#fell blueprint

[bluepr1ntyy]

Oldd Ravenprint/whiteraven art :3

They’re silly

Raven by echoiarts

Blueprint + Whiteprint by pepper-mint

[bluu3berry]

FHJDFHdhfjejfefje I finished early I hope you like it,,

YAAYAYAYAY!!! LOOK AT DAH BOY EEHEHEH!! I'ma call him misprint now cus he's such a adorable BBG

MEEE GRRRR, ID change it a little like make him bear foot, make the blue sleeves take his whole shirt!! But tats like literally it xDd THANKU BORIS HE LOOKS AMAYZAY!!!

[lieflipsiege]

ezmerelda d'avenir you have to stop. You smoke too tough. Your swag too different. Your bitch is too bad. they'll kill you

[diamondsunbursts-and-marblehalls]

always and forever love and cherish annabeth chase for proving to my 14-year-old self that being a super-intelligent badass that people admire and look up to can co-exist with the part of you that is upset and insanely jealous when you find out that your best friend and boy you've been in love with since you were 12 is friends with other girls.

because fr she watches him stand there like a dead fish while this rando writes her number on his hand, says it's fine, and then replies with one-syllable answers every time he tries to talk to her for like a whole 24 hours.

he's out here acting like he doesn't even want to know this girl, and she's out here like fine, if you know another girl what if i'm just super rude to her and then don't talk to you for the rest of your life. what then?

the best part is that she's so mad at him because he knows other girls, and then mad at herself for being mad at him for knowing other girls and he's so oblivious as to why she's mad because to him she's the only girl ever.

[smokestarrules]

With the reveal in King’s Tide that Eda had an entire gang of friends back in Hexside at some point, and because I’m a sucker for this type of thing, I am once again thinking about how the kids in this show explicitly parallel the group in the first shot, not only contrasting with certain characters but also rising above them and getting farther than the first ones ever could. 

[n1ght-sh4d3]

Ref Sheet Group 1

UPDATE

~Jobs~

GD: Reaper

PR: BSRS Leader

DM: Scientist

LM: Gardener

RL: Royal Guard General

DaM: Scientist

SD: Reaper

GR: Dream's Apprentice

RD: Reaper

BP: Artist

~Parents~

GD: Geno x Reaper

PR: Ink x Dream

DM: Fell x Sci

LM: Ren x Paci

RL: Splat x Lucid

DaM: Fell x Sci

SD: Geno x Reaper

GR: Ink x Dream

RD: Geno x Reaper

BP: Ink x Blue

~Ships~

Due x Palette x Goth

Dante x Rurik x Lotus

Grisaille x Sorell

Raven x Blueprint

[cosmo-clown]

UTMV hogwarts au because i said so

credit to @reisgeis for the coolest fucking dnd/au experience ever this was so fun to think abt!!

everyone i drew is a student except error who is the face of ravenclaw

blueprint actually wrote hogwarts btw jk rowling stole his idea

[gothsuguru]

OH MY GOD SUGURU IS *SO* HAKU CODED!!!!!!!! how did i not notice this .... ty for putting this in my mind ..... gonna be stewing in this for a while

HE TRULY BELONGS IN A STUDIO GHIBLI MOVIE!!!!!! he’s so haku-coded… young magical boy who cares about the people around him + wants to protect them + has/becomes a super cool dragon <333

[cherryblossomtimemachine]

SHE'S SO 🥺

[dimdiamond]

I just noticed that probably the tintin family intended the found family trop,because just look at tintin being all alone at first and not even caring about his own life to where he had a family and a warm home to go🥲really melts my heart, also I would've loved to see how tintin was moved to marlinspike it was a crime they didn't show us,or maybe they did it because of the plot so tintin would've had a bigger place to do his job rather than a small flat?idk but I kinda wanted to see if the captain told him to move or not

NONNIE YOU JUST TOUCHED MY WEAKNESS AND THE ONE THING I DESPERATELY WANTED TO BE FEATURED!

The Adventures Of Tintin DEFINITELY brought the found family trope to another level! Not only characters that had no one were brought together by their own choice but they stayed together and did NOT separate (as many times happens in stories with strong friend groups because I dunno, we can't have our characters keep being together or close to each other for reasons like heteronormativity and maybe I'm going too deep but I feel this phenomenon could be because of it too and anyway I won't elaborate more because it will take too much).

Found family is one of my favourite tropes but also the one it's hardly likely to agree on how is executed, especially in fandom spaces. Found family is about people choosing to stick together for one reason or another and (usually) no blood to connect them. The choice is the important thing here and the one that makes it different from the traditional family. There are no defining roles and every member has their own needs and can adapt to them and the others'needs with a more traditional role or a mix of roles or none of them. Yet people tend to make the found family just another form of the traditional patriarchal family with the same values and ethics and in general this is where the whole point of the trope is lost. (Sorry for ranting I just wanted to express that and show how Tintin does the trope justice).

I WOULD LOVE TO SEE HOW TINTIN CAME TO LIVE IN THE MARLINESPIKE MANSION!!! IT DRIVES ME CRAZY JUST IMAGINING IT!

Probably Herge did it for convenience, he had Tintin visiting the mansion already and he hadn't shown his flat for a long time and it would be easier to have all the main characters together, plus a mansion is a much more interesting setting than a small flat. BUT we can't ignore the significance of this for the series and the characters and it can't be a coincidence it happened right after the moon case. It makes sense after that stressful adventure and almost losing their lives, they felt the need to stay close and not lose each other. Tintin had been frequent of the mansion already and, before going to Syldavia, we had seen Tintin and Haddock returning together from Emir's palace to Marlinespike Mansion and receiving Calculus' message for both of them.

I can easily imagine Haddock asking from Tintin to come live with them because "trains are inconvenient" and "you already spend more time there than in the city" etc but the main reason being exactly because he doesn't see any reason to be apart at this point. Tintin must have been thinking the same and agreed to that and later he seems content in the mansion and soon an irreplaceable member of the house (petting the cat in Picaros is like he is comfortable with the most stable member of the house, the absolute domesticity). I can't imagine Tintin himself asking to live with them (I'm sure if he did no one would object) but if Haddock didn't ask him, the moving in must have come gradually, bringing more and more stuff and staying more and more, and the renting contract ended and the choice came without much thought. Of course any other scenario is possible and I would love to hear it!

I want to add that the previous events verify that this was the right time. In The Land Of Black Gold, Haddock came to find Tintin and help him and Tintin was shown truly happy with that, like he was convinced that no matter what Haddock will always come to his side in any danger. In the next album, in the rocket station, after Tintin was shot and Haddock took care of him, they seem much closer than before. It's subtle but Tintin notices first when Haddock is in danger or Haddock not leaving him alone. And of course in the rocket and on the moon the rest events happen and this must have been the point of all of them realising how much they mean to each other and that they do have each other and they're not alone and they don't want to be alone again without each other. Honestly it would feel so weird if the relationship between the gang was exactly the same. The development of all of them living together is read naturally because we have been leading towards this since the start of their friendship.

If you read the series as a whole with your focus on Tintin's character you can see how he was gradually becoming quieter and quieter, less and less impulsive and chaotic because he did find the stability he needed in this unique family they all created together and he does everything to keep this family and this lifestyle. Of course the reasons can be because Herge put the focus on other things, he couldn't and didn't want to tell the same stories etc but if you read the work itself you can notice how the found family was the whole point of every character's arc.

[bluepr1ntyy]

I get sad when someone adds Print to a story but doesn’t add Raven or Shadow like wdym you’re adding Print but not the people who make him feel secure and who know who he truly is??

[withclawandvine]

i've read and watched and loved a lot of romance stories in my lifetime, but really nothing compares to bryce loski planting a sycamore tree in juli baker's front yard

[agent-47023]

After years of playing Quantic Dream games I realized I prefer supportive characters.

[mymp3]

sogabe and i are best friends

[urfriendlywriter]

things me and my bestfriends have said to each other that would make a list of heartbreaking prompts:

(found family trope but irl haha, feel free to use <3 tag me when yall writee, 1,9,11,13,24 has a spcl place in my heart)

"i don't feel seen at times." "it's not true. i see you, [name], i always have."

"thank you for listening to me, thank you for being here for me."

"i love the family we've found for ourselves :( "

"i want to hug you.."

"you, you can always come to me when you're happy and when you're sad."

"you make me become the best of me." <333

"i can never forget when you did ___, God i almost fell in love with you then."

"no, i don't want to rant-" "no, no, hey, it's okay. rant. I'm here to listen."

"whenever i ask you, you say I'm ok, but whenever you ask me i bare my heart open to you. i just want you to tell me if you're having a hard time so i can lend you a shoulder in silence!"

"just--just come with me, please ! I'll take care of you, please leave that hell hole you call home !"

"it hurts, [name]." in a weak murmur and they just rest their face on your shoulder, leaning on one another as they whisper, "it's okay to hurt. cry if u have to."

"should we just run away from home and live together?"

"you are a good person, [nickname]." ✯

"rant, love, go ahead."

"i was very proud of you. i still am."

"you're the positive blueprint/sunshine to my fucked up life, [name]" (ok but they said this to me while we were both in our LOWEST)

"we were enemies before weren't we?" "yeah, haha, if you were a boy we'd have become lovers!!"

^ "[nickname], are you GAY?? YOU ARE GAY- OMG" "stop it lmao" (all in texts lol)

"i wonder what good i did to deserve you " </3

"how lovely of you :)" "ilysm" "shut up, dude, you're so adorable."

"you are devastatingly beautiful, [name]."

"i can never forget what you looked like at your happiest... you glowed. " :((

"hugs, please :/"

"I'd love to nom nom you TT" (we were acting cute and actually melting)

"we'll become the parents we never had."

"we are walking through this life together, aren't we? let's do so till we are together in the paradise, too."

"you mean a lot to me."

"together, in this world and in the here-after too."

[biolumien]

hello!! I loved your rooftop smoke fic so much oh my goodness could I ask for literally anything hoshina I would love to read more of your works... It would make my day if hoshina fell first/if he was the one hopelessly in love but anything that is easier to write for you I would love to read

ALSO PLS FEEL FREE TO IGNORE THIS IF ITS NOT EXACTLY IT FOR U!!! TYSM IN ADVANCE

notes: bwahhhh omg… thank you for liking my first work…  i havent written hoshina before… but uh. i hope this is good. same reader-insert from last time for this one too!

hoshina falls first (or tries not to, because to love is to be known)

soshiro hoshina x gn!reader i turned it into kind of a character study, forgive me word count: 1103

let’s get this right off the bat, to clear any misconceptions. hoshina’s not a romantic. he doesn’t fall for anyone first. he’s built up the demeanor of a sly, wily little fox not because he wanted to, but because he had to. tread lightly around others, and they will never know what lies in your heart, the insecurities that bubble and eat at you alive. never let them know how you feel, because as soon as your inherent, weak-willed intent is shown, you’ll be devoured alive.

well.

that’s what hoshina tells himself, anyway. 

it’s what he has to remind himself of constantly when he sees you.

you’re not allowed, he reminds himself, to get under his skin. not in any mean way, not in the way where you play up his insecurities–except you do, don’t you? you don’t mean to, but he gets the impression that if he were conventionally stronger, more impressive, that he’d deserve your attention, the small smile that crosses your lips and lights up your eyes when you see him, the faint exhale of breath when you see him–he’d deserve that if he were better. if he were just simply better, he’d deserve it. he’d feel worthy of it.

hoshina’s not a romantic.

he signed up for a line of very dangerous, practically suicidal work knowing it might mean the death of him.

all to prove that he was worth something.

he’s not the ashes you throw away, he’s a brilliant ball of fire, can’t you see–but he needed to prove that he could shine alone, under his own merit. he didn’t need anyone, except he needed mina to get him into the third division anyway. 

he didn’t need you, except he kept making excuses to get close to you, and not even in any particular suave way. hoshina practically pines for your affections and attention, but the key thing about it is that he refuses, in a way that’s either very cute or insanely frustrating, to make it seem like he’s making the first move. fleeting kisses he shared with you, he never properly initiated himself–he’d stand there, make a big show of leaving, and you’d pulled him by the collar to kiss him. 

but at the very least you seem to be accommodating about it, in any case. you sometimes end up preparing him a cup of tea when you go on break, as if instinctually expecting him.

hoshina wonders if he’s pavlov’s dog in this case–drawn by you, trained to behave around you.

he doesn’t know how he feels about it.

“you keep coming here,” you say to him one day in the lab. at your desk is a wide variety of papers–notes on chemical formulas for bullets, the blueprints for one of mina’s new absurdly-large guns shoved haphazardly under a stack of notebooks, a coffee cup clasped between your hands, and you blow some of the fresh steam off. “i’m starting to think the captain’s going to find you slacking off.”

there’s a sardonic smile on your lips, but hoshina’s gotten better at reading you. you’re happy to see him–he can see it in the tiny way you fidget a little bit when he takes the spare coffee mug from your desk, finding it full of coffee already. does he feel his face softening, his drawn-up shoulders relaxing? no, surely not. he’s better than that. he won’t be influenced by you–and yet. and yet. 

“you have a lock on your door if you don’t want to be disturbed,” hoshina says simply, taking a sip of the coffee. black with a single spoonful of sugar in it, because as much as it was impressive to drink your coffee purely black, hoshina quite frankly couldn’t take it. and he’d built as much a complex around that, too, as if a simple coffee preference might define how worthy he is of love. respect. the works. he watches you, sees dark under-eyes from days of restless work and the writer’s bump on your middle finger, and feels his heart squeeze.

god, he hates it. does he? does he hate it? is he insecure about that? does he hate that he doesn’t hate it? does he hate that by pining for you, by forcing his way into your life, that he’s created the rumblings of his own downfall? no. the worst part of it all is that he can’t hate you. can’t hate the way you watch him, and he wonders if you’re watching him the same way he observes you–like a prey animal, almost, twitchy and nervous, in an attempt to grasp at feeble understanding. 

“if you keep coming back here, i’m going to assume you’re in love with me,” you say.

and you have no idea what those words do to him, really. you don’t know, because hoshina has learned to obscure most of his emotions, at the very least. 

so why does his face feel so hot?

“hm.”

he can’t even come up with a proper retort. you’re staring at him expectantly, as if waiting for the classic hoshina quip–a cackle or giggle, a casual slap on the table with a you wish! attached to it. but it doesn’t come. hoshina stands there, gagged for a moment–and suddenly his grip on his coffee cup feels a little weak.

“hoshina.”

he wishes the smile on your lips didn’t trigger some gut instinct of delight in him.

he’s better than this, damn it. he’s better than this.

your smile quirks up the corners of your cheeks, and there’s something like a shy flush across your skin. and–

“i wish i could take a picture of your face right now,” you say. “you look like you’re coming down with something.”

hoshina scoffs, the sound a little more high-pitched than he’d like for it to be.

“you wish,” he says. 

“so are you?” you press. “in love with me?”

hoshina stares at you–there’s a sudden tightness in your shoulders that wasn’t there before–you’re worried about his answer. and despite it all–his bravado, his hatred of the mere idea that he might rely on someone else–that he would ever need someone to know his heart, that he might be cowed and tamed like a dog–

he loves you.

he doesn’t want you to be worried about the surety of his answer.

“yeah,” he says. “i love you.” and when that sudden tightness in your body language disappears, he finally finds the strength to quip, “just don’t faint over me, alright?” 

and when you reach out to hit his shoulder, he grasps you by the wrist and pulls you in to kiss you.