#frederiksberg records
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Ray Ragnhild Adams - Allande - Frederiksberg Records reissue of 1997 tape-only release from Sweden, an adventurous one-woman bedroom pop album that would have been at home on Crammed Discs
Ray Ragnhild Adams wrote and recorded Allande, her only solo album, in 1997. It was conceived while she was living and working in Torna Hällestad, a small town in southern Sweden. It was later recorded in a small studio in Malmö and privately released in a tiny run of cassette tapes. On the eleven tracks that make up Allande, Ray combines strong vocals, polyrhythmics, sensitive chord progressions and non-Western scales and rhythms to deliver a personal and relevant musical experience. Among the instruments featured are a Yamaha DX7 synthesizer, a homemade polymer transverse flute and a full- size Paraguayan harp. As she recalls, her earliest musical influences include African rhythm and song and early R&B, music that her mother enjoyed, and Ray absorbed it all. She was drawn to music and found solace in it. It became a platform for her own expression, as she would improvise on piano and rhythm instruments at an early age. Text & musik Ray Ragnhild Adams med röst / synt / harpa / flöjt och rytm
#Ray Ragnhild Adams#female vocal#singer songwriter#sweden#90s#1997#Frederiksberg Records#dream pop#world music#fourth world#electronic#jazz#soul#Bandcamp
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Co w jazzie piszczy [sezon 2 odcinek 34]
premierowa emisja 25 września 2024 – 18:00 Graliśmy: Alice Zawadzki, Fred Thomas. Misha Mullov-Abbado „Nani Nani” z albumu „Za górami” – ECM Recrods Kiko Dinucci & Luise Volkmann „Exname [Radio Edit]” z albumu „Exname” Nora Benamara „Amnesia” z albumu “Amnesia. Jazz Thing Next Generation Vol. 104” – Double Moon Records Blaly “Nystalgi” _ z albumu “Nystalgi” – April Records Anders Malta…
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#Aino Juutilainenen#AINON#Al Foster#Alice Zawadzki#Anders Malta#Anders Malta Almost Big Band#April Records#Asher Gamedze#Blaly#Chris Tordini#Co w jazzie piszczy#Dan Weiss#Double Moon Records#ECM Records#Franco D’Andrea#Fred Thomas#Frederiksberg Records#Gabriele Evangelista#Giovanni Falzone#International Anthem#Jazz Thing Next Generation#Jerome Sabbagh#Jessica Ackerley#Joe Martin#Kiko Dinucci#Luise Volkmann#Matt Mitchell#Miel Music#Miguel Zenon#Misha Mullov-Abbado
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Danish Royal Family - King Frederik X, sailing to Fredericia on the Royal Yacht Dannebrog this morning, will take part in the Royal Run on arrival. HM will run again in Aarhus this afternoon and in Copenhagen this evening (Photo by Det Danske Kongehus) | May 20, 2024
"In a moment I will start a fantastic Royal Run-day in Fredericia. I've been looking forward to it a lot, and again this year the support is incredibly nice from all sides 👏 With over 95.000 registered we have set a record at this year's race. My family and I are looking forward to meeting you in Fredericia, Aarhus, Brønderslev, Kalundborg and Copenhagen/Frederiksberg. Happy Royal Run Day!" - King Frederik X
#royaltyedit#theroyalsandi#frederik x#king frederik x of denmark#king of denmark#danish royal family#my edit
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“Alvilda Roe” (Denmark 1961–1969)
In 1970, the Department of Gynaecology and Obstetrics at Frederiksberg Hospital published a study on the statistics and effects of “therapeutic” legal abortions. “Alvilda” was one of three women whose deaths were recorded in the data.
Sometime between 1961 and 1969, Alvilda underwent a saline abortion. She contracted sepsis and died of septic shock.
The saline abortion method was highly dangerous. No matter how the law or the university classified it, the fatal procedure was inherently hazardous, not “therapeutic.”
Others killed by saline abortion include Linda Boom, Christella Marie Forte, Kathryn Strong, Cheryl Tubbs, Jackie Bailey, Lynn McNair, Gwendolyn Drummer, Twila Coulter, Angel Dardie, Carmen Rodriguez, Nathalie Meyers, Barbara Riley, Elizabeth Tsuji, Beverly Agnes, Francesca Sardina, “Molly” (USA 1975), “Becky” (USA 1971), “Emmeline” (UK 1967), “Emelia” (UK 1966), “Elizabeth” (1966), “Lana” (USA 1973), “Lexi” (USA 1970), “Lori” (USA 1970), “Lottie” (USA 1970), “Jenny” (UK 1971), “Melissa” (USA 1992), “Malorie” (USA 1974), “Wendy” (USA 1972), “Abigail” (USA 1971), “Phyllis” (USA ~1971), “Trinity” (USA ~1975), “Coral” (USA 1971), “Chryssie” (USA 1975), “Nancy” (USA 1972), “Erica” (USA 1974), “Anita” (USA 1971), “Vicki” (USA 1971), “Beth” (USA 1971), “April” (USA 1971), “Sara” (USA 1972), “Barbara” (USA 1971), “Beatrice” (USA, year unspecified), “Christi” (1972), “Erica” (1974), “Ellen” (1974), “Eleanor” (USA 1973), “Melanie” (1979), “Martha” (1973), “Willow” (1983), “Meredith” (1979), “Sheila” (USA ~1971), “Jade” (USA 1973), “Raiza” (Yugoslavia ~1969), and “Sierra” (country of death unspecified).
https://obgyn.onlinelibrary.wiley.com/doi/abs/10.1002/j.1879-3479.1970.tb00305.x
https://www.semanticscholar.org/paper/Complications-to-Therapeutic-Abortions-Olsen-Nielsen/f9a568dac4ed6222db7a114c12e47cc5531ec790
https://archive.org/details/sim_lying-in_1972-02_8_2/page/68/mode/1up?view=theater
#tw abortion#pro life#pre roe legal#unsafe yet legal#tw ab*rtion#abortion is not healthcare#tw murder#abortion#abortion debate#death from legal abortion#unidentified victim
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HAMSI Boubeker’s ode to freedom, peace and brotherhood, ‘Le Chant Des Profondeurs’, gets a welcome reissue. Despite absorbing jazz, Irish and Breton folk traditions into its sound, this fantastic Berber-influenced music remains true to itself. This blend of styles, moods, and surprises produces a warm and musically exciting experience. You owe it to yourself to check it out! Another impressive reissue from Frederiksberg Records.
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I was working on my radioshow, and it suddenly dawned on me that I totally forgot about this Ethopian band from Washington DC and I forgot their name so I went on a whole quest recalling sites like Ghost Capital, and Aquarium Drunkard, who made music like this a major part of my musical diet in the Mid-2000's. Now we are in this glut of fairly awful vinyl reissue world that's driven by capitalism and not a love of music and the evil corporate overlords are buying out Bandcamp so only god knows if good music journalism will still be a thing.
Hopefully you enjoy reading through the ghost capital blogspot a joyous link reminding me of a pretty interesting time of music discovery. Make sure you check out my Mixcloud here and my weekly radio show here.
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very nice man from Frederiksberg sold me BRAMD NEW MICROCASSETTES for 150 kroner so now I can record shit on my Working Microcassette Recorder hell yea
#old tech#RRAGH I FUCKING LOVE ANALOGUE TECHNOLOGY#I LOVE CLUNKY AND CONFUSING OUTDATED ELECTRONICS#IT GOES CACHINK WHEN I HIT THE EJECT BUTTON RRAGHAGHH#YESSSS AHAHAHA#2001 IS BACK BABYYY#FUCK YES#OLYMPUS PEARLCORDER S701#I HAAVE SIGNIFICANTLY DECREASED THE VALUE OF THESE TAPES BY OPENING THE PACKAGING OF THEM#NO THRIFT STORE IS SAFE I WILL BUY SO MUCH ELECTRONICS#cool beans#:)
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in copenhagen right now. any suggestions !?
OMG WELCOME!! you should definitely go to sex beat records and black no 1, those are like the only alt stores here. boghallen and arnold busck are the best bookstores ever. go to bastard cafe or husets biograf for a fun time. and if youre here saturday go to frederiksberg loppetorv, my fav flea market ever🖤🖤 also glyptoteket is a great museum!! and lidkøb østerbro is an amazing indoor flea market
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Ole Knudsen: Det Handler Om Kærlighed / Karin Liungman: I Denna Magiska Tid
Founded in New York by Danish video journalist Andreas Vingaard, Frederiksberg Records is responsible for one of our favorite jazz reissues of 2015, Carsten Meinert’s 1969 LP, To You. As such, we make a point to check in on the label’s doings from time to time. Stylistically varied, yet always consistent in their output and approach, our latest pass yielded a pair of digital only reissues released earlier this summer, Karin Liungman’s I Denna Magiska Tid, and Ole Knudsen’s Det Handler Om Kærlighed.
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SKAM Denmark Info Post
Hello!
If you don’t know me, my name is Jess and it is very nice to meet you. I am American, not Danish, and if there are Danish people or other people who want to add to this post then feel free. I’m making this post because, on occasion, I include SKAM Denmark into my edits of evak parallels. Each and every time this happens, my notifications are bombarded with questions asking what is Skam Denmark, how come they’ve never heard of it, where can they watch it, etc. This is totally fine and expected because up until like a year ago I also was unaware of its existence. I decided to make this post to answer some questions about it and provide a bit of background information.
What is SKAM Denmark?
It is the live theatrical version of SKAM (the original). It is not a danish version of skam, but I believe the show is performed in Danish. The story is the same and even the character names are the same (apart from Isaac instead of Isak). It is a one-act play and each “season” gets its own production. They are referred to as SKAM 1, SKAM 2, etc. So SKAM 1 is a one-act play that ran for some months, and then they ran SKAM 2, and SKAM 3. SKAM 4 has yet to run and is scheduled to open in 2020. The characters do not have social media, and this is not aired on television.
Cool! Where is it performed?
Aveny-T theater in Frederiksberg, Denmark
Is there a recording of the play or a bootleg we can watch?
Nope. None that I am aware of (and yes I did search).
So where did you get the photos you’ve been using?
I’ve been using the promotional photos taken to advertise the play. NOT screenshots from a recording. However, if it ever comes to my attention that a recording is available, professional or otherwise, you all will be the first to know I promise (I can’t just keep that info to myself I literally want you all to watch and scream with me).
Wait, then how do they do the days of the week and clips?
They don’t. They go by months of the year.
Is there at least a trailer we can watch?
They have trailers for SKAM 1 and SKAM 2, SKAM 3 only has promo photos :(
Here is another video talking about SKAM 2
Sources
https://www.aveny-t.dk/
https://skam.fandom.com/wiki/Skam_(Danish_play)
https://www.aveny-t.dk/images/UNDERVISNINGSMATERIALE__SKAM3.pdf
More Photos
#skam#skam denmark#my edit#hope this helps!!#evak#skam france#druck#crosstagging to spread the word sorry#wtfock#skam españa#skam italia
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Milt Ward & Virgo Spectrum - official reissue of 1977 private-press jazz LP (Frederiskberg Records)
It seemed trumpeter/composer Milton Ward had all he needed for a breakthrough in the world of contemporary jazz in the late 1970s. Blessed with a beautiful trumpet tone and an impressive work ethic, Ward found a home in Boston’s exploding soul and jazz scenes of the early 1970s. His star never joined the constellation of jazz luminaries, but Ward did leave one fantastic album of spiritual jazz that has become a collectors’ favorite: Milt Ward and Virgo Spectrum. Frederiksberg Records is proud to present the first and only authorized reissue of this funky jazz classic. The release includes remastered tracks from the original LP along with in-depth liner notes that provide a detailed account of Ward’s journey from his early years discovering music in the South to his toils finding a hold in the music business in Boston and New York City. Born in Michigan but raised in New Orleans, Ward came up through the Crescent City’s legendary musical education system. After a stint in the Air Force, Ward and his friend Stanton Davis (of Ghetto/Mysticism fame) looked to the Berklee College of Music in Boston for the next step in their development. Immediately, the two were immersed in Boston’s busy music scene, finding trumpet chairs in Herschel Dwellingham’s Orchestra at the Sugar Shack, where they backed up many of the day’s soul greats. Ward worked with many up-and-coming musicians emerging from Berklee’s nurturing arms. He recruited many to his projects, including his Ultra Modern Quintet Plus Two, which played regularly around Boston in the early 1970s. It was in the mid-1970s that Ward took it upon himself and his entrepreneurial spirit to start his own record label, Twin Quest, and record his stand-alone release. Milt Ward and Virgo Spectrum brought together great young musicians who would quickly make names for themselves within the jazz world, including keyboard wizard Delmar Brown and future Jazz Messenger saxophonist Billy Pierce. Saxophonist/flutist Eddie Alex is a standout, as is baritone saxophonist Glenn Barbour, who soon would head to Atlanta to join The Whole Darn Family. Percussionist Ignacio Mena, bassist Cucho Martinez, and drummer Hugh Petersen all hailed from farther south: Chile, Venezuela, and St. Croix, respectively. The recording also incorporated two bona fide New York jazz masters and veterans of the spiritual jazz movement, bassist Cecil McBee and saxophonist Carlos Garnett. The recording still stands as a hallmark to the creative music scene of Boston and New York City when soul and funk began to emmesh themselves in jazz. Milton Ward’s Milt Ward and Virgo Spectrum remains a youthfully vibrant recording that is ripe for rediscovery by a new generation of explorative listeners. Alto Saxophone, Flute – Eddie Alex Baritone Saxophone – Glenn Barbour Bass – Cecil McBee Drums – Hugh Peterson Electric Bass [Fender] – Coucho Martinez Electric Piano, Piano, Synthesizer – Delmar Brown Illustration, Art Direction – J.M. Wilson Percussion – Ignacio Mena Photography By – Harold Emerson Tenor Saxophone – Carlos Garnett Tenor Saxophone, Soprano Saxophone – Bill Pierce Trumpet, Flugelhorn, Liner Notes – Milt Ward Reissue Credits: Liner notes: Bret Sjerven Remastering: Greg Reierson Graphic Design: Javi Bayo Pressed at Pallas, Germany Special Thanks: Takayuki Fujikawa Under Exclusive License from Milt Ward’s Estate Produced for Reissue by Andreas Vingaard
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SOUND ARCHIVE
Listen to the collage of sounds from Live Release, a listening convergence here: https://soundcloud.com/thelakeradio
LIVE STREAMING:
Join people from around the world for a global listening convergence - 4,5 hours of sonic reflections from 21 countries on the past months during a global pandemic. We consider listening to be a radical act of care, convergence and border crossing, intended to spark a sense of connectedness in a time of isolation, fear, and rising nationalism. From Egypt, Iran, Russia, Japan, Turkey, US, Argentina, Sweden, Denmark, Netherlands, Canada, Mexico, Chile, Greece, France, Finland, Norway, Belgium, Spain, Italy and Germany (21 countries in all!) Streamed live May 25th 2020 from 14:00 CET (Central European Time) until 21:00 pm CET (on loop) It will be aired on the Lake Radio: http://thelakeradio.com Later it will be stored here: https://soundcloud.com/thelakeradio/live-release-a-listening-convergence
CONTRIBUTORS (by recording or production date): 04032020, Hanna Wildow och Johan Wahlberg, voice by Sara Haylett-Utberg, Elektronmusikstudion EMS, Söder Mälarstrand 61, Gränseskogen nature reservoir (previous field recording), Stockholm, Sweden, Guldsmedshyttan, Sweden, ‘and–akt (breath/spirit act)’, 3:09 15032020, Victoria Keddie, East Broadway Subway station (day lockdown started), NYC, NY, USA, ‘Empty Escalator on East Broadway’, 1:02 27032020, Maria Lepistö, Bispebjerg Kirkegård, Copenhagen, Denmark, “To Boyeo, 3:23. 27032020, Rune Palving, Frederiksberg Centeret, København, Danmark, ‘Desolated Frederiksberg Centeret’, 2:47 01042020, Carry Fucile, Inside and outside my house, Baltimore, Maryland, USA, ‘Inside, outside, upside down’, 3:11 01042020, Erica Muniz, Nordvest, Copenhagen, Denmark, ‘Antiwar song’, 04:36 04042020, Sofie Kragh-Müller, Copenhagen, ‘Speech from the people’, 6:53 04042020, Ylang Ylang, Montreal, Canada, 2:09 06042020, Morten Poulsen, 6th of April 2020, recorded through my apartment window in Østerbro, Copenhagen, ‘party 6th of April 2020’, 7:26. 07042020, Maria Lepistö, Around my home at Tomgårdsvej 92 and down the street towards Netto (Tomgårdsvej 15), inside Netto, and inside my room, Copenhagen, Denmark, To Agne’, 6:12. 08042020, Solarcher, balcony in Rotterdam, Netherlands, 10 minutes. 10042020, Ebrahim Mousavi, Ramsar (my home), Rmsar, Mazandaran, Iran ‘Shabaneh’, 2:18 10042020, Rune Palving, Vejby, Nordsjælland, Danmark, ‘Short distance exile’, 4:37 10042020, Naghmeh saberi, 10 april 7pm, Shahmirzad, Semnan, Iran, ‘Walking arounds’, 00:32 11042020, Amir Mohammad Tajmehri, Iran, 2:39 12042020, Emily CD, on my front porch, outside of San Miguel de Allende, Mexico, ‘my son reading an instruction manual’, 2:07 13042020, Renato Ortiz Sandivari Chi, Valparazzo, Chile, 3:42 14042020, Ayako Kataoka, Pier Park Skatepark, St. Johns, Portland, OR. Natural reverb from the site and inside of a full pipe USA, 4:41 16042020, Kirstine Lindemann, before going to bed, My bedroom, Copenhagen N/Korsør, Denmark, ‘Each day’, The work consists of recordings of my breath and the date of the day recorded each night from the first day of the lock down until April 24th as a type of bodily audio diary, 2:07 17042020, Andreas Oxenvad, Birkerød, Danmark, 3.05 17042020, Kristoffer Raasted, Copenhagen, ‘detached opacity’, 9:15 19042020, Magda Lampropoulou, from my balcony Athens, Greece, ‘Greek Orthodox Resurrection’, 3:37 28042020, Alice Hamon, 9:36 am, Pots and pans honoring the health care workers, rue Belle de mai, Marseille, France 21042020, Deniz Erden, from my bedroom window, Eşref Efendi Street, Şişli, İstanbul, Turkey, ‘as it exists within us; blending into joy after sorrow.’, 2:01 21042020, Margarita del Carmen, Through the chimney of my home, Copenhagen, Denmark, ‘whistling territories’, 03:29 23042020, Ylva Ranckel-Lutz, Coffee Time, Västervik, Ekenäs, Finland, 3:18 23042020, Mohammad golshani, My room with my guitar, Tehran, iran, ‘Her’, 0:38 25042020, Teresa Duggan, kitchen radio at home, Baltimore, USA,‘FM Radio Spin, 5:58 25042020, Jan-Maarten and slime mold Andi, inside a cupboard, Rijswijk, Netherlands, 02:24 26042020, Id m theft able, ‘kiss the smear off the window, 10:00 27042020, Junko & Sulan, The home studio, in the living room of the apartment located on Störtloppsvägen, Västertorp, Stockholm, Sweden, ‘Brass stream’, 3:13 27042020, Marcia Bassett, Brooklyn, New York (between 2703 and 2704), 02:44 27042020, Soheil Shinrangi, Tehran, Iran, ‘The vital sounds (For Fixed Media And Accordion)’, 06:30 28042020, Alice Hamon, 9:36 am, Belle de Mai Street, Pots and Pans Honoring the Health Care workers, 2:30 28042020, Amanda Brannin, Austin, Texas, USA, 4.48 28042020, Nazanin kianmehr, My room on my bed talking to my boyfriend, Kerman Iran, ‘Sleepy nazanin’, 00:14 29042020, Arash Pandi, Balcony of our apartment in Amager, mixed with other recordings, Copenhagen, Denmark, ‘Life within a life’, 4:40. 29042020, Sanjey sureshkumar, sounds from in my apartement, Lofoten, Norway, ‘Sanjey out of my daily rhythm’, 5:17 29042020, Tom Sonntag “sonn”, Recorded in my home (studio), Copenhagen, Denmark, "A soundVIEW", 5:34 30042020Chad Powers, 30th april 2020, Unionvill, Indiana, USA livingroom and surrounding countryside , “Between here and there”, 9:59 30042020, Arash Khani, in my room, Tehran-punak, Iran, 3:16 30042020, Diana Duta and Julia Edyck , telematic collaboration from 2 apartments, Brussels, Belgium, ‘wave debris’, 10:00 30042020, Felicia Konrad, drying room in cellar, Malmo, SE, ‘Oracle’, 2:07 30042020, Anna Kölle and Lula Marzulli, Studio DE, rooftop next to church IT, Casamassima/Italy, Berlin/Germany, ‘Springtime, Stringtime and Time’, 3:47 30042020, Teresa Columbus, Studio, Franklin Street, Baltimore, Maryland, USA, ‘Chipping at the way on the chips on her shoulders’, 1:49 01052020, Sasha and Sena, Barcelona, Spain and Hamburg, Germany, "ASMR gifts", 6:13 01052020, Cecilie Jorck, Ollerup, Fyn and Rømø and Copenhagen, Denmark, ‘Time and Here’, 11:40 01052020, La Claud, Naples, Italy, ‘Weakness-praying for healing in Tibet’, 2:01. 01052020, Lera Salnisova, Russia, ‘acid track with Cardy B's "corona virus" samples’, 5:33. 01052020, Karen Werner, Through my apartment window on Bispengsgaten overlooking Bergen harbor, Bergen, Norway, ‘Ships, Ferries, Barges play their horns on May Day’, 1:41. 01052020, Morita Vargas, In my bedroom, Buenos Aires, Argentina, ‘Bajo el sol’,, 1:54. 01052020, Uri Duble Nation, home studio, Tokyo, ‘Summerland’, Japan, 8:01 01052020, MV Carbon, recorded in my backyard on the cement stairs, Queens, New York, USA, ‘Circling In’, 09:21
01052020, Masoud Ahabanpour and Mohammad Ghanbari, Iran, forst part of a new song, 01:30 02052020, Victoria Shen, Great Meadows National Wildlife Refuge Concord, MA USA, ‘Bog Animals + Plane’, 03:12 03052020, Alice Hamon, 8 pm, harbor, boat sirens honoring the health care workers, Marseille, France 3:20 03052020, Victor Valqui Vidal, Onomatopoeia poem, my apartment, Copenhagen, DK, 0:35 07052020, Martin Christoffer Lund, in front of my computer screen, Copenhagen, ‘sensing zoom’, 05:07 08052020, Cerpintxt/ Alaa Yussry and Youssef Hassan on bass, Cairo Egypt, ‘Les Perishables’, 7:39 09052020, Hasse Bruun, Nørrebro, Copenhagen, Denmark, ‘We are Spirit call’, 04:23 10052020, Alice Hamon, 3:31 pm, Parc Longchamps, Marseille, France, Birds Windy Day 1:00
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Sons of Ethiopia, l'album de pop éthiopienne d'Admas réédité
Sorti en 1984, l’album Sons of Ethiopia sera réédité pour la première fois en vinyle par le label Frederiksberg Records le 27 juillet.
Exilé à Washington, loin de la propagande étouffante et de la terreur d’État de l’Éthiopie dirigée par les Dergs, Admas — composé de Tewodros « Teddy » Aklilu, Henock Temesgen et Abegasu Shiota — a emmené la musique populaire éthiopienne dans un tout nouveau territoire.
Sorti en 1984, leur album Sons of Ethiopia sera réédité pour la première fois par le label Frederiksberg Records, fondé à New York en 2013 par le journaliste vidéo et mélomane danois Andreas Vingaard.
Album instrumental, riche d’influences mondiales, Sons of Ethiopia est l’un des rares enregistrements éthiopiens à avoir été produit en dehors de l’Éthiopie au début des années 1980.
On retrouve sur le disque le son du Washington D.C. des années 80 fusionné avec des éléments de pop éthiopienne, soul, jazz, highlife, samba et reggae.
Le LP Sons of Ethiopia sera disponible le 27 juillet via Frederiksberg Records.
#admas#sons of ethiopia#frederiksberg records#1984#highlife#samba#reggae#pop éthiopienne#ethiopie#ethiopia#pan african music
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A Danish rarity combining folk-inspired synth pop with futuristic new wave, that's become an outsider DJ's favourite over the years. Taken from her first and last album in 1981, reissued and remastered by @frederiksbergrecords.
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Tips for Renting a Van
Exactly what do you want to do with a rented suv? Do you want to go on a road trip or perhaps want to go on a business vacation? Whatever your needs may be, hiring a good van is a very cost-effective and convenient option. Below are a few tips that may help you seek the services of a van.
Before you search for a rental company, make sure you realize your needs. For instance, if you are looking for a good passenger van to get a group of people, you may want to figure out the quantity of people that will be using the vehicle as well as the amount of luggage necessary. Without a plan in place, costs lot of problems down the road.
It is necessary that you go for a conventional hire Lej en varevogn på Frederiksberg billigt if you are looking for a passenger mini-van. On the other hand, if you want to hire a new van for transporting shipment, we suggest that you consider the provider that rents top quality cargo vans, moving pickup trucks or box trucks, in order to name a few. If you want to find out the final cost of hiring a automobile, what you need to do is look for price estimates. However , this specific won't give you an exact physique of the cost. Actually, you might like to understand all what is contained in the final price.
You should find out the sort of insurance that is part of the lease. Moreover, find out if your people or cargo needs several special equipment. If they carry out, how much will it cost you? These items will help you compare different truck rental prices. Some renting, especially traditional companies may possibly try to sell you some insurance policy products that you may not need in any way. So , if you want to rent any passenger van, make sure you study your insurance policy for your private car beforehand.
Irrespective of the form of van you want to hire, you ought to check the van for any interior or external damage need to the agreement. If you notice virtually any damage, make sure you get it composed on the rental agreement. In fact, you want to make a record regarding any damage that you discover during your vehicle check-up. In this way you may avoid being charged in the event the rental agency thinks an individual caused the damage.
You will have to put in the van on time. Should you agreed to pay by the day, the business will charge you for a total day even if you get a almost instantly late. In the same way, if you consented to pay by the hour, you will purchase a full hour even if you are a few momemts late. So , these are a couple of tips that can help you hire the right vehicle. Moreover, the following tips will help you save a lot of money while hiring a car for your needs.
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Han lyder ikke altid som den bedste kæreste..
Jeg mener, jeg forstår godt, hvorfor du er endt med at tænke det om ham, men heldigvis er det bare skrald, jeg smider rundt med her. Det er bare skrald. Og det vigtigste er ikke, hvad du synes om min kæreste, men hvad jeg synes. Og jeg synes, at Mathias er det dejligste menneske på Jorden. Det kan godt være, jeg nogle gange synes, at han er irriterende, når han glemmer at tage skraldet ud eller tage en ting, vi har lånt af hans forældre, med hjem til dem igen. Men eh… som om der ikke altid er noget, der er irriterende, når jeg har lavt blodsukker og lige er kommet hjem fra uni. Nogle gange irriterer det mig også, hvis han ikke stiller sine støvler, så de står lige. Altså. Men det er jo ikke vigtigt. Som Hella Joof (mere eller mindre) siger: hvis du er irriteret på din mand, fordi han smider sit våde håndklæde på gulvet ude på badeværelset, efter han har været i bad, så lad vær’ at snerre: han har såmænd bare stillet en blomst i vand på gulvet til dig (håndklædet er lavet af (frøuld fra) bomuldsplanten, og håndklædet er vådt, altså: en blomst i vand). Så der er simpelthen større ting i livet, end at Mathias ikke er særlig god til at svare beskeder, og nogle gange ikke lige tænker over, om det står opvask på bordet. Gud må vide, hvor mange gange jeg ikke selv har hovedet under armen, helt ærligt. Sådan er parforhold altså. Det vigtigste er, at man kan tale om tingene, uden at man får hinanden til at føle sig som dårlige mennesker eller noget i den dur. Efter jeg skrev det der opslag for at få dampen lukket ud (that’s how I roll), ringede jeg til ham og snakkede med ham om det, og han sagde, at det kunne han dæleme godt se, og det var han ked af, for det var da ikke i orden. Og så er den potte ligesom ude. Så kan vi komme videre i teksten. Der skal være plads til at begå fejl og sige undskyld bagefter. Man skal kunne rumme hinanden. Jeg elsker Mathias, uanset hvad jeg vælger at klage over her.
Her er nogle gode ting i stedet: Mathias tager nogle gange chokoladebarer med dronningemandler med hjem til mig, fordi han ved, hvornår jeg er sliksulten, og han siger, jeg er hans dronning (hehehe). Han laver aftensmad til mig hver dag, når jeg er eksamensstresset, så jeg ikke behøver at tænke på det. Når jeg er angst, hjælper han mig med at trække vejret igen, sætter mig ned og får mig til at slappe af, imens han klarer resten. Hvis jeg har brug for at gå, så går vi. Han sidder i kø med mig i over 12 timer, så vi kan komme forrest til en koncert med mit yndlingsband og har verdens bedste “selvfølgelig!”-attitude. Han tager også med på tur i skoven, selvom han ved, jeg stopper ved hvert andet træ og snakker om dem, og han synes, træer er ret kedelige, men at jeg er sød, fordi jeg synes, de er spændende. Han laver mad til mig (eller køber en hotdog), når han kan mærke, at jeg trænger til noget at spise, før jeg selv kan mærke det, fordi jeg bliver hangry, og han bliver aldrig sur på mig af den grund. Han tager med hele vejen til Frederiksberg, fordi jeg gerne vil have et økologisk juletræ. Han løber efter morgenbrød i weekenden, vækker mig nogle gange med morgenmad på sengen, foreslår tømmermændsnacks, han ved at jeg godt kan lide, selvom han selv har andre præferencer, og gør min tandbørste parat til mig om aftenen, fordi jeg er langsommere til at gå i seng end han er (han putter mere tandpasta på min tandbørste end han selv kan lide, fordi han ved, at jeg godt kan). Jeg må altid gerne låne hans Tardis-hue. Engang gjorde han hele køkkenet rent efter en middag, fordi jeg var faldet i søvn på sofaen efter en halv flaske vin, og så bar han mig ind i seng. Han gider læse Harry Potter højt for mig, imens jeg er i bad, fordi jeg ellers keder mig. Han lader mig altid vælge filmen, hvis jeg vil. Jeg er tilsyneladende den eneste, der må flette hans hår. Han har lært mig at bruge en støvkost! Han brugte tyve minutter på at tale med fyren nede i Sex Beat Records om forskellige. The Cure-vinyler for at finde ud af, hvilken en jeg ville synes bedst om at få i julegave. Han synes ikke, jeg er irriterende, når jeg kommer til at afbryde, hvis jeg glemmer noget, bliver forvirret, eller skifter emne syv gange i minutter, bliver ikke sur, hvis jeg stiller det samme spørgsmål flere gange. Han giver mig chokolade, når jeg er trist, for at muntre mig op, og han købte en Kajkage til mig på min fødselsdag, fordi han fandt ud af, at jeg ikke kan lide wienerbrød, som han ellers havde købt til morgenbordet. Hvis vi mangler en ingrediens til aftensmaden, løber han i Netto efter den alene, fordi jeg synes, det er koldt udenfor. Han spiste vegansk en måned sammen med mig, fordi jeg gerne ville prøve det. Han tager sig tid til at snakke med mig, hvis jeg har brug for det, uanset hvor han er, eller hvad han laver. Og han synes, mine jokes er sjove, og mit hår flot. Hvad mere kunne jeg ønske mig?
Tak for din besked og hav en rigtig god aften. Knus.
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