#fuck the whole AI art stuff

[lucreciaart]

Sisters 🌅

[lord-shitbox]

[ask b4 reposting]

ais + japanese culture

insert guy deranged in front of corkboard image. so many feelings about him.

EDIT: THINGS I FORGOT TO MENTION

-the spider lilies on his enamel pin (associated with death in japan)

-red makeup at the outer corners of his eyes (this is a whole thing in traditional japanese makeup, geisha and kabuki makeup styles both commonly have it if you want to look more into it)

[noodleblade]

After a day of a pretty depressing road trip, it’s time to tuck into bed and finish some wips

Also fuck tumblr and it’s AI bullshit.

[ozymoron]

question who is ai art even for? like do people genuinely enjoy making it? do they like feel like theyre actually making art or something? do they feel like accomplished after making it like the same way you would feel after actually finishing a drawing? is it just for the thrill of being able to make art with an ai?? i get the money aspect where they just wanna sell ai art which has so many problems and im sure that wont last long but like outside of that whats the point?

[clover-the-awesomest]

Major respect and gratitude to all these wonderful artists and logical people!! I'm an amateur artist myself who has never seen the appeal in AI art at all, or just AI in general, but I never really thought too much on how the situation affects people with disabilities. This thread though shows me and other regular people how free and creative art is. And how "Art" as a concept really doesn't have any limitations! You don't need a robot to do something that only a human can truly understand, and you shouldn't have to!

Thanks for sharing all your POV's on this situation and I'm glad we still have some sensible people in such a shitty world. <3

Plus, AI just sucks overall.

"ai is making it so everyone can make art" Everyone can make art dipshit it came free with your fucking humanity

[derinthescarletpescatarian]

what’s the story about the generative power model and water consumption? /gen

There's this myth going around about generative AI consuming truly ridiculous amount of power and water. You'll see people say shit like "generating one image is like just pouring a whole cup of water out into the Sahara!" and bullshit like that, and it's just... not true. The actual truth is that supercomputers, which do a lot of stuff, use a lot of power, and at one point someone released an estimate of how much power some supercomputers were using and people went "oh, that supercomputer must only do AI! All generative AI uses this much power!" and then just... made shit up re: how making an image sucks up a huge chunk of the power grid or something. Which makes no sense because I'm given to understand that many of these models can run on your home computer. (I don't use them so I don't know the details, but I'm told by users that you can download them and generate images locally.) Using these models uses far less power than, say, online gaming. Or using Tumblr. But nobody ever talks about how evil those things are because of their power generation. I wonder why.

To be clear, I don't like generative AI. I'm sure it's got uses in research and stuff but on the consumer side, every effect I've seen of it is bad. Its implementation in products that I use has always made those products worse. The books it writes and flood the market with are incoherent nonsense at best and dangerous at worst (let's not forget that mushroom foraging guide). It's turned the usability of search engines from "rapidly declining, but still usable if you can get past the ads" into "almost one hundred per cent useless now, actually not worth the effort to de-bullshittify your search results", especially if you're looking for images. It's a tool for doing bullshit that people were already doing much easier and faster, thus massively increasing the amount of bullshit. The only consumer-useful uses I've seen of it as a consumer are niche art projects, usually projects that explore the limits of the tool itself like that one poetry book or the Infinite Art Machine; overall I'd say its impact at the Casual Random Person (me) level has been overwhelmingly negative. Also, the fact that so much AI turns out to be underpaid people in a warehouse in some country with no minimum wage and terrible labour protections is... not great. And the fact that it's often used as an excuse to try to find ways to underpay professionals ("you don't have to write it, just clean up what the AI came up with!") is also not great.

But there are real labour and product quality concerns with generative AI, and there's hysterical bullshit. And the whole "AI is magically destroying the planet via climate change but my four hour twitch streaming sesh isn't" thing is hysterical bullshit. The instant I see somebody make this stupid claim I put them in the same mental bucket as somebody complaining about AI not being "real art" -- a hatemobber hopping on the hype train of a new thing to hate and feel like an enlightened activist about when they haven't bothered to learn a fucking thing about the issue. And I just count my blessings that they fell in with this group instead of becoming a flat earther or something.

[rin-yellow]

ngl hate it when ppl conflate robotics engineers with AI grifters. We hate them as much as y’all do lmao, they’re not doing our asses any favours.

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[sim-berry]

I'm Tired.

I totally get why many simblrs don't want to name and shame and want to avoid drama, but I'm not one of those simblrs. If I see some bs I'm going to call it out. I only have a few followers (who are lovely and sweet) anyway, so it's not like I'll get a crusade against me. So that's exactly what I'm gonna do, because I'm pissed right now.

I know I don't have a big blog so it's unlikely many will see this, but if you do, please reblog it. Spread the word about creators who have stolen content so that people can stop downloading their cc and supporting them.

One of my favorite creators, Toys of Dukeness, has just deleted all their poses from Patreon and stated that they are leaving the Sims community. Their poses have been STOLEN by other "creators" who have locked them behind paywalls. Keep in mind Toys gives their poses out FOR FREE and they've been STOLEN and put behind paywalls! They're making money off of shit that isn't even theirs! How disgusting is that?? And now they don't even feel welcome in the community that they've given so much to.

And it's funny because I just saw a post from the amazing @simmireen (who makes many of my favorite poses) calling out THE SAME CREATOR for stealing their poses!! Simmireen's poses are stunning and she is kind enough to give them out for free, and she's had her hard work ripped off by an early access paywaller. The same one who drove Toys out of this community: simsulani.

This is a screenshot taken from Toys of Dukeness's post (read the whole thing here) that specifically calls out two of the thieves:

If this keeps happening, more of our wonderful cc creators are going to leave simblr. And I don't blame them one bit. Why put hours, sometimes days, of work into creating content when it's just going to be stolen and profited off of by someone else?

And when those creators do eventually leave, do you know what we'll be left with? Scummy perma-paywallers and early access creators who use minority groups to make money. (As a member of the LGBT I can't tell you how fucking sick I am of seeing "Pride Month Collection- Available to the public on June 30th🥰")

We can't let that happen. We need to support and show love to the creators who allow us to have beautiful cc and amazing poses in our games. I can tell you right now my stories would be nothing without simmireen's and Toys' poses. And they aren't the only creators who have had their cc stolen. We're on here about AI stealing art all the time (which is a totally valid argument, don't get me wrong), meanwhile actual humans, fellow simmers, are stealing content right under our noses, right this moment.

I am TIRED of this. Our content creators are being driven off this site and out of the community entirely because their work is being stolen. Storytellers, including myself, have also had their storylines stolen. I once saw someone take my entire NSB Gen 2 storyline, with even the quotes being copied and pasted! If you don't have creativity, then don't make content, that's okay. What's not okay is STEALING from people who have worked hard on their craft, ESPECIALLY if you're making money off of the stuff you stole.

Again, please reblog if you can. And feel free to share some REPUTABLE creators so simmers know who to download from rather than the thieves. They're the ones who need to be driven out, not the hardworking creators. And anyone who is afraid to vent about this on main can come into my anon and rant all they want. We as a community need to stop this.

-Coco xoxo

[grub-hut]

I don't use Tiktok, never will, In my opinion I think the app should shut down. [ But that will never happen... So I will cope.] But god are ya'll are insufferable on there. The fact you have this strong par asocial attachment to Sebastian and claim that Zerum is ""ruining the character"" is just blasphemy and shows you guys know nothing to zero about writing and do not play the game whats so ever. I've talked to Zerum; Ive talked to the devs and mods ; and all the false claims and misinformation that's being spread like a wildfire IS CRAZY. Everyone's so exhausted. It takes just a couple of minutes to prove it's false but that would actually require these people to literally sit down and fucking read. Zerum never banned anybody. Zerum doesn't handle the bans in the server. If you got banned or muted, it was most likely the automod in the server that they have implemented to avoid people saying anything weird or sexual... [ A friend of mine got muted because they sent a gif that had a weird name to it; nothing related to the gif, the gif was fine and they filed a ticket and got unmuted. Its just the bot doing its job.] and even then the mods probably banned you for something completely unrelated...

and even then, can we STOP normalizing this??

Like this GRINDS my gears, it fucking rusts, it makes me want to break down and combust into flames- Stop. Stop. YOU ARE THE ISSUE. Creators want to create. Either for ourselves or for others, whatever it maybe people enjoy letting their creativity flow because ITS FUN. IT SHOULD BE--- FUN!!! We are giving you literally something free and something to ENJOY because we enjoy it just as much! This stupid fucking mindset being so normalized makes me SO SICK. " whatever is put on the internet is free reign!" you guys have ZERO respect for any creator; even yourselves and its so BLATANTLY OBVIOUS. You guys preach about "respecting artists/creators" till it doesnt fit with your agenda, because we should just "expect" our works to be disrespected and used. Like our feelings never mattered. Are we going to ignore the discussion of AI art too? Or copyright, or literally anything of that sort here? Yes, its the internet, there WILL be people who are so drastically cruel and do something you will not like. I do agree its best to ignore those kinds of people but that does not mean we should just LET it happen. It does not mean we should suck it up and take the blows. This is how people stop creating, youre killing artists, youre shunning them away because "its the internet, lol, dont get mad if ppl -" Stop it, you're teaching younger generations that it does not matter if you have boundaries or not and that your voice doesnt mean anything. I mean fuck, you put your oc here I can use it however I want then! Because you shouldve expected the moment you click post for other people to use it! Who cares right?! its OUR oc now >:)!!! No matter what the character is from, by a indie game, a comic, a book, yadda yadda. If youre gonna be scum, you are gonna BE scum. Artists should be respected and be listened to. If Zerum ships her oc to her oc, so fucking what? She created him. YES. SHE CREATED HIM. Just because she is a """co-owner" You forget she wrote and designed him. You forget its STILL HER CHARACTER. WHICH BTW, HE WOULDNT EXIST IF IT WASNT FOR ZERUM!! ITS HER CHARACTER- Not yours, and if your first thing that comes to mind " oh but shes ruining her character" then so what, its not MADE for you. Hell, Sebastian is only like 1% of the whole entire game! ENJOY THE GAME, ENJOY THE ACTUAL LORE. MAKE YOUR OWN OCS, GO WACKY WOOHOO AND ENJOY IT WITH OTHERS. If you make headcanons for Sebastian or any other characters! Great! As long as you are respectful who literally cares. HAVE FUN! Stop harassing and bullying and literally spreading misinfo; I am so sick of people with this mindset! This is why the internet is such a shit place to begin with because we just let this stuff happen. Grow up! Like PAInter said.." YOURE NO FUN AT ALL!"

[luwha]

THIS ISN'T A ROAST. It's some thoughts and backgrounds on a thing that's been eating my brainworms for a bit.

haha ok so, the last few years I've been hearing a lot about how AI can be useful and a tool, which i refuse to believe it is (and if so, the damage it causes to artists FAR OUTWEIGHT any benefit).

So, there's this youtuber that covers, like, tech and stuff. When generative AI for images and text came up , they were rightfully poking at the ethical dilemma, and copyright infringement, but STILL made a soft argument about how useful it can be on pitch ideas, concepts, and other things that quick and cheap art could be used (also fuck whoever did this jobs before i guess lol)

BUT THEN an app finally did the same for music, generating indistinguishable quality music. The said youtuber makes music, usually vibe check music to hear on video's background and such.

but see

this time they were frustrated, and made a video about the ethical concern, how unfair it is, how it destroys the effort and passion of creating and all, and did NOT make an argument about how it could be useful, because now they knew that despite the benefit, if it goes off, their dreams is over.

A lot of people are quick to jump into "this can be useful" for generative tools, and very rarely i see artists, especially digital artists, agreeing with this. And most that do either have no stakes on their careers, aka they're already well off, or have no careers to begin with.

Serious artists KNOW how bad it is, no matter what. The youtuber had no stakes in visual art. They doesn't make them, they don't really profit or benefit from making them.

When it came to a thing they DO understand and make, now they've got to understand why it's bad. Why the benefits are not good enough to justify the disaster it makes on artist's life, on the humankind development as a whole.

idk what the point is here, i just really got pissed that at the point, they've been really kinda "this is bad but this exist, who knows, could be good if it's not unethical etc", to go fully into "this is bad. like, real bad for everyone here and music industry".

Wish that understanding came from their kindness, not AI coming with a baseball bat to their knees. Makes me real sad that it came for them too.

[thelaurenshippen]

I'm back with some additional info/context that I thought might be interesting to people.

I've been looking around at a bunch of different perspectives in the hopes of better understanding of peoples' concerns and the positives of the deal. this twitter thread from NegComm member Jason Winston George was very interesting to me, especially the following:

this is one of those "we've got to be pragmatic" points that I do think are worth consideration. the whole thread makes an argument for why voting no would be short-sighted - this is the best deal we're likely to get (probably true), we can't stop the advancement of technology so we need to work with it (definitely true), and we cannot let an entire season of network tv get canceled (true and it would be disastrous for the industry in ways I'm sure I don't even understand). so I do believe the folks in the union who are making the argument that we are losing the strength of our bargaining power - I'm sure the AMPTP sees it that way. this deal has a lot of problems but there is the real possibility that if we vote no, the contract we'll ultimately end up with will be worse or the same, and we'll have lost out on months of work not just for actors, but for everyone in the industry.

however, other things are ratcheting up my personal concern. Variety spoke to some of the members of the board that voted "no" and the whole article is worth a read. it makes some of the same points - that if we voted no, that doesn't mean we go back on strike, and it doesn't guarantee any of these points remain on the table. imho, if we did vote no, the AMPTP wouldn't come back to the table until january at the earliest - not only would they most likely be little whiny babies about having to do their goddamn jobs (I have no love for them lol), but nothing substantial really gets done in Hollywood from Thanksgiving to January. we'd most likely be looking at Jan/Feb/March for a new deal that says who knows what and, in the meantime, I'm not sure if we'd be on strike or if folks would continue to work under our last contract which has no protections for things like digital replicas. there's a real, legitimate argument to be made for voting yes simply to stay alive. not to mention, apparently SAG is going to be pursuing some state and national political moves to help shape public policy around this.

BUT!

in that same article, Variety quotes Duncan Crabtree-Ireland, the executive director of SAG, and in a Zoom with members earlier this week, this happened:

Crabtree-Ireland fielded numerous AI questions from union members. He was asked if actors could be required to give an AI consent as a condition of employment. “Yes, they can ask you for that,” he said. “If you can’t reach agreement on that, then yes, they can go and hire somebody else instead of you.”

yeah, so. uh. that's not consent. this is exactly what I was concerned about (click the read more above, though at this point, my concern here would move from "hm" to "bad") - as every decent person alive understands, coerced consent is not consent. holding someone's employment hostage until they agree to your weird thing is coercive. I can't believe I even have to say this stuff.

"but lauren", you say, "employment is always conditional on someone agreeing to a contract that they have the right to negotiate, how is that coercive?" you're right random internet stranger, except we all understand the difference between "I'm signing a contract that says I'm going to provide the service I'm being hired to perform and I'm agreeing that the company I'm signing with will own that performance I give forever" and "I'm signing a contract for that service and also they'll only let me do that if they can read my diary because the director likes to read actor's diaries to better understand them and when I give over my diary, the company can do whatever they want with it".

like....that's weird, we all agree that's weird. handing over your diary is not necessary for you to perform your job as an actor. giving a mega-conglomerate your digital likeness is not necessary for you to perform your job as an actor.

let me be perfectly clear on that last point: digital replicas, synthetic performers, and digital alteration have nothing to do with the art or profession of acting.

to expand upon this point - I was explaining all the terms to my partner the other night because it helps me to understand them better, and I was getting really worked up about the synthetic performer stuff (read about that above). and when my partner pressed me on it, I admitted that I didn't actually think that synthetic performers were going to replace actors - maybe the technology will one day be good enough, but it isn't now, and ultimately, people do not fucking want to watch made up computer people replace actors. I don't know that I believe in my heart of hearts that whole cloth AI performers are a true threat.

so why was I getting so hot headed about it? well, because it's in this contract at all. we're still waiting on the full contract language, but my understanding is that, basically, SAG (a union for actors) is saying "hey studios, please tell us if you're using a totally AI generated object in place of a human actor so we can talk about it, k thx".

I'd rather we didn't say anything at all. a) the studios are not going to fucking do this lol if they want to replace human actors they just will and b) WHY ARE WE TALKING ABOUT AI OBJECTS AT ALL. is the idea of a studio replacing us with pixels scary? yes. does this meaningfully do anything to prevent that? fuck no.

what it does say to me - what all the digital alteration stuff says too - is that AI objects and actors are essentially the same. oh sure, the first part of the generative AI section is "Parties acknowledge the importance of human performance in motion pictures and the potential impact on employment", but those words are not legally binding in literally any way and also...I don't think we are acknowledging that. I think, instead, by acknowledging that AI human-looking objects exist, by acknowledging that someone's physical movements could be digitally altered without their consent, by acknowledging that someone could have their digital replica film a whole scene without the actor present, we're saying that acting isn't a meaningful craft at all. I don't care if those actors are getting paid for the work of their digital replica, acting is not an art that can be automated.

I don't know. I'm still undecided. I see the practical reasons to vote yes. and I agree that this technology is going to move forward whether we like it or not and we do need protections for actors who can't afford to sue every time their likeness is used without their consent. but it bums me out that the SAG-AFTRA - the union for actors, the actor's union, the union made by and for people who perform acting jobs - is seemingly siding with the "actors are meat puppets" part of Hollywood.

finally taking the time to read through the SAG agreement summary and oof, I hope they have an AI town hall soon because...well, there are things to discuss!

so, in case folks are curious, here are my immediate takeaways from the deal as a SAG actor, a SAG producer, and person who is not any kind of expert but spends a lot of time being skeptical of contracts I sign. this is a summation/commentary, not a holistic breakdown of every point, nor even an in-depth discussion of the points I do talk about. and it is, of course, in no way legal advice or voting advice.

this post is already maybe the longest post I've ever written on tumblr (lol) and I feel like I've barely scratched the surface. to be clear, nothing I'm saying here represents how I'm going to vote, how I think other actors should vote, or my be-all-end-all stance on a particular issue. this is me reading through, flagging what concerns me, and asking myself questions. and I'm here to take your questions too! though of course my expertise is limited.

(what?? something I wrote got annoying long?? in my tumblr? it's more likely, etc. huge write-up after the cut)

the good

self-tape stuff: this is one of the more niche/the thing that the general public will find least interesting, but they've put in a lot of provisions to make sure self-tape auditions have limits (# of pages, no stunts, no nudity, doesn't have to be professionally shot, etc.) which is amazing because these types of auditions have gotten out of control since the pandemic. this feels like a great gain

data transparency: in no world did I think the streamers were ever going to agree to any data sharing with either the wga or sag so even though the data is limited, this still feels huge to me.

folks who sing and dance will be paid for both of those things now, which is great

they've added MLK day and Juneteenth as holidays (about time)

a performer cannot be required to translate their own lines

principal performers are required to be given hair and makeup consultation or reimbursed for obtaining their own services - this seems like a small thing, but it's being put in here pretty much entirely because HMU services have generally been appalling when it comes to textured hair/a variety of skin tones. there's also stuff in here about working to hire more diverse HMU artists

it looks like it's going to be easier/provide a path for folks getting IMDb credits even if they're not credited on screen

miscellany: there's a bunch of gains in wage increases, P&H increases, relocation fees, franchise language etc. that all seem good to me, though my limited knowledge on those subjects prevents me from going in depth on them.

this is not important, but it tickled me, there's a term to replace all instances of "telegraph" in the contract with "email & text" which like...why has it taken us thirty years to do that lol.

the "...hm..."

intimacy coordinators: oof. when I watched the press conference SAG gave, I was fucking thrilled when they said that the new agreement required folks to hire intimacy coordinators for nudity and simulated sex scenes. that was almost reason enough for me to vote for it tbh - not requiring it is the exact reason I voted no on our last contract. however, reading the contract summary now, the exact language is: "Producer must use best efforts to engage an Intimacy Coordinator for scenes involving nudity or simulated sex and will consider in good faith any request by a performer to engage an Intimacy Coordinator for other scenes. Producer shall not retaliate against a performer for requesting an Intimacy Coordinator." this....sucks. "best efforts" and "good faith" are not the same as "required". IMO, an intimacy coordinator is the same thing as having a stunt coordinator or, like, any number of health and safety requirements. OSHA doesn't say you must "in good faith" put your "best effort" to providing fire exits. it's great that performers can request coordinators for any kind of scene, and this is still the strongest language we've ever had in a contract but....c'mon guys.

residuals: look, I can't speak to these new terms in any concrete way. there are increases, there are bonuses for streaming success, there's a whole thing about a fund regarding those successes that I need explained to me more in depth, but overall, it looks like we made some in-roads here. as someone who employs actors under digital distribution contracts that has no residuals (podcasts), I know how genuinely cumbersome the unholy trifecta of "views-success-profit" can be (as in views do not equal success, success does not equal profit, etc.). I also have no sympathy when the majority of companies dealing with that cumbersome trifecta are massive media conglomerates. anyway, long story short, idk if this is good enough, I'm hoping to attend the next info meeting sag has.

the bad

the new hair/makeup provisions are explicitly for principal actors. while I hope it leads to better, more inclusive HMU services all around I haaaate that this implies supporting or background actors (who oftentimes also have to sit in HMU) don't deserve the consideration. (then again, background actors are usually required to do their own HMU/bring their own costumes, but for productions where that's not the case, the same HMU provisions should apply IMO)

as with every contract, there's language that could be stronger, clarity that needs to exist, and important things missing - but this isn't the final contract and I'm not a lawyer, so I'm gonna leave that stuff to the experts.

but, "lauren", you say, "what about all the AI stuff? where does that go?" well, reader, I was planning on including that in the above but it's the hot-button issue right now and I think it's wickedly complicated, so I wanted to break it down separately, after I had a chance to point out all the good-bad-in-between stuff that's not getting talked about.

a note: in my career, I've learned there's two big things to keep in mind when reading a contract you might sign:

what is the worst case interpretation of this language (thank you to my lawyer, prince among men, for teaching me how to do this in practice (that said, anything I say here is not legal advice, he'd also want me to say that lol))

what are you willing to lose/compromise on/what are the limits of your pragmatism? contracts are not about a company giving you everything you want out of the goodness of their heart - it is always a compromise. pragmatism has to be a part of the equation.

so, with that said, I'm going to play a little devil's advocate here, and a) try to find the good/the pragmatic and b) catastrophize the worst case scenario. but first, it might be handy to look at this SAG infographic for some basic definitions. let's go.

the AI good

a ton of stuff here requires consent. that is not a small thing, and the consent continues even after your death (whether it was a yes or no; though this can be complicated by your estate/your union)

the language does establish that the consent must be a separate signing from the employment contract, even if its in the contract, which is great (but more on that below - timing matters)

actors often do get paid for use of their digital replicas, though it's different based on the use/type of replica.

the actor must be provided with a "reasonably specific description of the intended use". this language is vaguer than I would like, because it allows producers to decide what "reasonably specific" and "intended" means - there's always going to be some vagueness when it comes to this specific thing, but a good start would be for producers to require not blanket consent, but conditional consent for each significant use of digital replicas.

if the replicas are being used in other mediums, that must also be consented to, thank god.

replicas cannot be used in place of background actor counts on a given day - if I'm understanding this correctly, this means a production can't just have a bunch of fake background actors by themselves, they have to engage real people up to a certain number first (which in this new contract is 25 for TV and 85 for movies). we're already filling in background with digital people or copy-pasting of the same crowd over and over and have been doing so since at least the late 90s, so it's good we're continuing to put up boundaries around that.

the AI "...hm..."

it's unclear (to me) when an actor can be asked to consent. IMO, everything is meaningless if the consent is happening as part of regular contract negotiations. these things have to happen when - and only when - the actor has already been engaged in a role and feels empowered to say no

the use of independently created replicas (replicas pulled from existing footage, not created by the actor) being allowed without consent under first amendment reasoning - this is obviously concerning a lot of people bc first amendment arguments are so broad. that said, there's a pragmatism part of me that understands this is already happening/has been happening for a while and used in ways I think are perfectly fine - I was just watching the new episode of For All Mankind (one of the best TV shows right now!) and it's an alternate history, which meant that in the opening scenes of this season they had some bonkers good deep fakes of Al Gore saying stuff he never said. I think that's okay to do in a fiction show that imagines a different US history! "but Lauren", you might be saying, "Al Gore isn't a member of SAG!" are you sure? are you positive? because I'm pretty certain he is - he was in several episodes of 30 Rock, way more people are in SAG than you think (every NPR reporter for instance), and the two worst presidents we've had in the last 50 years (yes, those ones), are both definitely members of SAG (even if one is dead). now, the other side of this is that public figures like politicians are under a different social contract than actors, and if they wanted to sue, they could, unlike the average SAG actor who might have their image abused. this is why this is in the "hm" column - deep fakes and parody/satire/commentary use of replicas is already here and there's always going to be a 1st amendment argument to make, so we need to figure out how best to limit those and protect the most vulnerable.

alteration: with this language, a project can digitally alter without consent if the script and performance stays "substantially" the same. again, this language is too mealy-mouthed. I don't know that I have a huge problem with a line of dialogue getting replaced with a digital version of that actors voice if, for instance, a word was mispronounced, or wind garbled the sound or whatever - yes, it would eliminate the need for ADR, but if we put some limit on it like..."if there are more than 5 lines in a given episode/movie that require digital alteration in the service of clarity, the actor must be engaged for an ADR session or paid for the digital replacement" then I could see this being workable. I'm also personally okay with things like costumes being digitally altered but, again, we need limitations on that. digital altering cannot replace the art of costuming but, for instance, if a costume needs to be altered to include a hate symbol or something, I think that's fine (example: I have friends who worked at the VFX house for an alternate history TV show that involved a lot of Nazi costuming and set design - a huge part of that VFX house's job was to put swastikas in places, rather than props making nazi flags. I'm okay with that!) but again, these fringe cases do not a compelling arugment make, and this contract language can be interpreted too broadly for my comfort! like everything else in this "hm" category, I need to see the final contract language to decide.

the AI bad

there's a bunch of circumstances in which actors don't get paid for creating their replica/use of it and those circumstances are too broad for my taste.

synthetic performers - this is just awful. no. no, we should not be allowing AI to generate entire actors. just............no. there's some language about the producers having to talk to the union if the synthetic performer is "used in place of a performer who would have been engaged under this Agreement in a human role" but this doesn't apply to non-human characters so....wouldn't that be all roles?? leaving the producers room to be like "this role has to be synthetic, we never would've cast a human!" is bullshit. also, even if we're having AI create a magical talking unicorn whole cloth (which, like, also no, we have artists for this), that unicorn still needs to be voiced by a human person. this whole section is a disaster.

the exceptions to consent for digital alteration are bad-bad. I talked about the potential ADR replacement above and that has a whole host of issues with it that I didn't even get into, but I can see the argument. the rest are very troubling:

there is an exception under "any circumstance when dubbing or use of a double is permitted under the Codified Basic Agreement or Television Agreement" - okay, so does this mean we can replace dubbing artists and stunt performers entirely? this section is about digital alteration, but who's to say alteration couldn't turn an actor broadly miming a fight into an entirely digital, expertly performed fight that usually a stunt double would have done? with AI translation technology, does this mean we're replacing VO artists for dubs entirely? bad!

similarly, "Adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market" - Justine Bateman has a great twitter thread on the terrible puppetry potential of this but I want to draw attention to the particular market bit - we all know that selling to china is such a huge part of studios' strategies that they'll remove entire scenes or lines around queer stuff. to me, this clause makes all of that so much easier. I know the argument here is going to be "we can replace swear words and license it for kids!" which.......sure? fine? but, uh, we already have ways to deal with that? and the potential for abuse here is terrifying to me. with all the digital alteration stuff too, there's just so much icky implication for the beauty/body standard to get so much worse.

if a background actor’s digital replica is used in the role of a principal performer, they'll be paid as if they actually performed the days for that role, which, sure, but uhhhh why are we saying it's okay for a digital replica of a background actor to suddenly be a leading role!?!?! I can't think of anything more demoralizing than going to set to act in background (a job I've done! an important job! a fun job a lot of the time! but creatively limited) and then getting a much bigger role (the dream!) and.....not being able to, you know, act that role or be in scenes with other principal actors or do the thing that you've dedicated your life to doing. nightmare stuff.

woof. there's so much more to say but I'm going to leave it there. these are the concerns I'm going to go into SAG's meetings with, and the concerns I'll be considering as I decide how to vote. I know there are things I didn't address and very possibly things I misinterpreted or misrepresented - if you're an actor, I highly recommend a) reading that Justine Bateman thread and b) attending SAG's meetings to ask questions and express your concerns. and I'd love to hear what y'all think! my ask box is open.

[maxwellatoms]

Do you think the new division of Cartoon Network Studios will end up exploiting and abusing AI to make new cartoons of their old properties?

I wouldn't put it past any studio to do this.

We're at the end of The Animation Industry As We Know It, so studios are going to do anything and everything they can to stay alive.

The way I see it is:

AI "art" isn't actually art. Art is created by humans to express ideas and emotions. Writing prompts allows a computer to interpret human ideas and emotions by taking other examples of those things and recombining them.

Just because something isn't art doesn't mean that humans can't understand it or find it beautiful. We passed a really fun prompt generation milestone about a year ago where everything looked like it was made by a Dadaist or someone on heavy psychedelics. Now we're at the Uncanny Valley stage. Soon, you won't be able to tell the difference.

It's not just drawings and paintings that are effected, but writing and film. It's every part of the entertainment industry. And the genie is out of the bottle. I've seen people saying that prompt-based image generators have "democratized" art. And I see where they're coming from. In ten years, I can easily see a future where anyone can sit down at their desk, have a short conversation with their computer, and have a ready-to-watch, custom movie with flawless special effects, passable story, and a solid three act structure. You want to replace Harrison Ford in Star Wars with your little brother and have Chewbacca make only fart sounds, and then they fly to Narnia and fistfight Batman? Done.

But, sadly, long before we reach that ten year mark, the bots will get hold of this stuff and absolutely lay waste to existing art industries. Sure, as a prompter I guess you can be proud of the hours or days you put into crafting your prompts, but you know what's better than a human at crafting prompts? Bots. Imagine bots cranking out hundreds of thousands of full-length feature films per minute. The noise level will squash almost any organic artist or AI prompter out of existence.

AI images trivialize real art. The whole point of a studio is to provide the money, labor, and space to create these big, complicated art projects. But if there are no big, complicated art projects, no creatives leading the charge, and no employees to pay... what the fuck do we need studios for? We won't, but their sheer wealth and power will leave them forcing themselves on us for the rest of our lives.

The near future will see studios clamp down on the tech in order to keep it in their own hands. Disney does tons of proprietary tech stuff, so I'm sure they're ahead of the game. Other studios will continue to seek mergers until they can merge with a content distribution platform. I've heard rumors of Comcast wanting to buy out either WB or Nick. That's the sort of thing I'm talking about. The only winners of this game will be the two or three super-huge distribution platforms who can filter out enough of the spam (which they themselves are likely perpetuating) to provide a reasonable entertainment experience.

400,000 channels and nothing's on.

I do think that money will eventually make the "you can't copyright AI stuff" thing go away. There's also the attrition of "Oh, whoops! We accidentally put an AI actor in there and no one noticed for five years, so now it's cool."

One way or another, it's gonna be a wild ride. As the canary in the coal mine, I hope we can all get some UBI before I'm forced to move into the sewers and go full C.H.U.D.

[impishjesters]

Comforting a Scared Child Reader

warning(s): Jax, Caine, and Bubble are warning enough... A/N: These turned into less of a direct comfort and more of a how they'd distract them... sorta... though to be fair it wasn't gonna be very detailed given I had to write everyone... I think if I re-did these properly I'd only do a couple of characters to elaborate on. I don't think Bubble was intended, but I included him because of chaos. Needless to say, I think most of them would kinda suck at comforting a scared child, but they'd definitely put on a strong front to try and comfort them. request: Please can you do some seperate prompts of each circus member and ai comforting a scared child reader?

Pomni

She’s not the ideal person to comfort someone but she knows what it’s like to be new and scared��plus when she finds out you’re only a child??

Pomni tries her best, she really does—it’s like seeing you scared and shaking gives her barely just enough courage to step up and comfort you.

She’s not one for touching but if you need a hug while she’s around she’ll likely give you one.

It doesn’t take a genius to know she’s about as shakey and anxious as a chihuahua, but she tries her hardest to come off as calm and normal for your sake.

Pomni gives off anxious first-time big sister vibes.

Jax

Also not an ideal person when it comes to comfort, but he can only imagine how terrified you are right now.

The others are adults and can handle his bullshit, you however are a child and he’s not about to bully a child. As tempting and funny as the thought is.

Jax uses his jokes—on a less insulting, more child-friendly level—to try and calm you down. When he gets you calmed down and the two of you start to get buddy-buddy? Oh, it’s over for those suckers.

It takes the whole gang to try and prevent Jax from turning you into a mini Jax, though he does let you tag along for the more minor kid-friendly jokes and shenanigans.

"Who the fuck leaves a child unsupervised to put on some weird sketchy headset??"

Jax gives off the cool, prankster big brother vibes.

Gangle

She’s just barely holding it together on a good day, but the moment a child shows up scared and crying? Big sister mode activated.

Gangle’s the type to try and calm you down with stuffed animals or art depending on just how young you are. She’s got all sorts of craft stuff and a collection of stuffed animals, she even lets you pick one out to keep for yourself.

While in big sister mode, she’s a little more protective and worrying, trying to keep you from getting hurt by Caine’s little games or away from Jax’s nasty behaviour.

Unlike Pomni, Gangle likes hugs and is always willing to hug you or hold you if you start to miss home or your parents.

Gangle gives off the protective big sister vibes.

Kinger

Surprisingly, Kinger is the best out of all of them when it comes to taking care of a kid. He’s the quickest to get you to stop crying and the quickest to distract you from those scary thoughts. He’s also the first one to ask for your permission before picking you up with ease.

Out of all of them, he’s the one who watches after you the most—sure it’s a joint effort in babysitting you but he’s the one who watches after you the most.

If you’re particularly young he’ll probably carry you around or hold your hand—even if you could technically walk away with his hand, at least he knows where you are.

Similarly to Gangle, he’ll find something you like and either play with you or talk to you about it. God, if you also have an interest in insects like this man then he’ll tell you all sorts of useless facts and stories, all the gross picture books.

Kinger gives off warm, golden retriever dad energy.

Zooble

Not surprising Zooble isn’t great with kids, and not great with touch either. It’s not they can’t carry you but they’ve only really got one good arm to carry you with and it’s just…awkward for them.

That said if they see you fidgeting or picking at some part of yourself in an anxious-like fashion they’ll offer up their left arm for you to fiddle with. It’s a little more sensor-friendly to fiddle with if you exclude the pointy claw bits, they make sure you don’t hurt yourself. It’s not the most pleasant feeling having their limb messed with, so it doesn’t happen too often.

Zooble doesn’t really do much with you, but if you find yourself wanting to sit with them instead of play with the others they won’t protest. On occasion, they might play with you, or read you a book or whatever as long as it doesn’t involve them doing much.

Zooble gives off relaxed, lazy big sibling energy.

Ragatha

Similar to Gangle she gets her shit together when a child shows up, her chipper optimistic shtick comes in handy when it comes to comfort. She hasn’t had to deal with a child in a really long time though—were they always so…loud?

Ragatha’s the second one who watches after you the most, if she had it her way you’d never be around Jax, he’s a bad influence. But if you like playing with him then the most she can do is stay close by and make sure he doesn’t do or say anything badly. (Man’s gonna give her a heart attack)

Similar to Kinger and Gangle, she’ll play with you and let you join in with Caine’s less dangerous games. She’s nervous to play hide and seek with you but if you really wanna play she’ll set an area limit so that you don’t accidentally get hurt.

Ragatha gives off frantic first-time mother energy.

Caine

Doesn’t know the first fuckin thing about children, well he does but he’s never actually interacted with one.

Thank heaven for the censorship, he doesn’t want that foul language anywhere near your young little ears.

Caine’s the worst person to be left alone with you, not that he’ll be bad to you no, he just won’t understand that while he’s trying to keep you entertained and happy it’s probably a huge safety risk. If the shit the adults experience is dangerous god only knows what he might subject you to by accident.

Despite everything, Caine is actually pretty good at getting you to stop crying. It helps when he can quite literally snap his fingers and poof a random toy you might like or something else he thinks is cool.

Caine gives off crazy Uncle vibes that you only get to see during big family get-togethers because he has a habit of causing trouble on accident.

Bubble

For the love of all that is holy. Do. Not. Leave. The. Child. With. Bubble.

I take back what I said about Caine being the worst to leave you with, Bubble is the worst. Well, they both are but still.

While entertaining (and disturbing) to watch Bubble do stupid stuff, everyone will tell you not to do what he does—or say what he does, in fact just pretend he doesn’t exist. He’s a bad role model.

NO. STOP. DON’T EAT THE SOAP. I DON’T CARE THAT HE SAID IT WAS TASTY. HE CAN’T TASTE. YOUR GONNA TAKE THE WORD OF A LITERAL TALKING BUBBLE?

Bubble is that dumb dog that eats its own vomit because it can, that’s his vibe. Don’t be a Bubble.

[alocalcosmiccalamity]

Some scumbags are gonna start a raid where they will and have been sending people asks of very nasty, morally fucked up stuff.

Because of this, I'm gonna turn off asks (and dms just to be safe) on any of my blogs that still have them on until it's over. For everyone's safety, I suggest ya'll to do the same.

@ai-art-thieves has been posting about the whole situation and definitely knows more than I do so please look at their blog if you need more context, just make sure to read the trigger warnings in their pinned post, specifically in the Ivan the Terrible Mouthwasher section first

[asexxxualerotica]

Hey, so could someone who follows Demon Slayer explain to me what the fuck is up with Muzan?

Not the whole machinations and villainy or any of that boring canon stuff—I mean why does this terrifying demon lord who dresses like Michael Jackson have so much r63 art of him?!

Not even that bullshit overtly horny ai images, I mean genuine, well-done, man-put-pen-to-paper gender-bent art that could rival Naruto/Naruko Uzumaki?!

And why is she so hot?!?