood, Aisha White, Milk Spawn, Cari Sarel, Vivian Chui, Paul So, Camilo Alvarez, Kelsey Scott, Mike Brown, Darla Migan and Mary Lee Hodgens.

[savinggracemusic]

Saving Grace Music proudly presents Highest Frequency Vol. 2, an album repping vibrant UK electronic music culture to the fullest. The LP collects 11 high-grade tracks from music legends, bubbling talents, and currently undiscovered artists. KoDean Productions opens things up with a cold serving of his trademark Sci-Fi Drill sound on the enigmatic Dreams. While Saving Grace upstart Slinki comes with a true dancefloor destroyer known as ANX BNX is a hyperactive footwork riddim with an arresting melody and a thunderous kick drum. Murk stays true to name on Slowwww, a high-octane, jump up drum & bass roller. UKG & Bassline legend DJ Q brings us his epic track All Mighty, combining elements of dub, dubstep, drum & bass, and a powerful reggae vocal sample the track the track takes you on a journey through his music inspirations. On Fantasmo Circuitry, 11-year-old DJ Marcel displays influences beyond his years from 80’s electronica and jazz & Hip Hop, skillfully executed with meandering piano, slap bass, and 808 beats. Mighty Funk'Houser reminisces about a fine lady on his soulful deep house/bruk joint, Chantay Had A Vybe. Krash displays his unique bassline style on Going Home, featuring a bittersweet piano rift and handcrafted bass. Positive_Con flips a classic sample into the anthemic bass-hybrid banger Underground. Shaun Dean's bouncy garage riddim Like It is a fresh and flavorful take on a classic oldschool sound. Eclectic, weird & comical production duo Foxglove Riot takes us foraging for Subterranean Garlic on a forest moon - to the sound of rugged drums, enchanting melodies, and nostalgic vocal harmonies. For the album's cinematic conclusion we enter the Austerity Chamber, Tony Phorse's simulation of a near-future dystopia, soundtracked by distorted techno beats and apocalyptic synth. Highest Frequency Vol.2 continues the legacy of solid sounds from up north. From hypnotic beats to dancefloor bangers, Highest Frequency Vol.2 slaps hard and deep. All you gotta do is press play. The Highest Frequency vol2 OUT DECEMBER 14TH 2022