#fun fact. ive been hyperfixating on this song and listening to it on loop the past few days.

[weeb-polls-with-pip]

🎶

The shuffle has spoken.

Your song is: Simulation Swarm by Big Thief.

[chococookiez]

nightly ptv posting in random places until i see them live (123 days left!!) - not in the greatest place rn as this cold covid continues to fuck with me both physically and mentally so im gonna get really sappy and talk about how significant each album is to me cause i could write a whole essay on this. under cut cause this is gonna be long

collide with the sky was the album that got me into this band. one of my irl friends was reposting tiktoks about them, i heard the hell above transition and instantly ran to them for recommendations cause i was HOOKED. that night i think i listened to them for around 3 and a half hours straight, i think i went through the entirety of collide, selfish machines and afftd (im not sure if i finished afftd or if i looked at misadventures yet) and the only thing that stopped me from continuing the binge was a massive headache that came over me. hold on till may inspired two of my ocs as i imagined them taking the roles of both people in the song, their personalities and how that'd fit into an existing universe we (me and my friends) had. they're still the two ocs i think about the most since i connect them with ptv very often and - yknow, hyperfixation. fun fact: i timed the "im sorry but ive made up my mind" in bulls in the bronx to happen when it hit midnight on my birthday. no clue why, just thought it was cool ig

the jaws of life was the first album i owned physically, accidentally managing to acquire both the cd and the vinyl on my birthday (cd was spotted in hmv, vinyl was my grandma's gift. there's a certain cashier at that hmv that i think happened to be working that day who shares my music taste, they recommended my dad listen to them since he said he got the cd for me lmaoo) the songs on that album were the first ones my parents heard, as my dad's car has a cd player so i popped it in on the way back home. much later on due to some shenanigans involving a shitbox car thats best music source was cds and oh look ptv is the one band my mum didn't mind listening to and i had 2 of their cds (i'll talk about that later), it ended up becoming her favourite album of theirs so we'd very often listen to it on journeys even when she got her car back as it was one of the few things we shared taste wise after i took a dive bomb into rock/metal, so while its my least favourite in terms of songs as im writing this (i don't dislike them!! some of my faves are on there!!), im incredibly sentimental towards it regardless.

misadventures was the second album i owned physically, finding the cd buried in a local record shop (it has the acoustic bonuses on it!!), and i think i can sorta call it my favourite album of all time. almost every single song in that album has been put on loop at least once (i mean that very literally. every single one. except sambuka? idk, just wasn't in my head as much...) it was also involved in the shitbox car shenanigans which might have influenced my love for it too. the divine zero in particular had (and still has tbh) a strong chokehold on me, being a little too relatable for me as i was going through a very dark patch in life that im not sure is entirely over yet actually, though it at least feels like it might be. i still can't listen to that song only one time whenever it comes on, i have to replay it at least once. it was my top song on spotify and i barely even fucking use spotify. can you tell im normal about the divine zero?

tl;dr - ptv are cool. im normal about them. thumbs up emoji.

a flair for the dramatic and selfish machines, while not having a big long story behind them, have been incredibly important to me during The Cold Covid as their songs are the main ones im obsessed with currently. some noteworthy songs off them are she sings in the morning/yeah boy and doll face (ok this one's kinda silly: i found out people found the first song through osu which i hadn't played in ages and these two was some of the first plays i got in a very long time so i currently hold them very close. fun fact: i like rhythm games!), wonderless/chemical kids and mechanical brides (INCREDIBLY calming to me, go tos when i need to lower my energy levels), million dollar houses (very closely connected to one of the two hold on till may connected ocs) and fast times at clairemont high (ok it's just a banger to me. the high notes make me fucking feral and i listened to the song 10 times in a row once. oops)

[goose-books]

goose-books productions: a 2020 review

view the image in higher quality here! (open the image in a new tab to zoom in.) thank you to my dearest @yvesdot for the template

transcripts and month-by-month details under the cut! for reference, you can find my projects here :-) overall, new and old followers, thank you for another good year over here! [holds your hand] [holds your hand] [holds your hand] [holds your h

january

i spent late 2019-early 2020 working on 2019’s nano project, quark, aka the speculative fiction thing about new york city and prophets and dissections of the chosen one trope and gay people. quark is my second-oldest project (five years!), but it’s also probably the most ambitious, so it’s been... difficult to wrangle into place, and i didn’t end up finishing a first draft. oh, well.

enjoy a snippet that is devastatingly emblematic of everything about quark. the tone. the homoerotic tension. the ensemble cast all talking over each other. the fact that caelum has spent pretty much this entire scene crying. fun autopsy report meeting.

Marble stares at the notebook in Shade’s hands. Or maybe he’s staring at Shade’s hands. Dawn feels a little voyeuristic, so she does what she does and says a dumb and unrelated thing: “Augustus, I think this pizza-on-the-floor thing is hurting my ass.”

Augustus flutters his hands. “Sometimes nonconformity is painful.”

“At least we’re originals,” Caelum mumbles into his sleeve.

“Exactly,” Augustus says.

“True originality doesn’t exist,” Marble says.

“Oh,” Shade deadpans, “it’s going to be a fun autopsy report meeting.”

It isn’t.

february

in january i stressed myself out trying to make the plot of quark work. so in february, i decided to take some time and write something Entirely For Fun. like, entirely for fun, no rules. and. my god. how do i explain the project i started calling “third eye for the bad guy.”

it was an unholy mashup of many of my past hyperfixations, including the gone series, a tale of two cities, warrior cats, and the left hand of darkness. one of the characters was a canon scalie and one was a canon fictionkinnie. it centered around a polycule of wannabe-evil-overlord high schoolers. i only wrote like three chapters but i was lost in the sauce for all of february and then i just… like… wiped it from my mind and moved on? somehow??? one character was a werewolf and that literally wasn’t relevant at ALL

I.

Someone was going to die on these steps.

This had been Ivy Lee Palomo’s thought last year during the all-school photo, and it rose in her mind again now. The one hundred marble stairs leading up to the great double doors of Saint Constantine Academy were the school’s pride and glory, steep as the mountain, sharp as the blade under Ivy Lee’s skirt. With the cutting wind and snow glazing the stone more often than not, with the freshmen wild and wired on their first day of their first year, it was really only a matter of time before someone slipped and cracked their fucking head open.

It wasn’t going to be her. Not when she had Doc Martens and reflexes like an electric coil. Still. Ivy Lee didn’t want to watch someone die. She didn’t get along with dead people.

march

in march, i got back to the project i’d started in 2019 - AMT, my podcast! it’s a shakespeare retelling set in a modern high school; this excerpt is funnier and also more unnerving in context. (double, double, toil and trouble...)

INDRAJIT: What the hell are you doing?

[PAUSE.]

DEE (like she’s lying): Making pasta.

[ALL THREE OF THEM LAUGH.]

NONA: That’s right.

MORA: We have the keys to Mab’s office.

DEE: We’re using her stove.

NONA: To make pasta.

DEE: Do you want some?

[A TENSE PAUSE.]

INDRAJIT: No.

april

and darkling rears its head! all of my other projects have existed for at least a year; darkling (specfic king lear retelling) is... special. it was conceived in april, when i started hyperfixating on king lear, and i still managed to write an absolutely ridiculous amount of content for it. it was like the power of hyperfixation let me speedrun the entire process. which. okay.

iv: control

They say Cressida Stayer was nine years old when she turned her hair to gold. They laid her down in bed blonde, and the next morning, the waves cascading down her shoulders were solid metal, glinting harshly in the sunlight, weighing her down, creating that odd head-cocked expression she still wears now. Nine years old. Two or three years before most people develop enough magic skills to dye a single curl. Much less transfigure their hair into precious metal.

People also say Leovald Stayer’s immediate reaction was to hack it off her head and melt it down for cash. But generally they say that part a lot quieter.

may

in may i wrote AMT episode 15, by which i mean that in may there was a day when i sat in my room with the door shut for literally five straight hours listening to the same three songs on loop as i wrote the climax of one of the plotlines of AMT. so. that sure was… a day.

ISAAC: Do you want… do you want someone to drive you home? Hawk, you’re worrying me -

HAWK (almost cutting him off): Don’t. Don’t say that. I’m here to help. With your… thing.

ISAAC (quietly): I… don’t know if you should be here to see this.

HAWK (a little louder, more audibly upset): Well - what else am I going to do? Go home and - and have my dads talk at me and - and not be able to answer them? Because I can’t? I can’t. I don’t know what to say.

[PAUSE.]

ISAAC (V.O.): I wonder if this is what he feels like, on the outside, looking in at me. Watching someone else hurting. Helpless and afraid.

He still fits perfectly in my arms. I rest my chin on top of his head and pull him close to me, like I can stop him from shaking, like I can stop anything from happening the way I know it’s going to. I bury my face in his hair. He smells so familiar. He’s so warm.

God, Hawk. I love you so much. You shouldn’t be here to see this. Something bad’s gonna happen. And you’re not the kind of person who belongs in a tragedy.

june

okay, honestly, i should talk about “night shift” here, because in june i wrote a whole short story in one night (and then foamed over it for a week), but i am still in the process of submitting it places! so i am terrified to put even a sentence of it online. instead: the other thing i did this month was to finish AMT! (sixteen episodes and somewhere around 175k, iirc, but don’t quote me.) these lines are the opener to the final episode!

RAHMA (V.O.): The combined series of sophomore year disasters stretched through November. It’s June now. It’s taken me… a long time to get this all put together. I was going to make a vlog about it, initially - well, calling it a vlog sounds frivolous. I was going to make a video recounting the whole deal. All of it. From when I kissed Avery Fairchilde to the very last night. I scripted dozens of drafts; I put together dozens of bullet-pointed lists of what to cover… and it was never enough. Because Avery and I weren’t the only ones involved. Even if I was only focused on the two of us, it wasn’t just the two of us.

So… I gathered up everyone else. The whole town of Ellisburg is still talking about the week the town went crazy, but it wasn’t just a week. There was a lot leading up to it. And I think if anyone’s going to talk about it, it should be us. The people who lived it. So here we are. The most ambitious Rahma Ashiq production of all time - at least so far.

july

every july i pause whatever else i’m doing to celebrate the birthday of aurum & argentate, twins from my oldest and dearest WIP The Mortal Realm. july fifteenth! mark your calendars. they’re princes, though argentate would really rather not be; you can read the full birthday piece here.

“Do you… plan to get dressed?” A bit of the usual humor crept back into Aurum’s voice. “Although if you want to speak to the kingdom in your underthings, by all means, you have my full support.”

Argentate scrubbed at his face. He wasn’t dressed, no, but the usual malaise hung over his shoulders like a cloak. Guilt. Nerves. The sick sense that he hadn’t done something he was supposed to. The numb knowledge that it was too late to change a thing.

“I meant to,” he said. “Get dressed, I mean.” The rest went unsaid: I have just been sitting here. On the floor. Thinking about how I should get dressed.

“Ah,” Aurum said, extending his hand. “The traditional route. We’ll save the nude speeches for the future, then.”

Argentate took his hand, stumbling a little as Aurum pulled him to his feet. He steadied himself on the closest wall, taking a few deep breaths. Don’t panic. Don’t panic. His hands found their way to the cross, again and again.

august

this summer, i wrote an entire draft of Valentine Van Velt is Dead, AKA “holden caulfield goes to exposure therapy,” AKA the weird little personal side project i keep tucked into my coat. interesting features include second-person narration from a narrator who doesn’t like the main character all that much. so reading it is kind of like the book wants to kill you? with an added dash of general melancholy.

You used to live here. That’s the thing that’s got you feeling so off.

You didn’t recognize your old house. I mean, you kind of did. You remembered that the road was on a hill. That hill felt like a goddamn forty-five degree angle when you were a kid. But if you didn’t have the address written down you wouldn’t have known it at all. It would have been just another little suburban house in rows of perfect little towns that make your skin crawl.

So now you’re in this diner looking out a gross smudgy window trying to block out the elevator music pumping through the speakers in the ceiling or whatever. I don’t know how speakers work. You’re trying to tune that shit out. The waitress comes over and catches you by surprise so you just point at some coffee thing on the menu so she’ll go away. For the record: you don’t drink coffee.

There’s a public library across the street. A little square building. You probably used to go there. The lady comes over and thunks your coffee on the table and gives you a kind of look, like she wants to know what in the goddamn hell you think you’re doing here and not at school. You sip your coffee and look out the window until she leaves you alone again. And then you spit it back into the cup because, for the record: you don’t drink coffee.

september

i spent september and october prepping for nano, so i was mostly working on darkling...

It’s late spring; still, at this time of night, on a rooftop, there’s a chill. The wind plays with the end of Ruby’s coat, with her hair. She hands the bottle off to Jasper, stares up at the fogged-over sky, wishes she were lying in Dany’s arms in Dany’s bed instead of here. Wishes, even, that Dany were the one on the roof with her. At least then they’d be cold together. At least then she wouldn’t have to imagine what Dany would say; she could just listen, and watch Dany’s flashing smile and her flinty eyes.

(She cuddles. This is another thing Dany does that Dany probably shouldn’t do, based on everything about Dany; it’s not like rattlesnakes cuddle. But Dany likes to nuzzle into Ruby’s side and rest her head on Ruby’s collarbones and toss an arm over Ruby’s chest, and hold her down like she’s worried she’ll float off somewhere. She’ll card her fingers through Ruby’s hair and hum. Even though they could get caught, even though she’s probably got better places to be - Dany cuddles.)

Ruby imagines it, momentarily, both of them on the roof together, sprawled like horrifyingly beautiful gargoyles, sharp teeth flashing, blood running hot. Up here - it’d be like they ruled the world.

But whatever. Jasper’s fun. He’s hot. He’s got a sharp tongue in a lot more ways than one. And she likes when he lets the mask down. She likes seeing the soft bits underneath. She wants to sink her teeth and nails into them so hard she draws blood. Masks don’t bleed. Ruby would know; that’s why she is what she is.

october

...though i was also in creative writing class in school, and thus ended up writing a bunch of poems of varying quality (my teacher had a real thing for poetry) and also one darklingverse short story where rory and cressida hold hands! which you can find here.

Lorelai Rory Flowers is afraid of thunder.

This is a bit of an embarrassing thing to admit, as they’re seventeen (“at least seventeen,” they like to tell people, “maybe two hundred, who’s to say?”) and generally wise beyond their years, or whatever it is that adults say about kids with too much psychological baggage. Being afraid of thunder is not a very wise-beyond-one’s-years trait. And yet the state of affairs remains: loud noises make Rory want to melt into the earth. Back when they still went to school, even the fire alarm sent them scuttling under their desk to hide.

Right now, in the elevator, all they can do is shrink into their sweater.

They haven’t let go of Cressida’s hand yet.

november

and then november of course was nano which was an adventure all the way through. (opening tumblr on the fifth day of nano to find out about d*stiel... was something.)

“Apologize to me. Or get out of my house.”

Gracen’s voice is very, very low. For a moment she thinks he hasn’t heard her at all. Then he spins, eyes blazing. “What did you say?”

Gracen watches her own chest heave. She pushes herself up off the desk, stands with the effort of pushing a mountain off of her back. Leovald is six-foot-four. Gracen is six-foot-two. In her heels, in the heels she must wear to be a professional woman, to be a lady - they are the same height.

Gracen wipes her nose. When she lowers her arm, there’s a streak of blood across the back of her hand. Fire shivers in her chest; her heart rings in her ears; her voice could cut steel.

“I said,” she says, low, slow, volume building, “apologize to me. Or get. Out. Of. My. House.”

december

and finally, the poem i posted this year! it’s called the beast sonnet, and you can find it in its own post over here (with commentary! how sexy.)

i kill the beast and drop down to my knees, my blade stained dark with blood of stygian hue, and for a moment these scarred hands shake free, and hold a world unfurled for me anew. but once-mourned victims, victors, vices find; fear winged me; now its absence strips me bare. my sword now dulls, my legs, my voice, my mind; the beast, pried from my throat, leaves no skill there. and still i hear it laugh, O DEVOTEE— O CHILD DEAR, NO GLORY WITHOUT ME.

i was quite productive this year; i have to think it was because i was avoiding things... the peak of my productivity happened over the summer and in november, AKA, college app hell. (almost done with the last applications! pray for me.)

a general breakdown of what occupied me this year:

(no, i don’t know why the “various other things” category ended up so large... i blame all the one-off projects i wrote a single page for, and also whatever the fuck happened in february. yes, i do know why it looks hideous; it’s because each of my WIPs has a theme color

thank you once again for spending some time at goose-books dot gov this year! what to expect for next year: well, i very much hope i can produce AMT... also hoping to get darkling ready for beta readers, so keep your eyes out!