#Emmanuelle Parrenin

[1cassis]

[mon-nid]

Emmanuelle Parrenin, Jean-Loup Baly, Jean-François Dutertre, Dominique Regef ‎: Le Galant Noyé - Ballades Et Chansons Traditionnelles Françaises · Sello: Le Chant Du Monde ‎ Catálogo: LDX 74576 Serie: Spécial Folk País: Francia Fecha: 1975

Temas: 1. Le Joli Mai 2. Chers Compagnons 3. Sur le Pont de Nantes 4. La Jolie Vigne 5. Le Prince Eugene 6. Noel Bressan 7. Fillettes de Champagne 8. Le Premire D'avril 9. Branle de Poitou 10. Devant Bordeaux / la Montauban 11. Le Galant Noye

Músicos: Emmanuelle Parrenin: vocals, hurdy gurdy · Jean-Loup Baly: vocals, spinet, accordion, flute · Jean-François Dutertre: hurdy gurdy · Dominique Regef: strings

[jt1674]

[nofatclips-home]

Emmanuelle Parrenin live in Paris for Petites Planètes

[alexios-tjoyas-fructuosus]

Visions de Nosferatu / ma contribution pour un livre-CD, avec Emmanuelle Parrenin, Quentin Rollet, Jérôme Lorichon, Caroline Sury, Marie-Pierre Brunel & Foolz (Bisou Records, avril 2024)

Visions of Nosferatu / my contribution for a CD-book, with Emmanuelle Parrenin, Quentin Rollet, Jérôme Lorichon, Caroline Sury, Marie-Pierre Brunel & Foolz (Bisou Records, April 2024)

[barstoolblues]

this is awesome @satellitefeed mariaaaa thank you for the album rec 😘

[frankbedbroken]

frankcore 2k25 !!

and if you can believe it. it's a monthly playlist once again. for this first installment (?) this year it mostly falls into three separate blocks: a lot of stuff that passed me by during last year and i didn't get hip to until i checked out a bunch of year-end lists (shouts out billdifferen and vhs midnight style), the few new releases that i got to during this month, and assorted random stuff from previous years.

for the first part: we've got ominous and haunting acappella performance from vocal-centric catalan folk duo tarta relena; an incredibly addicting loosie from lucy bedroque that only recently got put onto streaming services (had it been around by the time my year-end list dropped, i would've definitely gotten a hard time deciding between it and how to pretend to be on said list),; poppy bassline/garage numbers from niko b as well as silva bumpa with megan wroe on vocals; broken, ever changing rhythms and corrosive sound design under the always uncertain umbrella of deconstructed club from ship sket and seychelles; a metalcore number from the band kaonashi with an off-kilter and unique vocal performance but also maintaining the aggression and chaos you'd want out of the genre; and finally, speaking of chaos, mind-numbingly hard stuff from CONNIE, moving from a bouncy, hyperactive, super saturated donk-like rhythm which later on slows things down to a brazilian funk drum pattern and tempo but not letting go in the harshness department, all underlying the hardest tts vocal performance since knife party's internet friends (?).

in terms of new stuff: hazy and disorienting yet compelling and riveting ambient / hypnagogic sounds from voice actor & squu; very solid trip hop revivalism from destroyer (very unfamiliar with his discography, this track's not really representative as i understand but im interested to see what the rest of that album is like); pitch-dark and sombre slowcore from the ever-inspiring ethel cain; delightfully euro pop rap with a l'amour toujours interpolation thrown in for good measure from bassvictim (this track dropped last year technically but the project it's from was released just now); slow-burning and mechanical yet vaguely horny new beat vibes from marie davidson; of course i had to include something from twigs' most recent album, went with a track that feels very in line with ray of light and impossible princess, introducing acid techno influences into a pop format; wonderfully sweet indietronica with some influences of microhouse from baths; light and icy garage rhythms intermingling with hip hop and r&b on the latest from john glacier alongside sampha; turn-of-the-millenium-inspired house-pop crossover from rose gray (featuring an interpolation of blue (da ba dee) as well, i know im a bit hypocritical when it comes to that kinda thing but idk i think the two tracks featured here do it well); a couple of tracks from projects that will be dropping shortly: from mun sing, a track that feels equally as indebted to post-club / uk bass experimentalism as it does pc music and recent developments in pop and r&b; from traxman, no-nonsense footwork that works exactly as well as you'd want it to; and from aya, a track that you could compare to machine girl in its tackling of digital hardcore idioms but that also brings in a lot more influence of deconstructed club sound design as well as more hectic edm influences from hard techno and donk; wrapping up, a track off the most recent pink siifu project, this one having really atmospheric yet danceable production courtesy of the duo hi-tech, in a way reminds me of the more dnb-centric side of artists like machinedrum.

and then: the rest! big trip hop block at the start, with more recent revivalism from buttechno & triš, a bizarrely ahead-of-its-time anomaly that's technically folk and industrial adjacent but sounds just like trip hop in 1977 from emmanuelle parrenin, and languid r&b sounds from chinah, mixing an almost monotone vocal delivery with rhythms influenced by trip hop and minimal drum and bass; later on, probably the most popular track off that model/actriz album, the album itself didn't do as much as i wanted to but i do like this track quite a bit; finally, bedroom-esque screamo with potent vocal delivery filled with rage and angst from awakebutstillinbed.

my one track that i would've liked to include but couldn't because it's not on streaming is left leg out by mala, classic uk dubstep sounds from one of the originators of the sound, very grimy and dingy as you would want from the genre.

that's it for now, tube it!

[jr222music]

EMMANUELLE PARRENIN  - Plume blanche Plume noire  1977

[merzbow-derek]

POST-POST-SCRIPTUM 1041

UN NAPPE SE TRAME

[diyeipetea]

4, 3, 2, 1... ¡Viva FOU Records! Por Pachi Tapiz. HDO 550 [Podcast]

4, 3, 2, 1… ¡Viva FOU Records! Por Pachi Tapiz. HDO 550 [Podcast]

El sello frances FOU Records, dirigido por Jean-Marc Foussat, orienta su catálogo hacia la improvisación libre. En HDO 550 escuchamos música de cuatro de sus últimas grabaciones. Periferia de Daunik Lazro(saxos alto y barítono); Carlos Zingaro (violín); Sakis Papadimitriou (piano); y Jean Bolcato (contrabajo); Haut Cœur de Jean-Marc Foussat (Synthi AKS, voz); Emmanuelle Parrenin (zanfoña, oz); y…

[rainydawgradioblog]

RDR Music Rotation Adds (1/26/21)

FULL-LENGTH

Palberta - Palberta5000 (indie, post-punk, noise rock)

Tight 3-part vocal harmonies over noisy punk tunes. Tense, scratchy guitar riffs and melodic bass intertwine and push and pull odd rhythms along with just the right balance of formless grime and bright pop sensibility.

Emmanuelle Parrenin & Detlef Weinrich - Jours De Grève (avant-folk, exp. electronic)

A vast sonic array both eerie and groovy. Looped rhythms on electronics and an army of acoustic percussion, odd electronic drones, warbly melismas and bendy, squealing melodies.

Jazmine Sullivan - Heaux Tales (r&b, neo-soul)

Heaux Tales trades off spoken word passages and catchy r&b songs to explore topics of feminism, sex and reclaiming female bodies. Jazmine’s voice dances and harmonizes over crisp drums and a bed of woozy synth chords flowing over one another.

Navy Blue - Song of Sage: Post Panic! (abstract hip-hop)

Musically calm with just a touch of lyrical despair. Navy Blue and a handful of guest features delve into topics of depression, gentrification and trauma, swimming in hazy, psychedelic beats made up of jazzy loops and downplayed, soft percussion.

SINGLE/EP

Beach Bunny - Blame Game (indie rock, power pop)

Upbeat summery indie power pop! Sunny, lush guitars chords dance along with punchy basslines and break into uplifting choruses with catchy upfront vocal melodies and soft, subtle backup vocals.

Lancey Foux - Steelo Flow (trap)

3D flow from London. Crooned autotune hooks layered with harmonies break into playful bars and adlibs, clicks and clacks, hi-hats and subtle arpeggios unfurl over stomping, bassy kicks.

Madeline Kenney - Summer Quarter (indie, dream pop)

4 downplayed, subtle dream pop cuts. Guitars wave and wobble in a sea of reverb, with Kenney’s voice sitting in the middle, up close and personal, switching off with playful, detuned synth melodies.

[alexios-tjoyas-fructuosus]

Visions de NOSFERATU (BISOU records, Paris) un livre-CD, format A5, noir et blanc, à partir de la version restaurée du Nosferatu de F.W. Murnau, accompagnée en vivant à la Cinemathèque de Paris en 2022 et 2024 par Emmanuelle Parrenin, Quentin Rollet, et Jérôme Lorichon.

Visions of NOSFERATU (BISOU records, Paris) a CD- book, A5 sized, black and white, from the restored version of Nosferatu by F.W. Murnau, accompanied live by Emmanuelle Parrenin, Quentin Rollet, and Jérôme Lorichon at the Cinematheque de Paris in 2022 and 2024.

[remiparson]

J’ai le plaisir de figurer à l’affiche de la première édition du FESTIVAL WALDEN avec Microcultures qui aura lieu les 22/23 juin à FGO-Barbara et le 24 juin/1er juillet au Petit Bain.

Je jouerai le 22 juin en compagnie des superbes MY Concubine (Officiel) et Emmanuelle Parrenin mais vous retrouverez également tout au long de ces quelques belles journées d'été : LOU, Maud Lübeck, Nicolas paugam, Jérôme Castel/ chanson, Frédéric Lo, Xavier PLUMAS, Mignon*, Thomas Salva, Matthieu Dufour, NESLES et bien d'autres surprises encore.

A très vite, donc !

Lien de l'event :https://www.facebook.com/events/1970597049843079/ Pour commander votre place : https://www.weezevent.com/festival-walden-microcultures-rem…

[satellitefeed]

hottest 100 tomorrow heres my actual top 10 new releases of 2022 not the bullshit thats on the triple j