#for some reason the @s don't link properly if there's more than 5 in one line
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Whoa #2 (Electric Boogaloo)
Reached – and surpassed – 60 followers.
Thank you @stardustaapocalypse, @unaspenser, @solarrghoull, @hazel-islivingtrash,
@gushing4gojo, @charles-rxwlands, @quick-nails-tips, @abdalazizaziz,
@mjsharpcraft, @judy2009, @stickyexpertalpaca, @maxgromov,
and everyone else for the follows! :D
^me rn
#Thanks#tumblr milestone#60 followers#thanks so much#hell yeah#this is amazing#I'm famous#mom i'm famous#im famous#mom im famous#this is awesome#thank you so much#happy#aaaaaa#happy happy joy joy#for some reason the @s don't link properly if there's more than 5 in one line#so I tried to make it look nice
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Uuuh I wanna contribute to the prosthetic arm topic too!!
It takes months (almost years) of research and testing before Ankh manages to craft a decent new arm, which is totally not functional as a limb per se but it's more of an aid if she's on a mission and needs stability in combat. Also it helps her regain confidence in her skills since she has to drop bow and arrows - can't really hold a weapon she can't feel the weight of.
Emotionally speaking, archery was something fundamental in her life, a talent that took years to be perfected. She feels a sense of emptiness, as if she has lost her identity and can't contribute to the world as an individual anymore. Working on the arm along with Dagna and Three Eyes helps her to cope with such a traumatic loss but like, even if she consumes herself on this task night and day she can't help but feel like she has no reason to do so. Most days she focuses on the new task to avoid to explore her feelings, so she overworks herself to the point she can't connect properly with her surroundings. She was sure she would die after walking through the last Eluvian at the Winter Palace, consequently sometimes she asks herself if that fate would have been better than living without what made her her. Luckily she has a strong support system, people that really appreciate her character outside what good she can provide to the world. Just like her new project, her mental health after Trespasser is a work in progress, basically.
Once she can grip to her resolve, she just starts to develop her ideas further. At first the arm is a regular prosthesis with two runes placed on the joints, to help her hold on objects, then it starts to become something more complex.
What she manages to do:
The arm is functional in a sense that it can be directed to move accordingly to the situation. There are buttons to push and levers to click if she wants to perform certain movements. It's like playing an instrument, using shoulder movements and the aid of her main hand to keep it in place whenever in need.
What she doesn't manage to do:
Handshakes, caresses and other gestures connected to physical touch don't seem to perform properly. Which is normal, considering a big portion of her arm is not linked to the brain. As I mentioned above, some movements can be performed only because of a complex system of levers, buttons and body movements that can symulate a realistic arm movements but the more Ankh goes further with the development, the more she starts to put aside what's realistic and shifts to functionality. You can see her perform strange dances from time to time so she could find a good balance, or just to bend the new arm to a certain degree.
About materials:
Since plastic and silicone aren't available materials and the ones already existing are heavy to say the least, it was hard to balance the arm in relation to Ankh's body weights system. This problem was partially solved by enchanting strategic points - the elbow and the shoulder in this case - as to make the structure less overwhelming and more manoeuvrable. The only catch is that a mechanical arm is still heavier than a regular arm, even if it's something not perceivable. The weight has still an impact on her body, so she has to be super careful to prevent overexhaustion. The part connected to the skin is composed by three different layers, one for elasticity, one for durability, and the other for comfort between skin and the hard layers. My math is terrible but I think it could be approximately 3-5 cm of thickness. The problem here is that the lighter the materials are, the more the arm is prone to damages. The structure in itself is designed to be practical for a very agile person - it has to be lighter - consequently it tends to malfunction from time to time because of sudden hits - or an overuse during reckless parkouring, knowing her << I'm not convinced about the harness' design but she definitely wears one to keep the arm in place, with a sewn on sleeve to make what's left of the arm feel comfortable with all that weight on.
She tends to wear it often, and she modifies it constantly, so to be prepared always if some asses need to be beaten <3 but also it improves her overall confidence.
#long post#inquisitor lavellan#ankh#I hope my horrid notes and my horrid english are somehow readable lol#one does a concept art course at 20 and she's suddenly an engineer#ask me why I stick to organic stuff lol#I have fun thinking that when she gestures while speaking she pushes levers and buttons to make the arm and hand move#which is very frenetic to watch but also quite entertaining#*frantically pushes three buttons in a row to do the finger gun pose after telling a bad joke*
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When things fall into place: part 1
Yes, yes, I know it's been a while, and I would fall back onto my typical (and often true) reason/excuse of forgetting about Tumblr... but the truth is actually far more boring. I had nothing to share. I'm sure I've mentioned previously - at some point, at least - that I often have a million-and-one things in my head. Pinning down an idea is something I find really difficult. And I don't have a tutor (or really anyone, for that matter) to properly bounce ideas off and have someone understand me and help me find a path to follow through it and try to organise my thoughts. But a couple of weeks ago, I picked up a sketchbook I haven't touched in a while: The sketchbook I started last year that was meant for some of what I affectionately called Spooky S*it. It started off as a general sketchbook for a variety of spooky things - the things that have always fascinated me, even as a small child. Over time, it sort of became a bit more focused on Witchcraft and the History of Witchcraft and Witch Trials of the past - almost entirely by 'accident', for want of a better phrase. And Scotland had a particularly grisly part to play in the history of witch trials and the treatment of people accused and found guilty of witchcraft. I kind of started with the Renfrew Witch Trials of 1697 - it's become something of a special interest of mine over the past 5 or 6 years (give or take). I've been researching a lot (and I mean a LOT) about the history. I also, by extension, looked at the Salem Witch Trials (which are sort of linked to the witch trials of Renfrew) and how one of the accused and subsequently executed "witches" - Rebecca Nurse - was born in the same small town in England as I was. I'm slowly - and rather forcefully on my part - trying to pull myself out from the Whirling Vortex of Doom of Research and starting to put some proper ideas down for some final paintings. For some reason, I always think that the more information I have to hand the better prepared I am to start painting - and it very rarely actually works out that way.
I also asked another artist friend of mine if she would like to collaborate on it. Tackling a subject as big as The History of Witches and Witch Persecution is bigger than I thought it was going to be - so I figured it might be a good idea to share some of it with someone else! We'll see what happens, I guess! On the plus side, this is the first time in a long time that I've been excited and moved by an idea and making art so I'm looking forward to seeing what we make. Hopefully, we'll get to exhibit sometime soon, too. No photos to share just yet. Mostly because my phone is currently charging at the other end of the room, and I can't be bothered to get up and get it. Next time, yeah?
#art#fine art#traditional art#mixed media art#planning some art stuff#sketchbook ideas#witches#history of witch persecution#history#scotland#salem
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1. I've told this story before but essentially my older sister let me play SC3 when i was like 6-ish bc she had it and i loved it but Siegfried scared the piss outta tiny me lmao
2. I've played all except Broken Destiny and Legends (tho i have every game including those two, i plan on playing them too)
3. Honestly a toss up between 1, 2 and 3 as i love all three (i like all the games obviously but those three are probably highest on the list)
4. Siegfried (i thought he was a girl)
5. Siegfried bc i love the range and just in general how he controls is fun to play (i love Kilik too tho)
6. Siegfried (specifically his SC3 design, bro looks beautiful and the armor looks great), Kilik again bc he looks great too (they both have face scars and look good), Aeon/Lizardman (I'm a furry/scalie so yknow this was natural)
7. Link and Ezio (Geralt was good too as far as theme but he was boring af personality-wise sorry *i haven't played as 2B yet but i like her so maybe her too but idk yet*)
8. Valeria for reasons, and Chester bc i love his design
9. Olcadan dammit bring him back i love him, he's silly and stupid
10. Honestly don't have one but Night Terror looks fuckn cool
11. Either Weapon Master or Mission Mode (Chronicles of the Sword too but idk if that counts)
12. Siegfried's story is mainly what got me so attached to his character, especially since while he's a good person, he's not necessarily a NICE person (as I've said he's a cocky little bitch and i love him for it), plus I'm a major sucker for redemption stories where a character genuinely struggles and bro struggles ALOT in his story but never gives up even when he fucks up royal
13. Soul Calibur, Double Crescent Blades and Jingu Staff from SC2, and as stupid as it looks Soul Calibur from SC4 is kinda cool and i sorta like it lmao (and Requiem from the games it's in It's simple but badass)
14. The stages with "Confrontation" as the theme song in 2 and 3, Ostreinsburg Chapel from SC2 (also bc of theme lmao), and Lost Cathedral from 3 (it's absolutely beautiful)
15. Sieg's theme in Soul Edge/Blade, Like i said in the last one "Confrontation" and "Raise Thy Sword", the Lost Cathedral theme in 3, and Ezio's theme in 5 (5 wasn't a great game but it had an absolute banger soundtrack)
16. "Sinners need no mercy...or sympathy" (the delivery is so good omg) (and a few others i just don't feel like listing them all lmao)
17. I love Zasalamel's SC4 ending bc it implies he's kinda watching over humanity with his reincarnation/immortal power and i like that it's kinda like a bittersweet peace for him
18. Neither bc i suck at both
19. Aside from Soul Edge/Blade (there's no contest there), i actually love SC5's opening with pre-time skip Siegfried fighting Nightmare, it looks fuckn awesome (just wish the rest of the game was good)
20. Some other dual wielder please we need more of them it's cool
21. For a realistic answer • honestly anyone from one of the medieval-esque Final Fantasy games (tho Bartz or Faris from FF5 would make me so happy, it wouldn't happen), for a pipe dream answer • either some kinda Pokemon (i.e Mewtwo, Lucario, Zoroark, Gardevoir, etc.), a Monster Hunter character, or a Fire Emblem character
22. The option to make female lizardmen please i just wanna make my ocs in peace
23. I love character creation, usually i just make ocs or alternative outfits for the cast
24. I wanna play online but I'm a weenie and i suck at these games even though i love them
25. Probably an anime or a mini series (i think it'd need more than just a movie's runtime to properly do the story unless they were just doing one game adaptation ig)
26. Ehhhh it's fine ig i like it, i think it's hilarious they made Siegfried such an emo weenie pretty boy (no hate to his VA tho Kirk Thornton did a great job imo)
27. Raphael being a vampire is certainly a choice, ig I'm so used to it since he's been that way since 3 so it doesn't bother me all too much but it's uhhhh yknow just kinda there
28. Bro wouldn't be able to move in that crystal armor, like it's pretty but damn impractical
29. They're.....there ig, Soul Calibur looks better than Soul Edge imo but they both just look like the SC1 versions
30. Honestly i never really use him but i like Aeon with all of them (SC1 Aeon is pretty good honestly even with not very good reach)
#wanted to do this so here#soul calibur#ik this is supposed to be an ask list but i just wanted to do the whole thing in one go
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Alright, so posts do properly embed in reblogs, but not my own posts (at least some of them)?
For some reason, don't know what is going on with that. I hope I will be able to figure out why that is, and "fix" it, I guess, even made a post about it. For now though, will be posting that propaganda I already did, fully here.
As well as (probably) making even more new stuff, once I am done with that. So, let's begin:
Alright, first link. This one just shows a badass and awesome 2012 Leo in his black outfit and makeup, after he had just beheaded Shredder's ass (the post also had another Leo stan being happy too). Here is that post:
Here is the screenshot used in that post, in case you decide not to click on that post above and because the picture(s) aren't showing up like they had in the past (I would all highly rec. you do so btw, please!). So here is awesome, scary, but also, hella tragic 2012 Leo, because him doing this is both awesome, but also so sad, killing The Shredder, who deserved it so hard:
Look how badass he looks!!
Here is another post (by the same person as the other post I linked) with some good analysis on Leo and also has them freaking out and chewing on their arm about. Leo is truly such a great and tragic character. He deserves all the good things!:
It talks about 2012 Leo's loss of innocence over the series.
Here is the picture of that poster chewing on their arm about what they said in that post (again, this picture is already in that post, but it is not showing up here, so I am copying and pasting it again:
Both of these two posts I linked above are credited to:
toothlesshat. Their name aren't showing up in the links, so I thought to credit them in this way at least, besides the links themselves.
Just a funny meme post about Rise, 2003, and 2012 Leo; that suits them all so well and made me laugh! One of the best uses of this meme I have seen, and one of the most accurate imo!!:
Here is a clip of 2012 Leo having Cain Instinct against 2012 Raph (with 2012 Mikey trying to break them up at then end, lol), and just being such a big bro/eldest bro, man. Seriously, this clip is so funny, man. Watch it, please, it is great:
And here is a post that goes over how just Leo in general, is actually one of the more violent and murder-y turtles, since the 80's man. It is the Leonardo Hamato Instinct; which misteria coined (who has some of the best TMNT content and other stuff too, btw, check them out!). Which is basically Leo being very violent and very protective and murderous and just, Leo, man!:
The next two posts are two posts by the same person, with very good 2012 Leo analysis; super rec. reading those posts:
Here is the first one:
As you can tell from the gif (is that what you would call the above?) they used, Leo is also, just a very silly boy. /affectionate
And here is a 2nd post by them:
Good posts both of them; please read them if you can!
A cute headcanon post about TMNT 2012 Leo and Raph being twins!:
(Picture not showing up again, so I am copy and pasting a picture from the post I am linking. Remember, all the pictures that are showing up, are apart of the posts I am linking in some form):
A funny and interesting post about Leo's moral compass (would also really rec. reading the tags on that post; mainly mine. But just in general):
(Their name isn't really showing up in the link, so the above link belongs to: hpnotfound and there is also a reblog by junsei-draws-rotasu (really rec. checking out this user, they are really cool, been following them for awhile) and tags by me)
Here is another clip, but this time of Leo being an utter dork. He loves Dracula, Van Helsing, and Monsters and stuff okay:
Leo is cooler than Van Helsing, that he is!
(The above clip and link belongs to tmntclips. You see stuff about my blog and reblog(s) of this, because I am copying the link from my a reblog from my blog).
Come on, let's 2012 Leo home this time!
Vote for 2012 Leo!!
My boys deserves the world.
#teenagemutantninjaturtleshowdown#tmnt#teenage mutant ninja turtles#tmnt 2012#tmnt 2k12#leo#tmnt leo#tmnt 2012 leo#tmnt 2k12 leo#vote for leo! vote for the blue boy!! for the insane protective awesome badass dorky complex blueberry!!!#leo propaganda#tmnt leo propaganda#tmnt 2012 propaganda#leo sweep#tmnt leo sweep#tmnt 2012 leo sweep
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#that happens even when the person isnt trying to argue that shes a mad queen/villain but that she has both 'good' and 'evil' in her#and is meant to fail#(e.g. that meta about how dany is a tragic shakespearean hero; which annoys me more bc it sounds convincing when you don't remember what#happened in the books very well...
Can you talk more about your problems with that essay? I thought that it sounded plausible... I don't want those things to happen to Daenerys, but I don't trust GRRM either.
Anon, thank you for this ask and sorry for the delayed answer. I was already planning to write several posts as a response to the arguments of “Daughter of Death: A Song of Ice and Fire’s Shakespearean Tragic Hero” (which you can read here), but I couldn't find the time or motivation for that lately, so thanks for giving me the opportunity to counter-argue it in a single answer. I tried to be brief by summarizing some of my notes and by linking to a lot of metas instead of repeating all of their points, but the response unfortunately ended up becoming long anyway.
In the context of that essay, Dany is considered a Shakespearean tragic hero because the writer thinks she fits five requirements: 1) Dany’s chapters contain supposedly deliberate references to Shakespearean plays; 2) Dany is “torn by an internal struggle”, namely peace versus violence or companionship versus rulership or home versus the Iron Throne, all of which also drive the external conflicts. Choosing the second options will lead to her demise; 3) prophecies and “influential accidents” - that is, events that “have roots in a character’s motivation”, as well as “the sense of ‘if only this had not happened’” - will “heighten and exaggerate [tragic flaws that] already [exist]” in Dany; 4) Dany will (according to the essayist’s speculations) take actions that produce “exceptional calamity” and her demise will be “her own choice and doing”; 5) Dany “[rose] high in position” and is “an exceptional being”, which sets her apart as a character that fits the mold of the Shakespearean tragedy because her reversal of fortune will highlight “the greatness and piteousness of humanity”.
I would argue that the points that the essayist made to justify how Dany supposedly fits these five requirements are all very skewed.
1) When it comes to requirement 1 (Dany’s chapters contain supposedly deliberate references to Shakespearean plays), the essayist is conveniently cherry-picking (as they often do throughout the meta). Bran Stark wants a dreamless sleep just like Dany: “Sweet, dreamless sleep, Bran thought.” (ACOK Bran I); “That night Bran prayed to his father’s gods for dreamless sleep.” (ACOK Bran II). Indeed, @marinabridgerton argues that that’s most likely tied to the fact that they’re the two characters most heavily associated with prophecies. Even Sansa is said to have a dreamless sleep: “Sometimes her sleep was leaden and dreamless, and she woke from it more tired than when she had closed her eyes” (AGOT Sansa VI). And yet, where are the essays about how these quotes are teaching the readership to interpret Bran’s and Sansa’s characters, storylines and trajectories based on Shakespearean tragedies?
2) When it comes to requirement 2 (Dany is “torn by an internal struggle”, namely peace versus violence or companionship versus rulership or home versus the Iron Throne, all of which also drive the external conflicts. Choosing the second options will lead to her demise), the essayist is right to point out that those dilemmas exist. However, they portray Dany’s struggles in a way that makes it seem that 1) there are “good” options (peace/companionship/home) and “bad” options (violence/rulership/Iron Throne) for Dany to take and that 2) choosing the latter ones will lead to Dany’s downfall. There is a lot to question about these assumptions.
2.1) When it comes to Dany’s conflict between peace versus violence, the essayist takes everything that Adam Feldman’s series of essays “Untangling the Meereenese Knot” says for granted when it shouldn’t be. I’m not going to delve into all the problems/inaccuracies/double standards with those essays. For our purposes here, it’s enough to say that they: 1) dichotomize Dany’s identity into mhysa and mother of dragons to argue that the former represents her desire for peace and the latter her violent impulses; 2) assert that the peace was real; 3) conclude that, by rejecting the peace, the Dany of ASOS is gone and from now on she’s going to be a very different person because she will have chosen to follow her violent impulses.
As already argued before, though, 1) Dany’s character can’t be dichotomized in that way because these facets - mhysa and mother of dragons - actually complement each other (as @yendany made clear in her most recent meta). Because Dany was the mother of dragons, she was able to act as mhysa way before she was hailed as such, which we see, for instance, when she kills the Astapori slave masters to free the Unsullied. Both of these identities manifest Dany’s fierceness when faced with great injustices. This is why, in ADWD, locking her dragon children prevented Dany from properly defending her human children… She needs to integrate both parts of her identity to be able to protect them. But Feldman couldn’t recognize that because 2) he accepts the peace deal that Dany made with the slavers as valid. Doing so would mean, however, ignoring the re-enslavement and suffering of thousands of marginalized people, which GRRM continually emphasizes in Dany's and Tyrion’s final ADWD chapters (read more about this here and here) to hammer home that the peace is false for prioritizing the slavers over them. Finally, 3) Dany is not a violent person nor does she have violent impulses. Feldman decontextualized the moments in which Dany uses violence from the standards of her time and place (read more about this here and here and here and here) to portray them in a more negative light than how they are actually meant to be viewed. Additionally, he conveniently left out all the moments in which Dany chooses to be merciful, from when she spares Yunkai and most of the Meereenese slavers (she didn’t do the same in Astapor because she was outnumbered and needed to protect her retinue) to when she doesn’t punish people who threaten or disrespect her to her face (such an envoy who spits at her face, a boy who tries to attack her, Xaro after he says he wishes he’d killed her), to give a few examples (read more about this in @rainhadaenerys's comprehensive meta). I would argue that Dany’s conflict is less about peace versus violence and more accurately about her tendency to be merciful versus her desire for justice (which, especially in the particular context she finds herself in, is unattainable without violence). In fact, I would go further and say that it’s distasteful to characterize Dany as someone “violent” or with “violent impulses” when, so far, she’s only used violence to a) defend and protect victims of (physical and systemic) violence and/or b) in circumstances in which her actions are no more problematic than those of any other leader of her world. And yet, the essayist portrays them as if they were (“To choose indiscriminate destruction over peace tends toward the evil”).
It’s also convenient that the essayist only talks about fire negatively (“Dany wields unmatched power that can “make or unmake at a word”—Dracarys—villages, armies and kingdoms”, “in the words of Maester Aemon, “Fire consumes.””) when it's also connected to life, rebirth, healing and enlightenment. And dracarys in particular is explicitly associated with freedom by the narrative while Dany frees the Unsullied (her decision, in turn, is associated with her future actions in the War for the Dawn). But acknowledging these things would make it harder to portray Dany as a Shakespearean tragic hero.
2.2) When it comes to Dany’s conflict between companionship and rulership … Again, the dilemma exists, but not in the way that the essayist presents it. What I mean is that they go out of their way to make it seem that Dany’s loneliness was the main factor driving her decisions, such as the liberation of the Unsullied (“She feels for the forced loneliness of the Unsullied, and it is loneliness that convinces her to commit violence in the plaza to free the slaves—just as it is in loneliness she chooses violence amidst the Dothraki Sea.”)... And not, y’know, her compassion and sense of justice (“Why do the gods make kings and queens, if not to protect the ones who can’t protect themselves?”), which are rarely acknowledged in this essay even though it’s arguably the main aspect of Dany's characterization. Why does the essayist do that? Because, since they are arguing that Dany is a tragic hero, they need to present Dany’s loneliness both as the reason why she achieved greatness and as the reason that will lead to her demise when she (supposedly) starts distrusting people, closing herself off and choosing violence (“the moral conviction she feels for her abolitionist crusade is part of the greatness that is also her tragic trait [...] She feels for the forced loneliness of the Unsullied, and it is loneliness that convinces her to commit violence in the plaza to free the slaves—just as it is in loneliness she chooses violence amidst the Dothraki Sea.”). As I said, however, doing so requires downplaying Dany’s compassion, as well as ignoring the fact that she does not close herself off to people in ADWD, nor is there any sign that this was seeded as a serious issue for her in future books (especially considering that her governance is meant to be contrasted with Cersei, the character who actually does close herself off to people. But more on that below when I talk about why Dany doesn’t fit the essayist’s third requirement).
Also, singling out rulership in particular as a reason for Dany to feel alone is conveniently selective (“Returning to Westeros means ruling Westeros - and ruling means loneliness”). All the major characters have reasons to feel lonely and isolated in their society because GRRM chose to focus on the underdogs. Their social standings are already enough to make all of them feel alone. As he said, “Tyrion of course is a dwarf which has its own challenges. Dany is an exile, powerless, penniless, at the mercy of other people, and Jon is a bastard”. You can also throw in Arya for being a young girl struggling to adhere to gender norms and Bran for being a disabled child. And that is just one example… There are a myriad of reasons and situations for various characters to feel lonely and isolated, but the essayist specifically chose to talk about how rulership causes that for Dany. And, considering that the essayist thinks that Dany’s rulership -> growing isolation and loneliness -> her ultimate downfall, it really feels like they’re punishing Dany narratively for acquiring and wielding power. Which leads me to the next point...
2.3) When it comes to Dany’s conflict between home and the Iron Throne, I would argue that that’s not really a conflict. Dany (like any feudal leader) believes she needs to retake the Iron Throne to stay in her homeland just like the Starks believe they need to retake Winterfell to stay in their homeland. Whether Dany finds herself at home in Westeros or not is irrelevant to that fact. And yet, the essayist only presents the former as being in the wrong for fighting for her birthright. However, as it's been already explained before, the Starks’ claim to the North isn’t morally righteous. They only have dominance over the North because, for thousands of years, their ancestors fought against, drove away and killed most of its indigenous population (the Children of the Forest), as well as multiple families who were also vying for control over the region. With that in mind, Dany fighting for her birthright isn’t any more problematic than the Starks enjoying the lands and privileges obtained with conquest and bloodshed, as well as the labor of peasants. One could argue that GRRM may have a double standard against Dany in this case (though it's been argued before that he doesn't intend to present the Iron Throne as a source of greed and evil like how fandom presents it) because of the order of the events and depending on whether he holds Dany accountable for more problems for waging her war than the Starks for having done/doing essentially the same thing, but that’s not what the essayist is doing. Instead, they a) take for granted that Dany is doing the wrong thing for fighting for the Iron Throne ("To delay the call of the North and continue to divide an already weakened realm is to give into dark desires.") and b) center all their speculations about her eventual demise based on that belief.
Ultimately, I would argue that none of these three dilemmas - peace versus violence, companionship versus rulership, home versus the Iron Throne - come with easy answers. When it comes to the first conflict, it’s important that Dany prioritizes the lives of the slaves over the privileges of the masters, but that causes more war and bloodshed. When it comes to the second and the third conflicts, it’s worth noting that the first options (which the essayist presents as the “good” ones) are actually the selfish paths for Dany to take. After all, she would rather live a normal life with a husband (companionship) in the house with the red door (home) - “She would rather have drifted in the fragrant pool all day, eating iced fruit off silver trays and dreaming of a house with a red door, but a queen belongs to her people, not to herself”. But, as the quote shows, instead of choosing these selfish goals, Dany accepts the burden of rulership and the fight for the Iron Throne because of her duty towards her people and ancestors. And, while this path leads to war (either in Meereen or in Westeros, though the former is morally righteous and the latter, while not inherently justified, is not any more problematic than Robb fighting for Northern independence), power is also the means through which Dany can make changes that benefit the common people.
With all that said, it’s ironic that Dany fans are often accused of flattening her character or her choices when it’s actually her detractors or “neutrals” (like the essayist) who do so - they are dead set on portraying Dany’s available options as either “good” or “bad” and on speculating that choosing the latter ones will lead to her downfall, but the text actually gives her conflicts in which all the options have their pros and cons.
The essayist also makes a mistake that isn’t really up to interpretation or difference in opinions. They say that, in AGOT Daenerys III, “after admitting this difficult truth [that Viserys will never take back the Seven Kingdoms], Dany assumes the goal for herself (and at the time, her son)”. That is incorrect. In AGOT Daenerys V, moments before Viserys’s death, Dany says she would have allowed him to have the dragon eggs because “he is my brother … and my true king”. Jorah doesn’t think she should still acknowledge him as such, but she tells him that “he is all I have”. So no, Dany hadn’t assumed the goal for herself at that point, she only took over his campaign in her son's name (not hers) after Viserys's death. But the essayist needs to exaggerate Dany's ambition to justify her demise, since they speculate that “in that hurt and betrayal, all that will be left - she will think - is the crown”.
3) When it comes to requirement 3 (prophecies and “influential accidents” - that is, events that “have roots in a character’s motivation”, as well as “the sense of ‘if only this had not happened’” - will “heighten and exaggerate [tragic flaws that] already [exist]” in Dany), the problem is not in cherry-picking or in double standards against Dany, but rather in the essayist’s lack of knowledge about Dany’s characterization. It’s simply not true that Dany’s distrust of people grows to the point that she closes herself off to them. Instead, I would argue that Dany is actually portrayed as someone with a healthy distrust of people. We know from the books (1, 2, 3, 4) that she finds it unlikely that Barristan, Grey Worm or Missandei would ever betray her, but that she doesn’t think she can rely entirely upon Reznak, the Green Grace, the Shavepate, Hizdahr and Daario. Do Dany’s doubts about these people’s intentions lead her to, as the essayist says, “push people away”? No. Through almost all of ADWD, she (wrongly, though understandably) believes that "until [freedmen and former masters stand together, Meereen will know no peace". Accordingly, Dany is willing to listen to the counsel of all of her advisors (both the ones she trusts and the ones she distrusts) to ensure that she makes informed decisions. To give some examples:
Dany allows “well spoken and gently born” people (i.e., not the typical condition of most former slaves, who are glad that Dany freed them) to sell themselves into slavery and imposes a tax each time men chose to do so like how it happened in Astapor (ASOS Daenerys VI). By making this decision, she agreed with both Missandei and Daario.
Dany employs the Unsullied to ask the Blue Graces if someone showed up with a sword wound and to ask butchers and herdsmen who’s been gelding goats (ADWD Daenerys I). By making this decision, she disagreed with Barristan.
Dany chooses not to punish any noble in response to the murder of Stalwart Shield and only increases the amount of gold for whoever gives information about the Sons of the Harpy (ADWD Daenerys I). By making this decision, she agreed with Reznak and disagreed with the Shavepate.
Dany gives up on banning the tokar and wears it herself (ADWD Daenerys I). By making this decision, she agreed with the Green Grace.
Dany (rightly) refuses to reopen the fighting pits for a while until she later relents in the name of the peace with the Meereenese nobles (ADWD Daenerys I, II, III, VI). By making this decision, she disagreed with Hizdahr, Reznak, the Green Grace and the Shavepate and agreed with Missandei.
Dany delays the choice of a husband until it becomes necessary later (ADWD Daenerys I). By making this decision, she disagreed with Reznak, the Shavepate and the Green Grace.
Dany chooses to pay the shepherds for the animals that they say their dragons ate (ADWD Daenerys I). By making this decision, she disagreed with Reznak.
Dany pays Hazzea’s father the blood price (i.e., one hundred times the worth of a lamb) for her death, lays her bones to rest in the Temple of the Graces and promises to pay for his children each year so they shall not want (ADWD Daenerys II). By making this decision, she disagreed with the Shavepate.
Dany allows the Shavepate to torture the wineseller and his daughters for information about the Sons (ADWD Daenerys II). By making this decision, she agreed with the Shavepate.
Dany imposes a blood tax on the noble families to pay for a new watch led by the Shavepate, takes the gold and the stores of food of any nobleman who wishes to leave the city and keeps two children from each pyramid as hostages instead of letting the nobles go unpunished after nine freedmen were killed by the Sons (ADWD Daenerys II). By making this decision, she agreed with the Shavepate and disagreed with Reznak.
Dany has Barristan and Groleo and his captains and sailors to inspect Xaro’s ships (ADWD Daenerys III). By making this decision, she agreed with Barristan.
Dany chooses not to go to Westeros despite being offered ships to do so (ADWD Daenerys III). By making this decision, she disagreed with Barristan.
Dany doesn’t kill her child hostages despite the Sons’ ongoing attacks (ADWD Daenerys IV). By making this decision, she agreed with the Green Grace and disagreed with the Shavepate.
Dany agrees to marry Hizdahr if he’s able to give her ninety days of peace in Meereen (ADWD Daenerys IV). By making this decision, she agreed with Hizdahr, the Green Grace and Reznak and disagreed with the Shavepate, Barristan, Missandei and Daario.
Dany refuses to gather the masters and kill them indiscriminately (ADWD Daenerys IV). By making this decision, she disagreed with Daario.
Dany doesn’t allow the Shavepate to continue his tortures due to their unreliable results (ADWD Daenerys V). By making this decision, she agreed with Hizdahr and disagreed with the Shavepate.
Dany refuses to use her dragons in battle (ADWD Daenerys V). By making this decision, she agreed with Reznak.
Dany decides not to take the field against Yunkai (ADWD Daenerys V). By making this decision, she agreed with the Shavepate and disagreed with Barristan.
Dany brings the food to the Astapori refugees instead of sending someone else to do it (ADWD Daenerys VI). By making this decision, she disagreed with Reznak, the Shavepate and Barristan.
Dany burns the dead among the Astapori refugees, bathes an old man and shames her men into helping her (ADWD Daenerys VI). By making this decision, she disagreed with Barristan.
Dany refuses to allow Hizdahr’s mother and sisters to inspect her womb and to wash Hizdahr’s feet before he washes hers (ADWD Daeneerys VI). By making this decision, she disagreed with the Green Grace and Reznak.
Dany decides to marry Hizdahr by Ghiscari rites and to wear a white tokar fringed with pearls (ADWD Daenerys VI). By making this decision, she agreed with the Green Grace and Reznak.
Dany allows Hizdahr to reopen the fighting pits (ADWD Daenerys VI). By making this decision, she agreed with Hizdahr, the Green Grace and Reznak.
Dany goes along with a peace agreement with the Yunkish slavers in which she’ll let Yunkai and Astapor reinstall slavery if they leave Meereen intact (ADWD Daenerys VI). By making this decision, she agreed with Hizdahr.
Dany holds court in order to, among other reasons, meet the Westerosi men that came over from the Windblown (ADWD Daenerys VII). By making this decision, she agreed with Daario.
Dany doesn’t accept Quentyn’s marriage proposal because she doesn’t want to abandon her people (ADWD Daenerys VII). By making this decision, she disagreed with Barristan.
Dany doesn’t ride a horse in a tokar to meet Hizdahr (ADWD Daenerys VII). By making this decision, she agreed with Missandei.
Dany decides not to sound out the Company of the Cats (even though she wanted to) because Barristan says he's untrustworthy (ADWD Daenerys VIII). By making this decision, she agreed with Barristan.
Dany attends the reopening of the pits (ADWD Daenerys IX). By making this decision, she disagreed with Missandei.
Dany allows the Brazen Beasts to guard her because she wants to show that she trusts them so that her people can trust them as well (ADWD Daenerys IX). By making this decision, she disagreed with Barristan.
Dany prevents Tyrion and Penny from fighting against lions with wooden swords. By making this decision, she disagreed with Hizdahr.
I didn’t include all of Dany’s decisions because she makes many of them on her own and/or without someone explicitly supporting them or opposing them (in fact, many of the ones above were made without any advisor giving her their feedback, but I listed them if they’re seen agreeing or disagreeing with her onpage anyway). That being said, note that Reznak is the one that Dany is most suspicious of (because he perfectly fits the description of one of the treasoners), but that five of her decisions follow his recommendations, in contrast to Barristan (the knight who she actually trusts and who keeps all her secrets) only having his advice followed twice. Also note that Dany “trusted Skahaz more than she trusted Hizdahr”, but she agreed with the former three times and disagreed with him eight times, in contrast to having agreed with the latter four times and disagreed with him twice. The list clearly shows that Dany listens to everyone’s feedback (including from people she distrusts), considers it carefully, makes her own decisions and handles dissent extremely well. Her actions reflect her own words (“A queen must listen to all. [...] One voice may speak you false, but in many there is always truth to be found”, “It seems to me that a queen who trusts no one is as foolish as a queen who trusts everyone”).
There is, however, one character who is seen only listening to people who agree with her and who distrusts and closes herself off to almost everyone - Cersei Lannister. And it’s especially worth noting that Cersei is meant to be “directly contrasted” with Dany, that the author was “doing point and counterpoint” with them and that each of them is meant to show “a different approach to how a woman would rule in a male dominated, medieval-inspired fantasy world”. In other words, Dany and Cersei are narrative foils, but Cersei’s traits are being transferred to Dany in this essay.
Also, I could just as easily create an entire narrative about how Sansa will end up closing herself off to people based on what we see on canon. She thought she could trust Joffrey, but she ultimately couldn’t. She thought she could trust Cersei, but she ultimately couldn’t. She trusted Sandor, but he left her. She tried to trust the Tyrells, but they ultimately disposed of her after she was no longer necessary. She tried to rely on Dontos, but he was a disappointment and was ultimately murdered. She doesn’t trust Littlefinger, but she needs to stick to his side because she has no better option. She considered telling the Vale lords her identity, but she doesn’t trust them. All of this feeds into Sansa’s distrust of others and will lead to tragic consequences. Indeed, as Sansa herself says, "In life, the monsters win". I bet that the essayist would find this whole speculation biased considering that they favor Sansa's character. But then, why is only Dany singled out as the one who is going to meet her demise even though it’s made clear that she continues to trust people through and through?
The essayist needs to say that Dany starts distrusting people to an unhealthy degree (“As Dany gains more power, [...] her focus on the treasons causes her to push people away, widening the gap between rulership and companionship”; ”The more power she gains, the greater her isolation and likely her fear of betrayal. The fear of betrayal is, of course, human. But GRRM has stated that he likes to turn dramatic situations up to 11, which is necessary to create the Shakespearean tragic hero. Dany’s fear must be larger than life.”), as well as to judge her campaign to take back the Seven Kingdoms based on double standards (“Dany’s great sin within the story’s moral order will have been focusing on the war for Westeros against Aegon VI before she turns to the enemy of the North”) compared to the Starks. If they didn’t do so, there wouldn’t be a reason to justify Dany’s demise. If they didn’t do so, the entire speculation that she’s a Shakespearean tragic hero falls apart. But saying that something is true doesn’t necessarily make it true, you need to provide the textual evidence (which they barely do … They assume that the reader will take almost everything they say for granted. After all, since there’s a prophecy foretelling that Dany will be betrayed three times, of course she’s going to distrust people way too much from now on).
There’s also another aspect of Dany’s relationship with prophecies that the essayist portrays inaccurately. They say that “the effect of this prophecy on Daenerys is multifaceted” for “[promising] greatness” (which, along with the also inaccurate statement that “part of Dany’s pursuit of the Iron Throne is born from a sense of destiny”, implies that Dany wants to be great or that she thinks of herself as great, none of which are true) and pushing her “further from the people who surround her”. I already questioned the latter statement, and the former is inaccurate too. After all, Dany has doubts that there are men in Westeros waiting for the Targaryens to return. The birth of the dragons has to do with the fact that Dany was able to put two and two together with clues from dragon dreams and Mirri's words, not because she thinks she's exceptional. Dany is not really sure that the red comet was meant for her. She followed its direction because the other paths weren't reliable and, even in Qarth, she's unsure that it was meant to guide her to success. Then she never thinks about it again. I'd expect otherwise from someone who thinks they're exceptional. Dany is surprised when told by Quaithe that she's the reason why magic is increasing in the world and never thinks or brags about it after their interaction. I'd expect otherwise from someone who thinks they're exceptional. Dany doesn't think she won any victories in the House of the Undying, she credits Drogon for burning the Undying Ones. She only allows Jhiqui to add a bell to the end of her braid because "the Dothraki would esteem her all the more for a few bells in her hair". Dany refuses to sit on the throne inside the Great Pyramid's audience chamber and chooses to sit on a simple ebony bench that the Meereenese think does "not befit a queen". Dany refuses the offer to have a statue in her image to replace the bronze harpy in the Plaza of Purification. I'd expect otherwise from someone who thinks they're exceptional. Dany is highly self-critical and, later in ADWD, thinks that she "was as clean as she was ever going to be" after taking a bath because she holds herself accountable for the upcoming slaughter in the opening of the fighting pits. I'd expect different from someone that thinks they're exceptional. Dany doesn’t think that the people who came to the reopening of the pits wanted to see her - “it was my floppy ears they cheered, not me”. I'd expect different from someone that thinks they're exceptional. Most of Dany's titles (the Unburnt, Mother of Dragons, Mhysa, Azor Ahai, etc) are given to her by other people, they're not self-proclaimed (not that there's a problem if they were, I'm only saying it to reiterate that Dany doesn't think she's exceptional). The ones that she assumes on her own are the ones that anyone who believes in birthright (i.e., everyone in her time and place, regardless of family, regardless of whether they're Targaryens) would assume.
4) When it comes to requirement 4 (Dany will (according to the essayist’s speculations) take actions that produce “exceptional calamity” and her demise will be “her own choice and doing”) … Well, we now enter the realm of speculation. It’s not impossible that Dany “will feel like a villain to the Westerosi, as she burns their villages and crops ahead of a hard winter” in the future. The problem here, once again, is in the double standards. Look at the way the essayist describes the likely reascendance of the Starks in the upcoming books - “With the death of “good” characters like Ned, the injury of innocents and moments such as the Red Wedding, ASOIAF as a story is not concerned with justice. But as the story progresses, we see that the way Ned ruled his people and raised his children contrasts with characters like Tywin and his methods. Much of the North seems to continue to rally behind the idea of the Starks, some with less “honorable” methods than others, while Tywin’s legacy begins to fall apart. Like in Shakespeare’s tragic world, there appears to be an order that arcs towards a higher idea of goodness that instills a dramatic satisfaction”. Like I said above when I questioned requirement 2, the Starks’ claim to the North is no more justified than Dany’s to the Seven Kingdoms. They have the advantage of having had their rule normalized throughout the thousands of years they ruled the North, but it doesn’t change the fact that, because they’re feudal lords, they still maintain a system rigged in favor of the nobles that promotes social inequality and extreme lack of social mobility. It doesn’t change the fact that there's no righteous form of feudalism. But only Dany is criticized in that sense by the essayist - “By nature, power breeds inequality, when one party has the ability to decide the fate of another. That inequality creates distance. As a queen Dany wields absolute power over the rest of her subjects and her court”. Which is pretty infuriating not only because the Starks are also morally grey in the sense that the essayist describes, but also because GRRM specifically mentioned that Daenerys is the ruler "who wants equality for everyone, she wants to be at the same level as her people". Additionally, if Ned left a legacy that motivated his people to fight against his enemies, so did Dany with the former slaves. But the essayist needs to ignore all of that to paint Dany as a Shakespearean tragic hero.
Even if we don’t take into account what TWOIAF reveals about the Starks’ ancestors, the main story itself often paints House Stark’s actions in a negative light. We see a peasant spitting at the mention of the Starks and saying that things were better with King Aerys II in power. We're told that Northmen looking for Jaime on Edmure’s orders burned a village called Sallydance and were guilty of rape and murder. It’s no wonder that the High Sparrow mentions the wolves along with the lions as threats to the septas. Also, thousands of soldiers died indirectly because of Robb’s decisions, as well as lots of people who remained north and became vulnerable to raping and pillaging due to his inability to hold Winterfell. And finally, when winter comes, the smallfolk will be affected by the actions of the northmen, who (like Dany might do in the future) already helped to disrupt the harvest and to leave the continent short on food. And yet, why is their future success framed as “an order that arcs towards a higher idea of goodness”? Why is Dany the only one who is said to be “giv[ing] into dark desires” by “divid[ing] an already weakened realm” when the Starks (framed as the heroes in the essay) did the same thing? This double standard gets infuriating when one remembers that Dany is the one fighting a war in the name of the disenfranchised (even though she is not connected to them by blood or lands or oath of fealty and doesn’t gain anything by helping them), while the Starks are (and will be, if they want to retake Winterfell) fighting a war because of personal injury (which, sympathetic as it may be, doesn’t justify the damage that they caused to the smallfolk). It gets even more infuriating when, as @rakharo pointed out to me, one remembers that, while Dany is trying to right the wrongs of the Valyrians by ending slavery in Slaver’s Bay, none of the Starks have acknowledged, much less tried to make amends for injustices perpetrated by the First Men against the Children of the Forest. It gets even more infuriating when one remembers that Aegon the Conqueror united Westeros in preparation for the War for the Dawn (something that GRRM himself confirmed), while the Starks’ ancestors conquered the North solely because of their greed. That's why Dany’s story can’t be effective as a tragedy: she’d be punished for starting to do what everyone else was doing after doing more than almost everyone else was doing.
5) When it comes to requirement 5 (Dany “[rose] high in position” and is “an exceptional being”, which sets her apart as a character that fits the mold of the Shakespearean tragedy because her reversal of fortune will highlight “the greatness and piteousness of humanity”), again, we’re in the realm of speculation. But there are some things to question as well. First, the essayist validates the criticisms that Dany “too easily ascends to a position of power” by using them as proof that she’s a tragic character. But that’s not really true, which becomes clear with a few comparisons: the Starks lost their father, mother and older brother throughout the story because of the Lannisters, which Dany also did; but her losses go beyond them: she also lost another brother, her first husband and her first child. The Starks had their direwolves given to them, Dany had to use her intuition and then literally walk into a fire to birth her dragons. Aegon the Conqueror used dragons to take Westeros, Dany conquered three cities without barely using hers. Jon Snow’s conflict in ADWD involves conciliating the Free Folk and the Night’s Watch after he makes decisions favoring the former group, while Dany’s involves conciliating the freedmen and the slavers after she makes decisions favoring the former group, which has a worldwide impact; Jon’s conflict has relatively low stakes (because it hasn’t involved the Others so far), Dany’s conflict leads to “half the world” wanting her dead. As these examples show, Dany suffered more losses than the Starks. Dany had to do a lot more than the Starks to find her animal companions. Dany became a conqueror primarily because of her military strategies and resourcefulness without relying on dragonfire like her ancestor. Dany faced greater opposition than her male counterpart Jon so far. As we can see, gaining power and retaining it has not been easy for Dany at all. Every single one of her accomplishments has been earned. But it sure is interesting that Dany’s supposed future tragedies must stem from her actions, but that her victories aren’t given the proper credit and acknowledged as being a result of what she also did as well.
And then the essayist declares something even more inaccurate: that Dany “overcame each obstacle that came her way” and that “Robb and Jon paid for their mistakes while Dany did not” (which, to the essayist, is evidence that “Dany’s fall is meant to stand in contrast as something grander than just one slip-up”).
First of all, Dany clearly did not overcome every obstacle that came her way. Saying so means ignoring all of her ADWD storyline (and it’s funny how Dany's detractors go from saying that she’s overpowered and hasn’t suffered consequences to accusing her of being a bad ruler precisely because she dealt with the negative consequences of her choices, lol). To recap, Dany had an indirect part in the wars outside Meereen because she left the Yunkish slavers’ wealth intact, which leads to terrible consequences - multiple city-states and sellsword companies joining forces against her, Astapor’s fall, the pale mare’s outbreak, the emergence of refugees from Astapor outside her city and the upcoming Battle of Fire. Dany had an indirect role in the wars inside Meereen because she left most of the Meereenese slavers alive with most of their wealth intact, which leads to terrible consequences - the Sons of the Harpy’s attacks and dozens of freedmen’s deaths. Additionally, Dany had an indirect role in Hazzea’s death because Drogon was allowed to roam freely and she had no way to train him or her brothers. All these problems culminate in Dany agreeing with a peace deal that, as already explained here, was inherently unjust for prioritizing the slavers over the freedmen. Dany had to learn that, as much as she wants peace and to plant trees, there are situations in which she can’t be merciful because violence really is the only way to achieve justice for the disenfranchised. (On the flip side, that’s one of the reasons why I’m critical of the theory that Dany accidentally burns King’s Landing. When she was merciful, as I just listed, great tragedies occurred (which is fine, it was a realistic exploration of what happens when you abolish slavery and try to do good). When she used fire and blood, great tragedies will occur too? Even though she would be acting just like the Starks or any other feudal lord by fighting for her birthright? The theory narratively punishes Dany in a way that it doesn't do with the Starks, which is why it's no wonder that it was created by someone with Stark/Stannis biases. Additionally, it validates the common belief that Dany is only meant to be a wartime queen, even though she’s already showed that she’s a good peacetime ruler.)
Second, is dying the only way to pay for one’s mistakes (considering that only Robb and Jon are listed as examples of characters who did)? I don’t think so. Consider Sansa. Didn’t she pay for the mistake of going to Cersei to tell her of Ned’s plan? I would say she did. I would say the author agrees - “Sansa was the least sympathetic of the Starks in the first book; she has become more sympathetic, partly because she comes to accept responsibility for her part in her father's death”. Similarly, Dany had to accept her indirect responsibility for the tragedies that I just listed (Hazzea, forgive me; No marriage would ever bring them back to life, but if a husband could help end the slaughter, then she owed it to her dead to marry.; “I should’ve gone to Astapor. [...] I am the queen. It was my place to know.”; “What kind of mother has no milk to feed her children?”). I would argue that Dany and Sansa both paid for her mistakes, which were acknowledged, made them suffer and influenced their character developments. But the essayist needs to say that Dany didn’t pay for them (or that she had an easy rise to power) to help to paint her as a Shakespearean tragic hero.
6) Now that the essayist’s five requirements have all been questioned, I would also like to mention positive prophecies and speculations related to Dany that are never brought up in this essay.
First, Dany is AA/PTWP/SWMTW. That was heavily foreshadowed (read more about it here) and built up to and, if it doesn’t happen, it frankly would be bad writing. After all, haven’t readers praised GRRM for the foreshadowing of Ned’s death (e.g., a stag having killed the mother direwolf in the beginning of AGOT)? Haven’t readers praised GRRM for the foreshadowing of the Red Wedding (which we see from Tyrion’s to Theon’s to Dany’s chapters)? And yet, the essayist thinks that Dany’s death will cause “the forces [to] become more even, making victory less sure, or the Others surpass the side of the living in strength” and that “the White Walkers gain Drogon, becoming one-on-one but with the White Walkers having the larger dragon.”
Second, Dany and Bran both have dreams in AGOT leading up to their magical awakening. Bran needs to fly to escape from the “cold” of the darkness below, while Dany needs to run from the “icy breath behind”. Both of these dreams culminate with Bran and Dany learning to fly and accepting their magical destinies, which will be important in the War for the Dawn. And yet, the essayist thinks that “by understanding that the concept of warmth is tied to companionship, we can understand that the cold, “icy breath” must represent the opposite: loneliness” to justify Dany’s demise. Instead, it's clear (especially considering the parallels with Bran) that "icy breath" is an allusion to the Others. But they can't acknowledge that Dany will have a crucial role in the War for the Dawn, otherwise their entire speculation falls apart.
Third, Quaithe was presented as the third of the three Qartheen envoys (after Pyat Pree and Xaro) that came to find Dany in Vaes Tolorro, which heavily implies that she breaks the norm and is the one person that Dany can trust. And yet, the essayist takes for granted that Quaithe’s “narrative connection to betrayal is already established”.
Fourth, Dany might as well be the prophesied betrayer, not the one who’s betrayed by three people (after all, she’s already been betrayed by more than three people - Jorah, Mirri, Pyat Pree, Xaro, Brown Ben, the person that gave her the poisoned locusts, etc). It would fit with the pattern of Dany being an active participant in the prophecies rather than a passive one (e.g. Dany is AA/PTWP, not the one who gives birth to the AA/PTWP or the one who dies as a sacrifice to AA/PTWP) even though, at first, the readership is expected to think otherwise. And yet, the essayist takes for granted that Dany will be betrayed because otherwise their entire speculation falls apart.
Fifth, Dany is foreshadowed to have a positive relationship with Jon because “the blue flower” from the “wall of ice” filled the air with “sweetness”. And yet, the essayist needs to say that Dany "[will push] Jon away [...] from fear of betrayal and hurt” and from worries that he might be a “usurper” (nevermind that they are mischaracterizing Dany as someone overfocused on retaking the Iron Throne and who closes herself off due to prophecies, none of which are not true, as I already showed above) because otherwise their entire speculation falls apart.
7) Finally, I would also like to ask: what’s the point of giving Dany a storyline like this? Not only because it would be unearned due to the double standards and the changes that would have to occur in her characterization, but also because Dany has a special place in the narrative. She is 1) one of the two women (along with Asha) claiming power in her own right and the only one that we actually got to see rule, 2) one of three Chosen Ones (along with Bran and Jon) and the only female one, 3) one of two POV revolutionaries (along with Jon) and the only female one (and the one whose storyline arguably has the most political messages since she’s fighting against human slavery), 4) one of two POV female rulers (along with Cersei) and the only one who’s been depicted as competent (because she subverts the Good Princess Evil Queen dichotomy), 5) one of two Targaryen conquerors (three, if Young Griff does indeed take Westeros) and the only female one - “Aegon the Conqueror with teats”, 6) the only major mother who isn’t sure to be doomed and/or hasn’t gone mad, 7) one of two Targaryen queens regnant (along with Rhaenyra) and the only remaining Targaryen woman who gets to have power after a long line of Targaryen women - Rhaenyra herself, but also Rhaena, Aerea, Rhaella, Daenerys (Alysanne’s daughter), Rhaenys the Queen Who Never Was, Baela, Rhaena of Pentos, Daena - who were disempowered. GRRM already has a terrible history with female leaders in particular. If he causes the downfall of another one (especially one who is also one of the five main protagonists) for such unearned reasons like the ones that the essayist laid out, there would also be sexist implications. It would make the only she-king that we saw wielding power onpage overly defined by violence and destruction in a way kings don't have to be depending on their actions, it makes the only competent POV female ruler look incompetent in comparison to the other POV male rulers and it makes her conquest a disaster while the other male Targaryen conqueror (two, if Young Griff takes Westeros) gets to succeed. And yet, death by childbirth is the only speculation that the essayist calls out as problematic (“death by childbirth is a uniquely biologically female phenomenon and would be punishing Daenerys for her sexuality”).
8) What I find insidious about essays like this one is that they pretend to be unbiased (I do not argue for the death of Daenerys as a judgement on her ethical/moral goodness as a character nor of the world she inhabits. I argue it on the strength of her characterization and story, that she should be able to encompass such intensity and greatness as to be considered as complex as all these other single-name headliners in literature.) even though they really aren't. To recap, the essayist portrays Dany as someone with "violent" impulses even though she's a merciful person in general, accepts the peace deal with the slavers as valid even though it prioritizes the slavers' privileges over the lives of marginalized people, only talks about the negative connotations of fire, downplays Dany's compassion and sense of justice, argues that Dany is losing her ability to trust others even though she isn't, says that Dany is negatively affected by promises of greatness even though she isn't, argues that Dany had an easy rise to power and didn't pay for her mistakes even though she did, paints Dany's campaign to take the Iron Throne in a negative light without doing the same with the Starks having dominance over the North and ignores Dany's foreshadowing as AA/PTWP, as well as her special place in the narrative. So it’s not that Dany stans are unable to accept Dany’s mistakes and flaws, it’s that people who dislike her can’t understand her characterization or acknowledge the double standards against her or accept her particular place in the story. At the end of the day, an essay like this one is no better than jonsa metas mindlessly hating on Dany because, just like them, as @semperty and @niniane17 made clear, it also creates speculations with the intent of making Dany self-destruct and become irrelevant to pave the way for their preferred characters. The only difference is that it's more successful at appearing "neutral" to someone who doesn't remember what happened in the books very well, especially because Dany has become a polarizing character for a variety of reasons and it's easy to buy into the Appeal to Moderation fallacy.
Also, as I said before, the fact that these Twitter 'neutrals' all misunderstand Dany's characterization, downplay her struggles and judge her by different standards actually makes me somewhat hopeful that she's getting a better ending, because how can their speculations come true if they don't know Dany at all? But then, it's hard to trust GRRM.
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Not only do I not regret asking you to "RELEASE THE RAMBLES!", I'm sending you requests for more. Below is a list of questions that I asked @bihansthot , and enjoyed their answers, but because you are so thorough, and answer in such depth, I'm re-asking them to you.
Brace yourself, it's a list. I didnt have time to sort thru them, I just copied and pasted, so if any are questions you already answered before, please feel free to include the links.
"LET US BEGIN!"
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In the spirit of potential future writing, I'm trying to find a building that would make a good substitution for Lin Kuei temple.
I've tried looking up ancient Chinese military barracks/forts, and have found some stuff, but is all exterior. Anyone know of any locations (or several I can cobble together) that would make good inspiration fodder?
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So, uhm, religion? What's the Lin Kuei's take on that one? I know they are aware of Gods, they team up with/ encounter Raiden all the time, and have literally worked for/against Shinook, so I know they recognize higher powers... but I guess the question is, do they care?
Do they have a religion, or spiritual practice that resembles religion? Or do they have a more practical approach "gods exist, but we just consider them very strong people"?
Which segues into... do they recognize and participate in holidays, or things like birthdays? Or are all their celebrations work related (I.E. successful missions or levels of combat mastery)?
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Food. What foods do they normally eat? What foods do they like? What foods don't they like? What foods do they absolutely love so much they'll stop what they're doing to get it?
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If you had to match the Lin Kuei with a dynasty, what one would it be? (I know the 2021 movie has the opening in the Ming dynasty, so the Lin Kuei is at least that old, but given that movie Bi Han hasn't aged in 400 years, and was taken is a child, its probably much older) (and also know the game probably cherry picked random Chinese things it liked).
What do you think the Lin Kuei's view on artistic culture (probably not the right word) is? I know they are heavily militaristic, but in the game, Kuai Liang offers Hanzo tea and he properly prepares it the Japanese way, that says they have something of an education other than just related to fighting?
Lastly, in the movie, everything Bi Han does is "for the Lin Kuei", but the Lin Kuei is on Earth (assumedly), and he is working for a guy who wants to enslave Earth, so what do you think the deal is?
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Question about the Cryomancers. I know the game lore says that they are supposed to be rare, but I also know that the Lin Kuei have had at least 5 (grandpa, papa, older, and younger Sub Zero, and Frost). 4 of which are part of 3 generations that inherited it even with mixed blood (I'm assuming Mama Sub Zero wasn't Cryomancer since they left her alone).
That's a lot of generations in a row for a rare trait... So do you think the Cryomancers as a group have figured out they're being hunted and have chosen to live in hiding?
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Lin Kuei society question? I like writing so I also like world building and I think about these things.
Is Lin Kuei society ever covered? I know there is a Grandmaster, a handful master assassins (Sub Zero's, Sektor, Cyrax, etc) and the movies always have a bunch canon fodder lesser assassins.
And they live in the very isolated Lin Kuei Palace/Temple in Arktika (or wherever it used to be)
But is Lin Kuei (we'll call it "village") ever covered? Do they have willing servants, kidnapped slaves, or a mix of both? Are there women (non fighter women, I know there's Frost) or do they employ strictly male help? If there are women, what's their role, and are there children born there? What about Elderly? What about resources, is everything (from food, clothes, weapons, and the raw materials to create them) grown or manufactured on sight by skilled laborers or do they import/interact with the outside world? How vicious or civil is this society, could you be killed for looking at Sektor wrong or do they value your services to a degree? What's the degree? This is obviously a combat culture, but is everyone expected to know martial arts of some variety, is it optional, or do they prohibit it among the servants/slaves? How strict are they on things like clothing, food, alcohol, drugs, "luxuries", or pleasures? Money? If they interact with the world do they recognize and use $$ currency, commodity currency, or a mixture? Internally are the Lin Kuei payed or just provided for? What about illness or injury, if you're not a master and it a serious injury/illness are you taken care of or do they just give you a quick death?
Etc. That's all the questions I can think of, but please feel free to answer questions I didn't ask, if you think of anything else.
Thank you for this wonderful list to talk about! I’m gonna split the answer into smaller parts, for better focusing on each aspect but also so I don’t feel bad for keeping you waiting for ages, lol. For now let’s focus on asks about the religion!
So good questions! I do think they have some spiritual practice(s) because in martial arts the state of a mind is as important as the physical body and religion is one of many ways to shape someone’s mindset from a young age. I do, however, think that Lin Kuei does not worship the gods. They are aware that the gods exist (with Raiden as the thorn in the side) and may even respect their supernatural powers and battle skills but it never has stopped Lin Kuei from desecrating holy places, murdering people and stealing stuff for the best price. So, it seems to me that whatever religion the members of the clan follow, by nature it is rooted in nontheism.
Of course, there is also a chance that Lin Kuei worships some forgotten deity or deities (as a remnant of their ancient connections with Outworld / realms conquered and destroyed by Shao Kahn?) or may even practice ancestor worship which seems like a good way to uphold a widely understood tradition that plays an important role in the discussed community.
The closest thing to religious practice was seen in Mortal Kombat X, when Sub-Zero and his warriors seemed to pray together before statue of god / deity / ancestor / legendary warrior / personalized thing they value the most (sadly, my knowledge about Asian religious practices or faiths is very limited so I don’t have idea if the statue is supposed to represent any real god/religious symbol).
At the same time, it could be just a bluff since Grandmaster was aware of Cage’s team infiltrating the Lin Kuei territory and used this moment to lure them into a trap. Additionally, Mortal Kombat X comics presented once Kuai Liang sitting before the same statue albeit in a completely different (devoid of reverence?) position.
Of course, if we take into account Mortal Kombat Armageddon, the game states that Lin Kuei Temple placed in Arctika was actually once the Temple of Delia (the great sorceress & wife of god Argus) that at some point get abandoned and re-used by Sub-Zero’s clan.
(In the background, we can see a statue of Delia that Lin Kuei does not worship but did not remove for whatever reason. Mixing both old and new games, we can only wonder if MKX!statue is also the remnant of someone else's faith/religion?)
Beside that, Kuai Liang was pretty vocal about Lin Kuei not worshipping the Elder Gods, what was seen in MK11’s intro dialogue with Cetrion
Sub-Zero: The Lin Kuei do not worship the Elder Gods.
Cetrion: We seek gratitude, not worship.
Sub-Zero: I see no distinction.
and personally did not have any reason to pray to the goddess:
Sub-Zero: Why should I pray to you?
Cetrion: Why does a bird flap its wings?
Sub-Zero: I asked a simple question.
In all fairness, in MK11 Kuai Liang seems the most passive-aggressive toward the Elder God while Frost is focused on her ambitions and Noob!Bi-Han just wants to be left alone when bothered by Cetrion. Similar thing happens toward Raiden. Despite gratitude for saving him, Kuai Liang does not spare the god criticism (can’t serve both Elder Gods and Earthrealm, isn’t fit for his role of protector) and in MKX outright says he does not fear divine beings:
Raiden: Sub-Zero...
Sub-Zero: I fear no gods, Raiden.
Raiden': That's why you shall lose.
Surprisingly, Kuai Liang’s interaction with MK11!Fujin sounds less accusing than with Raiden and Cetrion and it is connected closely to their ties with Bi-Han. And maybe Kuai Liang did seek in the past Fujin and other elements to make a peace with them, like he planned to do so in Mortal Kombat 4 Limited comics?
"I came here to make peace with the gods of the elements that you fought [...]"
Anyway, the accusingly behaviour toward Raiden and Cetrion could be just Kuai Liang’s personal dislike for gods and serious authority issues, which makes sense considering how much he suffered because of their meddling and conflicts.
But honestly?
The available examples of Lin Kuei attitude toward gods, demigods and supernatural beings suggest how little the warriors - especially cryomancers - care for them.
Like, we have Bi-Han in Mythologies, who asked Quan Chi about details of mission:
Sub-Zero: If it's so precious, why don't you get it yourself?
Quan Chi: I cannot enter the temple until the four elements within its walls have been defeated. And I am not on the best of terms with the gods of your realm... especially your god of thunder.
Sub-Zero: Tell me about these elements.
Quan Chi outright said he and earthrealm gods weren’t friends and Bi-Han, reading between the lines, could get the idea that he may end on bad terms with Thunder God. Yet he was interested only in elements (lesser gods than protector of realm?) guarding the temple.
Then Bi-Han beat down four demigods and met a displeased Raiden after Quan Chi got the Shinnok Amulet. His reaction? No fear, like meeting an angry god was a normal occurrence.
Rayden: Do you realize what you've done??
Sub-Zero: I was just earning my living.
Rayden: Your clan's ignorance and greed will cost this entire realm. You must now set things straight.
Sub-Zero: Quan Chi could simply be a lunatic sorcerer. I've never heard of an elder god named Shinnok or of a place called the Netherrealm.
Rayden: Well, you'd better start believing in both, because you're going to the Netherrealm and you're going to bring the amulet back. We must act quickly. I have no dominion in the Netherrealm... You are reality's only hope.
Sub-Zero: I'll do it, Thunder God... but only because I have no choice.
And once he came back from Netherrealm, where he was fixing what he messed up in the first place on Raiden’s order, his abrasive attitude did not change much:
Sub-Zero: Here... the amulet.
Rayden: Impressive, Sub-Zero. Perhaps you will reconcile your reckless past after all.
Sub-Zero: That's it? Not even a thank you?
Of course, to some degree Raiden’s words did have an impact on Bi-Han but even the god’s warning about his soul tainted with evil did not stop him from coming back to Lin Kuei. Bi-Han’s attitude and/or approach to gods seems to change somehow once he was reborn as Noob, but that is a different matter for different times.
Anyway, Mythologies!Bi-Han and MK11!Noob act less aggressive toward gods than Kuai Liang. But then we have Sub-Zero from from the MK novel by Jeff Rovin, who not only is not afraid of gods but outright insult them:
“Wait! Be warned, Shang Tsung. He is cursed!”
“Cursed? By whom?”
Ruthay wailed, “By the immortal Yu.”
Shang Tsung felt cold spiders crawl up his spine. “The demigod Yu?”
“Yes… he who is said to dwell in the underground caverns of Horse Ear Mountain… which is sacred to the goddess Kuan Lin. He who protects the canals… and the tunnels… and looks after all who use them, human and animal.”
“What did our brash friend do to Yu?”
“He… killed a man,” said Ruthay.
“What man?”
“A toll-taker… one who had given up a life of crime… one who had been a partner of the man… you… seek.”
“And how did that crime come to the attention of the spirit of Yu?” Shang Tsung asked.
“The man was killed… slowly disemboweled with a sword… while accomplices forced his wife and his son to look on! After his murder… the man’s remains… were dumped into a canal!”
Shang Tsung raised an eyebrow. “Is that all? I was expecting something truly terrible!”
“It was!” Ruthay shrieked. “When he disposed of the body… in that way … he profaned one of the sacred waterways… of Yu!”
Shang Tsung smiled now. “Then he is definitely the man I want,” he said. “Anyone who is impudent enough to insult a demigod won’t be afraid to attack a member of the White Lotus Society, or the gods who watch after them. I will send Hamachi, Ruthay. When he nears his goal, see through his eyes and guide him!”
Book!Sub-Zero was impudent enough to insult a demigod which is why he was one of Shang Tsung’s favorites. And to be clear - book!Sub-Zero did not regret insulting the demigod at all. Even more! He found humor in it!:
He dwelt in a cave two hundred feet up the face of a cliff by the sea. The mouth of his home was barely wide enough to accommodate a slender adult, and was accessible only by climbing the sheer wall of rock, a feat that was impossible for most adults and daunting even to the few arachnids and marsupials that tried it.
Maybe some of them were even sent by Yu, he thought with a smirk, little assassins who would chastise me for having spilled blood in his precious canal.
The less abrasive attitude toward gods was shown by Cyrax, who talked a bit with Raiden over Bi-Han’s remains. He wasn’t outright antagonistic but wasn’t overall respectful either. He talked with Thunder God like he would talk with any other human being that wasn’t actually Scorpion. Frankly, from the named Lin Kuei only MK9!Smoke actually addressed Raiden in respectful manner, with proper bow and the name of lord
albeit did he do so because he respects the divine beings or just out of gratitude for saving him, hard to tell for sure.
So yeah, it seems like no matter what kind of timeline or age or medium of the story, Lin Kuei does not fear gods nor pray to them. And the clan has a long history of dealing with Raiden, so the Lin Kuei had first-hand experiences with supernatural beings. Somehow, cryomancers are the most impudent warriors when it comes to dealing with or criticizing the gods.
Interestingly, as much as Lin Kuei warriors don’t care for gods, most of the known to us named characters believe to have - and to care - for their own souls. Sektor and MK11!Frost embraced the Cyber Lin Kuei idea but Kuai Liang, Cyrax and Smoke were opposed to C.I. project out for concern for their souls among other things. Even Bi-Han, to some degree became concerned about his soul after trip to Netherrealm.
Believing in souls is usually a sign of belief in the afterlife, albeit after all of them went through (the change into cyborgs, death and change into Revenants) this is less a matter of faith (religion) and more first-hand experiences. And let's not forget that regularly dealing over the centuries with Shang Tsung who steals people's souls on a daily basis makes it really hard to not believe spirits are real.
Also, an interesting matter of Lin Kuei practices that could have a religious/spiritual ground and/or be an example of ancestor worship is the clan’s funeral rites. I don’t think we actually saw any Lin Kuei to bury their own (especially after warrior’s failure?) and for sure MK9!Cyrax and Sektor did not bother to take care of Bi-Han’s remains. However the sources provide examples of Lin Kuei keeping corpses, most likely of their own leaders or warriors.
And so, we could see human remains:
put in two coffins on each side of statue
hidden / kept in a block of ice(?) in chamber of Fallen Lin Kuei in which Frost’s frozen body was also laid, but on the altar
Cyrax’s cyber body was kept and guarded by Sub-Zero (and this is like the only thing that Kuai Liang and Cyber Sektor so far agreed on)
and even Cyber Sektor’s remains, even if just for pragmatic reasons, are kept in what seems to be respectful manner:
It could be just Kuai Liang’s good nature to honor fallen of his clan (I’m still not sure if Lin Kuei Palace is the new place for Sub-Zero’s clan or the ancient hideout) but even in MK Conquest TV series, after Grandmaster was killed by then-currently-Sub-Zero, there was the farewell ceremony with clothes on display (cause there was not much left of body after freezing and shattering) while new leader gave the speech promising to punish the guilty.
Which makes me think that Lin Kuei did honor their fallen warriors (especially those exceptional, deserving). Such custom and apparently common belief in soul could also support the ancestor worship - both as some ancient, mythical ancestor(s) connecting warriors into one clan (family) and tradition to follow in the footsteps of forefathers (Bi-Han taking place of his father [old timeline] or grandfather [current timeline] or Kuai Liang taking Bi-Han’s place as Sub-Zero).
My general conclusion about Lin Kuei is that its members believe in souls, have respect and use of spiritual matters (meditation?) and maybe ancestor worship. Whatever the religious / spiritual practices they have over the centuries, it is not something they will share, as the Lin Kuei by nature are secretive people who keep personal things mostly for themselves. The people that joined the clan (Cyrax and Smoke) maybe kept their old, eventual religious beliefs but overall, Lin Kuei warriors did not fear, care for nor pray to gods. They may respect god (Raiden, Fujin) as a person but not because of their divine nature. And even that would not stop them from criticizing said god. Which is pretty much how Kuai Liang and Raiden’s relationship looks like. Grandmaster is grateful to Thunder God for saving him but he won’t blindly follow his authority.
(Kuai Liang has serious authority issues, hasn't he?)
As for holidays, I can’t really see Lin Kuei to follow any specific religious (theistic) special day cause they don’t care much for gods in the first place. Unless they worked undercover and needed to act as normal human beings, religious holidays would mean nothing to them. The warriors may however celebrate their mission success, combat mastery or promotion between themselves or in secret, I think. Like, Lin Kuei did forbid friendship because it was considered warrior’s flaw yet we know some members either were blood-related (Kuai Liang, Bi-Han, previous Sub-Zero - father or grandfather, depending on which timeline is correct) or considered each other a family (Kuai Liang and Tomas Vrbada) and most named characters worked in duos so they have both opportunity and knowledge about each other to celebrate important matters. If they managed to remember anything from previous life, that is. Because from ancient to at least Great Kung Lao’s times most(?) adepts were kidnapped from biological families at a really young age (something around 6 years old). And Mythologies: Sub-Zero takes that even further:
Its warriors are chosen at birth to be raised apart from the workings of day to day civilization and are stripped of their former lives. Only the clan knows their existence. Each of them posses certain skills and abilities that set them apart from normal men. These abilities are passed on from generation to generation and honed throughout the experiences of life.
So, celebrating birthdays doesn’t sound like happening much, unless those with family around could allow themselves such luxury. The clan may however celebrate the day of becoming a fully trained and sworn warrior? Or the fallen warriors? Who knows.
Also, something worth thinking about: in Mortal Kombat Conquest TV series, when the Grandmaster presented newly appointed Sub-Zero to the rest of the clan, he “celebrated” the cryomancer's first official performance as the execution of two men who failed their mission. So, yeah, celebration of something special in (old) Lin Kuei does not necessarily mean anything nice.
(The next part of answer most likely will be focused either on food or architecture / origin of Lin Kuei. Let's hope I will get it written sooner than later)
<><> EDIT <><>
RELIGION <> ORIGINS / ARCHITECTURE <> FOOD <> FOR THE LIN KUEI <> ART <> CRYOMANCERS <> LIN KUEI SOCIETY <> MONEY & MATERIAL GOODS
#mortal kombat#my replies#sub zero#bi han#kuai liang#lin kuei#cyrax#long text#smoke#tomas vrbada#cetrion#raiden#lin kuei does not care for gods but may respect spiritual matters#mortal kombat mythologies#mortal kombat 11#mortal kombat x#mortal kombat 9#mortal kombat armageddon#thanks godness for all those people who share their walkthrough plays so i can get the needed details#cryomancers have a serious authority issues don't ya think?#there may be more with older sources but frankly i don#i don't* play much games and focus on the few plus comics and books lol#is smoke... like the only one lin kuei that showed raiden the proper respect? LOL
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5:27PM 09/15/2021
🌺🍃 So, I've been having mad anxiety; full blown panic attacks and everything 🙃😐and my depression 😒 it's bad, pretty bad. So bad that I spent this past week in bed every day all day and ight I'm in bed just sleepy, exhausted! 😴🛌💤
🌙🌾 🎃⚡🍂🍃🍁🌟🌻🌟🍁🍃🍂🍂🍃
Ever since New Moon
🌟I have been slacking big time !! !
🌺🍃Well, it's all started when I couldn't upload more than one photo at a time on Instagram and then I just quit Instagram altogether. Which I had been started up this Tumblr account and started a couple Tarot games on here and divination services🌙🔮🎉 but that hasn't been keeping me that happy either which it usually keeps me going and keeps me out of trouble and keeps me occupied and helps me to feel productive and like a normal citizen or whatever you want to call it I don't know what it makes me feel whole I guess I'm not really sure but it gives me the sense of being connected to the world. 🌎
🌺🍃 I've made quite a few pick a card Tarot readings; I mean for ME, that's actually, with everything I'm going through.
🌺🍃 I'm not able to really do Tarot full time because of my depression and due to health reasons my chronic illness. My cancer always gets in the way. I'm not going to say much on it because I don't want to put a damper on your day because I know how depressing cancer can be too everyone.❣🎗🧿🎱
🌺🍃 I've written a small piece of poetry ✨💕it's nothing to flex just a bullshit mood put on paper 😌 I call it Moody Confusion.
Poem: MOODY 😕CONFUSION
Written By: F.R.
❣🌻💙🧿❣🎗❣🧿💙🌻❣
MOODY BLUES IN MY BED
MOODY CONFUSION IN MY HEAD
Feel IT IN My CHEST
Heart DROPS
Beat Rocks
HE S LOST
CANT STOP THESE THOUGHTS
I COULDNT BELIEVE IT
I still Can't Believe It
RUN AWAY , BUT WERE RUNNING IN CIRCLES
WHERE TO RUN
WALK IT OFF
NOW IM IN BED
FUZZY DRAMA IN MY HEAD
LOSING MY GRIP
LETTIG THIS SLIP
MOODY CONFUSION IN MY HEAD
Moody Blues in my bed
MOODY CONFUSION GETS THE BEST
Of me
MOODY CONFUSION
LOST THE REST OF ME
🌺🍃 I did turn to divination as a method to help solve my little problem too; I did an Oracle Reading and I feel it's fairly accurate. 😅 I'm sort of relieved that I didn't pull out Oracle deck for nothing and cleanse it with brand new "Tangerine Cream" incents... they smell oh so Divine!! !
🌺🍃For my Oracle Reading I simply had one thing on my mind: my anxiety and depression 🙃🙂 I wanted to know why I feel this way and what can I do to fix it.
🌈Q::WHATS THE TRUE SOURCE OF MY DEPRESSION AND PANIC ATTACKS?
A: Father Sky- Trust in the Unknown, Earth Element- Stability, Leadership
🌈Q: HOW CAN I GET OVER THIS ?
A: Libra- Balance, 12- Change, Look at the Bigger Picture
🌈Q: What magick should I concentrate on in my mystic craft? Spells I should work on now that woukd boost my self esteem and get me out of this depression and rid me of my anxiety ?
A: 7-Jupiter-Abundance, Middle World, Appreciation, Roots, Meditation Protected: You are safe and Supported While you Change Your Career.
🌺🍃⚡ So, I'm going to very very briefly summarize this up; in case I need to read this again later! This is a personal entry in my blog ... it will be listed under the tag #YourCosmicGuide #PersonalPost #CosmicGuideSays ( all one word except personal post ) . You will just have to bear with mg tagging system to look and search my blog for the posts you desire to see. Because I'm new to this experience here and I'm unsure of how to create links properly like I have seen many ppl use !? Anybody want to give me some guidance on this 🙏🙏???? I'd be ever so grateful.
⚡So let's discuss the above Oracle Cards that I pulled ..
🍀🍃So, basically I see that my anxiety and depression has a root cause and it's my lack of stability and there are issues with myself assuming leadership roles. This could stem from the fact that I do not have as close of a relationship with God/Creator/The Universe as much as I use to in the past ... I used to have a more balanced Spiritual life N I seemed to make time for more religious studies and communication with Spirit; just more of a connection to the other side , even my SpiritGuide, Elm . I've been slacking in my meditation and could use some empowering , uplifting , guided meditation tapes 🙏 I should also be manifesting abundance 🙌 I could do a Spell for abundance even add in prosperity since I just happen to have orange peels 🍊🟧📙 and I've been making my digital grimoire ! Oh yes there's a reason I've been depressed! Because I lost it my hard copy Grimoire or someone stole it. Then someone stole my old tablet my Samsung galaxy tab A , this new ones an A7 . it's not as good.
🎃🌾🌙 I should take my picture of my white pumpkin from the grocery store. I'm impressed with it. I'm shocked that me and Kyle picked the same one out too !!
🌟🍂 I did edit this just a bit . Hope yall enjoy 😉 it. I work hard!!? Actually yah I do. Really it probly takes me on average so much longer than ost ppl doing just a regular upload like this .. and I'm still not done explaining my reading but I'm sure you get the jyst of it.its pretty self explanatory.
🌺🍃So I'm hearing from this reading that I need to gain courage in order to move on and basically I need to communicate with Spirit and the universe my higher self and also God completely need to let go of my need to control things and let go and let God. I need to give off these ideas of perfection and I need to just move on the best I can with what I have left because I will have nothing at all if I don't just pick up here and at least pick up the pieces and move on. There's not much more I can do other than that so I'm going to have a lot of healing to go from here. I'm going to have to do a lot of self-care work and I'll have to put a note to self that I'm going to be doing more Shadow work also so that's October coming and working on working with spirit channeling guidance from the other side.
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