#for real tho what happens if i make a bad narrative choice and i bomb the fic and it ends up garbage

[ardenrabbit]

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[theanimeview]

Hazbin Hotel's Double Plot: Charlie and Angel Dust - Or - Why Charlie and Angel Dust are Both Main Characters (And I love one more than the other)

By: Peggy Sue Wood | @peggyseditorial​

Welcome to Storytelling Class, everyone. Now, who remembered to brush up on their Shakespeare? No one? Not to worry, Prof. Peggy (not official... yet) is going to explain it all anyway with a bunch of unnecessary questions she plans to answer for you. Ready? 

Here's a question: What is a double plot? 

It's a more common occurrence in storytelling than you may think and is sometimes mistaken for subplot though the two are not the same. Shakespeare used double plots in several of his works, though King Lear is the most common example. We generally call a double plot structure that which takes two stories with combined plotlines. The two stories could stand alone but are purposefully combined to depict complex situations mirroring each other, often to comment upon or reinterpret events that transpire in other dramatic situations. "Often this takes the form of relatively minor characters and plotlines doubling events and situations from the 'main' dramatic narrative" (Reinke 1, LINK). The main characters of the "second" plot are often supporting characters in the "main" story and vice-versa, meaning that the main characters in the "main" story may act as supporting characters in the "second" plot. 

Subplots have entirely different focuses that ultimately guide the main plot, such as on a hero's quest, the hero's party must split into groups to find different items for a magical spell. Following the group that went away from the party in different chapters is an example of a subplot, as this is a subordinate "plots" that serve the progression of the main one. A good indicator of a double plot instead of a subplot is figuring out whether or not the two plots could stand alone.

John Lithgow, far left, with Clarke Peters in the Shakespeare in the Park production of "King Lear" at the Delacorte Theater. Credit: Sara Krulwich/The New York Times

Using King Lear as an example, our "main" plot features King Lear as the main character of his tragedy, and the "second" plot features  Lord Gloucester in a tragedy mirroring King Lear's story. In both plots, the main characters suffer from their past choices. A more modern example would be that of Netflix's Russian Doll, in which we follow two distinctive main characters suffering from, and traversing, a similar path. We can define them as double plots because splitting the two stories in each work to create separate works with connected characters would still work. (Essentially, the two stories of each work can stand alone--we don't need to know what is happening to Lord Gloucester to get what is going on in King Lear's story. It helps to know that Lord Gloucester's story, but it is not required to understand Lear's story since what will be important to Lear’s plot will be revealed to Lear’s character later on.) 

Another example of a double plot structure in a modern work would be that of Hazbin Hotel--let's discuss. 

We often define a plot by three things. First, the main character; second, the question that said character needs to answer; and, third, the problem(s) that led them to seek an answer to the asked question. In a double plot, you have to answer the first and third questions twice, which we can easily do with Hazbin Hotel. 

Let's start with Question 1. Who is/are the main character(s)? I've stated that it is Charlie and Angel Dust, but why? Two reasons. The first is how each character is introduced, and the second is that they are both asking the same question, though with different reasons behind it.

In the Prologue/Chapter 1 of the Hazbin Hotel comic, the first character we are introduced to is Angel Dust. He is our introduction into this fictional world, and his story follows the hero's journey narrative making him one of the main characters and defining his story as at least one, if not the main, plot in our double plot structure. Charlie is one of the two main characters for the same reasons. She also appears in that first chapter near the end (just like King Lear, who comes in after Lord Gloucester's introduction), and is beginning a hero's journey of her own. Both their stories ask the same question but have different reasons for seeking the answer.

Beginning with Angel Dust, we see that his story starts in a comfort zone--that zone being a criminal lifestyle shown with him trying to make a deal with some demonic mafioso-looking dudes. We soon find out that he's actually acting out despite appearing comfortable in this kind of situation because he what? Wants something, that's right (I knew you were a smart cookie). 

When the deal with the mafia-demons doesn't go so well, we see him thrown into a familiar though much worse situation with his abuser and pimp, Valentino. This is our introduction to the main problems in Angel's current life, the issues that are making him want something outside of his comfort zone. To get what he wants, Angel must enter an unfamiliar, perhaps dangerous, territory and adapt to it until he achieves the goal or fails trying, and the person that provides the opportunity for entering the unfamiliar world, the Hazbin Hotel, is Charlie.

With Charlie's introduction at the end of chapter one, we begin seeing her hero's journey unfold. At present (her meeting Angel Dust), she is seen in her comfort zone. She's in a chauffeured limo with her bodyguard girlfriend, comfortably giving money to Angel Dust and acting as a somewhat naive and rather hopeful princess you might find in any fairytale story. She wants something but has yet to enter the unfamiliar situation (at least until episode 1, where Alistar steps in but that's not important right now). This closes the comic, but perfectly sets up the double plot narrative moving forward, thus helping to identify our two main characters.

What fully defines them as the main characters, my second reason for claiming both Angel Dust and Charlie to be one, is that second question we have for defining plot (the question that the main character needs to answer).

Charlie says that the goal, or question she seeks to answer, is whether or not a sinner can be redeemed once they find themselves in Hell; however, I would argue that the real question is whether or not salvation (preservation or deliverance from harm, ruin, or loss) is possible for Hell's population. Charlie's "redemption" is instead a method to seek the answer to the question rather than the question itself. 

I argue this because that seems to be the end-goal Charlie is seeking for the citizens of Hell--salvation from being slaughtered on an annual basis. It is also the goal of Angel Dust, who seeks to be saved from his current life through his own hands or by someone else (though he doesn't seem to believe that someone else would help him without costing him something in return). For those of you wondering, Angel seems to be seeking an escape from many things, such as needing to trade sexual favors to his landlord because Valentino doesn't pay him well, an escape from hunger, and potentially other physical dangers. 

The two are both seeking answers to this question but going about it in somewhat different ways. 

In a recent video by Diregentleman, Why Angel Dust Should Be The Protagonist In Hazbin Hotel (it's brilliant, btw--a highly recommended watch if you have the time because most all his points are great), he argues that because Angel's story is more compelling and interesting, he should be the main character and while I agree that Angel's story is more compelling to myself as a viewer (just as I felt Lord Gloucester's story was far better than King Lear's parts), I still think Charlie's story worth the focus it is given in tandem with Angel Dust's. 

WITH THAT CONCLUDED, I want to talk about my favorite character, Angel Dust! The lesson is over--let's nerd out. 

I have been thinking about this A LOT since Episode 1 came out, and when "Addict" dropped, I was pumped. In October of last year, I uploaded the first draft for the review into the Google file our team shares but had been writing said draft for a long while already, and watching Diregentleman's video pushed me over the edge to scrap the planned post that should have gone up at 7 AM this morning and instead re-write and post this. Because as much as I loath spiders--I LOVE Angel Dust. 

Gosh, where do I begin….

Angel has been beaten down to the point that his character is a tad bit all over the place. Is he the villain? Sort of? At least, he comes off as one since he's not working very hard to fulfill his end of the bargain with Charlie and since he is a demon--but he also has qualities that are very much fitting the "redemption" Charlie is aiming for without any prompting. In fact, it's what made him so likable to me before the music video release of "Addict"--which just made me love him more. What do I mean?

Well, in the first episode, we see him just coming back from prostituting himself--a job he appears to be forced to do by Valentino (one of the big-bads of Viziepop's Hell):

Valentino: Did you get my money, Angie Baby?

Angle: I'm wittha John now [sic]. I don't get why this needed to happen so soon after the extermination tho, Boss

Valentino: Just do it. No sass k sugar.

Angle: yes Val

He then buys drugs, which get stolen only to see a large piece of a building fall onto the would-be thief. Is he worried about the thief? No. Angel is only concerned with the drugs. Immediately after that, he joins a turf war with a friend of his, Cherri Bomb, and participates in wrecking what remains of the city from the previous night's purging (when Angels descend upon Hell and kill off a bunch of Hell's populous).

Cherri is his friend, and it is at this moment, we see his first redeeming quality in the animated pilot--a self-sacrificing protective nature for a friend. How? You may ask, well, Angel is shown saving Cherri. It happens when Angel sees a weapon pointed at them, something that Cherri doesn't notice. He pushes her out of the way, unsure of what may happen, thereby allowing himself to be captured (or potentially injured) instead of her. 

That's self-sacrificing and is generally considered a "righteous" quality. 

It's not like she could be killed--they're already dead and, from what we've learned, the already dead demons of Hell can only be killed by weapons the angels use or that which is made of the material angels use during the culling period that just ended the night before. The egg creature is not using one of these weapons at this moment, meaning that Cherri is not in danger of death, only injury. 

Despite knowing that Cherri would ultimately be fine, Angel pushes her out of the way and takes the injury risk. (If he suspected that the weapon might kill her, then even more kudos to him here as that means he threw his life before his friend's.) This moment shows that Angel does value life outside of himself, which doesn't immediately come across when we meet him given the crushed thief moment we had prior. 

This act of self-sacrificing, which is generally considered a virtue, shows that he has potential to change. 

Expanding from this, we see him empathizing with Charlie and expressing a moment of guilt. The scene happens after Angel, Charlie, and Vaggy return to the hotel. Angel is presented with the opportunity to "change" (offer an apology to Charlie that he actually means), an opportunity he doesn't take, but the fact that he's considering it when he previously felt no guilt for his actions shows that he is capable of it.

Once Alistar comes into play, we see more of Angel's potential to change. For example, Angel is shown holding Vaggy back from attacking Alistar, which could be read in two ways. Either he holds her back because he doesn't want Alistar to leave (unlikely that Alistar would leave over Vaggy's attack), or Angel is preventing Vaggy from running at Alistar and potentially getting hurt, a very strong possibility that we learn through Vaggy's comment about how powerful the Radio Demon is and how he's grappled bigger demons on a larger scale to take over parts of the underworld.

If we're to believe the story elements pictured in the music video of "Addict," then Angel is in a horrible spot. He's being abused and treated like a working slave to Valentino with little hope of escape on his own and few options to reach out to for help (if one can even ask for help openly in Hell given the place and the people).

While Charlie is nice, shown by her giving Angel money and helping him avoid having to sell himself on the street that night for Valentino in the Prologue/Chapter 1 of the comic, she too has expectations for him or does it with an ulterior motive in mind. He's a big name in Hell, and she wants him for her program. While it may not be intentional, Charlie asking him to try the program in exchange for money sends the same message Angel points out during the offer: Nothing is free--even kindness, particularly from the Princess of Hell. No matter how cute and lovable she appears...

Charlie's story is less compelling, and it's not simply because she comes from a place of privilege, as I've heard some say. I mean, I love lots of stories with the rich and powerful, and if the many seasons of Dynasty can stand as an example--so do a lot of over people. Charlie's story is less compelling because we can't relate to her choices given the situation we see her in or the problems she's facing. For example, she has great political power that goes completely unused. She's a princess of hell, obviously not struggling too much since she's chauffeured around and seen atop a tall--safe--tower overlooking the purged city below in Episode 1. She isn't in a bad situation, from what we can tell, not the same way Angel Dust is, at least. Her problems are more like a passion project from what we've seen so far, and we don't know why she is motivated to make this redemption program work outside of wanting to help her people. But if she wants to help people, why the hotel? 

She has power as a princess that she could use to help correct injustices in her kingdom, such as attempting to put an end to the turf-wards since it seems that the demons fighting for territory still follow and respect the royals and nobility to some degree. But, instead, she's created a program to change people into what she thinks is Heaven's ideal--a thing that may stop the culling by allowing demons to transition out into what? Angels? Spirits? Who knows. Regardless, it's a small-scale venture that doesn't attempt to use the influence she's been given to make sincere changes in the kingdom. Instead, she uses it to get publicity on a news station, and even that is a weak attempt. I mean, if she was doing this right, that new-caster shouldn't have been able to make a single nasty comment towards her during the whole process. I mean, I doubt the newscast would have said a thing had her parents been up there, which shows that she's walked all over and that she's let it happen.

My point is that Charlie's story doesn't yet make sense. It's harder for us, the audience, to put ourselves in her shoes than it is with Angel Dust, and that's why I love him more than other characters, and certainly more than his double plot counterpart, Charlie. 

I look forward to seeing more of this series going forward and hope that Episode 2 comes out soon!

[electronicdelusionstarlight]

Anyway, would you imagine the madness that would be the Civil War (2006) Event if it was released today?

Like...

1- There is a major explosion wiping out a suburban, white picked american town in the midwest, explosion started right next to a school, caused by a team of C List superheroes literally attacking a group of B list Supervillains, who were having a barbecue there for some reason, just to get more ratings on their reality show rather than any heroic duty. Many people die, mostly kids due to the school, and we see the bloody aftermath. Even the Sentinels, compared to burning crosses in terms of racial sensitivity by Wolverine, help out to fish out people from the debris.

2- Because of this, major Anti Superhero Sentiments start sprouting up in the country. One of the victims’ mother (A major player in the event believe it or not) spits on Tony Stark’s face. The Human Torch gets lynched by some black stereotypes because he was allowed to go into a exclusive nightclub with a white girl due to his celebrity status and they weren’t, major protests start going trough the nation, all demanding SOMETHING to be done against those pesky superheroes, As monuments are being torn down and what not, as ALL superheroes, as a social class, at fault for what has happened there during the explosion.

3- This brings us to the Government Regulation Thing, THE Superhero Registration Program. Maria Hill, who wasn’t a Skrull Chaos Agent and has never been (It’s important you remember this), announces to Captain America that the... senate? chamber? Anyway, someone is going to approve this new law (Which, you know, isn’t law yet btw) that will require all superheroes to have their Identity revealed to the public and become paid government workers. They get a pension and health insurance and insurance for any collateral damage they cause as long as they do what they are told and do not step out of line.

You know, Normal, TOTALLY not fascist shit.

4- Anyway, Cap obviously is outraged by this, for “How Long until it will be Washington that tells us who the real villain is” (Which is, you know, SUPER RELEVANT), and claims will never sign up for any of this, which Maria Hill, who, again, is not a Undercover Skrull Chaos Agent, knew he was going to say so she tries to arrest him for breaking a law that isn’t a law yet, unleashing plenty of armed guards and a couple of attack helicopters on him. She fails, he runs away, and the other superheroes are presented with a choice.

CONFORM OR BE HUNTED DOWN LIKE DOGS.

5- If you think this was bad prepare for the real bad shit to start now, because you have to keep in mind this:

The registration side are the supposed good guys here. They are what the narrative consider to be the one who win at the end, whose ideals were better than Captain Fucking America’s. Keep this in mind as you read this:

6- The Major 3 players of the Registration Side are Tony Stark, Mister Fantastic and Hank Pym.

6A- Tony Stark is a war criminal. He tries to stage a terrorist attack on Independent Nation Atlantis, using a “Mind Controlled” Norman Osborn (More on this later) to pull the trigger, so he could both kill Namor and start war with the underwater kingdom, whose Non Namor Rulers will surely try to get revenge against the surface for such happenings, sell weapons during the ensuing war, AND unite the divided superhero community against a common enemy, in this case, Atlantis.

Tony Stark is also responsible for the Supervillain Rehabilitation Program, which is taking willing and unwilling supervillains alike and putting bombs in their brains, ready to blow up at a sign of disobedience, so to use as enforcers for the registration side. Many of those villains have a kill count on the double digits. Many of those villains where later deployed in hunt down and capture missions of Superheroes who had defected, superheroes they all had a hate boner for and loved nothing more but to beat up and potentially kill/maim. One of the fucking Hobgoblins was among them. BULLSEYE WAS FUCKING AMONG THEM.

He manipulated Spider-Man into revealing his identity to the world, something that caused major Bullshit to everyone involved, for, once Spider-Man realized what kind of bullshit he had signed up for and decided to go rogue, Tony first hacks the stark patented supersuit he gave him as a gift so it malfunctions, then sends 2 bloodthirsty supervillains armed to the teeth with explosives and with bombs in their brain to capture him and rough him up a little, then removes peter’s wife and aunt from the family protection/hostage program, which forces them to hide out in a crappy motel in fear that one day a supervillain discovers where they are and bombs them, which guess what is what fucking happens in the end since a sniper finds out they are there and shoots Aunt May, which is what ultimately leads to the worst story in comic book history ONE MORE (FUCKING) DAY.

6B- Reed “Mister Fantastic” Richards is presented by the narrative as emotionally distant and abusive to his wife. He will, with the help of Tony Stark and Hank Pym, create a mechanical clone of Thor, who was absent from earth at the time, with the sole purpose of crowd control and dispersion in the event of a superhero vs superhero fight.

Lethal Force is apparently authorized and approved, for The first mission he is deployed in, Clone-Thor, the clone of a bloody Norse god, ends up Killing Black Goliath, a black superhero, something not contested, in fact almost condoned by the narrative and the registration side, and both the reason why Spider-Man defects and a Hydra Scientist (Oh, yeah, they also conscript Hydra Scientists in the thing so tho create more bio weapons and shit) finds the reason why he considers those three his favorite superheroes.

Also Reed Richards is a McCarthy apologist. He talks about this one uncle of his, a artist, who was considered a communist and was put on trials for having left leaning, liberal views/just being a plain weird artist (I think he was also gay coded?), and he says how he mocked the question and the absurdity of the whole situation in particular and McCarthyism in general, which ultimately blacklists him from work and makes him die alone and without money, so Reed Fucking Richards of course said that the moral of that story is that “My uncle was wrong, If there is a law that might seem unjust, you shouldn’t be down to clown but you should just shut your mouth and keep going.”

The Fucker.

6C- Hank Pym starts a fucking child soldiers conscription program. Teen Superheroes discovered by shield will be captured and separated from their families, Identical Robotic Decoys put in their place to prevent the families from finding out, and will be conscripted into the registration program as child soldiers.

They will be given a usa army approved regiment of training, and will be soon deployed on real, life or death missions, either involving the capture of rogue superheroes or fighting “enemy” forces such as AIM or HYDRA, what the government seems more fit to fight at the time.

The Kids, for ages seemed to vary from 15 to 19, will be trained and encouraged to kill, especially if faced with faceless hydra goons as they blast down their aircraft in a dog fight in the skies. This will of course scar and traumatize the, again, 15 years old government sanctioned child FUCKING soldiers, but not as much as the alternative to this.

For, as it is shown, failure to comply with orders, as well as emotional instability due to being, you know, a 16 years old girl in stressful situations such as, you know, a guy turning into a giant spider in front of you, will cause the government to “terminate” your employment under them, which will result in them forcibly taking away your powers, most of whom you were born with, with invasive, unwilling, non sedated surgery on you, as it happens to a girl whose arm is a literal magic gun who had her, you know, magic arm cut off after she accidentally misfired and kills another of the kids watching from the, you know, not that safe watching room not even a glass mirror away from the training room.

No wonder the girl whose superpower is literally just “can make pretty clouds with her mind” is so eager to kill as many people the government as her to after being conscripted while she was just flying around on her cloud and has to witness... you know, all of this shit.

6C- Maria Hill, Director of Shield and, again, not a fucking Skrull Chaos Agent, starts hunting down unregistered superheroes. Any superhero that didn’t sign up the registration list at least on the exact midnight of the day the law is made law, will be hunted down and forcibly imprisoned without a due process.

This happens to Luke Cage, who, again, on the exact midnight the law is enforced, not a minute more, had his apartment swarmed up with cops in tactical gear ready to “arrest him” despite him doing nothing yet, all the while shooting around the, you know, predominantly black neighbor like they are the Simpsons’ Texan guy. His wife and newborn daughter are also hunted down, the two fleeing to Canada, a safe heaven for superheroes and their families in this time of crisis, for undefended families of superheroes become leverage the registration side can use against them to make them sign up, for at some point a superhero must have revealed his identity to another superhero, another superhero that will statistically be either on the registration side snitching on you, or, you know, a Undercover Skrull Chaos Agent, if not both.

Captured heroes are shipped off to a private prison owned by Tony Stark and his goons in the Negative Zone (Think hell, but more depressing), where they will be interned without, again, any semblance of due process, and will be fucking kept in torture pod of virtual reality for the entirety of their stay. They will not be allowed any contact with the other inmates, or even to feed, relieve or just wash themselves, everything will be done by the pods, so that they will be in eternal, perfect imprisonment until they “see the error of their ways”.

Somewhat worse than the Barry Allen’s private prison in the Flash, if only by just a little.

Some brain washing was also implied to happen.

7- Cap’s Side is, of course, against all of this, yet it will be Cap’s side to lose the civil war, for , when Captain America is pummeling Tony to the ground for everything that has been going on in the middle of a devastated time square, some REAL WORLD HEROES (You know, a cop, a nurse, a fireman, and so on), tackle Steve to the ground, blame HIM for everything wrong that has happened, and ask him to stop in his futile resistance.

Statistically Speaking, at least 2 of those people were a Skrull Chaos Agents BTW.

Steve “sees the error of his ways,” surrenders to the police, is about to be given a sham process (He gets one but fucking daredevil, a lawyer, doesn’t as he’s shipped off to Tony’s Hell Prison? I guess there is a upside on getting arrested by the program in front of witnesses that you cannot all silence) until Sharon Carter shoots him on the steps to the courtroom because he was being mind controlled by a undercover hydra hypnotist that might or might have not been conscripted by the “let’s conscript supervillain scientists in the registration program, WHAT COULD POSSIBLY GO WRONG?” thing.

8- Also Hawkeye comes back to life for a bit and is immediately almost manipulated by Tony into taking the Captain America’s role after Steve's death, except this time working for the registration side against his friends, which he ALMOST accepts because he doesn't know what the fuck is going on yet but he trusts tony until he meets Hawkeye (The girl one) and Patriot during his first mission as Registration Cap who tell him “Duuuuude, Steve’s body isn’t even cold yet, what the fuck” which makes him go “Holy shit Tony, what the fuck?” and make him decide to abandon the shield and shit and lay low for a while.

9- Oh, yeah, also this happens:

(Recognize that journalist? Is the same journalist that gives Hydra Cap a interview about how inhumane Hydra was during their regime, the one he sends to the labor camps and mocks with “I’m sure you can complain about it on Twitter later.” That wasn’t just a dig at the (Justified, oh so justified) detractors of Hydra Cap on social medias, but also a dig at THIS. FUCKING. SCENE. THAT WILL LIVE IN INFAMY FOR ALL DAY TO COME, FOR CAPTAIN AMERICA IS OUT OF TOUCH WITH THE REAL AMERICA BECAUSE HE DOESN'T USE MY FUCKING SPACE).

10- What else what else... Oh, yeah, everyone favorite absolute monarch T’challa, King of Wakanda and Black Panther, married with X-Men’s Storm at the time, X-Man that, btw, have been pretty much neutral during this whole shitstorm due to, you know, the “genocide” they recently suffered by the hands and mystical powers of one Wanda Maximoff, both of whom have diplomatic immunity due to the, you know, status as the rulers of a hyper advanced nation who holds the cure for cancer among other things, has his wife taken hostage by the united states. They go to the united states on a joint diplomatic mission, and are promptly ambushed and kept grounded in the states, separated from each other, until at least Ororo signs the registration program, T’challa having to follow closely behind, and then they will be allowed to be let go.

Again, I can’t stress this enough, The United States try to strong arm 2 foreign rulers, one of whom a mutant, into signing up a domestic policy about domestic internal affairs of public security.

Because of course they do.

10- I think I forgot some minor shit happening like speedball’s entire arc or Wolverine’s revenge plan or the Latverian Caper, but I think the gist of WHY this bullshit would have blown up today is all here.

For you see, now, imagine all this shit all the implications, the crimes, the horrors and stuff...

Just Imagine, all this shit is going on... with a Secret Invasion of Skrull Chaos Agent coming soon to shake thing even more...

And the president of the united states, the one that, again, ultimately will decide who the REAL enemy is, where the real supervillain to fight is...

Is Donald Fucking Trump.

How long until the superhero child soldiers are tasked to guard the border I wonder...