#ff14 classes

[avycatte]

Ever wondered what your favourite FFXIV job says about you?

[picaroroboto]

For the past couple days, I've been unfortunately cursed with thinking about Zenos yae Galvus. I don't even particularly like him - not that I dislike him either, Zenosfuckers you can put your scythes down - but it seems to me like a lot of the fandom either greatly misunderstands him, or doesn't even care to try to understand him, which from an objective standpoint as someone who cares deeply about writing in video games kind of pisses me off. But I'm more pissed about the fact that I'm apparently going to keep thinking about this issue until I actually write a character analysis of him.

Q: "But, what even is there to analyze with him? Isn't he all about wanting to fight the WoL and nothing else?"

Well, you wouldn't be wrong with saying that. That motivation is at the forefront of his character, and even if you look closer, everything about him comes back to either "violence" or "lack of understanding of others". But there are more meaningful sides to his deceptively simple character. That question of meaning is what I really want to look into - what does his character mean, what symbolic or thematic role does he play in this story?

Q: "Better question: why are you posting this on your art blog/Fate meta sideblog?"

Good question, with a stupid answer: I have all of 6 followers on my FF14 sideblog, and around 150 here. Let's go under the cut so they don't have to read a wall of text, unless they want to.

When you look at and compare FF14's villains, you can see a very clear change, no doubts thanks to the change in main writers. ARR Gaius and Thordan are more or less two-bit villains - Gaius's memeable iconic Praetorium speech gives us insight into how fascists try to justify themselves but little into Gaius's actual personality, while all Thordan gets as far as depth of character is an NPC in a sidequest remarking that he wasn't always a bad person and was probably doing what he thought best for his nation. Nidhogg is a little more understandable, since revenge is a relatable motivation to anyone who's been hurt by others. In Stormblood, Zenos and Yotsuyu are both presented as deserving of pity even as they do terrible things. Come Shadowbringers and Endwalker though, the story takes a greater interest on why villains like Emet-Selch and Elidibus do the things they do, and the player is allowed more options to try to understand them and see how similar they are to the WoL. Hell, Hermes and the Endsinger are barely "villains" at all, with the level of sympathy the story shows them.

What I'm getting to here is that Zenos, with half his arc in Stormblood and the rest in Endwalker, is sort of caught in the middle of this shift. He played the role of the rival character in Stormblood really well, but come Endwalker, he's standing on a stage full of heroes and villains with grand causes and deep motivations, as the guy whose sole motivation is fighting for pleasure.

It seems he's not unaware of this contrast himself - when Jullus confronts him for ruining Garlemald for no good reason, he retorts with "Would you be happier had I a good reason?" Zenos makes no attempt to justify his own actions and doesn't care that his reason seems incomprehensible and unforgivable to others. Yet in that same cutscene Alisaie hits him with the fact that if he keeps living solely for pleasure, he'll die alone. When next we see Zenos, he's alone at the Royal Menagerie waxing philosophical about what he really sought in the battle with the WoL.

See, what really motivates Zenos isn't just the thrill of battle - this guy has gotten Battle High and the joy of human connection confused. Really.

Even before he gets so perturbed by the idea of dying alone, there's other suggestions, like his proposal of friendship to the WoL when they fought in Stormblood, and then later his dying words in which he explains that he never understood others - at his core, he's just lonely. I know there's an official side story that tells it, but you don't need to know the exact details to glean that he had some sort of tragic backstory. Sad, but not a surprise, considering he's the prince of the Garlean Empire, raised to take the throne and continue the Empire's legacy of violence.

At his core, he's a very lonely person, but also a thing of violence, raised using violent methods for the purpose of causing more violence. Violence is how he lives and breathes - the only way he gets any sort of connection with others in a world of hurting and being hurt is the brief connection warriors dueling as equals can sometimes find. Don't deny that this sort of connection exists - FF14 is great at making fights that are both fun and tell a story. Hence, why he goes crazy for the WoL, but also refers to them as "friend". In their fights, he senses (or thinks he senses) similarity between him and them. Beneath all the madness is a pure, genuine joy in seeing the self reflected in the other...but he also instantly gets on the train to projection-town, population Zenos, and assumes the WoL is exactly like him, ignoring or failing to notice that they also fight for deeper meanings. The worst part is, he doesn't even notice that what he's actually seeking in fighting them is connection until Alisaie's aforementioned callout.

So he goes and angsts for a while, then turns into a dragon again and flies across the universe to help us kick the Endsinger's tail feathers, then issues his challenge for that duel he'd been longing for. But what's changed is that he starts with a question - "Such pleasures you sought for their own sake, and for no other reason, is that not so?". Dying after the duel, he's full of questions too: "Was your life a gift or a burden? Did you find fulfillment?" Alisaie's suggestion that he'd die alone actually spurred him to realize what he actually sought in the WoL, and now he's asking all these questions in an attempt to, for the first time in his life, genuinely connect with another human being.

The questions aren't important just because they're a sign of how Zenos has changed in Endwalker - they're actually the thematic heart of Endwalker! ARR may have had "Answers" as it's theme, but EW is the expac of questions. Namely the biggest question of all: What is the meaning of life? Different characters have different answers to that, leading to the grand-scale symbolic conflict being the Endsinger's despair - her belief that there is no meaning in life - versus whatever reasons the WoL chooses to live for, left, as always, up to player interpretation.

When you look deeper, Zenos isn't actually as out-of-place in the symbolic conflict as he first seems. His depressed worldview - that metaphor about drowning in a swamp again - seems to align with the Endsinger's view about life being meaningless. But he aids the WoL in defeating her. In that way he serves as part of the answer to her question about the meaning of life. He may have resented life at times, but he still found meaning in chasing pleasure. Not the strongest or most beautiful reason to deny oblivion, perhaps, but it did enable him to help the WoL triumph. I think of Zenos's philosophy as being connected to the concept of "Amor Fati"...largely because this quote explaining it sounds like something he'd say, or at least agree with on some level:

"and if our soul has trembled with happiness and sounded like a harp string just once, all eternity was needed to produce this one event—and in this single moment of affirmation all eternity was called good, redeemed, justified, and affirmed."

So he does have a meaningful role in Endwalker, as the "Amor Fati" against the Endsinger's "Memento Mori". I think that in this the story shows that his reason for living, while somewhat shallow, is not necessarily a morally wrong thing in and of itself (setting aside for a second all the people he hurt in his pursuit of that). It's just that, since it is a lonely pursuit that denies everything except for his target, it still feels empty. The core of the counterargument against the Endsinger's despair is that both pleasure and fulfillment are necessary to live a meaningful life in a meaningless universe, and that's why Zenos is here in Endwalker. Why he even exists in the story in the first place.

Even if you're one of the people who deeply hates Zenos...well, you probably wouldn't have read this whole thing if you did, but I still think it's important to read into characters you dislike, because every character in a story is written for a reason. Plus, trying to understand even their worst enemies is one of the WoL's key traits as of ShB and EW. With his last breaths, Zenos was trying to understand the WoL too - carrying this understanding of him with you as we move into our next adventures is the least you can do for your "friend".

[nocturnalsectt]

Save A Horse, Ride A Cowboy

Or however that saying goes

[cosmodynes]

florescence🌹🎇

timelapse video

[emcapi-gaming]

I am so curious to know what the consensus is here, honestly. Reblogs greatly appreciated!

[dated-radz-at-han-coin]

"Oh yes, I learnt the craft from the famous Redolent Rose himself, and-- hm? Oh, sure. I can get that button back on for you!"

[nabaath-areng]

It's a pity I've put leveling on the burner for now because that means I don't get to see all the cute glams I made for Ieeha

[stalwart-spirit]

TANK - PLD

[myreia]

✦ D A R K K N I G H T

Abyssal magic comes effortlessly to her, and therein lies in the danger. Too much grief, too much rage, too much love. Forces bent on tearing her apart from the inside out. Her aether twists around her blade, setting the runes alight, unrefined magic pulsating in the palm of her hand. When she reaches into the abyss, she feels a strange serenity, content with the knowledge her enemies will certainly fall. The question remains as to whether she herself will be left standing at the end. —level 90 compendium

[shroudkeeper]

Father, I wish to take you with me, as you turn towards retirement, perhaps time shall allow you to venture beyond the shores of our beloved home. There are many beautiful wonders in this world, it is a canvas painted with a wash of colors that I wish to capture to show you when I return home. Every corner we have visited is filled with life and I am captivated by every experience he has introduced me to. I have tasted the salt of the sea upon my lips, swept along the cliffside where the lighthouse resides. The wind was cool here, I could hear the melody of the flowers cast to these same winds as they swayed to and fro around our ankles and wrists. We visited forests beyond the gates of Gridania; they harbor their own mystique and curious inhabitants. It is beautiful and haunting, one can almost feel spirits lingering in every living thing here. There are flowers that I have never seen before in my lifetime, I hope to take some seeds with me and have the opportunity to see them bloom. I have watched sunsets descend beyond an arid desert, which cooled down as the night enveloped its city, a chill I am accustomed to. Mister Fitzgerald has spoken at lengths about Ul'dah, about Lord Lolorito, he even has gone as far as selling my paintings to tradesmen here. I am under the suspicion that he has convinced a few of them that I was a well-known artist from Kugane, he's quite convincing and has made a bit of coin to finance our continuous adventures. He thinks I may have a future in this, and I am starting to believe him.

[sunnova-art]

Guess who got real into ff14 and forgot about everything else for way too long ^^'

[celestiapng]

astrologian buff cards from FFXIV

[nekhcore]

shirk is a very important part of the tank rotation. after all, the best defense is not having any enmity

[maggotcat]

finally illustrated something for my wol 🥹

[demigod-of-the-agni]

Forgive me, forgive me. I ask, I beg, I pray, but it never comes.

You know I find it incredibly bewildering to see just how much kalki reflects myself in him like YEAH Duh of course he does, he’s my little guy it’s like his full time job. But at the same time he is a fully functional facet of my being and he is at the mercy of my whimsies, and whatever he discovers in his arduous journey of self realisation is ultimately a reflection of what I discover in the real world. It’s also incredibly funny because ffxiv lore for dark knights is really baked into the idea of (re)discovering yourself amongst the bloodshed and continuing to live and love and thrive despite the world working against us. who would have thought such a raw message could come from an mmorpg side quest about edgy emo boys of all places

also adamantite armour of fending i would lay down my LIFE for u

variant + phone bg version + ID below the cut

tch as if you guys are actually going to use artwork of my little guy as your phone background. i know. how dumb. let a girl dream. i should make an alternate version but it's of Fray and Myste

[START ID: A picture with a red background focusing on the character's bust that is placed to the left of the image's centre. He is coloured with a dark blue overlay, contrasting with the red background. He has brown skin, long black hair that falls over his shoulders, and is wearing blue and gold armour and earrings. He is looking at the viewer, right eye dark brown and the left an glowing unnatural red, with an expression that looks determined and angry and yet bitter and forlorn. In the foreground and on the right side of the piece, a miniature version of the character stands coloured in a light blue overlay and wearing the same blue and gold armour, looking as if he is glowing. He is facing towards the left of the piece, or perhaps at the character bust, his expression unreadable. Above the miniature character's head is the symbol representing the FFXIV dark knight, coloured in gold. END ID.]

[battleonthebigbridge]

He's something of a magical girl time mage if you ignore his dubious moralities and selfish pursuits of familial love.