#film express 100

[iamcanerarifcevik]

“Cansu, Portre.”

Pentax K1000, Film Express 100

[starbuck]

Ravenous is Haunted

Within the lore of Ravenous, eating people causes you to “absorb [their] spirit,” but what does that mean in practice?

Ives mentions that eating someone brave gives you a surge of bravery, which is exactly how Boyd goes from too scared to move to single-handedly capturing the enemy command. The spirit of his fellow soldiers and specifically his commanding officer compel him to do it. But we know that this personality shift is not permanent, it abates. However, I believe that there are other more subtle influences that remain. 

There’s a whole collection of things Boyd, Ives, and Hart do and say that mirror the actions and words of the people they’ve eaten…

The protectiveness that Boyd shows towards the Fort Spencer crew after Ives arrives as colonel is a new trait for him and highly reminiscent of Reich’s protectiveness towards Toffler. From the moment he’s stuck with Ives at the fort, Boyd also immediately decides to murder him, the thing that Reich died furious at him for not doing, and never strays from this mission at all. Boyd and Ives both headbutt each other in their final fight, a Knox fighting move, and Boyd also attempts to strangle Ives at one point, which is Reich’s. Another example that I like is when Hart says to the chickens he’s feeding “run away! run for your lives!” which is what Toffler died doing. These are all small moments in isolation, but together they form a compelling picture. 

For another thing, you have Boyd mentioning to Hart near the end the “nightmares” he’s “still” having about Reich, Cleaves, and Knox. These aren’t just random trauma nightmares, they are specifically about the three people of the Fort Spencer crew that he’s eaten. And, considering how strongly Hart reacts to the mention of this, he is likely experiencing the same thing. Since it is canon that they have actually ABSORBED these people by eating them, I don’t think it’s a stretch at all to call this a haunting. 

Put these together and you have the people who have been eaten haunting the cannibal characters at night and maintaining at least some sway over them by day, often without them even realizing it… Fun stuff!

As far as Ives goes, I think that he is less affected by this phenomenon than Boyd and Hart are. He’s been eating people for much longer than they have, he has no moral compass whatsoever, and he has a very strong personality, so he’s not gonna let a little haunting get to him. That being said, who knows what quirks of his personality we might be able to attribute to people he’s eaten in the past if we knew more about them? I also think that his assumption that he is unaffected by the people he eats is a part of his downfall, and I’ll explain that in a moment. 

The last thing I want to talk about is the bell because that’s what REALLY gets me mmmmmmmmmmm… SO! During Boyd’s fight with Ives, there’s a moment where Ives has fled the room they were fighting in and Boyd doesn’t know where he is, so he’s checking behind all these random doors and not finding him when he hears a bell ringing in the courtyard. He goes out and sees the ringing bell but no one near it. Instead of going towards it where he knows Ives is likely waiting for him though, he walks towards the barn, as if in a daze. When he enters, he sees the bear trap and gets an “Aha!” look on his face. 

Now, who do we know who is associated with both that bell and a bear trap? It’s Reich! He is the only person we ever see ring that bell and (in a deleted scene) he uses bear traps as target practice, shooting at them to snap them shut while Boyd watches. So, at the very least, we can say that Reich indirectly inspires Boyd in that course of action. 

BUT, because I am me, I’d like to take it a step further by proposing that, since Reich is haunting both Boyd AND Ives, he influences Ives to ring the bell (with Ives not consciously thinking anything more of about than “this will surely get Boyd’s attention >:)”) and then influences Boyd to walk over to the barn instead of immediately continuing the fight so he can show him how to end it once and for all. Boyd asked Reich to “tell me what to do,” and Reich answered him!

I did also write a fic about this concept a few years ago if anyone is interested!

[local-space-gay]

he’s so pretty !!!!

[radarsteddybear]

Ponyboy for the whole dang novel: Darry hates me.

Darry, every time he says anything to Ponyboy: I love you, I love you, I'm scared to death that you'll be taken away from me, I want to give you every opportunity I didn't have, I love you, I love you...

[courseyoulovemeyoudontknowme]

Platoon (1986, Oliver Stone)

24/03/2024

Platoon is a 1986 film, written and directed by Oliver Stone, which deals with his time in Vietnam as a volunteer during the war and is inspired by the real experiences the director had between 1967 and 1971 during his military service.

The film won 4 Oscars out of 8 nominations and Oliver Stone was also awarded the Silver Bear in Berlin as best director. In 1998 the American Film Institute placed it in eighty-third place in the ranking of the one hundred best American films of all time, while ten years later, in the updated list, it dropped to eighty-sixth place. In 2019, it was chosen for preservation in the National Film Registry of the United States Library of Congress.

The bloodiest episode, as in many other films dealing with the Vietnam War, is inspired by the most atrocious event of that conflict, known to history as the My Lai massacre, in which American soldiers committed atrocities including rape of very young girls, indiscriminate killings of innocent civilians, destruction of the homes and resources of the inhabitants, believed to be allies of the Viet Cong, despite there being no evidence. From this perspective, the figure of the platoon commander, Lieutenant Wolfe, both for his inability to control his men and for other characteristics, can be traced back to the main person responsible for My Lai, the then US Army Lieutenant William Calley, convicted to several years of military detention for that very affair.

Due to an error by Lieutenant Wolfe, who gives wrong coordinates via radio, the platoon is decimated by friendly artillery.

In the last war action of his volunteer service, Chris escapes a deadly ambush by the Viet Cong who almost completely annihilate the platoon and the subsequent American bombing with napalm.

Initially Hollywood snubs the script as many producers are of the opinion that what three is to say about the Vietnam War has already been reported in highly successful films such as Apocalypse Now and The Deer Hunter, however the strength of Stone's script still attracts some producers who see enormous potential in him. He was then assigned to write a screenplay for another film, Stone accepted and wrote Midnight Express in 1977, thanks to which he won the Oscar for best non-original screenplay (first statuette for Stone) a fact that made all of Hollywood understand the Stone's enormous potential; it was therefore not difficult for him to find the producer to begin work on Platoon.

The film was shot, following the great example of Apocalypse Now, director Francis Ford Coppola's masterpiece, on the island of Luzon, in the Philippines, starting in February 1986. The film's production was almost canceled due to the political upheavals in country, due to Ferdinand Marcos, dictator of the country. Upon arrival in the Philippines, the cast members underwent a two-week course of intensive training by Dale Dye (former Marine captain during the Vietnam War and interpreter of Captain Harris), during which they had to dig trenches and suffer forced marches and night "ambushes".

[oh2e]

We were discussing our favourite Christmas films at work but the only one I’d seen was the Muppet Christmas Carol. However, who needs Christmas films when you’ve got the Thanktival special on DVD?

[flickrrposts]

Thank you everyone for all the notes and kind words!!

Happy Barbie Day everybody!

[songbirdseung]

pinky ring / sim jaeyun

synopsis: jake made you a promise to marry you when you two were toddlers. he would fake propose until he really did get down on one knee.

pairing: childhood besties jake x reader

wc: 1.1k

To your parents, it was all good fun. Seeing their child being proposed to by their childhood best friend at their favorite beach. Documentation was highly important to them, filming little you and little jake holding a candy ring pop in his hand, asking your hand in marriage. To them, it was adorable.

For young child you, you were petrified. At the time, your dad just gave a small talk on how to stay away from boys and you're definitely too young to get into a relationship. This happened when you called the actor on scene handsome when you were having a family movie night.

"We are too young Jake" pouting your lips, feeling bad for rejecting his proposal. Jake shrugs and hands you the ring pop anyway. "Fine, I'll just wait and get you a real ring".

That didn't last long because fast forward to the next year, he does it again. He has done it so much that for the next few following years, it had become an inside joke to everyone in your immediate family.

"You have rejected me for 4 years now" crossing his arms in a fit, Jake looks at you disappointed. "Maybe because we are only 12 years old?"

At this point, you aren't sure if he's doing this because he really wants to marry you or just to tease you and lead any guy interested in you far far away. Remembering all the instances where a boy would approach you during lunch and sit next to you and confess and say that they think you' re cute. There then comes Jake, wearing a smug smirk and says something along the lines of "I'm actually her future husband, please go away".

It makes you think about how you could never get away from Jake and his antics.

Even when you guys reached your teenage years, almost reaching adulthood, Jake never dropped the fake proposal joke. Like on your 19th birthday, at the restaurant he took you both to, he claims how he's your boyfriend and he's planning to propose soon, the waiter thought he was weird for saying that he wanted to propose soon with you sitting right there but nonetheless, he gave you both free desserts.

You thought at by the age of 14, he'd stop since you both are going through puberty, his feelings would change and he'd drop it due to his own pride and embarrassment, but no.

Now you both were 20, if you had to count how many fake proposals Jake has done over the years, it would reach 100.

"You can't say that we are too young, we're both legal adults and we basically known each other our whole lives." You turn over to him and flick his forehead, causing him wince in pain and shoo you away from him. "You're mean"

"You're the one that wants to marry me, so get used to it"

"Oh, so you're playing along now" He removes his hand from his head and pokes your side. "After years, you're finally warming up to the idea"

"Keep that up, I won't be anymore" Once you said that you realize how you didn't even deny it. Looking back at Jake who went back to playing video games, you take in his appearance and guide your eyes to follow the lines that make his side profile.

Jake was good looking, you knew that. He's always been the apple of your eye since you two were kids, then as you got to know him, his humor, personality, and behavior kind of sealed the deal for you.

"If you keep staring at me, I might disintegrate."

"Then, who is going to marry me?"

"We're still on that? I thought you didn't want to?"

"Make me your girlfriend and I'll rethink it" Now it was your turn to cause a ruckus in Jake's mind. He pauses the game and looks over to you, reading your expression wondering if you were serious or not.

That night, Jake stayed over. Unlike the other past sleepovers that you two had, this one was different because the way you cuddle into him now, it felt different. He was always yours and until now, just a different kind. He was now your boyfriend, not boy-friend.

With your dynamic and bond with Jake, it felt like sunshine and rainbows most of the times, being around each other all the time and knowing each other too well, you always found ways to fix things or any miscommunication that would come along.

Transitioning to relationship from friendship was surprisingly easy from the outside perspective but the thing with you and Jake was he was always a gentleman and treated you right and how you deserved to be treated, and of course vice versa.

When you told your mom the news, she did not show any surprised reaction, simply telling you how she saw it coming and was just waiting for this moment to happen, you dad shared a similar reaction, happy that it was Jake to be the one you were dating.

Fast forward to a whole year of dating Jake. People would say that you two were like a fairytale love, match made in heaven, meant for each other, all that. "Hey yn, maybe you should do that trend where you call Jake your husband"

"I'm pretty sure he's already seen that on tiktok, no?"

Still, even if he did, you were going to do it just to see his reaction. That same day, you two meet up after your last class ended. Waiting for you somewhere in the university's campus, you run up to him and give him a hug. "Someone missed me?"

In the car ride home, you guys both agreed to stop by your favorite restaurant and get some take out. Which was a perfect time to put your little prank in action. Just like everyone else, after placing your order, you ask Jake what he wants and tell the waiter. "Then my husband would like ___"

Once the waiter leaves, you finally take notice of Jake who is wide eyed, staring at you in awe. "There's no way you just called me that" To say he was a lovesick puppy after that was an understatement.

But now since you called him that, you have to keep calling him that. Because if you call him or introduce him as your boyfriend, he'll act surprised and startled. "Are you asking for a divorce?" "Do you not love me anymore?" "I thought I was your husband?" to name a few.

"I'm gonna have to propose now, for real this time"

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[robo-bud]

sorry to be autistic over a superhero cartoon. am I still cool

[iamcanerarifcevik]

“Renkli rüyaları andıran Otel.”-

Pentax K1000, Film Express 100

[rangerbarbz]

Mail Call

Here is my first Stan fluff because my mans deserves some love. Let me know what y'all think and thank you so much for all the support. I love you forever babes <3 (I didn't look over this so i apologize if there's any grammatical errors or typos)

“Mail Call”

You worked for the Post Office at Gravity Falls, Oregon, and you absolutely loved it. It was a relatively easy gig that had great benefits. Plus, you got to meet some “interesting” people to say the least. One of those people was the owner of the Mystery Shack himself, Stan Pines. 

You delivered mail to the Mystery Shack every day but Sunday, so you saw him quite a bit. The first time you met him, he happened to be outside with a young boy and girl who you assumed were his grandchildren. You parked your mail truck beside the mail box and reached behind you for a package addressed to 618 Gopher Road. 

Your presence caught the attention of the young girl who began running over to you. The older man was right behind her with an unhappy expression on his face. “Good afternoon! Is this for you, sweetie?” you asked the girl. She was beaming at you with a glimmer in her eyes. 

“Yup! Thank you mail lady!” She snatched the package excitedly from you and started to turn around, but was blocked by the older man who now had his arms crossed. 

“What is that and how did you pay for it?” he asked, scrunching his eyebrows together. You were surprised by the depth and raspiness of his voice. It was quite attractive, if you were being honest. 

“It’s pig shaped cookie cutters for my new baking show I’m filming with Waddles, and I paid for it with your credit card. Okay, bye!” she said all in one breath. Before he could even respond, she was bolting around him to get inside the house. The man sighed and pinched the bridge of his nose. 

“Is she your granddaughter?” you asked. He looked at you like he had forgotten you had been standing there. 

“Ah no. Mabel’s actually my grand niece” He chuckled. “Good kid when she’s not spending my money.” 

You laughed and glanced up at the broken sign above you two. “I’ve actually never been here before. You work here?” 

He scoffed. “Work here? I own this place, toots. I’m Mister Mystery himself.” He was grinning from ear to ear. You held your hands up in defense.

“Oh, I didn’t realize I was in the presence of a celebrity,” you replied jokingly. He laughed in return.

“Name’s Stan Pines.” He held out his hand towards you. You smiled and reached out towards him. The size difference between you two was made even more obvious when you wrapped your hand around his to shake it. You introduced yourself to him, but he raised an eyebrow and leaned in closer to you. You realized that he had not heard you and repeated yourself. 

“Huh. Pretty name,” Stan said, releasing his gentle grip. You let your hand fall to your side and began to play with a stray thread from the seaming of your work pants. Was he making you nervous?

“Thank you, Stan. Yours too.” He laughed once again and gazed down at his shoes. You suddenly heard a fire alarm blaring from an open window followed by black smoke.

Stan groaned. “I better go see what the hell that kid’s doing. I, uh. I guess I’ll see you tomorrow?” His eyes crinkled as he smiled. “Hopefully with no more packages that is.”

You giggled. “I cannot guarantee any more packages, but I will 100% be seeing you tomorrow.” 

He winked at you. “I’ll be looking forward to it.” You felt your cheeks grow hot as you gave him a little wave goodbye and entered your mail truck. He was giving you a toothy grin and waving back at you. What you didn’t see was him wiping the sweat from his brow and palms. Very few people made Stan Pines nervous, and you had become one of them. 

The next few weeks, you continued flirting back and forth with each other. It became the highlight of your day when you stopped at his mailbox to already see him standing there. He always asked you how your day was before telling you some outrageous story. Some days it was about a kooky visitor at the Mystery Shack while others it was You enjoyed listening to his gravelly voice and watching his borderline theatrical gestures as he spoke. 

He was undeniably sexy for a man his age. His glasses accentuated his strong jaw, and his thick ashy hair was to die for. You also found his blunt personality and his confidence to be alluring. You only ever saw him in his Mr. Mystery suit, but you weren’t complaining. It helped show off those muscles from his boxing days, and he always looked so sophisticated.

One day when you drove your usual route around Gravity Falls and stopped at the shack, he wasn’t there. You frowned and looked around to see if maybe he was walking up to you. Alas, you couldn’t find him. You put his electric bill in his mailbox and left wondering where he could be. 

You eventually returned to the post office after tapping anxiously on your steering wheel the entire time driving back. You stepped out of your mail truck and walked into the office to begin sorting packages. 

The bell above the door jingled meaning someone had walked in. “Hello, welcome to the Gravity Falls Post- Stan?” You had turned around to see him standing sheepishly in a Hawaiian shirt and shorts. He was missing his fez and you got to see his thick gray hair. In his hands, he was holding an envelope decorated with shiny, brightly-colored stickers.

A slight blush started to spread across his face. “Hey, Doll. Sorry I didn’t see ya earlier today. I was working on this letter.” His eyes wouldn’t meet you. This wasn’t the suave man you usually spoke to. 

You grinned. “Stanley, you know you could’ve just put that in the mailbox, and then I would’ve come to get it, right?” He snorted and shook his head.

“Yes, smartass, I am aware.” He approached the counter that you were standing behind. “I came here because this letter is for you.” You could feel your face heat up as he handed you the sparkly envelope still not looking at you. 

“You… You wrote me a letter? Why?” you asked, running your fingers over the pink letters that spelled your name. Stan then turned his head to you and shoved his hands in his pockets. 

“Look, I, uh,” he paused, “I like you. Our talks make me… happy. And… Oh just read the damn letter! That’s why I wrote it anyway. I’m no good at these things.” He crossed arms in frustration. He scoffed. “If you don’t feel the same, that's fine. I mean who would? Especially-”

“Stan!” you interjected. His eyes met yours. You gave him a reassuring smile. “I like you, too. Like a lot. Between the looks and personality, it was impossible not to fall.” You couldn’t believe you just said that last part out loud. Hopefully you didn’t scare him off. 

Stan gave you a toothy smile and rubbed the back of his neck. His face was beet red. Frankly, it was very satisfying to see him so flustered. “Well, thank you, Doll. You’re a babe, too. Inside and out.” 

You giggled at his strange way of complimenting you. “Thank you, Stan. You’re a sweetheart. I can’t wait to read this letter on company time.” 

Stan laughed. “That’s my girl,” he said as he began walking out the door. He opened it and before he left he said, “You should come over after your shift is done. I know Mabel is dying to hear what you thought of her handiwork there.” 

“I’ll be there.” 

“Good. I’ll see you then, Doll.” He gave you a slight wave and shut the door behind him. You could hear the sound of him yelling “YES!” from the other side. As soon as he peeled off in his Diablo, you carefully opened the envelope to reveal a piece of notebook paper with just as many stickers. It said in the same pink ink your name was written:

Dear Y/N,

I hope you don’t think I’m some dork for writing you a letter instead of telling you face to face how I feel about you. I’m a little rusty in the romance department. I wanted to tell you that I always look forward to our talks. I never thought I would crush on someone who delivers me bills and tax forms. What are the odds?

You make me feel young again. I like how you cut up with me and how you don’t treat me like some old man. I like how kind you are to the kids and how you make my pacemaker work extra hard. I really hope you will come around more often. I also wanted to invite you on a date this Saturday night out of town. I’ll pick you up. You do enough driving. Plus, only tools don’t pick up their date. 

Love, 

Stanley Pines

P.S. I think you’re cute in your work uniform despite what you think. 

[controld3vil]

sand walking?

pairing(s): dune 2 cast x actor!reader (platonic!!)

synopsis: requested by this ask!

⤷ alt: how to seduce someone walking on sand.

notes: there hasn't been confirmed for dune 3 yet but denise villeneuve has said he's writing for it to happen. ill patiently wait for the day it's confirmed :) ALSO there are fictional/made-up mentions of the novel for the sake of the reader. they're made to be gender-neutral!! and this includes platonic flirting between cast members. i MAY have gotten carried lmaoo

“I mean- what do you think of the character? Do you think they deserved more screen time?” The clip starts off with you comfortably conversing with the interviewer. To say you weren’t deflecting their curiosity. In actuality, you were eager to learn what others thought about your performance and take on the character. The only other interpretation had on-screen was from the classic 1984 film by David Lynch.

The clip that has been widely retweeted back is of a cute moment you had from the first film of Dune (2021). Before release, little was known about your character’s potential. Apart from the enthusiastic book lovers, film viewers were clueless about what role your character would play after the first movie.

Denise Villeneuve didn’t reveal much to you in person. He wanted to keep ideas confidential until he was 100% on board making the project come to life. Still, rumors sparked through speculation and interviews with the cast members of Dune. Including an infamous short, that you forgot about, of yourself boasting about your hopes and wishes for your character.

“Yes! How could we not!” On the opposite side, the interviewer exclaimed as they leaned forward from their chair, closing into your proximity. Their hands clenched, tightening their grip on the flash card, full of questions. “The movie left us on such a cliffhanger. I think everyone would want to know what happened to Nerre,”

“That’s for Denise to decide,” Nodding you gave a relaxed smile while lifting one leg over the other. Your shoulders relaxed, feeling content and ecstatic about their response. “I can’t confirm anything until he gives me the green light to say anything,”

“I’ve also talked to Timothée this morning,” A shift in gears as the journalist flipped over another flashcard. You two had just fussed about the finale and its dramatic cliffhanger. “And all he had to say were the sweetest things about you,” At the mention of your costar compliments, you felt your skin heat up. Your eyes soften, expressing only fondness for the lovely message. A soft awh escaped your breath. “He’s very sweet. Timothee's always been fun to be around.” A fervent chuckle from the interviewer sends them into a feverish excitement. “And- he said- you had great flirting skills!” It was then your face morphed into complete shock and giddiness . “Really?!” The camera pans up on your initial reaction, eyes popping out in surprise and a bubbling laugh slowly erupting. “I’m glad someone appreciates my talents!”

Without context, the short clip seemed harmless. Your sheer reaction to Timothee's comment emphasized the fun chemistry the two of you had on set. Mirroring much of Paul and Nerre's friendship, you both complimented each other well in the first film, being the youngest surrounded by well-renowned actors. But the reason for the recent spike of interest was partially from Dune: Part Two and their interviews.

Fast forward to the debut of Dune: Part Two, it made success at the box office. Even surpassing the first film altogether. The entire cast of Dune was proud of the work they've made. The introduction of new characters played by wonderful actors and actresses all around.

Weeks after the early IMAX screenings, press interviews were being published amongst of the young cast members. A particular interview by IGV Presents brings together Timothee Chalamet, Zendaya, Florence Pugh, Austin Butler, and yourself.

This would be considered to be one of your first interviews with the Dune cast after the box office release. You felt nervous yet overjoyed at the same time to be meeting your co-actors again after the conclusion of filming had taken place.

The spokesperson of IGV, Simon Harkness starts off the interview strong with a pleasant greeting. "Congratulations on an incredible movie. Uhm it is the definition of a sci-fi blockbuster and is absolutely phenomenal, so huge congratulations to you all!"

"Thank you!" The five of you all politely cherish his kind words.

"It's so lovely to talk to you. Um- Timothee, Zendaya, I'm going to start with you. This is probably the hardest question I've ever asked in an interview so you've been warned." An endearing giggle can be seen from Zendaya before allowing him to continue. "Sand walking, who does it better?"

Timothee immediately lifts up his microphone. "I'm going to give it to Zendaya here." Without glancing at her, you could tell Zendaya was happily smiling at his compliments. How quick he was to answer made it seem how well connected the cast was even given the amount of time spent together. The main lead continues very swiftly, diving more into how cinematic the shot was from an outside perspective, "I think it's the most- one of the most cinematic shots in the movie and she really has it very precisely down but it's the nature of the movie too that she's supposed to be better than Paul,"

"Is that what it is?" In return, Zendaya who sat next to him gave him a teasing look.

Quietly from afar where you sat, next to Austin Butler, you whispered. "He acted like he couldn't do it but," Soft snickering can be heard across the room.

"In fairness to me, I was going 65%- 65 to 70 too hard," Chalamet reasons justly as he glances in your direction before looking back to the interviewer.

"You dumbed it down," Harkness nods in a high-spirited manner. Right after, Timothee reluctantly agrees, keeping the mood light-hearted.

"I had to!"

"Just how committed you are!" Austin steps in, joining in on the joke.

"Zendaya, you can take that crown. I love that," The brown-haired man reassures as she recuperates with appreciative laughter. In truth, it was a beautiful scene between Paul and Chani you were lucky enough to witness behind the camera. And contrary to their light banter, you thought both actors did well at accomplishing what it was meant sand walk. Truthfully you had no scenes beyond walking through the desert but understanding the mechanics and traditions of the Fremen was as fascinating as it was watching it up close.

Suddenly it was Florence's turn to speak, "Zendaya taught me the other day and I had to just stop to stare at her feet."

"The swoopy swoop?" You asked in a cutesy tone, with furrowed eyebrows. You couldn't help but remember the few instances you witnessed your costars practice the sand walk to be one of the more adorable rehearsals you've seen on the sand.

"Yeah, her feet were so pretty! She was doing the swoopy swoops," The blonde acknowledges, waving her hands in a zig-zag pattern. As the replication of water and how her feet moved.

The interviewer's eyes light up, "Honestly I tried to swoopy swoop at home- um because we have a carpet in the bedroom."

"How did it go?" The mixed actress puts forward.

"Awful!" An assembly of bewilderment is seen between Zendaya and Florence as they quickly question why. However, they reassure him in the end that they would practice together in hopes of him archiving the sand walk.

Talks with simple questions went down the row. Florence discusses her experience from her beginnings, starring in Little Women, comparing those scenes in terms of royalty to Dune. In both films, she's worked with well-known actors and now Christopher Walken as the emperor and her father. She raves about how it was a dream come true. A dream she had when she was little. From this experience, Florence emphasizes the concept of learning and observing her fellow actors.

Another intriguing topic follows Austin for his experience between learning choreography fighting and Elvis's iconic rubber legs. In a sense, as you leaned forward on one of your seats, you became fascinated by the Elvis actor's comparison of it all. While Elvis's moves were televised and had to be precise for the camera, being a Harkonnens gave him more leverage in the freedom to move. It was a captivating question that you couldn't help but want to listen to more.

Comparisons aside, you didn't have much to note for your upcoming question. Which is exactly why you felt unprepared for what he was going to ask.

Harkness brings up your name for the finale. "You have done stunt work before. For the first and now second film, I've heard you compared it to rather- dancing. Is that what you think your relationship with the choreography has been?"

You gave a content hum, "You see it with the Fremen or Harkonnens right? Everyone moves so differently and for the course for me, I've had to adjust my choreo little by little. And I think that analogy you mentioned really does relate back to dancing. I don't know if it's because I was once a dancer or that I'm a visual learner," You shrug your shoulders, "But I see the choreography as a dance routine. You're moving alongside people, doing hits and jabs. Both are very hands-on so I would like to approach it as something I can always work on." Satisfied with your answer, you clapped your hands together.

"Kind of like sand walking no?" It was then that Zendaya swerved counterclockwise to face you.

Bringing back the conversation they had in the beginning about sand walking, your eyes instantly brighten. "Exactly like that!"

"I feel like you would be great at sand walking," Florence puffs, mindlessly shaking her microphone back and forth. "You- You already got the moves." Even Timothee came into agreement, humming and commenting you worked well with the choreography.

Austin Butler raises his microphone. "I think you gotta learn with me because I don't think I could,"

"Nonsense!" You give him a silly glare. "If you can do a killer rubber leg, I think you can sand walk." Florence and Zendaya both mumble their support and your male costar leans to have his arm around the back of your chair, warmly.

"Is that an open invitation I see?" The spokesperson, Harkness giggly pokes at than the rest of the cast turns to look at you. Your scowl morphs into an innocent one.

"Hm?" As you squint your eyes in hesitation.

"I feel like you could have the potential to sand walk but just with the right partner," Timothee chimes in, spreading his arms over his chair as well. Your brows furrowed accusingly, as if wanting to clarify what he meant by his comment.

And the French actor gives you a look, one you became so sure of. "Mm right!" A slight eruption of laughs before you straightened your back with proper posture. "With just the right partner,"

There were also hints mentioned in your interview with Timothee surprisingly not. This was one of the more recent ones to be published, as you finally were able to pair up with your favorite co-star (besides Brolin) from the first film. The two of you had strong chemistry despite having less screen time together in the second film.

The beginning of the video cuts to a clip of you answering an innocent question. "What I think about every day, is Timothee going to send to me a meme today? Uh, I hope so!" You give a sarcastic look to your seat partner as he latently laughs in front of you. "Or when is he going to text me you know?"

It then transitions to an interviewer from Heart commercial radio as he shouts out your names. "How are you both?"

"I'm doing good!"

"Going great!"

The radio show was more relaxed than you would've expected as the spokesperson was very down to the earth with his conversation starters and contagious warmth. Timothee was able to catch up with him from his last interview when he premiered his Wonka film. Eventually, the interview became more casual discussing working together, cooking, and trendy topics.

Timothee and you both went back and forth on favorite memories you had of the first film. And talking about the new cast members and new elements it had brought to the table for the film itself.

"Cool new characters this time," As you played around with the fuzzy microphone the camera crew gave to you.

"Yup lots of new people to meet," Timothee adds on, nodding.

The interviewer proceeds with the question, "And also you have seen- there's a clip about of you running around actually." He signals to you, "Of your reaction to something Timothee said about your performance in the first film,"

"Oh! I've seen it," Almost instinctively, your co-star raises his hand. "I was supposed to send it to you but I forgot." As he turns, to finds you looking lost at the topic at hand.

"Really what was it?" You almost looked concerned, seeing how you didn't understand what they meant.

Luckily for you, the Heart radio spokesperson managed to get a hold of the video from his phone, "It was a little callback of Timothee raving about your flirting skills."

As it plays, the camera zooms in on you and your co-actors reaction. The French actor couldn't help but look slightly embarrassed but smitten when the timing of your reaction came on screen. While you held an intrigued stance, arms crossed and a content grin.

"I am pretty good at flirting,"

"You really are, huh." At the same time, you both turn to make eye contact.

"I also heard Tim- that you thought that they would be your love interest initially?" At the radio speaker's inquiry, you couldn't help but in mid-sentence, finally, swerve your head suddenly.

"Yeah well, fun fact actually," The male actor tries to reason, sitting up. "In the novels, Paul and Nerre almost did become a couple!"

It was a well-known fact of that in the first novel, there had been slight changes to the story. Initially, it was said that the author, Frank Herbert had planned for Paul and Nerre, the character you played to have a romantic connection after the fall of House Atreides. Nevertheless, it was later scrapped for another plot, that of instead having Chani as the love interest. But even decades later after the novel’s release, it was something fans still fuss about.

"Oh, I heard about that!" Almost in awe, you nodded, your attention fully on Chalamet, wondering how far he was willing to go beyond spoilers.

"Do you think Nerre would ever meet someone then?" The afro man questions, adjusting his microphone. "Since- Paul has Chani, I feel like if we ever get a potential third film, that could open some doors!"

"If a third film could happen," You start, fiddling with the lining of the mic cover, "I hope so! I mean I got the moves, I got the skills!"

"Keep practicing your sand walk and we'll see," Timothee cutely chimes as you proceed to blow a raspberry at him. Only for him to lightly swat you away.

Despite your failures to have scenes of sand walking, your cast of a crew were more than happy to show you. Javier Bardem and Jessica Ferguson were quite supportive in your interest for something you did not have any part-time. A few behind the scene videos show the actor demonstrating from afar the slower version of the walk.

Though your back was facing the camera, viewers would pick up and recognize it to be you. Jessica as well was off to the side, in her luminescent costume of a million robes, clapping from side to side.

Another later pans to you taking long strides across the sand in the background. In front of the camera are Josh Brolin and Javier having their turn in the video, to discuss their relationship and the previous they have worked on together. However, viewers couldn't help but pinpoint your figure alongside the frame trying to master the patterns of what Javier taught you from the previous clip.

[kairoot]

OMGG the hickey prank hcs were so funny bge 😭😭😭 adding onto that anon,,,, u should do another tiktok prank thing with enha :0 like maybe the “hide my bfs here” or like a breakup prank, it’s up to u!!!!

“hide my bfs here” w. enha ₊˚★﹟

genre: fluff, crack

warnings: none really, jokes

requested: yes!

pairing: enha x gn!reader

author’s note: i will be doing both pranks (hide my bfs here & breakup prank) because i think they’re both so funny. the break up prank will be a separate post so be on the look out! also, once again, thank u guys so much for the feedback im glad my writing doesn’t suck as much as i thought it did and ppl actually enjoy it 😭🤍

ss ➜ “hide my bfs here” prank on enhypen

heeseung ˚⋆ ✦

probably ponders on it

like wait what..

no like he’ll sit there for a good minute 😭

and then be like “wait im your..”

poor baby, give him a few moments

you and heeseung sat in your shared bedroom while he gamed. you were on the bed, waiting to catch him off guard.

he would talk to you whenever his friends would step away from their mic for a bit and then get back to talking with them so his attention on you was like 50-50. he was paying attention, but not enough to know the prank you were about to pull on him.

“hee,” you called his name, loud enough for him to hear.

he finished what he was saying to one of his friends and glanced back at you, “yeah, baby? what’s up?”

“you gotta hide, my bfs here.” you said in an urgent voice, causing him to halt his actions on his game. he sat in his chair, taking in what you said.

“but i’m your..-“ his thinking was cut short by your laughter. he realized what you were doing and only smiled before resuming his game.

“that’s embarrassing.”

jay ˚⋆ ✦

just might tell you to stfu 💀

nah but he’ll definitely look at you like “literally what are you talking about”

can only ignore you at that point

does not think you’re funny 🗣️‼️

you stood in the kitchen, talking with jay while he made dinner. he was talking about his day until you turned your camera in and interrupted him.

jumping off of the countertop, you hurriedly grab jay’s arm. “jay, hide! my boyfriends’ here!”

he dropped the knife he was using to cut tomatoes and turned to look at you.

“y/n, are you sick?”

he stood there, eyeing you like you were crazy, “seriously, what is wrong with you..”

you were definitely gonna post his reaction 💀

jake ˚⋆ ✦

falls for it 100%

is scared for his life until he realizes

then he thinks it’s kind of funny

except for the heart attack you almost gave him

probably thinks about it for the rest of the day

jake was helping you get ready so you two could go out for the day. he sat on the edge of the bed, scrolling on his phone while he waited for you to show him the next outfit option.

“okay, how about this one?” you asked him, turning in the mirror to give him a view of what you had on.

he placed a hand on your waist, turning you the other way, “yeah, i love this on you.”

you thanked him, giving him a quick kiss before pulling away hurriedly with a worried expression.

“what? what’s wrong?” his expression mirroring yours.

��you have to hide, my boyfriend just got here!” you pushed him towards the closet.

he scrambled into the closet, closing the door behind him. you could hear his panicking from outside the door as he panted.

“oh my gosh, oh my gosh, oh my gosh..” he mumbled. there was silence until you stood outside of the door, giggling.

“jake, oh my g- jake, you’re my boyfriend!” you crouched on the ground, holding your stomach.

the door to the closet slowly opened as a still-frightened jake poked his head out.

“oh yeah..” he murmured to himself. stepping out, he joined in on your laughter, feeling embarrassed.

“i got so scared, oh man!”

(we know jake 😞)

sunghoon ˚⋆ ✦

is just like jay

except he pays no attention to it

just stands there like🧍🏽‍♀️what

moral of the story is your pranks never work on him

you were cuddled up with hoon, the horror film playing on the screen in front of you. he wanted to watch it since it was so close to halloween.

his arm wrapped tightly around you since he knew you’d probably be easily terrified of the jumpscares.

while the movie continued to play and there were no scary parts, you decided to play a prank on hoon just to see if he would fall for it.

“sunghoon,” you leaned away from his chest, causing him to hum in response.

“you have to hide, my boyfriends’ coming.” you gently pushed his shoulder, trying to get him off the couch.

he turned his head to you, eyebrows furrowed, “y/n, if you’re bored or you don’t wanna watch the movie, the you don’t have to.” he ignored your “prank” and continued to watch the movie.

(welp🧍🏽‍♀️)

sunoo ˚⋆ ✦

is not falling for it

jay pt3

just stared at you tbh

will probably just walk away

you were sitting next to sunoo on the couch, pretending to be on the phone while watching tv. he scrolled on his as you ended the “conversation”.

“nunu, you have to hide. my boyfriends here.” you placed your phone on the couch, looking at him worriedly.

he brought his hand down, placing his phone in his lap. he looked over at you, furrowing his eyebrows.

“y/n, sometimes I wonder why I agreed to dating you..”

jungwon ˚⋆ ✦

freezes for a moment

and then he’s like

why are you like this

is deeply confused for a second

“jungwon, why are you in the kitchen?” you pace up to where he was leaving the pantry.

“uh.. snacks?” he quirked an eyebrow.

“you need to hide, my boyfriend is literally here.” it took jungwon a moment to realize what you said. his brows furrowed in confusion as he tilted his head at you.

“babe, what are you talking about?”

ni-ki ˚⋆ ✦

is annoyed

cause what are you even talking abt

he’s definitely gonna get you back

definitely doesn’t fall for it

your camera was on, capturing the moment you pushed ni-ki off the side of his bed.

“y/n, what the heck are you doing?!”

“ki, you have to hide, my boyfriends here!” you pointed the camera in his face, showing his pained expression.

“yeah, and he’s right here!” he groaned, pushing the phone away from him.

author’s note: apologies for this being so short esp the last 3, im not feeling well :)

taglist: @haechansbbg (message or comment to be added)

[hotvintagepoll]

Propaganda

Madhubala (Mughal-e-Azam, Barsaat Ki Raat, Mr. & Mrs. '55)—The Venus of India; heart-throb of all who saw her; responsible for the sexual awakening of every single desi lesbian I know (including me!) And my god, she is breathtakingly beautiful. Look at the subtle grace with which she moves, and that smile - the kind of radiant smile that can make you laugh with sheer delight, or cry because of its hidden pain. Those wild curls! That Cupid's bow! The way she tilts back her head and smiles at you with mischief dancing in her eyes! She has a way of looking at the camera that makes you feel she's sharing a private joke just with you; it's something about that quizzical twist of the lips and eyebrows. As an actress, she is inimitable; she seems to effortlessly inhabit roles ranging from a heart-broken courtesan to a laughter-loving socialite. Fun fact : she's had quite the fan following in Greece! Stelios Kazantidis even wrote a song as a tribute to her.

Ingrid Bergman (Gaslight, Casablanca, Notorious)—Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Madhubala:

An icon of Bollywood, who was well known for her beauty and has continued to inspire performances and songs into the 21st century. She was at times described as "the number one beauty of the Indian screen" and "the biggest star in the world".

SHE IS EVERYTHING AHHH. JUST LOOK AT HER SMILE-

She's been nicknamed the Marilyn Monroe of India and was one of the highest paid actresses in the Hindi film industry (the term Bollywood did not exist yet) during the 1950s. Also an extremely talented dancer and singer

SHE'S JUST SO STUNNING, like seeing her eyes IMMEDIATELY CAPTIVATES YOU, THE DANCING, THE BEAUTY!!!!!!!!! She worked in Bollywood for over 20 years and passed away at a sad early age of 36, BUT THE IMPACT SHE HAD WAS UNMATCHED!!!!!

That sassy sideways glance she does always has me WEAK AT THE KNEES. And when she's making silly faces at the camera to mimic someone ahhhh my gay little heart <3

Ingrid Bergman:

God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.

I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.

I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.

Just try and watch her movies without sighing wistfully, then get back to me!

Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.

ion words so I'll stop at that.

One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.

SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy

She has a very natural beauty to her, and she's from Sweden!

She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!

She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!

Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget

With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages – Swedish, English, German, Italian and French – and acted in each.

She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group

A lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.

[arachine]

*slides a big fat twenty your way* uh how about a part two of that non traditional family dynamics with gojo

dinner and a disaster . . .

synopsis :: when your oldest daughter is at that age where boys are starting to become the focal point of her universe, you bring out the big guns — which in this case, unfortunately happens to be her father (who is not exactly the best when it comes to disciplining his little girls).

or, in other words, you and gojo play good cop bad cop.

genre :: fluff

contents :: co-parent!gojo, mentions of alcohol, heavy dialogue, time skip (the girls are 14 and 12 respectively), gojo is in distress !!!!

note :: link to part 1 + link to part 3

it's 10 pm when you text gojo about the latest happenings going on in your household.

it's also 10:01 pm when you answer his incoming face time call.

he's wrapped up in a fuzzy blanket, laying down on his bed with a pillow under his chin and a hand propped up to support his head—he's comfortable, to say the least, and 100% tuned in to hear about whatever it is that you just texted him.

"is this what you've been doing all day?" you query with a laugh. there's a brief look of confusion etched onto his face before he picks up on what you were implying. rolling his eyes, he scoffs.

"it was my day off," he pouts, "can't a man relax in his fuzzy blanket?"

you squint teasingly at the screen, then nod slowly before mouthing an 'uh-huh'.

"i didn't call you to get berated about my choice of blanket!"

"okay, okay! i'm sorry," you grab a napkin from your nightstand, waving it like a white flag of surrender. "such a baby..."

"says the one who could never take...you know what, i won't finish that."

"smart man," you smile. "i want to be mad at you sometimes but it's almost kinda impressive how easily you can change the atmosphere...i mean, wow! it's record-breaking, truly."

"ha...ha. alright. i overstepped my bounds, i get it. can we just...can we just get back to our daughter? i'm starting to regret calling you on my day off—which, by the way, was going so great."

"great, love that we're on the same page," you give him a thumbs up through the screen. before you can get into the nitty-gritty of the situation, you take a brief pause to prepare yourself for the dramatics about to ensue—because if you know anything about gojo satoru, you know he's definitely one for the dramatics.

"when i tell you this...i want you to stay calm, keep a level head, and most importantly, i want you not to scream," you say, opening your mouth again to emphasize the last part, "and it's important that you especially won't scream, okay?"

gojo mulls it over before committing, "i don't know...it depends on what you're gonna tell m-"

"just—just promise, gojo," you interrupt, clearly agitated.

"alright, i promise."

"okay, so there's a boy..."

you're mid-sentence when gojo's eye starts to twitch.

"and she's expressed to me that she wants to go on a date with him." when you finish, you're half expecting him to yell, and half expecting him to end the call. but he doesn't.

in fact, he's so still, you're almost convinced he's frozen, but then he begins to smile. slow at first, and then all at once. it's creepy, you think, something straight out of a horror film.

"i know this was a lot of information to process, are you...okay?"

"pfttt, what? of course, why wouldn't i be?"

"well, you look scary. maybe i shouldn't have told yo-"

"SHE WANTS TO WHAT?"

and there it is. gojo satoru, king of dramatics.

"my little girl, my baby, my princess. she's only 10!-"

"she's 14."

"same thing, how could you let this happen?!"

"what happened to not yelling?! you promised!"

"oh be serious, i made a vow to you 14 years ago and look where we are now," he whisper-yells, trying (and failing) to contain his voice.

"dammit, you're right...well, at least we're on the same page! we both don't want this date to happen." when you take another glance at the screen, gojo's no longer laying down on his bed, but up and pacing around his room like a mad man.

you watch him for awhile, and when he doesn't seem to be coming back any time you soon, you call his name, "satoru."

"what?!" he turns to the phone. glaring at him, you wait for him to check his tone. "sorry, what?"

"i was thinking tomorrow you could come over for dinner? it'd give us a chance to talk to her about it...so that it's not just me telling her no."

"so, what i'm hearing is that you want her to hate me too?"

"no, i'm saying i want us to be a team. so, can you come over tomorrow? can you do that?" you ask, raising a brow.

"yeah, i'll be there."

at the same time the oven alarm goes off, gojo arrives. you can see his car pull into the drive way from where you are in the kitchen, and you mentally curse yourself for not getting ready sooner.

"fuck, uh okay," you throw your oven mitts, "hon, can you get the door for your dad? i need to go upstairs and get changed."

the youngest gets up from her place on the couch, "sure, wait...dad's staying for dinner? what's the occasion?"

you're halfway up the stairs before you stop, "enough questions, please. just open the door, thank youuuu."

ambling from the living room to the foyer, she opens the front door. gojo smiles, and immediately lifts her up into a bone-crushing hug that only a dad could give.

"hey bug, missed you," he squeezes her, much to her behest.

"ugh, dadddd, put me down," she drawls, pawing at his chest. gojo frowns and puts her down, putting a hand over his heart as if he were shot.

"you used to love that, you know."

"yeah, when i was like five."

"are you not?" he teases, but she's not amused. he nudges her arm annoyingly until she begins to smile. "there we go, punk. now can i have a real hug? you're hurting my feelings."

like a true pre-teen, she rolls her eyes and reluctantly trudges over to him, then opens her arms up for a hug. at this stage, you've noticed that hugs are okay, but only when it's on their own terms—and you especially can't initiate them when their friends are around (you learned that the hard way).

when they pull away, gojo takes his shoes off and wanders through the house. "where's the other brat at?"

"upstairs."

gojo nods, "uh-huh...where's your mom at?"

"right here." gojo hears you before he sees you, and then he lifts his head up to see you at the top of the stairs standing behind the banister. before you make your way downstairs, you waltz over to your daughter's room and knock on the door.

"hey, dinner's ready. come on downstairs. somebody's here to see you." as you begin turning around, the door flies open and out comes your moody teenage daughter.

"who is it?" she queries, following behind you like a duckling.

from where he stands at the bottom of the staircase, gojo raises a hand and waves.

"hey, scrub."

"dad? what are you doing here?" your oldest questions, but still goes in for a hug.

"your mom invited me over for dinner, that cool with you?"

she nods, then turns to her sister. they exchange a knowing look that, if translated, would be: something's definitely up. they wait for you and gojo to head to the kitchen before having a quick debrief.

"you definitely did something," the youngest side eyes.

"wha-why would you think i did something? you're the one failing a class," she rebuttals.

"ok well...this isn't about me! they only get together when one of us does something. don't you see? they're teaming up...this is an intervention."

the oldest pinches the space between her brows, "i can see why you're failing english now, because the way you just jumped to conclusions like that is actually insane."

dinner goes by without a hitch. for majority of it, you spend the time talking about work, school (which seems like a sensitive subject because the youngest wouldn't look either of you in the eye), and the plot of this hbo show with adult kids who're trying to take over their father's company.

gojo brings it up, of course, and jokingly says that the show was written with him in mind. he asks the girls if they'll fight over who'll inherit the company when he dies, and it turns into a i'm the better daughter debate.

when it gets a little too rowdy, you have to remind them that this is all hypothetical and that their father is a menace who likes to cause chaos whenever possible. gojo pouts and says you're no fun, but quickly fixes his face when he sees your pointed glare.

"come help me with the dishes," you say, and then disappear into the kitchen.

the two of you fall back into old habits. you wash the dishes, he dries and sets them on the rack. it feels like it did in the beginning, only this time, he'll be leaving when the two of you set out to do what you originally intended.

"dinner was nice," he says after about 10 minutes of comfortable silence. he doesn't look up, doesn't even make a joke about your cooking (which, you were totally expecting him to do). instead, he just continues drying the plate you handed to him.

"you know, you're welcomed to come again. you don't always have to be away in that apartment all by yourself," you start, choosing your words carefully, gently. "the girls like eating with their dad."

"i like eating with them too. i guess i'll start coming by more often then."

you almost miss it but there's a smile on his face, and it's genuine. instead of pointing it out, you savor the moment.

your reasoning for his coming here was to talk to your daughter, but it was also to get him out of the apartment. see, you were sneaky like him too, and what he didn't know wouldn't kill him. to you, this was just hitting two birds with one stone.

when you finish up, the two of you discuss the plan over for what seems like the 100th time.

"so, we're gonna go in there and be cool about it, okay? we won't hound her. we're just gonna tell her like it is, and then let her down gently. got it?"

"got it."

"after you," gojo extends his arm.

"wha-ugh, fine."

as you lead the way, gojo has to keep a hand on your back to keep you from turning back around. so far, you've attempted to retreat five times—you're two feet away from the kitchen entrance.

"will you just go?" there's irritation laced in his tone.

"okay, just stop pushing me."

"no promises, keep walking."

you sigh, but heed his request. with a hand still on your back, he guides you all the way to the living room. the girls are watching tv but quickly avert their focus when they notice you standing next to the couch with a freakish smile plastered on your face. gojo whispers in your ear to be cool and you immediately gather your wits.

"mom...your face...dad what's wrong with her face she's scaring me," the youngest pauses the tv.

"sweetie, will you go upstairs for a minute? your dad and i have to talk to your sister."

seeming to be catching on, she gets up from the couch and says a 'told you' to her sister before running upstairs. you and gojo share a look.

"what's up?" she asks, still weirded out.

"you see, well...we've been talking and..." you start, "your father has something he wants to tell you!"

gojo snaps his head towards you, gasping in the same motion. "hey, what the hell happened to being cool?"

"no promises, remember?"

"oh, you litt-"

"dad."

"sorry, uh, shit. i wasn't prepared for this. this wasn't the plan," he begins, "so, i heard there's a boy...and...you're at that age where boys are cute..."

she looks at the two of you in abhor and groans. gojo pauses briefly, but you encourage him to continue.

"and i've come to understand that you're interested in one and want to go on a date?"

"yeah."

"oh...okay well, i—we just don't think that's a good idea. you're 14, in school, and honey, you're so young...you have your whole life to be interested in boys."

"wait, what do you mean 'we'?"

"your mom and i talked about it and-"

"mom said she was fine with it."

gojo smiles in shock and then blinks, once, twice, three times.

"we'll be back," he announces, pulling you by the arm to the kitchen.

when you get to the kitchen, he releases your arm and pinches the skin between his brows. it takes all of about five seconds before he erupts.

"'we're a team, satoru', 'we're in this together', bullshit! you wanted me to be the bad cop, didn't you?"

"not initial-"

"didn't you!"

"okay, sorry! i may have...gave in when she asked, but i figured you'd be able to tell her no!"

"why would you think that!? she's my little girl!"

"she's my little girl too!"

gojo walks over to the cabinet and pulls out a glass. "i can't right now, i need a drink. what do you have?"

opening another cabinet, you pull out a bottle of pink whitney. gojo sucks his teeth. it was such a girl drink, but it was all you had so beggars couldn't be choosers. shrugging, he raises his glass for you to pour the drink into.

grabbing another glass, you sit down and join him.

"we've been had, huh?"

"how is that?"

"because we both can't say no to her."

gojo raises his glass to his lips and swallows it all down in a few gulps.

your daughter goes on a date the following week, and gojo starts looking into trackers.

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