#fuck all your fairy tales

[mokeonn]

I think that the 2010's media landscape of Buzzfeed articles about plotholes in disney movies, Cinemasins critiques, and Watchmojo Top Ten scenes in movies that make no sense has truely ruined a lot of media. People are afraid that their work will be torn down if they dare leave a single thing up in the air, if they dare ask their audience to suspend their disbelief.

All too often nowadays I see stories (especially fantasy), take the time to explain how every small aspect of the world works and how it all logically makes sense. The constant time stopped to explain why an event happened, how this object works, or why this is important to the characters. It's just really not needed and it honestly makes a lot of stories worse.

I am of the opinion that the best stories truly just drop you into their world and explain nothing. They just take you through the story of this world and you just have to accept it and continue on. "When he became king, the land became barren." I don't want the story to stop and explain why this is, or how it happened, I want us to move on so we can just assume that the king has such rancid vibes that everything died.

[here-there-were-dragons]

i have to wonder what super hardcore militant vegans think should be done about obligate carnivore animals, because in all my painfully-rapidly-approaching-30-years i've literally never actually seen anyone give a clear consistent much less halfway feasible answer on that

[star-ocean-peahen]

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[elvesofnoldor]

like anne rice could be such good writer if she just wrote with compassion and empathy for her characters. There was this "baby Jenks" character from the beginning of the queen of the damned and her story was so afforded so much genuine love and compassion it was literally my favourite part of the first part of the book. Baby Jenks' story reminded me of some of the best Sandman one-off characters' story tbh, it was that good. Wish Anne Rice always write with so much love and compassion though. Anyways, It's no wonder, tbh, that Baby Jenks character is actually Claudia (lestat wept for that girl because he was weeping for Claudia from his life, pretty sure at this point Anne Rice consciously projects her own motherhood onto him). maybe at that point in anne rice's life, she has heard enough about things like re-incarnation and all the better places one can go to after death that all that stuff is allowing her to started to make peace with the tragic death of her late daughter?? but i wonder if she ever got to walk out of her grief? cause idk? she kept writing vampire books??? to the end of her life???

like it's honestly such a mess that she wrote IWTV in response to the very tragic death of her daughter. I have to be honest, i cannot begin to imagine just how painful it is to go through something that traumatic, but i also felt like writing a psychosexual gothic horror vampire story is not exactly therapeutic either. It's kind of funny that it takes getting into the vampire chronicles for me to truly understand what vampires really are. But i do, finally. Vampires are not weird fantastical creatures, they are not Death itself, and they are certainly not Life Everlasting. Vampires, like ghosts, are simply a spiritual embodiment of the very rejection of Death. They are very effective device to examine the human condition, because we as human beings all fundamentally reject the inevitability of death and obliteration of the self we currently possess. We inherently fear change, fear loss, the changefulness of life, and the annihilation of self. Vampires embody a certain state of mind that's frankly universal in humans. But I don't think Anne Rice always wrote her vampire chronicles knowing vampires are??? if she ever knew??? Definitely not at the beginning though, when Louis was definitely just her self-insert and he brought Claudia to live with a theatre of vampires and they live happily ever after. I mean, midnight mass really got the Point when it says "the only way to achieve True Immortality is to accept and embrace death, and because vampirism is inherently about rejecting death, it will NEVER be life everlasting". Honestly the only reason that motivated me to read more Vampire chronicles is....well...i wanna know if Lestat can just? idk, be happy? be free? But this dude kept trying to get together with his abuser and i honestly don't even know what to say. Really i do not understand why Anne Rice kept making it happen. I have seen zero evidence that Louis changed to become better person and someone actually deserving Lestat's love. And more importantly, idk man, im not a psychologist but can you stop being a p*dophile??? so um. humm. i don't fucking know about this, lol. Like, im gonna be fucking real here, fuck all that "lestat was a bad person" " lestat was manipulative" shit, please grow a brain!!! Lestat was a good and loving person!! Period! all his bullshit has to do with the fact that he died a horrific and traumatic death and was never able to free himself from the pain and despair that trapped him in his vampiric state. But to let go of his pain and truly be the good person that he always was again, it'd require him to...well, embrace true death. But since Lestat will never end im guessing he will just have to stop being a bonafide vampire and become some sort of dark fantasy faery creature lmao. I'm starting to suspect the reason people think prince lestat trilogy is cringey because her vampires just...aren't even vampires by the end of it lol. Im suspecting that Anne Rice literally had to come up with some fantastical mumbo jumbo to justify her vampire characters finding happiness because these bitches kept walking into the sun and they kept not dying from it. I mean, lestat croaking for reales is kind of depressing so MAYBE i will take this shit. maybe i will still read the prince lestat trilogy lol. I heard there is bloodborne lore in there.

[yanderenightmare]

TW: yandere, toxic traits including benevolent sexism

fem reader

Thinking about a benevolently sexist boyfriend...

A handy and helpful boyfriend who’s just a pinch condescending about it. He fixes your kitchen sink with a lazy grin—tools and blacked hands—asking smugly, “How would you ever survive without me?” And even though it’s a bit belittling, it’s just silly enough that you find it charming—smiling as you wrap both your arms around him while receiving his kisses. A sweet “Thank you~” on your lips as he lifts you up to sit on the kitchen counter as easily as lifting a toy.

A hero-complex boyfriend who lives for those times you need him and gets unreasonably annoyed with you those times you do things on your own. All but yelling at you, “Your door fell off its hinges? You fixed it? You could have hurt yourself! Why didn’t you call me!? Next time, don’t be so reckless.”

It’s not as charming… But can you blame him? He's just a real traditional boyfriend who wants to do all those romantic gentlemanly tasks—pick you up from work and take you out to eat and buy you jewelry, and all he ever expects you to do in return is put out—give him a blowjob here and there and a little strip-tease before letting him fuck your brains out. All you got to worry your pretty little head about is making sure all your sweet nothings are reserved for him.

He just wants that fairy-tale experience and expects you to play your role—quit your job when you move in with him—be his stay-at-home wife. He’s going to put a kid in your belly soon, after all—it’s only right you get accustomed to taking care of the house before then.

♡ BNHA – Bakugou, Kirishima, Hawks, Enji, Natsuo, Mirio, some type of Deku ♡ JJK – Nanami, Geto, Gojo, Naoya, Toji, a very special soft Sukuna ♡ HQ – Daichi, Kuro, Bokuto, Iwaizumi, Sakusa ♡ AOT – Eren ♡ DS – Tanjiro, Sanemi, Genya

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[medicinemane]

I'm still mad about the friend of mine who got harassed off of here. Any time I see their old url, it feels really nice to see it again, but then I remember why they're not using it anymore

Didn't do a damn thing wrong, just annoyed some people enough they started a harassment campaign. They literally said as much, I'm not just making that up. Every last thing they supposedly did wrong either wasn't wrong period, was twisting their words hardcore, or was a situation where they didn't realize the context of a phrase they were using a tiny bit of gentle correction was enough to make them go "oh shit, I didn't realize that" and change (but still get harassed even though they literally had already changed)

Accused of all kind of horrible shit over fucking nothing, people just like having an acceptable target and are a bit over eager to buy into slander that if you actually know the person is demonstrably false

I still talk to them of course, but the past pisses me off

[youryanderedaddy]

Summary: You run into your snobby ex boyfriend after a drunken party. Things go south from there. tw: female reader, hinted murder, possessive behavior, condescension, financial(?) abuse, classism

You know this is a stupid, stupid idea. Going home at God knows what time in the pitch black is never a good idea, you think drowsily, head still spinning from the last beer, but even more so when you're tired, pissed off and tipsy. You're freezing, naked shoulders wet from the chilly midnight rain - but instead of soft damp linden, you smell molden concrete and metal. You fucking hate this city. You hate the stupid, flashy, obnoxious parties for rich people, and this shitty university in the middle of nowhere, and even the scholarship that forced you into close proximity with the freakish upper class of east New Hemptison.

"Baby!" A familiar voice sinks into the muddy darkness and you have to physically restrain yourself from emptying your stomach right there on the street - and knowing your neighbours, you'd have to clean it after too. His steps fasten and soon you feel his hand gripping your shoulder to turn you around. Standing before you, glistening just like some prince from a fairy tale, is everything you despise about this town. The fact that he's perfectly prim and proper despite the pounding rain, that his teeth seem almost pearly white in the dark, that his hair is crisp and slicked away tastefully, that even now he's wearing a fucking Armani shirt with the cheesiest pair of jeans (ones you could never afford) - it makes you want to crawl back to the cave you came from, two continents away, and never look back.

"Baby, where have you been?" He sounds terribly concerned as he pulls your shivering body in for a tight bear hug, running his hands through your absolutely soaked hair - murmuring something incomprehensible to your drunken mind. "I was worried sick, missy." His voice drops slightly, but it's all for show. He's playing the part of the good boyfriend, like always - and you fell for it once, you did, but you know better now. "I called you, like, sixty eight times. And nothing." He swallows, big hands trembling around you. "Just radio silence. I thought something bad happened to y-"

"Oh, f-uucking beat it." Your patience finally snaps and you push him off swiftly, barely contained anger starting to resurface again. Today was supposed to be about you, about healing, about feeling better, but just your luck - the very problem had found you, just like always. No matter where you go, your troubles follow. "You know what you did, asshole. Don't you d-aare play innocent with m-me." You hiss drunkenly, stumbling all over your words before hitting the wall all on your own. Mathew, of course, doesn't waste the oppurtunity to get closer to you - just so he can help you regain your balance, of course. The golden boy of Saint Hemptison would never take advantage of an intoxicated girl - much less his ex girlfriend who he's still hopelessly in love with, supposedly. Right.

"Baby, please, you're drunk - you're not making any sense." The man whispers softly, placing his hand at your hip. "Let's go to the penthouse. We can talk about this in the morning when you are more aware of your thoughts."

When you're more aware of your thoughts? You almost laugh. It's quite bittersweet when it hits you that he doesn't respect you even now - maybe he never has in the duration of your miserable relationshop, that in his eyes you'll always be the poor girl in need of a white knight. Just a little trophy to show off, if a bit broken in certain spots.

"I am not going anywhere with you." You mumble, trying to calm down - to appear cold and collected, the complete opposite of what he wants you to be. "Look, I know that you're mad at me, babygirl, but I'm sure your little temper tantrum can wait until tomorrow. You know I don't like this neighbourhood. Let me take you to a safe place for the night, okay?" He reaches for your hand again, but this time you swat it away in fury.

"Who are you to act so worried about me, huh?" You can hear your voice breaking as the tears prick at your eyes - hot and shameful. Crying in front of him is the last thing you want to do, but god, it's so hard not to when this whole night has been a disaster after a disaster. You're truly at your wits' end. "After what you did? You are truly shameless." You squeal, and admittedly, it feels fucking great to finally say it.

Your former lover's face twists into an unrecognizable grimace as he watches you tear into his heart with ease - and as you turn to leave, he grabs your wrist painfully. This time something is different about his eyes - they're not longer smiling. Now they're two bottomless gray pits devoid of kindness, the same eyes you saw the night of the accident as he caressed your cold cheek with bloody knuckles.

"And what did I do, love? Hm?" He tilts your chin up by squeezing your throat, forcing you to meet his eerie gaze. Suddenly all your tipsy bravado evaporates into thin air. "Please, refresh my memory. I really can't recall the events of the past two weeks - since you've been avoiding me and all..." His fingers dig into your skin and you wince just like a kicked puppy - but he doesn't bulge an inch. Suddenly everything comes flooding back - the touches you convinced yourself were sensual, not possesive, the glances you once thought of as romantic, the constant interrogations, the strange emails, the cryptic calls, the dead roses at your door. "I couldn't sleep - or eat for that matter. I am half a man without you. I lose myself completely."

It all makes sense now. You feel like crying, because it's so crystal clear... and you've been a willing fool. You had closed your eyes, because it was easier to lie than to accept the truth bubbling just under his surface - under the dimples and the smiles, and the hundred jewelry boxes still lying unopened under your bed.

"You - you killed him! You monster!" You gasp, unable to stop your lips from uttering the lethal. You thrash around to no avail, you're stuck. "How could you? Jack was your friend!" You hide your face in the crook of his neck to stop the sobs, too scared to look at the crazed man holding you. He simply rolls his eyes, letting you soak his shirt with your pretty tears. "Don't be so dramatic - it's just some broken bones. He'll be fine... as long as he stays away from my things."

You raise your head shakily - you're drowning between hatred, fear and misery. The adrenaline is making you even more disoriented than the liquor percentage in your bloodstream.

"I am not a fucking thing for you to-" You hiccup, growing woozy as you hit weakly against his chest. The corners of his lips curl up slightly as he chuckles at the pitiful display. "For you to just own!" You keep going, cheeks purple from pent up fury - there's something tearing at your insides like you want to scream, you need it to come out, but you find yourself unable to push it off your flesh like it's been ingrained with glue and a shovel.

"You're wrong, baby. I do own you." Mathew says with the sweetest, softest voice you've heard in your life, sugary and bitter like poisonous honey. "Let's say you want to break up-"

"We already broke u-"

His eyes pierce you mid-sentence. You quickly close your mouth.

"Let's say," He repeats through gritted teeth, holding you so tightly you might just merge into one being. "That you want to break up with me." He inhales deeply, nostrils flaring. "Hypothetically. Then what? You have no place to live. I know you're staying at that shithole of a hotel down the street right now - it's filthier than a brothel, no?"

You want to say something - to argue, to scream. To tell him that he's being a rich, condescending asshole again, that you like the hotel - despite the mold and the cockroaches and the way there never seems to be hot water. Despite having to lock your door four times so you don't get assaulted in your sleep.

You say nothing.

"You don't have to confirm it. My agent tracked you down a week ago. Whatever - you'll run out of money in, approximately, 9 days." He smirks maliciously, with unhidden spite - just like a little devil. "Then what? You don't even have an address. And you know the city hall will take their sweet fucking time to help you register - if they don't make you pay a fine first." He strokes your chin cruelly. "We both know just how much they care about clueless little foreigners with less than a penny to their name." He whispers, twisting the dagger in. "Hell, they may even cut your scholarship. And. then. what." Your ex pronounces each word slowly - making sure you can understand it, feel it - fear it.

You imagine your family back at home. You can hear their voices over the phone, your mom smiling as you tell her about your day, your father asking you what you plan to do after college - whether you will still remember them, whether you'd take care of them once they have nothing left, since you took everything with you. The money, the hopes, the happiness...

"F-fuck you..." You whimper faintly, falling against him. You feel defeated, and the sharp words are all you have left. "Why are you doing this to me?" You mumble to yourself, suddenly feeling drained to the very bone. The man begins stroking your hair as he rocks you gently to the side. "Because I love you." He slowly kisses down your neck. "Because I'm the only one in this city who gives a fuck about you, and-" You can feel his smile against your burning cheek. "Because you're mine."

[himbosandhardwear]

Steddie I Soulmate AU I 2k I Rated Mature I idiot4idiot

The thing about linking with your soulmate, you never knew when it was going to happen. There were horror stories about it happening during weddings to someone else or while performing heart surgery or landing a plane, but linking was so rare, stories like that seemed more like fairy tales than cautionary ones.

If anyone had asked Eddie what he thought about it, he would've said the odds of there being some guy out there destined to be his mate, let alone that he'd have to worry about linking during some critical moment, were astronomically low.

He'd be wrong.

Because his ears are ringing, his vision has tunnelled, and there's an empty vacuum where his usual chaotic thoughts should be. All signs pointing toward-

Hello?

Jesus H. Christ, not now! Not right now, this cannot be happening now. Quick! Think of something else! Uhhh… Golems! Ice golems! Or maybe frost giants. Yeah! Not having hate sex with your arch nemesis. Shit! Stop thinking about it! Frost giants, frost giants, frost giants!

Hate sex? He hears echo around his noggin next. Arch nemesis?

Fuuuuuck. No, darlin’, don't even worry about that stray thought! Nothing to see here. I'm, uh, baking! Yeah. Brownies. For a charity bake sale

A long pause, empty space between them, before he says, I don't believe you. I think you are having sex

Sex?! He screeches. How dare you! I would never!

You would. Go balls deep into a guy you don't even like, sounds like to me. Class act.

Oh god, there’s gotta be a way to salvage this.

No, let me explain, please!

Knock yourself out

Right. So, this guy, I know him from school, right? And he was always kind of a jerk. The space between them pings with a sort of stung feeling but Eddie doesn't understand how any of this works yet so he ignores it. But we end up having a few mutual friends, and this one really weird event happens that forces us to, like, team up, I guess. After all that I'm spending more time around the guy and he's not so bad. Invited me over to smoke up with him, which was cool. I'm gonna be totally honest, I'm not sure how exactly we got here, the sex part, but it’s pretty hot and heavy, kinda aggressive, so… yeah. Hate sex I guess

Soulmate is quiet again. His feelings bleed through anyway, at least Eddie's pretty sure that's what he's getting. It feels like embarrassment and disappointment.

You okay? Did I scare you off?

You don't like the guy at all? You said arch nemesis

Oh. Uh. Well… How did he explain to his future partner, if he hadn't already ruined it, that he likes him plenty, he's just been holding him at arms length, metaphorically, because he assumed the guy was straight? Up until roughly twenty minutes ago. He should probably start with honesty.

No, I like him okay. He's not as bad as I'd always thought. We give each other shit but I'm pretty sure it's just left over bullshit stereotypes from high school. I bully him about his music taste, he bullies me about my shitty van. That type of thing

…Right

He waits to hear back from his soulmate but he's not very talkative. That's okay, Eddie can talk enough for both of them.

So, what were you up to when we linked? Not driving I hope

He can hear the guy sighing over the link, which is worrying.

You'll never believe it, but I'm also having sex at the moment

Seriously? That's hilarious

Yeah. A hoot

Not having fun?

I was. But I recently found out the guy doesn't like me that much. So, yeah, real mood killer

Oh man. That sucks

Oh my god. Yeah, it really does. Kinda wish he'd get off of me so we can get the awkward part over with but he's distracted at the moment

Doing what?! Eddie yells, offended on his behalf.

“He’s busy not realizing he linked to the guy he was hate fucking.”

Huh?

“Eddie, open your fucking eyes.”

That's Steve talking.

He blinks his eyes open to see Steve looking up at him. He's not pleased.

Wait

“Yeah.”

Oh my god

“As impressive as it is that you managed to stay hard through that whole thing, I'd appreciate it if you-” He hisses as Eddie, rudely he realizes, pulls out without warning.

He scrambles to the end of the bed, bunching up the comforter around his junk. “I'm so sorry, fuck, Steve, I'm so sorry. I don't… I didn't…”

He can't fix this, he starts to slowly comprehend. He's made Steve think he hates him.

“Nah, it's cool. I get it.”

I don't hate you, I swear. You have to believe me

“Sure, Eddie.” He's yanking his briefs back on, angry and trying not to show it. “You just don't like me much.” Can't believe I did this again. So fucking stupid

Eddie's certain he's not meant to hear any of that but he responds anyway.

You're not stupid. Please let me explain

“You already did. And I am fucking stupid,” he snaps. “Here I thought we were flirting this whole time and you thought we were bullying each other. That's real fuckin’ stupid of me. I'd convinced myself you actually-” He snaps his teeth shut but Eddie can still hear the unfinished -liked me. “I really wish you would control your feelings, dude. You're broadcasting your horror straight into my head.”

“I don't know how to stop,” he quietly admits.

“Well if you'd ever shown up to health class you'd know how to control it.”

I never thought I would get a soulmate

Steve's surprise at that pings around his brain before he does what Eddie can't and shuts it down.

“I did. I've been thinking about it for years.”

And you ended up with me… And I ruined it before we even got started. I ruined it. Steve Harrington is my soulmate and I ruined it. What the fuck

“You don't have to say it like I'm some kind of prize.” He steps into his jeans and tugs them back up to his hips, not even bothering to do them up. Which is- “I guess it's nice that you think I'm hot. That's something. Maybe we'll be the first casual hookup soulmates.”

He has to fix this. Somehow. Think, god damnit! Wait! That's it! He just has to show Steve what he's thinking!

“I wish you wouldn't.”

“Too bad!” He snaps back.

Okay, as embarrassing as this is about to be, he has to tell the truth.

Eddie was in the 8th grade, Steve in 7th, when they first met. Or, when Eddie first noticed Steve anyway, they never really spoke to each other, their cliques already established by then. But Eddie can remember it like it was yesterday. It was lunch, Eddie was walking by with his bagged PB&J, when he heard it. Steve laughing. It was so joyful, Eddie didn't even know what he was laughing about but it made him smile anyway. Of course one of Steve's shitty jock friends caught him staring and called him a queer freak but that wasn't unusual.

“What the fuck, Eddie? Why do you remember that? And how are you so good at visualizing?”

He ignores the questions to move on to the next memory. Eddie's sophomore year they somehow ended up in the same Shop class. Again, they never spoke but he got to watch Steve work, tongue poking out while he concentrated, the proud look on his face when he whittled some hunk of wood into a recognisable shape.

“I forgot about that. It was a dolphin. I was dating Chelsea Hosteller, they were her favorite animal.”

“Lucky her.”

“Hey, fuck you, man, you're the one showing me this shit! What am I supposed to assume from any of this? You thought I was cute? So what? You clearly don't like who I am as a person, so what difference does it make?”

He's not going to have the patience for every single moment, and they're a lot of them, Eddie realizes that now. So he speed runs through them, making sure to send every bit of feeling through their link.

Steve in his Scoops outfit, luring Eddie to the mall but never making him brave enough to go in. The horror of not knowing whether Steve was alive or dead when he heard about the mall burning down. The joy of finding him at Family Video, somewhere he had reason to visit.

You never even talked to me there

Listening to every word to every story Henderson told him about Steve and his bravery. Pretending to be annoyed so no one noticed he was eating it up. Getting to know the real Steve over Spring Break, the giddiness he couldn't quite tamp down, even as he was scared shitless. The pain of knowing Steve was still in love with Nancy Wheeler, even though it was the obvious narrative to Steve's fairytale life. Of course he gets the girl at the end.

What? Is that why you-

The way he stuck around afterward, even though their dynamic was more antagonistic than friendly, and the way Eddie thrived off of every snarky comment. How it felt like banter even though Eddie knew, by all logic and reason, Steve was merely tolerating his presence. They would always be antithetical to each other, circling but never meeting.

Eddie, no

Steve growling ‘Do you ever shut up!’ before pouncing on him downstairs. The heavy pounding of his heart as he wrestled Steve up the stairs. The way his brain never did catch up to what was happening or why, until it was too late, and he was ruining both the greatest sex he'd ever had and also the chance to prove, though he's still completely unworthy, that he has already been primed and ready to fall for Steve for years. The shame of ruining it. The heartbreak of ruining it. The teeny, tiny spark of hope as Steve stares him down. He has to close his eyes to avoid it, lest he say something stupid and fuck it up again.

You…do like me?

Yeah, Stevie. I like you a whole lot. I just didn't think I was allowed to like you. I didn't realize you liked me too. I'm sorry I said all that shit earlier. I didn't want to tell the guy I'd just linked with that I was thoroughly enjoying the chance to sleep with this guy I'd had a crush on for years. That seemed rude

The bed dips and so does Eddie's stomach. Steve's enormous hands slide up his neck, into his hair, and gently cradle his face as he leans in to kiss Eddie square on the mouth.

Oh. Hi

Hi

This is nice

I think so too. How do you feel about finishing what we started but this time we both know that we like each other?

That sounds awesome. But are you sure? I really, really fucked up the first time

I thought you were perfect up until you called me your arch nemesis

I have been told that sometimes I'm a little dramatic

You know what, that's fair. I really should've taken that as a compliment, if anything

See? Now you get it

What I'm getting is another condom. Hold my ankle so I don't slide off the bed

You got it, baby

Unbelievable. Salvaged the wreckage of his own stupidity and managed to bag the hottest guy in town! Score one for the nerds!

“I heard that.”

[hurlingdown]

new year’s eve, more like heartbreak’s eve.

it was, more accurately, the last hour of new year’s eve. there was a big countdown clock hung up in the city center, its golden frame decorated with scarlet poinsettas and other extravagant winter blooms. five minutes and twenty seven seconds, it read. 

you closed your eyes. you had heard all about new years kisses, the fiery explosions and heart-pounding imagery that came with a single moment of contact, as the world erupts into stars and fireworks behind you. it sounded lovely. almost fairy tale-like, if you were being honest, and you yearned for it. 

but there was no one with you to pull it off with. not anymore. 

with a shaky sigh, you clenched your fist, willing away all unwanted thoughts of him. you had sworn earlier that you wouldn’t think about him tonight. tonight would be a new beginning. 

the crowd shuffled around you disjointedly, and you blinked your eyes open, peeking at the clock. three minutes and thirteen seconds. you heard laughter coming from behind you, the familiarity so sharp it almost stung. 

you carefully spun around with bated breath and felt your heart stutter, an invisible string chaining you to him suddenly weighing down on your feet. 

and to your utter aversion, you found your lips parting involuntarily, the corners of your mouth lifting in immense joy. you found yourself wanting to call out to him, eyes frantically seeking his brilliant blue, hands blindly reaching out to a shadow of a figure whom you had once loved more than your own life—

as though he were still yours. 

“satoru,” you said, and it came out a breathless whisper. 

but he wasn’t there to listen. 

you checked the countdown again, your chest hollowed out with a quiet ache.

two minutes... ah, it changed. one minute and fifty-nine seconds.

you didn’t dare turn around again. satoru wasn’t alone, and you didn’t expect him to be. you wondered, would they kiss when the clock strikes zero? a perfect, happy, new years kiss? 

(there was a quiet, selfish part of you that hoped he wasn’t happy. not as happy as he were when you were together.)

and as though the devil had overheard your wishes, you heard laughter resounding again, this time brighter and louder, as though they wanted to prove you wrong.

you felt nausea creep up at the back of your throat. the tell-tale burn of tears in your eyes. you couldn’t stay here. you needed to run.

you glanced up. one minute and thirty seconds. there was enough time to make it out of here. enough time to squeeze into a back alley in the nick of time, maybe.

just as you sprinted through the crowd, uncaring of who you bumped into as long as you made it out of there in time, you caught a glimpse of turquoise blue, blue like the sea, and you loved the sea but it was cruel to you and all other things… 

it was almost funny how you were trying to run away from something so beautiful. 

tears had long blurred your eyes when you reached the deserted alley, hunched over to catch your breath. the crowd had begun to chant the final countdown, beginning with 59… 58… 57… 

a puff of smoke hit you in the face, and you coughed, fanning away the thick fumes. “who the fuck—” 

dark eyes met yours, and your breath hitched. 

42… 41… 40… 

he rudely pointed at your tear-stained cheeks, eyes crinkling with amusement. 

“got your heart broken before new years?” he hummed. “tough.” 

“shut up,” you hissed. it hurt to nudge an open wound. “like you aren’t in the same predicament. who in their right mind would be smoking their lungs black in an alley during new years?” 

“maybe i’m just allergic to crowds.” 

“or maybe,” you challenged, “you got your heart broken but you’re too much of a pussy to admit it.” 

35… 34… 33… 

he scoffed. “projecting isn’t a healthy coping mechanism, you know.” 

“neither is lying.” 

that got a smile out of him. 

the two of you fell into comfortable silence, before curiosity got the better of you.

“so… what were they like?” you mindlessly kicked at a can by your feet. “your ex, or something.” 

he took a deep breath, quiet for a moment. then, he looked up at the empty black sky as though he were re-imagining the face of his bygone lover, reminiscing the past. 

“handsome,” he said, breathless. “gentle. stern.” 

“... oh.” you didn’t know what to make of it.

“yours?” 

“i don’t think he ever really loved me,” you told him, truthfully. 

“that’s okay. it doesn’t matter anymore.” 

“it doesn’t,” you agreed. 

19… 18… 17… 

he stomped out his cigarette, turning to you. 

“hey.” 

you raised your head. “what?” 

“since we both agreed we’re single… wanna try something?” 

you frowned. “try what?” 

“just close your eyes and trust me, yeah?” 

“try what?” 

he sighed. “don’t you just love to spoil shit. a new years kiss, dumbass.” 

you swallowed, butterflies suddenly invading your stomach in swarms. a new years kiss… with this pretty stranger. it didn’t sound too bad. it sounded amazing, actually. 

10… 9… 8… 

“is that a yes? in case you didn’t notice, we’re kinda running out of time.” 

“fuck it. you know what, yeah, let’s do it.” 

you looked into his eyes, and they looked so dark underneath the dim light, you couldn’t help but wonder what colour they would be in the sun. 

you could feel your heart give a flutter in your chest as he met your gaze, and this time, it wasn’t the painful kind. 

4… 3… 2… 1… 

and just as the rest of the world was blowing up with deafening cheers of happy new years and somewhere out there your ex-boyfriend was busy making out with his new fling, you squeezed your eyes shut and pressed your lips to dry, chapped ones which hungrily returned the kiss, and it was strangely easy and unafraid. 

you could taste the smoke in his mouth and the press of calloused palms at the back of your neck, and immediately you knew it was the best thing you had ever done. 

you found that you no longer cared if he was happy or not. 

because this electrifying feeling injected into your veins, coursing through you like fiery, liquid sunlight… this was a feeling that belonged to you and you only, something new and blooming that he couldn’t manage to chain down with the past. 

and for the first time in a long while, you felt so light you could breathe.  

[holybibly]

this is such a weird scenario ..but imagine a little red riding hood concept, the big bad wolf being san, and him tricking innocent reader into "playing" with him and just fucking her dumb in the woods !!

God baby, I love the Little Red Riding Hood concept. I'm such a slut for it, to be honest. I'm a little obsessed with dark, twisted gothic fairy tales.

You should have heeded the warnings before you wandered alone through the woods on a full moon night. Or where you're meeting a big, handsome and very mean wolf from whose clutches you won't easily escape and maybe that's exactly what you want.

Warning: Dub-con, Werewolf! San

The night air was unpleasantly cold against your bare skin, ripping you from the sweet embrace of Morpheus. You reluctantly shivered and slowly opened your eyes, only to be greeted by the dense darkness of the forest. The sudden lack of sunlight jolted you from your half-sleep state, sending an unpleasant shiver down your spine and your heart pounding loudly in your chest as the forest around you continued to sing the song of the night. 

You shouldn't be out here, especially at such a late hour. You hurriedly gathered your belongings and cursed yourself for letting the beautiful meadow of flowers enchant you and for letting your guard down. You had been warned that ancient magic lived in these woods and that you should be very careful when you walked along the path through them, but of course you hadn't listened, and now you regretted it. You had always assumed that all these warnings had been given because of your gender. Most of the people in your small town were still stuck in the Dark Ages, thinking that a girl couldn't go through the forest alone. You wanted to prove them wrong. 

Another cold gust blew across the clearing, and you wrapped yourself tighter in your heavy cape. The velvet fabric was expensive and luxurious, a rich scarlet that earned you your nickname, Little Red Riding Hood. 

You were sure that you were going to be all right. You were smart and savvy, and you had a hunting knife with you. You'd think that would be more than enough to handle anything that might be lurking in these woods and get you back to your grandmother's house unharmed. At least that is what you thought. 

A long, blood-curdling howl echoed across the clearing, freezing you in place and halting your frantic gathering. Dear Lord...

Your eyes automatically rise to the night sky, only to find your worst fears confirmed: Through the dry, tangled branches of the trees, the brilliant face of the full moon illuminates the earth with its diffuse silvery glow. The words of your grandmother, which she had been repeating to you ever since you were a child, came to your mind at once: "Beware of the moon, whose face is full and merry, my child, for this is the time when its children have their feast. And their hunger is insatiable and greedy'. Another howl pierced your heart, a reminder of the situation you were now in. 

Wishing that you had listened to the warnings, you ran, clutching your beautiful wicker basket tightly with your hands as your scarlet cape evolved behind your back. You weren't sure of the right way as you ran through the dense thicket of the forest. You sobbed softly as the sharp branches of bushes and trees dug into your skin, leaving long, lacerating marks; the warm, crimson liquid running down your thighs, soaking into the fabric of your tall, white socks, spreading the seductive scent of your blood through the forest. 

Nothing seemed to be familiar to you in the thick, impenetrable darkness of the night. You stumbled through the massive roots of the trees and almost fell into a thorny bush with heavy, glistening bunches of poisonous berries hanging from it. You're so tired already—you can hear your heart pounding in your chest through your laboured, hoarse breathing.

Another furious growl echoing through the air keeps you from stopping, forcing you to keep running. You could almost feel the hot, wet breath of the wolf on your neck and the sharp claws on your skin, and it seemed to you that if you stopped for even a moment, the wolf would tear you to pieces. The hair stood up on the back of your arms, and the image of the sharp-toothed monster pinning you to the ground filled your mind's eye. No. No. No. You shake your head, hoping to banish the dark thoughts and push away the horrible images of blood and broken bones. 

A sharp pain blossomed on your face as you fell face first, stumbling over a large dried log and almost losing consciousness from the combined sensations. It was horrible—your mouth was full of dirt mixed with blood from a busted lip, your knees were skinned and bleeding, and in general you want nothing but sobbing with despair and fear. 

The hopelessness of your situation was more palpable to you now, when you're sitting in a pile of dirt and leaves, than ever before. A deep and low howling sounded from behind you, sending a shiver of cold down your spine. It made you jump to your feet, in spite of the sharp pain that you felt at such a sudden movement. You looked around anxiously. You glanced around anxiously, letting out a small sigh of relief at the fact that there was no one in your wake. But you didn't stop, the edge of the forest was already in sight, the soft welcoming light of the nearby village's lanterns calling to you. 

Your relief was short-lived, however, as a warning growl suddenly sounded directly in front of you, a pair of sacred silver eyes glaring out from the shadows of the forest. You gasped loudly as a tall, broad-shouldered fellow emerged from the thicket, his plump scarlet lips raised in a snarl, tongue slowly sliding over sharp teeth as he began circling you. 

This was not good, so damned not good. Cold fear gripped your heart with a tight grip, your hands clutching your basket tightly, shaking slightly at the low rumbling growl that came from the guy. Your frightened, wide-eyed gaze darted from the wolf to the forest path leading to the village; if you tried hard enough, you could get away from him. The boy noticed your gaze and shifted his sharp eyes to the narrow path leading out of the forest. He snorted slightly, as if the thought of you running from him amused him.

"You shouldn't even try, sweetheart. You can't escape me, little Red." The man's husky, deep voice made you flinch, but the way he addressed you by name as if he knew you made you drop the basket and cover your mouth with your hand to hold back your terror-filled scream."

He turned to face you again, and you could see his lips curl up in a predatory grin, revealing deep dimples on his cheeks. You couldn't help but notice how beautiful the wolf was—perhaps the most handsome man you had ever seen—and that fact made you fear him even more. Nothing ordinary and natural could possess such breathtaking beauty, which meant that the guy in front of you was many times more dangerous than any real wolf prowling around this forest thicket that night.

"Why are you so scared, little Red?" He slid his tongue over his lips as he kept his dark gaze on you. "I can almost feel your fear on my tongue." He murmured, the deep sound practically vibrating in the air. "I just want to play with you, beautiful. I promise I won't bite you... hard." His voice trailed off at the last word, his breathing getting heavier as he began to slowly approach you. 

You began to back away from him, trying to put as much distance between you as possible, and he clearly didn't like it. 

"You're not running away from me..." He growled, and those were the last coherent words you heard before he pounced on you, digging his claws into your skin and tearing at the edges of your cloak and skirt that prevented him from reaching you. The loud sounds of tearing cloth echoed through the forest as you tried to grab onto anything that might help you crawl away from him. 

"You'll have no run from me..." He growled, and those were the last coherent words you heard before he pounced on you, his claws digging into your skin and tearing at the edges of your cloak and skirt that were blocking his path. The loud sounds of ripping cloth echoed through the forest, and you tried to grab hold of anything that might help you to crawl away from him. 

"No. Please, no. Let me go, please...". But your words fell on deaf ears. In one swift motion, he flipped you onto your stomach, and you squealed loudly. Limiting all movement, his broad hand pressed between your shoulder blades. "No!" You cried out again, but a sharp slap on your bottom, which was suddenly bare, made you stop all your movements. You didn't even notice it as he tore off your clothes completely, leaving you vulnerable and naked for him to see. "I-I... please let me go..." All your energy has left your body, and you sob softly. He lifts your hips with one hand and puts you in the position he wants you to be in. 

"You were warned, little Red. Weren't you? You have been told to stay out of the woods, especially during the full moon. But have a look at where you are now. A stupid little girl, too self-confident to listen to anyone's advice, and that's what girls like you get. A big, bad wolf will eat them alive." The last sentence came out of his chest in a low, vicious growl before you felt a hot, slippery tongue travel between your buttocks. 

The pointed tip slid between your labia, salivating over your tender folds. He removed his hand from your back only to dig his fingers into your buttocks and spread them wide apart, holding you completely open for him so that he could feast on your cunt with ease. Pitiful sobs escaped from your mouth as you felt his rough, long appendage snaking its way between your folds, rubbing against your clit and poking at your hole as it tried to force its way in. His claws dug themselves into your flesh in painful fashion, leaving bloody marks that were sure to become scars. 

The sensation of the wolf's tongue licking desperately at your cunt and the wet, feverish breath that washed over your sensitive centre caused your body to react against your desire.

A shameless moan of pure pleasure escaped your lips faster than you could stop it. Covering your mouth with your hand, you tried to swallow the embarrassing sounds as the werewolf's long tongue continued to wash your clit with its warm, viscous saliva. You couldn't enjoy it... it was simply impossible. This guy was dangerous; he wasn't human; he was a horrible, hungry wolf pinning you to the ground in the middle of the night forest. You were terrified, but that didn't stop your body from responding joyfully to his touch. 

Every movement of his tongue on your pussy made your hole clench around nothing and ooze juices. This only excited him more as he greedily licked up every drop of sweet slime that flowed from you onto his tongue. Eventually it wasn't enough, and the wolf pressed his whole mouth against your little hole and began to literally drink from your pussy. 

Your hips began to shake as you approached your orgasm. Your fingers dug into the loose soil, dirt collecting under your fingernails as you tried to fight the rush of pleasure coursing through your entire body. It was completely futile. Against your will, the werewolf made you scream in blinding pleasure as the first of many orgasms shook your entire body. 

As your fluids poured into his mouth, giving him a full taste of your sweet flavour, he growled low as he thrust his tongue into your hole and licked your juices from your trembling walls. This went on for a few minutes until you felt his hands leave your body. A vague sense of relief filled you as you hoped he would leave you now that he had got what he wanted. But that relief was quickly replaced by panic as his clawed fingers pinned your fragile shoulders to the ground and his unnaturally hot and massive length rubbed against your arse, staining it with sticky pre-cum. 

He rubbed against you like a dog in heat, his hips pressing against you as if he were too lost in his lust to pay attention.

Hot breath scorched your cheek as he pressed his entire body against you, laborious growls and puffing escaping his throat as his heavy, hard cock dragged between your buttocks. You turned your head slightly to the side to catch a glimpse of the man looming over you, his sharp fangs glinting in the moonlight, and you almost regretted looking.

Every movement he made against you made your stomach twist with a mixture of fear and pleasure, and although the rational part of you was in a state of pure terror at the realisation of what awaited you, on some deep subconscious, twisted level you enjoyed it.

The werewolf's cock seemed almost as long as your torso, there was no way you could take it all in. But that didn't seem to bother him tonight. As the head of his cock entered your hole, you sobbed from the painful stretching and squeezed your eyes shut as he began to push his cock deeper into you. It was thick, so fucking thick that the tender edge of your pussy burned when the entire head of his cock was inside, but that was only the beginning.

The first few inches were enough to awaken your senses, pleasantly stimulating your quivering walls, but as he pushed further into you, the pain came. But that didn't matter to the werewolf on top of you. You whimpered and shook your head from side to side as the man above you moaned deeply as he continued to thrust his cock relentlessly into you.

"Please…" You sobbed openly now, hoping this would be over quickly.

"Mmm, look at you, you're acting so nice now. You were warned, little Red, but you decided to be a naughty girl and came to the wolf yourself, knowing full well what would happen to you. So don't play hard to get and take what is given to you." The wolf towering over you growled in your ears.

The more it pressed into your body, the more you became afraid and grabbed at tree roots and plants. For anything within reach that might help you free yourself from him. Your face crinkled in pain and your teeth clenched tightly together, grinding against each other. When it finally settled into your body, you'd never felt so full. You couldn't see it, but you could feel the great bulge in your belly, perfectly mirroring the contours of his cock.

When he begins to move, pulling his monstrous length out of you, you find it strange. His cock entered you much deeper than it could be possibly, and when it was completely out of you, you felt so empty, your cunt clenched around nothing, already missing the warmth of his cock. When he entered your cunt again, you let out a sound mixed with eroticism and a painful cry. It wasn't bad, but not necessarily good. His cock seemed too hot, buried deep inside your body, but every thrust in and out of your pussy rubbed against a sensitive ball of nerves that made your eyes roll to the back of your head.

"No! I don't want this! Please stop..." The voice in your head did its best to drown out the sensations overwhelming every other sense in your body, but it was useless. The wolf's large body pressed against your back, his feverishly hot, wet skin rubbing against the exposed areas of your skin that were visible through your tattered cloak with each sharp thrust into your body. 

His rhythm grew rougher and sharper as he stretched the tight confines of your pussy. Promises to fill you with his cum and give you his puppies came in steady succession with each thrust of his hips.

Wide eyed, you watched his fingernails dig into the dirt beside your head and thanked the gods that those nails were no longer digging into your skin. They pulled the earth a few inches away from your face, reminding you of the strength in those hands. He could have easily broken your neck with a snap of his fingers. Instead, he shifted his stance, his foot pressing your face deeper into the dirt beneath you.   You should have been disgusted; it was wrong, but something dark and twisted inside you made you even more aroused, enjoying everything that was happening.

Your quivering, slippery walls tightened around him, and you heard him moan deeply in response.

"You like it, don't you? What a dirty bitch you are, little Red. Do you like it when I claim the rights to your tiny human cunt? Does it turn you on that I'm fucking you like a bitch in the middle of the forest?"

"Please..." Your voice was swallowed by a loud, air-piercing howl as the wolf howled over you in pleasure. 

Your entire body shook beneath him as he fucked you with reckless abandon, his hips slamming painfully against your arse, causing the tender skin on your buttocks to become irritated and red. It was disgusting; you had dirt in your mouth mixed with blood from the previous fall, your whole body aching from his assault, but you wanted more; you wanted him to destroy you. 

Something hot and tight pushed into your entrance, and you almost mistook this sudden invasion for his balls until you felt your pussy being forced to stretch even further to accommodate it.

"Please, no! You're going to hurt me!!! Don't do this!" Pleasure was replaced by pure terror as you tried to crawl away from him. Sharp nails pierced the skin of your thighs as he clawed at you and growled in warning, making you freeze. 

"Take this! You're going to take all of me, and you're going to love it, you little slut." Each thrust felt like he was trying to shove a baseball inside you. 

He was determined to complete his task, and when he did, you screamed in pain, tears staining your rounded cheeks and making your face look even dirtier. A loud howl pierced his chest, and his nails dug into your back, drawing blood as he tied you up with his knot and poured his sperm into your waiting body. You could feel every pulse of his cock as it emptied into your pussy, and against your desire, your walls clenched around the invasion, squeezing out all he had to offer you. His warm, viscous cum splashed into your body, making you shiver.

"I hope you've learnt your lesson and won't wander the night woods alone again, little Red." The werewolf whispered hoarsely in your ear, licking the tears from your cheek. 

You turned your head to the side, meeting his slanted silver eyes and gloriously sharp cheekbones. 

"Maybe I should learn that lesson a few more times, San. You know I'm not good at memorising, love."

[whetstonefires]

One thing I don't think I've ever seen talked about is how post-apocalypse ideation is largely about homelessness.

Homelessness looms large in the American consciousness. Like, not that it's irrelevant elsewhere, but it's got a particular cultural place in the US that's reflected in Hollywood, and therefore relevant because what makes it into film and TV sets the terms of so many conversations.

We don't acknowledge it if we can help it, but I think most people know they're never more than a few very bad months from winding up there.

Even people who are sure it only happens to people who deserve it, who fuck up and put one foot in the morass of their own foolish volition. Even they know the quicksand is there, waiting to be walked into, and that the odds are stacked against ever climbing out on your own once you have. And that they, too, are capable of fucking up. Of trusting the wrong person. Of getting cancer incorrectly.

And those of us who know damn well we can't be sure we're safe even if we do everything right, we know it even better.

And in that sense it doesn't matter what the world would realistically look like after X kind of apocalypse, what people would do, how society would adapt. Because the anxiety that's being processed is about the reality that's in existence now.

About what if my world ends. And I lose access to the fruits of developed society, to clean clothes and new glasses and running water, to a safe place to sleep where I don't expect to be killed or robbed, or driven out by men with guns and dogs. To my home and work and family and everything I usually use to tell me who I am.

What if every man's hand is against me, and every meal is a small victory, and there's only my own dwindling strength between me and the long night?

Will I make it? Will I hold up under the strain? Will I retain my dignity? Will I be lucky? Will I be able to protect the people I love, in that world, the world where no one is protecting us anymore?

Is there a way to continue to live as a human person, when you're denied the prerogatives of one, and don't know if you'll ever get them back?

Putting this anxiety into the context of a massive apocalypse divorces this scenario from the burden of shame tied up in the idea of winding up in that sort of situation in the normal course of events, by having society vanish rather than expel you, personally, as a washout, and continue on around you.

It also allows you to rule out a priori the question of what resources might be offered but can't in an anticipatory context be counted on; shelters and programs and housed friends and family who may or may not help. And narrow the narrative to only the question of what you can survive, and often a fairy tale about surviving all of it and starting over.

Rehearsing for a loss in a mythologized format is a very normal anxiety processing behavior, and I think a lot of apocalypse scenario building is attached to the buried dread of that personal apocalypse. But I haven't seen that one make the list.

[thestuffedalligator]

You are a woman in a fairy tale. You are pregnant, but one day a witch curses you and turns you into an animal like a dog or a duck, and when you give birth your children have also been cursed and are born as puppies or ducklings.

You raise your animal children in the woods. They have human intelligence, but their animal shapes are all they’ve ever known. And then one day your husband finds you and breaks the curse and you’re human again.

[gay-dorito-dust]

You may request A batboys reacting to the death of the reader

First time writing for Tim, so he’s probs ooc in this one.

Dick feels as though he’s failed you.

He tries to act like he was fine but he was far from it and everyone knew it as they stepped on eggshells with him during this time.

Dick would often find himself sat on the very rooftops where he’d take you on countless dates or just to star gaze and talk as though you were still with him.

It was his own way of comforting himself with your loss but that was never enough to stop the tears that fell from his eyes when he spotted a bright star he’s never seen before until now, and laughs humourlessly.

‘I see you’ve finally made your way amongst the stars huh sweetheart?’ He’d say as your star would twinkle in response, making him chuckle. ‘You’re so beautiful, the brightest of your kind.’ He adds sombrely as he wipes his eyes with the back of his hand as he felt his heart sing out for you, only to receive nothing in return.

Reality was often disappointing but with you it was a fairy tale.

Waking up to you was a dream within itself and getting to do mundane things with you before heading off to work was something that could only exist in a daydream.

He knew Hayley misses you as badly as he does with how he’d hear the poor dog whine and whimper at the door, as if waiting for you to walk through it and tackle her with kisses and love like you always did, only to get nothing for hours.

‘I know, I miss them too.’ He says against Hayley’s fur as she whimpers and whines at the door. ‘I miss them so fucking much it hurts.’ He adds as he allows himself to mourn for you alongside his dog long into the night.

Jason blames himself for not being fast enough or strong enough to keep you protected and safe.

The apartment you once shared with him that only recently had started to feel like home to him now felt cold and haunted with the ghost of you, so much so to the point he avoids it at all cost.

Nothing felt right without you, everything felt wrong and unjustified that he became more ruthless then before on patrols just to let off some steam and would come back from them more beaten and bruised then normal.

He didn’t care, he couldn’t feel anything anymore with how numb he became after loosing you.

Dick and Roy would stop by to see how he was doing but each visit was the same with Jason refusing his older brother and best friend entry as he held one of your plushies tightly against his chest. He knows they mean well but he just couldn’t find it within himself to hear the same thing he’s heard from everyone else; It just felt disingenuous after a while and didn’t feel as though people truly understood the impact that you had on him throughout your time together.

Jason would become more destructive with himself and going headfirst into danger without a second thought and damns his teammates for dragging him out by the scruff of his neck as he fights and kicks out of their hold. He doesn’t want to be saved! He just wanted to be with you again, why couldn’t they see that?!

After loosing you Jason becomes more prone to angry outbursts and often lets them out on the wrong person but he couldn’t care less at this point, his favourite person was gone and he was left back where he was before you.

Lost and deeply afraid.

Tim would retreat from everyone and everything by cooping himself into his room, rarely to come out.

He’d rather rot in his bed and on his phone, looking through all the photos you’ve taken together and seeing just how happy you both were, all the while a pit in his stomach grew at the thought of all the plans you’ve made but would never get to do.

He hated how easily he gave you his heart and hated it even more at just how easy it was to loose you that he wishes that he could stop himself from meeting you for the first time, just so he could selfishly save himself from the best moments of his life and the inevitable heartbreak he’d soon suffer.

Tim would do anything in his power to get you back but knew that it just wasn’t possible.

He knew Jason was given life by the Lazarus pit but he wasn’t willing to subject you to that even if he was held at gunpoint. He’d rather you rest in peace than force you to live with the knowledge that you should technically be dead.

Tim would remain in his room, wondering about the what ifs and the what could’ve beens if you hadn’t died. Would someone have taken your place? Was your death an unchangeable fixed point in time that was meant to happen?

He would only be reunited with you in his dreams where he has saved you and you had gotten to live out the rest of your life happily, rather then left for dead in an alleyway not too far from the place where you were originally going to meet up for date night.

Damian dedicated his life to getting revenge.

He had lost the light in his life, so why should he think his adversaries should live when you weren’t even given the option?

There will be more bodies pilling up on the streets of Gotham at a faster rate than normal whenever Damian is on patrol, much to Bruce’s dismay.

His anger and grief was all consuming and that left little to no room for logic to make him stop and see what he was doing was no better than the thing that took you away.

Life was black and white for a long time for Damian and you were the colour.

You were the air he breathed and without you he was gasping.

He knew about the Lazarus pit in his grandfather’s possession and its mythical properties and how it gave Jason a second chance at life. However he was at a cross roads on using it for his own selfish gain, on one hand he could have you back and everything would be fine again, but on the other hand you wouldn’t be the version of you he fell in love with…

Damian didn’t know what to do. The grief, the anger, the sadness…it was all too much for him. He felt as though he apart of him was missing and he would never get it back, it just wasn’t possible.

Bruce feels as though nothing has changed since his parents death.

He may be older, faster, stronger and wiser but that didn’t mean nothing in the face of death, and your death only proved that to be true as he held you in his arms, holding you close to his chest as he quietly sobs into your cold neck.

Much like Tim, Bruce doesn’t take care of himself anymore and it was up to Alfred to make sure that he doesn’t keep over and die unexpectedly.

‘They wouldn’t want this for you sir.’ Alfred would say as Bruce slams his hands down on the surface of his desk. ‘And what would you know that they want for me Alfred, y/n’s dead and it’s my fault.’ He would bark and bare his teeth at the only father figure he had in his life, a father figure whom has seen this expression bore on the young master’s face more times then he could count, but it still hurt him to see Bruce in pain and heartbreak.

‘They would want you to take care of yourself, sleep proper hours, eat full meals, shower, reach out to anyone,’ Alfred began to walk towards Bruce and place a hand on his shoulder, where he could practically feel the unbridled anger and pain radiation through him that he kept under control. ‘They wouldn’t want you to wallow in pain alone, Gotham needs you.’

‘And I needed them.’ Bruce replied sharply, aggressively wiping his eyes with his hand as he looks over at a framed picture of you that he always kept nearby. ‘All I wanted was them.’ He adds softly this time as he looks at Alfred, lost and confused at what to do now that his anchor was gone. ‘I miss them so much Alfred.’

Alfred brings Bruce into his arms, much like he did when he lost his parents, when he lost Jason and now you, allowing him to burrow his face into the Butler’s shoulder and softly sob into the fabric. Alfred felt his heart break even more as he rubbed Bruce’s back in an attempt of bringing him comfort. ‘I know master Bruce, I know, but you’d be doing their memory a great disservice by destroying yourself.’ The older man started as he looked over at the framed picture of you and smiled soberly, you were a beacon to Bruce and Alfred wasn’t afraid to say that he viewed you as his in law with how happy you made Bruce and that was all Alfred could ever want for him.

Now that you were gone, Alfred couldn’t help but feel that the manor got just that little bit lonelier without you.

[bogleech]

Lately I keep thinking about environmental campaigns since roughly my childhood had to play up rainforests as these bright, shiny, heavenly fairy-tale utopias in order to get people to care about them. But in older media they're like dark, terrifying, brutal primordial deathworlds, the "SAVAGE UNTAMED JUNGLE!!!!" to the point that we still call the same exact thing a "jungle" in media if it's supposed to be more dangerous and exciting, even though there's really no technical distinction there. The reality though is that both are simultaneously true. I keep going on this rant lately but everything scary, painful, disturbing or dangerous about nature IS beautiful and wonderful and awesome!!! It fucking sucks that the majority of people only want to care about nature if they can comfortably hike it in their jorts and their crocs and only care about animal species if they're pretty to look at, useful or cuddle-able. "Rainforests" are absolutely kickass brutal primordial deathworlds. They're beautiful and precious and fantastic but they are also places where leeches will rain down on you from the trees until all your clothes are bloodstained and stinging ants the size of your thumb will make you feel like you're burning to death with a sting and one scratch from that adorable little monkey can torture you to death with sepsis. You'd never even guess, from how rainforests are portrayed on TV, that the thick canopy means they're actually dark as shit 24/7.

We get told piranhas actually aren't scary and that's true! The dreaded candiru is also so unlikely to attack humans we still don't know for sure if it really happens! But you don't hear about the Amazonian catfish, the size of a piranha, and incidentally also sometimes called a "candiru catfish," that convergently evolved with a cookie cutter shark and comes out at night to bite big round scoops of flesh from unsuspecting thighs:

I would love to meet all of these terrible awful things and I want them all to thrive forever and ever. Please love nasty things. We are nasty things. We're the nasty things planet and it rocks.