#frédéric dard

[basicallyanotherwitchesthing]

San-Antonio - Les Prédictions de Nostrabérus - Fleuve Noir - 1974

[lolochaponnay]

[alexhorrorfilms]

Toi... le venin (Ты – яд) (Обнаженная в белой машине)

Екранізація роману Фредеріка Дара "Ти - справжня отрута" (варіант перекладу - "Коханець на двох").

Чоловік виявляється втягнутим у жорстокі ігри двох багатих і красивих сестер.

Дивне поєднання - дуже напружений фільм, у якому майже нічого не відбувається (за великим рахунком, там навіть злочину не було). Картина камерна, що надає їй особливої напруги

Ця екранізація роману Фредеріка Дара нагадує екранізації романів Чейза.

Чудовий нуар в американському стилі, з похмурою таємницею і чудовими акторами.

[abdou-lorenzo]

Si j’avais su que je l’aimais autant, je l’aurais aimée encore davantage....💞🥀

Frédéric Dard

[nonvoglionulla]

Il sesso maschile è ciò che c'è di più leggero al mondo, un semplice pensiero...lo solleva.

Charles Antoine Frédéric Dard

[iranondeaira]

“C’est à la culotte de ses filles qu’on juge un pays.”

- Frédéric Dard

[solis-menta]

Tout objectif flou conduit irrémédiablement à une connerie précise. Frédéric Dard

[il-gualty1]

Il membro maschile è ciò che c’è di più leggero al mondo. Un semplice pensiero lo solleva…

Frédéric Dard

Sssshhhh...

[aurevoirmonty]

« Mort à crédit est pour moi le bouquin le plus important de ce siècle. Parce qu'il contient toute la détresse de l'homme. A côté du cri de Céline, moi, je pousse des plaintes de chiot qui a envie de pisser. Lui, il l'a balancée sa clameur! Elle est intacte, satellisée au-dessus de nous. On ne peut rien y toucher. C'est toute la misère de la vie, toute l'angoisse, toute la mort. C'est plein d'amour, c'est plein de pitié, c'est plein de colère, c'est plein d'éclairs, de mains tendues, de poings brandis, de mains tendues qui se transforment en poings. Et puis de désespoir. Parce que le désespoir, c'est la vie. Lui l'a su. »

Frédéric Dard, Je le jure. Paris : Stock, 1975.

[jfsabyblogs]

Le Mot du Jour (AMDG)

BLOG BLANCHARD. Ven 27.12.2019, 9:59. MISE À JOUR. http://jfsaby.com/blogs/index.php/blanchard/aB8t Article modifié. 1 PHOTO. Notre-Dame. Les débats ne manquent pas. Il y a un quart de siècle (déjà !) je partageais l'avis de Frédéric Dard sur la question…

[statoprecario]

Storie di libri: Le canaglie vanno all’inferno

https://www.ebay.it/itm/295765417719?mkcid=16&mkevt=1&mkrid=711-127632-2357-0&ssspo=Xh3JsKIyQpm&sssrc=4429486&ssuid=Xh3JsKIyQpm&var=&widget_ver=artemis&media=COPY La produzione letteraria di Frédéric Dard ha indubbiamente come fiore all’occhiello il personaggio di Sanantonio, ma nel corso della sua lunga carriera, anche usufruendo di un cospicuo numero di pseudonimi, Dard ha sfornato più di 100…

[jakez19]

Un polar entre Audiard et Frédéric Dard - Le Zoom - Philippe Colin-Olivier - TVL

[transparentgentlemenmarker]

Les femmes se parent de la fourrure des animaux pour plaire aux hommes qui préfèrent la leur. Frédéric Dard

[playermagic23]

Merry Christmas Movie Review: MERRY CHRISTMAS is well made and laced with a fine performance.

Merry Christmas Review {3.5/5} & Review Rating

MERRY CHRISTMAS is the story of two strangers and their unforgettable adventure. In the late 80s, Albert (Vijay Sethupathi) returns to his home in Bombay after several years on Christmas Eve. His mother passed away a year ago and he's devastated over the loss. He goes out to have a drink. At a restobar, he meets Maria (Katrina Kaif) and her mute daughter, Annie (Pari Maheshwari Sharma). Albert and Maria start talking and soon, Maria invites him home. She reveals that her husband Jerome (Luke Kenny) is cheating on her. Albert, meanwhile, opens up about his dead girlfriend Rosie (Radhika Apte). Maria puts Annie to sleep and goes out with Albert. When they return, they get the shock of their lives. And this is just the beginning of many twists and turns that await them.

MERRY CHRISTMAS is based on the book 'Le Monte-Charge' by Frédéric Dard. Sriram Raghavan, Arijit Biswas, Pooja Ladha Surti and Anukriti Pandey's story is unconventional and gripping. Sriram Raghavan, Arijit Biswas, Pooja Ladha Surti and Anukriti Pandey's screenplay is captivating and after a point, doesn't let your attention wander even for a second. But the writing stretches at some parts. Sriram Raghavan, Arijit Biswas, Pooja Ladha Surti and Anukriti Pandey's dialogues are sharp and witty, especially the ones mouthed by Vijay Sethupathi.

Sriram Raghavan's direction is bravura. The filmmaker's distinct execution style and trademark stamp are visible from start to finish, be it in the film's vintage aspects, music and of course, in the twists and turns. Also, this time he gives an out-of-the-box experience as he uses the slow burn technique. As a result, nothing shocking happens until a few minutes before the intermission. Post-interval, the film goes on a high as too many amusing and thrilling developments occur. From here on, the audience will be completely on the edge of their seats. The climax is unexpected.

On the flipside, the film might test the patience of the audience in the first half, especially in the first 15 minutes. Ideally, the run time should have been two hours. The ending is a bit abrupt and it might not be acceptable to some of the moviegoers. Lastly, the film has a niche appeal and is not meant for the mass audience.

Speaking of performances, it’s a Vijay Sethupathi show without a shred of doubt. The actor, with his deadpan expressions and dry sense of humour, takes the cake. Only he could have pulled this role off so smoothly. Katrina Kaif also puts her best foot forward and delivers a stupendous performance. Certain scenes were challenging but she manages to deliver a convincing act. Sanjay Kapoor (Ronnie Fernandes) is entertaining. Vinay Pathak (Paresh Kamdar) is rocking, though he has limited screen time. Tinnu Anand (Albert’s uncle) and Pratima Kannan (Lakshmi; cop) leave a huge mark. Ashwini Kalsekar (Scarlett) is there for just a scene and is memorable. Pari Maheshwari Sharma is cute. Luke Kenny and Radhika Apte are fair in cameo appearances.

Merry Christmas – Hindi Trailer | Vijay Sethupathi | Katrina Kaif | Sriram Raghavan | Ramesh Taurani

Pritam's music is well-woven into the narrative. The title track and 'Raat Akeli Thi' are the best of the lot. 'Nazar Teri' and 'Dil Ki Mez Pe' are just okay. Daniel B George's background score enhances the impact, especially in the climax.

Madhu Neelakandan's cinematography is topnotch. Mayur Sharma's production design is realistic yet appealing. The same applies to Anaita Shroff Adajania and Sabina Halder's costumes. Hira Yadav and Sunil Rodrigues' action is devoid of gore and is minimal. Pooja Ladha Surti's editing could have been sharper.

On the whole, MERRY CHRISTMAS is a well-made thriller and is laced with a fine performance by Vijay Sethupathi. At the box office, it’ll need a strong word of mouth to succeed as it appeals only to the multiplex audience in the urban areas.

[bolllywoodhungama]

Anurag Kashyap hails Merry Christmas; calls Katrina Kaif-Vijay Sethupathi starrer “Hitchcockian love story with a terrific payoff”

Anurag Kashyap has showered praise on Sriram Raghavan's Merry Christmas, calling it a "slow-burn with a terrific payoff" and urging audiences to give it a shot.

Renowned filmmaker Anurag Kashyap has heaped praise on the recently released neo-noir thriller Merry Christmas, directed by Sriram Raghavan and starring Katrina Kaif and Vijay Sethupathi. Kashyap took to Instagram to express his admiration for the film, calling it a "love letter to Hitchcock" and highlighting the stellar performances of the lead actors.

In his Instagram caption, Kashyap stated, "Love this film... @sriram.raghavanofficial has never known to play safe and this time has gone a made hitchcockian love story with two actors belonging to different cultures and them coming together on Christmas Eve. He again does new things and creates a slow burn with a terrific pay off. Both @katrinakaif and @actorvijaysethupathi bring their best game to it."

He further commended the supporting cast, naming Sanjay Kapoor, Vinay Pathak, and Ashwini Kalsekar, and encouraged his followers to watch the film, acknowledging the efforts of production houses Matchbox Shots and Tips Industries Ltd. He concluded by praising Raghavan's dedication to his craft, saying, "Great to see you making this happen. And the cinephile in Sriram is as omnipresent in this as on his T-shirts and his life."

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A post shared by Anurag Kashyap (@anuragkashyap10)

Having said that, it is worth mentioning here that earlier, filmmaker Atlee had also penned a heartfelt review of Merry Christmas. The filmmaker called it his “favourite narrative of recent times," praising its blend of "a beautiful love story with an amazing thriller." While showering praises on Sethupathi, Atlee called him "pure class" and gave a shoutout to his "wooowwww" climax performance. He further lauded Katrina's work and Raghavan's direction, concluding with "a pure classic written all over it."

Released in Tamil and Hindi, Merry Christmas is currently running in theatres. The film is produced under the production banner of Tips Films and Matchbox Pictures. It is based on Frédéric Dard's French novel Le Monte-charge.

[observatoiredumensonge]

Macron a choisi de ne pas choisir

Une fois de plus et une fois de trop… Par Alexandre Goldfarb Nous soutenir : “Un politicien ne peut faire carrière sans mémoire, car il doit se souvenir de toutes les promesses qu’il lui faut oublier.”Frédéric Dard 🔵 Macron a choisi de ne pas choisir Une fois de plus et une fois de trop…Ainsi la France engluée dans une politique molle et inconséquente peut poursuivre son naufrage.« Il n’y a…