#female vampire 1973
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la comtesse noire (1973) dir. jesús franco
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The Amazing Lina Romay in Female Vampire (1973)
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not to be that crazy "female vampire" (1973) fangirl, but have you ever felt what you felt when lina romay got herself off heavily breathing on a top of a corpse of a woman she murdered during intense lesbian sex?
#i think about this scene at least ten times a day#jesus franco#lina romay#female vampire 1973#horror
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Female Vampire (1973) Dir. Jesus Franco
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Female Vampire (1973)
#Female Vampire (1973)#La comtesse noire#Jesús Franco#Jess Franco friday#Jess Franco#Franco Friday#70s#Female Vampire#70s horror#Horror Movies#horror film#The Black Countess#Erotikill#gif#gifs#my gif#my gifs#cult cinema#Lina Romay
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Female Vampire (1973) dir. Jesus Franco
#female vampire#jesus franco#horrorstills#horroredit#filmedit#1970s#horror#french cinema#caps#*#*femalevampire#*franco#4000
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Jess Franco, Female Vampire, 1973.
#jess franco#jesus franco#lina romay#lesbian vampire#exploitation movies#eurotrash#vintage sleaze#1970s#1970s movies#vampires
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the BARE BREASTED COUNTESS (1973) aka FEMALE VAMPIRE
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The Devil's Plaything aka Vampire Ecstasy (1973)
In the heart of a myth-ridden, mountainous region of Germany, an impregnable, centuries-old castle--where young women worship Wanda, an ancient vampire aristocrat--casts its cursed shadow over the land. Driven by the essence of warm, bright-red blood and the power of unseen dark forces, the evil temptress forces her luscious female followers to give in to their most intimate sexual impulses, to preserve her unholy spirit. But in this hellish purgatory of perversion and blood, the accursed black sisterhood is unaware that the raven-haired leader of sin has an ulterior motive: to reincarnate in the fresh body of one of her satanic disciples.
#horror#scream queens#vampires#lesbians#70s horror#the devil's plaything#vampire ecstasy#vampire movies#cults
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Female Vampire (1973)
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film recs?
i have a lot lol! i could break things up into catergories but since this is a general ask i'm just gonna cover mostly everything! i listed a lot of movies so i'd be happy to organize them a bit more into categories if anyone wants that, i just did it off the top of my head + w a little help from lists i've made on letterboxd. :)
here r some of my all-time faves that i’d rec: possession (1981) dead ringers (1988) harold and maude (1971) l’une chante, l’autre pas (1977) the piano teacher (2001) la morte vivante (1982) ginger snaps (2000) pink flamingos (1972) the rocky horror picture show (1975) twin peaks fire walk with me (1992) crash (1996) repulsion (1965) let’s scare jessica to death (1971) nekromantik (1988) + nekromantik 2 (1991) (second one is my fave but u have to watch the first first etc) girlfriends (1978) carnival of souls (1962) blue velvet (1986) martyrs (2008) a zed & two noughts (1985) multiple maniacs (1970) wild at heart (1990) 3 women (1975) dans ma peau (2002) dazed and confused (1993) kissed (1996) videodrome (1983) female trouble (1974) malina (1991) wings of desire (1987) persona (1966) the cremator (1969) the before trilogy teorema (1968) scenes from a marriage (1974) sunset boulevard (1950) les demoiselles de rocherfort (1967) the living end (1992)
and then some movies that i love/like and think people should watch: cecil b. demented (2000) ringu (1998) excision (2012) hausu (1977) the belly of an architect (1987) moonstruck (1987) les deux orphelines vampires (1997) valley girl (1983) angela (1995) may (2002) nashville (1975) phantom thread (2017) daisies (1966) candy (2006) society (1989) nowhere (1997) velvet goldmine (1998) caché (2005) the mafu cage (1978) funny games (1997) les raisins de la mort (1978) mysterious skin (2004) true romance (1993) y tu mamá también (2001) vampyres (1974) under the skin (2013) alice sweet alice (1976) audition (1999) vagabond (1985) high life (2019) spring night summer night (1967) secret ceremony (1968) candyman (1992) belle de jour (1967) hatching (2022) brain damage (1988) happy together (1997) in the mood for love (2000) cat people (1942) cléo from 5 to 7 (1962) je tu il elle (1974) thirteen (2003) masculin féminin (1966) vivre sa vie (1962) lost highway (1997) le bonheur (1965) une femme est une femme (1961) les parapluies de cherbourg (1964) babette’s feast (1987) arsenic and old lace (1944) the daytrippers (1996) a history of violence (2005) polyester (1981) ganja & hess (1973) impetigore (2019) volver (2006) pea d’âne (1970) the addiction (1995) train to busan (2016) chungking express (1994) smooth talk (1985) death in venice (1971) the incredibly true adventures of two girls in love (1995) my beautiful launderette (1985) wild (2016) lake mungo (2008) possum (2018) jeanne dielman, 23, quai de commerce, 1080 bruxelles (1975) les cent en une nuits de simon cinéma (1995) lola (1961) the passion of joan of arc (1928) le cérémonie (1995) stoker (2014) contempt (1963) eastern promises (2007) les yeux sans visage (1960) shivers (1975) american mary (2012) serial mom (1994) pierrot le fou (1965)
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Celebrating Ingrid Pitt
Ingrid Pitt (born Ingoushka Petrov; 21 November 1937 – 23 November 2010) was a Polish-British actress and writer best known for her work in horror films of the 1970s.
Ingoushka Petrov was born in Warsaw, Poland, one of two daughters of a father of German Jewish descent and a Polish Jewish mother. During World War II, she and her mother were imprisoned in Stutthof concentration camp in Sztutowo, Free City of Danzig (present-day Nowy Dwór Gdański County, Pomeranian Voivodeship, Poland) but escaped. In Berlin, in the 1950s, Ingoushka married an American soldier, Laud Roland Pitt Jr., and moved to California. After her marriage failed she returned to Europe, but after a small role in a film, she took the shortened stage name "Ingrid Pitt", keeping her former husband's surname, and headed to Hollywood, where she worked as a waitress while trying to make a career in films.
In the early 1960s, Pitt was a member of the prestigious Berliner Ensemble, under the guidance of Bertolt Brecht's widow Helene Weigel. In 1965, she made her film debut in Doctor Zhivago, playing a minor role. In 1968, she co-starred in the low-budget science-fiction film The Omegans, and in the same year, played British spy Heidi Schmidt in Where Eagles Dare opposite Richard Burton and Clint Eastwood.
Her work with Hammer Film Productions elevated her to cult figure status. She starred as Carmilla/Mircalla in The Vampire Lovers (1970), based on Joseph Sheridan Le Fanu's novella Carmilla, and played the title role in Countess Dracula (1971), based on the legends about Countess Elizabeth Báthory. Pitt also appeared in the Amicus horror anthology film The House That Dripped Blood (1971) and had a small part in The Wicker Man (1973).
During the 1980s, Pitt returned to mainstream films and television. Her role as Fraulein Baum in the 1981 BBC Playhouse Unity, who is denounced as a Jew by Unity Mitford (Lesley-Anne Down), was uncomfortably close to her real-life experiences. Her popularity with horror film buffs had her in demand for guest appearances at horror conventions and film festivals. Other films in which Pitt has appeared outside the horror genre are: Who Dares Wins (1982) (or The Final Option), Wild Geese II (1985) and Hanna's War (1988). Generally cast as a villainess, her characters often died horribly at the end of the final reel. "Being the anti-hero is great – they are always roles you can get your teeth into."
In the 1980s she also reinvented herself as a writer. Her first book, after a number of ill-fated tracts on the plight of Native Americans, was the 1980 novel, Cuckoo Run, a spy story about mistaken identity. "I took it to Cubby Broccoli. It was about a woman called Nina Dalton who is pursued across South America in the mistaken belief that she is a spy. Cubby said it was a female Bond. He was being very kind."
In 1999, her autobiography, Life's a Scream (Heinemann) was published, and she was short-listed for the for her own reading of extracts from the audio book.
The autobiography detailed the harrowing experiences of her early life—in a Nazi concentration camp, her search through Europe in Red Cross refugee camps for her father, and her escape from East Berlin, one step ahead of the Volkspolizei. "I always had a big mouth and used to go on about the political schooling interrupting my quest for thespian glory. I used to think like that. Not good in a police state."
Pitt died in a south London hospital on 23 November 2010, a few days after collapsing, and two days after her 73rd birthday, from congestive heart failure.
Seven months before she died, Pitt finished narration for Ingrid Pitt: Beyond the Forest (2011), an animated short film on her experience in the Holocaust, a project that had been in the works for five years. Character design and storyboards were created by two-time Academy Award-nominated filmmaker Bill Plympton. The film is directed by Kevin Sean Michaels; co-produced and co-written by Jud Newborn, Holocaust expert and author, "Sophie Scholl and the White Rose"; and drawn by 10-year-old animator, Perry Chen.
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#Ingrid Pitt#The Vampire Lovers#Countess Dracula#Academy Award#Anne Frank#Holocaust#Nazi#Where Eagles Dare#Kevin Sean Michaels#Hammer Films#The Wicker Man#The House That Dripped Blood#concentration camp#Stutthof concentration camp
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Female Vampire (1973)
#Female Vampire (1973)#La comtesse noire#Jesús Franco#Jess Franco friday#Jess Franco#Franco Friday#70s#Female Vampire#70s horror#Horror Movies#horror film#The Black Countess#Erotikill#gif#gifs#my gif#my gifs#cult cinema#Lina Romay
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HALLOW-LEE-N movie review Oct 28th : The Satanic Rites of Dracula (1973)
I skipped quite a few of the Hammer Dracula movies on account of being unable to find them. This one is the last of the movies to feature Lee, and second before last Hammer Dracula movie overall.
It's 1972, London, and strange things are going on in the basement of a house. A man wakes up on a bed, all beaten up. He kills his guard and creeps out of the house, but he is pursued by evil guys on motorbikes. He gets rescued and brought back to his headquarters (some kind of intelligence agency) and spills the tea before dying.
His bosses, Torrence and Matthews, discuss what is happening and explain it to a police guy named Inspector Murray. I believe Murray was a character in the previous film that I skipped.
Four members of high society including a Minister have been photographed leaving that strange house, where according to the dead guy's testimony was home to satanic rituals. We see those satanic rituals, featuring a bunch of shots of a naked young woman getting very excited about having blood dripped on her. Whatever.
Murray takes this problem to Lorrimer Van Helsing, a descendant, and carbon copy of the old Van Helsing. His granddaughter Jessica is also there, I am given to understand she played a major role in the previous movie as well.
One of the guys photographed at the spooky house is an old college friend of Van Helsing, so he goes to see him. The friend is a nervous wreck who ends up breaking down and confessing he's working on an accelerated radioactive plage bacillus, and he needs to be finished before the 23rd, when the Sabbath will happen.
The friend unsurprisingly gets killed by the satanic cult the same day. Meanwhile, Torrence's secretary gets kidnapped by the evil bikers and served to Dracula for a drink.
Later, Torrence, Murray and Jessica go to the house of horrors. They ask Jessica to stay behind in a Dracula-typical display of not trusting the female characters, and go ring the bell and talk to the cult leader all polite-like. Barbara Yu Ling is very fun as the cult leader BTW.
Meanwhile, Jessica sneaks into the basement and she does quite well for herself, until she finds a bunch of chained up vampire ladies, including the secretary. Is her subsequent hysterical screaming a case of 70s female character syndrome or a depiction of her trauma from nearly being drinked in the previous movie? I'll leave that to you.
The vampire ladies are defeated by turning on the sprinkler, because their fear of running water apparently applies to showers. I dread to think how the undead smell.
Van Helsing hears about a guy not showing up in photos and his Dracula alarm bells immediately start ringing. He tracks down the place where he last killed Drac to a large company building which is also funding our dead plague scientist's research. Suspicious!
Van Helsing goes up to meet the CEO who plays at putting on a Lugosi accent and hiding his face to pretend that he is Not Dracula, but a little trick with a Bible reveals that he is in fact very much Dracula. Van Helsing tries to kill him but the remaining three cult members stop him.
Van Helsing is brought to the house, where Jessica lays prepared for the sacrifice. Dracula explains that he will make Jessica his bride, and the three stooges plus Van Helsing will be infected with his radioactive super plague and carry it out to the world to end makind. Wow.
Murray sneaks in, accidentally starts a fire which conveniently destroys the plague infected dude, but Murray, Van Helsing and Jessica all make it out. Dracula seems to really enjoy chasing after Van Helsing, until the latter takes refuge near a hawthorne tree. Since Jesus's crown of thorns was made of hawthorne, it harms Dracula, who doesn't think of going around the tree instead of right through it, enough that Van Helsing can stake him with a fence picket.
Thus perishes for good the most powerful vampire of all time, bested by a bush. I definitely get why people say the Dracula series started off strong and then got gradually weirder and less coherent. Cushing and Lee were still giving it their all though, so it was still a fun ride. 6/10.
#Hallow-lee-n movie review#the satanic rites of dracula#peter cushing#Christopher Lee#I know Halloween has past but I have a job that keeps me busy. But I am going to go on until day 31 because time doesn't matter anywsy#Halloween is a state of mind
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Satana Hellstrom is a supernatural figure who appears in Marvel Comics, debuting in Vampire Tales #2 in 1973. A soul reaper who occasionally fights on the side of good, Satana continues to appear intermittently in the Marvel Universe. This image however, by the risqué postwar American comics artist, Bill Ward, takes her evil into an entirely different dominant space. Far from reaping this poor male unfortunate’s soul (which judging by his tear drenched and terrified expression, at this point in the proceedings, he might actually prefer), the female succubus has elected to give her victim a spanking. But not just any spanking: in a ghastly caricature of the old ritualised parental/ teacher corporal punishment of the 19th and 20th centuries, the man’s hands have been bound by Satana, but in such a way as to raise up his posterior so that he is leglocked over the villainess’ knee; her spanking implement is the cruel paddle, but it is equipped with spikes (!); her only concession to her victim is that at least he is not going to be chastised “on the bare” to use the old US classroom phrase.
When Satana’s full dominatrix gear is added in - flowing cloak, cascading raven locks, tight leather dress, thigh high boots with killer heels pulled up over nylon stockings - then you have one of the most compelling femdom images I have come across. However Ward’s exaggerated cartoon style also gives the drawing a somewhat jokey feel, that makes one smile almost as much as wince! Quite a contribution, if a painful one, to this blog.
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Female Vampire (1973) dir. Jesus Franco
#female vampire#jesus franco#horrorstills#horroredit#filmedit#1970s#horror#french cinema#caps#*#*femalevampire#*franco
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