#foell

[huariqueje]

Seaside escape - Sue Foell

American, b. 1956 -

Oil , 24 x 18 in. 61 x 45.7 cm.

[keywestwildlifecenter]

Thankful to partner with multiple organizations to get three Masked Boobies released! Two were rehabilitated by Florida Keys Wild Bird Rehabilitation Center and one by Sea Biscuit Wildlife Shelter. All three birds were transferred to Key West Wildlife Center. We arranged the release through MyFWC Florida Fish and Wildlife. Thank you FWC Officer Foell and crew for the transport and release!

[rfsnyder]

Sue Foell 

[teacup-captor]

[Image ID: A tweet from fMRI_guy / Dr. Jens Foell that reads:

As we say in Germany, if there's a Nazi at the table and 10 other people sitting there talking to him, you got a table with 11 Nazis.

/end ID]

official elon musk hate post reblog to hate like to hate reply to hate

[cyber-newtype]

hwoi ugu j foells to be inlot ptoganonist heroine re fver

[howyoutalktostrangers]

So,

This was a different kind of Shakespeare.

The audiences for Love's Labour's Lost probably didn't expect to hear an energetic Jefferson Airplane solo during their Shakespeare evening, but that's exactly what they got with my Rob Foell's 60s-themed adaptation of one of the Bard's earlier plays.

All the tie-die, mirrored sunglasses and floral bell bottoms — courtesy of costume designer Chris Johnson — meant that everyone who came out to the Gem o' the Isle farm was immersed in the revolutionary vibe of that time, with live electric bass and classic hits from the Vietnam era.

I'm really happy with these images I captured. So much fun!

The Literary Goon

[martinstieger-blog]

Baden-Württemberg: Mit dem neuen F13 in die Verwaltung der Zukunft

Foto: © Philipp Foell / PMF – 74S – Dr. Florian Stegmann, Staatsminister und Chef der Staatskanzlei Baden-Württemberg Mit dem neuen F13 erhalten die Mitarbeitenden der Landesverwaltung ein KI-Assistenzsystem, das sie bei ihrer täglichen Arbeit entlastet und unterstützt. Baden-Württemberg nimmt damit eine Vorreiterrolle bei der Digitalisierung und Modernisierung der Verwaltung ein. Mit der…

[reviewev]

Cách nhận biết Foellie chính hãng | Phân biệt Nước Hoa Vùng Kín Foell...

[grad604kaede]

Week 3 tutorial

Inspiration

My Work

Specific techniques and crafts

Brand design

Smith, J. C. (2006). Shibboleth Authentication Request. Login.ezproxy.aut.ac.nz. https://web-s-ebscohost-com.ezproxy.aut.ac.nz/ehost/pdfviewer/pdfviewer?vid=1&sid=ed5d83f7-b9a7-45db-af88-c8d6935867c7%40redis

Architectural photography

Rosa, J. (1998). Architectural photography and the construction of modern architecture. History of Photography, 22(2), 99–104. https://doi.org/10.1080/03087298.1998.10443865

Street art struggles

Muttaqin, M. Z. (2023). Street Art and the Struggle for Public Space. SAUC - Street Art and Urban Creativity, 9(1), 8–11. https://doi.org/10.25765/sauc.v9i1.567

Graphic Design: Fine Art or Social Science?

Frascara, J. (1988). Shibboleth Authentication Request. Login.ezproxy.aut.ac.nz. https://www-jstor-org.ezproxy.aut.ac.nz/stable/1511556?seq=4

Commercial art

Warren, F. (1910). Commercial Art Today: An Interesting Exhibition of Advertising Art. Arts & Decoration (1910-1918), 1(2), 79–79. https://www.jstor.org/stable/43799450

Key themes, ideas and conversations

Cameras for conservation: wildlife photography and emotional engagement with biodiversity and nature

Hanisch, E., Johnston, R., & Longnecker, N. (2019). Cameras for conservation: wildlife photography and emotional engagement with biodiversity and nature. Human Dimensions of Wildlife, 24(3), 267–284. https://doi.org/10.1080/10871209.2019.1600206

What ugly and beautiful photographs reveal about COVID‐19 lockdown experiences, everyday aesthetics and photography aesthetics

Vissers, N., & Wagemans, J. (2022). What ugly and beautiful photographs reveal about COVID ‐19 lockdown experiences, everyday aesthetics and photography aesthetics. British Journal of Psychology, 114(2), 352–375. https://doi.org/10.1111/bjop.12624

Regaining Quality of Life Painting Pet Portraits

Fortuna, J. K. (2023). Regaining Quality of Life Painting Pet Portraits. The Open Journal of Occupational Therapy, 11(2), 1–5. https://doi.org/10.15453/2168-6408.2185

Innovations to Photovoice: Using Smartphones & Social Media.

Foster, K. A., Davis, B., & Foell, A. (2022). Innovations to Photovoice: Using Smartphones & Social Media. Urban Affairs Review, 59(5), 107808742211002. https://doi.org/10.1177/10780874221100263

A Street Scene, Japan, (pencil and watercolour)

Tyndale, & Roofe, W. F. (1943). A Street Scene, Japan, (pencil and watercolour). In credoreference. https://search.credoreference.com/articles/Qm9va0FydGljbGU6MzIwMjgyOA==?q=A%20Street%20Scene,%20Japan,%20(pencil%20and%20watercolour)

specialist subject knowledge

Blur method

Mitcheson, K. (2010). Shibboleth Authentication Request. Login.ezproxy.aut.ac.nz. https://eds-s-ebscohost-com.ezproxy.aut.ac.nz/eds/detail/detail?vid=1&sid=fb224530-95d8-4618-acaf-5664e6270678%40redis&bdata=JnNpdGU9ZWRzLWxpdmU%3d#AN=64873788&db=vth

Colour reconstruction of underwater images

Hoth, J., & Kowalczyk, W. (2017). Colour reconstruction of underwater images. Underwater Technology, 34(2), 51–61. https://doi.org/10.3723/ut.34.051

“Stitch for Stitch, You Are Remembering”: Knitting and Crochet as Material Memorialization

Fisk, A. (2019). “Stitch for Stitch, You Are Remembering”: Knitting and Crochet as Material Memorialization. Material Religion, 15(5), 553–576. https://doi.org/10.1080/17432200.2019.1676621

Reflection in Water Drops.

Woodruff, T. W. (2010). Shibboleth Authentication Request. Login.ezproxy.aut.ac.nz. https://web-p-ebscohost-com.ezproxy.aut.ac.nz/ehost/detail/detail?vid=1&sid=dd396097-2c8d-4b09-b630-d01cfa7af9db%40redis&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=48963475&db=vth

The Glass (collage, gouache & pencil on paper) 

Gris, J. (1927). The Glass (collage, gouache & pencil on paper) . In credoreference. https://search.credoreference.com/articles/Qm9va0FydGljbGU6MzIwNzUyMQ==?q=The%20Glass%20(collage,%20gouache%20&%20pencil%20on%20paper)

Creatives working in the environmental, social, cultural, sub-cultural and political context

Climate Change Is A Myth! Shut Up! Just Shut Up!

Kjartan Arnorsson (Karno). (2012). Climate Change Is A Myth! Shut Up! Just Shut Up!. [Sticker]. Retrieved from https://library-artstor-org.ezproxy.aut.ac.nz/asset/SS7730635_7730635_12095853

Ten Thousand Mandelas

Willie Cole. (5/27/1988). Ten Thousand Mandelas. [Installation]. Retrieved from https://library-artstor-org.ezproxy.aut.ac.nz/asset/AFURNACEIG_10310797586

Exhibition: Kaleidoscope Quilts: The Art of Paula Nadelstern

Stacy C. Hollander, curator. (April 21-September 13, 2009). Exhibition: Kaleidoscope Quilts: The Art of Paula Nadelstern, installation view. Retrieved from https://library-artstor-org.ezproxy.aut.ac.nz/asset/AAFOLKAIG_10313147179

Earth First!

(2013). Earth First!. [Sticker, Political sticker]. Retrieved from https://library-artstor-org.ezproxy.aut.ac.nz/asset/SS7730635_7730635_10950780

Time's Up -- Environmental Education & Direct Action NYC

(2013). Time's Up -- Environmental Education & Direct Action NYC. [Sticker, Political sticker]. Retrieved from https://library-artstor-org.ezproxy.aut.ac.nz/asset/SS7730635_7730635_10948647

[a-dragons-journal]

Actually, sorry for double-reblogging this, but I got curious and did some digging, and found something interesting and relevant! I was curious if the intensity criterion even holds up for phantom limb syndrome in amputees, so I went looking for any articles on measuring the intensity of non-painful phantom limb sensation, and while I didn't find anything with the full text available for free focusing on that specifically (unsurprisingly), I did find one article that reported the results of a decently large-size sample regarding that as part of their process in investigating a related question!

The article is focused on trying to discern whether there's a set of measures that can be used to predict the likelihood of phantom limb pain (which is usually the thing these studies focus on, since it's usually considered the most inherently problematic aspect of phantom limbs) in amputation candidates. It compared three groups of over 1,000 people each: those who don't experience phantom limb pain (PLP) at all, low-PLP (less than one instance of PLP per week), and high-PLP (at least one instance of PLP per week). The researchers measured a bunch of factors, including age at amputation, sex, the amount of the limb that was amputated, etc., but since I'm not really interested in the same goal they are, after a quick read of their methodology section to make sure it was a study worth looking at, I zoomed in on their measurement of painless phantom limb sensation (referred to as PLS, in this study, which is how I'll use that acronym in this post from hereonout, for clarity), since that's what I was interested in.

Basically, they had the subjects grade their PLS intensity on a scale from 0-10, and I found that the result was really interesting - while the ranges are fairly large (indicating that there's a lot of variation in PLS intensity even within each of these groups), all three groups had an average PLS intensity under 4/10. Specifically, copied directly from Table 1A of their results:

No PLP: 1.27 ± 2.38 Low PLP: 3.2 ± 3.0 High PLP: 3.9 ± 3.17 (Scale of 0-10) (F(1,2) = 276.942, P < .001)

(They also separated PLS intensity ratings by the limb that was amputated within each group on later tables, but I didn't find that worth specifically quoting in this context; it's on tables 1B-1C if you're interested.)

Granted it's only one study - though a large and well-put-together study, from what I can see, and in my defense I was trying to limit myself to articles with the full text available to the public - but what this indicates to me that's relevant to this discussion is that intensity of phantom limb sensation in amputees seems to vary widely and often isn't as "severe" as you've implied (especially on the previous version of this post) that an alterhuman's phantom limbs would have to be to "count" as phantom limbs. In other words, if I'm correct in understanding you that intensity is your biggest factor in differentiating between "real" phantom limbs and "just" phantom shifts (and please correct me if I'm misunderstanding you there), then this study's findings imply that that metric doesn't even work for amputees, and would exclude a great number of amputees who experience phantom limbs as well.

Reference:

Diers, M., Krumm, B., Fuchs, X., Bekrater-Bodmann, R., Milde, C., Trojan, J., Foell, J., Becker, S., Rümenapf, G., & Flor, H. (2022). The Prevalence and Characteristics of Phantom Limb Pain and Non-Painful Phantom Phenomena in a Nationwide Survey of 3,374 Unilateral Limb Amputees. The journal of pain, 23(3), 411–423. https://doi.org/10.1016/j.jpain.2021.09.003

(Direct link: https://www.jpain.org/article/S1526-5900(21)00336-9/fulltext)

Why people with PLS find the use of "phantom limbs" by the alterhuman community offensive

NOTE: This is a repost of an ealier post with more of an own-opinion/giving people with PLS a voice-approach rather than a community announcement, after having received critique from it that I agree with. I am completely fine with people having different opinions on this. I might make a video about this in the future, but I'd like to make you all aware of a statement I've received from people with PLS.

The use of the medical term "phantom limbs" is heavily tied to Phantom Limb Syndrome (PLS) which is a medical condition that affects amputees and those born with congenital differences in anatomy. It can be similar but is said to be vastly different from what otherkin and therians experience during phantom shifts. People experiencing PLS and the like have made it known that comparing phantom shifts to the actual loss of a limb or PLS is offensive, so I am of the belief that this should not be done again. I personally recommend using the words phantom shifts, parts or appendages, or specify that appendages such as phantom paws, wings, tails, etc. instead.

I personally take responsibility for having made this comparison in the past, and I'd like to apologize to people who experience PLS or have lost a limb for doing so. It was not my place to make this comparison, as I cannot know what the experiences is actually like.

I urge everyone who may own an Alterhuman platform (whether that be a Discord server or social media platform), and who agree with this statement, to spread the word about this. You are free to use part of this text to explain things.

[jovialeggsstudentangel]

Franz 👨‍🌾 versteht sein Handwerk. Sein Hof ist der Vorzeigebetrieb in der Region, er selbst ein wichtiger Gestalter und Vordenker. Der engagierte Demeter-Landwirt produziert Ackerraritäten 🌾 von denen kaum einer denken würde, dass diese am Voralpenrand überhaupt wachsen können. Schwarze Beluga Linsen, Champagnerroggen, Purpurweizen, Emmer und Einkorn, Buchweizen, Senf, Leinsamen, Kartoffeln, Braunhirse, Gerste, Hafer und Dinkel, um nur einiges zu nennen. Alles sind samenfeste alte Sorten, in biodynamischer Qualität. Damit nicht genug: die Getreide werden weiterverarbeitet zu Bulgur, Dinkel- und Emmerreis, Gries und Mehl. . Franz Obermeyer sagt offen, was er denkt und vertritt seine Meinung klar und deutlich. Er ein mutiger Macher, ein Eisbrecher. 💪 Klein beigeben, Kompromisse eingehen, das entspricht schlicht nicht seiner Natur. Wahrscheinlich braucht es diese kraftvolle Energie um zu bewältigen, was auf seiner Agenda steht. (Online, https://www.oekomodellregionen.bayern) . . . #demeter #bio #organic #vegan #biohof #gem #hades #bioland #se #zeus #hofladen #persephone #naturland #vitamine #biodynamic #foell #f #biosupermarkt #obstbau #wirfreuenunsaufeuch #kommvorbei #altesortenneuentdeckt #kommtvorbei #regionalisterstewahl #regionalistgenial #welovevegetables #veganessen #biologisch #schaumalrein #greenroot (hier: Innsbruck - Tyrol (Austria)) https://www.instagram.com/p/CQfnbOwJnJl/?utm_medium=tumblr

[keywestwildlifecenter]

Thanks to MyFWC Florida Fish and Wildlife Officers Richards and Foell for transporting our first-year Masked Booby patients back to their home territory for release this morning after rehabilitation was complete in our clinic. Always happy to partner with FWC to support wild birds!

[huariqueje]

Wistful   -     Sue Foell

American, b. 1956  -

oil on linen on panel , 20 x 16 in.

[oldpainting]

<strong>Maria Hiller-Foell - Flower Still-life <a href="https://www.flickr.com/photos/repolco/">by Irina</a></strong>

Maria Hiller-Foell (German, 1880 - 1943)

[swanlake1998]

paintings by sue foell

(1) intermission, oil on linen

(2) plumb, oil on canvas

(3) rehearsal, giclee’ print on paper

(4) waiting to go on, oil on linen

[sgtbuckyybarnes]

That I... 

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