#film: poto
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weirdlookindog · 27 days ago
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The Phantom of the Opera (1925)
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iheartphantomoftheopera · 8 days ago
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Masquerade! Paper faces on parade Masquerade! Hide your face so the world will never find you …
The Phantom of the Opera [2004] Dir Joel Schumacher
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opera-ghost · 2 months ago
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obsessed with the way this archival footage of phantom on the west end is edited like the ending of an 80s horror movie
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marleneoftheopera · 2 years ago
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One last drop.
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inthe-am · 2 months ago
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wishing you were somehow here again
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potpzine · 3 months ago
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🎼⚡️🎹 PHANTOM OF THE PARADISE has rocked our world for 50 years, and we’re celebrating with a huge collaboration of artists, writers, cosplayers and more in
NOT JUST SONGS: A Phantom of the Paradise 50th Anniversary Zine
hosted by @drawnwithoutref & @whittledraws!!
Digital copies and physical copy pre-orders will drop October 31st! Profits will support the organization Girls Rock Camp Alliance!
Physical copies will also have a package option with amazing stickers, bookmarks and prints made by our artists!
See more info at potpzine.carrd.co!
Get hyped, get ready and sell your soul for rock n’ roll!! 🎸 🩸 ⚡️
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weirdbird74 · 3 months ago
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a little sneak peek of my piece for NOT JUST SONGS: A Phantom Of The Paradise Zine....... ;} Visit @potpzine for more information!
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eridonna · 9 days ago
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Love Never Dies Original Production and Moulin Rouge! (both set in the early 1900s)
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attheedgeofthecreek · 3 months ago
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The Phantom's Lair 2.0 -- The Phantom of the Opera (1989)
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anangrytrombonist · 3 months ago
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How’d that guy (or girl) even get here?? Thought Monsieur Reyer would be strict with who is hired lol.
That would be because the pit is outside of Maestro Reyer's jurisdiction. Completely seperate people, you see – I don't think he has ever even spoken to our maestro.
And, put simply, our maestro is an idiot, and one day, I will take his job.
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purrlockswatson · 1 month ago
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Phantom of the Opera (2004), we have beef!
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(I'm sorry, Gerald Butler's Phantom, you're still very cool. See the original drawing without beef here.)
I'm not saying that the film is entirely bad. It's only that I tend to be extra critical about plot and portrayal. Phans of the film, feel tree to sit this one out. Now, the beef.
🥩 1. They cut out one of the most powerful scenes
Before I fell (or rather, was pushed) into the Phandom, I saw a clip of Sierra Buggess and Ramin Karimloo performing the 'SING!!!' part of The Phantom of the Opera, and even then, it struck me. Watching film, I was waiting to see it again... But they just kept rowing the boat. I find this direction choice rather symbolic of the angle of the entire film: they lowered the prominence of Christine's thrall to the Phantom's music and instead focused on their dubious romantic attraction.
🥩2. The Phantom's origin story
Perhaps they felt the need to explain his past more, but this is a case of the more you explain, the worse it gets. Why on earth would you feel the need to explain that the Phantom has been visiting Christine since she was a child? That is not only terrifying but also creates unnecessary confusion. If he's been teaching her for so long, I find it dubious that nobody has noticed her behaving strangely before the Hannibal performance.
🥩3. They gave Mme. Giry too many hats to wear
In the film Mme. Giry essentially took on the role of three characters: her own, the Persian's, and Mama Valeris' (Christine's surrogate mother in the book). Initially, I liked that they gave Mme. Giry a more active role in the Phantom's past, but then it gets very weird because she's essentially matchmaking her surrogate daughter with a man her own age whom she has witnessed killing someone. I mean, it's not implausible to give a character two conflicting roles, but the film gave no viable explanation for it.
🥩4. The graveyard duel
Why were they using rapiers in 1870? The Phantom dueling I can get behind, being the theatre kid he is, but Raoul? Get a pistol, monsieur le vicomte. Anachronism aside, this addition doesn't add more to the scene. It's meant to show how the Phantom tried to lure Christine again and Raoul comes to disillusion her, but with the duel added in, it's just a question of who wins the duel, who gets to leave with Christine. And I keep wondering how the heck the Phantom lost the fight in spite of his Magnificent Cloak advantage. (Cloaks were used as shields back in the day of rapier duels.)
🥩5. Carlotta
I adore Wendy Ferguson's Carlotta. I understand that the film wanted to make a contrast between Christine and Carlotta, but making her something out of Mean Girls was uncalled for. You got the wrong musical, mate.
I talk about other POTO adaptations here!
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weirdlookindog · 8 months ago
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The Phantom of the Opera (1925)
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schlock-luster-video · 4 months ago
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On September 6, 1925, The Phantom of the Opera premiered at the Asto Theatre in New York City.
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opera-ghost · 1 year ago
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achildsfirstsorrow · 7 months ago
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1990s Carlotta they could NEVER make me hate you. Actually I don't think I could hate any Carlotta because I am proudly devoted to my craft (loving bitchy women who have self worth)
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Look at her!!
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blackghostm2o · 2 months ago
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On this new episode of Phantom Ramblings (jokes aside I might actually start to call these as such) I’ll yap about Poto 1925.
I really enjoyed it, the music is sooo good (wasn’t expecting it) and the sets are really beautiful. I was afraid of not liking it because it was a silent movie, but I was wrong.
The actors did a great job, Lon Chaney is a fantastic phantom! I loved how he acted with his whole body and hands, really similar vibes to Leroux!Erik, pretty creepy too. How they did his deformity was perfect, really liked it and the unmasking is great, I like how aggressive he is (not like the novel, but close). Now… His backstory: basically inexistent… He HAD ESCAPED AN ASYLUM! I HATE THAT DETAIL! “Oh, you see this mad brute? He was confined in an asylum for the criminals.” Come on… Shitty backstory… They don’t want us to sympathise with him, so they have cut every info about his life. I really like the mask design, btw.
I’m mad that they whitewashed The Persian (here he is Ledoux), come on! Another really annoying thing is how he doesn’t have any backstory with Erik, ffs… He has been investigating him only for a couple of MONTHS, their relationship is completely absent. At least he exists… I guess…
I really like how close this movie is to the novel, the torture chamber, the death of Philippe, the siren (and actually showing her), the SCORPION AND THE GRASSHOPPER. Really great stuff, but they OBVIOUSLY HAD TO RUIN THE ENDING! Now… I know that it was 1925 and Hollywood (not only) hated having characters that aren’t either completely good or completely bad… What makes Erik’s character really compelling is his redemption, how he was not fully evil… How constant shunning and prejudice from society made him a monster… How, as Leroux himself wrote, if he didn’t look like that he would have been one of the fairest souls and how Erik just wanted to be an ordinary person living a normal life, the novel makes us sympathise with him… Here he is just a deformed madman who killed people, so he gets what he “deserves” and gets beaten to death and thrown into the river by a mob… I really hated the mob chasing him… This ending made me sad ngl…
This ending also makes me think about The penalty (1920) (another movie with Lon Chaney as villain) in which he isn’t truly evil, but a FUCKING CONCUSSION made him like that so the doctor’s brain operation made him good again… The same fucking doctor that cut Blizzard’s legs (Lon Chaney) when it wasn’t needed (ruining the life of a 16 y.o. that was then abandoned by his parents and started living in the streets), because GOD FORBID WE SHUN MEDICAL MALPRACTICE and SHOW HOW THE BAD GUY HAS AN ACTUAL REASON FOR BEING BAD.
I saw someone in the comments of the movie saying that they were glad Christine was actually afraid of the phantom and how the relationship isn’t romanticised, but still having a part that loved him, etc… The thing is… There’s no concept of pity nor love here… She is just afraid (which is understandable)… This ending just feels like an oversimplification and “playing it safe” for both of them. In the novel Christine is the one that wants to sing for Erik before disappearing, here she just wants to go away…
Bye :)
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I’ll try to draw his lovely mug and his mask :)
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