#fred stoller

[thesecretingredientislove]

The way I screamed when I heard that voice and recognized it!!!

[oldshowbiz]

Early Yuk Yuk's comedian Simon Rakoff, brother of popular literary humorist David Rakoff

[shinigabi-tan]

Two characters from The Nanny that keep popping on my mind since I watched it (spoiler kinda)

[etakeh]

Oh goddamn, I had no idea how many of my lines I stole from this guy.

[saliosis]

i found this song by accident and all i hear is chuck soooooo 💀

[devilsrecreation]

WHY DID NOBODY TELL ME THAT CHUCK THE EVIL SANDWICH MAKING GUY WAS IN THE NANNY?!?! I WAS WATCHING CLIPS OF IT AND THE MINUTE I HEARD THE PHARMACY CASHIER SPEAK I WAS LIKE “wait a minute-“

LOOK

[adriantheanimator09]

Here are some Tim Burton Batman posters recreated with a Wordgirl twist!

For those who don’t know, the names at the top are the voice actors for the Wordgirl characters (Dannah Phirman - Wordgirl/Becky Botsford, Tom Kenny - Dr. Two Brains, Jack D. Ferraiolo - The Butcher, Fred Stoller - Chuck The Evil Sandwich Making Guy) also,

HANDSOME PANTHER MENTION!

[thealmightyemprex]

Just found out Fred Stoller once played Molecule Man in Superhero Squad.....And thats kind of brillaint ,like perfect casting no notes

@ariel-seagull-wings

[kwebtv]

From the Golden Age of Television

Series Premiere

Maverick - War of the Silver Kings - ABC - September 22, 1957

Western

Runnning Time: 60 minutes

Written by James O'Hanlon

Produced by Roy Huggins 

Directed by Budd Boetticher

Stars:

James Garner as Brett Maverick

Edmund Lowe as Phineas King

John Litel as Joshua Thayer

Leo Gordon as Big Mike McComb

Carla Merey as Edie Stoller

John Hubbard as Bixby

Robert Griffin as Fennelly

Fred Sherman as Stoller

Bob Steele as Jackson

Donald Kirke as Crane

Lane Chandler as Lawson

Harry Harvey as Western Union Telegrapher

Kermit Maynard as Court Clerk

Tyler McVey as Kriedler

Frank Sully as Arthur (Bartender)

Hal Taggart as Harris

[icy-watch]

FRED STOLLER?!?!?

[oldshowbiz]

Norm Macdonald's American television debut was in this George Schlatter special.

Norm's segment was recorded in 1988.

This particular special also featured Barry Crimmins, Carol Leifer, and Fred Stoller.

[gayvampyr]

just saw a butch woman that looked vaguely like fred stoller

[annieandro]

Executive Producer: Cassie Kitchen

Story Editor: Doug Tennapel

Line Producer:Joshua Slice

Production Coordinators: Craig McCracken, Noah Z Jones

Production Assistants: Butch Hartman, Eric Coleman

Script Coordinator: Jose Chavez

Executive Assistant: Maddie Manges Character Designer: Lankybox

Layout Designers: Speekygeeky, Riffcoms Prop Designers: Eric Robles, Colors 358

Background Painter: Nikki Karlsson

Color Key Stylist: Dre Higbee

Final Checker: Nickcheezy Clean-up Artist: Carl Jung, Henry Miller, Sir Francis Bacon

Storyboard Revisions: John Erwin, Nancy Priddy, Michael Bell

Starring: Annieandro: Cassie Kitchen

Maisy: Gracie Jones

Little Miss Cassie: Phoebe Fortney

Zapper: Tom Kenny

Tetro: Doug Lawrence

Prowler: Bill Hader

Pouncer: Wizardzwiz

Predator: Gooseworx

Mailman Pelswick: Rob Paulsen

Umberta: Jocelyn Clark

Tyler: Darrell Stern

Chatters: Tara Strong

Jumper: Allan Trautman

Giggle: Leslie Carrara Rudolph

Bumper-oo: Kevin Clash

Nizzie: Stacy Gordon

Lotta: Grey Desleslie

Crossbone: David Kaye

Nimble: Kevin MacDonald

Zap-Zap: Frank Oz

Cozy: Lizzie Freeman

Puddles: Michael Kovach

Buckthorn: Robert Tinkler

Tutu: Sonya Leite

Katie: Cindi Milo

Pavo: David Hornsby

Aquila: Christian Jacobs

Ursa Major: Lara Jill Miller

Orion: Ariel Winter

Hercules: Wayne Knight

Flutterbutter: Amanda Hufford

Eden: Gary Yudman

Aquarius: Paul Wensley

Pisces: Jo Vannicola

Aries: Nika Futterman

Taurus: Steve Little

Gemini: Lucas Slice

Cancer: Hynden Walch

Leo: Dee Bradley Baker

Virgo: Ellie Ellwand

Libra: Billy West

Scorpio: Fred Stoller

Sagittarius: Cree Summer

Capricorn: Sean Chiplock

Casting By: Ryan's World Casting Coordinator: EventubeHD Casting Assistant: Allison Gatewood Supervising Recording Engineer: AJ Lyles Recording Engineer: Trainlover16

Production Dialogue Supervisor: Devinurdog Dialogue Editor: Tweeterman287

Picture Editor: Zee's Branch Assistant Editor: Dimon CamiPost Production Supervisor: Kan and Aki's Channel Big Scanning Department: Mr.George, Genevieve's Playhouse

Additional Post Production Services: Craig Mario Fan, Nostalgia Cat Picture Editior: My Friends Assistant Editor: My Family Post Production Supervisor: My Classmates Bg Scanning Department: Arlene Klasky, Tom Yohe Additional Post Production Services: Gabor Csupo, AJRaider Post Production Services: Teri Weiss Telecine Colorist: Rico Hill

Animation Production Services: Public Broadcasting Service Special Thanks To: Steve Burns, The Wiggles, The Return Of Cakey, The Beatles, and The Sesame Street Rock and Roll Request Show, and The Children's Hospitals From All 50 States

Production Executive: Aubrey Cox Executive In Charge Of Production: Joe Biden

CTW Provides Partial Funding For Annieandro Pinkpaws Through Its Self-Support Activities.

[hooked-on-elvis]

"Danny" (1958)

FROM THE "KING CREOLE" SOUNDTRACK ALBUM, RELEASED ON SEP. 19, 1958

ELVIS PRESLEY: (1) January 1958, during record session for the soundtrack to the "King Creole" film (Paramount Pictures). (2) "King Creole" photo shoot. Early March 1958.

Written by Fred Wise and Ben Weisman. Recorded for the motion picture King Creole. Recorded February 11, 1958 at Paramount Scoring Stage. Vocals: Elvis and The Jordanaires. Guitar: Scotty Moore, Tiny Timbrell. Bass: Bill Black, Ray Siegel. Drums: D.J. Fontana, Bernie Mattionson, Piano: Dudley Brooks. (Info: elvisthemusic.com)

THE RECORDING SESSION

Soundtrack Recordings for Paramount’s King Creole January 15–16 and 23, 1958 at Radio Recorders and February 11, 1958 at Paramount Soundstage, Hollywood. King Creole gave Elvis his most challenging movie role yet. Based on the Harold Robbins novel A Stone for Danny Fisher, it presented an opportunity to work with the acclaimed Hungarian-born director Michael Curtiz (whose work included Casablanca) and placed Elvis alongside accomplished actors such as Carolyn Jones [as Ronnie, Maxie's mistress], Walter Matthau [as Maxie Fields, the local gangster], and Dean Jagger [as Mr. Fisher, Danny's father]. The music was to be an integral part of this serious and rather dark story of a young singer (in the novel he’d been a boxer) trying to make it in the nightclubs of New Orleans. Traditional New Orleans music had its own very specific African-American roots, and Elvis always pointed to New Orleans R&B (Fats Domino was probably its leading exemplar) as instrumental to his development. But Elvis hadn’t gone over all that well in New Orleans when he appeared there three times in 1955, and the Memphis brand of rock ’n’ roll was very different from the New Orleans tradition. To help create an authentic Dixieland sound, Paramount hired some of L.A.’s best session players for the recording: a four-piece brass section augmented by bass player Ray Siegel, who doubled on tuba. Elvis’s own band was supplemented again by piano player Dudley Brooks, and by a second drummer at an extra recording date later when the complexity and variety of the rhythms proved too much for Bill Black and D. J. [Fontana] to handle. With fourteen musicians in the band, this was by far the largest group Elvis had ever worked with in the studio, but for engineer Thorne Nogar it would be business as usual. Elvis’s support team included Paramount musical director Charles O’Curran as well as Jerry Leiber and Mike Stoller, who had just signed on as producers for RCA. As Elvis’s favorite writers of the moment they brought material to the session, along with other Elvis Presley Music regulars like Aaron Schroeder and Claude DeMetrius, who sent in two infectious rock ’n’ roll originals. The ever-dependable Ben Weisman and his partner, Fred Wise, came up with “Danny” as a proposed title cut, along with several other new songs.

Excerpt: "Elvis Presley: A Life in Music" by Ernst Jorgensen. Foreword by Peter Guralnick (1998)

The Dixieland-flavored King Creole sessions. On January, 1958 Elvis worked on the soundtrack for King Creole at Radio Recorders and at Paramount's Soundstage in Hollywood, CA.

LYRICS — "DANNY" (Fred Wise/Ben Weisman)

My name should be trouble My name should be woe For trouble and heartache Is all that I know But Danny, yes, Danny is my name My life has been empty My heart has been torn It must have been rainy, oh, yeah The night I was born Oh Danny, oh Danny is my name I'm so afraid of tomorrow So tired of today They say that love is the answer But love never came my way I'm writing a letter To someone I know So if you should find it, yes, And if you're alone Oh Danny, yes, Danny is my name Oh Danny, yes, Danny is my name

Elvis Presley as Danny Fisher in scenes from "King Creole" (Paramount Pictures, 1958), directed by Michael Curtiz.

[prasa-koval]

12) American Affairs - amerykański kwartalnik polityczny założony w lutym 2017 roku przez Juliusa Kreina.

Jego projekt został opisany w Tablet jako: „gęsta, technicznie wyrafinowana forma neohamiltonowskiego nacjonalizmu ekonomicznego, promowana w różnych formach przez Michaela Linda, Davida P. Goldmana i samego Kreina”, w oparciu o twierdzenie, że „krótkowzroczna amerykańska elita pozwoliła, aby rdzeń produkcji kraju — klucz zarówno do powszechnego dobrobytu krajowego, jak i bezpieczeństwa narodowego w obliczu merkantylistycznych Chin — został wydrążony”, tak jak „produkcja i wiedza techniczna przeniosły się do Chin i Azji, kapitał krajowy napłynął do nieproduktywnych wykupów akcji lub schematów technologicznych (Uber, WeWork), a Ameryka stała się krajem z dwupoziomową gospodarką usługową, z bankierami, konsultantami i inżynierami oprogramowania na górze, a powitalniami Walmarta i kierowcami Ubera na dole”. Od momentu założenia w 2017 r. American Affairs stało się znane z dogłębnych artykułów na temat polityki handlowej i przemysłowej, krytyki finansjalizacji, orędownictwa rodzinnej opieki nad dziećmi, dodatki i wydatki na infrastrukturę, a także za łączenie prawicowych i lewicowych krytyków neoliberalizmu. Oprócz polityki publicznej zajmował się również teorią polityczną i krytyką kulturową. Został scharakteryzowany w New Statesman jako „heterodoksyjny dziennik polityczny”, prezentujący na przykład konserwatywne argumenty na rzecz większej roli państwa obok lewicowych argumentów przeciwko polityce tożsamości i otwartym granicom. Do godnych uwagi artykułów należy „The Real Class War” Kreina, który „przyciągnął uwagę zarówno lewicy, jak i prawicy w listopadzie 2019 r., wywracając do góry nogami rozmowę na temat klasy w prawyborach Demokratów”, według New Statesman.

Poprzednikiem American Affairs jest Journal of American Greatness, krótkotrwały blog polityczny z 2016 roku, najbardziej znany z publikacji „The Flight 93 Election”, szeroko czytanego eseju o wyborach prezydenckich w 2016 roku autorstwa pseudonimowego autora Publiusa Deciusa Musa, później ujawnionego jako Michael Anton. American Affairs było początkowo uważane przez niektórych za „czasopismo protrumpowskie”. Po uruchomieniu zostało opisane przez New York Times jako „poświęcone nadaniu intelektualnego ciężaru i spójności amorficznej ideologii znanej, z braku lepszego określenia, jako trumpizm”. Jednak w sierpniu 2017 roku, po wiecu „Unite the Right” w Charlottesvile w Wirginii, Krein napisał artykuł opinii w The New York Times, publicznie przyznając, że żałuje głosowania na kandydata. Jennifer Schuessler z The New York Times pisze: „czasopismo stara się wypełnić pustkę pozostawioną przez konserwatywny intelektualny establishment bardziej skupiony na przeciwstawianiu się panu Trumpowi niż na zmaganiu się z odrzuceniem globalizmu i dogmatów wolnego rynku, które doprowadziły do ​​jego zwycięstwa”. Według The Washington Post czasopismo czyta wiceprezydent J. D. Vance.

Do czasopisma piszą m.in.:

Michael Anton

Robert D. Atkinson

Mehrsa Baradara

Thierry Baudet

Daniel A. Bell

Fred Block

Dan Breznitz

Christopher Caldwell

Oren Cass

Angelo M. Codevilla

Colin Crouch

Patrick J. Deneen

Ronald W. Dworkin

Fredrik Erixon

Nancy Fraser

Amber A'Lee Frost

Frank Furedi

Maurice Glasman

James K. Galbraith

David P. Goldman

Allen C. Guelzo

Ofir Haivry

Shadi Hamid

James Hankins

Yoram Hazony

Joseph Heath

Arthur Herman

John B. Judis

Eric Kaufmann

Joel Kotkin

Ryszard Legutko

Michael Lind

Edward Luttwak

Bruno Maçães

Noel Malcolm

Pierre Manent

Lawrence M. Mead

Bill Mitchell

Angela Nagle

David Oks

Eric A. Posner

R. R. Reno

Ganesh Sitaraman

Anne-Marie Slaughter

Matthew Stoller

Wolfgang Streeck

Cass Sunstein

Ruy Teixiera

Nick Timothy

Roberto M. Unger

Adrian Vermeule

Henry Williams

L. Randall Wray

Slavoj Zizek.

[my-chaos-radio]

Release: October 13, 2023

Lyrics:

Baby, put your hands on me

Hey, woo

Ooh, yeah

You got that bomb, baby

She was, she was, she was, she was the girl next door, that's my fine ass neighbor (uh-huh)

Told her if she wants some sugar, baby, don't be a stranger (uh-huh)

And she said, "When I need something sweet, I'll be coming over to you" (ooh, ooh, ooh)

Haha, that girl was knocking, knocking, knocking in the middle of the night

Wearing nothing but a robe that she took off inside

And she said, "Boy, I'm getting cold, here's what I need you to do"

Baby, put your hands (hands) on me (on me)

Both hands (hands) on me (on me)

Right now (right now), you're the only (you're the only) one I need

So, baby, put your hands (hands) on me (on me)

Both hands (hands) on me (on me)

When we dance (we dance), put your hands all over me (hey)

Alright, say

Been such a long time since I been lucky

Don't have to be shy, say how bad you want me

Come and touch me tenderly (tenderly)

So come and give me that body heat, I want your body heat on me

I can barely sleep, I'm tryna turn up the degrees

With you all over me

So, baby, put your hands (hands) on me (on me)

Both hands (hands) on me (on me)

Right now (right now), you're the only one I need

So, baby, put your hands (hands) on me (on me)

Both hands (hands) on me (on me)

When we dance (we dance), put your hands all over me (ooh)

Oh, the night's still young, come and break my heart

Darling, you are the only one I need

No, I won't be afraid, no, I won't be afraid

Just as long as you kiss me before you leave

Songwriter:

So, baby, put your hands (hands) on me (on me)

Both your hands (hands) on me (on me)

Right now (right now), you're the only (you're the only) one I need

So, baby, put your hands (hands) on me (on me)

Both hands (hands) on me (on me)

When we dance (we dance), put your hands all over me

Jason Joel Desrouleaux / Ben E. King / Jerry Leiber / Mike Stoller / Sarah Alison Solovay / Meghan Elizabeth Trainor / Elof Fred Karl Loelv / Kyle Buckley / Shawn Charles / Jonathan Bach

SongFacts:

👉📖

Homepage:

Jason Derulo

Meghan Trainor