#filmsound

[sinaeat-alfidyu]

احترافية Mp3 تحميل مؤثرات صوتية للمونتاج

[rofilm1]

The fourth part of “The Story of Your Unreal Life” is online:

… things are getting contour …. for example these strange goings on concerning food … and what did you fear to have slipped into?

[pluginforest]

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[venusleone]

What a year this has been and it’s only June! Once upon a time 👁 dated a musician who’d get free NAMM tix and never wanted to take me so now I’m a music producer @thenammshow living happily ever after bumping into awesome friends and getting to make new once…my first post pandemic irl show is June 25 in Malibu, ticket info in bio link tree 🤟🏽 💜 #thenammshow #venusleone #vkswizz #namm2022 #musician #songwriter #musicproducer #soundengineer #filmsound #audioengineer #soundgirl #womeninmusicbusiness #womeninsound #femalengineers #womeninmedia #femalefilmmakers #italian #brazilian #swiss #mixedgirl #love (at NAMM Show) https://www.instagram.com/p/CejFR32lK37/?igshid=NGJjMDIxMWI=

[liamcavanaghfip]

British Social Realism

British cinema is renowned for being confident in its criticism of the dreary and melancholic British society. The British Social Realism movement has been a consistent and unswerving film genre which focuses on giving the audience indications of what life can be like, through the perspective of inequality amongst  social classes/strata It is grounded in the contemporary, in terms of setting, characters and social issues, giving us the opportunity to reflect on our society and issues relevant to ourselves and the world around us. The main characteristics of Social Realism adhere to reality, avoiding romantic embellishment and creating candid portraits that are character-driven and unpolished. Social Realistic Films portray attitudes and life factors occurring at that particular period in time, presenting individuals who have been obscured by their monotonous surroundings in a humanising light. They often feature working-class characters living through a struggle, thus representing a vehicle for practitioners to discuss the current social and economic situations.

Directors will hone into issues that depict  topics and themes such as economic hardship, discrimination, angst and injustice (social, political, or otherwise). Subsequently, many films shrouded under the genre Social Realism offer an intuitive rendition of British society in a place and time. Further key characteristics and elements of the genre include: - Realistic characters and setting - Comprehensive detail about everyday occurrences - Plausible plot (a story that could happen in your town) - Real dialects of the area  - Character development/progression - Importance in depicting social class.

The young working-class prominently feature in the narratives of many films - spearheaded by Ken Loach’s iconic Kes (1969). This, amongst others to be discussed, is a film that remains of critical acclaim and exerts its influence on British cinema evidently to this day.  Kes (Loach, 1969) offers a view into the world of a young boy in Yorkshire, struggling against the prospect of life in the coal mines. However, he finds a glimmer of hope when he befriends a kestrel, which he begins training in falconry in the hope of manifesting a different, if not improbable, future for himself. Two other strong relevant examples are Wasp (Arnold, 2003) and Ladhood (Schey, 2019). Both establish a style where the camera interacts as if it is a character within the scene, which feels personal, immersive and raw to create a story that feels authentic.

The theme of adolescence features in these as well as many other resonating films. Wasp (Arnold, 2003) tells of a young struggling single mother, determined not to let her four young children prove an obstacle in the pursuit of starting a relationship with an old acquaintance. The BBC series Ladhood (Schey, 2019) covers the creator’s retrospective recollections on themes of his youth and toxic masculinity amongst others, so the similarities are palpable. However, another reason Ladhood is of significance is due to its production location - given that it is filmed in Garforth, the town adjacent to I Saw the Light’s locations of Swillington, Kippax, and Great Preston. Which then ties into the importance of ‘a place in a specific time’ within the social realist framework. This geographical relevance is profound in other influences such as God’s Own Country (Lee, 2017) and Dead Man’s Shoes (Meadows, 2004) where the harsh and intrusive nature of the environment are key to underpinning the story, creating an aural representation of a rural, pastoral, “Oh this could be nice” world (Heeney, 2017). I will be continuing this methodology of picture/film sound analysis throughout the course of the major submission as I believe it will intuitively enhance my awareness of the genre but also of the discipline as a whole. In doing so, I hope to echo the work of Loach, Meadows, Arnold, and Lee, who also started their careers in short film - creating riveting pieces of storytelling that are also an insightful glimpse into British life not often captured outside of sensationalist television documentaries. While pieces of fiction at heart, real-life inspiration, raw performances and unscripted approaches of British Social Realist cinema make it feel like an authentic, plausible portrayal of adolescent life on the breadline.

[rdbawa]

Reposted from @cogencypage (@get_regrann) - Come Join Our Weekends Training Programmes. #PASSION #PLUS #TALK #2020 #Learn from #industry #experts, Bring your ideas to life, #Build the #business... See flyer for details. #cinematography #photography #filmlighting #musicvideo #scriptwriting #tvpresentation #filmsound #filmediting @startupkano @babsoye01 @dmej.me @muraditv @umargombe @meenaceleb @kn_pearl @slay_belless @startupkano @startuparewa @startup_katsina @startupzamfara @startupsokoto @startupnasarawa @startupgrindabv @gamjifilmworks @buzodanfillo - #regrann (at Nigeria) https://www.instagram.com/p/B7oxrKmlyWJ/?igshid=xa14qq4semrq

[spacemonkeyacw67]

Work Zone..... #guitaristallancraigwallace #artist #musicproducer #guitarist #recordingengineer #recordingartist #publishing #filmsound #songwriting #educateyourself #findthedeal #loveformusic https://www.instagram.com/p/B5FRZHrDirn/?igshid=alfmp6va1t7x

[rofilm1]

Part 3 of “The Story Of Your Unreal Life” is online now:

What seemed nice turned out to be the worst thing of all!

[wilmaryflores-blog]

Singing in the Rain (1952)

As we know, sound is a crucial aspect to film making and film editing. Many times, sound is something we don’t necessary thing about until after the fact. In this week’s reading, we discuss Mary Ann Doane’s “Ideology and the Practice of Sound Editing and Mixing”. While we mainly focus on the movie’s soundtrack other things such as dialogue and sound effects come together to make film scores great.  This week we watched “Singing in the rain” directed by Gene Kelly and Stanley Donen which gave us an inside glimpse of what sound editing is like.

One scene that stood out the most to me was when they were trying to record Lina. They had just recently transitioned from silent films to the talkies. This showed us how important sound is to a film and even the acting.  This scene showed us how the sound effects and dialogue play together to create an aesthetic picture. Mary Ann Doane states “The image and the soundtrack are both subject to an ideological overdetermination. Nevertheless, what sound adds to the cinema is not so much the intelligibility as the presence of speech” (pg 56) which is evident in this scene because of the importance of getting Lina’s dialogue right.

[julia-kutsch]

Singin’ in the Rain (1952)

In this week’s reading, Mary Ann Doane speaks of sound as an integral part of film and the way the audience views a film. She says of sound, “Its realm is that of mystery-but mystery sanctioned by an ideology which acknowledges that all knowledge is not subsumed by the ideology of the visible.” By this, she means that not everything can or will be conveyed by the image alone. Sound is necessary to move the narrative along and to immerse the audience in the world of the film. A good example of this from Singin’ in the Rain is of the final scenes in the theater at the premier of their musical talkie film. The audience in the theater react to everything that happens onstage; they clap and cheer when they see Lina and Don walk out, they murmur in disbelief and incredulity when Lina begins her speech, they laugh when it’s revealed that Lina has been lip synching this whole time, and they cheer when Kathy is introduced as the singer they love. Had the audience been silent, these moments would have been at best chuckle-worthy. However, the sound from the audience immerses the viewer into the narrative as an audience member themselves. We laugh along with the audience, we understand how they feel because we feel like a part of it.

[urielagramonte-blog]

Unforgettable Singin’ in the Rain

Mary Ann Doane thoroughly expressed how important the different aspects of sound were in her writing Ideology and the Practice of Sound Editing and Mixing. I would agree with her that sound is important and through out time, has been overlooked and overshadowed by images and other elements in film. Sound has the power to guide your imagination and guide your mind such as in scenes where there is deep menacing music, you can feel the suspense build up because you know something bad is going to happen. Without that music/sound, you would not be affected the same way. My focus from the film Singin’ in the Rain is the scene where Gene Kelly (Don Lockwood) famously sang “Singin’ in the Rain.” Through the elements of the sound in this scene, you experience the same joy and relief that Don does because he is in love and also figured out a way to save his career. Doane wrote “The frequency with which the words "mood" or "atmosphere" appear in the discourse of sound technicians testifies to the significance of this other truth. Most apparent is the use of music tracks and sound effects track to establish a particular "mood." ” This scene has very famously become a staple of happiness and that “walking on clouds” mood due to the accompanying music. The upbeat pace, mellow happy tone, and the very idea of singing in the rain which is repeated throughout this scene in the song, pushes this atmosphere of worry-free joy into the audience in a way that a singular image could not. This musical number has been replicated and sampled many times since the movie was released leaving an unforgettable soundtrack that evokes the same response it did all those years ago.

[ethanchang21-blog1]

Viewing Response 7: Singin’ in the Rain (1952)

In this week’s reading, “Ideology and the Practice of Sound Editing and Mixing” by Mary Ann Doane, went over the different sound editing techniques and how sound was overlooked sometimes in film. Sound plays a key role in film making, without it the audience wouldn’t grasp the implied meaning in certain scenes. For instance, “most apparent is the use of music tracks and sound effects track~ to establish a particular "mood” (page 55).” The scene from Singin’ in the Rain (1952) where Don is skipping and dancing in the rain is enhanced through the soundtrack that is playing. The parallelism in this scene makes Don’s mood impervious to the rain pouring on him. With help from the soundtrack it is easily understood that Don was completely lovestruck by Kathy. The soundtrack is nondiegetic sound that influences Don’s dancing in the scene, and is also considered postsynchronous sound. Without the editing of postsynchronous sound the scene would not feel complete, and would be more offputting if the sound of rain was the most prominent. In this way Doane’s theory of how “music is used to create an atmosphere which would otherwise be impossible“ (page 55) is proven.

[epicsoundsandfx]

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App game called “Sling Ninja” by Burnt Games using music from our loop library called “Themed Game Music” along with some custom music requested by the developer. Available now at epicstockmedia.com - - - - - #gamedev #sounddesign #unrealengine #UE4 #indiegamedev #filmsound #sfx #animation3d #fantasy #cubase #sounddesigner #animation #3d #sound #gamesoundtrack #cubase #zbrush #unity3d #game #gameaudio #logicprox (at Seoul, South Korea) https://www.instagram.com/p/CBQ7zLYn8K1/?igshid=zdtj88auu7vm

[kelly-m-chase]

Viewing Response 7: Singin’ in the Rain (1952)

For those who enjoy comedy as well as a musical film, the 1952 classic Singin’ in the Rain is the perfect movie. With Gene Kelly, Debbie Reynolds, and Donald O’Connor as the main leads, they save their old film and dub it with words and musical scores. While the songs play a major role in this film in relation to sound, the small techniques of a sound mixer can include the added bonus of importance within a film. 

According to Mary Ann Doane’s “Ideology and the Practice of Sound Editing and Mixing”, “...in the sound technician's discourse synchronization and totality are fetishized and the inseparability of sound and image is posited as a goal.” (p. 56) This can be applied for the opening scene for Singin’ in the Rain. The reporter is announcing everyone on the red carpet, and explaining everything through a microphone. While the shots are not on her, her voice is echoing, like through a microphone and then on a speaker. But when they camera gets a close up on her, the echo fades softer, as it as not as prominent. This is done this way because the audience can only hear the echo from the speaker from the Chinese Theatre of her voice, but when the camera is facing her, it’s similar to a one-to-one interaction. This inseparability is important when remembering the contrast between the interaction on the screen verses the voice off that is off screen.

[manermovieanalysis]

Singin’ in the Rain (1952)

In her writing, Marie Doane explains the importance of sound in film despite the downplay it usually gets in film making. In “Ideology and the Practice of Sound Editing and Mixing”, Doane asserts that while in film there is an emphasis on what is visible, that the truth identity of a film is the heterogeneous makeup of all that encompasses that process, which includes sound. In the writing, Doane says that the use of music tracks, and sound effects establish a particular “mood” in the film. In the film Singin’ in the Rain (1952) the fictional production studio Monumental Pictures is learning about the influence and impact that sound can have on film and theater after the successful launch of the first talking picture The Jazz Singer by a rival studio. When the studio firsts tries to experiment with the use of sound, they create the picture The Dueling Cavalier , which is filled with many blunders. One of the main mistakes is when the sound and the scenes begin to fall out of sync. This main point emphasizes the point that Doane tries to make in the beginning of the section that the seamless unity between video and sound is important and why people can overlook sound. In that same sequence when the film is show, there are several sound effects added over the scene that take away from the intended mood. Rather than feeling the emotion and longing that is meant to be in this love seen between Lina and Don, the crowd laughs at the strong sounds that are meant to match delicate moments like the touching of pearls or throwing of an umbrella. In this situation we see how the addition of sound takes away from the scene and diminishes its intended feeling and narrative.

[theruthyc211-blog]

Singin’ in the Rain (1952)

Sound is an aspect of film that is often times overlooked because of the emphasis placed on the image in a shot. However, most times it is the sound accompanying the image that adds a tone or atmosphere to complete the viewing experience. In this week’s assigned reading “Ideology and the Practice of Sound Editing and Mixing”, Mary Ann Doane speaks on how sound is used to “...establish a particular "mood.”” (Doane, 55). This can be seen in the shot where Don, Kathy, and Cosmo come together with the idea to do a musical for the show and instantly break into song and dance. What is interesting about this scene is the fact that their movements shift from different genres of dance and the music matches. They had mimicked hula dancing, ballet, and bullfighting and the music helped to place the viewer in that mindset of seeing all the possible styles they could do in the characters’ upcoming musical. Leaving the spectator not necessarily separating the two but viewing the scene as a whole. As Doane would say “There is no separation of I see in the image and I hear on the track. Instead, there is the I feel, I experience, through the grand-total of picture and track combined.” (Doane, 56). The audience is left with the feeling of hope and happiness, just as the characters portray due to their new-found idea. Another thing to note is how smooth and seamless the transitions were. Mary Ann Doane also speaks on how music can be seen as “silent support” to a film, in that the main focus can be the dancing and the energy being radiated from the characters and the music taking a sort of backseat in the whole fiasco. However, only if we did notice a disconnect between what is being seen and what is being heard, would we then criticize the sound and it would be brought to the forefront. Therefore, when watching a film, if the sound is not the first thing that is contemplated in your mind, then just remember that, “In an industry whose major standard, in terms of production value, might be summarized as "the less perceivable a technique, the more successful it is,'' the invisibility of the work on sound is a measure of the strength of the sound track.” (Doane, 54).