#fave writers? absolutely lets go

[lottieurl]

i feel like meeting an actor who plays my fave character would be so awful. like you're supposed to be the character. inside the tv show. get back in there

[notmoreflippingelves]

Hi! I just read your post about Mateo recently. If I may, can you give me any specific instances in the narrative of the show where Mateo isn’t called out as heavily as they should have? I’m just curious?

During the Shuriki returns arc in particular, Mateo makes some pretty glaring mistakes that I feel like he should've gotten much more flack for (and based on what we see elsewhere in canon, I feel pretty confident that if Gabe, Naomi, Isa, or Esteban at least --and possibly even Elena-- had made these mistakes, they wouldn't have been swept under the rug nearly as quickly as they were for Mateo).

While it's unfair to completely blame Mateo for Carla's manipulating him during the "Rita" arc, I feel like it's reasonable to hold him a *bit* accountable. He did after all blab highly confidential information (on more than one occasion) to try and impress a pretty girl with how clever and important he was. (Something tells me that if any of the others had done likewise, they would've been called out for it. But because it's "beloved" Mateo, we don't even get "wait, you told Rita how to get into your workshop? And you've known her for only a few weeks? What were you thinking, Mateo?") Moreover, he never even apologizes for this or promises to do better/be more careful with such important, sensitive information in the future.

Even more aggravating is his behavior in "The Scepter of Night." Mateo is so eager to play the hero and claim all the glory for himself that he twice (!) disobeys a direct order/abandons the plan and goes looking for the scepter piece on his own. This directly leads to Fiero and Victor finding the scepter piece and (temporarily) stealing it. And it's really only due to luck and very conveniently-timed infighting amongst Shuriki's allies that Elena and co. are able to get the scepter piece back. While Mateo does receive some (brief) criticism, it's nowhere near the level that it should be.

Also noteworthy Elena doesn't really get particularly "mad" at him (especially considering how angry we see her get at other characters even for more minor things) . She's not truly, actually angry at Mateo (and Gabe and Naomi are only a bit angrier); she's just a little frustrated and disappointed at him in the moment. And apart from a (very short) little "do better next time" speech, Mateo doesn't face any real consequences or lingering resentment unlike other characters who do.

When Isa obeys direct orders in "Sister of Invention," she has to face consequences (Elena grounding her). Similarly, Elena holds a grudge against Esteban for days (if not weeks) after he interfered with the Feast of Friendship (a much lower stakes mistake than Mateo's imo). Moreover, it's possible to interpret Esteban's staying behind in Avalor when the others go to see the Norberg Lights as a punishment (either self-inflicted or imposed by Elena) for his actions in the previous episode.

In contrast, Mateo just gets a brief "I expected better from you" speech from Elena and Gabe jokingly assigning him push-ups as punishment (which he immediately takes back when Mateo tries to do them). I'll give Mateo a little bit of credit for actually apologizing this time (which he doesn't always do). But it's still frustrating that everyone is so ready to forgive and forget Mateo's missteps immediately while this same courtesy is seldom shown to others.

I think it's worth directly comparing a few Mateo-centric episodes with a few more similar ones that focus on other characters so that we can see how there does seem to be a noted narrative bias in his favor compared to the others.

Let's start with two "feeling kind of insecure" episodes: "Spellbound" for Mateo vs. "Naomi Knows Best" for Naomi. In the former, Mateo expresses doubt that he's capable of rising to the occasion as royal wizard. No one (except Gabe and he gets over it by the end of the episode) blames him for not having reached his full level of confidence and potential right away and not being able to immediately solve the problem. And Elena in particular (and by extension the narrative) gives him so much validation and support. Whereas in "Naomi Knows Best" (and to a lesser extent "Finders Leapers" and the "Carla-as-Rita" arc as well) the narrative "punishes" Naomi for her feelings of self-doubt. We're told that *if only* Naomi had trusted her gut instincts and stood her ground right away, Elena and co would not fallen right into the trap and that Naomi needs to screw her head back on straight and embrace confidence ASAP to fix her mistake.

When Mateo feels insecure, the narrative gives him every reassurance about how capable and special he is, that he can learn at his own pace, and his insecurity isn't really such a problem after all. When Naomi feels insecure, the narrative encourages her to get over her doubts as quickly as possible because unlike with Mateo, there's "no time" for her to wallow in self-doubt and actually the fact that she even had said doubt in the first place is what "caused" the disaster.

On a slightly different note, Naomi is also called out for taking a little free, fun time for herself in "The Last Laugh" when the group needs her, and yet somehow I have a feeling that Mateo would've been allowed to take a day off if he wanted without any protest. He complains about long hours in "Movin' on Up" and Elena gives him the big royal wizard's chambers for him to relax and unwind in. Naomi asks for one (1) day off to spend with her childhood friend for her birthday , and suddenly it's big drama. (And at the time, Naomi asked for said day off, all Elena needed from her was help doing paperwork. The Team Ash stuff came up unexpectedly.)

Similarly whenever Gabe and Mateo get their little rivalry on ("Spellbound," "Party of a Lifetime," "Captain Mateo" and a few other examples) , the narrative either presents them as equally at fault or Mateo as the only one in the right.

When Gabe brings in Bronzino to train the Royal Guards in magic, it's specifically because Mateo failed to explain how and why he was training the guards in the way he was. If he'd just explained how they were going apply the seemingly basic exercise they were doing to real magic, Gabe likely would've allowed Mateo to continue the training at his own pace.

(Also like. it's super hypocritical imo for Mateo to get annoyed at Gabe feeling impatient/impulsive about their apparent-lack-of progress when Mateo himself is easily the second most impulsive character in the show after Elena.) Mateo feels entitled to keep important information to himself (or blab it to a cute girl he barely knows) even when its no one else's best interest. He's only okay with being "cautious and patient" when he specifically is the one setting the pace. And yet, Gabe is the only one who is called out for his behavior in this episode--even though he might not have acted as he did if only Mateo had trusted him and the guards with an explanation in the first place.

And then there's just a few other "dude not cool" little moments that never really get acknowledged/Mateo never apologizes for. For instance, there a two low-key terrifying Mateo moments in "Captain Mateo" that are not only not acknowledged but are also framed in context as Mateo being just "so funny and quirky". Near the end of "Should be in Charge," Mateo magically gags Gabe so he can't protest anymore about Mateo taking over as leader of the mission. And this is after having already enchanted one of the stationary suits of armor to come to life and fight Gabe. (Gabe admittedly does lightly shove Mateo out of the way during his parts of the song, but that's still a far cry from literally drawing a sword on Mateo as Mateo does via magic to Gabe.)

It's played for laughs (The Grand Council is just smiling happily in the background throughout the scene which is so yikes), so it's easy to overlook what's actually happening. Frankly, it's pretty horrifying that Mateo's natural instinct upon his experience/authority being questioned is to literally attack and then silence. (And attack and silence someone who is supposed to be one of his best friends and closest allies at that!)

Rather than the narrative acknowledging that maybe it's a bad idea to immediately grant power to someone to someone who is so retaliatory against fairly minor criticism, the Grand Council just gives Mateo exactly what he wants and doesn't even offer a "maybe next time, let's not gag or attack our friends, okay?" alongside it. I mean sure Mateo does step down as captain at the end of the episode, but it's very specifically presented as his and Gabe's voluntary choice and not an order from Elena/the Council.

[cvnt4him]

hii!! im the anon that requested that hyperspermia drabble <3!!

imagine izuku giving you backshots for the first time and he’s so memorized by your ass jiggling he has to give it a little smack and have his big scarred hands on your low back, pushing arching you more so he can do deeper and see it jiggle more 😵‍💫😵‍💫

bonus points is if he’s a absolute mess while doing it, his hips just losing rhythm because feeling you jiggle against his pelvis, his ball slapping your sensitive clit and how much your squeezing him, he’s losing his fucking mind 🙂‍↕️

(p.s, your now one of my favorite izuku writers <3)

- 🩸

I am so glad I'm one of your faves<3 it means far too much to me than you may think, you've simply become one of my fav anons just from the two reqs you've sent in; THEY'RE JS SO GOOD

Izuku loves having sex with you, it's such a heartfelt and beautiful thing. He truly believes when you're having sex it's not just something you're doing to chase after pure lust; it's a bonding ritual. Seriously, he takes this type of thing too seriously. Never to the point that it's unenjoyable because trust, he puts your pleasure first at all times.

Izuku just really thinks it's deeper than just feeling good. I mean he's literally entering your body, that has to mean something spiritually maybe, right?

However just because izuku thinks that way sometimes doesnt mean he has urges. Of course he does, he has the worlds most sensitive body and he can't help getting turned on when you so much as touch his neck.

He tried to hold off on them sometimes because he understands nourishing relationships is key to having long lasting ones, he doesn't want to scare you off with the consistency of sex.. but he just can't seem to help himself.

That's how you ended up on all fours head thrown back and ass throwing back against your boyfriend. Izuku loses himself in your cunt pretty fastly, he's been thrusting into you with hard thrusts of his thick cock harshly. His hands held your shoulders at first and he had his eyes squeezed shut from the very beginning, he knew he needed this.

His thrusts were quick and filled with need, he lets his eyes drape open slightly just to see how you were doing; y'know check up on you. It was never his intention to get hypnotized by the jiggles of your ass every time his pelvis met it. He got so fixated on it trying to speed up his thrusts to see it jiggle more, it got him off far more than he expected he couldn't take his eyes away.

Mumbling low groans and helpless moans, he squeezed the flesh on your ass causing you to moan biting your lips with a smile and small giggle, you slowed your body and gently ground your ass against his pelvis as he tried to continue jerking his hips into you, it got quite unrhythmic and unsteady he couldn't help whining at the lack of feeling from you only grinding.

Izuku was quick to try and have you bouncing on his cock again, he rubbed your lower back before harshly pushing you down into the pillows by your head causing a low sound to leave your mouth.

“, mmph-!”

“, ’m so sorry baby, ‘m sorry..— hafta, need t’ take it.”

He started his movements up again, harsh quick and full of need and greed. Izuku couldn't contain the noises he tried to keep in to assure that he could hear you anymore. He let them all glow out freely as he quickly began losing himself more and more at the feel of your pussy squeezing him like a vice, the way you convulsed and twitched around his achingly hard cock, it sucked him in like it didn't want to let him go and that's all he could wrap his head around his eyes never leaving the repeated jiggle of your ass snd the faster his movements got the faster they got.

The way you arched your back into him your ass basically throwing itself on his dick had his mind spinning. With a groaned he couldn't help keeping his hands in your body letting them roam all over your moving body squeezing whatever he could that was there but he needed your ass.

Izuku was quick to let his deepest urges take over as he let a harsh slap fall onto your ass causing your body to jerk forward and a squeak to leave; he loved that. It's as if you tried to get away when it landed but arched deeper into him after. He wasn't a bad guy for doing it again right?

Your ass was red by the time he finished, chasing his own orgasm as he jerks his hips into yours. He still can't wrap his mind around everything your cunt gripping him tightly as he chokes on his breath, stuttering hips slamming into you at an unsteady pace causing him to nearly lose himself. He tried so hard to hold out for you; assure that you had a good time but you just had to speak when his mind was already turned to mush,

“, cum f’me zuku? cum inside’a me...?”

Your voice pitchy and quite whiney as well, it sounded more like a question and that's what turned him on so more, brought him closer to the edge. with a gutteral and broken moan he emptied his still jerking balls inside of you, his cum filling you literally completely. His cock was so sensitive and you were still tightening around it while he was cumming, literally milking his cock for all it was worth; and boy was it worth alot.

You could feel his milky cum reach your deepest depths, it felt as if it extinguished a fire that was inside, it made you hum out a sigh and gently throw your hips back against him, his hips stuttered inside of you causing him to moan loudly at the overstimulation.

Upon cleaning yourself up izuku ends up apologizing, in the moment he couldn't really think about anything else other than your ass he completely forgot about making you cum.

“ I'm so so so sorry, I'm so selfish I don't deserve you— please don't hate me, I can make it up to you!”

Little did he know you came a couple of times, when he loses his mind he loses his composure and will to hold back as well he gets quite rough and completely throws everything out the window. You end up telling him how the ass smacking really turned you on and he turned so red silently asking you if you wanted him to do it more often.

Something tells you this won't be the last time you have good sex; because it's always good. lol

AN: this was a little different and honestly kind of difficult but it was so amazing, I hope it lives up to your standards I wrote this in one sitting bc I was so fixated on it, I've never been in such a vibe holy hell

[eldrigeonsss]

in case anyone is curious, a more productive way to get the SAME message across could include "I cant wait for the next update!" "Excited for the next chapter!" "When do you think the next chapter is coming?" (though like, dont pester them, esp if you see the same question asked previously in the comments) OR EVEN!!!!! CHECK THIS!!! "I love your work, how can I support you?" "I love [this part] and cant wait to see how this plays into the update!" Writers and artists make content at their own pace, works will often times end up better if you give your favorite creators the breathing room they need to work. This doesn't mean you can't be excited or curious, just understand that your content is not their top priority, especially if they have a whole life and career outside of writing. Courtesy on the internet is incredibly easy, and genuinely, if anyone needs some pointers, I will gladly give them (i know it can actually be hard from time to time)

And no, this doesn't mean that you can't interact with your favorite works or help motivate your creators, but approach is everything sometimes and that above?? No, not appropriate at all. I hope whoever wrote that is fucking embarrassed, and I hope they are given the opportunity to reflect and rethink the way they conduct themselves in the future. <3

Hey guys, real quick.

Do not ever come into my comments with this kind of behavior. Or anyones. Fic writers are real fucking people, and sometimes life shit gets in the way of writing fanfiction (in this case: i literally became homeless and have been for a couple months). This does not ever give anyone the right to be an asshole over a piece of fucking fiction.

This is FANFICTION. It is NOT THAT DEEP.

Rant over, I’m deleting that comment thread. Moral of the story: be a compassionate fucking person.

[qtkoshi]

hobie and his bubblegum s/o

- I’m sorry y’all no i’m not, but i am not immune to the preppy x outcast trope and i  - no i am not submitting to the idea of being a rockers gf leave me alone i absolutely am s/o to @dizscreams for prompting this idea never claimed to be a writer ;; im just ramblin

-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈

hobie brown wasn’t afraid to go against the common narrative. wasn’t afraid of many things, actually (as we know). he was loud, abrasive. tough. 

and then there was you. soft and all smiles. it was a little sickening to be honest: how someone so bubbly and sweet complimented him so well. 

but let’s not get it twisted, it’s not as if you were the one to round out his edges. despite the obvious clashes in personal style, you both carried similar ideologies in life, and in so carried a mutual respect in each other’s individuality and comfort. and what more could hobie really ask for in a partner? 

additional headcannons i can’t stop thinking of:

wearing his jacket casually around >> you’re in an all pink fit? don’t care, the jacket smells like him and he likes seeing you in his clothes (makes him proud to let others know your his not that he would conform to dated notions of ownership tho so shhh) 

omg swapping styles?? did it one time as a joke, now you both catch yourself wearing pieces incorporated into your outfits that remind you of the other. (cutesy metal flower and butterfly chokers?? modified spikes added onto your accessories???)

firm believer in this man being so so comfortable in his own self and masculinity. fuck do you mean i’ll look girly? give me the damn plushy rn

thinking of u possibly doing dance or cheer and? y’all both going to each other’s shows and sticking out like a sore thumb in the crowd, but neither of y’all give a fuck bc that’s your baby up there and man are u proud

patching him up with hello kitty bandages (which he thinks are cool as fuck).

the bubblegum is from u btw says it reminds him of u

making playlists for each other???? omg → actually have more overlap than ppl think; both love to explore genres (also helps that they’re ur fave songs, bc if u love them there has to be something gud about them right?)

this song with y'all actually

if u see me adding more on this later, don’t worry ab it

⊗

[hihimissamericanbi]

FAVE HP SMUT CREATORS

Ever since I got that lovely anon asking for the best smut I've ever read, it got me thinking about some of my favorite smut creators in general.

So here is a very non-exhaustive list of fan-fucking-tastic smut writers and artists I've come across in the HP fandom that weren't mentioned (shamefully) in my last batch. Feel free to add to the list! We must keep the people fed.

xoxo go take a sip of cold water girl

WRITERS

@spookymoonie

Lord Espooky came into this fandom guns a-blazing with their kink headcanon a day for Wolfstar and it has spiraled from there. They GET IT. He has a super well-organized masterlist pinned to his tumblr ft tons of different kinks, fic lengths, scenes, etc. Go. Now.

@fiveht

The definition of IYKYK. Daddy kink isn't super my thing, but Five makes me enjoy it. If you vibe with age gap daddy Remus and pretty boy Sirius, their Adore series is a must-read. They also have a stellar A/B/O Wolfstar fic plus podfic and write some Marvel too!

@greenvlvetcouch

An absolute legend in this fandom. Wolfstar, Jeggy, Rosekiller. Gritty, chewy, embodied sex.

@emeryhall

Emery writes sex the way some people breathe. Like it's just part of the narrative. It's SO punchy. And also she is the queen of Crack Smut.

@kaaaaaaarf

Patron saint of Wolfstar hatefucks. mic drop.

@cancerravenclaw

We snagged MK over to Wolfstar from the clutches of Dramione. Her series "mk's kink exposé" could also be called "celine's kink exposé." I'll just leave that there.

@wolfpants

Everything they create is magic, but they are especially known for rare pairs and Dronarry.

WRITERS AND ARTISTS

@aspiring-artist-em

The queen of Lesbian Wolfstar. Both art and fic. Also queen of humiliation and pain kink and Walburga psychological trauma. ye be warned.

@upthehillnsfw / @upthehillart

I am afraid no one is ready for this art. Truly. Tons of different ships, positions, acts. I gasp every time. And their Pansmione fic is epic (which I have talked about before).

ARTISTS

@industrations

I highly recommend getting on Indi's Patreon so you can enjoy their NSFW drawings, mostly Wolfstar and Jegulus, occasional Rosekiller. Too many iconic moments to count.

@waxingrunes

The officially-sponsored artist of Five's Adore series. Look, their work is nothing short of indulgent. Shhhh don't worry about the physics just let it happen. And by It I mean Remus' big dick hands.

@basiatlu

By beloved. The one. The only. Bosh's drawings are so ALIVE. They leap off the screen. Her Drarry is nothing less than iconic. She also dabbles in other characters/ships like Wolfstar and Blackcest. Siriusly, you can't go wrong.

DRARRY SMUT

OKAY, Drarry people. There are so so many excellent Drarry smut writers it is impossible to name them all. Here are but a tiny handful I have pulled from my bookmarks. I'm happy to rec specific fics if asked :)

@cavendishbutterfly, @bixgirl1, @l0vegl0wsinthedark, @shiftylinguini, @kbrick, @fluxweeed, @academicdisasterfic

MORE

I'm tagging those other creators from older asks because I can't put this list out there without them on it <3

@crushofdoves @we-are-swearwolves @tenthousandyearsx @theresthesnitch @lqtraintracks Quietlemonhush @cuddlebugsirius

[gasolinerainbowpuddles]

991 i hav emerjenci

Wow, what an absolute dumpster fire, right? *gestures broadly* ↓Below the cut↓ are some specific things as a reader/mutual/friend/etc you can do that will make things a little better.

You come across someone posting/using someone else's work without express permission to do so:

INFORM THE ORIGINAL CREATOR/POSTER (OP) DIRECTLY ════════════════════════════════════════ ✧ Let OP know BEFORE you attempt to engage with the person on their behalf. ✧ OP will probably want to lay eyes on the situation, and, if the person stealing their work is tipped off, they might proactively block OP and/or remove posts before they can be verified as stolen. ✧ Do not harass the person who stole the work. It might be coming from a place of wanting to stick up for OP, but it ultimately doesn't help the situation.

OP is experiencing a hate brigade, nasty anons, or trolling over their fic:

PRIORITIZE ACTIONS AND BEHAVIORS THAT KEEP THE FOCUS ON SUPPORT FOR OP ════════════════════════════════════════ ✧ Reblog the fic in question with a glowing recommendation or just leave a comment under it expressing your appreciation for it. Both actions will boost the work in question as well as show direct support for OP. ✧ Reach out privately through DMs if you have that sort of relationship, or send a supportive message through asks. Keep it simple and short as they are probably overwhelmed with the shitstorm at certain points. ✧ Speaking up with a supportive comment or post for OP isn't necessarily a bad thing, but arguing back and forth with the trolls/hate brigade/etc. - even if you are doing it with intention to support OP - only fuels the fire, and some of them are doing it for the attention anyway.

OP seems down / isn't motivated to write / is expressing considerations of leaving fic writing altogether because of the current climate on this hellsite:

GIVE THEM THE SPACE OR TIME THEY NEED, BUT ALSO LET THEM KNOW THAT THEY ARE VALUED ═════════��══════════════════════════════ ✧ For the love of god please don't bombard them with asks about when xyz is going to be posted. This is a hobby for them, and they have jobs, families, and other life responsibilities that come first. Many would love nothing more than to sit and write all day, but that just isn't the reality for 99% of fic writers. ✧ Show their older works love, too. Many fic writers take the time to curate an organized masterlist of their works, and many have been writing for a while. There is a trove of wonderful content that can be read or re-read while you patiently wait for your fave to update. ✧ If you're waiting for an update on a specific fic, go back through the older chapters/updates and leave a comment saying you love it so much that you're coming back to visit older chapters while you wait to see what happens next in the story. I guarantee it will give them a boost of motivation for that story in particular. ✧ REBLOG AND COMMENT. Yes, do both of those things. I want you open up a fic you love and scroll down to the bottom where you can see likes, comments, and reblogs. I want you to look at the disparity between likes and comments/reblogs. Clicking a heart button is pretty much zero effort, and it comes across as such to many writers. It's not how Tumblr operates. This is a REBLOG site. That is how things make their way around. That is how posts get engagement. That is how other people can discover the fic writers you enjoy. Look, I even made a meme to show you what it feels like when after hours and hours of writing and editing you finally post a fic and then somebody only hearts it:

Even a simple "I loved this so much and can't wait to read more!" does wonders. A quick reblog that mentions your favorite part in the story is like a pot of gold at the end of a rainbow for writers.

You come across people trashing a writer you like:

CONSIDER IF IT'S HELPFUL OR NOT TO ADDRESS IT ════════════════════════════════════════ ✧ People are allowed to have negative/differing opinions about things. If they are expressing their dislike, even in a nasty way, they are allowed to do so. ✧ If it is a genuinely harmful/disparaging conversation, look to see what sort of traction the conversation has. Sometimes it's better to just let something die down before it can even take off. Examples of genuinely harmful/disparaging conversation include but aren't limited to: accusing OP of something egregious without any evidence to support it, framing rumors/gossip they've seen about OP as factual, deeming them criminally or morally corrupt based off a personal opinion they have of OP/their works. ✧ Remember that while serious concerns (like the above point) might be good to share with OP, not every instance of negativity or hate needs to be brought to their attention. If it's just some random jerk on a different platform talking about how much OP's writing is amateur hour, you should probably just leave it be. OP is a person at the end of the day, and sometimes things can be more hurtful than helpful for them to see.

OP isn't acting / responding in a way that you like:

REMIND YOURSELF THAT THEY ARE JUST ANOTHER PERSON IN THE FANDOM AND ARE NOT AN INFLUENCER ════════════════════════════════════════ ✧ OP isn't in this fandom to be put on a pedestal (of course there are always exceptions, but I'm not talking about those people) and treated like an influencer. ✧ OP creates works in the fandom because that is how they choose to engage with the fandom. It is one of many ways that people can come together in a community and celebrate an actor/movie/series/etc. ✧ OP is not a content farm. They are writing and sharing because they genuinely enjoy it. They are not being compensated. They are not being endorsed by anybody or any company. They are a normal person trying to take part in a fandom they enjoy. ✧ OP is not obligated to address or comment on a situation, an interaction, discourse, etc. They are not an influencer and aren't equivalent to the parasocial relationships that influencers (aka people who make a living off the internet) have with their followers. OP is not required to "use their platform" for something. It's not a platform. It is OP's personal account where they engage and post in fandom. That is why it exists. OP is not some mega entity that has to speak on something because you demand or expect it.

OP blocked me:

THE CALL IS COMING FROM INSIDE THE HOUSE ════════════════════════════════════════ ✧ Listen, I know it can be hurtful/confusing if you are blocked, especially if it is a writer you really like. I guarantee you that it was not done out of spite and for no reason. ✧ Take a look at the circles you run in, the posts you like, the sort of comments you leave, etc. Many writers are quick to block these days because the climate of this hellsite is very charged and exhausting. If OP sees your username cropping up again and again in fandom drama or you liked a discourse post with a shitty take or your chummy mutual is going off the rails with some bullshit, you might just get caught up in the Block Party. ✧ Don't go through another channel/account to ask why you've been blocked. No, you aren't entitled to a reason. OP is allowed to protect their mental health and peace, and they don't owe anyone an explanation of why and how they choose to curate their experience on this hellsite. ✧ If you believe you were blocked by mistake (which, again, is very unlikely), just take the L, homie. I know that's not what you want to hear, but that's just how it is.

If you took the time to read this, share it, or just in general intend to apply it to your interactions, ✨thank you✨!

Here is a Pedro gif tax for your time and attention. 💜

[wonwoosthetic]

Can you recommend joel miller series?

Hii, of course!😊

I’m sure some of them have been recommended many many times before but that’s just bc they’re actually THAT good, so here are the ones that I’ve read multiple times by now ˙ᵕ˙

You want feels? You want emotions? You want drama and love? Overprotective hot Joel Miller?Read this:

i know who you are by @punkshort

What about a good slow-burn playing in Jackson where you just can’t help but want more from Joel than just a one night stand but it will take time? Here you go:

a stranger’s heart without a home by @morning-star-joy

As if these weren’t already enough emotional, get ready for this two-parter that will absolutely WRECK you in the best way possible😭 I never knew hurt/no comfort could ever be so beautiful:

“You’re the loss of my life” by @stylesispunk (warning: I cried ever time I’ve read this and it’s been about like five times 😭😭) also: another INCREDIBLE writer, you can honestly just read through her entire masterlist, you will NOT regret it!!!!!👏🏼🫶🏼

THIS is THE hurt/comfort series! I absolutely love the structure of this story so much, I’ve read it like four times already haha😬 Joel is just so irresistible that even after 20 years, this man has the audacity to captivate you again. Get ready for a wild ride of emotions with this:

Woman by @dancingtotuyo

But these aren’t enough? You want even more angst? You want to see Joel truly REGRET things? This one’s for you:

invisible string by @toomanystoriessolittletime

Okay, we’ve cried and screamed enough, time for something a little bit more gentle. Something that will pull you in and just not let you go? With just a bit of angst but the wonderful rom-com vibes that we all love? With the perfect neighbour!Joel storyline? This is the one:

Nicest Things by @schnarfer

Now what about a perfectly outlined AU with a fresh start and leaving the past behind only to find a hot Joel Miller as a sheriff?? If you’re interested:

somewhere to run by @punkshort (a second mention, so honestly, you can read absolutely everything she wrote, she’s an absolute genius and I’m in AWE of her talent)

Okay, now this one has become a Joel Miller classic but how dare I not mention it. It’s complicated, it’s unsure, but literally both are in love with each other and it’s perfect earning and UGH just incredible:

texas sun by @from-the-clouds

What about sneaking around with hot Jackson!Joel who cares all too much about Ellie but is also just so enthralled by you? Too jealous to let anyone else touch you but too much of an idiot to put a label on it? Here we go:

But I Would Die For You In Secret by @wheresarizona (I have to put a quick extra note right here: PLEASE PLEASE PLEASE read everything by her!!!! Learning to Live (Javier Peña x Reader) is literally one of my all time favourite series across all of the fandoms I’m in and September is also just INSANE, the writing talent this woman has is out of this world!!!!)

What do we want? THE SWEETEST JOEL? Where can we find him? RIGHT HERE! Get ready for just the most comfortable fic you’ll probably ever find and just UGH the cutest fucking Joel Miller:

Elks by @whocaresstillthelouvre

Loner Joel that makes you feel less lonely after you find your place in Jackson? Ooooh, that sounds good, right? Well, this story was perfectly written and you can read all about it here:

Yearling by @justagalwhowrites (edit: I realised way too late that this incredible writer also writes Lavender, which I read through on AO3 and I seriously couldn’t put my phone down and talked to my bestie who doesn’t even know about tlou and got her to read it!)

OKAY NOW LISTEN. This writer right here is one of my all time faves and I’ve read this series too many times to count and I just can’t get enough of it. SO, a perfectly written relationship with Joel Miller that gets you through the day of the Outbreak, all through those 20 years and even during your adventure with Ellie. This right here. You NEED to read this:

A Future Together by @kteague (note: if you want the best Frankie Morales fic ever, read Because Of You, istg the amount of times I’ve read it is insane and I still go back to it and re-read bc I just- it’s just- I can’t even put it into words)

I think we need some humour. We’ve had hurt, we’ve had comfort, romance, but what about a good collection of one shots that you can laugh to? Who would’ve thought going through a pregnancy can look this fun? Well, with someone like Joel Miller by your side, of course:

Joel Dealing with his Preggo Wife by @pedge-page

Most of the stories above have some smut in them (some more, some less), BUT, I know you guys. And I know myself. And I know that sometimes all you need is a good hoey story (Yes, I may have just made that word up). What do you do when you have a shitty boyfriend who lives with his hot fucking hunk of a single dad? Exactly, you fuck the dad:

boyfriend’s dad!joel by @joelscruff

Buuuuuuuut, what if you want to be live in a bit more delulu world where you can be a hot singer with a hot bodyguard that has to try to keep his hands off of you as hard as possibly can but just snaps? Warning: Hot hot HOT! Hehe, well, then I think you might enjoy this:

Her Bodyguard, His Shining Star by @mermaidgirl30

I also have to add: there’s one series where you match with Joel on Bumble (I think… maybe it was Tinder…) where Ellie and Sarah created a profile for him and I remember reading and absolutely LOVING it, but I can’t find it😭😭 so, if anyone else knows what I’m talking about, pls let me know! In the meantime, I’m keeping a placeholder for it here:

single dad!Joel Miller with daughters that just want what’s best for him by a fucking genius writer

I hope there’s something on here for everyone to enjoy! ˙ᵕ˙

If anyone has more recs that they think deserve a mention, please let me know or just mention them in the comments!!☺️ There’s so many amazing authors, I just went down my likes and saw what I had saved and what I remembered really enjoying, but I know there’s a lot more!!🫶🏼🤍

[explodingchantry]

Anders isn't my problematic fave because he isn't problematic. I think the wider concept of anders being 'wrong' the fandom has is a clear example of how biased the writing has been in the games. It's the same reason why people hate Jowan, or why they think the kinloch hold mages were stupid. There's a clear bias in the writing and framing of it all that guides the player towards feeling negatively.

The majority of answers you can give Jowan in Dao are negative, mocking, or downright insulting. The ones who aren't are just... Neutral. You can be a bit sympathetic to him in the circle origin but by the time you meed him in redcliff most of your dialogue choices are so fucking mean. In my replay I was trying desperately to be nice and sympathetic to him but the best you can do is be neutral and let him go but for every rude dialogue option there is no "you've been through something horrible, I'm sorry" or "you were manipulated, loghain took advantage of your vulnerability, I'm sorry" it's soooooo.

Likewise, I always make sure to speak to every single npc in the mage origins and the One mention of uldred before the broken circle quest is from the one mage who tells you about the different political faction enchanters are in, and it's with absolute disdain. That mage thinks uldred is annoying and it's implied that the other enchanters think so, too. Uldred who was an activist for mage liberation is treated as annoying for being an activist.

Then he turns out to be a blood mage and to have killed the majority of the circle, turning them into abominations. The message is clear: those who seek liberation are wicked. In the first game of the series, thus in the game which introduced the concept of circles at all, their existence is justified by the text. It overtly says: look at all those foolish mages, how dangerous they can be when One of them is wicked. Can you imagine if they were free? Can you imagine those abominations' destruction if they were out in the open?

Something similar happens in the mage origin, with Jowan. Through the whole origin, whilst Jowan is painted as annoying, he's definitely seen as a victim. Up until he uses blood magic, that is. Suddenly, the player is likely supposed to think "oh, so they were right to want to make him tranquil after all". Instead of being a way to show that the circle will often turn innocent mages tranquil, it shows you that greagoir was right to distrust Jowan, because he was indeed a blood mage. Instead of showing you how paranoid those in power are about mages, the writing justifies their fear and hatred.

Bear in mind this is the first game and likely the very first thing that happens to a lot of new players. The game does not expect you to know the intricacies of its lore yet, doesn't expect you to understand that blood magic is actually fucking neutral unless you sacrifice people for it. You might be tempted to argue that it's setting up for that realisation later and for you to feel bad about Jowan later, realizing he was led to blood magic because it was his only solution, because he and all other mages are caged like dogs (except this is ferelden, so the dogs are better treated than them). But then you've got the redcliff fiasco where it's obvious the writers expect you to fucking hate his guts

And while dragon age 2 is more overt in its depiction of mage suffering, it also tries to pass on the idea that kirkwall is a special case, that it's only the gallows that are this bad. That it's just Meredith whose craaazeyyy 🤪 and not just Meredith being a product of a corrupt system. The writers expect you to think of Anders as an unstable extremist, or as his writer puts it, a "bipolar terrorist" (note that ofc there's nothing fucking wrong with being bipolar, but I don't think his writer cares!)

With different writers and the exact same set of events, Anders blowing up the chantry would be easily recognized as a positive, as an act of justice, of rightful rebellion. Instead it's seen as a tragedy, a mistake. Instead Anders is categorized as a villain, morally grey even though Hawke themselves has a higher death toll than he ever will.

It's a lesson, I think. In narrative bias.

[kathlare]

short n' sweet

Lando Norris x Amelie Dayman

Summary: Amelie’s new album Short n’ Sweet drops, and the buzz around it is palpable, from a lively listening party in New York to the playful teasing of Lando and his F1 teammates. As Amelie connects with her fans, revealing the inspiration behind the songs, Lando enjoys the attention (and teasing) his love life brings.

Wordcount: 1.1 k

Warnings: fluff, smau

request over here!

August 23rd - Manhattan, NY

liked by elysiadayman, alexwolffofficial,and others

ameliedayman: Short n' Sweet is officially yours now!!! i feel extremely lucky that each time i write a new record i learn a little bit more about myself, and can create from that place. the making of short n' sweet was one of the most special, honest, up and down, stupid and fun experiences of my life. I thought if something was funny enough to make me laugh then maybe it belonged in a song. happy or sad!

thank you to my brilliant talented friends, writers, producers, mixers, engineers, and creative minds that helped me bring this world and these songs to life. not a serious thought was thunk yet somehow they were.. lol i love you all and am so grateful.

I will keep this short n sweet buuuut more soon. go listen now and i hope you love it

View all 4,782 comments

landonorris: FIRST

landonorris: you absolutely killed it, babe. this album is EVERYTHING. 🔥💯🔥 → ameliedayman: @landonorris You better be ready to hear these songs 24/7 now 😉😏

landonorris: BED CHEM my fave, just sayin m'darlin.

tatemcrae: Okay, but HOW do you make “funny and sad” sound THIS good?! I’m obsessed. 😩✨ → ameliedayman: @tatemcrae It’s just a gift, babe. I do it for the fun and feels 🖤

f1gossiper69: Is this album supposed to be a “mood,” or is she just THAT talented? 😵💀 → f1fanatic25: @f1gossiper69 It’s a vibe AND a masterpiece. Don’t even try to hate. 🤷‍♀️

mclarenfan_88: Short n' Sweet? More like tune of the year. You’re really THAT girl. 💅🔥

landosgirl_69: Lando better be streaming this on repeat, it’s a whole vibe. 🥵🔥

pietrapilao: You really did THAT. Every song’s a whole vibe. 🔥💃🏽 → ameliedayman: @pietrapilao Haha, glad you’re vibing queen!

jennaortega: YOU DID IT!!! This album is insane. You’re next level, queen. 👑🔥 → ameliedayman: @jennaortega Omg, thank you so much!!

gracieabrams: You seriously killed it with this. It’s giving everything 🤩🔥 → ameliedayman: @gracieabrams Love you, girl!!

taylorswift: Love the rawness in this album. So proud of you! 💖 → ameliedayman: @taylorswift You’re the blueprint, always. Can’t wait to tell you all about it when I see you! 💫

f1fanatic55: Not gonna lie, "Taste" made me wanna punch Shawn. What a clown 😒

f1fanatic77: Bro, Lando’s gotta be blushing reading those lyrics...

--------------

The energy in the small New York studio was electric. Amelie’s Short n Sweet album had officially dropped at midnight, and the buzz was palpable. A select group of fans had gathered for an intimate listening party, the kind of event where her connection with them felt unfiltered and raw. Amelie sat on a sofa, dressed in a chic black jumpsuit, her curls cascading over her shoulders. Her smile was bright but tinged with nerves as her fans hung on every word, every beat of her new songs.

—Alright, so, this next one’s Bed Chem,— she said with a sly grin, her cheeks flushing slightly. The crowd giggled knowingly. —Let’s just say... it’s about someone who knows how to keep things exciting.

The studio filled with laughter and excited whispers. Fans already knew she was talking about Lando; it wasn’t exactly a secret anymore. As the sultry beat of the song played, Amelie tapped her foot, watching her fans’ reactions. The cheeky lyrics and playful tone had them swaying and smiling, and she felt a wave of relief wash over her. They got it—they got her.

When the track ended, one fan raised their hand.

—Amelie, how did Lando react when he heard this song?

She laughed, tucking a curl behind her ear.

—Oh, he was so cocky about it. He texted me, like, “See? I knew I was your muse.” But... well, you’ve heard the song. It’s all true.

The room erupted in laughter and applause, and Amelie felt a swell of gratitude for the love and support in the room. These fans had been with her through every heartbreak, every triumph, and now, through this wild and unexpected love story.

Meanwhile, in Zandvoort, the paddock was abuzz with talk of Amelie’s new album. Lando sat in the McLaren hospitality area with a pair of headphones, scrolling through social media as clips from Short n Sweet flooded his feed. He couldn’t wipe the grin off his face, especially when he saw a video of Amelie talking about Bed Chem.

Max Verstappen strolled by and plopped down across from him, a sly smirk already forming.

—So, I hear you’ve got some songs written about you, lover boy,— Max teased, leaning back in his chair.

Lando rolled his eyes but couldn’t hide his grin.

—Yeah, yeah. It’s not like I begged her to write them or anything. She just couldn’t resist, obviously.

Charles Leclerc walked in next, holding his phone with Espresso blasting through the speakers.

—Mate, you’re so screwed,— Charles said, laughing. —I mean, Bed Chem? Juno? She’s practically exposing you to the world.

—Hey!— Lando shot back, cheeks burning. —It’s art, alright? Not my fault I’m inspiring.

The teasing didn’t let up, but amidst the jokes, there was genuine admiration in the drivers’ voices. George Russell chimed in as he passed by, clapping Lando on the shoulder.

—You’ve got yourself a talented one there. Better send her a congratulations text before she thinks you don’t care.

Lando smirked, pulling out his phone.

Lan🧡: Album’s fire, love. You really had to put Juno out there, huh? My mum’s gonna hear that! Ames💛: She’ll love it, trust me. It’s a compliment. 😉 Lan🧡: Congrats, babe. Proud of you. Let’s celebrate properly after the race. Ames💛: Deal. Go win, Norris. 😘

As he hit send, Lando looked up to see his teammates giving him knowing smirks.

—What?— he asked, feigning innocence.

—Nothing,— Max said with a shrug. —Just... make sure you don’t mess this one up. She’s a keeper.

Lando smiled, the teasing sliding off him like water. Because deep down, he knew Max was right.

The rest of the day in Zandvoort felt lighter for Lando, even with the usual pre-race pressures. The other drivers’ teasing about Short n Sweet didn’t faze him anymore; if anything, it added to his pride. Amelie’s songs weren’t just about him—they were a reflection of her artistry, her wit, and the depth of their connection.

By the time the afternoon rolled around, the paddock buzz had settled. Lando took a break in the motorhome, scrolling through clips from Amelie’s listening party. The grin on her face as she interacted with her fans made his chest tighten with affection. Then, a video popped up of her introducing Juno.

The clip began with Amelie holding a mic, her signature mischievous smile lighting up the room.

—Okay, so, this one’s Juno. It’s... well, let’s just say it’s a little more personal. Very direct. If you’re squeamish about hearing me talk about... wanting babies, maybe skip this one,— she laughed, her cheeks going pink. —But, uh, yeah. It’s about Lando. Obviously.

The fans erupted in laughter and cheers, and Amelie covered her face briefly before saying, —Look, I’m just being honest. The man’s got... attributes. And, uh, baby fever is real, okay?

Lando groaned but couldn’t stop laughing, running a hand down his face. His phone buzzed with a new message.

Max Fewtrell: Mate, just heard Juno. She’s calling you daddy material. Good luck with that one. 😂 Lando Norris: Shut up. You’re just jealous you don’t have an album. 😏

Lando leaned back in his seat, trying to suppress the chuckle bubbling up as he reread Max’s message. He tapped out a quick response before tossing his phone aside.

—Okay, but seriously,— he muttered to himself, rubbing his face. —She’s so bloody direct. And so... damn hot.

The playful teasing from his fellow drivers continued to roll in. He had barely managed to get through the day without being hit with another jab about his girlfriend’s "talent" for turning their private moments into music. But, deep down, he didn’t mind. He wasn’t just proud of her because she was talented—though, God, she was—he was proud of her because she was unapologetically herself. And, despite all the playful teasing, he knew her music was a reflection of that confidence.

Later that night, after the long day of practice, Lando laid in his hotel bed, scrolling through more clips of Amelie’s album launch. As he listened to Espresso for the third time today, he smiled to himself. Amelie had always been full of surprises, but this album? This album was something else. The love, the passion, the raw honesty—it was all there, and it was all for him.

[steddieunderdogfics]

This week’s writer spotlight feature is:  @cuips-not-cute! cuips_not_cute has six fics in the Stranger Things fandom on AO3 and all of them are in the Steddie tag!

Our anonymous nominator recommends the following works by @cuips-not-cute:

he could be brave

blood is an aphrodisiac

honeyed affection

blinking red light

cyclical

"cuips is a master of taking the reader on an emotional roller coaster ride. The amount of times I've laughed and cried at the same time reading his fics have been too numerous to count. Especially the depth of the sex scenes and the character beats and growth they portray are gorgeous to read - and also very titillating. I love Steve and Eddie in every one of cuips stories, adore the little mannerisms they are given and the way they interact with each other and other characters. Besides the inspiring prose cuips can pull off a plot like few other people I've found so far - since blinking red light is still ongoing, I'll just point to cyclical for that. I'm very thankful to cuips for writing and posting these stories and for being a very active part of this lovely fandom." -- anonymous

Below the cut, @cuips-not-cute answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

i don’t even know. i was happily in the ofmd fandom when i watched season 4 almost three years ago now (oh god) and then the characters… they got me. i fear they’ll never leave.

What’s your favorite trope to READ?

god, so many. they’re all kinda the same flavor though so i’ll list out what i’m always filtering for to find a new fic: bottom/sub eddie, creature/monster eddie, post s4, canon compliant, soft dom steve, sex pollen, spit kink, rimming (perhaps my FAVORITE ever thing to read), switch eddie/switch steve… the list goes on.

What’s your favorite trope to WRITE?

probably also rimming. there’s just something so romantic about eating ass. and i really love to stick with post s4 canon compliant aus, too, i don’t think i’ve written an actual for real au yet, though i do have an idea for one after brl.

What’s your favorite Steddie fic?

i don’t know if i can pick!! my ao3 bookmarks host my many all-time faves, but if you wanna go by the fic i’ve reread the most it’s probably the affliction of the feeling. it’s so fucking good.

Is there a trope you’re excited to explore in a future work but haven’t yet?

YES!!! i have never written omegaverse!!! which is crazy, ‘cause i like it a LOT. i have a post-s4 omegaverse au kicking around in my head currently, and i cannot wait to sink my teeth into all the messy biology and politics that come with the omegaverse.

What is your writing process like?

chaotic, in a word. usually, i’ll get a fic idea while i’m balls-deep in writing another fic so i’ll shove it to the side and let it simmer while i finish that first one, then i’ll spend a good long while planning it out in ridiculous detail, and THEN i’ll start actually drafting. i like to have a fully fleshed out outline and a couple chapters written and edited before i start posting, and once posting begins i tend to deviate quite a bit from my outline but it’s all good fun.

Do you have any writing quirks?

definitely. i don’t like pointing them out for fear of other folks seeing them in everything i do, but they’re there. one that i don’t mind so much is my absolute abuse of the word “little.” everything is “a little” of this, “a little” of that, but i try to cut my usage down significantly while i’m editing.

Do you prefer posting when you’ve finished writing or on a schedule?

i always TRY to keep a schedule but… yeah. it never works. i’m far too busy for one, but attempts are made. i’d like to one day write a fic in full before posting it, because i think it’d be a whole lot better if i let it sit for that long but lord, i sure do like getting ao3 comments on every chapter. they make the writing motivation go WAY up.

Which fic are you most proud of?

brl, definitely. that fucker is LONG and i’m barely halfway through it. i think i’ve done a lot of cool things with it and i’m going to do some more cool things and i’ve made a lot of really awesome friends in the process of writing it so it’s got some pretty insane sentimental value to me. it’s definitely going to be a fic i’ll miss writing once i finish it, but that’s what the epilogue series is for!!!

How did you get the idea for blinking red light?

from another fic!!! @racketghost is the author of one of my favorite things i’ve ever read, which is the good omens zach and miri au, closed set (https://archiveofourown.org/works/23320960/chapters/55862155 <- hyperlinked), wherein crowley has been lying about the existence of some angelic sex tapes to all of hell, and then he and aziraphale have to actually make the tapes. it’s awesome. it’s gorgeous. brl is one big giant love letter to this fic, because it means so fucking much to me and i think about it ALL the time. 

When writing honeyed affection, what was something you didn’t expect?

hmm, i don’t know? ha is, i think, a pretty easygoing fic with lots and lots of porn stuffed inside it, and that was all i intended it to be so i cannot think of anything i was surprised by!!

What inspired blood is an aphrodisiac?

i just wanted to write vampire eddie. it was july ‘22, kas theories were everywhere, i had to try it. these days i think i would change a LOT about it because my ideas and hcs surrounding the characters have evolved significantly, but i’ll write vampire eddie again and “fix” everything i no longer like about biaa.

What was your favorite part to write from he could be brave?

…the fisting. i genuinely think some of my best writing is in that scene, and while i feel the same way about this fic as i do biaa, the fisting scene will always hold a special place in my heart. i’m very, very excited to write the fisting chapter in brl because of this scene. fisting rules.

How do/did you feel writing cyclical?

i wrote cyclical during a very weird few months of my life, so writing it was sort of my way of dealing with all the insane shit going on around me, and i think it shows. in a good way, though, because cyclical is a timeloop fic so it needed to be a little angsty and insane. i’m stupidly proud of that fic. @ryeallytired actually BOUND it into a PHYSICAL BOOK and SENT IT TO ME and when i tell you that is the singular most precious object i own, i mean it.

What was the most difficult part of writing blinking red light?

PLOTTING THAT BITCH. GOD. i’m so happy to be actually WRITING it now, the planning was genuinely so brutal. my issue was that i was sticking too close to the plot of closed set (<3) which just… did not work for steddie. closed set’s premise centers around crowley lying about making sex tapes, yes, but he lied about them to PROTECT aziraphale, which is the messiest, kindest, riskiest fucking thing ever. and it’s awesome. in the early planning stages of brl, i was trying to put eddie in the crowley role of lying about having made sex tapes with steve, but it reallyyy didn’t work. there was an oc and i absolutely hated him, plus i didn’t like what that premise was doing to eddie’s character… ugh. it was a MESS. it took several rubber duck-ing conversations with my brilliant friend @lollaika and a rewatch of zach and miri to finally realize that it had to be STEVE who brings up the idea of sex tapes so that he could protect eddie, rather than eddie bringing it up to save his own hide (yikes).

Do you have a favorite scene and/or line from any of your fics?

oooh, lots. reallyyyy loved chapter 8 of cyclical with all of the pov shifts, that was super fun to write. i also really enjoyed writing the dry humping/sex tape convo in the first chapter of brl, and i’m stupidly excited to write chapters 12, 13, 15, and 17, because of specific scenes that will happen in each.

Do you have any upcoming projects or fics you’d like to share/promote?

i do!! after brl is completed i’ll have to choose from two story ideas (because i cannot have two wips at once or i’ll get SO stressed), one being a semi-realistic steddie cowboy au based off my own experiences with growing up on a farm and featuring messy, earnest cowboys and not-fully-human eddie, and the other being the omegaverse au i want to write, which will have a very fun mix of vampire eddie, dubcon bitching, and accidental mating bites!!!

Outside of these questions, Is there anything YOU would like to add?

i cannot think of anything!! this was super fun :D

Thank you to our author, @cuips-not-cute, and our anonymous nominator! See more of cuips_not_cute's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[blackmoonowl]

Hello fellow RJ enjoyer tumblr user blackmoonowl. As we both know, our poor mercenary shoulders several worlds' worth of stress and he doesn't often get a lot of downtime to enjoy things.

What are the little things in life that bring a smile to his face?

Sincerely, a fic writer who keeps making him board the bullet train to whumptown. Here's an older screenshot out of my faves as thanks <3 Have a great day!

𓅓 Hello fellow MacCready enjoyer Twosides--samecoin. I happen to have an idea or two for a little messy list I threw together.

Things that MacCready would probably like!:

❤︎ Caps, obviously. This greedy hog will expect a cut of all the caps you find. He's still a mercenary after all.

❤︎ The games on your pipboy, let him play with them and he'll be content for a while. Same goes for any comics you've collected.

❤︎ Hold him, he'll sink into your arms and you won't be going anywhere for a couple hours whilst he unwinds. Give him a few kisses to boot and he's a goner.

❤︎ Giving him sentimental objects of your past. He gave you the wooden toy soldier out of trust after you saved his son. Return the favor and this man falls head over heels onto his ass in love with you, again.

❤︎ For all his whining about earning caps and not standing around, MacCready loves lazy mornings. Simply lounging in bed with his arms wrapped around you, spooning you as his face lies in your shoulder. Good luck prying him off of you.

❤︎ If you are good with his son, prepare for a very emotional and happy mercenary. He might even consider a second child, one with you this time. With how things are going.. it might not not be such a bad idea.

❤︎ Loves stupid little competitions with you. Who can shoot more ferals? Who can drink more? It's one of his favorite past times to playfully challenge you.

❤︎ Your cooking. If you are somewhat decent at making food he's absolutely inhaling that shit, then asking for seconds. You'll be surprised with how such a thin guy can eat so much. He just has a very fast metabolism.

❤︎ Going out on the town. MacCready loves to drink at bars. At first he did it to drown his sorrows, letting the alcohol soothe the pain to cope. But now he loves going there with you, simply as a date.

❤︎ Also he likes Dogmeat. It's not your dog anymore, it's MacCready's dog. He loves playing fetch with the doggo when he's having some time to relax.

[spnfanficpond]

July 2024 Angel Fish Awards

(Angel Fish design by @slytherkins!!)

Every month all of you fantastic writers work your asses off to post some truly incredible stories. Our Angel Fish Awards are the way for all of us, as a community of writers and readers, to lift each other up and give praise to those who have captured our attention and deserve a few kind words. (Click here to learn more about how to nominate a fic for an award!)

Nominated by @heavenssexiestangel

A Stairway to Nowhere by all_the_kings_ham (AO3)

Everyone knows there is a lack of some good Ducifer fics out there, due to it being a rarepair. This one is still one of my faves and I love the humanity and trauma shown in some scenes. It's truly worth a read.

Apple Pie and the Apocalypse by @ladyknightskye

I'm still reading it but I've read quite a few new chapters and I'm absolutely loving it. There are some hilarious scenes and some more serious ones (sometimes they're together...) and I really can't wait to see how it ends

Like an Open Book by @butiaintgonnaloveem

I am trying to get into x Reader fics and there truly is a lack of Ketch oh my G-d. Anyway. Although here the reader is... Way too dominant to be me lol... I love Ketch showing his softer side and reader helping him to relax. I shall leave nsfw thoughts untold 😫

Nominated by @annahmiraculousmillenium

Let's pretend I'm dead by evitably (AO3)

I love possession fic.

Nominated by @charliethealpaccaso

Woof by morrezela (AO3)

I tend to hunt down all sorts of transformation based fics of all kinds if it peaks my interest and this one caught my interest at the start. I want to make sure more people check out the tag or get some ideas. For this fic what if jensen got turned into a dalmatian. How is he going to deal with his new form and does he ever get back to his human self that is up to you to figure out

Like The Fairy Tales by Icefire149 (AO3)

As the one trying to seek out some great animal transformation fics we got this one where sam is turned into a frog. I thought this was a cute fic and worth a read if you like to check it out.

Regarding Sam by AllHallowsEve (AO3)

For me Regarding Dean was a great spn ep and when I found this I wanted to see what would happen for Sam. The story for the ep plays the same with some added bits more leaning on the Sam side of it all along with his relationship with Dean.

Home For a Stray by 3oclockrock (AO3)

This one was a hard read for me with the topics but it did peak my interest a bit in its concepts. If your interested in a strange read with more mature topics dealing with struggle and recovery check out this fic.

Faithful Companion by brokenlittleboy (AO3)

I'm still hunting down as much transformation fics that peak my interest and this was one I thought was a great read. Sam's powers go out of control causing him to change into a dog and Dean take a bit of an advantage on him giving him a pink collar.

Nominated by @glygriffe

Did You Hear? by cacholady (AO3)

This is a sweet outsider (mostly school related) POV on Dean. He might not be a dad, but he sure has a way with children! And I love that Bobby John Campbell was a part of this story.

Nominated by harrypotterfanatic1 (AO3)

amoralism by @artyandink

I'm nominating this because it's just caught my eye. It's an AU, based in the world of the FBI and the smut is just AAHH and the sexual tension and all of it is so damn GOOD! There's also a plot around a crime syndicate which includes as many major characters as possible and it's overall a read which I would recommend everyone to check out and leave their feedback on as there's so much to go. Aah, can't stop talking about it! It's the characterization as well, all the characters leap off the page and are so accurate. Definitely felt I should nominate this.

Nominated by @leatafandom

Wingman by cas---2y5 (AO3)

I love Sam's fascination with wings and Gabe helping him organize the bunker. I love how their relationship changes and the how Sam just can't help himself. Plus it's also just so steamy.

we sons of hell and heaven by @gay-destiel

This was such a great read! I love the word usage and descriptions so much! It was so enthralling and the relationships were amazing to watch bloom.

Nominated by @masoena

Living in a Haze by @girlsvmonsters

The story has well thought out plot, smoking hot smut, lots of Dean whump and a red thread of humor that compliments the trauma, angst and comfort perfectly. It is also polyamorous and A/B/O.

Nominated by @rainythursdaynight

Crashing In by @followyourenergy

I'm an angst girl through and through, but sometimes I just really need some fluff and comfort. That's what this fic is, hot chocolate on a (not 2024) cold winter's day, snowed in with a good book. Single parent Cas and kid Jack fics are always so lovely, as are the fics where Dean comes in when Cas needs it most. Even if in this fic it's a literal crash into them, it's fluffy and sweet and heart warming and cozy and everything you could ever want out of a read.

And This, Your Living Kiss by @asecretvice

I'm a sucker for well written stories about well written in-story works. Poet/Writer Dean has some beautiful works sprinkled throughout this fic that the author does so much justice to, his story is heart wrenching in the leave-your-chest-aching-despite-knowing-the-outcome-is-okay-kind-of-way, and I love me a fic about hidden identities. The tension, the prose, the energy: this fic is beautiful, if I only could describe it in one word it'd be that: Beautiful.

Heroes for Ghosts by @pantheonofdiscord

I think I haven't felt such deep yearning as I have felt conveyed through this fic. It reads so tense, like you're waiting for a small crack to let out some of the building up pressure and anxiety but still waiting, and waiting, and aching the way Cas does. And then when that pressure is finally relieved, god is it worth it. The waiting was worth it in the end. This fic is also a masterclass in writing interactions that aren't direct, none of TFW can speak to each other or see each other, but they still move and talk like they can, even if its out of desperation. It acknowledges the empty spaces in each of their lives during the fic, and reminds you in equal parts that they are connected even if the thread is invisible.

The Benjamin Franklin Key-and-Kite Experiment by @deanology101

I'm a sucker for not only time travel, but pre-season 4 deancas meetups. This one hit all the marks. It was tense with mystery, with energy, with passion and secrecy. It left the reader and the characters in equal levels of dark as to why things were happening in the way they were. And it kept characters alive that the show couldn't bother to, and gave the Winchesters some meaningful friendships to boot. This setting IS if Faith Healer had an extended cut, rainy and dreary and electric, but with occasional bouts of light peeking through the clouds. And Dean's Journal Entries? His little doodles? His analogies? Dean's voice was PHENOMENAL in this fic, I highly recommend it to any Dean fans, period.

The Sinking Ship by @crack--attack

I'll offer the note that I wrote down when I bookmarked this fic the first time. "Like bearing a part of my soul open and shining sunlight on it. I ache, but there are new flowers here. There are new flowers and a gentle breeze." This is a story about sacrifice, and love so intense it shakes the planes of the world. It's about story telling and eternity and history inundated by loss and a ticking clock and forgiveness and moving on and love. It's everything I could ever want in a piece of literature. Please, if you have even the slightest interest in Deancas, give this story a read. I read this not even acknowledging some of the ships in this fic but found myself pleasantly surprised by them. Even if you don't like or are impartial to deancas, or sam/rowena/gabe, or claire/maggie, please please PLEASE give this fic a shot. I'm so so glad I did.

The Neighboring Perspective by aileenrose (AO3)

A story about loss, grief, and healing. About loving unconventionally but loving fiercely and fully. About opening old closets and airing them out with hope. It's a shorty so I won't write much, just that if you're interested in moving on from loss, in finding new family, in learning how to love again, give this fic a shot. Plus baby!Ben Braedon is adorable throughout!

Out of the Deep by @riseofthefallenone

This is a behemoth of a fic, and popular if the hits are anything to go by. However, if you haven't read this yet and you're into heavy Mermaid lore, I highly recommend giving it a try! It's heavy at times. Cas is caged and sometimes no matter what they try to do, things don't work out for the protagonists. But they try again, and again, and again and the payoff is very much worth it in the end. Plus there's a whole lot of cathartic payback and BAMF Cas, Dean, Sam, and Jess that makes the high action points of this story edge-of-your-seat fun! And the calmer points much more magical, mystical, and hopeful. I loved it for its found family, for it's incredible lore, and it's fierceness. And when I have the time, I know I'll go back in for a second read.

Nominated by @samanddean76

My Brother's Keeper, My Father's Prisoner by @xpurdyglambertx

An Omegaverse story that starts dark with Dean being trapped by his duties and obligations. It follows him as he struggles to break away from those that are more intent on hurting him, than helping him to grow. With help, he does escape. And he goes on to find a relationship with an OC that you will love and adore. They grow together, while Dean works through all of the pain and trauma that was inflicted upon him by the one that should have protected him. It concludes with happy endings all around, and the possibility of hope for the rest of his days.

Nominated by @sardonic-the-writer

B-Clean by EliDeetz (AO3)

i'm nominating this story mostly because the descriptive nature had me hooked, as did the accurate characterization of gabriel, and the relationship between him and the reader was really enjoyable without feeling forced

Nominated by @spn-fanfic-reblog-writes

The Cherry Pie Club by zation (AO3)

>.< It’s so hard to explain. It’s a great story with angst, fluff, a bit of violence that is an after the fact type description so not too bad imo, and a hopeless romantic story. Zation does it again, ok? They’re an amazing writer and destiel is just *chef’s kiss* for them. I have yet to read a story of theirs that I haven’t enjoyed. I swear! Did I mention a bunch of well written kinky smut that also shows the developing relationship between the main characters and Dean coming to happy terms (with loving support) with his sexuality too. I highly recommend reading!

Stars in Your Eyes by Cigarettes_and_Valentines (AO3)

It is so, so good! It’s perfect. It’s perfect and I love it. Relaxed, Endverse-like Castiel is an amazing Alpha for Omega Dean Winchester, a career-focused man that loves his job. ❤️💙💚

Stars Above, Earth Below by @hellhoundsprey

It’s a love story that is technically a slow burn. It’s so sweet and well done. I love how the author gets Jensen and Jared finally together. It has a lot of A/O vibes imo, which might be why I love it so much. The secrets that come out and how it ends up actually helping in the long run, shows just how dedicated they are to each other. There is some angst but a good amount of smut that is actually necessary for the story. Pay attention to the details or you’ll miss it. 😊

For Appearances Only by @lotus820

It’s an amazing amalgam of urban fantasy, billionaire romance, one-sided enemy to lovers with a decent slow burn, and then everything gets fun, sexy, and dangerous. The love that Castiel has for Dean just keeps showing and showing so easily. Dean can’t help but falling for the being that is Castiel. I love this! This is a new comfort fic. It is amazing. You gotta read it. The title is half the story. 😊

Nominated by @thoughtslikeaminefield

The Fear That Remains by @stusbunker

This fic is nearly 4yrs old, and I've read it multiple times because the characterization is perfect (as Stu is wont to do) and it feels like I'm in the room, whether as a spectator or as the female reader. It's sumptuous and heartfelt, sexy and so, so Dean.

(Divider by @glygriffe)

THANK YOU ALL, KEEP UP THE AMAZING WORK, AND AS ALWAYS, HAPPY WRITING!

- From your Admins and Manta Rays, @manawhaat, @mrswhozeewhatsis, @mariekoukie6661, @thoughtslikeaminefield, @heavenssexiestangel, and @spn-fanfic-reblog-writes!

[stophoranmyheartaround]

As an actor and writer myself, I love when a show will do little phrase callbacks that are so loaded and can have so much punch. And for S3P1 so far in my head, one of my faves has been what I’ve started calling “the ‘of course’ discourse.”

For me, Colin kicks it off in 3.2 in that gorgeous final scene in the Featherington garden when Pen asks if she can ask him something and Luke Newton delivers that “of course” without hesitation. He’ll do anything for her, no question. Colin is here for Pen. (I could get into what all was he expecting/feeling in this late night visit but that’s another time perhaps…) The loaded part of that “of course” obviously comes from Pen’s response here but now we’re off. At the end of this exchange, we all know Colin’s world is ROCKED. SHOOK. CANDLE FULLY BRIGHT. (Those fierce flames in his dream sequence immediately opening 3.3 aren’t just mood lighting IMO.)

And then we see how every time Colin responds “of course” after that shift, they mean so much more. Like him affirming to Alice and Will that it’s “of course” the goal for her to find a husband. He doesn’t think that anymore. But it’s what he’s expected to say and agree to. (Again, great layering by Newts.) Like agreeing to act like he’s not talking to Pen in the tent to get the deets about Debling. He’s agreeing but he doesn’t want that to be the case. Like under the willow tree when everything is crumbling on his end with Pen but he’s still trying to agree to what she seemingly wants. (Fab work on both their parts here because no one is really saying what they fully mean.)

But the best part to me is the gut-wrencher when Pen gets involved in that final scene of 3.3. Colin has approached her, determined to find out the answer to his all-important question confirming their feelings, and as he’s drawn into her lips and can’t quite get the words out and Pen is definitely feeling a lot of things back, there’s that block from Debling with his reminder of their time to dance. And Pen and Colin have that lingering look, Colin wants so desperately to ask and can’t muster the words and Pen can’t help herself on her end because she is also SO conflicted. But she turns and takes Debling’s offered hand and delivers that “Of course, my Lord” that just hurts all around. The kick in of “Happier Than Ever” is the perfect amplifier here because Colin AND Pen are represented here. Yes, a part of Pen enjoys her dance but she would’ve enjoyed it even more if she thought it could’ve been her and Colin. Colin is trying to process how him letting that moment go could’ve been letting go of more than he bargained for. (Absolutely brilliant all around here, especially the musical button of his look right on that last plucked chord at the start.)

Ugh. I just love it. (I know there’s more I could go on about but this is wordy enough.) I can’t wait for S3P2 and to see all the moments we get in store this back half. And here’s to many more layered moments, of course. 😉

[cooco-ren]

Hi, can I ask your top 5 fav nagireo fics? Thx

If you had asked a month ago I would have definitely said no, cuz as much as I love ngro they don't have a lot of fics that really stick out to me. Now however we're definitely getting a lot of better E rated stuff so let me start off with...

ANATOMY OF A FIRST MEETING by seabirdie: absolutely killed me, no smut just the powerful angst that makes me avoid reincarnation as but I was so hungry I gobbled it up anyway, 10/10 if you're in the mood to cry.

help me help you by ncrwaxed: nagireo? Communicate? Pssht! As if...until they do??? That's my rough summary of this from memory, I will not be going beck to cross check.

get over it (get under me) by kokirane: I actually did reread one and damn, there are a lot of ngro fics covering their time fighting bug this is one of the less angsty chill ones I vibe with, Nagi's so silly an it's so cute when Reo doesn't want to give him room.

These next two are really old, I found them in my bookmarks and I don't remember most of what they were about but y'all I faved them so JUST TRUST ME BRO!!!

Nagi's laws of physics by strayblossoms

know my love's infinite by kokirane: (domestic kinda but there's smut)

And a lovely bonus!!!

Tomorrow, Together by nagireo (happyclover)

Thanks for the ask anon, hope I managed to hell give you you some nice recs

One thing I just love and can always appreciate about Ngro fics is the fact that tho they're a bit lacking in range and variety the writers are always doing a good job of nailing their personalities, and many are always so well written too!!!

Much love to all the beautiful ngro writers out there <333

[lizzybeth1986]

Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

Series - TRR's Alternative LIs: The "Romances" That Didn't Happen

Previous - Maxwell and Penelope: When You Like the Side Character So Much, You Gift Her A Shiny New LI

A/N1: Apologies, again, for the length of this. There was so much damn retconning to wade through that it felt like a rollercoaster to write. There is also not going to be a lot of Hana in this, as I needed to unravel so many inconsistencies in Madeleine's writing. I also didn't want this to become a repeat of my essay series on Hana (which you can read here).

CW: Descriptions of bullying and intimidation, as well as dismissiveness of the same both in canon and from fandom. A mention of the 'infertility' plotline written for Hana in TRH1. Mentions of parental abuse and neglect.

In every other essay in this series, it's been important for me to analyse the potential of the pairings TRR went for. No matter how badly PB handled them later on, one could find promise in the possibilities of these pairings, and if written well they could result in a sweet, happy ending for the LIs we didn't marry. With a better sense of balance from the writers and less vitriol and double standards (in some cases) from the fandom, they could have worked.

Not so for this pairing.

In the case of Hana and Madeleine,it would have been far far better if this pairing had never happened at all. The problem wasn't just in the development; the roots of such a pairing itself were rotten.

(White) Female Antagonists

Before I delve into the characters involved in this pairing, it's important we take another deep dive into a narrative practice we often see with PB. Their blatant favouring of specifically white female antagonists.

Now, it's not as if white men in antagonistic roles don't get favourable writing from their teams and adulation from sections of the fandom (one has to only look at some of the posts Gaius Augustine of BB, Caleb of Hero, and Kane of TE got - just to name a few). But we also often see fans of such white women decry the (very little compared to their black counterparts) condemnation that their faves get for their actions in comparison to both antagonistic and romanceable white men. Such readers often neglect to acknowledge exactly how much the narrative bends over backwards to accomodate them, in a way that they never have done for even mildly hostile/wary black and brown women. And often this is with ample support and encouragement within the fandom itself.

One cannot even pretend this is a recent development. The early books had their fair share of white-woman-adulation and you can see some of the patterns that would solidify in PB discourse already take shape in their early books.

One excellent example of this is TCaTF. Compare the treatment that white women like Helene Leventis, Hex and Zenobia Nevrakis are given, to what Rowan Thorn - a black woman - gets. Helene is allowed to escape never to return, or join Kenna, despite being the woman who killed her mentor and close friend Gabriel. Hex is well known in the series for her sadistic torture devices and for destroying an extremely prosperous kingdom. Yet, she is captured - alive - and there are two options that allow her a bit more mercy, and only one that recommends the harshest of punishments. Rowan in the meantime only betrays Kenna if the latter is an absolute tyrant to her, and letting her go if she betrays her is touted as a failure. Her loyalty doesn't ensure she will live like Diavolos' does - you can in fact leave her to die if you don't have enough diamonds/prestige points.

The Freshman was an improvement on this: even if Becca Davenport started out as a classic college mean girl, her redemption arc involved her needing to work to regain trust with the group and her best friend Madison, regardless of the MC's fondness of her. Her housemates immediately set her straight when she lashes out at them at the beginning of TS, and Becca has to plan for almost a-book-and-a-half to get her friendship with Madison back to normal again.

Sadly, this is something that rarely ever happened again. Discrepancies in character treatment became more and more obvious as the years passed. Books where black and brown women behaved even mildly unimpressed or catty with the MC, showed them either suffering grievous fates or written out of the narrative (eg. Scarlett not even getting a proper future in the VoS bonus scene) or being mistrusted and misunderstood constantly by the MC and their friends (Aurora). Books where white women could cause grievous harm depicted them being let off without so much as a slap on the wrist (eg. Aunt Mallory of RoE being rewarded with a happy life, a man and reconciliation with the niece she tried to kill and the daughter she emotionally abused).

(Screenshots from SavageLordBarlow's YouTube channel)

Perhaps the worst and most obvious case to date was that of Vanessa Blackwood of MoTY, who called a young child "guttersnipe" within minutes of encountering her, outed a lesbian teacher, encouraged her son's bullying, provided legal counsel to the MC's ex husband just to see the woman suffer, and engineered a plot to frame the MC for theft so she could lose her job. Once Vanessa had crossed her limits, PB ensured they laid on the sympathy narrative thick, having her show sad faces when the MC scolded her in a paywall scene, punishing only her brown lackey (both the white people involved - Vanessa and Guy - are never named when Tallulah is exposed, even though she literally stole jewellery and framed the MC for them). In the series finale, Vanessa was rewarded with a cushy diamond scene where the MC can choose (in what is the understatement of the century) to call her "classist and a little bit racist" - all she is given at the end of the book is an extremely softball form of criticism.

Compare this to Xanthe of ACOR, who had far less power, who was repeatedly slut shamed by the MC and others for doing her job, and whose end was met in a "comical" scene that implied she'd been sold into sexual slavery while two black members of her scholae gloated over her plight (in a manner so uncharacteristic of them that even players who didn't necessarily like Xanthe were shocked. I would highly recommend you read @cassiopeiacorvus' excellent essay on her, "Xanthe: Courtesan, Rival, Pawn").

In an essay I'd written years ago, I'd noted the following:

"Check out who the narrative rewards you for treating well, as opposed to who will be made to support you either way.

You're allowed to show basic decency to a black or brown woman. But you're expected to show kindness, understanding and empathy to a white woman, and richly rewarded if you do. In some cases you will also face consequences if you don't. (Fandom - take note of the difference, and be sure not to forget it)."

Madeleine Amaranath is probably one of the best examples of this - with blatant retcons, unfounded adulation and obvious pandering lasting over five books.

Rules of Engagement

When we look at the full cast of TRR, we find at least six characters who are callbacks to its sister series, Rules of Engagement. Leo, Constantine, Regina, Bastien, Madeleine and Rashad (the last one was an addition from TRR2 onwards). Part of TRR's appeal as a series was its ability to reference the earlier one through these characters, but this time from the PoV of Leo's younger brother instead.

Madeleine appeared in only 2 chapters in RoE. She was Leo's fiancée, in an arranged match that not only their parents but their citizens expected, unfazed by the "commoners" Leo brought to his bed and secure in the knowledge that no matter who he slept with she would eventually become his Queen. Leo dashes these expectations, however, by abdicating his claim to the throne - whether the RoE MC chooses him or not.

At this point - when TRR was barely even a concept - Leo was a clear fan favourite. Players liked the idea of romancing a rogue prince from a fictional European country; it meant they could revel in the luxury of touching royalty, while being away from all the hard, unsavoury parts. The Madeleine angle provided them with a rival to fight off, and at the time that was all that mattered.

Was Leo's behaviour in RoE, towards both the RoE MC and Madeleine, dishonest? Definitely, but not many seemed to care much at the time and it hardly created a dent in his fanbase (most of the criticisms against him and his cheating ways and irresponsibility would emerge later - when the Leo stans became Drake stans, and it was more convenient to badmouth Liam's family).

Jeffrey Herdman, a Junior Game Writer with Pixelberry for over 7 years, was a part of both the RoE and TRR teams, and proudly admitted in the TRR2 pre-release interview, to being the one in charge of writing Madeleine:

Q: Very funny. (Just so we're clear, Jeffrey is joking. Sort of.) Out of curiosity, who's your favorite character to write in The Royal Romance?

Jeffrey: Madeleine. It's fun to write someone who's constantly trying to spin a situation to their benefit, and making power plays along the way. I've actually been writing for Madeleine since her appearance in Rules of Engagement: Book 2, so we're practically besties.

Excerpt from The Royal Romance: Book 2 Interview

(If we were to compare this adulation of the character from Jeffrey, to the person who wrote Hana - head writer Jennifer Young, you'd find a surprising difference. In this very interview Jennifer talks about enjoying the process of writing Hana, but pointed to Drake as her favourite LI - "In my personal game, my love interest is definitely Drake, and I totally make Kara write him just so I can read his scenes and enjoy the romance. =)".

Perhaps if Jennifer had spent less time fawning over Drake, and more time doing Hana's story justice, that LI wouldn't be stuck in a situation where the team constantly erased her experiences and history to benefit their favourites)

When you look at Jeffrey's open admiration of Madeleine, and trace her fairly choppy and largely incoherent narrative journey through the books...a lot of things begin to make sense.

TRR1 - Would a TRR1 Madeleine Have Been A Better Fit for Hana?

When you look at the first book, you can tell that the possibility of any of the other alternative pairings besides Liam and Olivia wasn't really entertained. There is no buildup at all for Maxwell x Penelope, Drake x Kiara - and not even a single direct interaction between fellow competitors Hana and Madeleine. In fact, TRR2 often had to cover up for the lack of interaction in certain cases by making the alternative LI come up with justifications for why they weren't approaching the LI before.

There is maybe one implied interaction between Hana and Madeleine, that I don't think even the writers paid much attention to at the time. In the pie baking scene in Applewood, Hana is assigned to Madeleine's team if the MC doesn't take her along. Whichever group Hana is in, she is in charge of the pie design.

In the diamond scene, she takes the MC's suggestions and gives her advice on the amount of apples required for the filling. Given that she gives credit to the MC (in front of Queen Regina) in this option, and doesn't not do the same for Madeleine, it is likely that she was allowed to decorate for the other team, but not with much input from the captain.

This pie has a rose design, which is beautiful but lacks the intricacy and the challenge of the Cordonian Royal Seal, which the MC can suggest in the diamond scene. It's possible that by default, Madeleine handled the baking herself (since Penelope couldn't even boil water and in fact is so distracted she unwittingly helps sabotage the pie), and Hana was assigned strictly decoration duties. But even these possibilities rely on conjecture and guesswork, with no real dialogue or interaction shown.

There are no other scenes where the two women talk or do anything together. Hana may be present in one or two scenes where Madeleine is speaking (such as the dining scene in Ch 17 where Madeleine tells the court ladies about the upcoming Engagement Tour), but the two never directly engage with each other. It's more likely that (like Maxwell and Penelope, or Drake and Kiara), the writers may have thought of Hana and Madeleine only in the second or third book - more likely the third, but there are possible hints in TRR2 if you squint.

Hana is an interesting anomaly among the cast of TRR. She is both Cordonian and foreigner; the ways of the Cordonian court are, in equal parts, both familiar and confusing to her. This serves as an double-edged advantage to the MC - Hana is both skilled and knowledgeable enough to ease her into the culture, and isolated and vulnerable enough for the MC to step up as a hero on occasion. We also find out in Lythikos (TRR1 Ch 7) that she was so deep in the closet that she couldn't fully articulate her struggle to love the romantic English noble who wanted to marry her, in the presence of the woman she was slowly beginning to love. Within the competition itself, Hana is shown having a hard time finding people who will associate with her, often shown left out of events and her yacht party abandoned during the Regatta. The broken engagement could have a hand in making her appear to be struggling in the competition, but tbh Olivia is the only one who brings it up. Overall, she does well in the competition, but gets little credit for the same.

Madeleine is the polar opposite of this. Even though the ladies of the court initially view her with a mixture of pity and respect (due to her broken engagement with Leo, and her position as a Countess and winner of the previous season), their views on Madeleine once she enters the competition range from anger (Olivia), to speculation (Kiara and Penelope), to indifference and later suspicion (the MC).

Madeleine comes into the social season with several advantages: her pedigree and her years of experience at court. Both Bertrand and the MC note that Madeleine hails from a "powerful family" and "is immersed in the intrigues and maneuverings of courtly life", and therefore the MC is cautioned by Applewood to pay more attention to her than to Olivia. If the MC fails to win court favour, both Penelope and Kiara show allegiance to Madeleine. Where Hana is shown to be vulnerable despite her skills, charm and intelligence, Madeleine is meant to be viewed with respect even by her peers - and expected not to return that respect to others unless they're the king and queen.

I often view the Madeleine of Book 1 (and early TRR2), and the Madeleine of the latter half of Book 2, as two separate people (more on that in the next section). Early Madeleine was depicted as a clear threat. While she does nothing too out-of-pocket during the competition, her threats to the MC once she is (optionally) the favourite frontrunner, her singular focus on only the king and queen (and largely ignoring the Prince), and inability to respectfully lose, ensure that the reader registers her as a figure of danger early on. The first time she (optionally) faces an obvious loss and sees the MC crowned as Apple Queen, Madeleine tells her to "savour these moments. You may never hear the phrase again".

Her very extreme attempts to belatedly win Liam's favour after ignoring him the entire season (we later find out that she barged into his sleeping quarters the previous night and suggested the arrangement that Liam speaks about in TRR2), earns her speculative looks from the MC and wariness from Liam himself. Given that the outcome was so different in TRR2 but the buildup to said outcome was so rushed and chaotic, there is a 70/30 chance that Madeleine's buildup in Book 1 was meant to highlight her as someone with the capability to harm the MC, rather than just as a red herring. At the very most, Book 1 would highlight her as powerful, with the intention that Book 2 would follow through with showing her as a cog in a very vicious machine.

But because Madeleine's actions in TRR1 don't result in any direct harm, it's honestly hard to envision her as dangerous beyond the subtle threats (that people could brush off as basic rivalry) and rank classism.

Would Hana's pairing with the Madeleine of TRR1 have worked? It's equally hard to say. If we take only Book 1 into account, and ignore the very real possibility of a threat that Madeleine represents, there's a sliver of a chance that such a pairing could work...if Madeleine works on herself. At this point she hasn't manifested as a direct threat to Hana in a way that, say, Olivia has - and all the MC has at this point are theories and speculation. You'd have to probably change half of Madeleine's characterization, but it could be workable if the foundation for such a pairing was mutual respect from the start.

Still, when you take into consideration that Madeleine being involved in the plot against the MC was a very legitimate possibility, it's hard to see any opening for this pairing. Even Penelope - whose coddling from the narrative knew no limits - was no longer entertained as a potential alternative romance for an LI the moment her role in the plot was uncovered. If any harm was done to the MC, and Madeleine was found to be behind it, there is no way Hana would even be allowed to entertain the thought of her as an alternative LI at all.

You see - hurting Hana is no big deal. But hurting the MC and still getting an LI to show interest in you? Now that would be beyond the pale!

Madeleine: A Red Herring...Or A Villain Retconned?

As I have mentioned earlier, there is one writer - who has seniority in the company because of his many years there, who has always been in charge of Madeleine's writing, and who has always loved writing her. On close inspection one can say for certain that Jeffrey Herdman had a fair bit of sway in the team itself, especially from the fact that one of his weirdest writing suggestions - the MC's supposed obsession with hats - was retained in the books as a gag for a very, very long time (TRF finale livestream interview). When you take both Jeffrey's sway in the team, and the writing of Madeleine in TRR2 and 3 (and beyond), one can make several educated guesses about what Madeleine was built up to be, and how that changed midway.

Plenty of fan posts written in the gap between TRR1's finale and TRR2's release, took for granted that Madeleine would have some role to play in the plot against the MC. While one may assume this was due to "jealousy" from players or "hate for a bitchy character", there were enough signs in TRR1 and 2 that this was the route the narrative was initially planning to take with her.

The MC does voice suspicions of Madeleine in the first book - mostly after Madeleine herself voices threats to the MC during the Apple Queen ceremony. Madeleine also looks apprehensive at the (optional) public support Liam shows towards the MC at the Beaumont estate, and even shows him a suspiciously huge amount of attention at the Coronation. The MC even confronts Madeleine during the Coronation festivities when she gets a note threatening her to withdraw from the competition, believing it was sent by the latter. But beyond this, Madeleine's own words in TRR1 often sound ominous and laced with subtle threats. Still - going by just TRR1's evidence, Madeleine could still work as a good red herring, since she's not exactly crossed a clear line with anyone yet.

TRR2 seems to go in one direction when it comes to Madeleine's arc, then makes a sharp pivot in the opposite direction post Chs 7 and 8. The first half of the book has both the MC and Liam regard her with doubt and suspicion, especially when the MC learns that Madeleine had come to Liam's rooms the night before the Coronation, and insisted he continue the relationship with the MC on the sly while making her the queen. The book presents several contrasts between Madeleine and the MC, presenting their possible ruling styles and envisioning how each woman would fare as a future queen.

In a diamond scene in TRR2 Ch 4, Liam asks the MC how she would handle a plate of curry chicken falling on someone - an incident that has already occurred in some playthroughs to Madeleine (who got recognizably frustrated and called the whole episode "a disaster"). In contrast, the MC can claim she would either defuse the situation with humour or help clear the mess - both of which establish that unlike Madeleine the MC knows how to adapt to different situations, and prefers to find a solution rather than take her frustrations out on everyone else. Liam points out the differences between the two women as the MC "having perspective... every gaffe isn't a disaster".

Multiple scenes in the story focus on Madeleine's rigidity, her inability to adapt, her hunger for power, her belief that becoming queen gives her a free pass to be a tyrant, her hubris that allows her to outright harm some of her ladies in waiting and believe she will never face consequences, and her overall lack of real impact during her own engagement tour (only if the MC fails miserably does the Italian statesman Francesco even mention Madeleine). A lot of this buildup indicates that she won't be as effective a queen as other characters claim she will be.

Her overall behaviour in the first half of TRR2 seems to highlight overconfidence, and a willingness to overstep every possible boundary in the belief that nothing will now prevent her from getting what she wants ("the best part about being Queen is that I don't have to explain myself to anyone. Including you."). Even though she isn't queen yet, both Madeleine and everyone around her behave as if she has already been crowned! That kind of overconfidence - especially from someone who should know better than anyone that winning the competition doesn't necessarily mean she'll be crowned - makes more sense when she is aware that there are powerful people (like the former king and her aunt, the former queen) to back her.

There is also the fact that Penelope's involvement in the plot never got any proper buildup. There is just one scene, in TRR2 Ch 6, where she speaks about feeling uncomfortable at parties and balls, and how much she hates crowds. The reveal of her being the culprit is in Ch 7; the reveal of her social anxiety is in Ch 8. Before this, you have zero indicators of her being involved in this level of deception - even though her history of "social anxiety" should have ideally made that kind of subterfuge difficult, and she should have been able to leave a few tells, signalling her guilt. It is very clear on rereads that Penelope's involvement in the plot was a last-minute narrative decision.

But perhaps the strongest evidence that TRR2 was originally meant to establish Madeleine as part of the plot against the MC, is a line from the very first scene of the book. When a confused MC asks Bertrand how it's possible for Liam to break his engagement, Bertrand mentions a constitutional provision:

"The king is able to change his selection in specific cases for the good of the nation". The MC being proven as framed and unfairly disgraced achieves very little in this context, because the focus is clearly on the king's final choice. This means that the engagement cannot be voided on the basis of the MC being innocent, but on the basis of Madeleine being unfit for the role.

What happens to this "constitutional clause" once Penelope is declared the culprit among the court ladies rather than Madeleine? It disappears completely. If she was really meant to be a red herring from the start, the team would never have added this line in the first place. Nor would they have left the "buildup" for Penelope's anxiety till Ch 6, just one chapter before her reveal. If Madeleine was really meant to be a mere red herring from the start, there would have been more than just one crumb presented for that trail.

It is highly possible that the team had plans for Madeleine to be involved in the plot, or in something shady enough to justify breaking the engagement. It is just as highly possible that Jeffrey, the writer in charge of her character, allowed his favouritism for that character to dictate his writing of her, and convinced the team to change the trajectory of the story to benefit her.

Hana and Madeleine - The First Half of TRR2

Most of the interactions between Hana and Madeleine in TRR2 are overshadowed by one incident in Ch 7 - the one most popularly known as "the chocolate incident". Madeleine was already not too popular as a character when this scene came out, but her admission that she wanted to break Hana crossed enough of a line that a number of players would bring it up as a reason for why they couldn't ever like her, no matter how often she was retconned in canon.

A common misconception made about the "chocolate incident" from Madeleine lovers and haters alike, is that it's viewed as a singular episode rather than as an escalation in an ongoing pattern of threats that Madeleine was already making to Hana.

Viewing it as an isolated incident is precisely what allowed both Madeleine stans, and the canon narrative itself, to severely downplay what Madeleine did, and what she openly declared she would continue doing to Hana. Therefore, it is essential to look into Hana and Madeleine's interactions before Ch 7, as well as the context behind Hana's return to court and the very real and grave threat that Madeleine represents to Hana specifically.

To do this, we must first look into how Hana's return to court (after her parents forced her to leave post Coronation) is depicted. There are two versions of this story - Madeleine's version...and the truth.

Madeleine's Version: "If it wasn't for me, she'd still be on the other side of the world. I've heard dogs remember those who feed them. I hope you'll keep this in mind and remember that dear Hana is here by my personal invitation". This is a half-truth at best and ironically, this is the version Hana sticks to. She is never allowed to tell us differently.

The truth, as said by Liam to Hana post Coronation: "I am the King of Cordonia. I'm sure Lady Madeleine knows that if she wants to keep our engagement, she'll have to give me something. Perhaps I can convince her to make you part of her court". Hana never gets to tell us this. That honour is given to Drake!

Even after the MC (optionally) gets to know this truth, she never talks to Hana about it, and Hana is never allowed to veer from Madeleine's narrative even in private. In the process, Madeleine gets to use her half-truth as a form of blackmail - threatening Hana at least twice to send her back to China if she paces even one toe out of Madeleine's arbitrary line.

In TRR2 Ch 4, Madeleine is shown antagonizing her entire court (ordering Penelope to get lemonade and comparing her to dogs, telling Kiara to exoticize herself by not speaking in English [which itself has colonial/Orientalist connotations]). But none is more ominous and disturbing than her subtle threat to Hana before introducing her to the two suitors:

Being sent back to her parents is a terrifying prospect for Hana...for two reasons. For one, Hana is committed to being there for the MC, to contributing to her investigation (and she does! Massively. Perhaps more than anyone else in the group). For another, she is just beginning to realize what a damaging environment her parents' house is, and she also knows they are already growing suspicious that she hasn't found another suitor yet. By the end of this conversation, Hana is visibly distraught... to the point of needing moral support (something she rarely asks for herself).

Remember - this is an arbitrary rule Madeleine comes up with, that applies only to Hana. In the same conversation, neither Kiara nor Penelope are placed under this kind of pressure. Though Penelope claims in Ch 6 that her parents won't allow her to come home if she doesn't get a suitor, Madeleine doesn't levy any other threats of this nature on her (she harms Penelope in other ways).

Madeleine is aware that Liam was the one responsible for Hana's return. It is implied that she is also aware that neither Liam nor Hana can say this in public. By this coin, she'd know that she shouldn't be the one who can take a call on sending Hana back - Liam is. Yet she issues this sort of a threat, and worse still...is allowed to get away with it through Hana and the MC's silence, both in private and in public.

Unlike the MC and Olivia, the other three ladies of the court are present in official positions to the future Queen, and are expected to publicly pledge loyalty to her. The narrative of TRR2 alone seems to give the King's fiancèe powers and influences similar to an actual Queen Consort's. And Hana, Kiara and Penelope aren't just random "court members" - they are Madeleine's ladies-in-waiting. They cannot even speak to certain people unless she approves of it (Ch 1), she orders them around with the disrespect that many in that nobility reserve for their servants (Penelope in Ch 4), she publicly humiliates and insults them if they make a single mistake (eg. Penelope not getting a metallic dress in time for the bachelorette), and she can get away with causing them grievous harm (Hana). There is no actual point to any of this behaviour - it achieves nothing and (by the narrative parameters of the third book) is actually foolish, because Madeleine's actions could cost the royal family their relationship with the Great Houses. Neither the MC nor Liam (the actual monarch), would be allowed by the narrative later to abuse their power the way Madeleine can, in a position that isn't even hers yet!

It is easy to view Madeleine's interactions with Hana and Penelope especially, as just some regular mean-girls shit, with all the excuses, justifications and crocodile tears that the fandom can shower on said white/white-passing mean girls. Canon itself encourages this reading when they use the word "hazing" to describe what Madeleine put Hana through. But when we speak of Madeleine's behaviour in her engagement tour that way, we miss a very important aspect of her dynamic with these two women. They are no longer competitors or mere allies. They are not just people she knows in court.

They are not Madeleine's equals. They are her employees. She is directly in a position of immense, unquestioned and unchecked power over them. Publicly, she has the authority to invite them into her court, and to throw them out of their jobs. It is from that lens, that we must view her behaviour, especially in Ch 7.

The "Chocolate Incident" and Its Aftermath

Another reason to believe Jeffrey's favouritism for Madeleine allowed for an actual change in the story, is the way this above scene - and the ones preceding it - were handled immediately in both the immediate and long-term aftermath.

Often dubbed "the chocolate incident", this scene takes place in Italy (the first stop of the engagement tour) during Madeleine's bachelorette. For anyone who has forgotten the incident, Madeleine's ladies-in-waiting are supposed to organize different fun activities for her bachelorette, and the MC uses each event as both a PR exercise and an opportunity to check the credit cards of the ladies.

The final activity is Hana's, an intricately-planned chocolate fondue party complete with chocolate-themed games and treats. If one reads too much between the lines, one could maybe notice the tiniest sliver of a romantic hint in Hana's conversation with the MC over her confusing an actual bachelorette party with the show The Bachelorette (It is just as possible tho - if not more - that this is a comic aside pointing to Hana's lack of exposure to modern media).

However, things take a turn for the worst at this juncture. Madeleine heavily berates Hana for not knowing that she is "allergic to chocolate", accusing her of an attempt to murder and even threatening to remove her from her position in court. This leaves Hana so distraught that she ruins her own dress in the process, and is damn near inconsolable. The MC can - if she chooses - comfort Hana along with their friends. At the end of the night, a heavily drunk Madeleine gleefully admits she lied about the allergy and gloats about wanting to keep hurting Hana till she breaks, because she "wants to have a little fun".

She claims, when asked why, that it's because "everyone wants something, but the nice ones like Hana don't even have the decency to act like it". Which sounds like the sort of sick logic that fandom often happily accepts from their favourite white antagonists, where they can project whatever sob story they want to make such a reasoning palatable. Such attempts ignore the fact that Madeleine is torturing someone for supposed "duplicity" when she is herself well-known for being insincere.

Later, when it was convenient for the fandom to hate on Hana, she would be either blamed for the torture Madeleine put her through (because she was "weak" or "too nice", or that she was "spineless and deserved this treatment". I even saw posts that claimed it "wasn't that bad" (in the case of one particularly memorable instance, a Madeleine stan went so far as to say, agreeing with a post expressing a fondness for Madeleine: "...before anyone mentions the chocolate prank: Did Hana die, tho?"). Some also tried to reason that it was fair for Madeleine to target Hana, either to showcase her "wiles" or because of her sad sad childhood.

As I pointed out earlier, every single one of these takes tend to downplay Madeleine's bullying/abuse so that it sounds more like a schoolyard squabble that happened only once, rather than a person in power consistently placing their employee's job under threat, with the stated intention of harming them mentally and emotionally on a regular basis, until they experienced a breakdown. The center of this conflict isn't about different people with different approaches. Nor is it about court maneuvering or wiles because honestly, nothing worthwhile was achieved through Madeleine's abuse, and she had no purpose for doing those things beyond deriving a sick pleasure from other people's suffering.

It isn't about nice vs tough, nor ambitious vs generous, nor "naive" vs "jaded". It is about a gross power imbalance. An imbalance that results in the exploitation of the more vulnerable party...which is later brushed aside by the one who claims to be the latter's "friend" like it means nothing.

Structure wise, one can see striking similarities between this chapter, and TRR1's Ch 7, where the MC can view Olivia in a new light in the first half of the chapter, but be disturbed by her vindictive nature by the end of it. Here too, the MC comes into the investigation of the credit cards fully expecting to see Madeleine as the culprit. Over the course of the evening she finds Madeleine treating her ladies-in-waiting badly, but also calling out the press for targeting only the MC but staying silent on Tariq's involvement (ironically, Madeleine herself didn't exactly believe the MC if she tells her she was set up). She is also shocked when she realises Madeleine isn't the culprit at the club. Still, the court is given a rude shock when Hana is accused of putting Madeleine's life in danger.

Clearly the aim of such a chapter was to make the MC soften a little towards Madeleine, while still keeping some of the antagonistic tension. However, the more direct impact of Madeleine's huge ego trip on Hana made the harm far more visible than Olivia's jibes towards a woman who was far away...plus the scenes that followed in the former sequence centered Drake, far more than the ones in the latter that involved comforting Hana.

Madeleine's bullying also clashes - quite conveniently - with the reveal of Penelope's betrayal, so that the latter overshadows what Hana went through altogether.

It is important to note at this point that the MC is the only person not directly tied in an alliance to Madeleine (besides Olivia and Maxwell, who are then missing at the fashion show backstage scene in Paris) who knows Madeleine's intentions towards Hana. She is the only person present at the event in Paris, who knows that Madeleine intended to continue harassing her until she broke. Hana herself is never made fully aware of this, and if she is left in a vulnerable, dangerous position while on her mission to support the MC's investigation - then the fault lies to a large extent with the MC for keeping silent, rather than protecting her friend from someone who fully intended to hurt her.

I say this because in France (Ch 8), the MC's exposing of Madeleine is by choice, rather than default (this essay has a full breakdown of said scene). Moreover, the option where the MC can "expose" her will result in Madeleine lying about the act being an "official hazing" she does for all her ladies-in-waiting. Not only does the MC neglect to contest Madeleine's claims (or even tell Hana the full truth in secret), she also parrots Madeleine's lie in a conversation with Adeleide in NY, as if it were the truth (Ch 14).

Remember how I mentioned Jeffrey - the writer who was in charge of Madeleine's scenes and sang her praises in TRR2's pre-release interview? His influence here is obvious in the way the narrative sharply pivots away from Madeleine's characterization so far, to engage in a full-blown pity party.

The abuses of her power (towards Hana and Penelope in particular) stop. The parallels that canon makes between Madeleine and the MC as future Queens, stop. No reference, ever, is made of her actions before Ch 8.

For over seven chapters, Madeleine largely fades into the background - sometimes there will be scenes where she is present, but without any dialogue or actions. Sometimes she may make a catty move like getting the MC to pick up her wedding ring, but from a safe distance. Because she doesn't openly antagonize anyone or show up much in Chs 9-15, the sense of distance could allow some to soften in their memories of her. Especially when the only strong reminders of Madeleine in these chapters come from Adeleide, her mother.

Adeleide is an important cog in the machinery that resulted in the retconning of Madeleine's character in TRR2. Without her, Patriotic!Madeleine wouldn't have become canon. Adeleide sets the stage for this extremely inaccurate reading of her, with complaints on two occasions about how Madeleine is "putting too much pressure on herself" and working too hard. Which contradicts her very real actions in Applewood and Italy, where she regularly antagonized her entire court and where she doesn't get much notable approval from foreign dignitaries (Signor Francesco) unless the MC is that bad.

The narrative, at this point, expects us to view her with sympathy, as someone who could have been "an excellent queen" (Adeleide's words, not mine). The stage is clearly set so that we pity her when Liam calls off the engagement and she loses this position, that we can see her loss as "unfair". It ensures that there is an overflow of sympathy for Madeleine's plight, especially since she had already lost her chance to become Queen once before with Leo. By this point, many readers had actually forgotten the "chocolate incident" altogether, and were more than willing to view Madeleine as a patriot who wasn't given her due. A description that, ironically, more accurately fits Hana.

Is Hana Really Just A Nice Girl who Never Fights Back?

As I mentioned before, Hana's "niceness" and "weakness" were sometimes presented in fandom as justifications/reasons for Madeleine's bullying of her, often in an attempt to shift blame or make it sound like Madeleine's stated "reasons" (in TRR2 Ch 7) to hurt her were legitimate. Almost as if to say that Hana was targeted because she presents herself as an easy target.

To be clear, I don't subscribe to such a train of thought myself. Different people react to bullies and abusers in different ways - and not being able to push back aggressively in tense situations doesn't make anyone a lesser person. In fact, canon itself doesn't mind providing a "weaker" person protection against someone like Madeleine...as long as that person is Penelope. So we cannot even claim that Hana's "weakness" is why Madeleine targets her, or why the MC shouldn't have to protect Hana better.

Canon also doesn't help much in this respect, especially with their preferences for the meaner white women. In fact the narrative doesn't even allow Hana the chance to speak up in private against Madeleine's half-truths about her return, and she is made to easily accept Madeleine's "hazing" excuse. Let's not even get into how she speaks about Madeleine in TRR3. Additionally, no one in Hana's own friend group provides adequate protection or support - they stay silent where it counts.

But is Hana really that incapable of fighting for herself? According to the finale of TRR1, no.

Even though the scene is hidden behind a paywall, Hana's pushback against Olivia's treatment of her during the social season is strong, decisive and done entirely on her own initiative, with no prompting or involvement from the MC. She is honest about the ways in which Olivia has hurt her, but also makes it clear that Olivia's opinions and vitriol no longer matter - effectively reclaiming her own power in the process.

Such a scene is a clear indicator that Hana is capable of pushing back, and isn't afraid to speak truth to power - as early as TRR1. While one could say that as a diamond scene, it is possible that it can't be fully shown as canon - there are ways the writers know how to incorporate such things. Often, they have managed to write in similar scenes or the same information into free scenes later on (eg. the selling of Liam's bachelor party photos, which wasn't even that important to the story of TRR2). Hana could have had a free pushback scene with Olivia if the writers really wanted to give her one.

That aside, it's safe to say that there is a precedent for Hana being able to fight back before TRR2, and canon could have found ways to ensure that she could safely do so with Madeleine too. Or at least have more protection and care from her friend group, if her position as lady-in-waiting prevented her from speaking out. Penelope got to demand protection later on, after all - and she wasn't even our friend.

We must also take into account the positions of power that Madeleine, Olivia and later even the MC hold. Madeleine is a countess in line to become queen in TRR2. Olivia is a duchess, and the MC herself is given this honour in Book 2. Hana - despite her skills, knowledge and charm - never gets lands, nor a title unless she marries the MC. Hana's experience in Cordonia isn't just about "other women" being mean to her with the MC being "not like other girls" - all three of the above women are in positions of power over her, and even the nicest of them uses her more often than she helps.

TRR2 doesn't exactly build Hana and Madeleine as a pair. In hindsight one can read romantic hints into Madeleine's mocking usage of the word "darling" around Hana, Hana's attempt to replicate The Bachelorette for Madeleine's bachelorette party, and read parallels into both their toxic family histories (particularly Hana with her mother and Madeleine with her father). But there is no actual romantic content there that one could find with the other three pairs, which leads me to believe that Hana and Madeleine was only taken seriously as a romantic prospect in TRR3.

How did Madeleine become the final romantic choice for Hana, and no one else? Because the relationship was never made Hana's benefit - it was for Madeleine's. Given all the evidence laid out about TRR1!Madeleine, TRR2!Madeleine and including hints that she may have actually been written as the villain at some point, it's more likely that Madeleine's main writer ensured some changes in the writing of his favourite character midway into the story, resulting in her staying longer in court and several retcons that painted her as a tragic heroine and completely erased any actions that contradicted such a narrative.

This specific narrative also seems to draw upon a narrative trope that is seen sometimes in certain stories featuring queer couples - the Armoured Closted Gay. It is employed often enough, mostly to show the pervasiveness and immense pressure heteronormativity can have on some queer people - that sometimes, they hate themselves for not adhering to the norm and therefore project that self-hatred onto people like them. PB had done a similar kind of story in TF and ILITW - with Zig and an aggressive teammate Manny (but with discussions on sexual harassment and about being closeted) and with Lily Oritz and her crush Britney. Unlike Zig's and Lily's cases though, this sort of narrative hardly centers on Hana.

Hana is hardly treated as a person in her own right in this narrative. She is treated as a "consolation prize" for Madeleine's "good behaviour" and "hard work". Which is still a really, really hard story to sell when one of the characters states outright that they'd abuse their power over the other till she breaks.

So how does PB get back from that kind of cruelty, and convert it into an actual romance?

Madeleine in TRR3 - The Royal Retcon

(In order: MC complimenting Madeleine to Godfrey (Ch 3), response to Madeleine's "send my regards to Hana (Ch 9), Madeleine asking for a dance (Ch 16), Optional response about memories of Madeleine's bachelorette in Hana's Vegas diamond scene (Ch 16))

By gaslighting an entire fandom, of course.

TRR3 requires us at the very start to do two things - to recruit Madeleine into replacing Justin as our press secretary, and to convince her family to join the Unity Tour so that Cordonia knows its nobility stands with the Crown. Until this point, we've only had hints of Madeleine's so-called "patriotism", mostly from Adeleide. TRR3 Ch 3 goes full force on this reading: having Madeleine claim (in the most positive option) that all her efforts to become queen was "for my people...it was always for Cordonia", having Hana claim that Madeleine "would mostly likely take a bullet for Liam... because you'd never leave Cordonia without a King". Coupled with Godfrey and Adeleide's toxic family dynamics, the story is set to push forward a narrative where we are meant to sympathize with her and preferably downplay her behaviour from the previous book.

Throughout Madeleine's tenure as press sec, we are expected to laud her "work" - even though the truth is that she makes our work harder by giving us heavy folders and 100 note cards of materials just minutes before our meetings, and leaving out important information (like Zeke) for us to scramble about and find. Where during her time as future queen, her ladies-in-waiting were expected to have every detail perfect as per her desires otherwise face her wrath - as our employee, we are expected to appreciate efforts alone, and be lenient when she doesn't follow our rules (eg. wearing gold for our bachelorette when she was supposed to wear muted colours, trying to sneak in a white dress to our wedding). Most of our responses to her "work" involve fulsome praise, or at most a very light criticism that still claims she's good at her job (she isn't). And it isn't just the MC - even Justin (who recommended her) and Hana are made to sing her praises.

Having canon claim Madeleine does a good job when she actually doesn't is... frustrating, but not as awful as the retconning they do for her past behaviour. But it is part of a pattern that whitewashes Madeleine altogether so the readers can consider her deserving of the rewards that the narrative so badly wants to give her, whether her actual conduct matches up to these fulsome praises or not.

One clear tactic that is used to achieve this, was to have the person she harmed the most, speak of her in glowing terms. In TRR3 Ch 3, you have at least two instances during the "Cordonia's Most" game where Hana uses the game to compliment Madeleine. Here, she compliments Madeleine on knowing how to "charm a crowd...her confidence and poise", and claims her to be very patriotic. If the MC refuses to coddle Madeleine during their private conversation, the onus to be kind to her rests solely on Hana's shoulders, where she is required to say, "maybe it's time to see if you can catch more flies with honey". Hana is also shown wanting to include Madeleine in group activities (TRR3 Ch 6, before going to the spa), in the same way she tried to include Olivia in TRR2. When we're shown a Hana who is not only willing but enthusiastic to speak to Madeleine, it further encourages the reader to befriend her - almost as if to say, "if Hana doesn't mind being friendly with her, why should you?".

And this wouldn't be possible at all if canon was honest about Madeleine's conduct in TRR2. So much about Madeleine's advice to us in TRR3 directly contradicts her own behaviour as future queen in TRR2 ("having an entourage isn't about vanity...it's about support"). Had canon actually been honest about her conduct, this statement would be viewed as extremely ironic, a huge portion of the blame for Penelope's reluctance to return to court would be (rightly) placed on Madeleine's shoulders and we would be able to call her out specifically on her tyrannical behaviour as future queen, as well as her inability to adjust her work to suit her client now. We would not be placing Madeleine on a pedestal ad nauseum, or paying much attention to her childish complaints that her "efforts" are going unappreciated.

Whenever the early part of the engagement tour is referenced, it is spoken of in the vaguest, most milquetoast terms. The narrative will speak vaguely of "meanness", but never actually specify what Madeleine did. The closest we get to any sort of confirmation of this is in the Costume Gala (Ch 9) if the MC warns Madeleine to stay away from Hana...and even there, the MC just says she did "mean things". Which is the mildest possible way I have seen of someone describing a person who gloated about breaking Hana. Like the word "hazing" from the previous book, all these vague references leave it to the readers' faint memories, or imagination, to figure out what Madeleine did.

But all of these are just hints at best, and most of what we could assume of the writers' intentions came largely from guesswork. There was constantly a sense of something not being right, but many of us at the time couldn't completely articulate it. That is, until Ch 16, and only if we pressed a specific option in the Vegas diamond scene, in just Hana's playthrough:

Unlike the previous scenes - which were mostly attempts to obfuscate the events of the previous book - this scene replaces what actually happened with blatant lies. Not only does it wipe out entirely what Madeleine did, replacing it with a casual comment from Hana about her "fun side", it also smears Kiara for something she didn't do at all during the bachelorette (for clarity, Kiara found out she was a great dancer, and looked quite annoyed if the MC chose a wrong dialogue option as an excuse to see her card. The MC never saw her lashing out at Penelope during this event). Even if the MC and Hana were so drunk that night that they wouldn't remember events clearly (which isn't how they're depicted at all when the "chocolate incident" took place), it wouldn't be replaced with things that never actually happened. The writers were more than ready to throw Kiara under the bus to make Madeleine look better, and have those lies come out of Hana's mouth (and mind you, Hana liked Kiara so much she chose her to be her MoH in Ch 18 of her playthrough, so it can't even have been spite towards Kiara on her part).

In contrast, Penelope is allowed to be open about Madeleine's mistreatment of her. In fact she cites it as the main reason for her reluctance to return to court, and even complains at the MC if the latter asks her if she didn't get the memo on the bachelorette dress code in TRR3 Ch 16 ("oh no, no, it's like Madeleine all over again!"). The group is required to protect her from Madeleine; in Ch 4, when Penelope is upset at the very sight of Madeleine, Drake comes to her rescue and reassures her ("She's with us, Penelope. We won't let her bite."). While Madeleine herself is protected from any consequences for what she did to Penelope (besides an optional tiny jibe in Ch 4), the MC and her group are required to reassure her that they will never allow it to happen again. In a very disgusting contrast, the narrative pushes Hana at the forefront of the diamond scene with Madeleine, without ever considering her comfort or safety around the person who wanted to break her. Not only does the group involve her without ever asking her if she wants to be part of it - Drake and Maxwell safely distance themselves when the time comes for Madeleine to speak personally about her troubles, and the MC can choose not to be sympathetic in certain dialogue options. Which means that the onus to comfort and persuade her is largely on Hana's shoulders. We must also remember that, unlike Penelope, Hana is deprived of the full truth of Madeleine's intentions in the last book too.

Where the writers were ready to at least admit that Madeleine's behaviour affected Penelope deeply, they went to the extent of completely rewriting the narrative of her TRR2 bachelorette to erase what she put Hana through.

The "Romance" in TRR3

(First four screenshots from my playthroughs, next four from the Adventure...Romance...Thrills YouTube Channel, and the final row's screenshots from the Annabelle Lee YouTube channel and the Skylia YouTube channel)

The Hana and Madeleine "romance" is hinted at in 5 scenes (4 in other playthroughs, and just one in Hana's own). As with most of the other romances, Madeleine's feelings are the most prominent. To the more romance-coded overtures, Hana's reaction is usually shock and disbelief, with a small suspicion over whether Madeleine is doing this to trick her into humiliation later. But the narrative gives her very little opportunity to even talk about anything related to Madeleine, especially anything negative. You do have a scene at the finale that is meant to provide closure, but not in a romantic way. This scene is very different from the others, and in some ways puts an end to the possibility of this relationship happening anytime soon.

How did we get from those scenes to this final one in Ch 22? It would be useful to look at the scenes, within the timeline of TRR3's release and with the context of fandom reactions.

1. The "Cordonia's Most" Scene (Ch 3)

This diamond scene is written to give the MC/reader a bit of background on Madeleine's past and family, which will prove useful later when she has to convince the Amaranths to fix their relationship with each other. It is set against the background of a drinking game where an asker can quiz everyone else about who would be the most likely to do a particular action. Hana references Madeleine twice in the game (in a very complimentary manner), and Madeleine references Hana once. It was her comment about Hana being "stupidly sweet and perfect" that caught the attention of some readers and made them wonder if that was the route PB was planning to take with Hana. This dialogue shows up in Hana's route as well.

In later chapters, we see instances of Hana trying to include Madeleine in group activities...such as in Ch 6 where she invites the latter to come with them to the spa after the football match with Jiro and Camellia.

2 and 3. Cross-Referencing Each Other at Costume Gala (Ch 9)

This is a very interesting development, at an equally interesting time. Around the time Ch 9 released (end-April 2018), PB announced that TRR's team would be taking a hiatus, mostly to work on "some exciting stuff" during that break. It also gave them the time to work on certain things the fandom was demanding, and do away with others due to stan vitriol (Kiara's attraction towards Drake being one of them). The next chapter would only appear a month and a half later (mid-June).

Ch 9 sneaked in a scene that hinted at Hana and Madeleine as a romance option, but in a way that made it very hard for players to notice on a casual read. The scene is split in two parts: the MC can choose to speak to either Hana and Olivia, or Maxwell, Justin and Madeleine. Hana and Olivia's scene shows the two commenting on Gala outfits, which kickstarts a conversation about diplomacy vs bluntness. The latter option explores a variety of topics, mostly revolving around an appreciation for Madeleine's "great work".

Both Hana and Madeleine reference each other in their scenes. Hana's dialogue depends on whether the MC is her fiancèe or not; in other playthroughs, she admires Madeleine's costume, the compliment on her good looks very personal. In her own playthrough, she compliments Kiara's outfit but in a more distant fashion ("subtle and clever, just like her...very well-chosen"). In Madeleine's scene (which is the same across playthroughs), the ending involves her telling the MC to "send my regards to Hana", in response to which she can choose a line of questioning (which ranges from "protective towards Hana" to largely indifferent. In all three options, thankfully, the MC can close with "don't let me catch you antagonizing her", but that really is one small mercy in a pile of blatant retconning.

What marks Hana's dialogue about Madeleine as an LI-specific option, is that she says something entirely different if the MC is getting married to her. This is an indication that the dialogue was intended to be read as romantic, and that it couldn't be said by an LI who was already in love and ready to marry the MC. Pretty much in the same way that Olivia in Liam's playthrough cannot hold his hand in Applewood or dance with him in Vegas.

I wrote an essay on this at the time - both on the possibility of the pairing and why it was a bad idea - and the overall response I received at the time was mixed. Those who remembered exactly what went down at Madeleine's bachelorette and weren't her fans hated the prospect, but some weren't as convinced and some refused to believe it would happen. So there was some pushback for it, citing Madeleine's "chocolate incident" (thankfully, since there were players who had forgotten about it), but it was very low-key and didn't gain much traction.

4. An Offer to Dance in Vegas (Ch 16)

The most obvious indication of Hana and Madeleine being a romantic possibility was in the Vegas chapter. It was impossible to miss for people who didn't romance Hana. This scene, again, featured only in playthroughs where Hana wasn't getting married - which meant that many Hana-romancers didn't get to know of this pairing unless they were told by a friend or saw any such posts on their dash (some even found out years later, to their shock and dismay).

The mild pushback from Ch 9 resulted in a scene where the writers could be emboldened to continue writing this pairing, but confirm (in the vaguest possible way) that Madeleine treated Hana badly. Madeleine's non-apology "apology" really reads more like an attempt to get into Hana's pants than actual regret, and is followed by a reaction from Hana that is confusing in its mildness. Hana is surprised at the offer to dance, asking Madeleine whether she's trying to trick her. While the mild suspicion is a slight improvement from Hana's fulsome praise and enthusiastic attempts to involve Madeleine in group stuff in previous chapters, it still downplays what Hana suffered at Madeleine's hands by making her present the weakest, most milquetoast examples of "fooling someone", examples that pale miserably in comparison to what Madeleine actually put Hana through.

With both the "stupidly sweet and perfect" dialogue and this scene, you'll notice that Madeleine is not only the one who initiates the conversation, but is also the only one with an actual voice in these exchanges. Forget having an opinion on whether she wants to have anything to do with Madeleine or not - the narrative doesn't even give poor Hana the opportunity to properly react beyond mere shock.

There was a stronger reaction to this scene than to the Ch 9 one, because it was way more visible (though you could avoid it just by letting Madeleine stay in her hotel) with Madeleine's romantic intentions on full display. Her asking Hana for a dance immediately after the no apology made it pretty obvious. Players who didn't see the Ch 9 scenes or who didn't believe the divergences meant anything, now couldn't deny that this was positioned as an alternative romance. Additionally by this time, those who forgot about the "chocolate incident" did get reminded of the exact scene, so the vagueness with which Madeleine "addressed" her actions in TRR2 felt criminally inadequate for a number of readers.

Most of us, however, didn't know about the retcon in Hana's Vegas scene, until years later. Those who didn't do Hana's playthrough would have had no idea, and those who did more likely chose the more romantic options.

5. "Jealous?" (Ch 20)

This scene is unique in that the option shows up across all playthroughs, but the specific reaction only shows up in two of them. It's understandable that Hana stans would have missed this - the dialogue is an option, the response is very fleeting and you would have to look through the same option in other playthroughs to recognise the variations.

In the cases of both Drake and Maxwell, Madeleine's response to this jibe from the MC is "ugh, please". Dismissive, almost mocking the idea that she would have any interest in them. In Liam's and Hana's cases, she appears shocked for a minute, then composes herself and gives a more neutral response ("I...I refuse to dignify such a ridiculous question with a response"). In Liam's case, one can safely assume that even though she had no romantic interest in him, she was still on the verge of marrying Liam and that alone would make the situation awkward. In Hana's case there is really no other reason for her to feel that awkward besides having lingering feelings that she cannot suppress.

While this version of the scene doesn't feature in playthroughs where she is single at all, it's still a very strong indicator of authorial intent. Even in the face of backlash against the pairing, the writers clearly wanted to continue hinting at the possibility, if they were slipping in hints of Madeleine's feelings for Hana as late as Ch 20 (just two chapters before the finale). The most plausible theory for this inclusion would be that the backlash was a lot more than it was after Ch 9, but not entirely enough to do away without the pairing completely...yet.

6. "I Wanted To Break You" (Ch 22)

No one knows what happened between Chs 20 and 22, and there's little I can think of that would account for such a quick change in such a short span of time. The finale has a scene featuring Hana and Madeleine, that begins by drawing more obvious parallels between the two women and their families (until now, the parallels were not as pronounced. It's not exactly a great parallel to begin with, since Madeleine has at least one supportive parent and doesn't get punished to the extent that Hana has been, if she openly protests against her parents' methods. But in TRR3 the narrative sometimes does use Hana's toxic parental situation as a parallel to garner sympathy for Madeleine's).

However, once the parents are out of the picture, the attention then turns to Hana and Madeleine, setting the stage for either a romantic confession or a full apology. This time, canon opts to go for the latter.

Unlike all the others, this scene is bluntly specific not just about what Madeleine did but what exactly her intentions were. It has her use the word "break"; it has her actually say the word "sorry". It allowed Hana, for the first time, to fully hear the truth about the harm Madeleine planned to wreck on her. And most importantly, it also allowed Hana her own voice in response to Madeleine's revelations, making it very clear to her that her forgiveness needed to be earned, over a period of time.

The dialogues used to talk about Madeleine's bachelorette in the finale are poles apart from the language they'd used earlier ("hazing", "put my ladies through their paces", "mean things", "refuse to coddle", "wronged"). The finale scene was a more accurate return to the original language and purpose of that bachelorette scene. In fact it sounds less like what canon had been attempting to gaslight their readers into believing thus far, and even seemed to borrow verbatim from the language of the readers who closely followed this issue.

One could call it a good closure scene on the surface level...but there are many, many problems with it.

One was the reaction of the MC. Her angry "excuse me?" in response to Madeleine's confession is still a very obvious retcon. It may have been done to preserve the myth that the MC is a good friend/wife to Hana, but reads as extremely dishonest when you remember that canonically, the MC knew the truth about Madeleine's intentions the whole time and just chose to leave Hana in the dark. It's an attempt to make the MC seem protective that ultimately rings false.

Another is the excuse Madeleine gives for why she targeted Hana. "I wanted to push Hana too far, and for her to drop the nice-girl act once and for all! Only, it isn't an act, is it?" My response when I first read this was "if Hana was faking it...so what. So fucking what. Who was she harming". Coming from the reigning queen of duplicity herself, Madeleine is really not in a position to be judging anyone for putting up a front. This also ties into the hollowness of the motives PB tried to belatedly cook up for TRR2 Madeleine's bullying - no matter what canon says to whitewash her actions, her attempts achieved nothing, did no good for Cordonia, and would likely have led to a very fractured court if the Unity Tour was held while she was queen.

Ultimately, the possibility of this pairing becoming canon was laid to rest in the final chapter. One could interpret Madeleine's promise of a starting gesture ("know that if anyone at court gives you trouble, I can make them regret it") as a possible opening to something more, but considering the earlier backlash, that was unlikely.

TRH - Madeleine Gets The Penelope Treatment, Hana Gets Her Entire Childhood History Retconned.

An interesting development that came up when TRH dropped was the departure of Jeffrey Herdman from the team, most likely because he was heavily involved in the writing of its Renaissance-era spin-off The Royal Masquerade. He would return, by TRF (he is part of their finale livestream), but by then his pet favourite character was likely gone.

TRH has a different set of circumstances, and different power dynamics. The MC is settled into marriage and trying for a child, the LIs are working in the council, Olivia is upgraded to cosplaying spymaster and the side characters go on with their lives. The first book of TRH seemed to do a surface-level recognition of some of the complaints certain readers had in previous books, but their favourites and the people who wouldn't get much attention or appreciation, remained the same.

TRH1 was a time when the writers praised Hana and claimed in a livestream that she was the kind of LI they would love to marry, but also where they gave her a condition that (inaccurately) made her unable to safely carry children (just for the MC to be the mother of the heir) and forced her to be immediately okay with that fate. As the sequel series progressed over the course of 4 books, the erasure of all that Hana was in the past was subtle and insidious - the narrative often compared her to Olivia and found her lesser, she was never allowed to even mention her home place China and worst of all - the writing completely retconned the emotional abuse she suffered at home by claiming it emerged from loving protection, from wanting to keep their daughter away from a cult. And even though Hana's discovery of her sexuality was described by Kara as a "journey that she's still on", no attempts were ever made to show her exploring what she likes romantically, or to show her dating. We don't know if she's involved with anyone, we don't know where she lives, we learn very little of her interests beyond what benefits the MC at any given moment, and the narrative never fails to remind us that they like Olivia more than they like her. Hell, they still encourage Olivia to keep insulting and degrading Hana! Hardly the behaviour of writers who love a character so much they would marry them irl, honestly.

On the other hand, Madeleine wasn't very prominent in TRH1, but gained notoriety in the next two books. The first book has her occasionally engage in inappropriate, invasive badgering of the MC to get pregnant quickly, and she continues to pretend that her doing whatever she likes without ever consulting the person in charge is professional behaviour (eg. Setting up the presscon about the MC's pregnancy announcement. She never even considers whether the MC would be comfortable announcing this pregnancy or not at this time). She gets to deliver a small bit of foreshadowing in the second half of the book (an early hint about Queen Eleanor's pregnancy, though Madeleine's awareness of it hardly makes sense when you look at the entire TRH series, and it never comes up as a point again). Her father being exposed as the traitor who poisoned the former queen builds up to a storyline that benefits her the most in the long run.

Hana is given one chapter where she can call Madeleine out on her entitlement (Savannah's bachelorette). She doesn't insult or berate Madeleine in TRH1 Ch 7, but is refreshingly no-nonsense and will not put up with Madeleine's constant whining about an event she had invited herself to. It's a small, cold comfort, since Hana's actions here are tied to making Savannah's bachelorette a success rather than for herself - but it's still gratifying to see Hana in a position where she can call people out without having to worry about the repercussions. Especially when the narrative disrespects Hana in so, so many other ways for the rest of the series.

In the same chapter, the ladies of the court are given an opportunity to talk about their love lives. Of the four, two women can speak about the people they like (Penelope about Ezekiel by default, and Olivia about Liam if you choose), and one only mentions him by name if the MC is married to someone else (Kiara, about Drake, if you choose to ask her over Madeleine). Madeleine doesn't mention anyone at all, insisting that marriage is something she will only consider for the benefit of her country or estate. This was a relief to players who feared that PB might attempt to push the possibility of romance between Madeleine and Hana again.

Though Madeleine doesn't get the romance that PB so desperately wanted to gift her in the last series, and she isn't given any further romances...the narrative clearly wasn't done pandering to her, even though Jeffrey was not officially a part of the team.

Remember how in the previous essay, we explored the levels to which PB encouraged players to coddle Penelope? Entire chapters would be spent just making her feel comfortable and safe, in encouraging her to help us. No actual initiative or enthusiasm from her end, even if her actions caused the problem or there were lives and reputations at stake. No, Penelope's comfort and happiness should be front and center.

Now think of that treatment, but on steroids and lasting for two whole books. That's what Madeleine's story - starting from TRH2 - looks like.

TRH1 ends with the reveal that Madeleine's father, Godfrey, was involved in the assassination of Liam's mother Eleanor. So a certain amount of narrative focus on Madeleine was expected, perhaps. But the second book doesn't stop at just that.

We are not merely asked to be kind to Madeleine. No, kindness towards Madeleine is expected of us. The warning issued in TRH2 Ch 4 promises "consequences", which means we know straight off the bat that we will be punished if we're not nice enough. It insists we take note of her "fragile state", and give her the mercy and compassion she had never given to anyone in her court.

To give Madeleine the smallest of credits, she acknowledges this just two chapters prior to the oath ("in the past, our positions were once reversed and I was...unkind to you. I had no reason to expect any kindness from you..."). However, this admission does sound disingenuous in the face of the narrative's implicit demand that we treat her nicely. Because if she did recognise her own past behaviour in TRR2 esp as hurtful, and herself as not exactly deserving of kindness, then it makes no sense for her to judge people for behaving exactly as she expected. A genuine redemption arc would have been one where she understood no one owed her kindness after what she'd done, and still determinedly forged ahead to do good for her country. After all, the narrative wanted us so badly to believe this woman was patriotic, right? If her "patriotic spirit" was so tied to her ego that you needed to pamper and praise her every five minutes, just for her to not support such an obviously-foolish tyrant as Bartie Sr, then it can't have been as strong as canon so vehemently claimed.

TRH tracks our "treatment" of Madeleine over 2 books and 10 distinct scenes. Of these, 6 scenes allow us to choose between kind responses and unkind ones, 2 others require the player to choose one among multiple options of people, and 2 scenes are check-in dialogues rather than actual choices (which means that the player doesn't choose an option, they just find out through such scenes whether they are winning Madeleine's favour or not). I imagine that the first category is the most important, with the second being options that you don't necessarily need to choose Madeleine for if you want to go for one of the others, as long as you pressed enough "kind" options.

To elaborate, here's the breakdown:

Kind/Unkind Responses

- House Amaranth's pledge (TRH2 Ch 4). Notably, the "most hurtful" one doesn't even accuse her of anything - it just tells her that the family needs to earn back the Crown's trust. Compare that to Madeleine's accusations to Hana that she was trying to kill her and deserved to lose her position in court. You know, the cruel treatment that some Madeleine stans claimed "wasn't that bad".

- Carrying the Heir's train at Anointing Ball or not (Ch 5)

- Deciphering Madeleine's conversation with Godfrey on his boat (ie whether she is betraying or helping the MC) (Ch 6)

- Acknowledging Madeleine's help in capturing Godfrey, at the Gratitude Ball (Ch 7)

- Gently encouraging Madeleine into being Penelope's bridal attendant, rather than mocking her (TRH3 Ch 2). There is no longer any need to acknowledge Penelope's earlier fear of Madeleine - we are expected to forget entirely that she was the main reason why Penelope didn't want to return to court in TRR3.

- Trusting Madeleine to help with investigations at Fydelia (Ch 6)

Choosing Among Multiple People:

- Speaking about loyalty before making a pledge to the Heir. Other ladies of the house are also presented as choices (TRH 2 Ch 14)

- Babysitting the Heir during Fox Hunt. Other choices are Regina and Savannah (TRH3 Ch 10)

Relationship Check-in:

- The way Madeleine greets you at Fydelia (Warm Welcome/Cold Front) (TRH3 Ch 6)

- Whether Madeleine helps you escape with the Heir in Ch 13, or allows the child to get kidnapped by Godfrey in Ch 15 (Desparate Times/What Goes Around)

The ending of TRH3 has Madeleine either thriving and inheriting her mother's estate, or being merely fired from her job in Royal Communications (a better punishment would have been to strip the entire Amaranth family of their lands, but I digress). She is notably absent in TRF, possibly because she wasn't entirely very popular to start with and two whole books of coddling her didn't exactly help matters either. As one of the junior writers in the TRF team said, "some people exiled her so..."

The first few opportunities to win her over, notably emerge from attempts Madeleine makes to assure the Crown/MC of House Amaranth's loyalty, and you will find that even at an early stage she expects to be included in sensitive discussions that call for discretion, and to be constantly praised for her efforts. Let me give a reminder, again, that she hardly ever gave any praise to the women working for her, and in fact punished them just to keep them constantly in fear of her.

I know it sounds like I'm labouring too much on this point, but it's important to understand just how much effort the narrative had put into coddling this one woman. Chapters and chapters of branch coding, writing two routes, title cards, dialogues, rewards and consequences.

This is similar to the way the narrative encouraged kindness and sympathy towards Penelope, but it's now over a lengthier period of time and with more drastic consequences. We were required to coddle Penelope over a chapter each in three specific books, or be deprived of her support/help. We are required to constantly shower Madeleine with praise and sweet words over the course of 31 chapters, or she will help an unscrupulous Regent-Elect kidnap our child. She will even openly accept that the only reason she put a mere child through that, was because we weren't nice to her ("Wouldn't you have done the same to me? You've made it abundantly clear you see me as the enemy").

But if the MC deserved a punishment this cruel for just mocking Madeleine at every turn, then what punishments should Madeleine get for what she put her own ladies-in-waiting through? What should she get for planning to "break" one of her courtiers? A second broken engagement doesn't seem entirely enough by such parameters.

Then again - as I said before, the narrative deliberately shifted the goal posts for what a potential royal could and couldn't get away with, in the time between Madeleine's engagement tour and the MC's marriage, for this very reason. So that Madeleine would never have to face the kind of constant censure the MC and Liam would face regularly. Among characters in canon, or among largely biased stans in the fandom. Speaking of which...

Fandom

Madeleine's popularity has always been a mixed bag, ever since TRR2. By TRR2, there were people who loved her for what they thought were her craftiness and wiles, some who suspected her to be involved in the plot against the MC, and a number of Liam stans had reactions that ranged from stanning, to indifferent (after all, both Liam and Madeleine showed a mutual disinterest towards each other), to slightly jealous (after all, she was still his fiancée).

But it was Madeleine's treatment of Hana in Ch 7 that definitely crossed a line for quite a few. It was so unwarranted, and her justification for this act so inarguably cruel, that it turned several people off her immediately. The way canon dealt with this was to make her feature less in the story until the memory of the "chocolate incident" was faded and almost forgotten, and then encourage fans to sympathize with her.

The gamble definitely worked, with plenty of help from hardcore Madeleine stans who often downplayed what happened to Hana ("a prank", "making Hana cry just once" were some of the terms used to describe it). By TRR3, I recall having to remind some of my mutuals what actually happened in this scene - their own recollections of it were that vague. The Hana and Madeleine ship would have died a far quicker death if more people remembered this incident as it was shown, and not as narrative wanted us to remember it (and also, if more people cared that it was Hana being hurt, rather than their fave white girl/boy).

Madeleine gained some popularity among the wlw crowd - a couple of them did have a soft spot for stoic, aggressive or women often labelled as "bitchy" (I know a few who also showed a similar amount of love for ACOR's Xanthe or BB's Priya, to be fair...but the adulation for the white female antagonists was a lot more), and Madeleine clearly fit that bill.

A point that often came up from Madeleine stans who were wlw (and reiterated with other mean-girl characters) was that grey-shaded and villanous male characters weren't subject to as much censure as their favourites were. While there is truth to such an argument, it fails to take into account the role race often plays in the way some "mean" women are loved and certain others are scorned. Madeleine clearly did not have the scale of hate that a Xanthe or even a Kiara (who isn't even on the same level) got. In fact when it suited them, many in the fandom were more than ready to view Madeleine as a victim when Liam broke his engagement with her.

Madeleine's "patriotism" - as I've now clearly established - was a retcon made to erase the worst aspects of her characterization. Sometimes it was used to make people feel sorry for her losses, other times it was made to cover up her actual behaviour in TRR2. But there were very few readers who didn't consider it an undeniable fact. Even among those who were indifferent towards her. For instance, in an anon ask that compared Madeleine and QB's Poppy, a poster responded that "the difference between the two was that Madeleine had a sense of duty, and Poppy was just petty". In TRH3, players who claimed that "we can all agree Madeleine is fully redeemed" when she worked with the MC to protect the child from Bartie Sr, stayed mysteriously silent when the other consequence (her helping in the child's kidnapping because she didn't like the MC's pettiness) showed up.

And while these responses could be attributed to the way canon gassed Madeleine up in TRR2 and 3, some of these players had no problem nitpicking the political savvy or work of certain other (CoC) characters, esp Liam (often bashing them for "throwing parties every day", even though the general populace was depicted as being happy with their rule and influence. Mind you, no prompting from PB was necessary to bash these characters). So why were these parameters never applied to Madeleine? Why was practically no one asking what the political relevance of her bullying (as future Queen) was, or why we were expected to sing her praises for poor time management or terrible work ethics towards her boss, or ask what work she actually did in canon as Royal Comms Director? (There is a reference or two to the position, but you aren't shown that many instances of her doing much work). For quite a few, the fact that she walked around with a job title in TRH was more than enough (somehow Kiara never got this kind of fandom treatment despite being part of the Diplomatic Liaisons department).

How does this adulation for such a heavily retconned character, affect the way the Hana and Madeleine ship was viewed? For one, it meant that readers bought into the retcons easily enough that Hana's pairing with her was seen as an extension of her "redemption arc" by some.

Take the example of the various posts that argue in favour of this pairing, or fic that features them as a couple - a lot of them center Madeleine: her pain, her history, her reasons, the correctness of giving her a reward. Hana is barely mentioned or given much attention in these arguments - and often when she has any sort of voice, it is only there to humanize Madeleine. Supporters of this pair often took stances that were either ready to throw Hana under the bus, act like she hardly mattered, or treat her like some sort of blank slate to scribble their adulation for Madeleine over.

Hana is often viewed as less worthy of a focus - she is often the benevolent saint who forgives Madeleine because she "worked so hard to be better". Often it never matters to get into detail why Hana thought Madeleine earned her forgiveness, what Hana's perspective was, what journey she went through to get such a point. Because if Hana's journey really mattered in such a ship, the most pressing questions would revolve around why Hana should ever trust a person who wanted to break her in the first place. Why she should feel safe around such a person. Why her own friend group wouldn't want to protect her from such a person.

Some readers would bring up their parallels as daughters brought up in families that didn't value them, but neglect to take into account the nuances of those dynamics (Madeleine's mother at least wanted to be supportive, and no matter how bad things got, Madeleine was never in danger of being disowned. Hana was, repeatedly). Nor is it fully honest about how Madeleine was comfortable being a perpetrator of abuse, in contrast to Hana's own deep discomfort with the idea of controlling her partner.

In certain cases, I can maybe see this attitude in fandom emerging from an acceptance of the narrative's retcons as truth. But I also think there were as many readers who were just inclined to liking the mean white girl, and finding justifications and excuses for her behaviour.

Fandom's attitudes towards Hana herself often played a small role in how Hana's end of this story was ignored too. When TRR3 fucked up her arc phenomenally (by rushing her parents' turnaround from disowning her to supporting her in Ch 15), it became popular to view Hana as a lesser character, and the "meaner" white women as better. People who wanted other options for female LI often took their frustrations out on her, calling her "weak", servile and submissive, dismissing her honest accounts of the treatment she faced even from her own parents as "whining". If that was the way people preferred to view her emotionally abusive childhood...then what can one expect from such a fandom when she was being outright bullied?

Fandom was already comfortable with the idea of erasing Hana in their content, or replacing her with either their fave white girl (or an equally white OC esp in their fanfic - but more on that in a future Hana essay). So neglecting to center her in what would have been her only canonical alternative romance wouldn't be too difficult for some people.

Which merits the question...is there a way to write about (or write fic for) such a pairing, in a way that centers Hana, respects her story, makes it clear that she has the right to never forgive Madeleine no matter what she does to "earn" it - if that was what she wanted? I highly doubt it. You'd have to completely change Madeleine for that to happen, and that would more likely result in a situation where you were too busy working on her as a character, to give Hana the attention and focus she deserved.

And that's a real pity, because there's plenty to explore about Hana if you actually take the effort to look.

Conclusion

In a lot of ways, once the team had decided upon making Madeleine into a more positive character, they tried to draw a little from Olivia's arc to replicate its success. You can see some of these parallels in the way TRR2 structured the bachelorette as a semi-callback to the childhood- reveal-mocking-Savannah sequences in TRR1 Ch 7. Both chapters gave you reasons to start seeing these women in a different light, while still feeling free to dislike them. In both chapters they also targeted LIs - the only difference was that Drake's diamond scene post that confrontation centered him, and Hana's parallel diamond scene a book later...centered everyone else.

That attempt in TRR2 didn't work for several reasons - the timing wasn't right, Madeleine's cruelty had gone too far for some, the retconning hoodwinked quite a few people but not enough.

So when they tried to pair her up with the victim of her bullying, and twisted canon to make it happen - enough readers emerged to call it out, enough people pushed back by Ch 16, and the possibility of this alternative pairing garnered enough dislike that not only did the writers have to backtrack, but they also had to wipe away their past retcons and write in a scene where Madeleine gave Hana the full, unvarnished truth about the "chocolate incident". Hana was, thankfully, given a chance to give Madeleine her most polite "no".

And although that ship would never be brought up again, the team (even without Madeleine's top writer Jeffrey) still attempted to make pampering and uncritically praising her a narrative priority. She gained a bit more popularity during this time period - quite a few were inclined to feel sorry for her (especially considering the way her father's crimes affected her social standing) and saw only what happened if you were consistently nice to her.

But there was also a significant section of people who were tired of the constant coddling, and who didn't like that it was demanded of the player (when there were far more deserving WOC in the same book, who didn't get this level of kindness). It was significant enough that Madeleine wasn't given any scenes in the final book, and the writers cited her lack of popularity as a reason why.

As a Hana fan myself, it was a relief to see Hana not be paired up with her bully. But it was also immensely disheartening for me to see that "ship" get as far as it did, and to see the narrative do so much more work for Madeleine, than they did for Hana even in the follow up series. It was even more disheartening to see so many in fandom follow suit.

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By now, we have explored 3 out of the 4 alternative pairings that TRR put forward for the LIs. They all vary in terms of buildup, attention, and payoff. But there are several things that are common about them. They all have either significant histories with the LI, or the narrative thinks they share something in common. The moment an "alternative" option ends up harming the MC, they are no longer suitable as an option because of the LI's loyalty towards her.

But perhaps the most common factor among the three women we have explored so far is how the LI is expected to treat the alternate, no matter how jealous the MC is allowed to get, no matter what the alternate themselves may have done in the past. The alternate is supposed to be treated well. With respect, with kindness, with compassion.

Betrayal doesn't allow an LI to treat their alternate badly. Bad behaviour doesn't allow an LI to treat their alternate badly. Disregarding consent doesn't allow an LI to treat their alternate badly. Classism doesn't allow an LI to treat their alternate badly. Not loving them back doesn't allow it either. Not even extreme levels of bullying...allows an LI to disrespect them.

In the next essay, we will see if any of these rules apply to our last alternative LI - Kiara.

Next: Drake and Kiara.