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dancuny · 4 months ago

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Purma Special Camera

As I was cleaning out a box of cameras, looking for the next camera to shoot with and use for my next camera blog, I grabbed a brown case that I had put in the box a long time ago. As I turned the case around, I saw the name Purma on the front of the case and thought to myself, This will be my next camera to discuss or talk about in my blog.

The Purma Special is a camera I purchased well over 20 years ago. I remember it was early in my collecting and when I was buying and selling on eBay. I started on eBay as a seller and buyer back in early 1997. When you engaged with eBay then, you didn't have your name as an ID, but they assigned you a number you'd use to log in and for sales purposes. I remember my number was 1032 before changing it to my current name, "Clix."

At that time on eBay, there were no photos on the site, and it was similar to a message board where people would describe what they had for sale, what you were asking for, etc., Very similar to what Craigslist was before photos. Having McKeown's guide for cameras and thumbing through it daily, I was intrigued by cameras from other countries, and the Purma Special was one that I desired at the time due to its odd diamond shape and the fact that it was made in England.

Because the Purma Special camera is, in my opinion, a camera oddity due to the design of the camera, the shutter used, and the somewhat popularity of the camera, it's been reviewed and discussed by several of my camera blog friends like Peggy of Go Camera Go and Mike Eckman. Still, I wanted to make sure people were aware of my odd and unusual take on cameras from yesteryear, so this is more like Peggy's post about my thoughts on using the camera and the overall take on what a camera gem this is.

The Company:

Purma Cameras Ltd. was founded in 1935 in London. The name Purma is a combination of the two owners of the company: Tom Purvis, a well-known artist and lithographer who worked for LNER (London and North East Railway) from 1923 to 43, producing beautiful and popular advertising posters.

The other partner in the company was inventor Alfred Croger Mayo, who, along with Joseph Terrett, invented the unusual and very simple gravity-controlled focal plane shutter used in the Purma cameras. I believe this is Purma's real claim to fame and set them apart from other camera companies of the time. They also had financial backing from David Brock of Brock Fireworks, a company that started in 1698 and is the oldest British fireworks manufacturer.

Purma introduced its first camera in 1936, the Purma Speed. It was an enameled metal and chrome camera with a pop-up viewfinder. The Purma Speed camera had six shutter speeds and looked like a more traditional rounded-corner, rectangular camera.

With the introduction of the Purma Special camera in 1937, the company turned to an all Bakelite camera, along with a flatted diamond shape design with an art deco appeal to the camera due to the thin ridges built into the camera, which extend all around the camera. The Purma Special only had three shutter speeds but has a classic sleek design, and one that was the camera that set them apart design-wise from other cameras. The unique diamond shape and the use of Bakelite, a revolutionary material at the time, gave the Purma Special a distinct look and feel, setting it apart from its contemporaries.

The Purma Special was imported to many different countries, including the United States. According to an ad I found from 1939, the camera sold in the US for $14.95. It's my understanding that this was their most popular camera, although I cannot find sales records to prove these claims, as it's just from what I see for sale and the quantity of Purma Special cameras available today. The Purma Special was a popular choice among amateur photographers and was widely available in the market, contributing to its popularity and the large number of units still in circulation today.

There are a couple of unique features of the Purma camera. One is the 'pop out' lens, which is concealed by a thread in the lens cap, a clever design that protects the lens when not in use. When you screw the lens cap back onto the camera, it also locks the shutter. Unfortunately, these lens caps get lost, and many of the used Purma cameras are sold without the lens cap. The second is the use of plastics in the viewfinder. Purma was the first to do this, a pioneering move that made the camera lighter and more durable. These innovative features were ahead of their time and contributed to the Purma Special's appeal among photographers.

Purma also introduced the Purma Plus in 1951, which had an aluminum body and sold for £12.00 at the time. Production for the Purma Plus lasted until 1959. I cannot find why the company stopped producing its camera, so I assume it closed around 1960.

The Camera:

My Purma Special camera measures 6 3/4" wide by 2 3/4" tall by 2 1/4" deep with the lens cap on the camera, and the camera weighs 12 oz without the fitted leather case. The camera has a Beck 2 1/4" F6.3 lens with a fixed focus from 12' to infinity. Purma did sell a series of close-up and portrait attachment lenses that allowed for focus from 3.5 to 5' but were sold separately. These are items I do not have.

The Purma cameras use 127-size roll film and produce 16-1 1/4" square images on the negative. The Purma special doesn't have a locking mechanism to keep the back attached to the front of the camera. They are held together just by friction, but the back of the camera fits tightly to the front. The friction held back doesn't prevent it from accidentally opening if something were to happen. To open the back of the camera, there is a tiny thumb notch where you put your fingernail in and pull the back from the front.

The camera utilizes two red windows on the back of the camera, so you get 16 frames on the film; the photographer winds the film to the #1 exposure on the left window, then after taking the photo, winds the film so the #1 exposure shows up on the right side window utilizing the same frame number for both the left and right red window on the back of the camera. Once you shoot frame #1 on the right red window, the photographer winds to frame #2 on the left side window, and so on.

The Purma Special has a curved film track that holds the film flat against the shutter with a two-sided pressure plate attached to the camera's back door. The shutter system only has three shutter speeds. The shutter uses a series of different size slits in the metal curtain along with a brass weight within the camera to determine what shutter speed is used. The camera also depends on how you hold it, which would set the shutter speeds used. Remember, the negative is square, so having the camera in either vertical position doesn't change the image in the frame. It will only change the orientation of how the image is captured on the negative.

When you hold the camera in the usual horizontal position, the shutter would shoot, and the medium shutter speed would be 1/150th second. Turning the camera so the advance lever was at the bottom, or the "slow" speed, the shutter, the camera shutter is set to 1/25th sec. When you turn the camera in the other direction, with the film advance lever at the top, which puts the shutter in the "fast" position, the shutter speed is set to 1/450 sec.

To take a photo, the photographer needs to cock the shutter. To do this, you turn the circular wheel on the top of the camera in the direction of the arrow. There is a small piece of bakelite sticking out to turn the wheel fairly easily. Once you turn the wheel in the counterclockwise position, the wheel will stop, and you'll hear a click which means the shutter is cocked and ready to make the exposure. You can do this with the lens cap on, but the shutter won't release until the lens cap is off.

The shutter release is on the top and left side of the camera. Simply press the shutter release to trip the shutter. BUT REMEMBER. Turn the camera as needed to change the shutter speed, especially since the camera has a fixed aperture lens. Wind the film to the next frame, then repeat until. It was odd for me to use this camera as I'm not used to having the shutter release on the camera's left side.

For those interested, here’s the original instruction manual for the Purma Special Camera

My Results:

I did have some outdated Film for Classics 127 film in my drawer, so I loaded up the camera and went to a local waterfall to take photos on an overcast Sunday afternoon. Go figure a cloudy day when living near Portland, Oregon. That will be my life for the next four months or so. The results were OK, but I was mildly disappointed when I looked at what Peggy and Mike did with the camera.

It may also have been the fact that the film I processed was processed in a different tank than I'm used to using for 127 film, and I messed up putting it on the developing reel, so that was my fault. I have noticed whenever I use the Film From Classics film, the imprint from the paper backing seems to bleed onto the negatives, and I'm unsure if that's due to the film's age and being out of date by a year or two or something else.

Here's what I salvaged from the messed-up developing roll I put through the Purma Special camera. It's nowhere near as lovely as Peggy or Mike's photos, but overall, it yielded decent results.

My Conclusion:

It was a fun camera to shoot with. Turn the camera to set the speed, point at your subject, and shoot the camera (with your left hand). Wash, rinse, and repeat. I hoped for better results but tried a different reel to process the film.

Thank you for reading the blog post on the Purma Special camera. I'll definitely use it in the future due to its simplicity and unique shutter system.

Until next week, please be safe.

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