#fleming-joffe

[chicinsilk]

US Vogue June 1958

Opera pumps in caramel yellow alligator, apricot bottoms by Schiaparelli. Delman shoes, in Fleming-Joffe alligator.Frost Bros. Jewelry Verdura. Turquoise straw hat by Lilly Daché. Sofa by Eero Saarinen, for Knoll Associates. With the colors of June: Watteau Rose lipstick and glossy nails, by Juliette Marglen. Escarpins d'opéra en alligator jaune caramel, bas abricot de Schiaparelli. Chaussures Delman, en alligator Fleming-Joffe. Bijoux Frost Bros. Verdura. Chapeau en paille turquoise par Lilly Daché. Canapé par Eero Saarinen, pour Knoll Associates. Avec les couleurs de juin : rouge �� lèvres et ongles glacés Watteau Rose, de Juliette Marglen. Photo John Rawlings vogue archive

[wildbeautifuldamned]

PLS READ!! Piero Fornasetti Milano Fleming Joffe Recipe Plate COQUILLE CROCODILE ebay ohgo-8534

[indiejones]

THE 100 GREATEST DIRECTORS IN THE HISTORY OF WORLD CINEMA! (@INDIES)

.Roman Polanski

.David Lean

.Alfred Hitchcock

.Frank Capra

.Elia Kazan

.Dasari Narayana Rao

.Fred Zinnemann

.Milos Forman

.Kamal Amrohi

.Peter Jackson

.John Huston

.Billy Wilder

.Frank Lloyd

.Roland Joffe

.Lekh Tandon

.Asit Sen

.B.R. Chopra

.Edgar Wright

.Chris Columbus

.Ernst Lubitsch

.Alain Resnais

.Guru Dutt

.George Cukor

.Ivan Reitman

.Mahesh Kaul

.Jayant Desai

.Richard Curtis

.Robert Clouse

.Basu Bhattacharya

.Maurice Pialat

.David MacDonald

.Mel Gibson

.Anthony Minghella

.Jamie Uys

.Joseph Mankiewicz

.Pierre Chenal

.David Fincher

.Ken McMullen

.Jeremy Leven

.Mary McGuckian

.Alfonso Cuaron

.Rob Reiner

.Delbert Mann

.Louis Malle

.John Cromwell

.Charles Chaplin

.A. Bhimsingh

.Jean Delannoy

.Mervyn LeRoy

.Nancy Meyers

.William Wyler

.Bhargava (Kannada)

.Jonathan Lynn

.Peter Weir

.Robert Rossen

.Roger Michell

.Robert Zemeckis

.Robert Z. Leonard

.J. Lee Thompson

.Robert Wise

.Jerome Hill

.Anthony Quinn

.Jacques Audiard

.Agnes Jaoui

.Mervyn LeRoy

.Roland Emmerich

.Wallace Worsley

.Stephen Herek

.Blake Edwards

.Andrew Fleming

.John Frankenheimer

.Claude Autant-Lara

.Kenneth Branagh

.Lasse Halstrom

.Ralph Nelson

.Andrei Tarkovsky

.Robert Stevenson

.John Madden

.Stanley Kramer

.Olivier Dahan

.Norman Z. McLeod

.Mike Newell

.Raymond Rouleau

.Michael Curtiz

.Nora Ephron

.Arthur Hiller

.Vittorio De Sica

.Bernardo Bertolucci

.Sohrab Modi

.John McTiernan

.Steven Spielberg

.Tay Garnett

.Abel Gance

.Richard Linklater

.Merian C. Cooper

.Michael Bay

.Renny Harlin

.Victor Fleming

.Phil Karlson

.Satyajit Ray

.David Yates

.John Guillermin

.Oliver Stone

.James Cameron

[surejaya]

The Goat

Download : The Goat More Book at: Zaqist Book

The Goat by Anne Fleming

When Kid accompanies her parents to New York City for a six-month stint of dog-sitting and home-schooling, she sees what looks like a tiny white cloud on the top of their apartment building. Rumor says there’s a goat living on the roof, but how can that be? As Kid soon discovers, a goat on the roof may be the least strange thing about her new home, whose residents are both strange and fascinating. In the penthouse lives Joff Vanderlinden, the famous skateboarding fantasy writer, who happens to be blind. On the ninth floor are Doris and Jonathan, a retired couple trying to adapt to a new lifestyle after Jonathan’s stroke. Kenneth P. Gill, on the tenth, loves opera and tends to burble on nervously about his two hamsters — or are they guinea pigs? Then there’s Kid’s own high-maintenance mother, Lisa, who is rehearsing for an Off Broadway play and is sure it will be the world’s biggest flop. Kid is painfully shy and too afraid to talk to new people at first, but she is happy to explore Manhattan, especially the Metropolitan Museum of Art and Central Park, where she meets Will, who is also home-schooled and under the constant watchful eye of his grandmother. As Kid and Will become friends, she learns that Will’s parents died in the Twin Towers. Will can’t look out windows, he is a practitioner of Spoonerism, and he is obsessed with the Ancient Egyptian Tomb of Perneb. When Kid learns that the goat will bring good luck to whoever sees it, suddenly it becomes very important to know whether the goat on the roof is real. So Kid and Will set out to learn the truth, even if it means confronting their own fears.

Download : The Goat More Book at: Zaqist Book

[briannatreleven]

Andy Warhol, Snake Awning, 1960, and Folding Screens, 1950s

Exhibition: Adman: Warhol Before Pop at the Andy Warhol Museum

[vagabondaesthetics]

Fred Zinnemann On a similar note, The Vatican is the only conservative institution that has any taste (or value) for art. List composed in 1995 to celebrate the 100 years in cinema. 

Religion

La Passion—Ferdinand Zecca (France, 1903)

The Passion of Joan of Arc—Carl Dreyer (France, 1928)

Monsieur Vincent—Maurice Cloche (France, 1947)

Flowers of St. Francis—Roberto Rossellini (Italy, 1950)

Ordet/The Word—Carl Dreyer (Denmark, 1955)

Ben-Hur—William Wyler US, 1959)

Nazarin—Luis Builuel (Mexico, 1959)

The Gospel According to St. Matthew—Pasolini (Italy, 1964)

A Man for All Seasons—Fred Zinnemann (Britain, 1966)

Andrei Rublev—Andrei Tarkovsky (USSR, 1966)

The Sacrifice—Andrei Tarkovsky (Sweden/France, 1986)

The Mission—Roland Joffe (Britain, 1986)

Thérèse—Alain Cavalier (France, 1986)

Babette’s Feast—Gabriel Axel (Denmark, 1987)

Francesco—Liliana Cavani (Italy, 1988)

Art

Nosferatu—F .W W. Murnau (Germany, 1922)

Metropolis—Fritz Lang (Germany, 1927)

Napoléon—Abel Gance (France, 1927)

Little Women—George Cukor (US, 1933)

Modern Times—Charlie Chaplin (US, 1936)

Grand Illusion—Jean Renoir (France, 1937)

Stagecoach—John Ford (US, 1939)

The Wizard of Oz—Victor Fleming {US, 1939)

Fantasia—Walt Disney (US, 1940)

Citizen Kane—Orson Welles (US, 1941)

The Lavender Hill Mob—Charles Crichton (Britain, 1951)

La Strada—Federico Fellini (Italy, 1954)

8fi—Federico Fellini (Italy, 1963)

The Leopard—Luchino Visconti (Italy, 1963)

2001: A Space Odyssey—Stanley Kubrick (Britain, 1968) 

A Man for All Seasons — Fred Zinnemann (Britain, 1966)

Values

Intolerance—D .W W. Griffith (US, 1916)

Open City—Roberto Rossellini (Italy, 1945)

It’s a Wonderful Life—Frank Capra (US, 1947)

The Bicycle Thief—Vittorio Di Sica (Italy, 1948)

On the Waterfront—Elia Kazan (US, 1954)

The Burmese Harp—Kon Ichikawa (Japan, 1956)

Wild Strawberries—Ingmar Bergman (Sweden, 1957)

The Seventh Seal—Ingmar Bergman (Sweden, 1957)

Dersu Uzala—Akira Kurosawa (USSR/Japan, 1975)

The Tree of Wooden Clogs—Ermanno Olmi (Italy, 1978)

Chariots of Fire—Hugh Hudson (Britain, 1981)

Gandhi—Richard Attenborough (Britain, 1982)

Au Revoir les Enfants—Louis Malle (France, 1987)

Dekalog— Krysztof  Kieslowski (Poland, 1988)

Schindler’s List—Steven Spielberg (US, 1993)

[earlevandekar]

In the 1960s, the exotic hide company, Fleming Joffe, who made hides for companies making high end shoes and handbags, commissioned Piero Fornasetti to make a series of whimsical plates which were given as gifts, two at a time, for New Year to Fleming Joffe's top customers. This picture shows ten of the fourteen made till 1968.

[chrismbr]

#AGNSW Outside the #Warhol exhibition, one of those objects you don't think possibly could have survived: the snake awning painted for Fleming-Joffe Ltd in 1960, a leather company with an entire (cute) corporate identity created by Warhol. (at Art Gallery of New South Wales)

[chicinsilk]

US Vogue November 1, 1955

The brocade evening shoe. Opera pumps, from left to right: First of all, a very attractive stilt in red and gold Indian brocade. By Herbert Levine. A beautiful oriental snakeskin shoe from Fleming-Joffe. brocaded in gold and silver. By Mademoiselle. Next, an Indian silk brocade shoe by Mademoiselle.

La chaussure de soirée en brocart. Escarpins Opera, de gauche à droite : Tout d'abord, une très séduisante échasse en brocart indien rouge et or. Par Herbert Levine. Une magnifique chaussure en peau de serpent oriental de Fleming-Joffe. broché d'or et d'argent. Par Mademoiselle. Ensuite, une chaussure indienne en brocart de soie signée Mademoiselle.

Photo Karen Radkai vogue archive

[chicinsilk]

US Vogue February 15, 1965

Jeweled bottom, tied in brocade, above. Strips of gold and silver brocade, bows tied on a cluster of rhinestones at the ankle of a dark nylon stocking. Stanley Philipson sandal. Bottom: Mary Grey. Walking shoe, strapped, right. Yellow suede slingback, held at the heel, buckled in brass, wearing the most cheerful knitted wool stockings in yellow, orange, pink city. Continentals shoe, in Fleming-Joffe leather. Micia's stockings.

Bas orné de bijoux, noué en brocart, ci-dessus. Bandes de brocart or et argent, nœuds noués sur un groupe de strass à la cheville d'un bas en nylon foncé. Sandale de Stanley Philipson. Bas : Mary Grey. Chaussure de marche, sanglée, à droite. Slingback en suède jaune, retenu au talon, bouclé en laiton, portant le plus gai bas en laine tricotée en ville jaune, orange, rose. Chaussure de Continentals, en cuir Fleming-Joffe. Bas de Micia. Photo Art Kane vogue archive

[chicinsilk]

US Vogue July 1962

(from left to right) Caramel-coloured calfskin pump with a small medium heel, by I. Miller. Pump in dark brown calfskin, grooved leather heel. By Mademoiselle.

Surprisingly light Spanish leather low-heel pump. Imported from Spain. Sleek pump in two shades of brown, suede print of Spanish leather. Leather by Fleming-Joffe.

(de gauche à droite) Escarpin en cuir de veau couleur caramel avec un petit talon moyen, par I. Miller. Escarpin en cuir de veau marron foncé, talon rainuré en cuir. Par Mademoiselle. Escarpin à petit talon en cuir espagnol, étonnamment légère. Importé d'Espagne. Escarpin épuré en deux tons de marron, imprimé suède de cuir espagnol. Cuir par Fleming-Joffe.

Photo Irving Penn vogue archive

[chicinsilk]

US Vogue February 15, 1960

Photo Evelyn Hofer

vogue archive

[chicinsilk]

US Vogue September 1, 1964

Wilhelmina Cooper wears a small charcoal and beige wool tweed sweater over a charcoal gray wool falnelle skirt, all by B.H. Wragge. Suede hat and scarf (Fleming-Joffe), by John Frederics.

Wilhelmina Cooper porte un petit pull anthracite et beige en tweed de laine sur une jupe en falnelle de laine grise anthracite, l'ensemble, par B.H. Wragge. Chapeau-écharpe en daim (Fleming-Joffe), par John Frederics.

Photo Irving Penn vogue archive

[chicinsilk]

US Vogue August 15, 1963

New Power patterned stockings with support, transparent taupe. By Roman Stripe, in nylon knitted with Vyrene. Hudson's shoes in taupe calfskin. By Delman, in Fleming-Joffe leather.

Bas à motif New Power avec maintien, taupe transparent. Par Roman Stripe, en nylon tricoté avec Vyrene. Chaussures Hudson's en cuir de veau couleur taupe. Par Delman, en cuir Fleming-Joffe.

Model : Dolores Wettach.

Photo Art Kane vogue archive

[chicinsilk]

US Vogue December 1957 ❤️❤️❤️❤️❤️

Four pairs of Fleming-Joffe Alligator pumps with patent leather finish, in four colors and two shapes. The Four Pairs, by Andrew Geller.

Quatre paires d'escarpins en Alligator Fleming-Joffe avec finition en cuir verni, en quatre couleurs et deux formes. Les quatre paires, d'Andrew Geller.

Photo Richard Rutledge

vogue archive

[chicinsilk]

US Vogue February 15, 1961

Opera pump in beige calfskin open on the sides. High and thin heel. Superb with a pink suit from lunchtime, signed Palizzio, in Loewenstein leather.

Shown twice, the formal evening shoe in white satin with shiny stones and mother-of-pearl beads. By Delman.

Evening shoe in purple silk satin, mainly composed of airy bands, with closed toe, very high and thin heel. By Julianelli.

The essential “spectator” opera pump, in brown and white calfskin, from Mademoiselle, in Loewenstein leather.

Charming opera pump in silk shantung with cutouts on the instep. Here in yellow, but can be dyed any color, at Saks Fifth Avenue.

Linen opera pump, red, it can be dyed any color. Black calfskin trim, medium heel. By Newton Elkin.

For days in the city, a laced black calfskin pump with a bow on the front. By Mannequin, in Ohio leather.

Day shoe for the city, in chocolate brown lambskin, a closed pump with a designer look. By Barefoot Originals.

Honey beige calfskin pump that could go in town and in the country, medium heel, By Jacqueline.

Another red goatskin pump. Both city and country shoe, with rows of perforations. By Valley Leather Fleming-Joffe.

Presented in double exposure, superb shoe to go with a suit. In bright green calfskin, by Haymaker, in Eisendrath leather.

Shown twice: a low heel pump, beige in soft leather trimmed in brown, pretty and comfortable enough for sightseeing. By Millerkins, in Eisendrath leather.

Also shown twice, country walking shoes, almost a moccasin, in honey beige leather stitched in white By: Penaljo.

Photo Tom Yee vogue archive