#fuck netflix at this point

[deceasedreese]

I'm so fucking angry about all the cancelations these last few months. Netflix is literally killing it.

[nic-coughlan]

[thenationofzaun]

Another thing I hated in Season 2 is how often and explicity they call Vander "father". Sometimes it's more powerful to leave things unsaid, especially when they are perfectly understandable already. We know already that Vander (and Silco) were surrogate fathers to Vi and Jinx. You don't have to beat us over the head with it by having them call him father every time and even DAD💀

They did it very sparingly in Season 1 ("he's our father too" and "you're my daughter, I'll never forsake you"). The rest of the time it's left unsaid and packs much more of a punch because of it! Vi and Jinx also never directly refer to the men as "dad" or "father", they only ever call them their names. It's just another way that Season 1 was much more mature than Season 2. It had restraint that Season 2 didn't.

[blakbonnet]

so Kaos got cancelled 🙃🙃🙃 wtf is going on

[starlightseraph]

@netflix @netflix @netflix

i’m so fucking done like what the fuck fuck fucking fuck. i was mad about 1899, because dark was so good and i wanted more from the creators. i was saddened by i am not ok with this, because i loved the characters and wanted to finish the story. i was devastated by the oa, because it was such a beautiful show and i needed to know what happened next.

but this is too fucking much. GUYS. the sandman universe is going, it’s getting more episodes and expanding. dbd made it to the top 3, that alone should automatically get it renewed. dbd is honestly one of my absolute favourite shows of all time. it’s funny and complex and has some of the best queer rep ever, it deals with important themes and has loveable characters and a beautifully realised world.

PLEASE, i beg of anyone who sees this, whether they’re a fan of dbd or not, to BLAST netflix in any way you can. tag them, message them, write to them en masse. like i’m so serious. literally write a letter by hand or print it out, and physically send it to netflix headquarters.

fucking do it, please. we cannot lose this lovely and beautiful and witty show. maybe, though the chances are slim and there are probably legal challenges, it can be picked up again by max, which was what originally produced the show anyways.

@netflix @netflix @netflix

[treasureplcnet]

assorted bodies doodles (transcript of that messy relationship square under the cut due to my handwriting/incoherency)

TAKE THESE W A GRAIN OF SALT i am like 90% joking:

hillinghead -> hasan, and vice versa: immediate mutual respect

hillinghead -> whiteman: he's incredibly smart, deceptively cunning but very kind. but he is also so annoying oh my god--

hillinghead -> maplewood: "please someone explain science fiction to me"

whiteman -> iris, and vice versa: two friends secretly think of the other as the sidekick

whiteman -> hillinghead: annoying him is quickly becoming a favorite pasttime

whiteman -> hasan: will not admit it but he wants parenting tips from her

hasan -> whiteman: has slipped a parenting book to him

hasan -> maplewood: deja vu about their future weirds her out a little, but she trusts her

iris -> hillinghead: fond of him from the time they spoke in the prison. enjoys fucking with him

iris -> hasan: SHE'S THE GOAT

[tardisimpalalover16]

Five could’ve literally fall in love with anyone ANYONE in all the multiverses they visited. Hell, he could’ve rekindled his romance with beloved Delores but the writers decided for it to be Lila? Lila who was enamored with Diego. Bruh.

[shut-up-danny-kun]

Lal jumping Riker right after learning about dating is equivalent to booting up a game and immediately starting with the final boss

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.

[hannibal-is-my-comfort-show]

Will posting shit like this when Hannibal goes on work trips purposely to piss him off:

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[goodoldfashionednerd]

Elias Mannix is such a tragic character, when you think about it. He was doomed from the start. Either he accepts to go with the time loop and

a) has a shitty childhood (shitty to the point of not thinking anyone ever loved him and to the point of accepting to sacrifice hundreds of thousands of lives to feel that love he was promised)

b) has to go through with the killing of hundreds of thousands of people! And I know future!Elias doesn't really show any remorse about it, but it has to fuck up a person. Especially when his decision was made pretty spontaneously in the moment, without really thinking about the consequences (I personally think that he wouldn't have done it if he had taken the time to breath, calm down and think about it). And especially knowing most of these people didn't just die at the time of the explosion, but had to suffer a slow and painful death, that Elias probably heard about/saw pictures of on TV. We don't see him as a young adult, but those years must have been tough.

c) has to make sure his childhood is shitty so that he can keep existing, and become his own abuser!!

His only other option is to not do any of that, choose to not make the bomb explode, to do the right thing, and what does he get for that? Nothing! He stops existing!! And it's not just as if he dies, he will never have existed, no one will know he ever existed, no one will remember him! Can you imagine that??

His own life is dependant on a cycle of abuse and death he created himself and it's SO. SAD.

[crowleysgirl56]

GOD FUCKING DAMNIT NETFLIX! I WAS JOKING BEFORE!

Yeah let’s all just watch the 57th season of the Kardasians meet The Bachelor or something now cause that’s all we get now.

[darkacademiaarchivist]

i think i'd be less mad about dead boy etectives getting cancelled if it was clear that it was because of Neil Gaiman but since no one stated it it feels like just ANOTHER show with great potential (and a cast of pretty good, young actors who really deserved better) getting cancled after one season without getting it's time to shine

[fifiophobia]

The only thing he ever groomed was his Persian cat girlfriend.

Not a groomer, just a loser 😔

[treasureplcnet]

btw i love revenge stories i dont think anyone should ever move on peacefully. a bit obsessed with the way weissman went to the synagogue and rabbi and asks, "my choices killed a child. would god take mercy on someone like me?" and the rabbi says "it's not god's mercy you should look for. its the child's" and like you think that would spur this man into charitable activities and to maybe look out for orphans but instead he goes on a 24 hour revenge bender that ultimately ends in two revenge killings and his own death. what's better than righteous anger and wrath and love twisting someone into the worst but also a truer version of themselves <3