#featuring a meme once used for the manga ending but now revived so we can cry all over again

[smolthealmighty]

[tigerlover16-uk]

As someone who likes hearing your thoughts on DBSuper and anything DB related in general, how do you think Toyotaro's influence in the DB world will be remembered? Honestly the man has done nothing but disappoint by writing poor plot points while dissing many characters and putting Vegeta up on a pedestal. Granted, he's not the first writer to commit these mistakes, but if he keeps this up he'll never make it big in the manga world. Think he can make a comeback with the DBSuper manga?

It’s still strange to hear people actually have interest in what I have to say, but gratifying nonetheless. Thanks for that.

And honestly, God only knows on both accounts. Public opinion on things can radically alter within weeks, and greater time and reflection can give fans a lot of time to look deeper and re-evaluate their opinions on certain works, for better or worse.

Ken Penders was once a beloved writer for the Archie Sonic comics, with many of his stories being longstanding classics. Then his stupid lawsuit happened that resulted in all the characters he created being ripped out of the comic haphazardly, forced a reboot that nobody wanted, and was probably a factor in the recent unceremonious cancellation of the comic right before a 3-part story could be concluded and any kind of closure could be had on anything. So as soon as all that nonsense turned him into the anti-Christ for the Sonic fandom, people began re-reading his work now as more critical adults compared to as impressionable children and realizing that a lot of what he wrote, while there were definitely some merits (There’s a reason people were angry so many of his characters and ideas weren’t allowed to be used anymore), his writing actually had a ton of problems and some of his stories were outright stupid. Endgame gets the worst of it, going from a well regarded would-have-been ending for the comic that changed the series forever, to a subject of mockery for it’s numerous plot holes, weird character decisions and just overall messy story.

On the other hand, we have the Star Wars Prequels. People HATED those movies with a burning passion for years since The Phantom Menace proved a let down for many, and I mean they violently HATED everything about the movies and insisted they killed Star Wars as a whole.

Yet nowadays with the Force Awakens re-invigorating the franchise as a pop cultural juggernaut and yet splintering fan opinions further, many now admit that the outcry to the prequels was WAY overblown. While a lot of old school fans still hate them, many are now willing to admit they did have good ideas and moments and were more mediocre than bad, and there’s a generation of people who grew up on and love the movies more than the original trilogy (Myself included) that can more comfortably admit to liking them and discuss why out in the open without being attacked and ridiculed (Mostly).

The movies are still huge base breakers and will always have the reputation of being disappointing follow ups to the legendary original trilogy, but after Clone Wars proved to everyone that great things did and still are coming out of that era in the timeline, most are willing to admit that the movies weren’t as damaging as they once thought.

Both examples go to show that anything can happen with time. We can make predictions, but we don’t know for sure how something is going to be regarded five or ten or twenty years from now. Doctor Who was a complete joke after it’s initial cancellation and before the revival came around, now it’s a beloved mainstay of pop culture in and outside of my home country again. Even Dragon Ball GT, while not well regarded, is generally seen in a more forgiving light by more people now than it was for years after it’s initial airing here in the west.

Truth is for most of the time he’s been writing the manga, Toyotaro has actually been popular and liked by the fandom. Right up through the end of the Future Trunks saga portion of the manga, the man has had a swarm of Dragon Ball fans passionately insisting that his is the “True” canon of Super and superior to the anime in every way. There are still people that think that way.

It was only about the time he got to Goku Black’s first confrontation with Vegeta that a lot of people really started doubting him, thanks to how ill regarded manga Black is by most in the fandom, especially compared to how beloved he was in the anime even by people who don’t like the saga. And then came the revelation that Toyotaro re-used panels from his Dragon Ball AF fan manga for the series, and apparently incorporated some ideas from it, basically literally trying to canonize his fanfictions and apparently basing Goku Black’s personality on his OC Xicor (And as we’ve established, that worked out SO WELL for him), and suddenly a lot of people realized something was up.

Which paved the way for a lot of people that had been critical of the manga up to that point, such as @dragon-ball-meta here on tumblr, to shed some light on a lot of his questionable writing practises. His treatment of Goku in several instances that made him out to be more dismissive and in several cases annoyed with his children in particular starting to gain notoriety, which hit a breaking point when chapter 27 came out last month and caused an uproar over the “Goku didn’t know when Gohan was born and Vegeta called him a terrible father” nonsense that basically looked like it was canonizing the “lol, Goku’s a bad father” meme (The most disturbing part… Toyotaro has apparently said that Goku is his FAVOURITE character… yeah… let that sink in).

I think that was the final straw for many that basically turned the man into a joke for a huge portion of the fandom. It was one of the worst controversies I’ve seen in this fandom for quite some time, so naturally just about everyone was talking about it. The Japanese fandom I’ve heard was really ticked off about it especially, given Goku is still the most beloved character in the franchise over there, even being recently voted the most beloved anime hero by most age demographics in the country.

So, his reputation has already undergone a major shift since he started writing the manga. He still has his fans who will stick by him through thick and thin, but many people meet him and his work with a lot more scrutiny than they did before, and many people consider him a joke (Gochi fans especially).

If things continue the way they have been, I feel he’s likely to be regarded as “That fan artist that draws good stuff, but shouldn’t have been hired to write an official manga because while he had a few good ideas, he REALLY wasn’t up to the job” that’s what it’s looking like anyway.

Could he make a comeback? Who knows, despite my own outrage with the Goku moment last chapter and my issues with how the Zen Exhibition match is apparently being handled so far in the current chapter, the guy did have a good idea in giving us a more fleshed out introduction to the Gods of Destruction at the start of the Universe Survival saga. For all we know despite these issues, his handling of the rest of the story could actually turn out to be really great and people might prefer it over the anime. Anything’s possible, really. How many people thought My Little Pony’s latest iteration would become one of the most popular and talked about cartoons of the decade?

I kind of doubt that will happen. My problems I’ve already brought up aside, the manga cut out Krillin’s character arc, all of Gohan’s scenes, didn’t adapt the Resurrection F arc (Meaning it didn’t properly build up Frieza for his comeback here, so the manga can’t function as a self contained story with only the original Dragon Ball manga being necessary to understand things that happen in it), cut out the Hit two parter further building on his character and abilities, and further ironing out his rivalry and odd friendship with Goku, completely botched Frost’s character compared to the anime, while also screwing Piccolo over badly in their fight, as well as removing most moments featuring the supporting cast and even reducing Future Trunks to a foot note in a saga that was literally designed as an excuse to bring him back, and is known for rushing through the story compared to the anime in a bid to catch up considering how ridiculously behind Toyotaro has gotten thanks to the monthly schedule.

Which is an especially bad thing if he does that here, considering this saga has to accommodate the majority of the Z fighters getting character moments and good fights, including re-introducing Android 17 after a long absence, as well as introducing and fleshing out slews of new characters. And given his alterations to the Zen Exhibition match which really look like they’ll hamper Gohan’s role and screw Buu over completely, and his poor handling of the Super original characters that aren’t Beerus, Whis, Gowasu and Botamo in the last two sagas, I find it likely he’s not going to do a great job with most of them. Heck, I fully expect Krillin to get knocked out instantly as a joke rather than helping to knock out two opponents with Roshi and 18 and holding his own against Majora.

Again, I could be completely wrong and he could do a good job, and I’m just being judgemental and jumping to conclusions. But I’m finding it hard to be confident that he can make up for his set backs, even if he does end up doing some things better. Which isn’t saying much, his last two sagas he wrote did a few things better than the anime, and they were still worse stories overall.

If he does turn things around and actually writes a really good or even great saga and generally cleans up his act going forward, I could see Toyotaro making a comeback in the eyes of the fandom and being remembered in at least a more fond light than he is now. But if he screws up as badly as I fear he might and like he’s been doing lately, I can only imagine his standing in the fandom getting worse, and at best he’ll largely just be forgotten and ignored by most fans when Super finally concludes, or he’ll be a laughing stock. How that’ll effect his career in professional manga writing, I don’t know, but it likely won’t do him much good.

I guess this whole thing is a learning experience for fans wanting to start working on the actual properties they follow. Even if they’re extremely talented in one aspect (Toyotaro with his drawings) and have passion for what they’re doing, that doesn’t mean they’re guaranteed to do a good job if they’re on writing duties, and they better put their absolute best efforts into things and think things through clearly, because their contributions WILL be scrutinized and they will have a significant impact on the franchise in general.

A lot of fan artists and fanfiction writers do great stuff and deserve to be respected, I know people who have written stuff that’s better than professionally published stories and in some cases are better than parts of the series the fans were adapting from. But there’s a REASON why fanfiction writers aren’t usually hired to write for the works they follow, and why it’s often considered a bad idea. And Toyotaro in many cases has done a good job of proving that point.

I really don’t hate the guy, whatever you may get from how I talk about him. I just want to make that clear for everyone, especially anyone who likes his work reading this. I kind of envy him as a fellow fan for getting to work on writing an official Dragon Ball story, I’d die for that opportunity, and I will still give him credit wherever it’s rightfully due, especially with his art. I just wish he thought things through better and didn’t make as many questionable choices despite having so much more time and being in a better position to plan things out than the anime writers had.

Will Toyotaro make a comeback? Good question, probably not, but we’ll see. I’ll say this though, for all his problems his adaption and the things going on in and around it is at least interesting to talk about, and at least we’ll have some nice artwork and drawings of all our favourite characters to look at however things turn out.

[tokupedia]

Kamen Rider 45th Anniversary File: Decade

2009

Sing it with me now..♬ Chan-Chan-Bara Chanbara! Chan-Bara-Bara Chanbara! Samurai Sentai Shinkenjā! Appare!♬  The 33rd Super Sentai authorized by the network! Shinkenger, Goes Forth!

RPM! GET IN GEAR! Power Rangers RPM hits the airwaves on the new Disney XD channel (formerly Jetix in the US). Decreed by Disney to be the final original Power Rangers series, the company wanted to be super cheap by pulling the plug on production and re-airing old episodes next year. The franchise would then get tossed out by the Mouse House after this harebrained scheme backfires.

Fresh Pretty Cure debuts, airing alongside Decade (and Double) and Shinkenger. This season attempts to expand the Pretty Cure brand beyond its young female demographic, which would prove successful next series...

So~(I Can Fly!) Hurry!~ (You Can Fly!) Miracles!~ (We Can Fly) DRAGON CHAAAAAAARGE!~  Tomica Hero: Rescue Fire, the sequel season to Rescue Force, debuts and... sadly is the final installment of the Tomica Hero series. Among the supporting cast for the show was the man, the myth, the legend, Hiroshi Fujioka!  Tomica Hero Explosively Completed its run in 2010.

Engine Sentai Go-onger vs. Gekiranger, the 15th Sentai Vs. series entry, is upgraded from a direct to video release to a feature film. It is the first Sentai crossover put on the silver screen since JAKQ vs. Gorenger in the 1970s. This marks the first time in history that Super Sentai has more than one film in a single year and would continue from here on out.

Victory Pose! Yatter! Yatter! Yatterman, the Tasunoko late 70s anime classic, gets a live action film adaptation courtesy of film director Takashii Miike.

Ishimori Pro declares 2009 to be the “Year of Cyborg 009″ because of the franchise’s 45th anniversary. The company does special events for the occasion, such as showcase Cyborg 009 concept art, animation cels and sketches from the private archives of Shotaro Ishinomori at areas such as Akihabara and the Ishinomori Manga Museum.

Lastly, Koichi Sakamoto of Power Rangers fame sits in the directors chair on several tokusatsu projects, including the Ultra Galaxy Movie and a few Kamen Rider movies.

(2009 was a busy year!)

Kamen Rider’s home network TV Asahi was celebrating 50 years of broadcasting and the number of main Kamen Riders in the Heisei Era had reached the milestone of 10 in total. To celebrate the two momentous occasions, TV-Asahi treated fans to not one, not two, but three Kamen Riders in a single year. The first was the non-canon Kamen Rider G, the later half of the year saw Kamen Rider W, and Kamen Rider Decade was right in the middle.

Decade brought forth tropes in super hero fiction with near limitless writing possibilities: The Multiverse and the reunified continuity trope. Not only was it now possible for a Kamen Rider to have a crossover with other Riders, but the series can go to other universes such as....

crossing over with its sister series Super Sentai!

For the first time ever on TV, Kamen Rider and Super Sentai had a team-up crossover special. While JAKQ vs. Gorenger in the 1970s mentioned Kamen Rider Amazon being part of a greater universe of heroes, this was never expanded upon any further other than a quick mention/cameo image.

Often comic book fans draw parallels of this show’s story to another...

Both serve a purpose, to unify all continuity back into one single linear pathway that audiences can follow. Thus the multiple variants of stories become one sole tale in one setting. That being said, unlike many who recommend Decade as a starting series, I would advise newcomers to hold off a little until they familiarize themselves with the Heisei era a little better, as otherwise the story elements may confuse them as they will have no frame of reference going in.

Heisei Kamen Rider up to this point allowed itself to avoid continuity ties by letting each series stand on its own aside from maybe Kuuga and Agito, but even that could be a stretch. Decade is where things began to merge back together, as after this series, Riders began interacting with one another on a regular basis in movies and direct to video films. Aside from a few teases of non-canon events like the Ryuki V-Cinema and the Den-O and Kiva Movie, Toei didn’t seem too interested in doing TV or film crossovers on a grander scale until this exact year.

So... what happened that may have changed their minds?

Oh yeah, THAT happened...Marvel made it known at the end of a little movie called Iron Man they were going to do BIG crossovers. So naturally, Toei possibly followed suit (with mixed results depending on who you ask). It is just speculation, but you have to admit it is odd timing given the franchise almost avoided crossovers entirely up to this point.

This show is also the last hurrah of Rainbow Zoukei as the costume designers, as their workload had grown to insane levels. RZ was doing Super Sentai, Kamen Rider, Ultraman, prop replacement parts for Power Rangers on top of various movies and TV commercials. In order to ease the burden, the company created a secondary studio based in Tama called Blend Master to divide the workload. Rainbow Zoukei does Super Sentai and new Metal Heroes costumes/replacements while Blend Master works on Kamen Rider from Double to the present day.

Another new addition to the franchise would be the introduction of Bandai’s Legend Rider gimmick for their Ganbaride arcade video game cabinets. Rider Cards were the primordial phase of this gimmick, utilizing the powers of past heroes in the show while being something Bandai could double up in profits on. Later iterations and Ganbarizng would incorporate the electronic collectible toy trinkets in combination with the trading cards. Another staple of this series was the introduction of the Rider lexicon term “Driver” for the belts (Get it? A belt is the driving force of the super powers of a Kamen Rider.)

The biggest thing this series did though was revive the Showa Riders presence in the franchise after a long absence from TV with a story arc about visiting the non-Heisei Rider worlds, with at least one of the originals physically appearing and returning to his role:

Tetsuo Kurata as Kohtaro Minami/Kamen Rider Black and Black RX! (Parallel universes thing, complicated to explain.)

Decade is a very divisive series, some love it for upping the stakes of conflict with the fate of reality itself hanging in the balance and a war between Riders of past and present series with a super powerful rider that had a cool belt voiced by radio personality Mark Okita.

On the opposite end of fandom, some hated it for undermining their favorite Riders with what some assessed to be a Marty Stu fanfic-y character who was almost super-invincible and ultimately served as a plot device.

On the upside to fans who dislike the show, at least we got a female Rider and a meme out of it...

ONORE DECADE!

Speaking of which...KAMEN RIDE: DECADE!

“The Destroyer of Worlds, Decade. What do those eyes see as he travels through many worlds?"

(Mr. Kadoya, circa 2014 in a crossover with Kamen Rider Wizard, lookin’ like a boss.)

Real Name: Tsukasa Kadoya

As a child, Tsukasa was often alone with his sister, but soon discovered she had the ability to create trans-dimensional gateways called Dimension Walls.

Tsukasa ran off into one of them one day and in his later years, came into contact with Dai-Shocker, a revived amalgamation of all the past villains the Kamen Riders had ever faced. They tricked him into playing the role of their Great Leader (which a teen Tsukasa thought was a “fun idea” at the time) and later offered him a new weapon to test out: The Decadriver. The belt device was the intense labor of Dai-Shocker scientists who HATED the Kamen Riders. The Decadriver could duplicate and surpass the powers of all Kamen Riders to obliterate them once and for all or use them as lifeless tools to enhance the Decade system. Tsukasa tested them out, but this ended badly for him as the overwhelming shock of crossing multiple universes all at once caused mental trauma that wiped his memories away. The Decadriver was somehow left hidden and abandoned in an unspecified alternate Earth.

Cut to 2009 and an amnesiac Tsukasa is on an Earth working as a photographer for the Hikari family. Natsumi Hikari is having strange nightmares about a figure who kills all the Kamen Riders in a great war, enveloped in a magenta light. Strange things then start happening as random unexplained catastrophes occur such as monsters appearing from silvery walls and people being randomly teleported to unfamiliar locations and slaughtered by more monsters.

As this happens, a familiar face appears to Tsukasa: Wataru Kurenai aka Kamen Rider Kiva who asks him where his “buckle and cards” are and that this “world will end if he doesn’t do something“. Tsukasa at first does not understand and is confused by all this, but Natsumi later finds the belt and gives it to him when she is being attacked by some Worms. Tsukasa transforms into a new Kamen Rider and then remembers how to fight, using the powers of past Kamen Riders to defeat waves of monsters effortlessly.

Once Wataru and the other Kamen Riders freeze the world in place with their combined powers to prevent further destruction, the veteran Rider explains to Tsukasa that the parallel worlds of Kamen Riders are merging due to an outside force and will destroy all of existence if it isn’t stopped.

To that end, Tsukasa as Kamen Rider Decade must go to the 9 Worlds and destroy the nine Kamen Riders of those worlds to preserve the Prime universe. Wataru laments that creation cannot come without destroying something and promises to hold the world in place for as long as he can with his comrades until Decade “fixes” the multiverse.

Decade ends up doing the exact opposite after befriending the Riders and connecting their stories. This at first did not sit well with the Prime Universe Kamen Riders and they attacked Decade to preserve their existence and those of their loved ones, thus the Rider War began.

But by being a destroyer and connecting with heroes, Decade did find a way eventually to save everyone. Tsukasa now spends his days traveling across space and time, exploring new parallel worlds and helping those in need in his own unique way.

(As many Rider Scouts will tell you: This one idea has massive fanfiction potential as Decade could have visited any number of universes of beloved franchises along his journey: Marvel, DC, Image, Transformers, Doctor Who, Star Trek etc.)

In one non-canon moment of a video game, an enemy called him the Destroyer of Worlds. Decade then casually responded that he is “retired” from that role. Even in Kamen Rider Taisen (*ugh*) any mention of this title seems to annoy/upset Tsukasa, as he feels he is beyond that part of his life.

Powers:

Decade can become invisible, make copies of himself, has expert markmanship and sword skill, enhanced strength and has the ability to travel across dimensions to parallel Earths.

Decade’s signature ability is for his Rider System to analyze an opponent and if it is a Kamen Rider, copy its data for Decade to assume the powers, weapons and forms himself in the form of Rider Cards. The Rider Cards can also upgrade/seize a Kamen Rider into a new form dubbed as a “Final Form Ride”, transforming them to act as a support such as a new power, a vehicle, a weapon or a device such as enhanced armor.

Decade himself can Final Form Ride into a giant sized version of the Decadriver for Kamen Rider J to wear and he assumes control of Kouji’s body as a giant sized Decade. Decade can obtain the power of Kamen Riders through cards in one of two ways, the first is the Magic of Friendship and the other is straight up beating them to near death and sealing the weakened Rider in a card in a manner somewhat similar to the Blade System with the Undead. Decade prefers option one, but in a rare instance used the second one as circumstances forced him to.

The Decadriver is also compatible with other card systems such as the Gosei Cards from the Goseigers and the Decadriver is shown it can utilize Super Sentai weapon Rider Cards.

Using some kind of construct projector somewhat akin to ZX’s Virtual Image Projection Unit, Decade can assume the form of ANY Kamen Rider. (As confirmed by recent toys, Decade can go up to Kamen Rider Drive currently. But Ghost and Ex-Aid are likely part of his card deck by now). Upon tinkering with it apparently, the Decadriver can holographically disguise itself as another Rider Belt (such as 1′s Typhoon) and through a voice modulator, Decade can fully impersonate a Kamen Rider for stealth/infiltration missions. This image projection is enhanced even further in Complete Form, as Kamen Riders in their ultimate forms appear on command and seemingly mimic Decade’s movements like a shadow for a double final form Rider Finisher.

In his more deadly Violent Emotion mode, Decade can obtain and use any power of a Kamen Rider automatically, even sometimes without the use of the cards and no form change needed. He is seemingly so powerful in this mode that almost no Kamen Rider can stop him and his Rider Kick pretty much becomes a human seeker missile (As shown when he chased down Skyrider in the air and kicked him, turning the airborne 8th Rider into a falling fireball.)  Complete Form can summon the powers of the Heisei Rider’s ultimate forms and utilize their Rider cards in those forms to enhance Complete form further.

Tsukasa as a human is bestowed with new skills in every world he visits to serve whatever purpose the multiverse needs him for. (Ex. knowing the Gurongi language)

Weaknesses:

Decade, much like the the future Gokaigers who would adopt his same power copy gimmick, is not all powerful on his own in base form and can be beaten in some instances. (Blade in King Form gave Decade quite the beatdown once with just one slash of his sword)  This is more to showcase that Decade on his own is neither stronger or weaker than any previous or succeeding Rider in base form and through the comradery of his fellow Riders sharing their strength with him, he can become the strongest of all of them.

His Rider Cards at first had a one use limit, it is uncertain if this still applies in some capacity. When the cards were used they would seal away the powers selected until they were activated again after gaining a Rider’s trust. Some universes disrupted or negated his power such as the World of Negatives, which rendered all his cards useless until he upgraded to Complete Form.

His Rider Belt is basically a big bullseye, as stabbing or damaging the Decadriver at close range will shut down the device and de-power Decade. Though if the first episode is any indication, dimension wall energy can automatically repair the belt. Still, like most modern belts which are not surgically attached to the Rider, Tsukasa could have the Decadriver knocked away from him or he could lose it.

The Decade system was designed to defeat Kamen Riders, thus other superheroes are immune to the copying of powers on some level. (though this does not guarantee opposing sides victory).

Kamen Riders sometimes had a bit of animosity towards Decade given his reputation and even after the Rider War, some view him akin to a Nuclear Option, as in someone who should only be called upon in a crisis or as an absolute last resort. Like Kuuga, Agito and Kiva, Decade has a dangerous side to the power he wields that could end all life..well..everywhere, especially if he succumbs to his darker impulses such as with using Violent Emotion mode.

Gear:

http://kamenrider.wikia.com/wiki/Decadriver

http://kamenrider.wikia.com/wiki/Rider_Cards

http://kamenrider.wikia.com/wiki/Ride_Booker

http://kamenrider.wikia.com/wiki/Machine_Decader

http://kamenrider.wikia.com/wiki/Final_Kamen_Terminal_K-Touch

Signature Finishers:

Dimension Blast: Using the Final Attack Ride: Decade Card, Decade uses the Ride Booker in Gun mode to fire a charged shot

Dimension Slash: Using the Final Attack Ride: Decade Card, Decade uses the Rider Booker in Sword Mode and executes an energy charged Rider slash.

Dimension Kick: Decade’s Rider Kick which is executed using the Final Attack Ride:Decade Card. Variants include the Enhanced Dimension Kick in Complete Form which utilizes the power of the 9 Heisei Riders in conjunction with his own power and the Final Dimension Kick which after using the FinalKamenAttackForm Ride Card, turns all the Kamen Riders into Kamen Ride cards that Decade flies through to enhance his kick to maximum power.

Enemies:

Dai-Shocker

http://kamenrider.wikia.com/wiki/Dai-Shocker

Dai-Shocker is a supergroup of past Kamen Rider Villains from various parallel Earths who scour the multiverse to find like-minded individuals to convert/recruit into their army for one ultimate goal: Total conquest, subjugation and absolute rule of the entire multiverse and creation itself!

Out of all incarnations of Shocker, that is a pretty ambitious goal for evil and difficult considering that Kamen Riders exist on other worlds as well as other superheroes who stand in their way. Tsukasa was once their Great Leader, but turned against them and the organization had been crippled and splintered into various forms such as Super Shocker and Space Shocker, but manages to revive at least once.

Narutaki

http://kamenrider.wikia.com/wiki/Narutaki

Nobody knows what his deal is, but he has a wide array of powers including the ability to create Dimension Walls, summon evil Kamen Riders or monsters and assumes the form of past Generals such as Colonel Zol of Shocker. He hates Decade for some reason and sees himself as a prophet of the Rider’s nature as a destroyer, warning other heroic Riders to try and stop him. He does flip-flop his allegiance at times.

Some fans have theorized he is an incarnation of the real Great Leader, while a still of the pre-production film shots of what would become Decade: Final Chapter gave a bombshell to his possible identity:

That pink camera is Tsukasa’s..so some speculate from this image that he is an older Tsukasa from an alternate reality.....

Sadly due to unknown legal issues and production delays, this plot was tossed out along with several other story ideas. So Narutaki’s identity and purpose for antagonizing Decade is never explained and his character was taken to a...very weird direction...

All we can say to those good stories and his identity not being told to us is...

ONORE DECADE!

Now we must go on the road to another Rider’s world.... til next time...