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kozachenko · 3 months ago

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A Retrospective Analysis on Touhou 17

So it's finally here, and even though I know for a fact that I am not going to be able to get the Keiki drawing done by this time (I'm having trouble with the eyes, for some reason it's always that aspect of drawing her that's difficult for me, I can never really capture the essence of her character no matter what I do) I still wanted to post something about this game today since it's the game's 5 year anniversary. I have a lot of thoughts on it, and my views on the game have changed quite a lot throughout my time being a Touhou fan. This is going to be very long so I'll put the rest under the keep reading tag.

So for some background, Touhou 17 was the first Touhou game I ever played, I got into the series during 2021 shortly after my Hunter X Hunter phase ended (since the manga was still on hiatus at the time) and I remember playing 17 during that time as well. I'm pretty sure that the reason I played it was because of that one nitirushh animation where Keiki disses the animal spirits so hard that they die (still my favourite fan-depection of Keiki tbh, it's just really funny to me) and that set my interest in the game itself. It was also the newest Touhou game at the time and none of the other games interested me as much. Then I actually played the game and at the time I found it insanely fun. I remember feeling so excited playing the stage 1 of the game and thinking to myself "Holy shit I'm actually playing a Touhou game" and having a lot of fun with it. Even though the game itself is the easiest out of all the Touhou games, it was still a challenge for me at the time since I had never played a bullet Hell before. For this reason, the game as a whole struck a chord with me. Funny Touhou animation aside, I don't know if it was because I had only recently gotten out of my Hunter X Hunter phase after finishing the whole 2011 version of the anime and had caught up with the manga during 2020, but maybe some aspect of 17 kinda scratched a similar itch in my brain and it really stuck with me IDK.

As for what I think of the game itself now.... gameplay wise, it could be better, it's still fun but there was so much potential for the game to tell it's story through the medium it chose to present itself in. Why did we not have more similarities between Eika and Keiki's danmaku styles to show their connection? Why did we not have a moment similar to what happened in TD during the final boss fight where Mayumi comes back in to take over during the fight in a last ditch effort to protect Keiki? It's the final boss so go all out! The animal spirits could also be balanced a lot better as well, especially with Youmu becoming incredibly overpowered with the wolf spirit, and visibility is a bit of a problem in this game. Some of the tracks could use a bit more polish too, I commend ZUN for being experimental with his newer tracks but the stage 3 theme and staff roll theme are both kinda eh, and while the boss themes have a lot of good punch to them and can be really good, it still feels like some extra spice could've been added to really make them stand out (which is why I love the theme remixes Saki and Yachie got in Touhou 19). I also wish the Animal Realm got explained better within the lore of the series, mainly because it raises a lot of questions about how Hell was founded and it kinda needlessly complicates things. I would've rather it be introduced as it's own region of Hell rather than being a separate thing entirely that just so happens to be located next to it. I also wish that we got more stuff with this setting that explains how it connects to the rest of the worldbuilding a lot more, I definitely feel like actually having it explained more in the mangas would definitely help to make it feel less convuluted, but unfortunately the closest we're getting are cameos in Lotus Eaters and very brief mentions of the games themselves. I still like the game though, as I've mentioned I do love a lot of the music and I love all the characters we got introduced to in this game. I've been appreciating Eika a lot more recently, I do like Urumi but she's neat and I like her design a lot, Kutaka is a fucking shithead who kept FUCKING UP MY 1CCS IN BOTH 17 AND 17.5 THE FUCKING BITCH- who is very funny and I love seeing more insight into Hell's management. Yachie's great and I find her relationships to the other characters in this game very interesting, Mayumi is awesome and the more I think about her the more I like her, and I love how Saki contrasts Yachie in her strategies. That being she has no strategy and just goes "fuck it, we ball" with no hesitation lmao.

I'm pretty sure you all noticed the absence of one character in particular, that being Keiki. I've made it no secret on this blog that Keiki is my favourite Touhou character, and a lot of that is because of her role as an antagonist in Touhou 17. I always found it really fascinating how ZUN created her as an allegory for AI (I don't know if Apollo just randomly blessed him with the gift of prophecy because MAN does that statement hit harder now more than ever) and the fact that she's portrayed as a very morally grey character in the game itself and Reimu's reaction to her, stating that she can see an "evil aura" in Keiki. I've already talked a lot about Keiki on this blog and I don't know what there is that I haven't said, but I wanted to start off with her because it ties into a big part of why I still find this game's story interesting. That main aspect being it's parallels to Gensokyo and Touhou's overarching them of humanity's relationship with nature.

So to step back from 17 for a second, I feel like we should look at what the Youkai represent in the story. Youkai in Touhou are created from humanity's fear, and back before science was able to properly explain anything, this fear very often manifested into a fear of nature. Natural disasters would end up wiping out villages, dangerous animals would often lurk in forests and end up killing anyone who would go in them. Overall nature isn't very kind to humanity, and humanity knows this. This is why humanity would often try and find reasons as to why these things would happen. This brings us back to the Youkai in Touhou who are the embodiment of the unexplainable. In manga like Forbidden Scrollery and Lotus Eaters, we often see how the humans in the human village are at the mercy of these Youkai, the only reason that they aren't being slaughtered is entirely for their own benefit so they don't run out of resources. The only hope the humans in the village really have is to turn to the gods, another product of man's desire to explain the unexplainable, to potentially save them. The survival of the people in the human village will always be in the hands of beings beyond their comprehension. No matter what, humanity will always be at the mercy of nature.

Coming back to Touhou 17, we can see that the relationship between the human and beast spirits isn't exactly.... pleasant. The beast spirits all see the human spirits as slaves essentially and they gain strength from their torment. The only way that the human spirits are even able to stand a chance against them is to submit themselves to a god and pray for their protection. And even then there's no way in Hell that they're getting out of this situation since the god they're praying to views them the same way as the animal spirits (whether they are aware of it or not).

So if you haven't noticed by my word choice, there are quite a lot of similarities here with the dynamics of the Animal realm and Gensokyo. That's not even mentioning the fact that in both places we have at least 3 different parties fighting over control of the humans, whether it be animal spirits or Youkai. Hell, this race for power in Gensokyo is a plot point in Lotus Eaters and Forbidden Scrollery, so it's not like this is a new concept for the series to explore either.

There's also something to be said about how Keiki and the technology she brings with her are seen as a threat to the order of the animal realm. Throughout human history, humanity's creativity and ingenuity have always been major factors in our survival as a species. We created tools to use the nature around us and make it work to our advantage, we created weapons to more efficiently hunt and find food to survive, and we created art and literature to document our histories and make sense of the world. Going back to 17, Keiki is the epitome of humanity's evolution and creativity and she is the one who responded to the human's cries for salvation. Another thing to think about is that in Gensokyo, the best the villagers are going to get in terms of technology are old computers that are very limited in their use, and even then barely anyone will have any idea how to use them. The reason that Gensokyo even exists in the first place is to preserve the Youkai and Gods that would become forgotten by humanity's technological advancement. In both of these places, technological advancement is seen as a threat to the natural order and must be suppressed at all costs.

Of course in Gensokyo it isn't as extreme as the animal realm. The Kappa, the Tengu, and even gods like Kanako are all quite technologically advanced and/or are introducing new technologies to Gensokyo (those are just the ones I could list off the top of my head, but please tell me if there are more that I forgot). But here's the interesting thing, notice how none of the examples I listed there were humans. The only way for the humans of Gensokyo to have these technologies introduced to them is if the powers that be, nature, let them have those technologies. Going back to the animal realm, even after Keiki is defeated we can see that the beast spirits are still using the technologies she (most likely) introduced, i.e. that one chapter in Lotus Eaters where one of the otter spirits introduced what is essentially a GameBoy to the Kappa and Nitori saying stuff like, "oh yeah the animal realm is actually pretty technologically advanced nowadays" as well as that one story in CoLA where Ran and Yachie deal with the AI Sumireko made. Once again, the only times when the use of technology goes unprotested in this series are when it's kept out of the hands of humans and back into the hands of nature. Even when humans are able to fight back and create their own technology, nature will always win in the end, no matter how hard humanity tries to defeat it. The way Touhou 17 ends is indicative of this, with Keiki being defeated and the Animal Realm returning to it's status quo.

However, Gensokyo has never had this kind of issue before.... or so it may seem. Yes there's never been any technological uprising by the human villagers and with the way things are there most likely never will be, but when you take away the potential for technological advancement from humans then the next best thing would be magic. And when humans in Gensokyo use magic to find a way to gain power and be more than just fodder for the Youkai, they end up being punished. This is most prevalent in Forbidden Scrollery when Reimu kills the fortune teller. I don't think I need to go too in depth about this moment since I already did so in my Forbidden Scrollery review but this once again shows a parallel between Gensokyo and the Animal Realm.

So what am I trying to say with all of this? I've been bringing up a lot of the similarities that these two places have but similarities can just be chalked up to coincidences that don't mean anything. What I've been trying to say with this whole thing is that the Animal Realm represents an extreme version of Gensokyo, one where every ugly aspect of it is dialed up to 11 and the law of the strong eating the weak rules all. It's a Gensokyo without a spell card system to level the playing field. I do want to say that I don't believe Gensokyo is a grimdark setting, sure some parts about it are bleaker than others, but there are also many good aspects of Gensokyo that I feel like I should bring up. It's a safe-haven for the forgotten, and if we continue viewing the Youkai and Gods from the lens of both of them being allegories for nature, Gensokyo is a place where nature can fluorish outside of humanity's hands. Unlike the Animal Realm, Gensokyo was never established with the intentions of harming people. Nature is both beautiful and terrifying, and where Gensokyo displays the beautiful sides of nature, the Animal Realm displays all the ugly sides of it. Even then, there is some overlap between the two, Gensokyo does have a nastier side to it and the Animal Realm is a place where nature can exist unrestrained by humanity (even if the place is still a shitshow overall). Now that I think about it, this sort of duality between the two realms is kinda fitting for Touhou, and I can't stress enough that when I say that Gensokyo and the Animal Realm have some parallels I am not trying to say Gensokyo is a grimdark dystopia. Hell even going back into the Lotus Eaters manga, the otter spirit that escaped from the Animal Realm even said that Gensokyo was a better place to live.

So yeah, I don't really have any good way to end this aside from saying happy 5 year anniversary Touhou 17. You are a flawed game but god do I still love you. Oh yeah, and if there's anything I missed or any mistakes I made, please correct me/let me know.

#touhou project #touhou 17 #wily beast and weakest creature #keiki haniyasushin #I mention Keiki the most so that's why I'm tagging her in this #text post #東方project

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kradeelav · 7 months ago

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so one of the technical bits i challenged myself with this gunter/corrin doujin was to:

(a) figure out an efficient process for professional multi-page artistic works in linux/true OSS programs - from ideation all the way to printer hand-off.

and

(b) a process that fit well with my brain and kept me from spinning my wheels endlessly redoing pages. it's a common problem with longer projects (aka why you see reboots of webcomics all the time, and also why i haven't been able to get "what greater sin" out for three years cuz i sucked at this lol).

why the focus on process though?

after mastering a certian degree of technical proficiency. it's what separates the hobbyist artists from the pros. not to toot my horn, but i'm quite good at project management process at work, and about two years ago it dawned on me to take some of that learned knowledge and actually apply it here if only to save eyestrain/wrist-strain time.

work lazier smarter, not harder etc.

before i get into the process outline, there's two programs that are doing the heavy lifting since i gave them a trial run with the last anthology and they worked great in tandem. (both cost no money and are available on all major OS's btw)

krita, my main drawing program. sketching/inking/speech bubbles/coloring/vector stuff can all be done here.

libreoffice writer - basically microsoft word for linux. i use it for arranging multiple pages, reordering, and exporting as .pdf to give to the printer (while amazing at rendering, krita can't export as pdf or show multi-pages)

so!

process wise, it occurred to me not too long ago that i needed to consolidate my multi-page creative projects into 3 major gates.

thumbnail sketches

proof of concept layout

"last 10" final

thumbnail sketches

thumbnails are a common concept in comics, but they're great for print front/back matter too. thumbnails ain't here to look pretty, their sole purpose to get the idea from your noggin to on the page.

here's a completely unaltered spread from my journal with a ton of thumbs and notes for this doujin.

so what's the kind of stuff i think about with thumbs?

how panels in a comic fit together with the major emotional beats + line of action. does the eye follow the pages naturally? do you "feel" the emotional impact?

does the compositions work with each other? negative/positive space, weight on top or bottom or diagonally, etc. do the pages feel claustrophobic or too empty? do they breathe?

decorative framing elements that reflect the tone you want + how they generally lead the eye across the page

random notes about overall tone or potential future pages

etcetc

at this point i import that digitally, and start drawing a proper sketch off of it.

fast forward from that sketch to:

"proof of concept" layout

i'm calling this proof of concept instead of a draft as they serve different purposes. a draft is a half-finished work you can just screenshot and show to anyone for feedback (like comms). proof of concept here is showing a certian level of completeness across draft pages to measure consistency.

lack of consistency is the mind killer killer of comics.

proof of concept is specifically meant to nip the 'fizzled out halfway' issues in the bud. it's to show you how cool it looks altogether already, but also shed a light on problem areas that are potentially popping up on the earlier side, so there's less time wasted.

this is a little premature in the process for a proof of concept screenshot, but you get the idea here in a later strip, shown here as screenshots imported into libreoffice writer:

another reason that made libreoffice writer essential is the accurate 2-page spread view. between that, being able to resize the page to whatever you need, and the very easy pdf exporter (with customizable compression), i don't know if i could do this kind of project here.

now, backing up - what kinds of consistency are we checking for here?

does the inking/coloring style change noticeably in a jarring way?

is there one comic strip that the pacing/paneling sucks in comparison to the others? or feels awkwardly added in tone and perhaps better saved for a different project?

is there one panel within a sequential series that's torturing you? what's the best way to throw it out and redo it even faster?

do the front/back matter support the meat of the inside in a clever, on-tone way?

did you accidentally change the font halfway through after you liked your new shiny toy? which one works better?

etc

keep in mind we're not just checking the consistency in one strip, it's for the book as a whole.

and then lastly,

"the last ten" final

"the last ten" is a mental concept i've used for the last ten years for single comic pages. it's especially tempting to noodle over endlessly making one comic page perfect, when you could have done ten reasonably good ones in the same time, and so i made this my last step making IC pages.

once when you approach a level of reasonably done, but kinda hate the page and are procrastinating on getting it out, stop, rest your eyes overnight, and list the last ten minor things you'd change.

once when you've changed those? out the door it goes.

i'm gonna switch to a different project but here's a good example of a "last ten" stage applied to illustrations when i did fallen!gunter's FEH mockups.

looks pretty complete, right? WRONG :D

i can't remember the exact last ten i used, but it was something like:

too much of one specific glowy purple on both, i wanted more contrast with the red glow + "water" texture

needed more effects on the first image to better match FEH's aesthetic

change Leigh's credits after they got a chance to see it and give the thumbs up

knee/shin on left looks unfinished painting wise, clean up

missing chest plate silver decorations on left, clean up

etc

this is the last hail mary check to hack your brain into being satisfied with the page. you've had your say, onwards to the next one.

now, you can also have an additional 'last ten' for the project as a whole. but it's especially critical for comic pages to help keep the momentum/tempo/pace going.

anyway!

we'll see how all of this actually works in practice depending on how fast i can get this doujin out. :)

#not art #resource #ashes and ghost

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rootvegetableboy · 21 days ago

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cm dev log #12 - october 2024

happy november! welcome to dev log #12!!! i can’t believe it’s been an entire year since i started development. happy one year birthday to my little project :’) now cm can reasonably start taking steps… yahoo!

as you all might remember, i got top surgery on september 30th, so october has mostly been a recovery month for me. post-op brain fog is very real and not to be underestimated… so, it’s another shorter log this time. but i’m only feeling better & better every day, so hopefully there will be more to discuss in november 24’s log ^_^ onto the content!

SMALL FIXES:

i don’t think these count as “bug fixes” because there was no error message or anything… it’s not like the game was crashing… they were more like little quality of life adjustments.

whatever current song is playing will now fade out if you die. at some point in the last few months i finally got around to writing music for the first miniboss fight, and during testing a couple weeks back i realized the INTENSE MUSIC continuing after death kind of threw off the vibes. i’ll probably write a tiny little song/soundscape for the deathscreen at some point, but for now you get eerie silence ^_^ yayy

i noticed the weapon reload timer wasn’t properly centered over the player sprite and scooched it over a few pixels.

i changed the first miniboss’s collision mask from an ellipse to a rectangle.

i changed a bunch of the room names. formerly my naming convention for rooms was numbered: rm_floor1_1 followed by rm_floor1_2 followed by rm_floor1_3, etc. it did not take long for me to realize that this could get really confusing really fast, so i changed their names to be more reflective of their contents (rm_floor1_intro, rm_floor1_aeski, rm_floor1_hall, etc) and i now have a separate document to keep track of order & flow. this will make it a lot easier if i decide i want to put a new room in between two existing rooms, or if i want to reorder some of them.

DIALOGUE CHANGES:

i don’t think i’ve actually shown any dialogue in these dev logs? i’m a lot more secretive about my writing than i am about my art or code, but i rewrote several scenes… the previous dialogue was feeling kind of stilted & bogged down. i spent some time really reflecting on my characters’ different personalities and conflicts and rewrote most of their lines to give each character a more distinct voice & communication style. i think those scenes are reading a lot smoother and more naturally now! if you’re curious, my personal note for accomplishing this task just reads “changed [redacted] dialogue to make the girls meaner to each other”

NEW SPRITES:

remember last month’s UI sketches? i’m slowly starting the process of spriting some of the save/load menu!

image ID: pixel art of an open book. the left page has an unfinished decorated border in blue. the right page is empty.

it’s extremely unfinished!! i have a lot a lot more to draw for this system, but i’m really happy with how it’s going so far. and really happy i finally have One Proper Sprite to put in a log even if it’s far from complete…

that’s all i have for this log! if you’ve been sticking around for a whole year: THANK YOU!! i really can’t express how much i appreciate every person who has taken an interest in this project. i’ll see you in december for dev log 13 ^_^

#cmdev #indie dev #gamedev #gamemaker

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echos-girlfriend · 2 years ago

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100 celebration

🥳🎉🎊🪅🥳

Ok so I got some shit planned cuz I put my big boy brain on! I think I have some pretty interesting and fun things to do with you guys! Thank you all for being awesome!

Requests closed

Post listed on my master list under 100 celebration where I will put all the submissions!

~_~_~_~

I figured we could have 3 basic thing. You can choose one or two or all three! No need to choose. And you don’t have to do all of them in one ask. You do separate ones!

1- fanfic requests

2- the ultimate truth & show and tell

3- doodles and projects

~_~_~_~

Details under the cut 👇

1- FANFIC REQUEST

~_~_~_~

You can request until I turn them off! But I will leave my ask box open if you want to have a chat! I’ll reblog this every couple days. Also request as many times as you like!

~_~_~_~

Prompts (you can pick 1 to 2)

1- “I love you too much to let you go”

2- “don’t cry”

3 - “I love you.. goodbye!”

4- “will you marry me?”

5- “I can’t choose between you..”

6- “come with me!”

7- “I can’t loose you”

8- “I’m in love with my enemy”

9- “you rescued me”

10- “I trust you”

Types of ships and AU

(just say what kind of ship you want in your request) examples below

- clone x senator

- clone x civvy

- clone x civilian soldier/medic

- clone x separatist

- Clone x inquisitor

- Clone x Jedi

- Clone x Padawan (PLATONIC ONLY)

- etc.

AUs

- modern

- Medieval

- Werewolf

- etc.

One Other thingy- I can do Multiple characters. Whether it be Poly or a platonic relationship with reader.

please state if you want it romantic or platonic, please and thank you

Characters

1- Echo / 2- Tech / 3- Hunter

4- wrecker / 5 - Crosshair / 6 - omega

7- howzer / 8 - kix / 9 - Rex / 10- Jesse

11 - Cody / 12- Gregor / 13- fives

14- dogma / 15 - tup / 16 - Fox

(This is my first 100 fanfic list so cut me some slack 😭😅 also omega is platonic only.. don’t even)

2 - THE ULTIMATE TRUTH &

SHOW AND TELL

~_~_~_~

Ask me something about myself. Within reason I will answer.. ask me something controversial and inappropriate you’ll get deleted fast.

~_~_~_~

I’ll show you something cool or interesting I own. Just write ‘show me something cool!’ in your ask!

~_~_~_~

3- DOODLES AND PROJECTS

~_~_~_~

Show me your art and I’ll make you something in return!

I can do a quick pencil sketch page of any character you want! It doesn’t have to be Star Wars! I can do real people but keep in mind it won’t be realistic. I have a cartoonish art style.

(No political leaders. Don’t think it’ll happen but have to throw it out there)

~_~_~_~

Show me something you’ve made and I’ll show you something I’ve made!!

I sew and craft. Like a lot. And I’ve made costumes and all kinds of stuff so if you want to see something i made just say If you ask. And I wanna see your creativity and talent!!

Don’t be shy!! Everything you guys draw and create is amazing and deserves to shared and seen by everyone!

~_~_~_~

#echos-girlfriend 100 celebration #100 followers #the bad batch #tbb echo #clone force 99 #tbb hunter #tbb tech #tbb crosshair #tbb wrecker #clones #star wars #i love you guys

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katyspersonal · 2 years ago

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I am feeling rather emotional because in the ABSURD disorganised garbage pile that is my computer, I’ve found an old folder created a few years ago full of unfinished WIPs that I forgot existed... Because Blo0db0rne took my life completely + I have an awful memory

These are characters from Undertale that I really liked, and I used to have a habit of drawing characters with flowers! (using Japanese flowers language every time because that one is the most accurate and well-thought and subtle)

And I completely forgot about this WIP, but I really wanted to finish it back then..

An even better one... A kind of sketch that doesn’t even need lining and coloring, it is already very clean and good!

...Okay, this is just heartbreaking now. At this rate I should switch from BB to ER just for the sake of drawing large variety of plant life, it was my forte I can say x)

They are from Kirby! Bardiche, Aranora and Dag Goedendague - the inverted versions of Francisca, Flamberge and Zan Partizanne! I used to be very very very into the inverted/reverse/mirror/whatever concept of Kirby characters, but I ended up being very disappointed in the whole ordeal. Like... Why spending so much time and effort into completely inverting canon characters? But back then it was a design+writing exercise that got out of hand, and honestly, some designs ended up soooooo good that they would fit well for original characters! Like, look at how STYLISH weapons of these girls are?

THESE people!!!!They were a product of the ‘different mirrors’ complication, when I decided that parallel versions are separate, so are Black Mirror vs Dimensional Mirror ones. I like Zarantul’s palette so much though?

Gijinka Susie! A more soft, more cartooney style definitely allowed me to draw human characters way better. Plus my brain was in a better shape, hehe. Brain is a tool of an artist as much as their hand and their pen.

Unfinished beach time picture with Holy Nightmare corp! I would actually, legitimately finish this one because spikes in art style don’t count with simple designs like Kirby, but I am just waaaaay too far drifted from Kirby times. (miss them dearly)

Shiver Star fun times with random characters. It was actually a commission from someone - ‘draw anyone you want on Shiver Star’, that I was unable to finish in reasonable time. I sent money back to that person, but they REFUSED despite me failing them, and told me to keep it. o_o” Nothing I was able to do since they were not accepting transfer, but I hope wherever they are, they no longer play an altruist like this. Still feel guilty.

CONCLUSION: Fandom shifts are a bitch and I weep for my unfinished drawings (I didn’t even share all of them), I will never know peace again because I am more natural at colorful and round things but Soulsborne is grim and detailed, I need to reuse cool ideas that were spent on the whole ‘what if this character was nothing like themselves XDDD’ ordeal and also... flowers.

#flowers!!!!!!!!!!!#personal #undertale #kirby #doodles #i feel so sad though #i used to draw way more back before college ended and i had to work a job #and before covid and depression and stress and abuse and other things #and when things were cute small and colorful #not big detailed and grim #i need a universe that has lore and complexity of bloodborne but designs and style of kirby/undertale #sounds too good to be true #on the other hand madoka universe has similar fucked up themes but in the cover of cute anime girls #so maybe?#and i heard hollow knight is very soulslike but with simpler designs #so maaaaaybe?

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pine-niidles · 10 months ago

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Looking Back on 2023

Heyyy folks! Long time no news from me huh.

I'm struggling to think of what to even say about my silence. I've not been doing so bad I'd call myself depressed, but I'm doing a tad worse than just a slump. It's been a rough 6 months, not because of one big thing. Instead, a bunch of medium-sized reasons all piled up on top of each other to leave me extremely drained. I've mostly been working on the two commissions I still had in my queue (thank you to my commissioners for being so patient with me, I'm so sorry to make you wait so long <3). I've done a little personal art other than that but didn't have the leftover focus to keep up with sharing it on social media or writing up any updates about my situation. I've pretty much only been active sharing things in my art discord. I'd like to say I've been doing better in the last month or so, but I hesitate to make any promises at this point! We'll just have to see how things go :)

Artfight

So you were promised a more in depth artfight review but I think I missed the right timeframe for that... instead have this look at 3 years of unfinished artfight thumbnails from my new year's wip clean-out!

Year of Art Summary

All things considered I made a lot of art this year, and I'm really happy with how most of it turned out ☺ I did a bunch of experimenting with more playful techniques and color schemes and I think they suit my style a lot. I want to try and much those limits even more next year to see what kind of fun art I can create! Something with colors specifically really clicked in my brain after that witch drawing I did in April, before then I would spend a long time figuring out the perfect color scheme and doing a bunch of adjustments but ever since that drawing things have really been coming together super quick? I'm not sure what changed but no complaints from me.

Life Drawing Summary

I rarely post my life drawing but I've been keeping at it! Actually, I put together a few pdfs showcasing all my life drawing going back to 2022, you can download them for free in my itch or ko-fi shops! :>

I also put together a yearly art improvement comparison going back to 2015 that I was planning to put here. However, seeing how long this is already getting... I'll make a separate post for it.

Commissions

I've been gearing up to open commissions again after that unintended hiatus. I don't want to open slots until I'm sure I'm back to being able to finish them in a reasonable timeframe, so I've been using that leftover energy I do have to think about revamping some things and new styles to offer. Back in November I ran a survey on what people want to see from me (it's still open if you'd like to fill it out and help me get more stats!)

here's a preview of what's to come based on that & my whims:

- stamp commissions were super well received so they'll be added to my main repertoire

- A combo of me reading too much dun meshi and wanting to offer some kind of comicky commissions led to this idea of comic pages of characters eating together, I have a couple examples in progress, when they're done I'll add this style to my main offerings!

- I'm still not 100% set on sketchpages but I like the idea of them so if this test goes well I'll add them as an option

Onward to 2024!

I already completed my new year's resolution on day 1 of 2024, it was to pet a cat. I've made a second one which is to get a library card whenever my visa is approved and I move back home. It's been something I've been wanting to do for a while but never got around to, hoping this will be the excuse I need to do it.

Art-wise it's not a new goal, but I've been trying to focus on improving my rendering! Though I've also been playing around a lot with screentone... the two don't have to be at odds 🤔

I'm dedicating this year's personal art time to making new references for as many ocs as possible with nude bases so I can easily design new outfits for them whenever I want to without fully making a new ref from scratch.

Otherwise I'm just trying to take it slow, work on things one at a time and see what happens from there.

#year in review #2023 #project updates

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mountaingnomes · 2 years ago

Note

I was wondering what bands you liked? And out of them, which one inspires you to write music the most?

This is such a cool question to be asked, thank you! These actually feel like two pretty separate questions to me. The first one is too jumbled to answer in a Tumblr post and I don't have brain right now, but I'll try?

My first real music love was Evanescence. I was obsessed. The sheer fucking primal emotion in their music combined with Lee's aesthetic & the cinematic feel of it all was catnippp to me. My second love was Coheed & Cambria (I was in a cover band in high school), for similar reasons + they were my first exposure to concept albums. Anyone who hasn't listened to their first 3 albums *needs* to. The Dear Hunter was also an early love of mine. Their frontman (and Tanner Merritt of O'Brother, look up their first Audiotree session and sink innnn) are my vocal inspirations. Shout-outs to Panic!'s first two albums, 2000s emo in general, and especially MCR (confirming here that Helena & Gerard is an MCR reference). I was also in a Mars Volta cover band in college, which was how I started getting any kind of decent at the instrument.

More recently (in addition to frequent visits to my old favorites) I have been loving PUP, The Hotelier, Sarah & the Safeword (you all would *love* them), The Oh Hellos, Freelance Whales first album, Hozier (oh god Hozier), Typhoon, Jank (first album) O'Brother (first two albums), San Fermin, The Suitcase Junket, Devil & the Deep Blue Sea, Raccoon Tour, As Tall as Lions, Island of Misfit Toys, Rainbow Kitten Surprise, Foxing, and Foxy Shazam (put on their self titled album for a fuckin' excellent time). The original Hadestown album also had a huge impact on me.

Who inspires me to write is a different question, because actually most of the songs I've written for Forgetmenauts all have specific feels of different artists that I intentionally wanted to incorporate. Imma go through the discography in order and see if I can pinpoint an inspiration for all the songs. Some are *really* specific, others just have a general feel.

Bestiary:

Leviathan- The Dear Hunter (specifically the song We've Got a Score to Settle)

Sirens- The Dear Hunter

Helena & Gerard- Freelance Whales' first album, or The Oh Hellos, maybe?

Tam Lin- Hozier

Charlatan in Red/Vixen's- mewithoutYou ("It's all crazy..." era)

Interlace of Bones- No idea. The banjo ones are honestly a lot harder to pinpoint.

GWMB- I blacked out while writing this song. I think that one came from somewhere special just for me. I got really, really lucky with that one.

Bats- I was just goofing around lol. Pick a punk band, any punk band.

Be Nimble, Be Quick

Jack- Guitar riff at the beginning is Explosions in the Sky. Lyrics, guitar etc. in the second part are The Dear Hunter x Hadestown

Card Shark- Tyler wrote the music on this one! My vocals are 100% The Dear Hunter tho

The Summer King- mewithoutYou, extremely intentionally

Bigfoot & Mothman- Foxy Shazam, baybee!!!

Persephone- O'Brother (Death of the Day era)

Dancing Plague- Thrice, I think

Wind in the Orchard- O'Brother again, I think

Thomas the Rhymer- 100% I was trying to write a Hozier guitar riff again. The screams at the end are Coheed & Cambria, a la Everything Evil

Faerie Queen- I was trying to write a Tiny Moving Parts riff. The vocals & melody feel pretty original to my own style, tho.

Truth be Told- Kit did all the lyrics & melody on this one. Guitar Moving Mountains (Pneuma era)

Ocean Song- Emma wrote this one! I had no input.

Unreleased (but in rotation):

Cottonwood- This one I really felt like I was drawing on the style that I've been cultivating over the course of this FMNs project.

Rusalka- I was trying to write a Typhoon song. Their album White Lighter is one of the few *perfect* works of art that I know of.

Persephone: I wrote this one back in college, actually, for a concept album I was working on at the time that never got finished. Some Hadestown in it, for sure, otherwise I couldn't tell ya.

This is the sort of question I always fantasized about getting asked back when I was first starting to write music in high school, it's really cool to have someone who only knows me from my work honestly interested in it. I love answer things like this, thank you so much again for asking! Hope it's a thorough enough answer, and I'm happy to elaborate on any, or hear what influences or echoes you hear in any of our songs.

Big love <3

#the forgetmenauts

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dowhatteverer · 1 year ago

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Alright, so this blog is being turned from a rwde blog to an anything/art blog and all of my rwde content is now going on a separate blog (with the exception of the already existing rwde content here) With that in mind, I'm going to stop worrying so much and expose my GenLoss brain rot so I can start reblogging a bunch of awesome art. Let's start with me posting some of my own.

I've been experimenting with my art style a lot so... Have fun watching it get less and less anime as it goes on lol. For some reason my first instinct upon entering a new hyperfixation is either, "can I turn this into a cartoon network show?" Or "can I turn this into a manga even though I don't read a lot of manga or anime?"

Anyway art dump time from the past... I dunno month and a half? In order of newest to latest, just so you know. It's mostly GL! Ranboo, and I haven't even posted all of my pictures.

The way I draw ears is new, and so art the fully black pupils. Still deciding if I want to keep them.

#generation loss #genloss #genloss ranboo #watch as is gets progressively more anime inspired as you go further back #im almost embarrassed to post this but I can't just not post my art to my art blog where im trying to make money off of my art #besides genlosers seem pretty cool from what I've seen its gonna be ok #i meant to say less anime inspired as you go forward lol

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zkylearnstherope · 1 day ago

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Lemme write some updates for some fellas here.

AU Content

I don't know who's been keeping up with my stories, but the one I used to call, Void Walkers [AU] has been rewritten far too many times that it has now become its own series. It will NOT be an AvA AU anymore.

It will now be just called, Void Walkers.

You may notice that there are sticks there that look like victim and Agent, but they are separate fellas.

vic is taller than canon victim. Always has been. I just sucked at drawing the first Height Chart. And Gent as well. Both of their colors are different from the canon although it's barely noticeable.

I plan to remake their whole designs more, because I want them to be completely separate from AvA.

Why? It started with me being too tired of seeing the victim x Agent ships, when I see them as father and son. I cannot hate the art, because they are genuinely really good, but the pit in my stomach grows bigger with every piece I see.

One of the first solutions I came up with, is to make vic and Gent as separate characters. After I did that, the story just took a life of its own.

I used to think of H as a borrowed OC, but I am now claiming him as mine. He looks far too different now, I think I deserve that.

All of them got a life outside of AvA, and I'm 100% going through with it.

Now, what about Interrogation? If cowboy vic and H will be removed from AvA, what happens to that one?

I paused working on that one because of two reasons:

One was because I was waiting for a dev update for the animation software I am using. That update was released hours ago.

Second reason was because I was conflicted with the story. The flow doesn't make sense. Maybe it would, if it's still an AvA AU.

I only finished 14 seconds after working on it for two weeks, and during that time, I redesigned and posted here the new designs (but still not finalized) for Gent and vic.

After that, I reworked their designs again, wrote a few more stories, and each story just felt right on its own (without the AvA influence).

I still plan to work on Interrogation, but I would most probably, start from scratch. Sorry to disappoint those who were waiting for half a year now.

Am I still gonna do AvA stuff?

Yes. But I don't know if A and H would be in it.

Some of you have probably read my Shepherd vic poem. I plan to make that a really short AU. Again, I will not ship Agent and vic there.

Shepherd of the Lost Lambs AU

I will explain more about this one in the future.

There's also that victim vs Agent animation that I promised, and the lesbian ChoDark animation as well.

Now what's with all these updates?

Because a lot of you probably followed me for the AvA content, but then I started to go back to writing. I am not sure if you guys liked the kinky stuff or you liked seeing A, but all those things will still exist, but NOT in AvA / AvM context. Sure, my style would be there but it will not be intentional anymore.

I honestly lost interest because of that Reddit IA incident a few months ago. 😒

All the AvA stuff I have planned, I want them to go on YouTube, and I need to hold back on the kinky if I plan to do that, obviously.

One of them is even AvM S3 themed. I think you guys will love that one. My brain won't stop coming up with ideas, I swear...

So, AvA stuff, yes. Kinky no. Will A and H still be there? I am still thinking about it.

New Blog

Because I want Void Walkers to be a separate thing from AvA, I want to make a separate blog for it. Besides, it will be a lot of text based content, and that's a lot of reading. I tried to post writing here too and I don't think anyone reads them. Maybe people do? I am not sure.

But yeah, I want to make a new separate blog for Void Walkers.

Someone asked me the other day if Gent and H are in a comic, because they "seemed interesting". It made me happy hearing that. It reminded me of the comics from last year. Why don't I just make more of those short stories, right?

Lastly, not only was I 🪽 writing Void Walkers, I 🌟 also started to write about The True Kingdom again. I have big plans for TR. So that other blog will be repurposed for it.

I never got to finish that art of The Wise Wolf of The Fog. I wasn't skilled enough, so I just gave up at some point. But I will draw her again, maybe next year. Then write an official lore for The Fog.

Conclusion

I started writing this post with the intention of asking you fellas, what you think, or perhaps even making a poll.

As I am currently typing this, I have made up my mind. Void Walkers will be a separate blog and I will keep working on that and The Collectors series that I love.

Anyway, 'til next time. I'm going to bed.

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dimensionweirdo · 1 year ago

Text

Hello hello! Thought I'd do this because why not

Answers under cut

How did you get here?

I've been in the FNAF fandom since the beggining. One of the youtubers I was following at the time posted a video, watched it, loved it and have stuck with the franchise ever since then

Why these characters in particular? what was the hook for you?

I don't really know! At first I wasn't that interested in them I think, I did like them just that they weren't favourites. But as with many other characters I like,kept seeing things about them and eventually the brainrot began

How long have you been here?

For a while I guess? I don't have good time managment so no idea really-

Have you actually played fnaf sb?

I wish, but nah, haven't played it

If you make content, what's your favorite piece you've contributed?

I have posted two drawings here but dunno if I will do more so don't know if I really make content? But from the two I like the drawing of my sona tackle hugging Eclipse

What's your favorite sort of art or fic? what genre/flavor/style?

AU's, holy moly there are some very creative AU's around here, I haven't seen this many since Undertale too

What's your favorite au?

All of them

Do you have any ocs, or have any ocs you're fond of?

I have two, but I will not say anything about them as I doubt I'll ever post about them here

What do you think of the dca's canon appearance? Scary? Cute? Something else?

They're a bit uncanny, but I don't find them scary. Don't really have much of an opinion on their canon appearance, I like it

What keeps you in this fandom despite the very small amount of canon content the dca had?

*Looks at the amount of fanon content there is* I don't know, you tell me

Be honest: if you had to pick only one, sun or moon?

I'm sorry Sun but I lean towards Moon more (Moon would absolutely despise me for my sleeping schedule but we don't talk about that)

Thoughts on eclipse?

Fanon? Love-hate relationship, a bastard, but a loveable one usually (With the more famous interpretation of fanon Eclipse)

Canon? Love them so much oh my stars, LET ME HUG THEM- Ehem, let's move on

Thoughts on pre-glitch sun?

The same as the Sun from the game but less anxiety, love him

Thoughts on pre-glitch moon?

A gremlin, but not as much as post-glitch Moon (The virus amplified his gremlin tendencies lol), idk what more to say, I'm tired so brain isn't braining right now but there's more

Do you interpret sun and moon as two sides of the same person, or truly two separate beings in one body? does it matter?

Two separate beings in one body, always saw it that way. I don't know if it matters much how you interpret them, although I guess it would matter for character development

What's something in the fandom you'd like to see more of?

Passive aggresive Sun is fun to see, and probably more things that I can't think of right now- OH OH, more platonic content! That's mostly a thing with most fandoms, too much romantic, not a lot of platonic

What's something in the fandom you'd like to see less of?

I'm not sure, haven't seen anything I really really dislike, so nothing I guess

Anything you're looking forward to?

More canon content of the boys, will it happen? Probably not, but I'd love to see more (I think everyone in the fandom does really)

Do you think you'd actually get along with the dca if you met them irl?

I think so? I consider myself a person who gets along with anyone really, so I think they at least wouldn't dislike me

Free space! talk about whatever's on your mind!

Would you believe me when I say these guys are the reason I now want to learn more about robots and all things technological? Funny how the world works

alright dca fandom, here's some questions bc i'm curious. the funky jesters make our brains go brr, but why? treat it as an ask game or answer in the tags if you feel like it! :)

how did you get here?

why these characters in particular? what was the hook for you?

how long have you been here?

have you actually played fnaf sb?

if you make content, what's your favorite piece you've contributed?

what's your favorite sort of art or fic? what genre/flavor/style?

what's your favorite au?

do you have any ocs, or have any ocs you're fond of?

what do you think of the dca's canon appearance? Scary? Cute? Something else?

what keeps you in this fandom despite the very small amount of canon content the dca had?

be honest: if you had to pick only one, sun or moon?

thoughts on eclipse?

thoughts on pre-glitch sun?

thoughts on pre-glitch moon?

do you interpret sun and moon as two sides of the same person, or truly two separate beings in one body? does it matter?

what's something in the fandom you'd like to see more of?

what's something in the fandom you'd like to see less of?

anything you're looking forward to?

do you think you'd actually get along with the dca if you met them irl?

free space! talk about whatever's on your mind!

#dimensional rambles #fnaf sb #fnaf moon #fnaf sun #fnaf eclipse

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serendipitous-magic · 3 years ago

Note

What is your writing advice for young people who want to write fanfiction and original stories in the near future?

If this is just Way Too Much, skip to the end (#16). My most important piece of advice is there. I also happen to think #5 is pretty good.

-_-_-_-

1) Literally just write. Write whatever you want, and do a lot of it.

_-_

2) You don’t have to post everything. In fact you don’t have to post anything. You can, don’t get me wrong, but it can be intimidating to sit down and think “I will now write something that other people will see and read and judge with their eyeballs.” Because that’s probably gonna lead to nerves and writer's block. Just write down the ideas that you have, the things you want to write, whatever’s in your brain that you want to explore and expand upon and make into something. And then if you want to, share it. Or don’t share it. I have plenty of half-baked ideas and documents and random story chapters and shit hidden away on my Google Drive that will never see the light of day, for a whole number of reasons. I wanted to write it but it wasn’t ~Spicy~ enough to warrant posting, or it’s only like an eighth of a good idea, or it’s like one scene with no story around it, or it’s just something incredibly self-indulgent I just wanted to write for my own enjoyment.

Point being, don’t write for other people. Don’t write so that other people can read it; write what you want, write for yourself, and then if you want to share it, do.

_-_

3) You can pretty much ignore any and all of these for fanfiction. In fact, you can ignore pretty much any rules or guidelines you want for fanfiction. Fanfic is a sandbox. You don’t have to be a “professional writer” to post fic. No one expects you to be Stephen King or Margaret Atwood. Fanfic is just for playing in a fandom and having fun. If you wanna write a 50 chapter slow burn with very little plot aside from the OTP slowly getting to know each other, and no real stakes or central conflict, I guarantee people would read that. Really, fanfiction is the Old West of writing: lawless, wild, unpredictable, and free.

However, here are the rules you must follow:

-Separate your paragraphs. (I’m sure you know this already, but I’m gonna say it anyway just in case.) Do not post one big block of text. Make a paragraph break when someone new is talking, when the characters are in a new place, when a new event occurs that changes the scene, when a chunk of time has passed, and when there’s a major change in subject.

-I know it’s obvious, but... grammar, punctuation, and capitalization. They exist to make writing easy for readers to read, and more people will read your stuff if they don’t have to stop and try to figure out what you meant.

-Use tags and labels, as is possible with whatever site you’re using. Especially if you include possibly triggering content in your story. Again, I know it’s obvious, but it’s common courtesy. Bonus: tagging the themes and content of your story helps readers find it and read it :)

-If possible, limit the use of all-caps and exclamation marks / question marks. 99% of the time, one ! or one ? will do. If you overload the page with a lot of all-caps and long rows of exclamation marks or question marks, it hampers readability.

... That’s literally all I can think of. And, like I said, it’s all pretty basic stuff. You were probably rolling your eyes like, “Uh, yeah, Gwen, I know.” But that’s literally it. You can pretty much do whatever you want in fanfic.

That being said, here’s my advice for both fanfiction and original work...

_-_

4) A quick and dirty rule for coming up with a plot, starting a story, keeping up pacing, or maintaining tension: figure out what dreams, desires, and goals are nearest and dearest to your main character’s heart (see #16). Then set up the main conflict to be directly in opposition to that goal. It doesn’t have to be in a tangible way, though it could be. But, if your main character wants more than anything to reach the ships on the southern coast of your world and sail to a new life, make sure the main conflict immediately prevents them from doing that - in fact, make sure to send them north. If your main character just wants to keep their loved ones safe, kidnap the loved ones. If your main character just wants to date their best-friend-turned-crush, make sure they think they have no chance - or, make them cocky about it, and make sure it makes Person B determined not to ever like them. You get it. Figure out what your character most wants, and then keep them from having that. Boom - your conflict now ties in with your character's motivation. It's like instant yeast for plots.

_-_

5) If you’re anything like me, you want your first draft to be Good, despite all that advice about how the first draft doesn’t have to be good and it’s just to get words on the page, yadda yadda. And if you’re somewhat of a perfectionist (like myself), it’s easy to get stuck looking at a blank page because you don’t have The Perfect Words, and you want what you write to be Good the first time.

Here’s how I cheat that:

Instead of trying to write a Good First Draft from a blank page, hit the enter key a few times, skip a little down on the page, change your ink to red (or blue, or whatever - just something immediately identifiable as Not Black) and just thought vomit. Write whatever the hell you’re thinking, exactly as you think it. Don’t worry about it being readable, don’t worry about narrative flow for now, don’t worry about covering all the details, don’t worry about anything except either a) getting all the details of your idea out onto the page, whether that’s a lot or whether it’s just a sentence or two, or b) if you don’t have an idea yet, finding your way there.

Because this method is also very good for finding your way to ideas when you’re stuck in writer’s block.

Because of how human brains work, getting this stuff out onto the page - in all its messy, stream-of-consciousness glory - will likely spark more thoughts. As you write your original idea about the scene, it’ll likely spark more ideas. Creation begets creation. If you just start thought-vomiting your ideas onto the page, chances are you’ll think of more things as you go, and you’ll start filling out description or dialogue or tone or action or whatever, and pretty soon the scene starts writing itself.

Not sure where you’re going with the scene or which ideas you wanna use? Use a lot of ambivalent language in your “thought-vomit draft.” My pre-writing notes are chock-full of the words “maybe,” “perhaps,” and the phrases, “At some point...” and “...or something like that.” In this way, I don’t tie myself down to one idea; it’s just an idea, and I’m keeping it on the page in case I use it, but I might chuck it in the trash or change it or whatever.

And then, once your ideas for the scene (or story, or chapter, or whatever) are on the page, then go back to the top and start translating them into a “real” first draft. Use black ink, and start copy-pasting chunks of the thought-vomit up into the top part of the document and translating them into Draft 1. Separate out paragraphs where paragraph breaks should be. Add the correct punctuation and whatnot. Change “describe the lobby here - include potted plants, fancy carpet, blood stain, etc.” into an actual description of the lobby. Flesh it out, or condense, or whatever it needs. And if you’re still stuck, change back to red ink and ramble some more until you find a path that feels right, then plug that in. This keeps you from looking at a blank page, and it allows you to generate a kind of Draft 0.5, somewhere between a plan and a first draft.

You don’t have to use every idea. Like I said, jot down whatever comes to mind, put a “maybe” before or after it, and keep working. If the idea grabs you and you wanna keep expanding on it and exploring it, cool. If you just wanna jot it down so you don’t forget it and then move on, also cool. Red-ink draft / “thought-vomit draft” is your time to jump around in the timeline, add or finesse details at whatever point your brain moves to, etc. Don’t try to do it exactly in story order, because you will get tangential thoughts and ideas, and you will not remember to write them down five pages later when you finally get to taking notes on that scene. Trust me. On that note...

_-_

6) Write everything down the moment you think of it. Seriously.

“I’ll remember it when I get around to writing that scene in a couple days / weeks / months (/years).”

You won’t.

Write it down.

Phone, journal, google docs - hell, my family regularly laughs at me for grabbing a napkin during dinner and scribbling thoughts down alongside pasta sauce stains.

And then, once you have it written down somewhere...

_-_

7) Consolidate your writing ideas in one place.

Maybe this isn’t really your style, and that’s totally chill.

Buuuut, if you’re Type-A like me - or if you tend to be somewhat unorganized and you know you’ll lose track of your writing notes if they’re scattered across multiple notebooks, journals, napkins, phone notes, etc. - having one consolidated document of notes is a life saver. I keep mine on Google Docs so I can access it, add to it, and look through it for inspiration anywhere at any time. When I have one of those Shower Thoughts that I jot down on my phone or on a napkin during dinner, I set myself a reminder on my phone to type it up in my Story Ideas document later.

(Or, if the idea I had was for a story of mine that I’ve already started planning / drafting / whatever, I put it in the document for that story instead of the Big Random Story Ideas doc. You get it.)

_-_

8) Have other ways to collect and save writing ideas, besides just writing stuff down. If you like Pinterest, make pinterest boards of your characters or stories or settings or whatever. If you’re big into playlists, make a playlist for your character / setting / story / etc. Or both. Or something else. I’m not good at drawing, but maybe you are, and maybe you like to draw your ideas. Whatever form it takes, having another way to save ideas and think about your stories is invaluable.

_-_

9) Some writers can just start writing with no idea where the story is going, and they just kind of figure it out as they go. I envy those writers. And I do that sometimes for fanfiction, where the stakes are somewhat lower and the audience is reading more for scene-to-scene enjoyment (and to see their OTP kiss) than for a Driving And Compelling Narrative.

But here’s the thing: especially if you’re just kind of starting out, writing without some sort of plan is really, really hard, and will likely lead you into a slow, meandering narrative that will likely frustrate you.

Even if you think you’re someone that just can’t write with a plan (and again, I have the highest respect for pansters out there - I don’t know how you do it, you crazy bastards, but you keep doing you) - even if you think “I can’t work with plans, they’re too prescriptive, I just want to write and see what happens -”

Try at least making the most skeletal of plans.

Even if you have no clue what 90% of the story is, yet. That’s fine. But you need to have some idea of what you’re building to, even if that’s nothing more specific than a feeling, or a turning point for your character. Even if your entire plan for everything beyond Chapter 1 is, “At some point, Charlie needs to realize that Ed was lying to her.”

This is where those Draft 0.5 notes come in handy. Because, more than likely, working on your current scene that way will spark ideas for later scenes, which you can put down at the bottom of the document and save for when they become relevant. In my experience, the line between planning ahead and making a Draft 0.5 is exceptionally thin. One can quickly turn into the other.

If you’re really, really resistant to the idea of planning ahead, that’s okay. It’s not everybody’s style. But for the love of all that is holy, write down your ideas for future scenes, even if you’re a person that doesn’t like to plan and writes only in story order, because you will not remember that idea once you get to that scene.

_-_

10) You don’t have to write in order.

Here’s the thing: I’m a person that can only do my Draft 1 in story order (meaning, chronological order). I just have to be in that flow; I need to write in story order for me to best channel where the character is at from scene to scene, both narratively and emotionally.

But my Thought Vomit Draft is another thing entirely. By using the brain hack of putting my notes in red (or another color, it doesn’t matter) and going down to the bottom of the document / page and taking notes there, and then integrating them into whatever plan I have, and then translating them into Draft 1 once I get there in the story - by doing that, I can get my good ideas onto the page (and expound upon them and let my muse carry me and ride that momentum while I’m in the moment of inspiration) without writing out of order.

Maybe that’s just me. But if you’re a person who really prefers to write in story order, that could be hugely helpful to you. It is to me.

_-_

11) Emotion and motivation will do more for your story than technicalities of plot.

If your characters really care about something, and their journey through the (shaky or weak) plot is emotionally engaging, it will be a much more compelling story than a story with a “perfect” plot and unrelatable or unmotivated characters.

If your characters care about what they’re doing, and it means something to them, and their goals and actions are driven by dreams or fears or emotions that are integral to who they are, your audience will care too. If you have a perfectly crafted plot that hits all the right beats and has high stakes and fast pacing and drama - but your characters don’t connect with what’s happening in a way that’s deeply meaningful or emotional for them? You’re gonna have a hard time engaging readers.

When in doubt, prioritize character emotion and motivation over plot. Emotion is what drives story.

This power is highly exploitable. (Just look at pulp novels and shitty but entertaining movies.) You can even use it to glaze over plot holes or reinvigorate a limp narrative. Use it that way sparingly, though. It’s a band-aid, not a surgery.

_-_

12) Evil villains are hard to write - mostly because there are very few truly evil people in the world. (There are a few. Billionaires and several big name politicians come to mind.) But by and large, there aren’t that many evil people. There are plenty of bad people, but bad people have some good in them, somewhere in there. Trying to write an evil villain is hard, because they often turn very cartoony.

Here’s a tip: it’s much easier to write antagonists who aren’t evil. Even if they’re bad people. Of course, there’s no reason you can’t write a villain that’s just truly evil - a serial killer, or an abuser, or a billionaire, or someone who legit just wants to hurt people or blow up the earth or stay in control of an oppressed population, or whatever. But chances are, it’s gonna be really hard to make them feel real, and even harder to create a plot around them that doesn’t feel forced or contrived.

Instead, try writing an antagonist / villain whose motivations and goals directly clash with your protagonist’s - but not because they want to take over the world or see people suffer. Write an antagonist who’s chaotic good, but whose perception of the situation is completely opposite from your hero’s. Write an antagonist whose only desire is to save people, and who will do anything to achieve that goal - anything. Write an antagonist who believes in the letter of the law, and will hinder and oppose the hero’s methods even if they agree with the hero’s motivation. Write an antagonist who got in way over their head and did some things they regret, and now they don’t know how to get out, and they’re doing their best but whatever they set in motion is too powerful for them to stop now.

Write villains who are human. Write a killer who thought they were doing the right thing by taking their victim out of the equation, who vomits at the sight of the body and sobs over the grave they dig. Write a government leader who truly believes she’s doing what’s best for her people in the long-term, even if it might hurt them in the short term, and is willing to endure the hatred and belligerence of the masses if it means securing what she thinks is a better future for her people. Write a teenage bully that thinks they’re the one being picked on by the world, and they’re just fighting back, standing their ground. Write a scientist who will break any code of ethics and hurt anyone he needs to - in order to bring back his baby sister from the grave, because he promised her he’d protect her and he failed. Write an antagonist who is selfish and self-centered and capricious - because in order to survive they had to look out for Number One, and that habit ain’t about to break anytime soon.

Write villains who aren’t even villains. Write antagonists who oppose the hero because of moral differences. Write antagonists who are trying to do the right thing. Write antagonists who treat the heroes with kindness and dignity and respect and gentleness.

They don’t have to be good. They don’t have to be Misunderstood Sweethearts who “deserve” a redemption arc. They can be cruel and nasty and dismissive and callous and violent and etc. etc.

Just hesitate before you make them Evil-with-a-capital-E. Because evil is hard to write, and honestly, boring to read. Flawed human beings with goals and motivations that directly oppose the main characters’ are much easier to write and much more interesting to read.

Ask why. Why is your villain trying to take over the world? What does that even mean? Are they trying to create a Star-Trek-like post-capitalism utopia, but they know that won’t happen in a million lifetimes, so they’re trying to do it by force? Are they actually super in favor of human rights, but they got very impatient waiting for the world to do anything about poverty and war, so they decided to take it into their own hands? Are they determined to fix the world - no matter the cost? Are they terrified and overwhelmed, but committed to see it through to the end? Or - maybe they’re just doing it on a dare. Maybe they don’t really give a shit about world domination, they were just a mediocre rich white guy who decided to fuck around and find out, and now he’s kind of curious how far he can take this thing. And now he’s kind of an internationally-wanted criminal, so he’s kind of stuck living on his hidden private island in his multi-billion dollar secret base, strapping lasers to sharks’ heads for the hell of it. Gross, selfish, uncaring, and dangerous? For sure. Evil? Depends on your definition. See, now we’re getting somewhere.

_-_

13) It’s tempting to let the plot control the characters. It’s easy to drop your characters into a situation and see how they react. But here’s the thing: that doesn’t drive plot. In fact, it bogs down pacing. Instead, try to build you plot off of your characters’ actions and decisions. Let your character build their own situation. Not to say it should go they way they wanted it to go; in fact, usually, their grand plans should go to hell very quickly. But having the characters take action and make decisions, and letting the plot develop based on that, is much easier to make compelling than making a rigid series of events and then trying to herd your characters into them.

_-_

14) Having trouble justifying a character’s actions? Consider having them make the opposite decision, or having them approach the situation in a different way. For example: you need your character to go meet the bad guy, for plot reasons, even though there’s no way it’s not a trap. If the character goes, readers are gonna be groaning with their head in their hands, because c’mon man, that was really fucking stupid. But he’s gotta go, because the plot needs that. Two ways you might handle this: a) He knows it’s probably a trap. He decides not to go. The plot conspires to get him near the villain anyway. Or, b) He knows it’s a trap. But he needs to go, for (insert reasons here). So, he approaches it in an unexpected way. He brings backup, recruiting a side character we met earlier in the story. Or he arrives on the back of a dragon, because ain’t nobody gonna fuck with a dude on a dragon. Or he goes - early, and ambushes the villain. It may work, it may not. He may get himself kidnapped anyway. But it moves the plot along without having Stupid Hero Syndrome.

_-_

15) This is a legit piece of advice: if all of this sounds overwhelming, literally just ignore it and write what you want. For real. Writing should be fun, and every single writer operates differently. If you’re sitting here like “I’m getting stressed just reading this,” just flip me a good-natured bird and get on with your life. I promise I won’t take it personally. Same goes for literally any other writing advice you see. Lots of rules and guidelines can very quickly make anything thoroughly un-fun. Just write. If you’re passionate about it and you do it for long enough, you’ll start figuring out the tips and tricks on your own.

_-_

16) Here’s the best piece of advice I can give you: know your characters. More importantly, know what’s important to them. Build their personality and decisions off of that, and build your plot off of their decisions.

I see a lot of character building sheets that ask a shit-ton of questions like “What’s their most prized possession?” “Do they like their family?” “What’s their favorite food?”

And while these are good questions, my problem with this type of character building is that if you start there, with the little stuff, you’re building on nothing. IMO, to make a truly strong character (not strong like Inner Strength, strong like effective), you need a strong foundation.

Here are the things you must know about your character:

a) What are their greatest fears / deepest insecurities? And I don’t mean “wasps” or “heights.” I mean the deep shit. I mean fears like “living a meaningless life,” or “turning out just like their parents,” or “that no one will ever love them,” or “being powerless.” You may say, “But they’re really scared of wasps! They fall into a wasp nest when they were little and got stung so much they almost died!” Great! That’s a fantastic bit of backstory. They should absolutely be afraid of wasps, and that should absolutely be an impediment later in the story. But dig deeper. What about that event actually scarred them? Was it the helplessness? Stumbling around, swatting at the air, not being able to do a single thing to stop what was happening to them? Was it that they were alone, and no matter how loud they screamed, no one was coming? Was it the bodily horror of feeling themself turn into an inhuman creature as they swelled up from the stings, unable to move their fingers or face normally anymore?

And don’t forget insecurities, because those factor in, too. Are they deeply insecure about their identity? Do they believe, deep down, that they’re ugly? Did they grow up poor and they’ve always been really touchy about that? Why? Dig deep. Figure out what really, really bothers them.

b) What are their hopes and dreams? What do they truly want out of life? What do they consider the most valuable to their experience here in this thing called life? Is it the freedom to forge their own path and be independent? Is it the approval of their family or peers? Is it a home? Is it knowledge, or understanding? Spiritual fulfillment? Is it deeply important to them that they contribute to their community, or protect those they love? What do they need in order to feel truly and deeply fulfilled in life?

Figure out those two things (each one encompasses several things, btw, you don’t have to stop at just one for each), and then use that to inform how they behave and the types of decisions they make within the story.

It also informs character behavior and personality.

Let’s say we have a character who’s afraid of helplessness. They’re probably gonna be the person that always wants to do something, try something, no matter how hopeless the situation seems. They’d despise just sitting and waiting, probably, because it makes them feel powerless. They might even be the person that makes rash decisions and acts impulsively and puts themself in danger unnecessarily, because in their mind it’s better than being at the mercy of fate. This is one way you could use a character’s personality to inform their decisions, which in turn helps to inform plot.

Or, let’s say we have a character whose greatest fear is being left behind or forgotten. We may have a chatterbox on our hands. They might be obnoxious. They might love the spotlight, constantly vying for attention no matter the situation, because deep down they’re so afraid that they’d be forgotten otherwise. Or, it may go the opposite way. They may be so afraid of people leaving them that they’re terrified of bothering people. They don’t want to do anything that could annoy people, anything that might give people a reason to leave them. They might be exceedingly polite, quiet, accommodating. A push-over, really.

These are two nearly opposite types of personalities, both stemming from the same core fear/insecurity. You can go a lot of different ways with it. But if you build on that strong foundation, you’ll have a strong character, and a stronger plot.

Likewise, the structure of your story can and should inform the design of these character traits. If you need your characters to team up near the end, it may be impactful if you give your main character a deep fear of commitment, an insecurity about being unwanted or left behind, and make them highly value independence and freedom. That could make their team-up for the final battle very meaningful. Conversely, you can use your character’s deepest fears and desires to help design the plot. Is your character deeply insecure about voicing their opinions or taking a stand, because of trauma they faced in the past? Make them face that. Build that into the climactic third act. Give them the big inspirational speech where they stand up and talk about what they believe to be important, what they think the group should do. And then design that character arc to run through the story, giving you more handholds and stepping stones, more pieces of foundation on which to design the plot.

In this way, character should inform story as much as story informs character. It’s a feedback loop.

Bonus: if you build your character and your plot off of each other in this way, it automatically starts to build in the foundations of that emotional investment I mentioned earlier. If your character’s decisions are based on what they most want and do not want in life, you basically have your character motivation and stakes pre-built.

Note: you need to know these things about your villain, too.

-_-_-

I’m genuinely sorry about the length of this, lmao. But you did ask.

Best of luck!

Edit: I forgot an important one:

17) Start when the scene starts and end when the scene ends.

What do I mean by that?

If your notes say “Danny asks Nicole out after school and majorly flubs it,” start the scene when Danny approaches Nicole after school. Better yet, cold-open the scene on “I was wondering if, you know, you’d wanna. You know. Hang out some time?”

Don’t start that morning when Danny goes to school, unless you’re gonna cover the school day in like one or two sentences. Don’t spend whole paragraphs going through the school day, unless it’s to cover other plot points first (in which case apply these same guidelines there), or if the paragraphs are there for a specific reason, like to illustrate how stressed he is and how it seems like every little thing is going wrong. Even then, trim the fat as much as possible. Expounding and describing everything Moment-to-moment is for the meat of the scenes, not the leading-up-to and coming-away-from.

Here’s my rule of thumb: study how and when movies cut from scene to scene. Movies have exceptionally strict, limited time for storytelling; they’re excellent examples of starting a scene when the plot point starts and ending when it’s over. If you can’t picture a movie showing everything you showed, start the scene later and end it earlier.

#asks #anon #writing advice #writing tips #writing #fanfic writing #fanfiction #character creation #plot development #character development #my advice #original writing

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thunderheadfred · 3 years ago

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🐈‍Aizawa HC’s🐈‍

I dunno if people will care for this; I suspect my HC's for Aizawa are a little off the fandom norm. Still. I tried. Things get approximately NSFW under the cut. Minors do not interact.

- - - - -

General

He has like, one discernible change of clothes per season. There is no distinction between hero outfit, casual wear, and pajamas. That fabric used to be black. It is now an exhausted shade of ‘please stop washing me.’ If you suggest that he buy new clothes, he will stare you down like you have three heads, and none of those heads have a brain.

This man does not spend money. He has a mind-blowing amount of savings, but no one will ever know until he dies and wills it all to a random animal shelter in the middle of nowhere. Has a secret scholarship fund for UA students. Again, this is completely anonymous. Only the principal knows.

He's a startlingly competent sketch artist. Nothing fancy, and he never took an art class in his life, but his quirk innately lends itself to spacial reasoning and feature recognition. He has sketch books brimming with sloppy but pin-point accurate life drawings. He can capture your soul in three strokes of a dried-up ballpoint pen. It's eerie.

Given his schedule, you’d expect him to prioritze convenience first, but junk food makes him cross-eyed. His body is a temple and he eats like a fucking monk.

He’s a wine snob. Well, a liquor snob generally. He knows the name of every regional sake-maker in Japan, and can tell you exactly which bottle is the best, down the the month of production. Assumes everyone possesses such laser-focused knowledge.

Tea drinker. Yeah, he has encyclopedic knowledge about that too. Apparently everything this man drinks comes with a bibliography.

Technically he’s supposed to live in the UA dorms part of the time. He sleeps poorly there, and goes home whenever he has the opportunity.

His house is old, but not valuable. Probably inherited. Traditional style with very few modern updates. He keeps it meticulously clean and does repairs as needed, but the age is still obvious. Everything creaks. You swear the place is haunted but won’t dare admit it aloud - he WILL laugh you out of the house.

There’s a garden but he doesn’t have time to keep it up. He has a lot of memories of the plants in full bloom. Letting it go to seed upsets him more than he lets on.

He has zero personal possessions aside from household appliances, which he meticulously researches and keeps in perfect condition.

Reads an insane amount of books. These mostly come from the library. There’s always a stack near his bed. You have no idea how he finishes them, because every time you see him with a book, he’s asleep with it on his face.

He doesn’t adopt cats so much as just leaves his doors open and lets them freely colonize the place. It’s not his house, it’s theirs. Somehow there's not a single cat hair on anything.

Most of these cats are cuddly little angels; you've never met nicer. But there’s a few beasts in the mix, with battle scars and three legs and a craving for human meat; these are Aizawa’s special favorites.

- - - - -

Dating

Falls for you when he stumbles across you taking care of one of the hideous strays he usually feeds on his route. Doesn’t approach you at first (definitely tries to hide) but the cat is like "mrrr?" and brings you over to him, giving the game away. Traitor.

Will make you pay for your half of everything, down to the last yen. So what if you’ve been together for ten years? You have your own income.

One exception to the above: he’ll never buy you presents but he WILL treat you to lavish meals in dark restaurants with hand-written menus. Don’t mistake this for romance, he just likes the quiet atmosphere and excellent service.

He cleans every day; there’s an unwritten five-dimensional schedule and that schedule is EXACT. Zero time wasted. He’ll never actually ask you to help with any of it. He’ll never directly thank you, either. But if you learn how to take over certain chores and do the daily upkeep while he’s away, he’ll love you forever.

Not the type to talk about his day; he’d rather sit with you outside. He values silence. Not because he doesn’t want to talk to you, but a lot of the time he doesn’t have the energy to give you his full conversational attention. Physical contact is easier, and more comforting besides. Just... hold his hand a while.

His scalp gets tingly and sore from overusing his quirk. If you run your fingers through his hair he will pass out instantly.

He will cozy trap you. He’s touch-starved and was definitely a cat in a past life. Will hang all over you if you don't give him enough attention and constantly falls sleep in your lap. Hope you don’t need to get up anytime soon; he’s not moving.

You don’t exactly ‘move in’ with him. He never wants to spend a night without you, but his living space is already exactly how he likes it. He will never move out of that old house, but he’ll give you some rooms to yourself. Your stuff and his... complete absence of stuff... stay pretty much separate. Do NOT clutter up the bedroom.

The kitchen is the exception. That's a warm and cozy shared spot, the heart of the home. You’ll always be stepping around a cat.

He LOVES when you cook for him (so that he doesn't have to take the time). Will shower you with praise and encourage you to make huge earthenware vats of old-timey tsukemono that the two of you cannot possibly eat by yourselves. He’ll help with food prep and knows his way around, but he insists you’re the better cook (even if you aren’t).

Big on actions over words. Makes an effort to be present with you as much as he can.

Will stare into your eyes until you look away. When you look back, he's still staring with a rare warm smile on his face.

God, he loves you. You will never, ever know how much. He doesn't tell you often, but he shows you every day.

- - - - -

Somnophilia???.........

ACE ACE ACE ACE

This man is A-fucking-sexual. He’s not sex repulsed in any way, he’s just not personally invested.

Aromantic too. Deadass doesn’t get the hype. You are the most important person in his life and he’s deeply commited to and comforted by you. Just don’t expect to be seduced; it will literally never happen.

If you are allosexual, he will still be devoted to your sexual well-being. At first, that means buying you a DELUXE toy and encouraging you to use it on your own.

His voice is too damn sexy, even when he isn’t trying. He’ll give you all the phone sex you want; he thinks it’s sweet how you unravel for him. Edging you for ages is a fun little power play, but he’s definitely grading papers while he does it. Don’t be offended. Toshinori has overheard some THINGS.

When your relationship gets sufficiently serious, he’ll help out with his hands. He’s VERY SKILLED AT IT. He likes to lay down next to you and whisper encouragement in your ear. Eventually he gets possessive about your orgasms, and will make you ask for permission.

Sometimes the stars align, but his arousal is a rare bird. He'll take a whole afternoon to prepare. It’s love-making, full stop. Always slow and intensely emotional. He'll cherish every inch of you but might not cum at all; you can’t force it.

#aizawa shouta #aizawa sensei #aizawa x reader #aizawa x you #aizawa x y/n #gender neutral #aizawa headcanons #bnha #mha #bnha headcanons #mha headcanons #fred writes

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luci-in-trenchcoats · 4 years ago

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First Date

Summary: The reader accidentally sends an angry email off to a co-worker but winds up with a date instead...

Pairing: Landscaper!Dean x reader

Square: First Date

Word Count: 1,900ish

Warnings: language, fluff

A/N: Written for @spndeanbingo . Enjoy!

_______

You yawned as you trotted out of the kitchen with a cup of coffee in hand down to your home office. You plopped down in your chair and got on your computer, checking your email with a tired hum. You saw an email from the facilities manager and sighed.

“Oh come on,” you said, rolling your eyes. “I’m work from home now, jackass. Refund my parking pass. That was like five hundred bucks.”

You growled and typed out an angry email in response, getting so fed up when you finished you knocked your coffee all over your computer.

“Shit!” you said, grabbing some tissues and moping it up.

You saw a sent message appear on screen and you shook your head.

“No. No. No, I didn’t send that. Recall, recall,” you said, shoving the tissues aside. It’d already been opened though and the recall failed, your jaw dropping. “No! I just moved into this house! I can’t afford to get fired.”

You grabbed your phone and decided to bite the bullet, trying to dial the guy when you got an email back.

As highlighted in my original message below, your refund will show up next month along with all other refunds to staff now working from home.

You hit reply and started writing an apology, praying he didn’t report you to HR.

I’m so sorry. It was an accident. I wrote it to express my frustrations and had no intentions of ever sending it. I’m deeply embarrassed, Mr. Winchester, and apologize once again.

You bit your bottom lip and waited a minute, getting a response back.

Thank you for your apology, Ms. Y/L/N. Seeing as today is my last day and it was a mistake, I see no reason to pursue this further.

“Ah, thank you, thank you,” you said. “Now let’s deal with this coffee.”

Two Weeks Later

“So what’s the damage?” you asked. The man in the flannel and baseball cap wrote up a tally on his clipboard before looking back at the house and yard again.

“Normally, for total lawn maintenance, that includes your weeding, trimming, spring and fall clean up, etc. for a lawn this large, you’re looking at around eighty a week,” he said. “But we’re trying to break into this neighborhood so let’s call it fifty a week. We get ten yards around here, we’ll knock it down to forty. How’s that sound?”

“Fifty for everything?” you asked. “Including the snow removal?”

“We’ll negotiate a separate contract for that but I’d call that about 350 for that season,” he said. “So. We have a deal?”

“For fifty bucks, you got a deal,” you said, shaking his hand.

“Perfect. I will have a contract written up and sent over to you this evening,” he said. He dug around into his back pocket and pulled out a business card.

“Super Natural Lawn Services,” you said. “Winchester.”

“Hm?” he said, writing something down on his clipboard.

“Name sounds familiar is all,” you said.

“Used to be in charge of managing the grounds at a local place until they decided to have their staff work from home. Ms. Y/L/N,” he said with a smirk.

“Oh my…” you said, Dean chuckling. “I am so-”

“I like running my own business a lot better,” he said. “Besides, you apologized. We’re all good. We’ll get that contract straightened out and I’ll get a team over Friday morning to start on your landscape design.”

“I really am sorry, Mr. Winchester. I-”

“Y/N. It’s good. I promise. I’ll see you around, okay?”

You nodded and he headed back to his car, giving you a wave as he drove off.

Two Weeks Later

“Hey, Dean?” you called from your front porch. He poked his head up from where he was head first in a notebook, staring at the dirt edge around your house. “You want a drink? It’s really hot out.”

“I’m okay,” he said, sweating pouring off of him.

“You want to come into the air conditioning for a minute?” you asked. He was about to say no when he took off his hat and his hair was soaked with sweat. “Come on.”

“Alright. Just for a minute,” he said. He hopped up onto the porch and stepped into your foyer, letting out a sigh. “Okay, that’s nice.”

“You like lemonade?”

“Sure,” he said. He took off his boots and followed you to your kitchen, taking a seat at the table when you waved him down. You brought over a large glass, Dean gulping it down. “Do you have a minute? Now that your lawn is in good shape, I have a few ideas for landscaping near the house if I could pick your brain.”

“Sure,” you said. He flipped open his notebook and showed you a drawing, your eyes wide. “You drew that? It’s great.”

“Do you like that kind of style? It’s minimal upkeep but it’s not barren out there this way,” he said.

“I love it. How much does that cost?” you asked.

“It’s part of your weekly bill. I have a few other ideas in here you can take a look at and tell me which you like best,” he said. You flipped through the notebook with him, still liking the first one the most. “Alright. We’ll get that going for you then.”

“My neighbor was asking about you the other day. I gave her your name,” you said.

“Fingers crossed we get a bit more business around here then,” he said as he stood up. “I’ll get out of your hair now. Thanks for the drink, Y/N.”

One Month Later

You hummed as you sat on your front porch with your morning coffee, watching Dean across the street and walk around a yard with his team. They’d already done your yard for the week and you knew Dean was up to about six or so houses in the development. With a big stretch you glanced over to your car and saw something on the windshield. You got up and walked over, plucking off a note.

Found a problem with one of your plants. Rabbits were eating it. I’ll replace it later today.

You looked across the street just as he looked over. You gave a wave and he returned it before you headed back inside.

Four hours later you were getting home from the store to find another note stuck up against your front door.

Plant should be all good now. Enjoy your weekend.

“Hey,” you heard behind you and you nearly jumped out of your skin. “Sorry.”

“Hi, Dean,” you said. “S’alright. I got your note.”

“It was a simple fix,” he said. “I actually am looking for my work gloves. I either left them at your place or the Jones’ but I didn’t find them over there.”

“Are they black?” you asked.

“Yeah. You find them?” he asked.

“Maybe they’re near my new plant,” you said, nodding your head. He looked over and they were on the grass beside it.

“Ah. That’s what I get for taking calls while working,” he said. He grabbed them and started to leave, pausing at the driveway. “Hey, Y/N.”

“Yeah?”

“You single?”

“Why?”

“Cause if you’re dating someone, I don’t think my odds of getting a date will go very far,” he said as he spun around. You smiled and leaned against the porch post. “Single?”

“Why would you want to date me? I was very rude to you once.”

“You were pissed about throwing money away for no good reason. Trust me, I got plenty of emails that day. You’re the only one that apologized. Plus you may have once told the grumpy guy in the cafeteria to go do a job that makes him happy.”

“You knew who I was when I emailed you, didn’t you.”

“Yeah. I looked you up at work. You were nice back then. You always offer my crew cold water if you’re home. I just like you,” he said.

“Pick me up at seven,” you said as you spun around. “You decide what we’re doing.”

“Alright,” he said. “I wouldn’t advise a dress and heels.”

“Now I’m intrigued. I’ll see you later then, Dean.”

“Yes you will, sweetheart.”

“Hi,” said Dean when you opened your front door just before seven. You laughed when he held out a packet of flower seeds. “They’ll go great in a planter on the porch.”

“Thanks,” you said. You put the packet inside and locked up, following him to his car. “So what are we doing?”

“I figured we could do something and grab a bite after if that’s okay?” he asked.

“Sure,” you said. “Were you thinking of a movie?”

“Hopefully it’s more fun than a movie,” he said. “Trust me.”

“Okay, that is the most fun I’ve ever had on a first date,” you said, Dean chuckling as you both turned in your helmets. “I did not even know there was go-karting in this town. Like really nice go-karting too.”

“We could come back sometime,” he said. “I don’t know about you but I’m starving.”

“Same,” you said.

“Well follow me then,” he said, walking past his car in the parking lot and headed for the street. He took your hand and you walked across over to a diner, Dean walking the two of you inside and to a booth by the corner.

Twelve minutes later you had a double bacon cheeseburger with jalapenos in front of you along with a basket of fries and onion rings. You dug in, Dean smiling to himself as he enjoyed his own burger.

“Too much?” you said.

“Save room for dessert. They have out of this world sundaes,” he said.

“If it’s as good as this burger, I’m sold,” you said. “So what made you want to have a landscaping business?”

“I get to be outside, do some hard work but some mental work too. We’re doing pretty good for our first year,” he said. “I didn’t like my old job very much.”

“It sounds like this one is working out for you.”

“It is. Probably would have taken me longer to ask you out if I hadn’t sort of known you already but I don’t mind,” he said, taking one of your fries.

“You flirt with all your customers or just me?”

“Just you,” he said. “How’s it working out so far?”

“Pretty good. Want to go catch the music fest downtown after our meal? Main act comes on at nine,” you said. “Unless you’re not into rock.”

“Oh, sweetheart. You and me are gonna get along just fine.”

_____

#spndeanbingo #dean x reader #spn #supernatural #dean winchester #dean winchester x reader #dean fanfiction #dean fanfic #dean x #dean x you #dean #spn fanfiction #supernatural fanfiction

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robininthelabyrinth · 3 years ago

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Spilled Pearls

- Chapter 7 - ao3 -

Lan Qiren woke up with a pounding headache and no memory of having gone to bed.

This would not have been a surprise had he been at home, as his routine was blissfully static and required no thought whatsoever – each item he needed in its proper place, each movement mapped out through years of practice, his entire body trained such that he would automatically begin to go through the necessary acts at the appropriate time and would immediately begin to feel sleepy once he started the sequence – but it was highly notable that such a thing would occur while he was out of the Cloud Recesses, where each day’s sleep would only be the same in terms of the time at which he fell asleep.

In this case in particular, he also felt sore all over – his head, as mentioned, but also his upper arms and, oddly, his right knee. Had he been exercising unwisely? The bed in the room he had been given at the Sun Palace was not that nice, too hard and unyielding, but it wasn’t enough to cause this sort of aching…

“I will see to it that the next bed lives up to your stringent standards.”

Lan Qiren’s eyes shot open and he sat upright at once: that was Wen Ruohan’s voice.

“What are you doing in my –” he started to say, then stopped.

Wen Ruohan was not in his bedroom.

He wasn’t in his bedroom.

He didn’t even recognize this bedroom.

It was massive, for one thing: a full suite, the way the hanshi was back at home, with place for a bed and a table and plenty more besides. The bed was similar in style to the one in the room he had been assigned but larger in scale – made of dark wood and covered in the red sun motif like all the other décor, but over twice as broad and an extra chi in length, and the brocade fabric used to upholster it was considerably more lush and luxurious and, admittedly, more comfortable than what he’d been sleeping on in the Sun Palace’s guest quarters. The room itself was the same, decorated in luxury extending to the point of opulence: there was a painting scroll on one wall that if genuine would be worth more than everything Lan Qiren owned put together, young master of a Great Sect or not, and on the other wall hung six swords, each more glorious than the next, and he suspected if he knew more about weaponry he would be able to recite their names. Even the red sun that was painted on every ceiling here glittered with embedded rubies and spiritual stones, emanating pure qi – a tremendous waste, each one of them sufficient to be a cultivation sect’s precious treasure.

Amidst all this luxury, Wen Ruohan was sitting not far away from the bed, a book held loosely in his hands – it was as if he’d been waiting for Lan Qiren to awaken.

“I think you’ll find, in fact,” Wen Ruohan said, and his eyes were glittering the way they had been the day before when it had been Lao Nie he’d been looking at, full of malice and self-indulgent amusement, “that this is my bedroom.”

This was not a surprise, but rather the only logical conclusion.

Not that it explained why Lan Qiren was here.

“Did I – fall asleep?” he asked uncertainly, though surely that must be the reason. “And you – brought me here?”

“You did, and I did,” Wen Ruohan confirmed, and seemed amused for some reason. “What’s the last thing you remember?”

Lan Qiren wracked his brain, which was hurting and unhelpful and slower even than its usual plodding pace. “…I was thinking that liquor tastes vile.”

Wen Ruohan’s smile broadened. “Mm. It seems that you inherited your grandfather’s head for wine.”

Lan Qiren’s grandfather was one of the elders who refused to obey the rule against alcohol. He had also, in his later years, developed a most un-Lan-like fondness for wine.

He had not at any point developed a tolerance for it.

Lan Qiren closed his eyes in a wince. He must have made a complete fool of himself!

“This foolish junior apologizes to the Sect Leader for his misbehavior,” he said. He wanted to lift his hands to salute, but the movement, when he started it, set off his stomach, and he was forced to wrap his arms around his midsection instead.

There was a rustling sound, robes moving as Wen Ruohan rose to his feet, but Lan Qiren kept his eyes stubbornly closed, fearing that any further input would cause him to bring up everything he’d consumed the night before – only to open them in shock a moment later when he felt a finger press against the acupoint between his eyes, a warm stream of spiritual energy pouring in to cleanse away the nausea and pain of his headache.

Of his hangover.

He had a hangover.

Wen Ruohan, the mighty Sect Leader Wen, was providing him with medical attention to deal with his hangover.

There weren’t going to be words for how much he was going to get punished when he got home.

“Thank you, Sect Leader Wen,” Lan Qiren croaked, feeling hot all over with unending mortification. He had truly been foolish to think that just because there was only one night left in the Nightless City there was little danger of him repeating the mistakes of the past – he had no face left to speak of.

“Oh, no need to be so formal,” Wen Ruohan said, drawing out the words in a drawl. “Not after such a memorable night.”

Lan Qiren did not want to know what he did to make the night get described as memorable. He did not.

Especially not since Wen Ruohan was so obviously enjoying himself over it.

Of course, he wasn’t an idiot: he might be slow and bad at social cues, might find it difficult to understand the unspoken or keep up with sarcasm, but even he knew what was being implied here.

An older man with a younger one, liquor shared, a bedroom…

Yes, he understood the implication.

He just wasn’t stupid enough to believe it.

Lan Qiren folded his hands together and held his head up high.

“It is good that the Sect Leader did not take insult at my foolishness,” he said stiffly. “I thank you for your care and attention, and regret the burden I placed upon you.”

If anything, Wen Ruohan looked even more amused. “Such dignity, little Lan. You’re not even going to ask what happened?”

“This junior is only sixteen,” Lan Qiren said, still stiff and icy. “There is nothing that could have taken place without Sect Leader Wen’s approval, and naturally Sect Leader Wen would not permit this junior to offend his dignity.”

There, he thought with some satisfaction. That neatly turned the situation around: even if something untoward had occurred, which honestly Lan Qiren did not believe past that first initial moment of panic – even putting aside the fact that he wasn't anywhere near sore enough for something like that to have occurred, Wen Ruohan was not known to succumb easily to lust, nor was he so eager for war that he would recklessly try to deflower the son of another Great Sect while the latter was intoxicated for the first time – the blame would fall squarely on Wen Ruohan’s head, not Lan Qiren’s.

Wen Ruohan laughed, understanding perfectly well what Lan Qiren meant.

“You would think so,” he said, sounding almost approving of Lan Qiren’s rule lawyering. “I would have thought so, too, but I find that you Lan have truly remarkable arm strength…especially when trying to keep your conversational partner from escaping while you explain the difference between what the Lan sect consider to be fundamental rules and those considered ancillary.”

Lan Qiren blanched.

That was worse than what he’d thought – because unlike the notion of him making unwanted advances (or receiving them, for that matter), it was plausible. Terribly, painfully plausible.

“Oh, yes. All five iterations of the debate.”

Oh no.

“Four sect discussions. Seventeen separate texts on the subject, not counting later commentaries. Sixty-four subsidiary rulings, all of which you were very enthusiastic in recounting - and here I was thinking that your Wall of Discipline had a surfeit of rules, when in fact it was only the beginning. Apparently, I underestimated you.”

Lan Qiren buried his face in his hands as if that would make it stop.

“Still, I suppose I’ll have to accustom myself to hearing more about the rules in the future,” Wen Ruohan mused. “We’ll be spending far more time together, after all, on account of our sworn brotherhood.”

Lan Qiren looked up and opened his mouth, then stopped.

He had nothing to say.

His mind was absolutely blank, a state which had never before occurred.

“Forgive me,” he finally spat out. “Our – what?”

Wen Ruohan smiled at him with eyes full of poison and a mouth full of teeth.

“Sworn brotherhood,” he said casually, as if it was nothing. “You were saying that you regretted not being able to see more of the Nightless City before you left, and that you could only leave the Cloud Recesses to visit family, so we became sworn brothers.”

“We did not.”

“Oh, but we did,” Wen Ruohan said. “We drank mixed wine and swore all the appropriate oaths – I have the written version here, if you’d like to see.”

The piece of paper he put in front of Lan Qiren was recognizably in Lan Qiren’s own hand, although his normally impeccable calligraphy was rather wobbly. It was still readable, though, and the first few clauses very clearly laid out a sworn brotherhood oath.

Lan Qiren stared at it.

“We – but we can’t be sworn brothers,” he said blankly. “We’re – you’re two generations older than me. Am I supposed to call you da-ge?”

“No one has called me da-ge since my youngest brother died,” Wen Ruohan mused, and Lan Qiren was abruptly reminded of the rumors, never confirmed, that that particular death had come at Wen Ruohan’s own hands following a challenge for the seat of sect leader. “It’ll be very charming, I’m sure.”

“But…”

Wen Ruohan said nothing, but only smiled at him.

Lan Qiren looked down at the paper.

He didn’t understand what was happening.

He tried to go over it again in his mind: he had left the competition when the celebration had started, he had wandered the halls, he had tried to obey his brother’s instructions in avoiding Wen Ruohan, and when that failed, he had obeyed him in trying to be obedient. He had drunk liquor for the first time, and he had no memory thereafter until he had woken up here and now, in Wen Ruohan’s bedroom, with Wen Ruohan saying that they had –

He didn’t think Wen Ruohan was teasing him over this, though. Not the way he had so obviously been with his implications that they had used the bedroom for purposes other than sleeping.

Not with evidence, written in his own hand.

He didn’t understand.

How could this have happened?

“…did we really?” he whispered, half-hoping against hope that it was still a tease, still a joke, still – something, anything, other than what it was. That Wen Ruohan was just waiting for him to declare that he believed him, to demonstrate dismay, and then he would tell him the truth.

“Yes,” Wen Ruohan said instead, inexorable. “We did.”

Lan Qiren’s mind fell into chaos.

He didn’t understand.

“You’re shaking,” Wen Ruohan observed. “Ah, little Lan – don’t tell me it’s now that you’re scared?”

Lan Qiren’s hands were in fact shaking, he observed, and he put them over his face.

“Why would you do that?” he asked, his whole body starting to rock back and forth in his distress. “Why would you – with me – an oath of brotherhood can’t be taken lightly –”

“It can’t be,” Wen Ruohan said, and for some reason he sounded satisfied. “Certainly not for someone like you, little Lan, who always keeps their word and does not lie.”

“But why?” Lan Qiren asked, his voice rising almost into a plaintive wail. “Our sects aren’t even allies.”

“They are now,” Wen Ruohan said, and put his hand on the back of Lan Qiren’s neck. It felt hot against his skin, like a hot stone used for massage – a little too hot to tolerate for very long. “You know the obligations of a sworn brother oath as well as I. My duty as the elder brother is to guide you and care for you, support you and yours, and in return you are to obey me and be guided by me.”

Did Wen Ruohan want a spy in the Lan sect? Lan Qiren wondered wildly. But surely there were easier ways than this – not only would he make a terrible spy, with his clumsiness and his terrible social skills and his inability not to take everything seriously, but it would be simple enough for his sect to counter such a move. All they would need to do would be to cast him out…

His rocking intensified.

Wen Ruohan brought his other arm around him and pulled him close until Lan Qiren’s forehead, with its forehead ribbon still firmly in place, was pressed against his chest.

“Don’t cry, little brother,” he crooned. “Am I to allow a priceless painting to be kept by those that see it only for its use as spare kindling? A peerless treasure sword left to prop up a door?”

“You have a half-dozen swords hanging on your wall, each more priceless than the next, and all of them rusting away for lack of use!” Lan Qiren cried out. “Even if it’s only a door, at least it’s – it’s my – my brother…”

“Do not worry about your brother, undeserving as he is of your sincerity. Qingheng-jun has been trying to get concessions out of me this entire conference,” Wen Ruohan said. His breath was warm against Lan Qiren’s hair. “I’ve been refusing, but now I’ll grant them. He won’t punish you.”

“That’s not how that works. Punishment isn’t inherently bad; it’s meant to correct and guide the individual – the failure of good conduct will always be my own, no matter the result –”

“What I have taken into my hand, no one yet lives who would dare seek to take away,” Wen Ruohan said. “Anyway, it’s too late to regret now, isn’t it? What’s done is done. Don’t you have a rule like that?”

Lan Qiren sniffed. “No. There are at least four that could potentially qualify as having similar underlying meanings, but none directly on point.”

Wen Ruohan huffed. “Little Lan, if I tore out your heart, would you have time to cite one of your sect rules before you died?”

“…maybe if it was a short one?” Lan Qiren said, blinking at the strange question; his lashes brushed against Wen Ruohan’s lapel. “I mean, there’s a difference between ‘Be loyal and filial’ and ‘Set the wise as your teacher and the moral as your example’, isn’t there? And of course you’d have to consider whether in tearing out the heart you impeded the lungs, and how much time it would take the exsanguination to take effect…”

He was calming down, he realized, and pulled back out of Wen Ruohan’s arms, blushing as he realized that the question must have been meant as a distraction, though how Wen Ruohan had realized that a distraction would be the best way to reduce his distress when even he hadn’t known, he had no idea.

“Thank you for your consideration,” he mumbled, ducking his head in embarrassment.

Wen Ruohan started laughing.

“Truly I have found an unappreciated treasure, unlike any other,” he said amid his chuckles. “Come along, little Lan. Let’s go break the news to your brother.”

#mdzs #lan qiren #wen ruohan #my fic #my fics #spilled pearls

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