#fgo barbara
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the-anime-void · 2 months ago
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I'm working on a Gotham City Holy Grail War Project over on my YouTube channel, a big fan made cross-over of Batman with the Fate series. I am so happy with how the character designs are coming out that I just really wanted to share them outside of the videos. Though for more info, definitely watch them.
Big shout out to the artists for their work in turning my concepts into reality (all names linked).
Batman/Bruce Wayne by Kamago
Batgirl/Cassandra Cain by MokaChaos
Dr. Harley Quinn by Glitter_Djenna
Oracle/Barbara Gordon by Luchi
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meltyveil · 2 years ago
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some of my retro 90s anime style 
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bittertomato · 2 years ago
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Well, have more chaos :D
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katchevio · 6 months ago
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As a knight, I was defeated. 
As a monk, I was defeated. 
As Grand Master, I was defeated! 
I was reduced to ashes without having accomplished anything. 
I will do it here and now!
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The Chinon parchment was found in 2001 by Barbara Frale, an Italian paleographer at the Vatican Secret Archives. It contains the absolution of Jacques de Molay and the Knights Templar of all charges brought against them by Philip IV of France.
Eyewitness accounts said he went to his death ’… with easy mind and will that they brought from all those who saw them much admiration and surprise.’
———————–
I  finished Knightfall last year and am about to finish reading my book about them and then suddenly he is brought forth as a character in FGO.
A strong feeling overcame me to draw him. To think that I had a long art block spell for months.
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helluvaslut · 4 days ago
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Muses brought back :
FGO :
Scatach , Tamamo , Musashi ,
DC
Kara Zor El/Clark , Barbara Gordon , Dinah Lance, Cassandra Cain , Stephanie Brown ,
One Piece :
Nami , Nico Robin , Carrot
Konosuba :
Aqua , Wiz , Darkness
Muses Added :
Temari , Tenten, Mizukage ,
Mihoyaverse :
Bronya, Burnice, Rappa ,
Test muses :
Dolores and Isabela Madrigal , Wendy Corduroy , Pacifice , Luz , Amity , Princess Jasmine ,
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menstits · 11 months ago
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agreed. i play a lot of gachas, and genshin is BY FAR the most easy to save primos with. it was the first gacha with a guaranteed pity system(i think hi3 also had it at first but it wasnt as well known internationally), to the point that gachas like fgo had to add their own (wich is still way worse than genshin) of course, its still gacha, and still bad, but games like cr and arknights who get sold as "having a better system" really dont have it, nor do they have a guaranteed pity in the first place.
The other two gachas i was big into before genshin were love live school idol festival and cookie run ovenbreak back in the day, and both of them were WAY more predatory than genshin imo like purely in terms of how the game itself and the gacha worked. Love live was evil because no matter how much you pulled you weren't really guaranteed anything above SR rarity which was insane in retrospect like i legit played that game for like two years without getting a single UR card, while cookie run was like. The sort of game that becomes completely unplayable unless you have the most recently released character because that's how bad the powercreep was. The thing about genshin is that technically you ARE able to get through the entirety of the storyline and exploration using only the characters they give you (traveler, kaeya, lisa, amber, xiangling, noelle, barbara, collei... That's quite a few at this point). Does anyone actually play like that? Pretty much only masochistic gamer youtubers tend to do that but still it IS technically an option for someone who doesn't give a single shit about collecting characters or fighting and mainly cares about exploring. I absolutely would still NOT recommend the game to someone who has a history of gacha addiction or who has a tendency to develop addictions in general because ofc it's inherently a bit evil by virtue of being a gacha but tbh that goes for any gacha on god's green earth
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coe-lilium · 1 year ago
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Academic question, is “ephemeral fruit that weakened Typhon” an actual thing or did FGO made it up?
Made up, but not FGO original (not even -most surprisingly!- Barbara Walker's nonsense again).
From what I've been able to gather is a detail that first appeared on Typhon's JP wikipedia page in 2005 with no sources that has remained till now. It may have been invented by an... hobbist? Of some craft?
But the short of it is that is unsourced nonsense TM didnt think warranted further research. Not surprised since they keep using Walker's book and -allegedly- their expert of non-japanese lore and 'charged-with-english-language-based-research' guy has said the most '40years old and disproved again and again' stuff on Arthur?
Just par for the course, this time with a little twist.
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itznarcotic · 2 years ago
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Syncretism rambling under the cut
I seriously hope Type Moon doesn't use Barbara Walker's The Women's Encyclopedia of Myths and Secrets as a "factual and historical" source anymore than they already have. It was bad enough with the Norse-Celtic syncretism (of which was semi-popularized with Scathach-Skadi in SMT and used as basis for the entire Celtic pantheon in FGO) but some of the shit in this book is insane from a historical standpoint that you'd have to be a mental gymnastics olympic champion to get through those hoops of supposed logic.
Also, for the record, this isn't me bashing her because it's a feminist view on history and mythology. Honestly, that's an interesting fresh breath of air! But unfortunately, the contents of said book are incredibly bad regarding how much shit is made up/unfounded with what we actually have information on.
Some examples that I wish weren't actually in this book:
The excerpt on Aesir
"Asians," the Norse gods led by Father Odin, who invaded the lands of the elder deities (Vanir). The Aesir came from Asaland, or Asaheimr, meaning both "land of gods" and "Asia." Some claimed their home city was Troy. Such myths record the recurrent western migrations of Indo-European or Aryan peoples. The Norse word for a god was Ass, "Asian." The Egyptian god Osiris was formerly Ausar, "the Asian." Etruscans also called their ancestral deities Asians. Phoenician king Cadmus was "the Oriental," from kedem, "the Orient." The Asian invaders were aggressive. The Voluspa said war occurred "for the first time in the world" when the Aesir attacked the peace-loving people of the Goddess.
The excerpt on Aryans
General name for Indo-European peoples, from Sanskrit arya, a man of clay (like Adam), or else a man of the land, a farmer or landowner. The ancestral god of "Aryans" was Aryaman, one of the twelve zodiacal sons of the Hindu Great Goddess Aditi. In Persia he became known as Ahriman, the dark earth god, opponent or subterranean alter ego of the solar deity Ormazd (Ahura Mazda). In Celtic Ireland he was Eremon, one of the sacred kings who married the Earth (Tara).
Though there was nothing "pure" about either the name or the far-flung mixture of tribes it was supposed to describe, the term "pure Aryan" was revived in Nazi Germany to support a mythological concept of Teutonic stock, the so-called Master Race. Non-Aryans were all the "inferior" strains: Semites, N██████, gypsies, Slavs, and Latinate or "swarthy" people whose blood was said to be polluting the Nordic superiority of their betters.
The excerpt on Aladdin
Marco Polo described Aladdin quite differently from his mythic portrait in the Arabian Nights. As the fairy tale said, he was master of a secret cave of treasures, but the cave was real. It was located in the fortified valley of Alamut near Kazvin, headquarters of the fanatical brotherhood of hashishim or "hashish-takers," which Christians mispronounced "assassins."
Aladdin was an Old Man of the Mountain, hereditary title of the chief of hashishim, beginning with a Shi'ite leader Hasan ibn al-Sabbah, whose name meant Son of the Goddess (see Arabia). The later name of Aladdin was taken by several chieftains. In 1297 the region of Gujarat was conquered by a warrior called the Bloody One, Ala-ud-den. By means of drugs and an elaborate "paradise" staffed by human Houris, initiates into the brotherhood were persuaded that they died and went to heaven, or Fairyland, where gardens and palaces occupied the valley of the secret cave. Special conduits flowed with the Four Rivers of Paradise: water, wine, milk, and honey. Each candidate was drugged into a stupor, then woke and "perceived himself surrounded by lovely damsels, singing, playing, and attracting his regards by the most fascinating caresses, serving him also with delicate foods and exquisite wines; until intoxicated with excess of enjoyment amidst actual rivulets of milk and wine, he believed himself assuredly in Paradise, and felt an unwillingness to relinquish its delights."
After this period of bliss, the warrior was again drugged and taken out of the secret place, to fight in the service of the Old Man of the Mountain. He fought fearlessly, in the belief that death in battle would instantly carry him back to that heaven cleverly made real for him. Promises of sexual bliss were the real key to the ferocity of Islamic armies. The Koran said each hero who died in battle would achieve an eternity of pleasure among heavenly Houris with "big, beautiful, lustrous eyes."
Aladdin's sect worshipped the moon as a symbol of the Goddess, like the Vessel of Light associated with both the virgin Mary and the Holy Grail in western Europe. Eastern poets said the Vessel of Light produced djinn, "spirits of ancestors." This Vessel was simultaneously Aladdin's lamp, source of djinni (a genie), and the moon, source of all souls according to the most ancient beliefs. The moon was the realm of the dead, and also the realm of rebirth since all souls were recycled through many revolutions of the wheels of Fate. The divine Houris also dwelt in the moon, which probably was the light of Aladdin's secret cave. See Moon.
The Arabian Nights gave the password to Aladdin's cave: Open, Sesame. This was related to Egyptian seshemu, "sexual intercourse." The hieroglyphic sign of seshemu was a penis inserted into an arched yoni-symbol. Every ancient culture used some form of sexual symbolism for the idea of man-entering-paradise.
An excerpt on Cu Chulainn
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The infamous excerpt on Skadi
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thatsoundssobeautiful · 17 days ago
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Rappeuses en Liberté : Découvrez les Lauréates 2024 | MaMa Music and Convention
View this post on Instagram A post shared by Rappeuses en liberté (@rappeusesenliberte) RAPPEUSES EN LIBERTÉ présentait la Finale du Tremplin 2024 ce Mercredi 16 octobre, au FGO – Barbara. Lancé en 2021, Rappeuses en Liberté est un dispositif porté par une vingtaine de partenaires pour favoriser la professionnalisation de rappeuses, toujours trop absentes des médias, des scènes et des streams.…
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eliefreebandzthe1st · 1 year ago
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Some work i did for Angel records. It was for Virgo show the 1st solo show for the 1st studio album of Rozzy Dc at FGO Barbara in paris.
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alephskoteinos · 2 years ago
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The Nrvnsqr Forums has had people directly post things related to Barbara Walkers Woman’s Encyclopedia. It’s where Kama = Mara, Scthath=Skadi, why Quetzacoatl shows up in FGO Mesopotamia chapter, etc. originate. Ive seen Type-Moon fans have talked about how he’s always inspired by the things he likes and takes things he finds cool and uses his own spin on those concepts in Nasuverse.
I could grant that but there's the thing:
Fate is not SMT.
Even if as is claimed there is shared source material (and I would be inclined insist that Barbara Walker is not the entire body of Atlus' sources), Fate simply does something different to what SMT has done for most of its games.
That said I can't make any promises for what SMT will become.
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mrullmann · 2 years ago
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JEUDI 9 PLAYBOY, vous invitent à célébrer les 50 ans du magazine « PLAYBOY France » et son dernier numéro ( n°11 ) dans sa nouvelle formule.   VENDREDI 10 FRENCH POP 100% FÉMININ 20h30 @marciahigelin ( Chanson Française) Marcia c’est 1 piano-voix moderne qui explore 1 univers singulier aux tonalités étonnantes  21h @jozet_music (Pop - Chanson Française) JoZet est auteure compositrice de la scène Pop. Son univers offre 1 mélange audacieux de sonorités cinématiques au service d'une écriture singulière et de récits nostalgiques. 
Venez découvrir son nouvel EP: romantico-fiasco ! 22H June The Girl @junethegirl (Pop Alternative) Je suis la fille qui fait l'amour et la gueule, un peu trop fan des séries et films d'horreur.  23H Suzz’n’Soul (Soul R&B Disco Funk) Une pépite de GROOVE où la Soul et la Funk sont à l’honneur, SUZZ’n’Soul en scène 
Le dynamisme bat son plein avec SUZZ’n’Soul qui électrise un public bien averti  
SAMEDI 11 MARS 20h30 @illa.musique ( Chanson Française).Révélée par le dispositif Variation(s) de FGO Barbara, Illa nous touche tant par la douceur de sa musicalité que par la violence des thèmes qu’elle explore. « Là où la haine sévit », c’eslà que toute son inspiration prend racine, se mettant à nue sur scène comme en studio pour faire sa thérapie et la notre au passage... Il ne nous reste plus qu’à tendre l’oreille pour écouter cette voix pure et cathartique qui ne laisse personne indifférent, et avec laquelle elle dessine le contour de ses émotions.   21H Vernis Rouge @vernisrougemusic (Pop - Chanson Française) Jeune artiste indépendante franco-libanaise de 23 ans, Vernis Rouge s’inscrit dans la nouvelle vague de pop française à la plume aiguisée. C’est 1 musicienne à 2 facettes: l’1 acoustique parfois entourée de ses musiciens, l’autre plus électronique en set solo derrière ses machines. Aussi bien influencée par Barbara, Edith Piaf, Dalida et Lhasa de Sela que par Clara Luciani, Angèle et Pomme, l’auteure-compositriceinterprète mélange le meilleur des deux mondes et n’hésite pas à reprendre Bosh, 13 Organisé, Jul, Hatik ou encore Aya Nakamura, dont certaines covers dépassent la centaine de milliers de vues. 23H @spankadelic_ ( Funk) (à NO.PI PARIS) https://www.instagram.com/p/Cpf-N0xqKr2/?igshid=NGJjMDIxMWI=
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bittertomato · 1 year ago
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Oops I forgot I had this chapter written haha.
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lauriedoyenphotographies · 2 years ago
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Lucibela & Zar Electric - FGO Barbara - 2022
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justinefigueiredo · 6 years ago
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cristinadaura · 7 years ago
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New image for the January program of FGO Barbara (París).
This one is dedicated to my close friend and illustrator Giulia Sagramola.
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