#firearm proficiency

[historyofguns]

The article "Shooting from Cover — The Key to Gunfight Survival?" by GunSpot, published on The Armory Life, emphasizes the critical importance of using cover effectively during a firefight. It highlights the distinction between "cover" and "concealment" and introduces techniques like "slicing the pie" for safely engaging threats without exposing oneself. The article also features insights from Grant LaVelle, a seasoned SWAT team member, who underscores keeping a safe distance from cover to minimize bodily exposure while shooting. The piece stresses seeking professional firearms training beyond the concepts discussed and encourages practical drills under controlled conditions. The article is bolstered by visual examples of tactical positioning behind cover, advocating realistic practice in environments that simulate real-world obstacles. Overall, it serves as a practical guide on enhancing survivability during armed confrontations.

[summerlinarmory]

Exploring the world of firearms training goes beyond merely loading a magazine. The utilization of specialized training ammunition, often overlooked by some gun enthusiasts, holds a plethora of benefits that contribute to a safer and more effective training experience. As your ammunition in Las Vegas, NV, let us take a look at these advantages.

[fishareglorious]

some time ago i made a post wondering why kakania looks to be pretty proficient with a gun, and @/please-let-this-work-oh-my-god in there said that she probably learned how to for self-defense but also brought up the question of how exactly is isolde good (at the very least, knew how to use one) with firearms too.

and im here to bring my idea to the table. what if kakania was the one who taught her how to use a gun, because much like her own reasons for learning how to, she also wanted isolde to learn out of self-defense.

little did she really know, isolde would use that knowledge in killing theophil, mr. karl, and hofmann.

in the grand scheme of things, this is just one of the footsteps in their joint path of "the road to hell is paved with good intentions".

[mycological-mariner]

New job offers coming through. What is it. I barely updated my casting profile. I added “muskets” and “Spanish speaker” and suddenly I got 5 messages in the last 2 days

[godsprettiestprincess]

Sorry going insane over my flashback baby Jedikiah. Angry little bastard 16-17yo who gets more guarded and resentful every year he doesn’t break out, throwing himself into highschool genetics to understand the chances of him failing like this and turning to knives and eventually guns to regain a sense of power as his body betrays him. Long hair.

[nossumusmanus]

Putting this under a Read More, because I feel bad talking about this scene from the Garlemald arc.

To write a particular starter, and to (attempt to) glean any tidbits of information I can about Quintus's injuries from Vergilia based on his body language and movements, I had to rewatch his death scene more than I liked.

But can I just say that the seamless fluidity with which the fucker not only opens the chamber and loads it up, but also flips the revolver closed again is captivating to watch. Like damn, he handled that gun like it was an extension of himself, or at the very least like it was second nature for him.

And the fact that he didn't hesitate or flinch at all during that whole scene... His resolve, in that last part, makes me so unbelievably sad.

[easy-there-leftovers]

As Cool As I Think I Am

Summary: The 5 times Spencer tries to be cool, and the 1 time he doesn't care. 

Alternatively; Spencer never thought he was cool, but he found himself wanting to be just for you. 

[a/n] Recommended to be read after, "A Question Unasked", and is a roundabout sequel to "Mixed Messages."

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader| cw: slight spoilers for s1e04, s1e06, s1e08, s1e10, and s1e18 | description of canon-typical violence, timeframe switches because I can, and Spencer being an oblivious, lovesick idiot (can't believe this version of him survived all of this lol) | word count: 7.2k

Amazing. You had called him, “amazing” during the Arizona case and that was all that had been occupying his mind as of late. He had been called brilliant before. Been described as bright, gifted, hell, he was called a genius even. Yet that was the first time anyone had said anything positive about him.

Removed from his intellectual capabilities.

It made him think that there was more that he could offer than just his never-ending stream of knowledge and incessant rambling.

You had seen that in him.

Seen that he was 'amazing.'

But he certainly wasn’t feeling that way now.

“On SWAT we broke shots down into three steps." Spencer nodded as he listened.

"One: Front sight. Focus on the front sight, not on the target. Two: Controlled trigger press. Three: Follow through. After the shot, you come right back to the target. Now, what did you do wrong?”

He sighs with his eyes closed. “I didn't follow through.” 

“Right. You came off the target to see where you hit.”

Hotch had been observing him for the past few minutes to prepare him for his assessment tomorrow, and yet it still felt like he was making no discernable progress. 

He had memorized every trick, every form, every physics interplay that could better the ballistics of his shot and yet he still couldn't do it.

"Hotch, my firearms qualification is tomorrow morning. I barely passed my last one." He had said, putting the gun down.

He feels his unit chief gently push him aside to demonstrate and he gets in position.

"Front sight," He aims his gun.

"Trigger press," He presses down on the trigger, resulting in a gunshot to the target.

"Follow through." He finally says. Keeping his eyes forward with his finger still depressing the trigger until he holsters his gun again.

"You do those three things, you'll hit your target every time." Spencer shakes his head.

He tries to replicate the steps again, but only fails miserably.

He has been doing that. He is doing that. And yet he still keeps missing.

If this wasn't part of his job, maybe he wouldn't have cared all too much about his gun proficiency. Or lack of.

And yet it was.

And it was imperative that he learned it to keep his place on the team, but he had been losing hope.

"They're going to take away my gun."

Sensing his frustration, Hotch empathizes with him.

"Profilers aren't required to carry." He groans at that.

"Yeah, but she does and she's great at it."

God, you must've thought he was pathetic.

Aaron laughs internally at that. He knows exactly who the younger one is talking about.

He had seen the way that Spencer had been watching his 'protege,' and it didn't take being a profiler to know that he was absolutely smitten. If he hadn't known any better, he would've thought that Reid's frustrations stemmed from wanting to seem more experienced in front of you.

And Hotch saw no problem with that, at least for now. On the contrary, the two of you working together seemed to have bolstered his focus on the case. Making the team more efficient with their investigations.

He also thinks that it helped because you seemed to return Reid's sentiment, which is why he had brought you along to help him.

So when Spencer turns and sees you walk in, he blanches.

As much as he really liked your presence (you were friends, right?), he really didn't want to embarrass himself in front of you.

He does that more than enough on his own.

But it seemed like your mentor didn't care.

Hotch says your name with a greeting before excusing himself which tells Spencer that he had planned this from the start. He sighs at that. Chest feeling heavy at the pressure.

He sees you give him a polite smile, which he's come to recognize to be your way of easing him, and he returns it.

"I've heard about your progress." Spencer rolls his eyes at that.

"More like regress. I'm sorry that you have to be here." You snort at his joke but shake your head to assure him.

"I'm right where I want to be. "

His heart fills, even though he knows that not what you meant.

"Why don't you go ahead and show me how you fire that gun?"

He nods and waits for you to put on your ear muffs and goggles before he returns to his position. Calming himself down as he remembers Hotch's words.

Front sight, trigger press, follow through.

He fires three bullets and sees them all hit the whites of the target, which makes him sigh for the umpteenth time.

He puts the gun down and lowers his ear muffs to look at you. Seemingly deep in thought, chin resting on your hand, with eyes travelling slowly up and down his form. Observing.

Scrutinizing.

Assessing.

He can't help but feel naked under your gaze.

He always knew you were smart. The cases you've helped solve were more than proof of just that, but he knew that even you couldn't solve the mystery that was his aim.

He couldn't expect that of you. He relies on you so often already.

He briefly wonders how there's such a different between you and him. You joined the same year, joined the same unit, and worked with the same people on the same cases. How was it that you seemed calmer, cooler, and more prepared for anything more than he ever was?

Spencer firmly believes that intelligence cannot be quantified. And if anyone ever doubted him, he would just point at you and say that you had him beat everywhere despite what any number might have to say otherwise.

Case and point. you had been talking to him about something very important and thoughtful and he had been zoning out the entire time.

"I um,–– what?"

You shake your head and gesture to his gun once more. "Show me your form again."

He takes his gun hesitantly, but readies himself the same way he did earlier. The only exception being that his finger isn't on the trigger.

He hears that telltale, almost bored, 'hm' of yours before you speak again.

"Tuck your chest in."

He's read countless firearm manuals and instructions and he's never heard of that before.

"I'm sorry?"

"Tuck your chest in." You say it again, but it's still not making sense to him.

Unable to voice or even act upon his confusion, he watches as you wait with an impassive face before asking,

"Can I touch you?" He lets out a shaky, but immediate 'yes' and you move to stand beside him.

Given your calm and nonchalant demeanor, he anticipates a more impersonal touch. For lack of a better word. He expects a shove. Maybe a push, to correct him into the right place.

So when your hand comes to softly rest on his stomach, fingers splaying across the expanse of his undefined abdominal muscles, he feels his breath hitch. Upper body slightly crumpling in on himself as he does.

He's surprised he hasn't dropped his gun.

"Dr. Reid,"

He's also surprised that his heart hasn't stopped. With how you said his name, and how close you are– he can already feel your soft breath gracing his ear–

"You're an autodidact, aren't you?"

A self-taught person, he thinks.

"I–– I am." Curse his shaky voice.

"You know, there are some things that can't be learned by just reading textbooks and looking at diagrams."

He feels you tap his stomach and he suddenly feels hot.

"Feel this?" He feels you engulfing his senses, that's for sure. But he nods slowly.

"Remember it. Your center of gravity is different from the subjects in those graphics. So the form you need to take is likewise different."

And just like that, all too quick for his liking, you move away. Hand leaving him just like whatever depraved thought might've been running around his head.

He hesitantly looks back at you, and you gesture to his gun again. Noticing how your free hand is resting on the gun in your holster.

A Glock 19, he remembers.

"Go ahead and shoot like that now."

He does, in the same way that he's compelled to follow your voice like always–

Front sight, trigger press, follow through.

And fires three shots.

To his surprise, he manages to shoot the target's chest. Not quite centered, he admits, but its a vast improvement from his previous attempts.

"I– I did it." He feels the disbelief on his face when he looks at you again. He's expecting you to look just as shocked as he does. After all, you saw just how egregious his aim was. So it surprises him when he turns and is greeted instead with the small smile on your face.

Not the same polite smile that you usually give when you're at work, no. It was a soft, genuine smile, or so he thinks.

"I never doubted your capabilities, Dr. Reid."

He beams under your praise. Blooming like a flower under the warm radiance of the Sun. Once again subject to that brain-freezing sensation from a few weeks ago.

If he just remembers everything you told him today, which wasn't a lot, he theoretically should pass his firearm qualifications with no problem.

And maybe, just maybe, he'll get to see you smile at him again.

After all, he had always wanted for you to look at him. Actually look at him.

Maybe if he passes his test this time, you will.

----

The following day, he doesn’t pass his test.

And he is much more embarrassed now than he ever was before. 

He returns to the bullpen with his head down. Already expecting everyone to know of his failure.

He really didn't want to see if you were one of the ones that had been looking at him.

What he doesn't see is that you were.

But you weren't disappointed at all. You wanted nothing more than to reassure him. To tell him that you could always help him again, and that you didn't mind the extra work if it weren't for the stares that you had been getting back.

Seemingly turning your what-would've-been act of friendship and care into an expectation and responsibility.

"Make a wish!"

"Come on, man. Blow, baby, blow!"

"I thought you were full of hot air, Reid."

"They're trick candles, Spence, okay? They–– They're going to come back on every time."

While Spencer is glad that he’s spending his birthday with actual people, there's one in particular that he's missing.

He also feels sort of embarrassed that he's having a full-on birthday at his workplace. Though he is very thankful that his friends care about him enough to do this.

"Hope you like chocolate." JJ says with a laugh and he is only now recognizing the cake. Previously too caught up in blowing out the undying flames to even notice the festive dessert that supported them.

"Where's the cake from?" The blonde only gives him a look that he can't quite understand, but he is immediately distracted when he feels a draft from where Hotch passes by him.

He looks in the direction he came from and lo and behold, he found the very person he was missing.

He gets up, wanting to at least get a greeting from you, but he's interrupted by Gideon asking him something before he can even try.

"You having fun?"

He knows that he's asking him, but he can also see how his eyes aren't quite addressing him back. Instead, looking up a few inches above him.

He gives a tight lip smile when he realizes just what he's looking at.

God, he felt pathetic.

“Yes, definitely. I am definitely– having fun.” 

"Make a wish?" He asks another question and that’s when Spencer sees what he's doing now.

Ever since he first exhibited signs of interest in you, he knew that his mentor would be the first to clock them. He couldn't even hide it if he tried. If there was anyone on the team that he knew would figure it out this quick, it would've been him.

He expected it.

What he didn't expect was for Gideon to show disapproval for it.

For you.

Back during the Arizona case, he remembers how Gideon had interrupted you when you were explaining something. And that's when he realized you were going to have a hard time.

You were going to have a hard time because of his own rapidly growing interest.

Because he froze when you said one nice thing about him, then proceeded to wow him with your observational skills.

He didn't want Gideon to think that you were being a distraction to him, so he instead chose to show just how well the two of you had worked together. Even going as far as to double down and reiterate your statements to convince him of that.

And it seemed to have worked, but now he wasn't so sure.

"Can I take this hat off?"

He wanted nothing more than to do just that before you notice him, but his mentor just shook his head.

"I wouldn't."

He doesn't know it's because Gideon knew you found it cute.

By the time that he notices the elder doesn't really care about the conversation anymore, probably too distracted by the TV behind him, his gaze finally focuses on you.

The very person that he had intended to talk to.

The one he intended to talk the entire time before he got sidetracked.

You still hadn't turned to look at him though, or make an attempt to greet him. Not even a laugh to mock him for the huge, 'Happy Birthday' hat that sat on his head to make him look like a dunce!

Instead, you were staring at something. Or rather, someone.

He turns his head to look just where you were and there he sees his unit chief, your mentor, on the receiving end of your intense gaze.

Just like always.

He shakes his head and decides to just go talk to you, but he is once again interrupted. This time by Hotch with a solemn expression on his face.

“Sorry guys. Party’s over.”

You immediately spring into action at his words, completely missing his hand that was just about to come up to wave at you. He tightens his lips into a thin smile.

Spencer's starting to doubt Morgan and Elle's words.

–––––––––––––

The sentiment is rectified when he finally receives the one thing he had been looking forward to on his birthday, and it wasn't the gift.

Not even the greeting.

It was being able to be in your presence. Being able to spend time with you. The you that wasn't so stressed or strict about work, or the case, or your boss.

It was just him and you. You and him. And the scarf that seemed to warm him just as much as his heart warmed at the sight of your smiling face.

God, what he would do to have this with you forever.

Spencer is well aware that likes you.

Hell, even the rest of team knows it by now, but he's starting to fear that his unconscious mind is more aware of that than his conscious one.

Case and point, he had been having dreams.

Nightmares, actually.

Nightmares that he can't help but think will happen if he takes his eyes off of you for even a second.

Morgan had asked him earlier when he was making coffee if something was causing him to lose sleep. If you had been causing him to lose sleep, he had asked with a teasing smirk.

And while normally he would've flushed and stumbled at his implication that a night of you had been keeping him up, he admits to what's been plaguing his mind.

Naturally, he doesn't tell him the full nature of his night terrors. But his friend doesn't need him to. Not with the way that his eyes try to find yours every chance he gets, focus going in and out of the conversation like an adjusting lens.

Spencer fears that one day, no matter how strong or smart or clever you are, it's his negligence that'll place you on the receiving end of a killer's weapon.

And that there's nothing that he can do to stop them from landing the finishing blow.

He knows that it's not rational, but he also knows that dreams are rarely, if not never, rational. Studies show that around seventy to eighty-percent of dreams contain bizarre or irrational elements. This included unusual settings, impossible scenarios, and illogical developments to be featured in the unconscious brain.

Doesn't mean that he's alright with seeing it so often, though.

What's worse is that he knows that it can very much happen during the BAU cases. And that he can't even prepare himself for that scenario.

He's practically deadweight on the field with his still erratic aim and bambi legs, he's surprised you aren't sick of him yet.

He laughs a bit at the thought. Clutching a portion of his scarf—the only thing that has been keeping the nightmares at bay— as he promises himself that he won't leave your side.

Especially not in the confounding forest of McAllister, Virginia.

Which is why he's stuck in his current position.

“Dr. Reid, I need you to check back downhill and see if the deputies have returned.” He looks at you incredulously.

“What? No! I can’t leave you here– ” 

He doesn't know what exactly you found in the abandoned house, but he knew that it wasn't wise to leave you with no one but a high schooler.

You might think he's not all that different from the kid, but he's at least trained to be an FBI agent.

“We need the rest of the sheriffs and the crime scene team here.”

You looked dead into his eyes, yet he still didn't relent. No matter how reasonable your request was.

In any other situation, he might've thought you were cool. That you were handling the situation like a natural, and that you were very responsible for taking charge when he was there with his heart threatening to beat out of his chest.

But he didn't want to leave you. Not when you looked like you've just seen a ghost.

He grasped your shoulders, firmly but gently, and practically begged for you to come with him.

Stating that what you were feeling was a completely normal physiological response. That your body was sending neropinephrine to your brain to help regulate the stress and compensate for whatever was happening inside of you and that it would be safer to stay together––

But when he sees you ice him out– concealing all remaining traces of shock or fear or worry– he freezes.

His eyes raked across your features, biding his time. Committing every micro-reaction, every hair out of place, every faux-calm movement of your eyes before he had to let you go with a nod. Leaving hurriedly to find anyone that can help and constantly looking back at you to assure his consciousness that you were fine, and that you would be fine.

When he saw that the other sheriff wasn't there yet, much less anyone for that matter, he immediately went back. Running uphill fast to get to you.

To make sure that you were alright, that you were alive, and that no one was coming to hurt you.

Which is how he found himself here.

Gun held to his head by the very high schooler that, he thought, wouldn't have been of help if another dangerous person had shown up.

When you raised your hands and dropped your gun in surrender, he was scared of what would happen to you both if he didn't act quick.

But he was even more scared of what could happen to you if he doesn't talk his way out.

Fast.

So that's what he did.

––––––––––

He didn't get to check on you, he realizes.

He knew you were able to knock the kid out, he was there when he helped you distract him, but he must’ve been wheezing because he was the first one to get ushered out and checked on.

He wants to tell them to check on you. That you had landed pretty badly when the unsub was able to push you back, but he can hardly even hear his own thoughts.

The siren of the police car, the medic talking to him, the rest of the team discussing the case's outcome, and his own heart in his ears were simply too much for him.

By the time that things had settled down, he notices that you still aren't there with him. He worries and whips his head around wildly before his eyes find yours already looking at him.

Doing so with an expression of regret or grief etched onto your face.

He sighs in relief, and gives you the best smile he can give to assure you that he's okay despite having been worried sick.

He needed you to know that he was fine. That it wasn’t your fault. That he was glad you're okay too.

That he was so impressed with what you had done despite the circumstances, and that you had handled the situation way better than he knew anyone on the team ever could.

So when you seem to turn away from him, he briefly wonders if something was actually wrong.

He tries to look back on what might've happened. Wonders if there's something he didn't see when he came back, or when he was away––

And that's when he realizes something.

Could he have put you in more danger when he came back to check on you? That he had accidentally sabotaged your takedown?

He sighs. He must've looked so pathetic in front of you getting grabbed like that–– but he's not sorry.

He had been doing that for your safety and for his own peace of mind–– he wasn't going to apologize for caring about you.

He'll make it up to you somehow.

The next time you go on another case together, which you two inevitably will, he'll make it up to you.

That, he promises.

He actually doesn't get to work with you again. So he decides that he can make it up to you by narrowing down the unsub's identity.

In fact, he hasn't seen you at all since the team first arrived at the crime scene.

You had been working with Hotch and Morgan on more field operations, leaving him with Elle and Penelope doing background checks on possible suspects. And while he wasn't with you, he'd like to think that he's still enjoying the company.

Well, that's what he would like to think.

He has no problems working with Elle. She was a nice colleague that seemed to occasionally humor his rants and got the job done quickly. And Penelope was someone that the both of you really got along with. Occasionally having this back and forth unique to the three of you.

But they weren't you.

Still. What he thought about you can wait later. He still has to think about his escape route if the two break out into a fight.

Right now, the three of them had staked out one Michael Russo who they anticipated would call his hitman, the suspected Unsub. They were hoping to get a name from what they could pick up from his end of the call, and they did.

Problem was,

"Russo's got eleven associates named Vincent." Spencer raised his brows at that.

Vincent is a name of Latin origins. He shouldn't be surprised that the mob had a handful of people with that name, but it was kind of too on the nose at this point.

"Oh, make that ten. Vincent Cellito died last summer. But here's something––Vincent Sartori."

He really wants to find this guy, so he chooses to keep looking through the list. Ignoring the growing tension between the two girls.

"Currently doing six at Dannemora for racketeering."

Spencer then speaks up again, "How about this Perotta? There's not much on him."

Garcia makes quick work to pull up what seemed to be deleted records and that's where they find something interesting.

"Alcohol addiction at 14, violent outbursts, assaults,–– Once threw a Molotov cocktail at someone sitting in their car." She can't believe what she's reading.

"Several notations for aggression," He adds, but this is where he sees something truly wrong.

"He once scheduled a visit to an infirmary to gain access to a–– boy who looked at him for too long?"

He really didn't want to meet this guy.

"No fear, no remorse, quick temper. And he was smart enough to stay off the radar as an adult," Elle interprets. "Paranoid personality. Could be our guy."

And he really didn't want you to meet him either.

All the evidence is stacking up against him though, so you just might have to. He just wished that nothing bad would happen when you did.

––––––––––

While right now they weren't sure if he was the unsub, he was definitely someone who fit their profile. He saw some LEO's bring in a guy who had essentially been cuffed at every limb, accompanied by Hotch and Gideon, but he had yet to see the others.

He sees Morgan, who is walking alongside Elle (she went to see what all the commotion was about) but with who he sees next, he feels his stomach drop. Heart rate spiking in contrast to an all time high that he's practically sure he has tachycardia.

"What happened to you!?"

He got up from his seat to run over but you just shake your head.

You had come back with your clothes and hair in disarray, a bleeding nose, and a a busted lip. A complete disparity to the normally clean-cut and professional look that you had strived to maintain.

Even when you had been tackled to the ground a few cases back, the damage wasn't nearly as bad as this.

It's Derek that answers his question for him though.

"Perotta hit your girl up in the head, Reid." He chooses to ignore the joke. Too worried as he tries to check on your head but you just softly squeeze his hands to reassure him before you push them away.

Still not looking at him as you finally speak.

"It wasn't that bad. He hesitated. It could've been worse."

He doesn't like your answer.

If you had just been hit in the head and yet your nose is bleeding, that was a clear sign of a concussion. And the cut on your lip had to be from a fall. On asphalt or onto another material, it didn't matter to him since both are just as bad.

As he expresses that, you just tell him to drop it and then move away from him.

Before he can say more however, Hotch comes back into the room with his usually stern expression. A bit of worry lacing his tone, Spencer notes, as he orders you.

"Go home."

He's staring you down, but it seemed you had a lot more to say to that.

"Sir Hotchner, I would be of much more use in here. It is imperative that all available resources are focused on the retrieval of James Baker." He sighs because you're right, but that doesn't seem enough to satisfy you.

The boy-genius hates it when you use reason to get your way.

"Fine. Help Reid and the others with the evidence. We can narrow down his area of operation from there. They should be arriving soon."

You shake your head adamantly. "Sir, I can handle the interrogation--"

"No you can't!"

Spencer surprises himself with his outburst, but you don't even turn to look at him.

It's Hotch that gives him a very pointed stare though before continuing,

"Reid is right, agent. We'll handle the interrogation, so please busy yourself here." He says it with a finality that is indicative of his departure but you stop him one last time. Hand going up to rest on your mentor's collar.

He sees you gesture to your own, and Spencer hears an intention in your voice that he can't quite understand.

"Let's not give him a weapon, sir. He's pretty strong."

He sees his boss nod, and he takes off his tie. Putting the cloth into your awaiting hand, and you grip it out of instinct.

Reid zones out as he sees this interaction in disbelief. Did you normally touch the others like this?

You had completely brushed off his concern, not even looking at him. And yet when it was your unit chief that told you to do so, you had simply followed?

He thought he was starting to become an exception to you, but had he been reading the signs wrong? It could very much be a possibility as he was never good at doing so.

Even later when he had been sifting through the bags from the suspect's van, you still didn't respond to him. Even going as far as to ignoring Penelope's offer to watch the tapes they had found in Perotta's van. Shaking your head, 'no' with a faraway look in your eyes.

Just what had exactly happened while he wasn't by your side?

At this point, Spencer’s convinced that you would never like him.

If not for you having eyes on literally anyone else but him, then definitely because he had disappointed you. Desecrated the honor that came with being an FBI agent.

Just because he had been distracted.

A whirlwind of emotions had been flurrying inside him since the very beginning of this case, but he swears that he had never meant for this.

He doesn't even remember how it happened. Which baffled him, given his memory. But he thinks it's because he couldn't have cared less about the past few hours.

He had been stuck babysitting Lila only because you had told him so. Entrusted him with her because you thought that he was the best person to guard her, to comfort her.

He didn’t know it was because you had a feeling he’d be safer by her side.

And some part of him was flattered that you had said all this about him. Especially when all Lila would hear from him were endless praises of your name, of your work, and your caring nature.

But another part of him felt ignored. Pushed aside.

He doesn't know when it had happened, but Hotch had stopped pairing you together some cases ago. Saying something about you needing physical training, though he sincerely doubted that.

He thought that things were going well between you two. He had just been trying to find the perfect window where you would see him in a good enough light.

A good enough light that would make you say 'yes' to going on a date with him.

He didn't even care that the pretty blonde was interested in him. He only agreed because you stressed her safety more than any other target thus far. But the attention that she was giving him?

That was all that he wanted from you.

All he'd been wanting for months.

And when he had kissed her, all he could think about was you. How it would've felt if it was you in his arms, how you would react if it had been you that he was touching.

But then immediately after, how you would react to him kissing another girl.

God, he was pathetic.

He knew that you had been having a hard time lately. And he also knew that it had a lot to do with your work, how he did his, and his safety. That was all you ever stressed about when you were with him.

If he was safe.

You'd think he'd learn that by now, but he hasn't. Which is why even when he knew all this, his heart still ached as he sees you cry into Morgan's arms. Sobbing like no tomorrow. All because of something he did.

All because he took all your hard work, that had been focused on keeping him alive, and essentially throwing it right back at your face.

His negligence did that.

And he supposes that now, he can't do anything to get into your good graces anymore. Not when Derek Morgan seemed to better at doing his job as a federal agent, and his job as your friend.

When he finally gets changed into dry clothes and enters Lila's house, he doesn't miss the way that you turn from him. He also doesn't miss the glare the other agent was giving him. Nor the careful hand that had been rubbing up and down your arm.

Something that he wished he could've been doing instead.

––––––––––

God, he wanted to be anywhere but here, considering this is where it all went downhill.

"Did you give Lila Archer a collage?" Gideon had started the interrogation, so even if he did want to leave, he couldn't.

"What?"

"There's a photographic collage above Lila Archer's sofa. She says you gave it to her."

But the faster that they could get this done, the faster he could apologize to you.

"So? I didn't make the damn thing." Parker had laughed out, clearly not comprehending the severity of the situation.

"So you just happened to give her a work of art containing most of her life in it?" Spencer pushed but was surprised to see his ex-classmate seemingly have no recollection of the situation at all.

Something was wrong.

If it wasn't him, then who––?

"I––no, no. Look, I lied. I just wanted her to like me. I met her here, and she was a fan of art. Someone gave me the piece to give to her, but I told her it was from me."

It can't be––

"I said I found it, and I thought she'd love it."

"And who gave it to you?" Morgan had finally asked.

"Her name's Maggie Lowe. She uh––She works on Lila's show."

When Spencer hears this, he immediately goes to call you on his phone. Maggie Lowe had gone to Juilliard with Lila and was the production assistant that he swore he saw go in and out of her trailer.

If he wasn't so distracted, he would've fucking noticed that.

But his phone doesn't even ring for a few moments before the call is declined.

What the fuck was happening?

Before he could ask anyone else, he heard Derek speak up.

“Sweet girl, listen to me. We have a name, and it’s ‘Maggie Lowe.’ We’re on our wa—" Spencer tries to talk to you through Morgan's phone, but is knocked off balance when the man turns around in shock.

"Christ man—we're on our way back over there, okay? Stay put and we’ll let Hotch and JJ know.” 

"Let me talk to her!" He practically begs, but before anyone could even understand what he was saying, the call is ended from your side.

"Reid, what the hell were you trying to do?"

He's shocked at his own actions too, but that's not what's on his mind right now.

"She dropped my call but she answered yours? And since when did you start calling her that?"

He knew it wasn't fair, especially after what he had done, but just when did you and him happen?

"Since you started being a dumbass. Get over yourself, kid."

Everyone then started making their way to the two SUV's parked outside, but Spencer took the one that Morgan was driving.

He wasn't done with this conversation.

He tries to call you again, but this time, it looks like the line is busy. What was going on, where were you? He tries Lila's phone, even though he's sure she won't pick up and nothing either.

He has half a mind to ask Morgan to call you, in case you were just being petty and ignoring him, but he feels his phone vibrate. He suddenly hears his phone ring, and he hurriedly answers without checking the caller ID.

Hoping that it would be you on the other hand as he called out your name.

"Nope, sorry hon, it's me." It was Garcia's voice, but it sounded like she was shaking. Sensing the urgency in her voice, he instinctively puts his phone on speaker.

"Reid, I need you to listen to me very carefully— I've already alerted officials in the area, but your unsub? Is in Lila Archer's house."

You can't keep doing this, he thinks. You can't keep scaring him like this, because he's starting to feel so sick.

He looks to his friend in the driver's seat and sees him nod when they make eye contact. Speeding up as they thank Penelope before she ended the call.

At this point, he could care less with how pathetic he might've looked. No longer caring about how uncool you thought he was, or whatever might've been going on between you and Morgan, or if you still had a crush on your boss— none of that.

They had left you behind with Lila and no one else.

Spencer had always feared that one day, no matter how strong or smart or clever you are, it's his negligence that'll place you on the receiving end of a killer's weapon. And that there's nothing that he can do to stop them from landing the finishing blow.

If the reason you were alone and held captive by some psychotic shooter was because he had pissed you off enough to even dismiss his help?

He might never forgive himself for it.

When they arrive, he immediately gets out of the car. Ready to run in and ambush Maggie by himself if he has to when Lila runs into his arms. Holding a gun in her hand as if it were a bomb.

A Glock 19 that he's seen you use since his first official cases on the team.

He notices Morgan, Elle, and Gideon were already out, but Hotch and JJ have still yet to arrive.

He knows that he should wait until further instructions. That there wasn't a protocol for this specific situation. Or maybe there was, but his IQ of 187 had always been slashed down to 60 whenever you were involved.

When he hears a gun fire from inside the house, he's the first one that starts running.

He's thankful that he wasn't alone when he did though.

By the time that Maggie had been apprehended, you were already well on your way to the nearest hospital. According to the clock from inside your room, and the news report that had been playing, a full twelve hours at the very least had passed since then.

You tried to remember what had happened. Tried to remember how you screamed for help once you had subdued her. How she shot you when you tackled her.

Probably with the intention to kill you, then herself had you not talked her out of it.

You groan as you feel the blooming pain in your side. Probably from the GSW that you're going to have to note in your action report.

And then you remembered how you realized what you felt for Spencer and the rest of the team.

You shake your head despondently.

When you look back on every situation where you had essentially put yourself on the line for his sake, you notice that you had really been doing that out of your own volition.

That you had been doing it because you didn't want him getting hurt.

You just didn't like that the the team was turning it into some sort of responsibility.

And sure. Maybe the others were complicit in pairing you up, or guilty for giving you odd looks, but they probably wouldn't have done that if it wasn't something you were already going to do.

God, you felt so pathetic.

You don't think you can handle looking at Spencer now. Not after your existential crisis, and certainly not after what you said before he left.

But luck has a way, so it seems, to constantly elude you.

You note this as you see the very man that you had been thinking of slowly opening the door and perking up when he sees your eyes on him.

Well, as perked up as he could be. Given the circumstances.

"How uh—, How are you? A-Are you...okay?"

You take in how he looks when he asks. Dark rings encircling his eyes, (he had been up all night waiting for you), usually neat hair in a mess (he had been running his hands through them nonstop), and shirt all crumpled from being hunched over for so long (a different one, because he just couldn't stand the vague scent on chlorine in his old one.)

Your heart sinks at the sight and you beckon him closer with your strong hand. Echoing his question.

"Are you okay, Dr. Reid?"

He lets out a shaky breath when he finally hears your soft voice again, slowly approaching you as he does. He was so worried that the last words he would hear from you would be your disappointment, but he persists.

"Can you please answer the question? I don't like it when you pretend like you're okay when you're obviously not."

His hand finds its way to trace little patterns on the back of yours. Occasionally looking up at to see if he was hurting you, before continuing when he sees that he isn't. Feeling too shy to do anything more.

You roll your eyes at the gesture. Flipping his hand to rest on the hospital bed and slipping yours on top of his. Giving it a soft squeeze.

"I could be better." You then squeeze his hand again. "Is this what you were trying to do?"

He thinks for a while, as if not really understanding your question, before nodding vigorously.

You smile at the sight but then feel your regret from a few hours ago come rushing back.

"I'm really sorry. For...everything." You don't think he knows what you're apologizing for, but you do it anyway.

If not now, when?

Spencer laughs a little at that but shakes his head. "Morgan told me about what you said. Back at Lila's. Well, more like he told everyone while we were waiting for you to wake up."

You nod. Suddenly feeling guilty for trying to make contact so you try to let go, but he only entangles your fingers once more. Intertwining them as much as he can since this is the closest that he can afford to have you right now.

He feels his lips tightening into a thin smile before he says what's been haunting him for the past few hours.

"I'm sorry that you had to deal with me for so long. I never meant to burden you like that or make your job harder."

"No, Spencer please," you start, rubbing the only part of his hand that you could reach with your thumb.

"You were never a burden. I was just—caught up in a bunch of things."

He doesn't miss how your usual eloquence evades you. Which gives him a bit of an idea as to how unscripted and vulnerable you were being with him right now.

And as much as he should hate this for you, he'd love it if you would learn to be a bit more vulnerable in front of him. Even if it was a departure from your usually starched blazers, pressed blouses, and clean-cut exterior.

He still thought you were cool just like this.

"Have I ever told you that I thought you were really cool?" You weakly snort at that.

"If by 'cool,' you mean constantly worrying about how everything could go wrong, then yeah. I'm super cool."

He shakes his head at that, but it looked like you weren't done.

"I think you looked cooler, though. Especially when you were next to the pool trying to dry your gun. You looked like a wet rat."

He groans at the mention but you continue to tease him.

"Hey, you were a handsome wet rat. Still a rat, but... you know. From Vegas. Arguably not as bad as the ones from New York. Now though, you're a handsome dry rat."

Now that, he just wines at. You weren't being fair.

How could you make him go through all this and then say that?

Did you know what kind of effect you have on him?

The two of you continue to sling back jokes at the other, a common thing you used to do before things went south. And just enjoying each other's presence.

Holding his hand as you absentmindedly started massaging it. He didn't even notice how his hand had been shaking since the moment you first held onto it.

He was so so glad you were alive. That you were still here, with him. And there's no place he would rather be than where you were.

"So. How about you start telling me what you've been up to while I've been knocked out, hm? What have you learned, genius?"

He's learned a quite a lot, while you were away.

He learned that he should probably encourage you to have more breaks. Learned that you should both talk to each other, and everyone, a bit more. And he learned that you two weren't so different after all.

He's also learned how much he really liked your smile, your laugh, your soft touch, and the way that his name fell from your lips.

He doesn't tell you any of this, however.

Opting to instead tell you about the numerous facts he's picked up during the case, and how much he hated Hollywood.

[a/n] And with that, this marks the end of this specific timeline! I've honestly loved writing with this reader's specific personality in mind, and I'm looking forward to how she'll mellow out when she learns to be more honest.

I have a few ideas for one shots regarding this specific dynamic, but if you enjoyed it as much as I did, please tell me what you thought about this short series! And if you have any idea on what you'd like to see next from these dumbasses, send an ask my way!

Thank you so much for liking them thus far.

Like my work? Consider tipping me!!

[howtofightwrite]

Hey! I'm writing a series with a character who is a sniper. She is a private hire and ends up meeting someone who works with shorter ranged guns and weapons.

I'm just wondering how they would differ when killing someone and what are the tells of each weapon. I want to make it clear that the weapons are different but I'm not sure what those differences are

So, something that stuck out to me originally, when reading this is, most snipers are going to have a close range PDW. Whether that's just their sidearm or something more substantial, they'd need to be proficient with something in close quarters if it comes to that.

Now, the hard part about answering this question in the abstract is that, almost everything associated with firearms is extremely date sensitive.

For example, if your CQB/CQC character was originally trained sometime in the late 90s to late 2000s (in a Western country), they'd have likely encountered Center Axis Re-lock. Outside of those 20 years, then that style hadn't seen widespread adoption, or had fallen out of favor.

For some specific film examples, Vincent (Tom Cruise) from Collateral (2004) would have been working as an assassin for at least a decade by the time we see him in the film. We can make this assessment based on the way he handles the USP, and then compare to CQC training. His one-handed disarm and execute he uses in the alley puts his training sometime in the 80s to 90s at the earliest, while his lack of CAR in close quarters tells you he didn't have Western military or law enforcement training after the mid-90s.

Another film example that might surprise you is John Wick (Keanu Reeves). In those films he exhibits CQC training that suggests he still in the military less than 15 years before the events of the first film. Except his CAR stances are actually a little sloppy (which is unusual for Reeves), which suggests that Wick may have observed others using the stance, and then improvised a version of it for his own use. Meaning you can't really estimate when his combat training occurred. (This might also might explain why he's a bit sloppy about when he switches between Weaver and CAR.) By the way, it is quite difficult to pick this out. It took a few experts dinging on the first Wick film before I really started picking up on the issues with Reeves' technique. And I haven't seen anyone else draw the conclusion that Wick is probably self-taught in CAR. (This was corrected for the later films, as Reeves did get proper training in CAR in preparation for the second film.)

In particular, this is a singular example, but there are a lot of things someone can do that will inform you about their background and training. This starts with weapon selection. Things like their preferred sidearm and primary can be very insightful. People tend to go in one of two directions with firearms. Either, they're very willing to adapt and experiment, or they'll find something they're comfortable with and hone in with that specific firearm.

For example, is your sniper carrying around a Remington 700, or something like an MSR or AWM? Both are legitimate answers, but they say very different things about how your character approaches their area of expertise. Similarly, are they carrying a 1911 pattern pistol, or something more modern, like an HK USP or FN P45?

If your sniper is carrying around an AMT Hardballer, and your CQC specialist is carrying around a P45t, your CQC specialist has twice the magazine capacity. They can afford to dump rounds into someone until they stop twitching. Where as a Hardballer is “just” an extremely well made 1911. Their kills are going to look different, but it's a function of the weapon they chose.

Without knowing what they're carrying, it's very hard to answer definitively how their kills will look.

If it was me, kitting out for CQC in a situation where I'd need to hide the weapon under a jacket, I'd seriously consider an AAC Honey Badger hidden under a sport coat. (I know, I trash talked the Honey Badger a few years ago, before getting a good look at one and seeing just how tiny they are. Mea Culpa. I should know better than to shit on a gun I'm unfamiliar with by now. That's a toxic element of gun culture I've been trying to get away from. It still clings a bit sometimes.) Similarly, the Mk18 and Colt 733 are also pretty good options. That's a little bit of an M4a1 bias, but it's a decent platform. There are other valid options, those are just the first that come to mind for me.

If your character was kitting for CQC, and wanted Warsaw pact weapons, the Groza is a bit exotic, but that's what it was designed for. The SR-3M Vikhr is an update of the Val, and a pretty legitimate choice. They're both 9x39mm rifles, so long range accuracy isn't happening, but in close quarters they still hit stupidly hard. Granted, any Krinkov would work in that role. (So, mostly AKS-74Us.) (I think there were some 7.62x39mm Krinkovs, but I can't remember the name.)

So, ultimately, identifying the differences between the weapons, starts with knowing what the weapons are. Having a basic idea of how they handle (even if that's not first hand), and then being able to see how they differ from one another. This is made even harder in the sense that modern firearms have become extremely modular. Given the option to fully kit out the same gun for you CQC specialist, it's a pretty good bet you and I would walk away with distinctly different end results. Even if the base model was the same. (For the record, I'm not saying my configuration would be better. I have biases and preferences that aren't necessarily the best option available.)

The best place to start, is looking at the kinds of weapons your character would use. Your sniper's going to want a long range precision rifle and a sidearm. She might also go for a small machine pistol/SMG. Your CQC specialist would probably prioritize an actual primary. That might be an SMG, a carbine, or even a shotgun (because nothing says hello quite like three or four 12 gauge shells pumped out of a fully automatic Saiga. (And before someone corrects me, yes, I know, there are no production full-auto Saigas, however they can be illegally modified for full-auto.)

Once you know how different the weapons are, you can start digging into how the characters themselves approach combat, and how their respective styles differ.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.

[drbatsponge]

An underrated aspect about Cass is that she's very proficient in using firearms.

Obviously she doesn't use them for killing, but I do wonder if Jason has ever asked her to come shoot with him at a range and she has absolutely DEMOLISHED him leaving him completely embarrassed.

[dragonroilz]

i guess im doing more of these.

meet the female scout! she's the daughter of a crime family from los angeles. speaks with a bit of a valley girl accent(of course), and has a keen interest in fashion and money. luckily for her, the gravel wars have a lot of the latter. not so much of the former.

the female scout is similar to the scout in that she's not so much a fighter as much as she is a very good athlete. the perks of coming from a rich background means that she has a wide array of proficiencies, from sprinting to croquet(her favourite game), she's perfect for her role as a scout on her team.

before her time as a mercenary on RED, the family which the female scout is from took a favour from Saxton Hale, helping them gain more power in Los Angeles by giving them firearms. Saxton thought that they were going to use them to take more control by force, but it turns out that they just sold the guns for money. He didn't mind though, seeing as how they owed him and he was going to get his money back one way or another.

And he did come back eventually, looking for payment for the loans. Not wanting to actually pay him back, the family gave them their only daughter, soon to be known as the female scout, as an asset to the company.

Saxton, having no need for her, took her in anyway and gave her off to Miss Pauling for the Gravel Wars instead. The female scout has been fighting ever since.

the female scout wasn't exactly told why she was going to the war, other than she needed to "prove herself to be a worthy member of the family" and to take her first steps into the adult world.

well, if the adult world consisted of having piss thrown at them and people running around naked and covered in honey, then she was more than prepared by the end of her first week. however, despite the female scout's more snobbish personality, she has a bit of a strange way of viewing the world.

coming from high crime, she's not unfamiliar to the more dubious surgical practices of the medic and is only surprised that he actually puts his patients back together instead of burying somewhere remote. blood and guts is all game as long as it doesn't stain her clothes. good thing everyone wears red.

[jintaka-hane]

Want You Bad

Pt. 1 Right For The Job

Masterlist

Pairing: benn beckman x!reader Summary: Starting a new job is always a challenge, especially when one of your bosses seems aloof and distant with you. What's wrong with him? Is there anything you can do to earn his trust? The story of how Benn Beckman struggles to control his attraction to you onboard. Word count: 1800 Notes: Why do I continue writing about this gentleman? Because I can't stop. This is part 1 of probably... 4. Warnings: forbidden love, oblivious to love, friends to lovers.

"Not bad," you thought, quite pleased with yourself, your eyes darting from one man to the other, trying to decipher what they were thinking.

You had just completed one of the most demanding job interviews of your life, and both the questioning and the practical test had gone rather well.

The rigorous testing and skills demonstration had encompassed various aspects aimed at evaluating your proficiency in maritime knowledge and practical abilities. This included boat handling –from small to medium-sized vessels–, understanding meteorological phenomena and their effects on sea currents, recognizing wind patterns, and managing crisis protocols at sea.

In record time and with a stopwatch in hand, you were required to display your ability to tie various maritime knots, adjust ropes, furl sails, and climb the rigging.

Questions regarding survival techniques and military medicine were also asked, inquiring about first aid procedures: cleaning wounds, disinfecting, stitching up, applying creams to burns and explosion wounds… The interviewers even asked you to apply a tourniquet to one of them.

When it came to social skills, you demonstrated that you were good at connecting with people and working in teams. You had a good sense of humor, and you were loyal if you felt your team was working for a just cause.

And lastly, you showcased your specialty: making precise shots at considerable distances. You adeptly handled various firearms, with your favorite being the revolver for its lightness and practicality. While you were somewhat less enthusiastic about swords, daggers, and other bladed weapons, you could still wield them proficiently when required. You were tasked with shooting at ten different targets, and you effortlessly hit them all without difficulty.

You had, in a manner of speaking, nailed it.

All that remained was for the two men who had interviewed you to deliberate and decide whether you would become part of the red-haired crew, or if, on the contrary, you would have to continue looking for work on other vessels docked at the pier. 

"Thanks, Y/n. Just give us a sec to discuss it, okay?," the captain said, escorting you to the door of the cabin. 

You stepped out onto the deck and settled on a bench, eagerly awaiting a response. To make the wait more entertaining, you retrieved your revolver from its holster and began to clean the gunpowder that was on it. 

The voices of the two men could faintly be heard by the door, but you couldn't quite make out what they were saying. It seemed that if they had to discuss it, one of them was in favor of you being suitable for the job, while the other was not. You could imagine who was who... as during the interview, the captain seemed enthusiastic, while the first mate remained serious and cautious. You just hoped they would reach an agreement soon.

"Well, what do you think? Shall we keep her?" asked the red-haired captain, reclining in his chair and casually placing both feet on the table.

"Not sure, Shanks..." responded the first mate with a somewhat concerned expression.

"Why not? She aced all the tests, she's perfect. Fits right in. It's a yes from me."

"Not sure..." Beckman began to pace slowly around the room, hands behind his back, deep in thought.

"What's bothering you? That she's the only woman on board? I don't think it'll be a problem for the lads, they'll know how to behave... We just gotta lay down some ground rules, and everything will stay in order," Shanks remarked.

"The third shot was almost a miss..." Beckman stopped right in front of the table where Shanks was sitting and looked him straight in the eye.

Shanks lowered his feet, sat up in his chair, and leaned towards his friend, resting his arm on the table. "The third one... and almost... in a job interview where she was probably nervous. Come on Beck, she's one hell of a sniper, Yassop will love her."

Beckman maintained eye contact with his captain, struggling to conjure any objections against hiring the woman. After some pondering, not a single negative argument came to his mind that he dared to voice aloud. The woman was exceptional, and who was he to fight against his captain's eagerness? He let out a resigned sigh.

"Is that a yes?" Shanks' smile grew so wide it almost took up his entire face.

"A’right," he conceded, crossing his arms. 

"Settled then!" Shanks said happily, hitting the table with the palm of his hand. "Let her know. Ask her to pack up and get settled on the ship today”. He rose to his feet and retrieved the cloak hanging over the back of the chair. “I'll talk to the crew to inform the lads”.

“Aye”.

Beckman stepped out onto the deck and found you sitting on the bench, still cleaning your revolver as you waited. Upon seeing him, you immediately holstered the gun and stood up, facing each other. 

An awkward silence hung between you.

With an scrutinizing glance, he studied you, slowly withdrawing a pack of cigarettes from one of his pockets and extracting one. He tapped it against the packet several times, as though he intended to compact the tobacco inside. 

His presence was imposing. You observed his rifle snugly secured to his sash, its stock pointing upward and aimed towards the ground. With just a quick glance, you could tell it was a good gun, and you wondered if he would ever let you shoot it.

He cleared his throat, and your attention snapped back to his eyes.

"The captain wants you to settle on the ship today," he said, calmly placing the cigarette in his lips after speaking.

"YES!" You jumped and clasped your hands together in excitement before immediately realizing your lack of professionalism. "...I mean... thank you!" Your smile was broad.

He withdrew a match and struck it, the flame flickering to life. With a practiced hand, he brought it to the cigarette, shielding the flame from the wind to prevent it from extinguishing. For a moment, you considered lifting your own hand to assist him. 

"Go fetch yer things; we'll set sail by mid-afternoon," he added, taking a deep drag.

You already had all your belongings waiting at home. Being a natural optimist, and fairly confident that you would impress them with your skills, you had packed your bags in case they set sail that same day. Your luggage wasn't many, nor were they numerous, as your possessions were scarce being a practical woman who liked to constantly change places to discover new horizons. A bit of practical clothing to allow you to move with agility, some slightly more formal dresses for special occasions, the two or three books you liked the most, and the heaviest to carry: your set of firearms.

"Alright, see you in a bit!" Turning around gracefully, you hurried down the gangway to disembark from the ship.

“Don't be late”, he ordered, exhaling the smoke slowly.

“I won't!”, you shouted without a backward glance.

He watched you sprint down the gangway and leap onto solid ground. You began to run along the pier and, for a moment, you stopped and turned around to see the magnificent galleon from afar. The ropes meticulously fastened, the wood clean and varnished, the cannons stowed yet poised for any confrontation; and the sails, proudly displaying the fierce image of the skull with red stripes crossing its left eye socket. You couldn't help but smile, unable to contain your happiness.

Your new home. 

The enthusiasm on your face gave you an air of innocence that could melt even the most cold-hearted man, Beckman thought, as he rested his arms on the ship's railing, watching as you drifted further away from the ship.

You were enchanting ...

Too enchanting ...

Too enchanting for him ...

And that 's what had made him hesitate. 

His foremost duty as first mate was to ensure the safety of everyone aboard, a task demanding a steady hand and a clear mind in challenging situations that could arise at sea. And he excelled at it, remaining physically and mentally composed when precision and concentration were required. He had a knack for focusing without being sidetracked and that's why Shanks and the rest of the crew relied on him.

Yet, during the interview, his concentration had wavered, his attention captured by every movement you made, captivated by the curve of your shoulders and the line of your neck as you aimed your revolver, resolute in hitting the target. Despite his extensive experience with women, he had never encountered one who, with just a single glance, could distract him so completely.

And that was a problem.

You would be a distraction.

You would be his distraction

But that wasn't reason enough to reject your application; it was his problem, not yours, and under no circumstances would he tell Shanks the truth behind his reluctant behavior, as it would only result in him laughing in his face. It was clear that you were an incredible woman, skilled in various nautical arts and prepared for combat… it was just right to accept that you were perfect for the job.

He should only maintain his professionalism and control his emotions while working with you, and perhaps ... perhaps as the days unfolded aboard, this attraction he felt for you would fade away. You would be like a challenge to him.

Shaking his head, he headed to the upper bowcastle where Shanks was delivering a speech to the men.

"Damn, if we'd crossed paths in a village tavern where I could've let loose, things would have been mighty different," he mused.  He would have scrutinized your expertise in a field entirely different from the one you had been interviewed about, with a mattress serving as the stage for the trials.

Upon reaching the spot where the men gathered, Shanks paused and glanced at him, nodding slightly as an indication for him to come up and stand beside him. Stepping among the crew, he climbed the stairs and positioned himself next to Shanks, putting his hands on his pockets as he surveyed the men.

"... and that's why nobody's, and I mean nobody, is gonna get all lovestruck over her or lay a finger on her...”

Beckman rolled his neck to loosen the muscles and relieve some tension.

“... No peeking, no hitting on her, and definitely no making her feel weird; we'll treat her with respect and keep our mitts off her, got it?"

The men buzzed with excitement at the prospect of a new shipmate. It had been ages since they'd welcomed fresh faces aboard, and they were ready to seize any excuse for a celebration. Beckman observed the scene, inhaling and exhaling smoke from his lungs with a feigned calmness.

“Hey Yassop, looks like they've got you an intern!", Roux said, giving his friend a playful slap on the back.

“I hope she can handle her booze!”

Limejuice shook his head. “Ah, yeah, that is a must, not like the last one...”.

The breeze started to softly sway the rigging, indicating that the afternoon would be favorable for sailing just as they had anticipated.

“Get ready lads! We set sail in the afternoon!”

-------------

Tag list: @i-am-vita @fanaticsnail @gingernut1314 in case you're interested!

[bullet-prooflove]

Tim Bradford, Thursday prompt list, “Won't let you get away, said, if we ever meet again”

Tim meets you for the first time at the academy. He’s making the transition to the LAPD after the military and you’re a late bloomer, coming into law enforcement after working a stint as a counsellor. It shouldn’t work but it does.

At first he thinks you’re too compassionate, too soft for the job. He thinks you’ll wash out in the first couple of weeks but you prove him wrong. You’re tough, tougher than he thought you’d be and despite himself he kinda starts to like you.

You’re fun, compassionate and an excellent listener. He finds himself laughing for the first time in a long time. War may have hardened him but with you he feels the pieces of himself coming back.

When you struggle with firearms training, he takes you to the range after hours. The two of you spend evenings practising, stepping up your game until you’re proficient. That’s how the dinners start, you slip into the diner a couple of doors down after a session and it becomes a regular thing.

There’s a moment before graduation that he thinks something might happen, he walks you to your door and you linger for a second, but he finds himself pulling away. He isn’t ready to give himself to someone yet, he’s still trying to figure out who the hell he is.

You go your separate ways after graduation. He ends up in Mid-Wilshire and you in Hollywood, he doesn’t try to keep in contact. He isn’t in the right headspace; he’s still trying to get his feet underneath him and adjust to life back in LA.

When you step into Mid-Wilshire it feels like nothing has changed, those feelings he had back then, they raise up in his chest because the two of you, you still have unfinished business and Tim is going to see it through this time.

@kmc1989 @malindacath @anime-weeb-4-life @burningpeachpuppy @viridianphtalo @vermillionwinter @redpool

[shenanigans-and-imagines]

Reading How to Behave Badly in Elizabethan England by Ruth Goodman and had a thought.

I know everybody likes to picture Hob with a long sword, which I don't blame anyone for thinking. It's very sexy. However, like others have pointed out, before 1589 Hob was a poor foot solider who casually robbed people on the road. He likely wouldn't have had access to proper training until he became a Sir.

Now, the obvious solution for this is a long bow. Again, very sexy and during the Tudor era at least every able bodied man was expected to train with one before firearms came on the scene. Hob undoubtedly learned the bow before he ever learned how to use a sword. It was an acceptable form of exercise for years. I'd even say it's safe to assume he's proficient in it, and likely the weapon he was assigned to use as a solider. However, during his time in between wars, I think we're all missing the most obvious tool; the staff.

Staffs were cheap, easily available and in the right hands extremely deadly. Not to mention the favored weapon of highway men or rather a footpad (which is a highway man who didn't have a horse). Hob strikes me as the type to get up close an personal, rather than attack at a distance.

Just imagine Professor Gadling walking into class to give a demonstration of how to properly use a staff. It requires a mixture of strength and dexterity as to not leave yourself open to attack. It can be used simply to injure, but with enough force scatter a man's brains on the pavement. Just think of him getting somebody else to come at him with a sword and demonstrate how someone could disarm them with nothing more than a length of wood.

Underrated, that's all I'm saying.

Edit: Also it should be noted that while he was likely eventually trained in the sword, more likely it would have been a rapier/dagger combo as was favored in England at that time. Again, long swords are hot, but rapiers are sexy.

[magapatriot64]

Best be getting proficient with your firearms

[eksvaized]

[ Previous ┃ Next ] [ All In One ] part 7, MDNI

You awaken early in the morning with warm sunlight filtering through the curtains, casting a soft, dappled glow across the room. As you sit up and stretch, trying to shake off the remnants of sleep, your feet bump into something soft. You draw your knees back to your chest. Simon has also fallen asleep in your bedroom. He is curled at the foot of the bed. His fingers are wrapped around your shin and your sock is rolled down to your ankle. In his other hand, he is clutching a knife. You can't help but wonder how he managed not to cut himself while sleeping.

You try to pry the blade away from his clenched fist. But your touch stirs him up from his unconscious state. His fingers tighten around the handle of the knife. Simon yanks your arm towards him. His movements are rapid and forceful. The confusion swirling in his eyes is tangible. Yet, upon seeing your face, his frantic gaze softens, and he relaxes. He releases his hold on the blade, allowing you to slide it out of his hand. His body sinks back onto the mattress. As he blinks groggily, trying to adjust to the bright light, he wipes the corners of his mouth with his thumb.

For a few hours, an uneasy silence hangs between you both, heavy and palpable, like a thick fog. It's clear that you and Simon are teetering on the edge of voicing your thoughts. The only question is who will dare to shatter the fragile stillness first. After breakfast, consisting of nothing more than stale bread, a slice of aged cheese, and a shared large cup of tepid tea, you summon the courage to speak. Your words cut through the mounting tension.

"Are we going to talk about what happened last night?"

"Do we have to?" Simon replies without looking at you. He smokes while leaning against the window that's barely ajar. The half-finished cigarette that dangles in his fingers, somehow, has survived the night. After falling to the floor, it had miraculously avoided being crushed under your feet.

"Yes," you say, moving towards him. You press your shoulder against the cool wall. The chill seeps through your clothing and sends an icy shudder skittering down your side.

You refuse to forget about yesterday's event. You need answers to the questions that have been plaguing you since you saw the light flashing at the end of the street. The harsh realisation that those people who you thought were your family coming home were, in fact, just strangers, is a bitter pill to swallow. But you are certain that Simon knows who they were and where they came from.

"Fine," he says through the gritted teeth. His fingers race through his hair, messing it up. You notice it has grown out and make a mental note to ask him later if he wants you to trim it. "Before the disease spread and everything went to hell, I was a soldier in the Special Forces."

His confession fills in the gaps that have been puzzling your mind since the day you met him: his muscular physique, his proficiency with firearms, and his combat skills that could only come from years of experience in the battlefield. It also explains his fearlessness and recklessness, which now appear not as erratic traits, but as the hardened exterior of a soldier.

Simon recounted how the dead attacked him and his team during what was supposed to be a routine mission. Upon returning to the base, they discovered they had been bitten. Likely during the chaos of the attack. His teammates' skins were littered with scratches and bruises. During the incident, Simon was separated from the group. As a result, when a small horde of biters cornered his squad, he managed to evade any injuries.

Rumours of a deadly disease began to circulate, amplified by the constant news cycle. The media showed footage of people in a rabid state. They behaved like wild animals and attacked everyone with a pulse and a beating heart. As the situation deteriorated and communication systems collapsed, the severity of their predicament became starkly evident to Simon and his team. The world as they knew it seemed to crumble around them. His team, once confident and composed, had to face the grim reality of their fate.

The final blow came when a group of outlaws attacked their base. Simon was faced with a decision that still haunts him to this day. His captain, bitten and doomed, like the rest of his teammates, ordered him to leave, as he was still unharmed. Torn between guilt and duty to his team, Simon was reluctant to abandon his friends and leave them to face the outlaws alone. But his captain didn't give him a choice. He packed Simon's duffel back with a few spare guns, some food, and then basically pushed him through the gates.

"I'm tired of fighting, of constantly putting my life on the line because I believe it's the right thing to do," he sighs. His shoulders slump, bearing the invisible weight of his internal struggle. His body folds inwards. "I didn't understand it before, couldn't comprehend it, but after meeting you... now I do. Even though part of me yearns for revenge, I can't risk dying because of you."

A sudden fluttering sensation fills your chest, like the delicate wings of a butterfly trapped within your rib cage. You swallow, but your throat feels parched, as if no amount of water could ever quench the dryness.

"I-I don't know... what — Do you think those strangers will return?" You find it hard to form a coherent sentence. There's so much you want to say right now. But you struggle to find the right words.

"If we are lucky, we won't see them again."

Throughout the rest of the week, you are on a constant edge. You are afraid that at any moment someone will march down the street, knock on the front door and when you open it, after aiming a gun at your head, will put a bullet through your skull before going to track Simon. A part of you wants to confess your dreadful thoughts to Simon. But you hold your tongue back. You don't want to add to his worries. Because even if he says nothing to you either, you see the pain in his eyes each time you look at him. Talking with you brought back a lot of awful memories to him. But the main reason you say nothing is because you don't want to appear weak in front of him.

Supplies are dwindling at an alarming rate. When Simon addresses the need to venture outside in search of more before you have a chance to ask if you can tag along, he makes the decision for you.

"You are coming with me. I don't want you to be alone in the house while I'm gone."

* * *

You are curled up in a bed, buried under a pile of heavy blankets. The harsh, biting cold from outside has seeped into the room. It turns your breath into small clouds of vapour that dissipate into the frigid air with each exhale. The chill is so pervasive that sleep becomes an elusive entity. Despite being swathed in layers of clothing and having your feet tucked into not one, but two pairs of socks, your teeth still chatter. The end of summer is near, and you can feel it as each night grows colder and colder.

Simon is downstairs. The distinct sound of his pacing reverberates through the silence of the house. Driven by the need for warmth and company, you extricate yourself from the mountain of blankets, leaving the relative warmth of your bed behind, and descend the stairs.

Upon entering the kitchen, you find Simon perched on the wooden table. His attention is engrossed in his blade. The faint moonlight filtering through the closed blinds illuminates His silhouette.

"I'm cold," you say, causing his focus to shift to you.

He looks at you. His gaze is so intense that you feel as if he's trying to read your mind. For a moment, the silence settles in. You half expect him to order you to go back to bed. Instead, he slides off the table and intertwines his fingers with yours. After leading you to the living room, he sits down on the couch and pulls you into his embrace. Your body tumbles on top of him. You bite the inside of your cheek when you feel your face turn bright red.

Once you stop your fidgeting and get comfortable, he swathes both of you in a soft blanket that had been draped over the back of the couch. You snuggle up to him, burying your face into the crook of his neck. When the icy tip of your nose presses against his skin, he squirms a little, causing a low giggle to slip past your lips. His arms wrap around your waist, pulling you even closer to him. His body is like a furnace, so it isn't long before you feel the warmth seeping into your bones, driving away the chill.

"Thank you," you mumble, the words barely escaping your mouth as you feel the sleep tugging at your consciousness. Your eyelids grow heavier with each passing second.

Just before you close your eyes — Simon thinks you are already asleep — he presses his lips to your forehead. You try to suppress a smile, but the corners of your lips betray you, curving upward involuntarily.

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[assiraphales]

ok but a moment to talk about how joel is such a competent fighter and incredibly proficient w firearms. I get that he’s living in a post apocalyptic world / a vet but he has sniper capabilities. took down an entire hospital worth of fireflies wearing tactical gear an wielding machine guns without breaking a sweat. can take on multiple men in hand to hand and win. bestie was WASTED on ‘burning bodies’ duty & selling narcs holy hell