#fred stoller

[thesecretingredientislove]

The way I screamed when I heard that voice and recognized it!!!

[shinigabi-tan]

Two characters from The Nanny that keep popping on my mind since I watched it (spoiler kinda)

[saliosis]

i found this song by accident and all i hear is chuck soooooo 💀

[devilsrecreation]

WHY DID NOBODY TELL ME THAT CHUCK THE EVIL SANDWICH MAKING GUY WAS IN THE NANNY?!?! I WAS WATCHING CLIPS OF IT AND THE MINUTE I HEARD THE PHARMACY CASHIER SPEAK I WAS LIKE “wait a minute-“

LOOK

[adriantheanimator09]

Here are some Tim Burton Batman posters recreated with a Wordgirl twist!

For those who don’t know, the names at the top are the voice actors for the Wordgirl characters (Dannah Phirman - Wordgirl/Becky Botsford, Tom Kenny - Dr. Two Brains, Jack D. Ferraiolo - The Butcher, Fred Stoller - Chuck The Evil Sandwich Making Guy) also,

HANDSOME PANTHER MENTION!

[oldshowbiz]

Norm Macdonald's American television debut was in this George Schlatter special.

Norm's segment was recorded in 1988.

This particular special also featured Barry Crimmins, Carol Leifer, and Fred Stoller.

[icy-watch]

FRED STOLLER?!?!?

[gayvampyr]

just saw a butch woman that looked vaguely like fred stoller

[hooked-on-elvis]

"Danny" (1958)

FROM THE "KING CREOLE" SOUNDTRACK ALBUM, RELEASED ON SEP. 19, 1958

ELVIS PRESLEY: (1) January 1958, during record session for the soundtrack to the "King Creole" film (Paramount Pictures). (2) "King Creole" photo shoot. Early March 1958.

Written by Fred Wise and Ben Weisman. Recorded for the motion picture King Creole. Recorded February 11, 1958 at Paramount Scoring Stage. Vocals: Elvis and The Jordanaires. Guitar: Scotty Moore, Tiny Timbrell. Bass: Bill Black, Ray Siegel. Drums: D.J. Fontana, Bernie Mattionson, Piano: Dudley Brooks. (Info: elvisthemusic.com)

THE RECORDING SESSION

Soundtrack Recordings for Paramount’s King Creole January 15–16 and 23, 1958 at Radio Recorders and February 11, 1958 at Paramount Soundstage, Hollywood. King Creole gave Elvis his most challenging movie role yet. Based on the Harold Robbins novel A Stone for Danny Fisher, it presented an opportunity to work with the acclaimed Hungarian-born director Michael Curtiz (whose work included Casablanca) and placed Elvis alongside accomplished actors such as Carolyn Jones [as Ronnie, Maxie's mistress], Walter Matthau [as Maxie Fields, the local gangster], and Dean Jagger [as Mr. Fisher, Danny's father]. The music was to be an integral part of this serious and rather dark story of a young singer (in the novel he’d been a boxer) trying to make it in the nightclubs of New Orleans. Traditional New Orleans music had its own very specific African-American roots, and Elvis always pointed to New Orleans R&B (Fats Domino was probably its leading exemplar) as instrumental to his development. But Elvis hadn’t gone over all that well in New Orleans when he appeared there three times in 1955, and the Memphis brand of rock ’n’ roll was very different from the New Orleans tradition. To help create an authentic Dixieland sound, Paramount hired some of L.A.’s best session players for the recording: a four-piece brass section augmented by bass player Ray Siegel, who doubled on tuba. Elvis’s own band was supplemented again by piano player Dudley Brooks, and by a second drummer at an extra recording date later when the complexity and variety of the rhythms proved too much for Bill Black and D. J. [Fontana] to handle. With fourteen musicians in the band, this was by far the largest group Elvis had ever worked with in the studio, but for engineer Thorne Nogar it would be business as usual. Elvis’s support team included Paramount musical director Charles O’Curran as well as Jerry Leiber and Mike Stoller, who had just signed on as producers for RCA. As Elvis’s favorite writers of the moment they brought material to the session, along with other Elvis Presley Music regulars like Aaron Schroeder and Claude DeMetrius, who sent in two infectious rock ’n’ roll originals. The ever-dependable Ben Weisman and his partner, Fred Wise, came up with “Danny” as a proposed title cut, along with several other new songs.

Excerpt: "Elvis Presley: A Life in Music" by Ernst Jorgensen. Foreword by Peter Guralnick (1998)

The Dixieland-flavored King Creole sessions. On January, 1958 Elvis worked on the soundtrack for King Creole at Radio Recorders and at Paramount's Soundstage in Hollywood, CA.

LYRICS — "DANNY" (Fred Wise/Ben Weisman)

My name should be trouble My name should be woe For trouble and heartache Is all that I know But Danny, yes, Danny is my name My life has been empty My heart has been torn It must have been rainy, oh, yeah The night I was born Oh Danny, oh Danny is my name I'm so afraid of tomorrow So tired of today They say that love is the answer But love never came my way I'm writing a letter To someone I know So if you should find it, yes, And if you're alone Oh Danny, yes, Danny is my name Oh Danny, yes, Danny is my name

Elvis Presley as Danny Fisher in scenes from "King Creole" (Paramount Pictures, 1958), directed by Michael Curtiz.

[bunny-carrothunter]

Opposite to this ask, here’s my top 10 favorite Wordgirl villains I guess

Also Happy New Year

10) Maria She’s Maria. What else can I say? She deserved better-

9) Glen More fun as a character but it’s funny that somehow he managed to corner TB not once but twice? Once by accident. Yeah he’s annoying. But he’s a hot mess and I love him. And also I blame my friend (YOUNKNOWHOYOUARE) for legit making me go totally indifferent to him to becoming my 4th favorite character in general).

8) Chuck Honestly, he goes all over the list depending on my mood but he’s just great. Fred Stoller is amazing and the more I watch his Instagram live streams the more convinced I get that he’s just Chuck’s humansona.

7) Ms Question

She’s just so much fun and I love her question mark hover board. I still can’t draw her to save my life and that makes me sad ;; BUT she’s definitely a top favorite. And the fact she gets Chuck as a brother-in-law is so funny to me.

6)  Nocan Love me a himbo that can sense granola bars from across the entire city. Also my dude is legit the second strongest non-alien villain, give props where its due.

5) Guy Rich Fanon or canon? Yes. Gotta love the gawl this man had for acting so high and mighty, taunting Mr Big like he did when he was just a con man. He’s more fun to play with as a foil to Big rather than an actual villain but I still love him.

4) Dr Two Brains Yeah what a surprise imarite but if its not for the nostalgia, he’s just fun to watch. Tom Kenny was perfect for him. I said all I could on the previous list so we’re moving on.

3) Lady Redundant Woman What can I say but I absolutely love her. Unhinged woman who does not give a flip. She will bite your leg if you talk to her before she gets a cup of coffee. My friend pointed out how Beatrice’s villain self is basically her yassified form and that’s so accurate looking at it. I love that her outfit is the 4 colors of a printer ink cartridge, and I LOVE her style. Yas queen.

2) Mr Big To the surprise of no one- Arrogant, touch-starved manchild himbo. There’s so many layers to this man and I might make a character analysis post on him if I get the chance. Also the fact that he has the most SIMPLE design and yet 80% of the fandom agrees he’s SO HARD TO DRAW is the funniest fucking thing. We love a himbo.

1) Leslie Yeah, there was no doubt, and I will count her as a solo villain because she technically did in that one ep. I absolutely love her and no one will ever change my mind.

It’s not surprising most of the fandom agrees Leslie very well may be one of the smartest characters in the show, and yet she works with someone who, well is the opposite lol. She’s a martial artist, a gymnast, wielder, pilot of just about every vehicle imaginable (golf cart, crane, blimp, a rocket ship), paints, engineering to an extent (that we know), ON TOP of all that being able to manage an entire company and business managing.

ON TOP OF THAT, it’s canon Leslie is immune to mind control. Even Mr Big got himself mind controlled, the dumbas-

Speaking of Big, their dynamic is just so amusing, they play off each other so well and I honestly wish we could of seen Leslie interact with the other villains on her own. If “Leslie Makes It Big” is anything to go off of, they all seem to like her and get along with her.

I am very normal about Leslie.

[thedivinemagnet]

Fred Stoller is the most recognizable voice on earth to me

[annieandro]

Executive Producer: Cassie Kitchen

Story Editor: Doug Tennapel

Line Producer:Joshua Slice

Production Coordinators: Craig McCracken, Noah Z Jones

Production Assistants: Butch Hartman, Eric Coleman

Script Coordinator: Jose Chavez

Executive Assistant: Maddie Manges Character Designer: Lankybox

Layout Designers: Speekygeeky, Riffcoms Prop Designers: Eric Robles, Colors 358

Background Painter: Nikki Karlsson

Color Key Stylist: Dre Higbee

Final Checker: Nickcheezy Clean-up Artist: Carl Jung, Henry Miller, Sir Francis Bacon

Storyboard Revisions: John Erwin, Nancy Priddy, Michael Bell

Starring: Annieandro: Cassie Kitchen

Maisy: Gracie Jones

Little Miss Cassie: Phoebe Fortney

Zapper: Tom Kenny

Tetro: Doug Lawrence

Prowler: Bill Hader

Pouncer: Wizardzwiz

Predator: Gooseworx

Mailman Pelswick: Rob Paulsen

Umberta: Jocelyn Clark

Tyler: Darrell Stern

Chatters: Tara Strong

Jumper: Allan Trautman

Giggle: Leslie Carrara Rudolph

Bumper-oo: Kevin Clash

Nizzie: Stacy Gordon

Lotta: Grey Desleslie

Crossbone: David Kaye

Nimble: Kevin MacDonald

Zap-Zap: Frank Oz

Cozy: Lizzie Freeman

Puddles: Michael Kovach

Buckthorn: Robert Tinkler

Tutu: Sonya Leite

Katie: Cindi Milo

Pavo: David Hornsby

Aquila: Christian Jacobs

Ursa Major: Lara Jill Miller

Orion: Ariel Winter

Hercules: Wayne Knight

Flutterbutter: Amanda Hufford

Eden: Gary Yudman

Aquarius: Paul Wensley

Pisces: Jo Vannicola

Aries: Nika Futterman

Taurus: Steve Little

Gemini: Lucas Slice

Cancer: Hynden Walch

Leo: Dee Bradley Baker

Virgo: Ellie Ellwand

Libra: Billy West

Scorpio: Fred Stoller

Sagittarius: Cree Summer

Capricorn: Sean Chiplock

Casting By: Ryan's World Casting Coordinator: EventubeHD Casting Assistant: Allison Gatewood Supervising Recording Engineer: AJ Lyles Recording Engineer: Trainlover16

Production Dialogue Supervisor: Devinurdog Dialogue Editor: Tweeterman287

Picture Editor: Zee's Branch Assistant Editor: Dimon CamiPost Production Supervisor: Kan and Aki's Channel Big Scanning Department: Mr.George, Genevieve's Playhouse

Additional Post Production Services: Craig Mario Fan, Nostalgia Cat Picture Editior: My Friends Assistant Editor: My Family Post Production Supervisor: My Classmates Bg Scanning Department: Arlene Klasky, Tom Yohe Additional Post Production Services: Gabor Csupo, AJRaider Post Production Services: Teri Weiss Telecine Colorist: Rico Hill

Animation Production Services: Public Broadcasting Service Special Thanks To: Steve Burns, The Wiggles, The Return Of Cakey, The Beatles, and The Sesame Street Rock and Roll Request Show, and The Children's Hospitals From All 50 States

Production Executive: Aubrey Cox Executive In Charge Of Production: Joe Biden

CTW Provides Partial Funding For Annieandro Pinkpaws Through Its Self-Support Activities.

[fredborges98]

Elvis Presley - Trouble (1958) Complete original movie scene HD

Sim, um candidato pode recusar uma oportunidade de trabalho, e isso pode acontecer por diversos motivos. Alguns deles são:

A empresa não oferece um plano de carreira

O candidato não se identificou com a cultura da empresa

O processo de candidatura tem muitas fases

A pretensão salarial é diferente

A empresa não oferece oportunidades de crescimento

O candidato tem outras vagas em vista

Para recusar uma proposta de emprego, é importante ser educado e manter a imagem profissional. Algumas dicas para recusar uma proposta de forma educada são:

Agradecer pela oportunidade.

Explicar o motivo da recusa de forma objetiva.

Assumir um tom humilde e amigável.

Não criticar a empresa ou o processo seletivo.

Colocar-se à disposição para futuras conversas.

Manter contato.

"I got a date with Haven*! ".O poder de recusar uma oportunidade de trabalho ou permanecer no mesmo.

Por: Fred Borges

Valorizar-se - O fundamento principal para qualquer tipo de relacionamento.

A cena combina a forma relaxada do personagem de Elvis e a tensão cujo gatilho foi o ciúmes ou posse do empresário pela sua acompanhante.Elvis a reconhece e ela dissimula e nega inicialmente conhecê-lo.O empresário que é dono do bar/ restaurante/casa de shows, muito comum na época, toma satisfações da mulher, que diz que o conheceu contando.O empresário para confirmar a história, desconfiado, demanda de maneira incisiva para que ele cante e assim Elvis( seu personagem) canta e tira aplausos de todos presentes.Um outro empresário do show business oferece a Elvis uma oportunidade de trabalho, o seu patrão intervém dizendo que o " passe" é dele, Elvis prontamente simplesmente diz que tem um encontro e vai embora.

"Trouble" é uma canção de blues escrita por Jerry Leiber e Mike Stoller, originalmente interpretada por Elvis Presley em 1958 e regravada por vários artistas nos anos seguintes.

Elvis Presley cantou a música no filme King Creole de 1958, e sua gravação foi incluída na trilha sonora de mesmo nome. "Trouble", com Scotty Moore na guitarra, foi uma das três músicas escritas por Leiber e Stoller para o longa. A atuação de Presley no filme faz alusão a Muddy Waters e Bo Diddley. "Se você está procurando problemas", ele entoa, "então olhe bem na minha cara. Porque sou mau. Meu nome do meio é Miséria." O crítico musical Maury Dean sugere que "Trouble", com o "rosnado rosnado" de Presley, é uma das primeiras canções proto-punk rock. Dez anos depois, Presley abriu seu especial de retorno em 1968 com este número. Com uma iluminação escura e temperamental destacando seu escárnio, a sequência aludiu ao passado conturbado e à imagem "perigosa" de Presley e serviu para provar que o cantor ainda era "sexy, rude e totalmente provocativo". "Guitar Man" em um cenário de "Jailhouse Rock" com dançarinos em celas.

Elvis Presley passa a infância nas favelas de Tupelo, Mississippi, encontrando consolo na música e nos quadrinhos. Depois de se mudar com seus pais para Memphis, Tennessee, ele é ridicularizado por seus colegas devido ao seu fascínio pela música afro-americana de Beale Street. O coronel Tom Parker, na época um vendedor ambulante de carnaval, administra o cantor country Hank Snow, mas percebe o potencial de cruzamento de Elvis quando ouve "That's All Right", inicialmente presumindo que o artista seja negro. Naquela noite, depois de testemunhar o seu intenso apelo sexual numa apresentação de "Louisiana Hayride", Parker convida Elvis para acompanhá-lo numa digressão e convence Elvis a deixá-lo assumir o controlo da sua carreira, o que dá início à ascensão meteórica de Elvis: passa da Sun Records para RCA Records, seu pai Vernon é nomeado gerente de negócios da Elvis Presley Enterprises, e a família é tirada da pobreza.

Elvis era um trabalhador incansável, perfeccionista, obsessivo , até seus últimos dias, viciado em " pílulas" lutou contra a ansiedade e a depressão.

Hoje os ambientes organizacionais não deixam em nada a desejar a pressão, estresse, tensão comparadas as demandas e exigências de um grande astro e sem o lado financeiro compatível com tamanha demanda.

Não se trata somente das causas acima apontadas, mas do descompasso da cultura organizacional, seus valores contidos e sua prática no cotidiano da empresa. Assim como um pai que não educa pelo exemplo, do tipo: " faça o que digo, não faça o que faço!", sem paternalismo, ou os eternos paradoxos entre discurso e pratica, a organização deve ser fiel aos resultados que ela quer atingir pelos seus valores proclamados e executados, ou seja deve haver uma visão e ação sistêmica e sinérgica entre líderes e liderados sendo que esses últimos devem dizer não quando sofrem uma pressão que extrapola seus limites, um assédio moral, sexual, ameaças veladas ou reais e tantos outros comportamentos antiéticos ou imorais da organização que ele, candidato, ou empregado está inserido.Esta me parece a premissa básica de qualquer relação equilibrada entre afeto, emoção, razão inerentes a qualquer profissão deve estar pautada e ancorada. Ou seja,procura incansável pela educação, respeito e dignidade do trabalhador seguindo a DDH ou Declaração dos Direitos Humanos e as premissas da OIT ou Organização Internacional do Trabalho.

O candidato ao emprego ou empregado pode e deve dizer NÃO! E Não é Não! Não aos expedientes prolongados que se revelam improdutivos, não as metas inexéquiveis ou inatingíveis, não a postura de CHEFES do tipo: " manda quem pode, obedece quem tem juízo!",na sua maioria pessoas mesquinhas, medíocres e incompetentes no se relacionar com seus pares.

Não a reuniões sem pauta ou com pautas abstratas e generalistas, sem horários prefixados de final ou finalização é um completo desrespeito ao colaborador,fases intermináveis ou intermitentes de etapas de seleção, falta de feedback são também.

Portanto costumo dizer que é importante fixar parâmetros, o "default", as metas em comum acordo e diálogo de produtividade, performance, critérios de avaliação,tudo respondendo aos 5 Ws e 2Hs, ao 5S, ao Lean, ao Scrum, ao Manifesto Ágil, sempre estando atento aos Hard e Soft Skills, e estar casado com a visão, missão e valores organizacionais, do contrário é a falência do sistema,e diria que, se não existe tantas falências e concordatas de micro ou pequenos negócios, é que a mediocridade ronda e contamina todos o níveis da sociedade brasileira, desde a desinformação generalizada, a ignorância complacente, omissa, a falta de educação generalizada, que gera falta de uma demanda por qualidade dos produtos e serviços adquiridos pelo consumidor, a grande alavanca da competitividade, por fornecedores comprometidos, por uma indústria que escala qualidade, pelos serviços e todas as cadeias produtivas no país.

[cdbrainrecords]

Hal Schaefer With Fred Atwood And Alvin Stoller - The Extraordinary Jazz Pianist (LP)

Vinyl(VG++) Sleeve(VG++) / No scratches on Vinyl, VG+ or above average. in great shape / / nice sleeve, more than VG+ conditions / コンディション　盤 : Very Good Plus (VG+) コンディション　ジャケット : Very Good Plus (VG+) コンディションの表記について　  [ M > M- > VG+ > VG > G+ > G > F > P ] レーベル : Discovery Records – DS-781 フォーマット : Vinyl, LP, Stereo 生産国 : US 発売年 :  Recorded live at Donte’s in North Hollywood March 18, 1976. ジャンル…

[parkerbombshell]

The Way-Back Music Machine Radio Hour Ep 144

Wednesdays 8pm EST bombshellradio.com The Way-Back Music Machine Ep. 144 Hard to believe, but Tony Stuart and Aaron Badgley are on their 144th road trip. This week, the make stops to talk about Pulp, Rod Stewart, Otis Redding, Bruce Channel, Bob Dylan and U2. They also celebrate the birthdays of Hozier, Mike Love, Fred Neil, and songwriter Mike Stoller. On the eighth day they discuss The Beatles film A Hard Day’s Night and Elvis and Graceland. All that and great music on Episode 144 of The Way-Back Music Machine.

  Read the full article

[freakywaters]

Fred Stoller <333