#frog feud
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elizabethrobertajones · 2 years ago
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To be honest my biggest "my WoL would not do that" in the whole game is when I, playing a WoL called Bounding Frog who named herself from her lifelong love of studying frogs, was called out for acting like a bad frog by Erenville, a man apparently her equal in Frog Knowledge. I have to believe that Alphi-toad and Ali-toad were so bad at being toads that even though Frog was doing her best to be realistic and guide them, it was hopeless and their poor acting was what betrayed them to the frog guy.
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elizabethrobertajones · 29 days ago
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"Y'shtola, please, you have to turn me back into a toad. I have to get it right and show him I can be a good frog."
[three days of asking later]
"FINE, but I'm holding you to the promise to bring me tea every day for a year."
"Yay!"
[five minutes later Erenville is trying to tempt a strangely located toad out of a pond it shouldn't be in and - ]
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thecoolguy24601 · 11 months ago
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Muppet fans: explain what’s happening in this video.
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isuckatwritingsobenice · 11 months ago
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Infernal Shadows 03
Synopsis: Being one of the most powerful overlords in Hell, you like to keep up with colonies and overlord plans. Recently with the new extermination date out, you hold your annual gala sooner than usual. You hadn’t expected to get in the middle of the already heated feud between the Radio Demon and the head of Vox Tech.
Warnings: She/Her pronouns used for the reader, mentions of blood, voodoo?, Angel Dust being a horn-bag, Reader is referred too as Madame to the public. Vox and Alastor feud because I live for it. Carmilla and Velvet feud because I also live for that. I also really favor Zestial for some reason as a calm mediator.
Song for this chapter: Ludwig van Beethoven’s Violin Concerto in D major, Op. 61
A/N: Thank you all so much for your positive feedback & feedback in general on the last two posts!! I really didn’t think this would catch so much attention but I’m so glad people like it. For some reason Tumblr’s being weird and doesn’t want to let me tag certain people, I don’t know why but if anyone does please let me know because I really don’t like that ;/ But I hope you all enjoy this chapter!! Please note that some blogs cannot be tagged, so I recommend checking this post and to check your settings to make sure I can tag you! If anything I can always just message you when the next chapter comes out, and yes I am making this series longer :) it’ll also be posted on my Wattpad soon!
Word count: 3890
Taglist: @dollops-of-delusion @nebusokuxp @scrunchss @rosedasy @valluvz @chesstras @pishybowl @iaaeav @forgotten-blues @22carolina08 @roboticsuccubus83 @doflamingadonquixote @froggyferrets @frompeach @absurd-ash @sillysillyxinnabun @urdariingdoll @delectableworm @immahuman @justaproudslytherpuff @local-mr-frog @angeli-fucking-cat @coldsweetsenthusiast @jadekomaeda @iaaeav @coffeethoughtsandanxiety @lunalixya @pretty-puppy-stuffies @lemonrolls @asimplikeallyall @lunalixya
Navigation!! // Masterlist!!! // Serendipity Writes (event) // Part One. // Part two. // Part four.
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Engaging with guests throughout the night had become an exhausting endeavor, and a part of you yearned for the solace of your absence. Nevertheless, you maintained the façade, acknowledging every sinner whose smile dripped with crimson mischief. Having greeted each guest, you discreetly slipped into a shadowed corner, your shadows enveloping your figure quickly, seamlessly disappearing from the expansive room in mere seconds and emerging into an intimate gazebo outside, meticulously arranged beneath the sweeping branches of a weeping willow, you marveled at its unique ambiance. Unlike the earthly counterparts that stood white, the willow in your realm bore a deep crimson hue, its leaves adorned with a subtle, luminous sheen. A gentle smile graced your lips as you leaned against the sturdy black iron railing, delicately cradling a piece of the weeping willow between your fingertips. In the distance, the grand mansion hosting the gala loomed, its opulence contrasting with the simplicity of your secluded retreat. Despite the awareness of etiquette dictating against leaving guests unattended, the need for a mental break led you to this haven, a safe space for you. Reflecting, you acknowledged a desire for better preparation and rehearsal with the shadows, realizing the repetitiveness of conversations with the familiar sinners had rendered the night somewhat lackluster. It almost felt like you had come out of hiding for nothing. Quite the disappointment.
You sigh, massaging your temples, the lace fabric on your fingertips only slightly soothing the growing headache. However, not too far behind, you hear the sound of soft grass. You straighten up and turn around, seeing none other than your long time friend Zestial, who just smiled, nodding at you.
“Why art thou out here all alone on this crimson night?” Zestial inquired, standing by your side with his back against the railing. You resumed your original position, taking a moment to appreciate his father. Mentally noting how much of your grandfather Zestial reminded you of, you kept the sentiment unspoken.
Tonight, Zestial adorned himself in an outfit resonant with his time period, preserving his distinctive color scheme. A dark, meticulously tailored coat with lime green accents draped over his slender frame, capturing the essence of his demonic class. The cloak, adorned with lime green spider webs, unveiled a mesmerizing display when unfurled—his lime green eyes radiating, the upper pair embellished with vivid red irises. Instead of the customary big top hat, Zestial selected a smaller, more appropriate hat with a touch of flair. Dark as the shadows you command, it featured a light grey patch at the front and was finished with a grey-colored skull and a lime green and red-striped feather on the right side, adding a distinctive touch that mirrored his nature.
“Why art thou out here all alone on this crimson night?” Zestial repeated, shifting toward you a bit. Yet you resumed your original position, savoring the quiet ambiance before finally answering him. “What shall we discourse upon during our repast this eventide?” Zestial asked. Though his wording occasionally posed a challenge for others, having grown up in a family of eloquent speakers, you easily deciphered his intent. Something he truly appreciated. Though he was learning to speak more ‘modern’, or as modern as he could be.
“Quite unsure of that. Everything is changing, and I fear I might be left behind,” you expressed bluntly. Zestial sighed in response, a mix of understanding and concern evident in his lime green eyes.
“Madame, thou art timeless,” Zestial said with a bow, his cup proofing into smoke. “I pray thee, vex not thyself o’er so trivial a matter,” he added, his words resonating with both reassurance and genuine care.
You nodded, handing him a card. His surprised expression upon finding two cards instead of one didn’t escape you. “What manner of thing is this?” Zestial inquired, prompting you to summon a shadow for yourself, knowing he would find his own means back to the Gala.
“Carmilla. I am no fool to the both of you,” you said, amusement coloring your words as Zestial shook his head.
“Thou dost astonish me on every occasion,” Zestial remarked, standing by your side as you walked into your portal. Two seats vanished, leaving four empty seats at your table and six occupied.
In your study, you floated scripts in front of you, checking off names on the table list for tonight. With a few overlords left to choose from, Alastor and Charlotte secured seats based on trust and connections. Vox, Zestial, and Carmilla, an unspoken but potent couple, promised intrigue. Reconsidering Velvet for her potential devolution, you weighed each decision with strategic acumen.
Valentino, the Von Eldritch twins, and other weaker options were dismissed, maintaining a careful balance of power and influence. As you weigh the option of inviting Rosie to the gathering, her unpredictable nature adds a layer of excitement and potential surprise to the upcoming discussions. However, this unpredictability could also introduce challenges, creating an air of uncertainty around her contributions. Hopefully with Alastor around, she’d feel more inclined to behave. You check her name off the list.
In considering Stolas, the Goetia prince, his personal issues and tarnished reputation pose significant hurdles. Divorcing from his wife, sleeping with an imp for fun, as well as losing control of his daughter on Earth, it all seemed too risky to get involved with. While his wisdom and influence could contribute positively, the shadows of his struggles may complicate the dynamics, stirring potential conflicts and requiring delicate handling. Someone might get out of line with a comment towards him. His power was incredibly useful, but not worth the risk.
Husk’s transformation from a former overlord to a bartender signals a decline in power and status. While his laid-back demeanor might bring a sense of unpredictability, his diminished influence raises questions about the relevance of his involvement in the current political landscape of hell. Though he was your friend, you needed to keep your reputation pristine.
As the you contemplate the overlords assets, a mix of excitement, caution, and uncertainty envelops the decision-making process. Each overlord’s potential positive contributions are balanced by the looming negatives.
“Madame?” One of your shadows materialized, prompting a nod for them to proceed. “There seems to be some trouble in the lobby between the guests. What would you like us to do?” it inquired. A grimace crossed your face, hoping the disturbance wouldn’t mar your night. “Let me handle it,” you declared, snapping your fingers, causing the script to vanish. The shadow nodded, blending back into a wall for you to step through.
Upon reappearing, you assumed the form of a taller shadow. The room surrounded by guests revealed Vox, Velvet, Alastor, and Carmilla standing in the middle. Zestial, seemingly composed, stood close behind Carmilla, observing the situation. Carmilla appeared visibly upset, with Velvet in proximity, a pointed finger dropping as soon as she noticed your arrival. Alastor maintained his usual wide smile, though it bordered on the eerie, revealing a glimpse of his gums. The scene unfolded, presenting a potential challenge to the serene atmosphere you aimed to maintain during the gala.
Everyone seemed to stop, slowly turning toward you to see your face. Except there was no expression, just the large shadow you had taken form of. In seconds the shadow disappeared, leaving you in the fog, the expression on your face anything but calm.
"Madame I-" Velvet began, but her words were halted by the sight of your lace glove, your hand rising to silence her. Approaching the overlords, you spoke with an air of cold authority.
"My quarters. Now," you commanded, and with a snap of your fingers, smoke enveloped your spot as you vanished. Shadows materialized around the overlords, guiding them to your quarters, leaving the stunned guests in the lobby.
"Well, that was interesting," Valentino remarked.
In your study, the overlords found you seated in your tall, black chair. Its ebony surface featured intricate carvings of black glass, elegant swirls, and patterns tailored to your essence, creating an atmosphere of undeniable authority and refinement.
"I hope you all had fun acting like children," you chided sternly. The overlords lined up, forming a unified front. Leaning against the right side of your chair, you crossed your legs, elbow on the armrest, pinching the bridge of your nose with a sigh. Annoyance laced your words as you questioned, "What did you feel the need to argue about now?" Before Velvet, Vox, and Carmilla could respond simultaneously, you halted them. "One at a time. I'd assume you all handle this like adults, if you even can." The tension in the room hung thick as the overlords awaited their turn to address your inquiry.
“She wants me at her table Vaggie! Me!” Charlotte said excitedly. Vagatha just smiled.
“That’s good! Now you can tell them about the hotel, and maybe someone will be interested.” Vagatha said, and Charlotte just nodded.
“Maybe they-“ Charlotte stopped, observing as people began to crowd around the center of the lobby. Charlotte and Vagatha stood from their spots at the bar to walk toward the center, where the overlords stood. Velvet and Vox were next to each other, while Carmilla, Alastor and Zestial were across. Carmilla and Velvet were face to face. “What’s going on?” Charlotte asked as Vagatha and her pushed their way through the crowds of people.
“Come on, Carmilla, always the mood-killer,” Velvet scoffed, a disrespectful tone tainting her words. Carmilla shot her a stern look, ready to assert her authority.
“Watch that tongue, Velvet. I will not let your insolence slide,” Carmilla retorted, attempting to rein in the escalating tension.
Vox, ever the smooth talker, chimed in, “Ladies, ladies, let’s not turn this into a drama fest. We’re all here for a reason.” Vox said, sternly giving a tight lipped smile to Velvet, silently telling her to keep her shit together.
Carmilla shot a glare at Velvet, who replied with a defiant smirk, “Drama or not, Vox, some of us aren’t here for the ballroom charm.”
Alastor, drawn to the brewing chaos, couldn’t resist adding his flair, “Well, well, a bit of spice never hurt a party, does it?”
Carmilla, unfazed by the chaos, spoke with a calm authority, “Velvet, your insolence is unnecessary. This is not a playground; it’s a gathering of overlords. Act accordingly.”
Velvet, seemingly undeterred, shot back with a dismissive laugh, “Poor Grandma, always trying to play the responsible one. Maybe loosen up a bit? Have a drink will you?”
Vox, ever the smooth talker, added with a slick comment, “Perhaps we can focus on the matters at hand. Save the theatrics for later ladies.”
Alastor, intrigued by the unfolding drama, simply grinned, “Oh the picture box has spoken! Quite intriguing.” The room continued to buzz with tension as each overlord, except Rosie, added their own flavor to the brewing turmoil. As the tension thickened, Vox, with a sly grin, couldn't resist adding his own slick comment to the mix.
"Ah, Alastor, the radio days were quaint, but it seems you're a bit outdated. Television is the future, perhaps you should tune in sometime," he quipped with a wink, the words delivered with a calculated smoothness. The room momentarily hung in a charged silence before the verbal sparring resumed, adding another layer to the complex interplay of personalities at the gala.
With Vox's comment about Alastor being outdated sinking in, the radio demon responded with a sly grin, sharp teeth on display, his eyes displays dials, as the rooms lights began to deepen, "Ah, Vox, your television endeavors are impressive, but remember, I'm not just audible; I'm unforgettable. A little screen time won't change that," he retorted, “This face was made for radio.” He said with a grin, tilting his head to the side, a sharp snap in his neck, his words carrying a mix of amusement and confidence. The verbal exchange between the two overlords added another layer to the already charged atmosphere, each comment becoming a piece in the intricate puzzle of conflicts and egos at the gala.
“See what you did grandma, now you’ve got the two of them fighting.” Velvet said, pointing a finger into Carmella’s chest. She scoffed, shoving her away.
“Don’t you dare get disrespectful on me you brat.” Carmilla said, beginning to heat up with anger.
That's when Madame stepped in, reappearing in the form of a taller shadow, casting a lengthened silhouette in the room brimming with guests. Vox, Velvet, Alastor, and Carmilla found themselves at the center of the unfolding tableau, and Zestial, seemingly composed, lingered just behind Carmilla, quietly observing the escalating drama. Carmilla's visage betrayed a hint of distress, her pointed finger lowering as she registered your reappearance. Alastor, with his trademark grin, bordered on eerie, revealing a glimpse of his gums. The unfolding scene disrupted the serene atmosphere you had meticulously aimed to maintain during the gala, presenting an unexpected challenge.
A hush fell over the room as everyone turned their gaze toward you, anticipating your reaction. However, your face remained expressionless, concealed within the depths of the large shadow you had taken form of. In mere seconds, the shadow dissipated, leaving you in a misty veil. Yet, beneath the calm exterior, a storm brewed, ready to challenge the delicate balance of the evening.
Now, here you all were, sitting in the study after Carmilla had explained the situation.
“Madame, with all due respect,” Carmilla spoke, looking down. “I truly do not believe Velvet is mature enough to be at our table tonight.” Carmilla said.
“Are you questioning my judgment?” You asked sharply, to which Carmilla stiffened quickly, shaking her head then.
”No Madame, I would never-“
“Then do not say foolish things.” You said. Sighing, you shut your eyes, feeling the weight of the situation. Tonight sensitive information would be revealed and Carmilla did have some point here. Velvet clearly could not hold her tongue.
”Vox, control your associate please, or you both will be cut from the dinner tonight.” You said finally, to which he nodded nervously.
“Of course Madame.” He said, nodding to you.
“I wasn’t finished.” You said, looking to Alastor.
“I want none of this technology talk either.” You spoke, staring at Alastor who just smiled with lidded eyes. You knew he was very much upset, but you had forbidden anyone to fight in your home, anyone but you of course. “You all will act like mature adults wether you like it or not. I am not your guardian, I should not be having this conversation with overlords who should know better.” You said, standing. ”Now, all of you, out.” You said, snapping your fingers. Quickly the shadows began to move, ushering everyone out of your study. Everyone except Carmilla. “Not you.” You said to her, Zestial nodding to you and her as he stepped out, giving you both privacy.
“Madame, I didn’t mean what I said-“ Carmilla said quickly. You waved her off, straightening yourself out.
“Nonsense Carmilla, I know you meant well.” You said with a stoic expression. You sit back down, crossing your legs and snapping your fingers to form a chair in front of your desk, ushering her to sit. “I wanted to speak to you about your weapons.” You stated. At this her eyes went wide, before dropping again.
“Oh, very well then. What would you like to know?” She asked. You grinned, before standing again.
“Well, how much would I need to give you for you to make me a personal bayonet?” You asked. She went silent for a moment, before answering.
“Nothing at all Madame.” She said, standing to look at you. “May I ask what for?” She questioned. You shook your head.
“No, just to have on display. I want a new one, the old one I have is quite out of style for me.” You replied. She just nodded, before you waved to her, sitting back down and summoning a script again. “You may go now, and please, do not argue with children.” You commented. She just smiled and nodded, leaving you to your own vices.
It was half-past eleven, five minutes till the midnight bells chime. Everyone in the lobby was beginning to get excited for the entertainment you had planned for the night. Oh, you knew you would not disappoint.
“Madame would like everyone to accompany her on a journey tonight. She has sent me to retrieve you all. She would like to formally welcome you to tonight’s entertainment.” The large shadow said, standing from the topic of the stairs. Behind it was a large portal. It stepped backwards, into the portal, and nodded for the guests to start coming through.
The custom-built coliseum stands as a testament to Madame's vision, a grand fusion of opulence and dark elegance. The circular structure boasts towering columns, but instead of conventional pillars, thick chains rise, intricately linked and serving as both ornamental decor and structural support. The arches, molded in black, curve gracefully around the circumference, evoking a Victorian Gothic aesthetic that permeates the entire venue.
Two larger-than-life statues of Madame herself flank the entrance, capturing her regal poise and adding a touch of imposing authority. The statues serve not only as decorative elements but as a representation of the gala's hostess, a constant presence overseeing the proceedings, she is always watching, all seeing, perfection.
The overall ambiance is one of grandeur and mystery, with the black molding on the arches casting shadows that play into the darker undertones. Every intricate detail, from the chains to the statues, contributes to the unique Victorian Gothic feel of the coliseum, matching Madame’s home perfectly, matching her perfectly. The venue, finally being unveiled to the guests, now welcomes them who are treated to an appetizer course, surrounded by the striking architecture and entertained within the darkly enchanting atmosphere Madame has meticulously crafted.
Numerous shadows, dark and formless, line the entrance walls, extending silent greetings to the arriving guests. Their presence adds an air of mystique and intrigue as they blend seamlessly with the Gothic architecture. As attendees make their way into the coliseum, these shadowy figures create an ethereal welcome, embodying the unique atmosphere of Madame's custom-built venue.
At a separate entrance reserved for the handpicked members of Madame's esteemed dinner table, a solitary shadow stands guard. This entrance, reserved for a select few, hints at the exclusivity and importance of those who will partake in the upcoming dinner. The shadowy sentinels serve not only as silent greeters but also as guardians of the event's secrets, casting an enigmatic allure over the gala.
A singular shadows escorts Charlotte, Alastor, and the rest of the overlords to the exclusive section, leading them to an elevator to bring them to the best seats in the coliseum. The elevator’s interior is a striking display of elegance, with white and black checkered flooring lending a timeless touch. The walls, enveloped in darkness, exude an air of mystery, while black, smokey glass engravings on the ceiling add intricate detailing that dances in the ambient light. Each number on the elevator, indicating the ascending levels, glows a vibrant red, creating a vivid contrast against the monochrome palette.
“Oh I’m so excited! What do you think we’re gonna see? Gladiators? Sinners fight? Oh actually I hope not, I don’t want people to die.” Charlotte said to Alastor. Carmilla just chuckled at her antics while Zestial eyed her with curiosity. Where did Alastor find such a girl and why the princess of all people?
The elevator stops at the top floor, revealing the opening in the middle, which was surprisingly covered with water.
“What is Madame playing at?” Carmilla questioned as the overlords sat in a row at the top. From there they could see everything and everyone.
“I am quite uncertain, yet my anticipation is stirred nonetheless.” Zestial said. The lights around began to dim, and shadows began to pour glasses of water in front of all the guests. Down in the middle of the coliseum was the tallest shadow, the one that seemed to be Madame’s favorite, since it always spoke for her.
“Greetings all. It is Madame’s pleasure to invite you all to the special entertainment tonight. Madame has put together some of hell’s finest performers for your entertainment tonight. I would like to present, preforming here tonight, The Vienna Philharmonic Orchestra preforming Ludwig van Beethoven’s Violin Concerto in D major, Op. 61.” The shadow said with a bow, before it vanished just as quick as it came. Then, other shadows appeared, but this time they were different. They were people, performers, with clear outlined silhouettes, faces and expressions, even clothes.
“Hey, Al?” Charlotte asked, leaning over in her seat to Alastor. He let out a ‘hm?’ In response.
“Does Madame own those souls down there?” Charlotte whispered, but before Alastor could answer, a shadow had already cut in.
“Yes. All the shadows here, even yours, Madame owns.” The shadow said quietly, filling Charlotte’s glass cup with water. Charlotte nervously, perked up, but said nothing as she shadow carried on with it’s catering.
The ethereal notes of the music filled the air as the performance unfolded. Around the musicians stood ballet dancers, their movements a delicate poetry in motion. Clad in all black, the performers created a stark contrast to the dancers, who emerged with an otherworldly grace akin to figures rising from the depths of water. The dancers moved with an angelic fluidity, their forms intertwining seamlessly with the haunting melody, creating a mesmerizing tableau that captivated the audience. The visual symphony of black-clad musicians and the whisky-hued ballet dancers painted a scene of enchantment and mystery within the grand coliseum. Even down to the dancers, this had Madame written all over it.
Velvet's keen eye captured the essence of the dancers' ethereal movements on paper. With each stroke of her sketch, she depicted the dancers as if emerging from a watery abyss, the fog enveloping their feet creating an illusion of water flowing upward. The intricate details on her sketch paper brought to life the dancers' graceful forms, their figures seemingly intertwined with the rising mist, evoking the enchantment of a waterspout captured in a moment of sublime artistry. Velvet's artistic interpretation added a layer of depth to the performance, transforming the ephemeral dance into a tangible and captivating visual narrative.
Water had begun to swirl, the dancers moving around it, the water getting taller and taller, similar to the way it had when you had first made your entrance at the beginning of the Gala. Now, it was water, and from Charlotte’s seat, she had struggled to make out what was going on. She turned to Alastor to see him holding a pair of opera glasses in his hand. Without you having to ask, he tapped the armrest of her seat. Charlotte turned to the side to see a pair tucked neatly against the front of the armrest. She grabbed them quickly, before looking through them and at the waterspout now forming in the middle. Her jaw flew open, as well as the loud screech of Alastor’s track playing. Vox had short circuited, and Carmilla gasped loudly. Velvet stood silent, but there was evident confusion on her face, while Zestial sunk into his seat, conflicting emotions flowing through him.
“Madame- she’s-“ Charlotte stuttered, and Alastor nodded, swallowing thickly.
“With an exorcist. I know.”
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yuan4i · 1 year ago
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ANGEL EYES lyney x reader
SYNOPSIS you’re at a bar, drinking your heart out after another having a feud with your boyfriend of 2 years. you later stop at your friend’s house to stay the night but… the one who opens the door isn’t her but instead, her brother…?
STATUS 08/20/23, on hold/ongoing, slow updates
GENRE social media au, modern au, college au 
CONTENT WARNING best friend’s brother troupe, drinking, alcohol, unhealthy relationships, angst, suggestive scenes, implied afab reader (they/them prns reader's considered as a "girl"), written during patch 4.0/beginning of fontaine's release, messy timestamps, will add more later! (❀) = written chapters
TAGLIST closed! please let me know if you changed your username
CHARACTERS shit talkers | adoption center
ACT I - "LOOK INTO HIS ANGEL EYES"
01. wtf did i walk in on?? ❀ 02. matcha frog cookies 03. homewrecker 😼 04. who's the special lady 05. salty lips ❀ 06. turn him gay 07. 6reeze introductions 08. teach me 09. you planned this? 10. practice ❀ 11. i'll think about it ❀ 12. fuck it we ball 13. we won 14. so pretty 15. holding hands already?! ❀ 16. sparks fly 17. enchanted
ACT II - "ONE LOOK AND YOU'RE HYPNOTISED"
18. ft. kaedekazukas 19. therapist mode on ❀ 20. what's with you two 21. he's ?? here ??? again ?? 22. i'm so fking done 23. no u dont 24. unconditionally 25. comfort crowd 26. yn x lyney shippers 27. tba...
ACT III - "HE'LL TAKE YOUR HEART"
tba...
ACT IV - "AND YOU MUST PAY THE PRICE"
tba...
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©yuan4i 2023/2024. all rights reserved. do not repost, modify, steal, plagiarize, or translate any of my work without my consent.
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elizabethrobertajones · 4 months ago
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this post made me actually go resolve a stepping stone and pose that hug to show how things had progressed XD
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->
[a very long span of time]
->
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...
I do have a bunch of other ships for her but the whole point of the frogicule originally was to scoop up the normcore relationships and commit to them all because it amused me that the game gave us so many romance options and no romance side plots to pick from so they're all kinda nebulously canon and I love when you can just assemble a whole polycule out of narrative ambiguity. So like, her relationship with G'raha or Aymeric or Y'shtola is exactly what you might expect if you lean in to shippy things those guys say to the WoL XD
Erenville is a little indulgence because he suits Frog as herself and not the WoL so writing them is very fun and unique and has its whole story arc to talk about that only happened to Frog and no one else unless there's another very lucky Frog-themed WoL out there who's been fighting him for a couple of years :')
Hey... hey anyone with wolships or other FFXIV ships (since I know not everyone's characters are WoL).
Show me your "How it started // How it's going" can be gpose, art, writing. I just want to know about your ffxiv ships. Can be OCxOC, OCxNPC, Polyships, multiships, or anything else I didn't account for.
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acesw · 1 month ago
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Knowing our Arcanists 2: Eternity
Welcome to entry two of my series: "Knowing our Arcanists"! This is a series in which I introduce and tell the stories of our fellow characters in Reverse: 1999, and next up is: Eternity!
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Eternity was my first main DPS in the game and she had always been intriguing as she has quite the vague story even as a 1.0 character. As such, a lot of this write up is mainly an interpretation of my own. Now, lets get started.
Eternity, born Winnifred, is an American arcanist coming from Exeter, Rhode Island,USA. Born on December 25th, she currently holds a very interesting arcane skill: immortality maintained via connection to aquatic creatures. She has a large connection to the ocean and its animals, and she maintains her immortality by the consumption of sea animals and blue blood. At the same time, she's known to be able to tame sea creatures and manipulate water (or blue blood) to lull one's mind into placidity.
Half of this makes the idea that she is a vampire, which isn't wrong, however she's not exactly one, per se. Since vampires in this game are more known to be associated with the Infected. (which she isn't)
While we don't know much about her childhood, her story starts out early into her adulthood, when she left her candy business in Exeter to avoid being hunted down by the townspeople. Eternity was 'accused' of being a vampire as young people were dying left and right due to an unknown disease—later found to be tuberculosis—whilst Eternity herself thrived without struggle.
Upon leaving, she started out a new arcanum shop business, which sold various items that has a quite range of uses; they may be functional but they're also a bit unconventional. (she currently has a feud with the Foundation about an invisibility cloak and was known to have sold transfigured frogs lmao) This made her an efficient arcane craftsman and businesswoman over time.
Eternity is a very social person, being popular amongst people across the US in all the eras of the 20th Century. Yet, to keep a low profile, Eternity makes efforts to ensure that her identity as an immortal is never revealed. Never making too close of connections, moving from place to place, dismissing people's assumptions about her familiarity. She rose to popularity in the 40s as a socialite between various soldiers (before they were sent off to WWII), then between the 60s to 70s as an actor and TV host, and then in the 90s again as an information broker.
However, she is also a very simple person, never attending late night balls nor staying up past 10 pm. She ends her nights by sitting down and watching The Night Show with a glass of milk. She has a love for talk shows like that, and even wishes to be a guest on it.
Eternity's kindness, transparency, and insightfulness is also known among people who indeed attempt to get close to her. Such one case is of Brian Finn, one of the few people that Eternity made consistent contact with over the course of their lifetime. He left an impression on her as a courageous and unshaken person who never abandoned his ideals over time, even to his deathbed. As such, she rewarded him with a calming and peaceful end.
While continuously growing to be alone as an immortal, Eternity always try to catch up to the latest things to fill that space; tries her best to avoid growing too attached to material things as they're slowly eroded by time. But loneliness can't be escaped, nor can she do anything more to change it. So instead, she remains cordial and involved; always tying up the loose ends, and ensuring to maintain the tranquility in her current life.
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not-too-many-eyes · 5 months ago
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Unexplainable Tragedies
(Also Known as: Reverse is a story about the apocalypse)
I always found the concept of The Storm fascinating. When I started playing Reverse I messaged a friend saying that I was really upset that I didn't think of it first since the concept of it is so interesting. A storm of time that (usually) brings the world back in time. It's such a compelling concept for a time travel story.
As a result, I've done a lot of thinking about it and it's place in the game's narrative. So, I have now decided to write this post so that I may articulate my opinions and feelings when it comes to it.
So, with that out of the way:
The Foundational Blocks of Society
Reverse depicts a world in which society is never safe. It's a world where at a single drop of rain the entire world as we know it can be destroyed and reverted back to a "backwards" version of it. Nothing is sacred because nothing ever stays minus a few pockets of the world that were lucky enough to be safe from it.
The Headquarters of St. Pavlov Foundation exists in of those pockets and it has existed even before The Storm. As a result it's a bastion of Pre-Storm Society. They are Worldwide and seek unite humans and arcanists so that they may return the world to it's "normal state" the one they used to exist in before. The one before all this tragedy occurred.
This, on it's surface, is an altruistic venture. But, considering the name of this place comes from Ivan Pavlov. The one who discovered Classical Conditioning. I think the intentions of these people should be questioned, just a tad.
The Foundation have consistently shown themselves as comprised of bad actors and feuding parties. Bigotry runs deeply in the Foundation's...foundations. Their modus operandi for "recruiting" Arcanists is to find the youngest ones who are disenfranchised and "teach" them what is proper in SPDM. Where they are taught the Foundation's ideology. That:
(Chapter 4 Part 2: Frog and Toffee)
Sonetto: We are born to die Martyrs
Later on, Matilda remarks that she was almost refused from the school because she's too old.
(Chapter 4 Part 10: O' Captain)
Matilda: My name is Matilda Bouanich! I am the most senior transfer student in the school- in fact, I was too senior to be taken in, if nor for that special approval. That is to say. I remember the outside world a lot more than you do...
She remembers things that she shouldn't.
Outside of this. Arcanists from the outside world who know the Foundation are critical of them. A lot of the ones we've seen like Regulus and Kakania don't want anything to do with them, and the ones inside have...mixed feelings on them as a whole.
Ms. Mossian: Although the Foundation is well-known for their effective ways of teaching, they always overlooked each student's character and personality. Hmm… I find their teaching philosophy difficult to comment on.
Even Sonetto and Mesmer Jr, some of the most ardent members of the Foundation have Undoubtedly been negatively affected by them. With Sonetto always wanting for freedom, and Mesmer Jr having and being on the verge of a mental breakdown every second of the day.
The world The Foundation creates isn't a just one. But this was Always part of it's institution. It's premise of wanting to unite humans and arcanists has Always had the asterisk that says "as long as we humans rule"
(Revival! The Uluru Games, Part 10: Let's Play House)
Spathodea: Make life better? Get out! You think I never saw the ad of Laplace? Spathodea: "Guide arcanum with science, tame the orderless power with sense." That's what you tell the people!
This isn't a new change. It wants to return the world to how it was before, and the world of 1999 doesn't seem to have been in the hands of arcanists.
They justify themselves, say that arcanists are inherently more emotional and that's why they Must exist. Without them the world would be out of control.
But, frankly, this is a bold fucking thing to say from a Institution who's vice president has beef with a teenager.
Humans cannot claim to be reasonable compared to the "irrational" arcanists when so much of this game showcases human irrationality. Even before the Storm people were competing to make it big in the stock market. Even before the Storm people burned witches and panicked in the streets over Y2K.
As much as arcanists perceive and understand the world differently, any existing evidence in perception or emotion sensitivity is greatly exaggerated to fit the narrative that The Foundation (that Humans) Must Exist to control them.
Greta Hofmann says it best in this chapter.
(Chapter 6 Part 15: With Hope Rekindled)
Hofmann: We have all heard it, humans are more rational and arcanists are more emotional. Hofmann: Their sensitive to the darkness of the world, so they can easily become absorbed in their own emotions and ignore reality Hofmann: But, if we put a human child in the position of an arcanist, who always takes on the world because of his uniqueness, who is never understood for his talents... Hoffmann: Maybe he too will become impulsive, sensitive immature and unstable Hoffmann: And that's why it sometimes dwans on me that if we put an arcanist child in the position of a human being who receives enough love, education, and positive feedback... Hoffmann: These 'instabilities' might be controllable. At least enough to keep them from hurting themselves or others.
This the world the Foundation wants to return to,the one unaffected by the changes that The Storm brought. The one where humans and arcanists were together but we all knew who was Really in charge.
"This the true path to the future!" They say. "We just need to return to the past. The beautiful past that was taken away from us!"
However, The Foundation isn't the only organization in this game.
The Rapture.
The Manus Vindictae are the arcanist parallel to The Foundation. A group of arcanists dedicated to arcanist supremacy in the same way The Foundation is dedicated to human supremacy. They believe that the Storm is actually a cleansing of impurity. Eliminating the bad habits of that era.
The also believe in The Guiding One/Arcana, and that arcanists are the ones Chosen to lead the world into a brighter era and leave this world of humans behind. The chosen ones of the new civilization that will bring everything to a new era of peace, they just need to go far back enough in time until:
(Chapter 1, Part 14: The Eye of The Storm)
Vertin: Which past do you want to return to? Fifty years ago? A century ago? Or... Forget Me Not: The past with the right order, of course
Of course this is rather...unethical, to say the least. However, this is not unique to the Manus in the slightest.
Again, The Foundation wants to return to the past before the Storm, and Matilda was almost refused from the school for the crime of being older than they would have liked her to be.
As the arks of the Foundation become more filled, less people are allowed to enter, and a lot are refused entry due to similar unethical reasoning,
(Chapter 4, Part 18: Road of a Puppy)
Sonetto: Schneider...a friend we met in Chicago Sonetto: She once chose to join The Foundation under the pressure of both the "Storm" and Manus Vindictae. Sonetto: But instead of offering any solution or help, you just gave her a rejection letter. Sonetto: I found this letter in her suit pocket. Sonetto: It had a small line written on it, "Paupers fuck off" (...) Sonetto: I do not understand...why there was such wording on it. Sonetto: Was it because she did not pay enough "shelter fee" to qualify for sheltering? Sonetto: Or was it because the wand she used was transformed by arcanum, which made you think she was an arcanist?
Really, the Manus are just more "honest" about their intentions. There's not much to discuss when there so open about it.
Still, there's a sort of, religious leaning to the way the Manus and it's affiliates talk. The idea that it's a trial, the idea that this is salvation, the idea that they are the ones chosen.
When the Y2K bug was something people were panicking about there was an expectation for it to be an Apocalyptic Event. Religious groups and similar organizations were all about being the ones chosen.
What the Manus exhbits here is it's own form of rationalization, which is funny considering how much they insistent that rational is a human thing.
If a tragedy occurs, then it's a tragedy in the favor of your organization. You will be rid of a world where cruel things happen and be brought up to one where your holiness will be confirmed and you will be happy forever as everyone who has ever committed evil rots below you.
It's a joke to think The Storm cares though.
The Pre/Post-Apocalypse
Something I've been leaving out about The Storm until now is that we do know Why it starts.
It starts due to:
Vertin: Community conflicts, turbulent history, new technology...all of these may lead to the "Storm."
Y2K, The Great Depression, World War 1. All important moments where time reversed, and all events that caused fear, panic and instability in the world.
Y2K isn't even disastrous, nothing actually apocalyptic Happened at the turn of the millennium. But it was such a terrifying concept it made the world go backwards before it could continue. We never see the after of these events, only the start. The panic is enough for a Storm to be caused.
It's a joke to think the Storm cares because the Storm isn't a person. It's an event, a tragedy, a change in the world. A moment in time that consumes anything that's within it's radius. Trying to explain it through something inherent is silly. Arcanists may be able to see through it but they still get consumed by it all the same.
You can formulate theories, maybe even pin down exactly what caused it, but that doesn't change what it did. The characters have been living in the moments before an apocalypse and the moments after one for ages now. You can't bring the world back to how it was before because that world simply doesn't exist anymore.
The Manus may accelerate it but really if it wasn't them it was going to be someone else. You can't keep everything in static normalcy forever. Especially a normal that's so cruel to people. Eventually someone is going to say that this sucks and try to change it, for good or for ill.
But, the beautiful past where nothing was wrong also Doesn't Exist. It's a fiction. But it's one that's easier to believe in than the future full of tragedy and suffering.
(Chapter 6, Part 20: War and Peace)
Isolde: Heads full of holes! Heads covered in shrapnel! Empty Stomachs! Even the ghosts of little children...I can see them all! Cities bombed to the ground, and trains full of people headed straight to death! Isolde: It is coming! IT IS COMING! By then, the guts hanging from the trees will be more vibrant than spring flowers. There will be bullets, helmets, gauze! Hahaha! Isolde: We have no future, doctor!
Everyone in Reverse is marked by that existential terror in a way. That the world is ending, that the world is going to end, that the world has already ended and they just have to pick up the pieces. That nothing really matters because nothing is permanent and nothing can be truly understood.
The Foundation and The Manus believe that:
Sonetto: As the instructors have told us, to live is to lose things around us until the day we lose life itself to death. That's why we should only focus on the supreme missions.
And, if they are right, if to live is to lose things around us. What Should we do? Do we do as they say and focus only on things larger than us? Survive the Storm by detaching ourselves from the world around us?
...
I'll let the end of Chapter 2 present my counter-argument for me.
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payte · 2 months ago
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With their order placed, Stella turned to her friends and shared with them her ideas of expanding her tiny home.
Johnny: I think that's a great idea! We'd finally be able to hang out some place besides mine. The feud between Jill and Ripp is getting a little old.
Ripp: The little fire starter knows what she did.
Stella: I am afraid, though, that it will cost more simoleons than I can afford just by breeding frogs.
Ophelia: Wait, what?!
Ripp: Y’know, you could always get a job and save up.
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elizabethrobertajones · 3 months ago
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Still terrible at the new face bones (this didn't help much) so I decided I should at least practice with this post :P
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stealeroflemons · 2 years ago
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EAH MUSICAL #25 (PART II) BECAUSE I WANT IT SO BAD
Briar gets a song called "Party On" which sounds like it's supposed to be super fun and upbeat and about her being a party girl, but I want a Thronecoming moment, I want a raw moment of Briar calling out Apple while getting their dresses fitted about how
"I can't bear to just move on, 'Cause I'm just meant to party on"
(But imagine I actually know how to write songs, vibes are all I'm good at)
I want a dramatic duet between The Evil Queen and Snow White called "Let The Games Begin" with some jazzy showy feuding lines, but an overwhelming, almost doomed undertone, kind of like "The Plagues" from The Prince of Egypt (if you went to religous ed or sunday school you most likely watched that movie and or veggie tales)
I also want a song where it's all the teachers singing in a flashback of when they were banishing the Evil Queen to her mirror prison and it's all of them singing about everyone that's on the line if they don't succeed called "Mirror Mirror"
Adding on to that, The Evil Queen gets a "Mirror Mirror (Reprise)" number about how much she's been reformed since she was cast away, this would take place during Dragon Games when she manipulated Apple into keeping her mouth shut about her being free
And of course we have to have a number where it's all the bookball boys talking about winning the big game for Thronecoming and halfway through Cerise steps in about wanting to be on the team and they laugh it off a reject her
Then we get a part two to the previous number "Making The Team (Again)" where it's the boys begging for Cerise to help them before they get stomped on
(This idea comes from @krussy-reblog-blog thank you for responding to the previous post <3) Cerise also gets a solo where she tells Raven about her big family secret (when Kitty was going to out her secret to everyone) and how she's afraid of people knowing called "All Ears"
I also just want a number called "Jumpy" about Hopper trying to flirt with Briar and turning into a frog every. single. time. Like he's sabotaging himself spectacularly and Faybelle is snickering in the background, laughing her ass off
And if you think I'm not going to push my bribelle agender during pride month? oh honey, you've got a big storm coming
So we all know how Briar falls asleep in random places all the time because of her curse right? right. Well I want a song set probably during or after the events of Epic Winter where Briar and Faybelle are talking about the dream they both shared after being exposed to the spindle dust. In the beginning of the song is when Briar is sharing her fears about her future and her destiny and then partway through it switches to Faybelle singing about how she doesn't want to curse Briar, but at the end she realizes Briar fell asleep on her shoulder BECAUSE IT'S CUTE AND I SAID SO. The song will be called "Thorns and Roses" and it will be beautiful
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doueverwonder · 6 days ago
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seeing @louis--wifey talk about their texicali kids so much made me think about my indibama kids again so i'm posting them lol (mom is indy bc I am a femIndiana truther)
Mobile, 'Billy', 17, (he/him)
Typically very warm and friendly, and the top offender when it comes to passive-aggressively making people take care of themselves. Currently going through an aloof phase, he’ll get over it though. Has and has had, a lot of nonconventional pets over the years snakes, turtles, frogs, salamanders, a couple ant farms (fire ants once though he made sure his parents didn’t find out about that…). Locked in a lifelong feud with New Orleans over Mardis Gras (he also has a crush on her but the feud is more important >:[) 
Fort Wayne, 'Winnie', 14, (she/her)
Personality much like her namesake General “mad” Anthony Wayne. Her passion for just about everything she’s into isn’t always bad but she is very easy to rile up, very short fuse, regular in both the nurses and principals offices. Really much like Alabama, but somehow worse. Very passionate about the environment but in a very 14 yr old way, out here scolding her family members for things like not recycling and leaving the sink on while they brush their teeth. 
Huntsville, 'Hunt', 13, (she/her)
Loudest of the kids no competition, the child can scream and will not hesitate to do so. Usually just because she’s just so excited and can’t keep it all bottled up or she feels like she’s going to burst. Got her passion for mechanics from Indiana, but instead of getting into cars and developing a bordering unhealthy obsession with NASCAR like mom and dad went “you know what’s cooler than race cars? Spaceships!!” and it all was downhill from there. Definitely a Mathlete. 
Evansville, 'Evan', 12, (she/her)
The most mild of all the kids, not really loud and angry like dad, not really quiet and passive-aggressive like mom. She’s the mild salsa of people, and she is definitely happy that way. Very interested in medical fields, particularly the ones most people find the grossest, knows a lot of medicine history though mostly civil war and ww1. Walk away now if you don’t want to hear about the history of amputations and prosthetics. 
Tuscaloosa, 'Lucy', 11, (he/him) (twin)
The rough and tumble kid, much like Alabama when he was young. Stubborn and very opinionated. Wishes he was still the capital, often jealous that Montgomery gets to be it. Football is already his entire personality, wears nothing but Crimson Tide merch, and has played youth football since he was four. Regular in urgent care, not always for football related injuries because he is also just has dumbass as a personality trait. 
Montgomery, 'Monty', 11, (he/him) (twin)
Most quiet and anxious of the kids, much like Indiana when she was young, and also like his namesake General Richard Montgomery. Even already often wishes Tuscaloosa was still the capital just to not have to deal with the responsibility of it. Absolute history nerd, “did ya know-” could be his catchphrase with how often he walks up to any available family member to go on his latest ramble. Plays football too, but really hates it, too nervous to tell Alabama he doesn’t like it. 
Indianapolis, 'IJ', 11, (he/him) (Irish triplet)
How to kindly call an eleven year old a snobby, self-important, prick. Genuinely thinks he’s the center of the universe, not helped by the fact that he is in the dead center of Indiana. Has that previously mentioned bordering unhealthy obsession with NASCAR. He's also just so... annoyingly patriotic, but doesn't show it until you're too far in to the conversation to just walk away.
South Bend, 'Joey', 9, (they/them)
I mean this affectionately, they’re weird. You either die a weird little boy or live to see yourself become a weird nonbinary teenager. Car enthusiasts, but not specifically NASCAR like the majority of the family, just generally likes cars. While you studied the blade they were at antique car shows. Really close with good ol’ Uncle Michigan. 
Birmingham, 'Bee', 8, (he/him)
Greco-Roman myths nerd over here, never going to leave his PJO phase. That baby of the family privileges really make up half this guys personality, gets whatever he wants bc he's mamas baby boy. Not really relevant to his personality but he is a solid kid, v dense.
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isuckatwritingsobenice · 9 months ago
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Infernal Shadows 04.
Synopsis: Being one of the most powerful overlords in Hell, you like to keep up with colonies and overlord plans. Recently with the new extermination date out, you hold your annual gala sooner than usual. You hadn’t expected to get in the middle of the already heated feud between the Radio Demon and the head of Vox Tech.
Warnings: She/Her pronouns used for the reader, mentions of blood, voodoo?, Angel Dust being a horn-bag, Reader is referred too as Madame to the public. Vox and Alastor feud because I live for it, last part was a cliffhanger but here we are surviving :) Some background on Madame and I pray you guys get the reference with the name of the exorcist
A/N: I AM BACK FROM THE DEAD!!!! I finally got this out and I added to it so this is a longer chapter than anticipated. I’m so horribly sorry for taking forever to get this out, I had like so many reports to do for my job and this was just calling to me. I hope you guys didn’t forget this and if you did I totally don’t blame you. Not to fret though, I have big plans coming soon, and I’m pushing for longer chapters to keep you people fed. I love you all so so so much! Happy reading and thank you for being so patient and for all the kind messages I got! As for the taglist, I’m afraid it’s closed as of right now, just because I physically cannot tag anymore people on these posts, so I’ll try to figure something out with that!
Tags: @dollops-of-delusion @nebusokuxp @scrunchss @rosedasy @valluvz @chesstras @pishybowl @iaaeav @forgotten-blues @22carolina08 @roboticsuccubus83 @doflamingadonquixote @froggyferrets @frompeach @absurd-ash @sillysillyxinnabun @urdariingdoll @delectableworm @immahuman @justaproudslytherpuff @local-mr-frog @angeli-fucking-cat @coldsweetsenthusiast @jadekomaeda @coffeethoughtsandanxiety @lunalixya @lemonrolls @asimplikeallyall @only-cherry-blossom @sockgoblin @nxrdamp @1-800-no-users-left @l0ca1ax010t1 @inutheangel @reader-of-worlds @writing-fanics @random-person07 @ghostdoodlen @elaemae @fantasy-angelo @tanjirosworld @patchesofdreams @sunnyslug @reineurynome @scoliobean @arrozyfrijoles23 @kimmikreates @lqmons @amarokofficial @mangobango69
Word count: 5694
Navigation!! // Masterlist!! // Serendipity writes (event)!! // Part three // part five
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Charlie had almost jumped out of her seat upon seeing the excorsist by your side. The water spout collapsing quickly, water violently splashing all around. A crowd of ‘ooh’s and ah’s could be heard from the crowd as you finally revealed the exorcist to everyone, allowing the sinners around to get a better look at the pet with you. The exorcist next to you was a woman, who looked fairly young. Her wings were large, white feathers with a sheer hint of gold. Her skin was ghostly white, and her eyes were equally as pale, almost a ghost. she looked around quickly, turning in her spot on the ground next to you, where she was kneeling. Her wrists were bound by chains and she stood quickly, wings flaring out. Yet, amid the spectacle, Charlotte couldn't help but notice a flicker of sorrow in the exorcist's pale eyes.
You stood next to her calmly, playing the violin as she stood, flying off the ground and up the middle of the coliseum, flying as quickly as she good. Her long hair, white with golden streaks, flowing as she flew up. Before she could get out however, a long black chain appeared around her neck, pulling her backward quickly, choking her. Her eyes went wide, hand reaching out to the sky above, a silent reach for heaven, before her angelic body was pulled back into the floor of the coliseum, body hitting the hard ground with a loud thud, the floor cracking beneath her upon the impact. Black chains began to hold onto her legs, her chest and neck as she fought against it, the chains lifting her high enough in the air for the crowd to see, making a mockery out of her, out of the exorcists above.
Charlotte's eyes widened, mirroring the shock and disbelief etched across her face as she witnessed the angelic exorcist's dramatic entrance. Alastor, usually composed, betrayed a subtle flicker of concern, his stoic demeanor momentarily shaken.
As the exorcist's wings unfurled, the sheer beauty of her appearance contrasted sharply with the ominous chains that bound her. The crowd's collective gasp echoed, drowning out the earlier applause.
Alastor's grip on his opera glasses tightened, a silent acknowledgment of the unforeseen depth this performance had taken. The music continued, but now there was an undertone of tension, each note echoing the internal struggle of the exorcist. Just the way you had intended.
The audience's gasps turned into uneasy whispers. Charlotte glanced at Alastor, finding a mix of fascination and unease in his expression. His smile looked almost painful, like a touch to him would have him shatter on the spot. She was not used to seeing him this way. Something was oddly unsettling about having him next to her in this way.
“Should we be watching this?” Velvet leans over to ask Vox, sketch book long discarded. He says nothing, eyes blown wide as he takes in the sight before him. It wasn’t like he hadn’t ever seen an exorcist, but this sight was different in itself. You were basically manhandling an exorcist right in front of everyone. This was holy power you were messing with. Tauntingly, making a fool out of this poor innocent girl. Vox wasn’t sure if he was supposed to run away, tail between his legs, or sit and watch the way you had wanted. To obey or disobey, like a dog.
The song was finally at its peak, the angels wings spread to its full length as she fought to get away, thrashing about as she fought again the chains. Charlotte feels her own throat tighten, her heart feeling heavy.
“I can’t watch.” Charlotte said, standing and moving to take her leave, but a large shadow blocked her path.
“Madame requests that you stay here.” The shadow spoke. Charlotte was silent and though she wanted to argue, decided against it.
Amidst the tension, the atmosphere in the coliseum grew heavier, the ethereal music now echoing a dissonant melody. As the angelic exorcist continued her struggle, a figure emerged from the shadows – a mysterious character, their presence felt more than seen.
This enigmatic figure, shrouded in darkness, approached Charlotte with a whispered urgency. "You hold the key to her liberation," the voice murmured, barely audible over the haunting notes of the violin. "Will you break the chains or become a spectator to her demise?"
Charlotte, conflicted and sensing a greater responsibility, looked at the shadowy figure, determination flickering in her eyes. With a newfound resolve, she turned towards the restrained exorcist, seeking a way to intervene and unravel the unsettling performance that had taken a dark turn. The coliseum, once a mere stage for entertainment, now stood witness to a moral crossroads where choices weighed heavily on the hearts of those present, and it was definitely making Charlotte contemplate her whole reason for being here.
Alastor's sharp warning reverberates through the air, his stern tone emphasizing the gravity of the situation. "Interruption during Madame's performance is ill-advised, my dear. It is best not to meddle in affairs beyond your understanding." he cautions, a hint of a threat underlying his words.
Rosie, with a more nurturing but firm approach, guides Charlotte back to her seat. "It's not the time, hon. Madame's got her ways, and we don't want trouble. Just watch and let it play out," Rosie advises, her gaze mirroring a subtle concern for Charlotte's safety.
As Charlotte reluctantly takes her seat, the tension in the coliseum persists, the haunting music and the struggling exorcist creating an eerie symphony that held everyone in a state of suspense. The shadowy figure lingers, observing the unfolding drama with a watchful gaze, leaving an air of mystery and uncertainty in its wake.
The resounding crash echoes through the coliseum as the angelic exorcist succumbs to the relentless chains, her divine form colliding with the unforgiving ground. The spectators, now silent witnesses to the spectacle's unsettling conclusion, feel the vibrations of the impact reverberate through the arena.
The once-beautiful performance has transformed into a scene of somber defeat, the ethereal music now hauntingly melancholic. The shadows that enshrouded the coliseum seem to deepen, casting an eerie gloom over the aftermath.
The mysterious figure in the shadows maintains a watchful presence, its intentions still unclear as the audience processes the unsettling turn of events. The coliseum, leaving an indelible mark on the collective psyche of those who bore witness. As the ethereal music slowly fades to silence, the chains metamorphose into spectral figures, gracefully carrying the defeated angel away. The abrupt stillness in the coliseum feels eerie, the aftermath of the performance leaving the guests, including Charlotte, in a state of uneasy reflection.
The band, once vivid and lively, dissipates like wisps of smoke, leaving an empty stage behind. Madame, now standing alone in the center of the coliseum, is joined by the largest shadow, a looming presence beside her. The shadowy figure addresses the hushed audience, explaining that they will be escorted back to Madame's home for dinner. "Ladies and gentlemen, the next act awaits within the walls of Madame's mansion. Your journey through her realm has only just begun.”
The guests, still processing the unsettling performance, are ushered towards their tables with a sense of quiet trepidation. The coliseum, now devoid of the vibrant spectacle, transforms into a place of anticipation as the guests prepare for the next act in Madame's enigmatic domain. Charlotte, visibly shaken, moves among the disquieted crowd. Zestial stands out, his calm demeanor contrasting with the collective unease. His eyes reveal a depth of understanding, leaving Charlotte to wonder what he really thought of the performance. As they return to Madame's home, the charged atmosphere persists, leaving everyone to ponder what awaits them in the next act of this mysterious and haunting night.
The shadows lead those seated privately with Madame through a mysterious portal, transporting them to a large, black room. The windows, tinted black from floor to ceiling, create an otherworldly aura. Bowls of floating fire cast dancing shadows around the room, adding an element of mystique. In the center stands an impressive dining table, crafted from black wood with matching black chairs adorned with white cushions.
White plates with a gold lining are meticulously arranged, each bearing a name card. The order mirrors the sequence in which the guests were initially invited: Alastor, Vox, Charlie, Velvet, Zestial, Carmilla, and Rosie. Three empty seats capture attention, the most prominent being the grand and ornate chair at the head of the table – undoubtedly Madame's seat.
However, two other unoccupied chairs add a layer of intrigue. One is positioned across from Madame, and the other is to her right. Vox, leaning casually against the black dining table, raises an eyebrow as he scans the unoccupied chairs. "So, did Madame forget to send out a couple more invites, or did she just not bother finding anyone else worth inviting?" His tone, dripping with casual disdain, prompts an involuntary eye twitch from Alastor and a scoff from Carmilla. The room is momentarily tense as the guests settle into their seats, the air thick with unspoken tension and the promise of an unconventional dining.
The large shadow materializes behind Madame's chair the moment everyone takes their seats. It speaks with a commanding presence,
"Madame will be joining you shortly, ensuring the guests are properly situated in the main dining hall. For now, you may all start with the drink of your choice."
As the shadow's words linger, the room is filled with the appearance of various drinks, each guest's preference seemingly anticipated. The other shadows swiftly deliver the beverages before seamlessly vanishing from view. In their place, a small orchestra emerges from the darkest corners of the room, ready to weave a musical tapestry that will accompany the unfolding feast.
The atmosphere in the black room remains charged with a sense of anticipation, the guests left to wonder about the mysteries that await in Madame's unconventional and enigmatic domain.
The anticipation peaks as the celestial display unfolds outside the tinted windows. Stars twinkle in the vast darkness, and constellations take shape, transforming the black room into a cosmic spectacle. The guests, mesmerized by the celestial scene, exchange awed glances.
”Oh this is so beautiful.” Charlotte says, glancing around at the stars.
In the midst of this ethereal backdrop, Madame makes her grand entrance. A sweeping gust of shadow accompanies her, like a cloak billowing in an unseen breeze. She moves gracefully, her silhouette weaving through the darkness, and steps into the room with an air of an almost royal confidence.
Madame wears an elaborate gown that seems to absorb and reflect the celestial light. Its deep, dark hues shimmer with a glow, adorned with intricate patterns that evoke the mysteries of the night sky, certainly fitting her specticle. Her presence commands attention, and a hushed silence falls over the room as the guests turn their gaze towards her.
A soft, melodic hum emanates from Madame, resonating with the orchestral tunes. The shadows, now at her command, align to form a fleeting silhouette of wings that unfurl and then disappear into the darkness. She takes her seat at the grand table, her eyes gleaming with a haunting form of excitement.
As Madame takes her seat, the celestial display beyond the windows intensifies, casting a glow over the dining room. The shadows, now intricately woven into ethereal patterns, dance along the walls, adding to the surreal atmosphere. With a graceful gesture, Madame signals the waitstaff shadows to present the first course. Exquisite dishes are unveiled, each a culinary masterpiece designed to tantalize the senses. Alastor’s eyes light up as his favorite dish is revealed — Jambalaya. Rich and spicy, it perfectly captures his love for bold and vibrant flavors.
Vox, always one for extravagance, is presented with Sushi. Delicate sushi rolls arranged like musical notes create a visual and auditory delight, harmonizing with each flavorful bite. Meanwhile, Velvet savors the spicy noodles on her plate, a cosmic array of ingredients adorning handmade noodles, reflecting her love for adventurous flavors.
Charlotte’s palate is delighted with the Harmony of Garden Greens, a vibrant salad showcasing fresh and wholesome ingredients. Zestial’s preference for refined flavors is indulged with a nice tender steak. Carmilla indulges in an enchanting dark Chocolate Fondue, a decadent dessert that mirrors her taste for the luxurious. Rosie, captivated by sweetness and charm, enjoys a stellar Strawberry Shortcake, a heavenly creation adorned with edible flowers. Rosie was grateful Madame hadn’t served her limbs this evening, though the craving was very much there.
As the guests savor their feast, Vox, unable to resist his penchant for stirring conversation, attempts to broach the topic of the enigmatic exorcist from Madame's previous performance. "Madame, that exorcist bit was quite the show, don't you think? Who was she, and why the dramatics?" Vox inquires with his signature flair, a mischievous glint in his eyes. Though Alastor would never admit it, he was silently appreciative Vox was the one to voice the question. He knew Madame would have his head if he dared to ask. A large grin is displayed as he awaits Madame’s response. Knowing she is intolerant of being questioned on her decisions.
Madame, however, responds with a stern and unwavering gaze. "Vox, some matters are not for idle chatter. Rest assured, when the time is right, I will provide the explanation that is due." Her tone, though firm, carries a sense of ancient wisdom that tempers Vox's usual audacity. Alastor just grins to himself, happy she did not disappoint.
Carmilla, sensitive to the undercurrents of unease, feels a shiver down her spine. The cryptic response leaves her uneasy, but she keeps her feelings to herself. Madame's words hang in the air, a subtle reminder that there are depths to this realm that remain veiled. She is in control.
The aura intensifies as the orchestra weaves a haunting melody, adding an ethereal backdrop to the exchange. The guests, now caught in the delicate dance of shadows, flavors, and unspoken mysteries, await the unfolding of Madame's narrative. However, to their dismay, she leaves them empty handed.
The small orchestra adapts it’s tunes, complementing the dining room with melodies that resonate with the mysteries of Madame. The music sways between haunting and enchanting, guiding the guests through an experience that transcends the ordinary.
"I hope the food is to everyone's enjoyment," Madame remarks, her plate being set in front of her last. The guests, captivated by the transcendent feast, eagerly dig into their respective dishes. As the flavors unfold on their palates, a chorus of satisfaction fills the room.
“These are quite excellent.” Carmilla comments as she enjoys her meal. Madame only nods in response. Compliments flow freely from the guests to Madame and the shadows, expressions of delight escaping between bites. Alastor, savoring his Jambalaya, commends the bold and vibrant flavors.
The room resonates with the sounds of enjoyment, and Rosie, with the Strawberry Shortcake, receives nods of approval for the delightful sweetness. Madame, her strong composure unwavering, listens to the compliments with a hint of satisfaction. Everyone enjoys being praised.
As the melodies of the cosmos continue to weave through the air, the dining room becomes a mix of flavor and enchantment. The guests, immersed in the extraordinary experience, savor each moment, aware that this transcendent feast is not just a meal but the start to something haunting.
Things could not be peaceful forever though. Madame pushed back a bit and stood, immediately drawing everyone’s attention.
“I would like to thank you all for being such pleasant guests tonight. I do believe a lot has happened since the last extermination. I am aware you overlords, or the ones that had the decency to show up, are aware that we must do something to protect our souls. Which begs the question.” Madame stops, taking her time to look at everyone. “What do you plan to do when the exorcists come down here to kill you all?” She asks bluntly. Carmilla inhales sharply not saying much, which Zestial just sips a cup of tea, his usual. Alastor and Rosie exchange a glance, but before anyone can say anything, Vox interjects.
“Well Madame I think you’ll be pleased to know Vox-tech has been working on protection for the people and-“
“Do you really think a piece of technology will stop this?” Madame asks. Her eyes narrow at him, and Vox silently sinks into his seat. Madame sighs, her shadow pulling her chair farther back so she can walk around the table, to the empty seat across from her. “Since you all clearly have no clue what to do, I presume I’ll share my idea.” Madame says, before she snaps her fingers. In an instant, a large shadow, almost in the shape of a sphere, forms next to her. It’s whispy and hyperactive, almost alive, before it sinks to the ground. Slowly it’s fades away. The guests stand, wanting to get a closer look, before the shadow turns to fog, and falls away. There in it’s place is the exorcist from the coliseum.
“Madame-!” Carmilla says, but is met with a stern look from Madame.
“Something wrong?” She asked. A chain formed around the exorcists neck, one that wrapped around Madame’s hand. She holds it tight, like she’s holding a wild animal back. Velvet wonders if this is because she’s afraid, or excited.
“Go on. Speak.” Madame says to the girl next to her. She looks down at the ground, a bit bruised but shining brightly nevertheless.
“I do not wish-to fight.” The girl says, and Madame just smiles.
“Let her go.” Charlotte says. The overlords look at Charlotte with a surprised expression. Madame says nothing, and instead tilts her head to look at Charlotte.
“Let her go?” Madame repeats, and Charlotte nods.
“Yes. Let her go.” Charlotte says, suddenly feeling nervous. Madame doesn’t appear to be upset, which only confuses and makes Charlotte even more anxious.
“Very well then. Have it your way.” Madame says, dropping the chained leash. Suddenly, the exorcist flies up and lunges at Zestial, attacking him. The overlords all disperse, watching as he throws her off of him.
“No! Wait stop!” Charlotte says, trying to get the situation under control. Alastor’s eyes widen, and he grins, tentacles appearing from the ground quickly, attempting to scare her by attacking her wings. The moment his tentacle touches the feathers on her back, it burns, and Alastor pulls back immediately, seemingly confused. The room erupts in screams and chaos, Rosie attempting to get the exorcist away from her as she tries to kill her.
“My dear, you do realize the mess you’ve made, yes?” Alastor asks as he summons himself next to Madame. She stands by the windows, the starts casting an almost colorful display over her, making her seem ethereal. Madame nods.
“Well then maybe you should get Lilith’s pet under control.” Madame inquires. Alastor just grins, nodding before lifting her hand to kiss the back of it.
“Of course Madame.” He says, before fading into his shadow. Carmilla stands next to a tired Zestial, while Velvet and Vox stand on the dining table, holding onto each other for dear life, while Rosie takes to poking fun at the exorcist, who seems to only want to harm Charlotte at this point.
“You filthy girl-!” The exorcist cries, before she chokes, a black chain wrapping around her neck quickly, and pulling her back.
“Enough Evangeline.” Madame says sharply. At this, the exorcist grows quiet almost immediately. Charlotte is in tears and on the floor, Alastor picking her up by her underarms, setting her straight.
“This is why you be quiet.” Alastor whispered to Charlotte.
“Oh~ that was fun! Let’s do this again.” Rosie says delightfully. Madame just nods to her, an unreadable expression adorning her features.
“Yes, let’s.” Madame says, tugging Evangeline’s chain sharply. Evangeline stands, now looking a bit shorter than Madame, while Madame’s shadows remove Vox and Velvet from the dining table. Quickly, everything is back in order, as Madame ushers the guests to take their seats. Now, Evangeline sits at the head of the table, across from Madame.
“Everyone, this is Evangeline, my sister.”
“Sister?” Vox asks, shying away from the exorcist.
“Didn’t you hear her?” Velvet asks, nudging him with her elbow. He just nods, but says nothing.
“Yes. Sister. I’ve obtained her for one reason and that reason only.” Madame said, before Zestial interjected.
“What reason doth that be?” Zestial asks. Madame just smiles, with a snap of her fingers, Evangeline is turned around, wings sprawled out.
“To send a message of course.” Madame says. Before a paper is presented to all the guests.
“During the extermination I had the pleasure of speaking to Adam.”
”Wait Adam like, first man Adam?” Velvet asked, and Madame nods.
“Yes, him. He believes he can wipe us out fairly quickly. He said he’d be back for me specifically.” Madame said, looking out to the windows, before continuing. “So, I decided it would be best if we sent him a lovely letter. Charlotte,” Madame said, “I know you spoke to him recently. If he wants to come to your hotel, I believe it’s only right we make other areas just as much of a target.” Madame said, before Carmilla frowned.
”Why should we? Won’t that make us all targets?” Carmilla asked. Madame nodded.
“Yes, but with too many locations they’ll spread themselves thin.” Madame said.
“Why are we talking about this in front of her?” Rosie asked, pointing to Evangeline. “Won’t she just tell them what we’re planning?” Rosie asked. Madame shrugged.
”Possibly. I never said she was going back alive.” Madame said. “But this topic can wait. I’m ready for dessert.” She said, and suddenly shadows were back with all kinds of desserts in the middle of the table. Evangeline was now facing the rest of the guests, all who stared at her with a predatory gaze.
Y/n L/n was born in the year 1885, with her sister, Evangeline, arriving in 1887, just two years apart. Y/n was the eldest among her siblings, having two younger sisters and a younger brother. Sadly, the youngest sister passed away at the tender age of twelve, a victim to scarlet fever. Despite this tragedy, Evangeline remained the darling of the town, known for her innocence and beloved by all. Meanwhile, their brother Arthur matured at a quicker pace than Evangeline.
The family's prosperity stemmed from being victims of the Salem witch trials back in the 1600s. This dark history actually served as a catalyst, enabling their ancestors to establish a business that had been passed down through generations, making Y/n the rightful heir. Initially, the business catered to workers and provided scrubs, but Y/n had grander visions.
Under Y/n's leadership, the business transformed from producing simple workwear to crafting exquisite dresses, corsets, feathered hats, and other fashionable garments. These creations were designed to empower young women and elevate their sense of self-esteem, departing from the mundane work attire of the past.
As word spread of the boutique's exceptional offerings, affluent families began flocking to Y/n's establishment, seeking custom dresses and elegant accessories. Evangeline, always cheerful and accommodating, played a pivotal role in welcoming and attending to the guests while Y/n conducted business.
Despite the initial success and harmony, ominous clouds loomed on the horizon, signaling that peace and tranquility might not last forever.
Evangeline's heart fluttered whenever she was around Alexander, a charming and charismatic gentleman who frequented the boutique who was also from a wealthy family. Their budding romance seemed like a fairy tale at first, but little did Evangeline know, Alexander harbored hidden agendas. But Y/n could see it from a mile away. But alas, she let her younger sister be. She did not feel threatened by Alexander. To her, he was simply another walking wallet right into her arms.
As their relationship deepened, Alexander subtly planted seeds of doubt about Y/n in Evangeline's mind. He would gently question Y/n's decisions, pointing out areas where he believed Evangeline could excel if given more freedom.
"My darling Evangeline," Alexander would whisper, his voice dripping with honeyed words, "you're a diamond in the rough, waiting to shine. But Y/n's cautious approach is holding you back. Imagine what you could achieve with your own vision."
Evangeline, enamored and impressionable, began to see Y/n's protective actions as barriers to her dreams rather than safeguards for their family's legacy. Alexander's persuasive arguments fueled Evangeline's desire for independence and recognition.
"You deserve more than being just Y/n's shadow," Alexander would say, his eyes filled with feigned concern. "Don't let fear of failure hold you back. Take risks, Evangeline. Follow your heart."
Unaware of Alexander's ulterior motives, Evangeline started to view Y/n's guidance and decisions with skepticism. She began to prioritize her relationship with Alexander over the family's business, inadvertently straining her bond with Y/n.
As Alexander's influence grew, Evangeline's perception of Y/n shifted, painting Y/n as overly controlling and unsupportive of her aspirations. The once-close sisters found themselves on opposite ends, with Alexander's manipulative tactics driving a wedge between them.
Behind the facade of love and affection, Alexander manipulated Evangeline's emotions and perceptions, using her vulnerability to further his own agenda. The tangled web of romance and manipulation threatened to unravel the familial harmony Y/n had worked so hard to maintain.
One evening, as Evangeline sat in her room at the family estate, Alexander approached her with a concerned expression. "Evangeline, my love," he began, "I've noticed something troubling about Y/n's management of the business. It seems she's keeping you in the dark about important decisions."
Evangeline furrowed her brow, surprised by Alexander's revelation. "What do you mean?" she asked, her voice tinged with uncertainty.
Alexander leaned in, his voice lowering conspiratorially. "I've heard whispers among the staff," he confided, "about Y/n making decisions behind your back, as if she doesn't trust you with the business's future. You deserve to have a voice, Evangeline. You shouldn't be kept in the dark."
Doubt crept into Evangeline's mind as she pondered Alexander's words. She had always trusted Y/n implicitly, but Alexander's claims sowed seeds of suspicion and resentment. "But Y/n has always had our family's best interests at heart," Evangeline countered weakly.
"Of course, my dear," Alexander reassured her, his tone soothing. "But perhaps Y/n fears that your ideas and vision might outshine hers. You're more than capable, Evangeline. Don't let anyone keep you from realizing your full potential."
In the following days, Alexander's subtle manipulation and peer pressure intensified. He highlighted instances where Y/n had made decisions without consulting Evangeline, portraying Y/n as controlling and domineering. "You're the future of this business, Evangeline," he would say, planting seeds of ambition and discord.
Fueled by Alexander's influence, Evangeline confronted Y/n during a heated family meeting about the business's direction. "Why are you keeping me in the dark, Y/n?" Evangeline demanded, her voice trembling with emotion. "I deserve to be involved in every decision!"
Y/n, taken aback by Evangeline's sudden hostility, tried to explain. "Evangeline, I've always valued your input, but some decisions require swift action. I never intended to keep you in the dark." Y/n would say sternly, trying to keep her composure.
But Alexander's words echoed in Evangeline's mind, clouding her judgment and fueling her resolve to assert herself in the business. The once-unbreakable bond between the sisters fractured under the weight of manipulation and misunderstandings, orchestrated by Alexander's cunning tactics.
Evangline’s eyes sparkled with excitement as she and Alexander stood before Y/n, their announcement hanging in the air like a storm about to break.
“We’re engaged, Y/n,” Evangeline exclaimed, her voice filled with joy. “And we believe it’s time for me to take over the business. After all, I’ll be married soon and would want to pass it down to our children someday.”
Y/n’s eyes widened in disbelief as Evangeline and Alexander stood before her, their engagement bombshell hanging heavily in the air. The room fell silent as Y/n processed the news, her shock palpable.
“You’re getting engaged without even discussing it with me first?” Y/n’s voice cracked with incredulity, her tone carrying a mix of surprise and hurt.
Evangeline, caught off guard by Y/n’s reaction, tried to explain. “Y/n, we thought you would be happy for us,” she said, her voice tinged with disappointment.
But Y/n’s shock quickly turned into frustration and anger. “Happy for you?” Y/n’s tone sharpened, her words laced with bitterness. “How can I be happy when you’re making decisions that affect our entire family without even consulting me?”
Evangeline’s expression faltered, her eyes filling with tears. “But Y/n, I love Alexander, and we want to build a future together,” she pleaded.
Y/n’s emotions boiled over, her hurt turning into harsh words aimed at Evangeline. “Love blinds you, Evangeline,” Y/n snapped, her voice rising. “You’re being manipulated, and you don’t even see it!”
Evangeline’s tears spilled over as Y/n’s words hit home. “I’m not being manipulated, Y/n,” she protested, her voice trembling.
But Y/n’s frustration didn’t stop there. Her gaze turned to Alexander, her tone dripping with disdain. “And you,” Y/n directed her anger at him, “using Evangeline to get to our family fortune, shamelessly preying on her innocence and trust.”
Alexander’s facade of charm faltered for a moment, his expression betraying a hint of unease. “I assure you, Y/n, my intentions are genuine,” he tried to placate her.
But Y/n wasn’t buying it. “Genuine? You’re nothing but a leech, Alexander,” Y/n’s words cut through the tension, her anger simmering beneath the surface. “I won’t let you manipulate our family for your selfish gain.”
As the tension escalates during the argument, Evangeline turns to Y/n, her eyes filled with confusion and hurt. “What do you mean, Y/n?” she asks, her voice trembling with emotion.
Y/n’s expression hardens, her resolve firm as she faces Evangeline. “The whole family can see it, Evangeline,” Y/n’s tone is resolute, her words cutting through the air. “Alexander is just after our money, and he’s using you to get to it.”
Evangeline’s eyes widen in shock, disbelief evident on her face. “No, that’s not true,” she protests, her voice tinged with desperation.
But Y/n doesn’t back down. “Open your eyes, Evangeline,” Y/n urges, her voice filled with urgency. “He drove Arthur away from you, manipulated him to keep you to himself. He’s tearing our family apart for his own selfish motives.”
The weight of Y/n’s words hangs heavily in the air, the truth of the situation sinking in for Evangeline amidst the chaos of emotions and accusations.
In response to Y/n’s accusations, Alexander turns to Evangeline with a dismissive smirk, his tone dripping with condescension. “Evangeline, Y/n is lying,” he asserts confidently. “She’s never been in love, so she wouldn’t even know what she’s talking about.”
Evangeline, torn between her trust in Alexander and the unsettling doubts planted by Y/n’s words, looks to him for reassurance. “But Alexander, I love you,” she insists, her voice wavering with uncertainty.
Alexander’s charm kicks into full gear as he takes Evangeline’s hand, his gaze filled with faux affection. “And I love you, my dear,” he replies smoothly. “Don’t let Y/n’s jealousy and lies cloud your judgment. We have a future together, away from all this drama.”
As the tension reaches its peak, Y/n’s resolve remains unyielding as she delivers a stark ultimatum to Evangeline. “If you choose to marry him, Evangeline, I will never speak to you again,” Y/n’s voice is firm, her words carrying the weight of finality. “You will be disowned from the family and removed from the business entirely.”
Evangeline’s eyes widen in shock and hurt, her voice barely above a whisper as she asks, “Why are you doing this to me, Y/n?”
Y/n’s expression softens for a moment, but her determination doesn’t waver. “I’m thinking of the family business, Evangeline,” Y/n’s tone is unwavering, her words laced with a mix of sadness and pragmatism. “I’m thinking of what will benefit us, not silly emotions like love that can be manipulated and used against us.”
The gravity of Y/n’s decision hangs heavily in the air, the rift between the sisters widening as Evangeline grapples with the harsh reality of Y/n’s ultimatum.
Evangeline's voice trembles with a mix of defiance and sorrow as she tells Y/n, "I'm going to marry Alexander anyway, Y/n." Her eyes reflect a sense of resignation, knowing the rift her decision will create between her and her sister.
Y/n receives the wedding invitation in the mail, her heart heavy as she reads Evangeline's words inviting them to the wedding. Despite the hurt in Evangeline's voice, Y/n remains steadfast in her decision not to attend, unwilling to condone a union she strongly opposes. This choice further deepens the rift between the sisters, leaving Evangeline feeling the pain of their absence on her special day.
“You don’t need her anyway.” Alexander says to Evangeline when she tells him how hurt she was her sibling did not show up.
In 1901, tragedy strikes as Evangeline dies during childbirth. The funeral is held, and Y/n, Arthur, and Evangeline’s only child, a son, attend. However, Alexander chooses not to attend and sends his son with the nanny instead. Y/n isn’t surprised, but she did debate going to their estate to tell Alexander how much of a horrible husband he was.
In 1915, Y/n tragically dies from poisoning due to alcohol. The family faces yet another loss, marking the end of an era filled with turmoil and strained relationships. Arthur is the last sibling left, the head of the business, and serves out his life fulfilling Y/n’s visions, making her the face of the family name forever.
“You always did only worry about yourself.” Evangeline thought to herself as she began her dessert.
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yuan4i · 1 year ago
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02. matcha frog cookies
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ANGEL EYES ✿ prev ❀ masterlist ❀ next
lyney x reader SYNOPSIS you’re at a bar, drinking your heart out after another having a feud with your boyfriend of 2 years. you later stop at your friend’s house to stay the night but… the one who opens the door isn’t her but instead, her brother…?
notes : i know the texts between scuffed seem really scuffed and short... that's because it is 😞😞 it was supposed to be about 3 photos long but due to the 10 photos limit i had to shorten it :c
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sapphia · 2 years ago
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after four seasons, this alliances/friendship web is getting really complicated.
the mean gills:
internally are two friends from previous smps with similar gamestyles who are both very loyal to their teammates
have a strong alliance with the clockers because cleo is in charge of them and cleo and scott were soulmates by choice in the third season.
have no official alliance with the bad boys and have periods of hostility, but this is complicated by the fact that scott and jimmy were "married" in the first season and scott's been chasing jimmy ever since (hence why scott gives jimmy a life), and also by the fact that joel loves hunting scott no matter the series for some reason.
have no alliance with the ties but scott is on good terms with several of them due to being generally pleasant, while martyn is on bad terms with several of them due to being generally sneaky and also killing a few of them
had an alliance with the nosy neighbours that was blown up seemingly randomly when pearl stole their enchanting table, but pearl and scott had been partners in season 2 and then scott had refused to partner with her in season 3 when they were soulmates (martin had also abandoned her rather than teaming up).
the bad boys
internally, they are three very good friends who've known each other for a long time and have a very established dynamic. you would think this makes them a stronger team but unfortunately this makes them very themselves around each other - jimmy becomes very pathetic, joel becomes very reckless, and grian sets about creating as much discord and drama as humanly possible, including trying to start several unsuccessful coups within the group itself for seemingly little reason
have an alliance with (and are "cousins" to) the clockers, with the only previous link between the groups being grian and scar, who were partners in season 1 and soulmate partners in season 3. they work well together in a team and both like to create chaos, but grian seems to resent being "tied to" scar across the seasons (he was protecting scar because he killed him in season 1 and unwillingly soul-bound in season 3, when he 'cheated' on scar). so even though they have a lot of interaction and seem to get on most of the time, grian would rather go out of his way to avoid teaming with scar or working with him too much
have been technically enemies this season with the nosy neighbours because jimmy decided to go apeshit over a frog, but joel and grian didn't actually care about this feud. grian also was previously bigb's "secret soulmate" in season 3/double life, but given the intense partnerships, this didn't actually amount to them spending any time together and grian has largely ignored him this season until randomly forming an alliance with him after the rest of the bad boys died
ties
internally they are old friends who've worked together in varying capacities for a number of years and have been in alliances and teams with each other before. because they've mostly worked with each other rather than with a lot of other people on the server, they don't have strong alliances outside of the group but are very cohesive internally and work together well (barring etho, who is a conundrum)
are enemies with the clockers except for etho, who is the clocker's dad in their roleplay set-up although he is now currently at war with scar and cleo. this seems totally nonsensical at first, but etho and bdubs have what is best described as a "thing" where they seem to always need to be allied with each other even when it doesn't really make sense. like for example in season 3 when they had different soulmates, and in this season where etho has spent multiple episodes roleplaying families with a team where all the members other than bdubz are actively trying to kill him on sight
some of the team have teamed up with some of bad boys before in large groups, and joel/etho and tango/jimmy were soulmates in double life but with minimal effect on this season's dynamics
some of the team have previously allied/teamed with bigb
clockers
are team members all from the hermitcraft server where they've known each other for a while. cleo and bdubs have been teammates before.
are controlled by cleo who is in charge, so largely her previous relationships are their previous relationships - they have animosity with the nosey neighbours because bigb betrayed her in season 2 and animosity with pearl because of the tension in the divorce arc from double life when cleo teamed up with her soulmate.
cleo and etho have always had a strange relationship. cleo and etho are both... intimidating, though for different reasons. over the entirety of the life smp, cleo has always held that etho was overrated skill-wise (perhaps correctly) as a danger on the life SMP, and seemingly in response etho treated cleo as though she scared him, which might have been to make it seem to others like cleo didn't rate him because she was good rather than because he was bad. this largely worked for three seasons: however, this house of cards seems to finally have come tumbling down in limited life, where etho being washed up has become a server-wide joke.
and that's what you missed on glee...
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cod-dump · 2 years ago
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Please excuse all this, it came to me in a fever dream: 141 (Ghost, Soap, Gaz, Alex, and Phara) vs KorTac (Konig, Horangi, Hutch, Stiletto, and Oni) Family Feud, but it’s all failed answers from that one funny game show comp.
—..—
Price: Name a yellow fruit.
Soap: Orange…
Soap: Shite. I fucked that up.
—..—
Price: We asked 100 people, what is something you won’t try, not even once?
Gaz: Sex on a helicopter.
Price: Sex on a helicopter? No! Funnily enough, the surveyed people didn’t come up with that one!
—..—
Price: Name something that can kill a lively party.
Ghost: A gun.
—..—
Price: Name something a man has that he’d be upset if someone else used it?
Phara: How about his jockstrap?
—..—
Price: Name something that follows the word pork.
Hutch: -upine
Price: Huh?
Hutch: -upine!
Oni and Horangi: GOOD ANSWER! GOOD ANSWER!
—..—
Price: Name something London is famous for.
Oni: I’m thinking pasta…
—..—
Price: Name a question such as ‘How old are you-
Stiletto: *buzzes in an interrupts with a gasp* Eighteen
Price: Eighteen? No.
Stiletto: I’m not eighteen…
Price: You’re not? You could’ve fooled me. Just a second, I’m gonna finish the question. Name a question such as ‘How old are you’ that you might answer with a lie.
Alex: I would say 25? Did I understand it right?
Price: No. I’ll continue down the line. Name another sort of question that you might lie about?
Konig: I would say I’m 39!
—..—
KorTac wins and makes it to the lightning round. They send out Konig and Horangi.
Price: *Going over Horangi’s answers* Name an animal with three letters in its name and you said frog. Our survey said zero. Two people would’ve had to say that. Next, something that comes with a summer storm. You gave me the answer, snow… Our survey said zero
Price: *Bringing out Konig* Let’s remind everyone of Horangi’s shame. Answers on the board, 20 seconds on the clock. Name an animal with three letters in its name.
Konig: Alligator.
—..—
Bonus Nik
Price: You’re a man of the world. You’ve traveled all over. Name something Russia’s famous for, Nik.
Nik: Russians.
These are so fucking funny
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