#feraliminal art

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Easier to lean on, even if (pretending to be) less tolerant.

I’m not even trying to finish this because I wanted to draw quickly and need to rush off in like 20 minutes. Messy sketching is actually super fun!

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hamster cheeks.

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Titan TVman and Beowulf are Basically the Same Character: Why Skibidi Toilet Is Folklore

It’s been a long time since I’ve touched the hellsite (I used to doodle and write dirty fic), but I’m fascinated by the silly toilet men videos, their popularity, and the confusion about their popularity. And because I’m a huge nerd and always want to know why people do things, I wrote something. It’s too long to leave on my Notes app and forget about, and I’m also not letting skibidi toilets anywhere near my serious blog. So I actually came back to Tumblr for this.

(Also the first stupid doodle I’ve done in forever, here’s the original meme.)

Toilet humour is obviously a huge part of why it’s so popular, and imho it’s a poop joke that got bigger than the creator intended it to. Toilets are endlessly amusing, particularly for kids, because learning to manage your waste is essential to being a civilised person but something that no one really wants to do. Some of the first conflicts between kids and their parents are often around cleanliness and potty training, and as we get older, the toilet is one of the few places where we’re first alone, particularly if we share a bedroom with siblings. Childlore and fiction about childhood is full of toilets: bullies that strike in school toilets, toilet ghosts like Bloody Mary and Hanako-san, people who died on the loo, and rats or spiders that bite your bum. It’s a classic example of a liminal space that looks mundane but could be full of scary shit.

So that’s my first smart theory, Skibidi Toilet is a contemporary haunted toilet story with something to do with dirt and discomfort vs tech. Clever theories about symbolism are fun and I think symbolism that feels relevant and familiar might be why something first attracts someone’s attention, but I don’t think it can explain the thing having fandom.

The only thing people love as much as poop jokes is stories about cool guys having punch ups, and there’s plenty of that as well. Visually and thematically, Skibidi uses all the tropes that we love in serious popular media - fights, explosions, monsters, giants, noise, the aforementioned cool robots. Swap out skibidi toilets for alien invaders, and cameramen with plungers for cyborgs with swords, and we’d have a respectable alien apocalypse story that’s identical to five other summer blockbusters. But as it is, it’s so ridiculous that it can only be a silly little internet video.

There’s a video by MatPat making a convincing argument that it’s actually about the conflict between independent content creators and the conventional media industry. But again, I think it’s also probably only indirectly what’s turning curious views into millions of subscriptions, especially since the earlier netlore was pretty niche. I think what viewers are picking up on is the dissonance between cool robots, apocalypse horror, and silly toilets, evidenced by most of the comments on YouTube being variation of “why is this actually good”. It’s got the same vibe as other stuff I’d classify as creepypasta-style or meme-style horror: Five Nights at Freddy’s, Among Us, Homestuck, and so on. In meme horror, there is an in-universe threat to characters that’s not played for laughs. However, something like a ridiculous gimmick, a parody of pop culture, or a dissonantly cute art style makes it clear that adult viewers who understand it as fiction don’t have to respect the threat.

The line between feared and respected has always been thin. A cool example of this is the word aglæca in Beowulf and other Old English texts. Aglæca is a debated word because it’s mainly used to describe monsters and demons, but is sometimes used to describe heroes and saints. Both the human hero Beowulf and his monster opponent Grendel are called aglæca. Based on this use and its etymology, some medieval studies scholars think it means something more like an uncanny and powerful outsider. I think a big part of meme horror’s appeal is that it’s still got heroes who are more or less serious characters fighting serious battles. We can respect the characters and their struggles even if we don’t fear the absurd stuff. I’ve chosen Titan TVman for my silly title because they’re the character that best embodies the “uncanny hero” aspect for me, but tbh I think that most meme horror heroes/anti-heroes seem to be these character types.

We know that enjoying horror fiction helps some people manage anxiety and fear, and comedy horror can help us laugh at fear. With the retained seriousness besides the playfulness, meme horror might be more beneficial than basic serious or comedy horror as a comfortably uncomfortable middle ground between the two. Cringe is currently having a cultural moment too, where concerns about and celebrations of being cringe are everywhere, so it might also give us a way of exploring and processing our feelings about embarrassment as well as fear.

Memes, and therefore meme horror, are very amenable to being collaboratively and spontaneously adapted and spread by regular folk. They’re a new form of folklore, essentially. They address stuff that’s relevant to the lives of regular folk, including ugly and uncomfortable things. There’s even a theory that the culture of the very online has began an era of “secondary orality” where how we spread stories on the internet replicates how we used to spread folk stories by word-of-mouth. Secondary orality is a double-edged sword, as it can build creative and supportive communities, but also spreads conspiracy theories and hate. No wonder some of us might not be having our needs fulfilled by regular horror fiction, if we’re facing the bad kind of secondary orality as well as everything else that’s going on in the world. (More allegories! An increasingly absurd and hostile world is another theme in Skibidi Toilet.)

The 1938 book Homo Ludens argued that doing things just for fun has defined features and benefits: play gives us freedom to express ourselves, it’s separate from everyday life, it allows us to construct new worlds with new rules, and it’s never compulsory or for profit. When we’re bombarded by media that’s designed to extract the maximum amount of profit from us, engaging with mainstream entertainment might sometimes feel not as playful or as voluntary. But by being a bit cringe, meme horror retains the appearance of being indie and just for fun even if it becomes obscenely popular.

So, for me, this is what Skibidi Toilet is about. It’s about new folklore playing the same role as old folklore, even if it looks like silly toilet men videos, because we’re essentially the same people as our ancestors telling monster stories around the fire.

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I needed a random bad guy for my last fic, and remembered a pic of a bobbit worm that’s got a bit of shell or something stuck to it in a way that looks like a little face (source).