#far-fetched x sonic | Explore Tumblr posts and blogs

taste-in-music · 4 years ago

Text

taste-in-music’s Year End Wrap-Up

Hello everybody! We’ve finally reached the end of 2020. While I’m glad to leave this miserable year behind, one of things that undeniably got me through it was the vast amount of awesome music we got. In past years I’ve made favorite album and EP lists, but this time around I’m going to tackle them all in one go, giving reviews on the projects that had some significances to me over the course of the year. I’m going to make a post for my favorite songs too, so keep an eye out for that in coming days. Now, without further ado, let’s get started, shall we?

folklore by Taylor Swift: This was an incredible year of growth for Taylor Swift. As much as I’ve enjoyed her past music, the way she constantly felt the need to address what people thought of her always irked me, (though after watching her documentary, I do understand why she did it.) It wasn’t Taylor Swift the public persona that was most interesting, I thought. It was Taylor Swift the artist, the songwriter, the storyteller. What I wanted was an album focused on that. This year, I got one, (well... more on that later,) and it’s my favorite project she’s ever done. The tales Swift spins on folklore span across love triangles, heiresses, and battlefields, and she nails each and every one. While the chilly indie-folk influence from the likes of Aaron Dessner and Justin Vernon is prominent, Swift’s warmth and charisma always cuts through the fog like a beam of sunlight. So yeah, this is my undeniable album of the year.

Fetch The Bolt Cutters by Fiona Apple: I only started listening to Fiona Apple last year and had thoroughly enjoyed her music, but this album cemented her as one of my favorite songwriters and performers of all time. Everything about Fetch The Bolt Cutters is so idiosyncratic yet fits together in just the right way, like watching an entire house being dropped from the sky and falling perfectly into place. It is a testament to the creative process, emotional honesty, and breaking free from all the cages you may find yourself in, whether they be societal, personal, or those of your own making. And in a year that was so isolating, it felt like Apple was whispering everything I needed to hear right into my ear, just when I needed it. In short, my boltcutters have been motherfucking fetched.

Punisher by Phoebe Bridgers: When Punisher was announced, I had no clue how Phoebe Bridgers would match the quality of Stranger In The Alps. Upon first listen, I wasn’t sure she had. By the fifteenth time I was listening to this album and every lyric was hitting like Cupid’s arrow to the jugular, I knew she’d surpassed it. Punisher presents a sonic scope that both comforts and crushes all at once, like with the upbeat yet mournful horns on “Kyoto” or the cathartic swell on standout “I Know The End.” In my opinion, Bridgers is one of the greatest songwriters of our generation in the making, and I can’t wait to see what the future brings for her. She may know the end, but she’s far from it.

SAWAYAMA by Rina Sawayama: This is the album I see becoming a new shorthand for the true potential of pop excellence, a cult hit that never got its time to shine but is beloved by pop music geeks to the ends of the earth, like EMOTION by Carly Rae Jepsen. SAWAYAMA so effortlessly blends diverse genres and influences like disco, nu metal, and arena rock, and it yet it remains cohesive due to Rina Sawayama’s sheer strength as a performer. She deserves a spot on the pop girlie hierarchy, and one near the top.

Future Nostalgia by Dua Lipa: I really enjoyed Dua Lipa’s debut album, but even I didn’t expect her to come through with such a fully realized, consistent, downright fantastic follow up. Future Nostalgia is a pop album that feels studied, like Lipa did her research of pop’s past as she made it. The result is an album that synthesizes several different sounds under her vision, one that is always trained ahead, and it simply slaps. In a perfect world, nearly every song on this album got spun off into a hit single.

evermore by Taylor Swift: 2020 was already my year of listening to Taylor Swift, (I went through her whole discography, cultivated a favorites playlist, and at the end of the year I was in the top 2% of her yearly Spotify listeners.) evermore was a lovely cherry to top it all off. While folklore enchanted me with its stories, evermore captivated me with its melodies. I haven’t been able to get snippets of this album out. of. my. head. for weeks now. It’s a bit less consistent than it’s older sister, (and likely to live in its shadow,) but there is still so much to love.

I’m Allergic to Dogs! by Remi Wolf: This EP is so much goddamn fun. It’s a blend of many different sounds, indie pop, electronic, maybe hip hop, I think reggae at points? It’s such a colorful, textured, quirky listen bristling with energy and undeniable hooks. “Woo!” conquered my Summer, and months later the bridge of “Photo ID” conquered TikTok. Keep your eye out for Remi Wolf in the coming year, she’s going to make a big splash.

Good At Being Young by Charli Adams: Good At Being Young was the first EP this year that I could not get enough of. It drifts through dreamy indie-pop sounds, with melancholic guitars and cloudy synths, and Adams has a deep vocal timbre that delivers tales of adolescent tribulations with just the right amount of wistfulness. Overall, it builds the perfect soundscape for a late-night drive.

Cape God by Allie X: Allie X has been keeping us FED with content. It seems like only yesterday that Super Sunset came out, and yet her output remains impressively consistent. This album has impressive highs, some lower moments, but the danceability, duets, and enticing darkness under its shiny pop veneer make it a record you won’t want to skip.

La vita nuova by Christine and The Queens: Perhaps the biggest flex of 2020 was Christine and The Queens dropping a fantastic EP and accompanying short film right out of the gate. The grooves on this are infectious, wiry, and air-tight, (the Caroline Polachek feature was another added bonus,) but that doesn’t mean there isn’t plenty of emotional weight too.

Lighter by Donna Missal: This was one of my most anticipated albums of the year, and it’s hard to determine whether it disappointed or not. I think the only thing holding Lighter back is that This Time was such a formative album for me, (my favorite of 2018, to the uninitiated.) In fact, this album flows way better than This Time, more cohesive with its storytelling and more consistent in folk-rock sound. And, of course, Donna Missal’s vocals stun on both the bangers and the ballads.

SURF by BLACKSTARKIDS: There was no record this year that was more instantly likeable than this one. The blend of low-fi indie pop and hip hop makes for a whirlwind of sunny fun and youthful malaise that would make the perfect soundtrack for a road trip to the beach. Standouts include the opening track “SOUNDS LIKE FUN,” the chill “WIGS,” and blissful title track “MUSIC TO SURF TO.”

The Baby by Samia: I’ve had my eye on Samia since “Milk” dropped years ago. Seeing her live sparked my belief that she was an indie darling in the making, and The Baby confirmed that she definitely was. The lyrics on this album mix quiet contemplation with just enough sardonic wit and raw emotion throughout a varied selection of sunny rock bops and gut wrenching ballads. If you enjoyed Punisher, then I can’t recommend this enough.

Season 2 by Nasty Cherry: Nasty Cherry is a group that I will not stop rooting for. Their EP from last year showed their potential for nailing monster hooks, but this sophomore effort shows just how versatile they can be. This EP covers everything from Dylan Brady produced hyperpop to early-2000s reminiscent pop rock to emotional balladry, and they pull it all off flawlessly.

A Little Rhythm and a Wicked Feeling by Magdalena Bay: This album became a fast favorite way late in the year, there is such a sweetness to Magdalena Bay’s music that makes it stick in your brain like a piece of blue raspberry bubblegum. This EP is spacey, catchy, and filled with electronic synthpop mastery, with countless catchy hooks that’ll make you feel like drifting and dancing all at once.

Miss Anthropocene by Grimes: The bubblegum bombast of Art Angels fully redefined my taste in pop years ago, so I was fascinated to see how Grimes would follow it up. On Miss Anthropocene, she leans into darker, more industrial textures, but also anchors it back to Earth with acoustic touches and some of her most introspective lyrics to date. Grimes painted a version of a world on the brink of disaster on this album, a picture that was hypnotically beautiful. And in a year where the word was a certified disaster, that was strangely comforting.

Plastic Hearts by Miley Cyrus: I’ve been wanting Miley to go rock for so goddamn long, Plastic Hearts was bound to make this list by pure validation alone. But what can I say? This breed of glossy 80s rock suits Cyrus’s rougher voice so well! I hope she stays in this lane a bit longer, but as we know, she’s one of pop’s most chameleonic figures. Only time will tell.

Where Does The Devil Hide by Zella Day: I have been patiently awaiting new Zella Day music ever since getting hooked on Kicker back in 2017, so this was one of my most anticipated releases of the year. This EP sounds nothing like Kicker, and I couldn’t be happier. It shows Day leaning even more into her influences from the past, (the 60s/70s vibes are intense with this one,) but also breathing a refreshing new life into them.

SOUL LADY by Yukika: When I imagine the ideal of pop music, what it would sound like in a perfect world, this is what it sounds like. SOUL LADY is full of pristine, glossy production and catchy hooks that feel like they’ve come down from the clouds. I’ll admit that I can have trouble forming a connection with music when I don’t understand the lyrics, (it’s something I’m working on,) but this album cleared that hurdle with ease. If you’re curious about city pop or K-pop this is a great place to start.

Heaven Is Without You by Love You Later: Give me lush pop production and heartbroken lyrics finished off with a heaping helping of nostalgia and I’ll eat it up with a spoon. Love You Later has been feeding my addiction to this genre for years, and this latest helping is particularly sweet.

IN A DREAM by Troye Sivan: Troye Sivan has always supplied the bops, but it was about time that he started experimenting with his sound a little bit more. This EP offers some harder-hitting electronic textures, but also the addictive hooks that’ll keep you coming back for more.

Ungodly Hour by Chloe X Halle: These women are so TALENTED! If there is any word I’d use to describe this album it would be “effortless,” the harmonies, grooves, and chemistry between Chloe and Halle feels so natural and free-flowing. Charisma just rolls off of them in droves, I see full-blown stardom and several Grammys in their future.

Watching You by Robinson: This EP was one of the first on this list to arrive this year, and it still hits months later. Robinson’s confessional lyrics work wonders over the buoyant pop grooves, and “Don’t Say” remains one of the best pop songs of recent years.

Manic by Halsey: I respect Halsey for dipping her toes into a myriad of different genres, (synth pop, rock, hip hop, and acoustic balladry,) but it does make for a jumbled listening experience. Still, I appreciate that this album features some of Halsey’s strongest tracks and writing to date, offering greater experimentation and emotional imtimacy than album’s past.

We Don’t Stop by Aly & AJ: Should this count? It’s more a compilation of their past EP and singles... I don’t care, I’m counting it because there’s some new stuff too. This is an excellent display of Aly & AJ’s pop prowess in recent years, the hooks, vocal chemistry, and shimmery production are undeniable.

Under My Influence by The Aces: The Aces returned in 2020 with a more laid-back, groovier record than their debut, exploring a wider variety of sounds. They’re as magnetic and likeable a group as ever, each member giving it their all, but I think I’ll return to the debut more often.

Strangers/Lovers by Dagny: I’ve been anticipating a longer Dagny project, as she’s been drip-feeding us singles for a while now. This was a lot of fun, with Dagny pairing her upbeat earnestness with stories of romantic tribulation. While the hooks aren’t as memorable as her past offerings, there is still so much to enjoy. Lead single “Come Over” and “Let Me Cry” are my favorites.

DUALITY by Tatiana Hazel: I came across this via recommendation on Tik Tok and it’s a solid pop record! The music is swooning, synthy, and tinged with disco and Latin influence. The record doesn’t waste a second of its runtime, clocking in at less than half an hour and grooving the whole time.

After Hours by The Weeknd: The sonic palette of After Hours is so engaging, a neon-drenched blend of synthwave, electropop, and R&B. I’ve always felt lukewarm on The Weeknd’s musical persona of brooding, villainous party monster, so the strongest moments on this album tend to be when he subverts that in some way. Still, in full, this album is an undeniable force of smash hits, stadium-shaking ballads, and cinematic flair. I can’t wait for his Super Bowl performance.

Petrol Bloom by LAUREL: It’s no secret that this year was chock-full of 80s revival albums (there’s what, five others on this list?) LAUREL wasn’t an artist I was expecting to go in that direction after the brooding folk pop of her debut album, but her deeper timbre works great alongside the synthy soundscapes.

positions by Ariana Grande: I’ve just come to expect that nearly all of Ariana Grande’s albums are going to be growers to me. My first listen to positions was underwhelming, but the songs have grown on me more and more. This album feels like being let in on a giggly, fun slumber party with Grande and her friends. I wouldn’t call this her strongest album by far, and while I tend to prefer when she favors the more powerful parts of her range, (and her enunciations could still use some work,) there is a lot of good material here.

THE ALBUM by BLACKPINK: We may just have to stan. I checked this out after watching their Netflix documentary, and while this breed of cacophonous, in-your-face electropop isn’t something I can listen to all the time, the hooks and charisma are undeniable. It certainly makes me feel like a bad bitch whenever I’m working out.

Kid Krow by Conan Gray: Conan Gray burst onto my radar offering dreamy tracks rich with teen malaise and suburban restlessness, and a good amount of that initial appeal carries over onto this album. Kid Krow has both a larger instrumental scope and more stripped-back moments. In the end, it still feels like Gray is finding his voice as an artist, but he's giving up great bops to jam out to as he does.

Petals For Armor by Hayley Williams: Hayley Williams is one of my favorite vocalists, so seeing her venture out for a solo project was exciting. This album offers a mixed bag of danceable jams, emotive moments that showcase Williams’s powerful voice, and a few skips. But overall it showcases Williams’s strength as a performer as she tackles her past with vulnerability and versatility.

Apart by LÉON: Oh, man. This one was kind of disappointing. For context, LÉON’s self-titled debut was my favorite album of last year. This follow-up is by no means bad, but every song on her first album was instantly memorable. This one, not so much. LÉON’s vocals are beautiful, and there are some stand-out tracks, but I don’t see myself returning to this nearly as much.

Blush by Maya Hawke: Maya Hawke’s Blush was to my 2020 what Tōth’s Practice Magic and Seek Professional Help When Necessary was to my 2019, (and that makes sense, as they’ve collaborated in the past.) This album is so blissful and nonchalant, and Maya Hawke has a gentle, soothing voice that feels wise beyond her years. While the writing isn’t as hard-hitting as, say, the Phoebe Bridgers album, sometimes I just want to listen to something that could rock me off into a dream world. If you like folksy, down-to-earth ballads, you’ve got a solid collection of them right here.

Dedicated Side B by Carly Rae Jepsen: Of course Queen Carly would pull through with B-sides for Dedicated, did we expect anything less? Jepsen’s brand of controlled yet carefree shimmery poptimism drenched in 80s nostalgia that never fails to put me in a good mood. This album has some lusher, more tropical instrumentation than Dedicated proper, but works great alongside it.

Missing Person by Kelsy Karter: To the Plastic Hearts fans out there, your homework now is to give this record a listen. This rock album presents pop hooks, but a lot of reckless rock fun too. Kelsy Karter has so much irresistible swagger and carefree spirit as a performer, speeding through the emotional highs and lows like she’s burning rubber in a cherry red Cadillac.

how i’m feeling now by Charli XCX: I’ll admit, this album was a bit abrasive to me on first listen. But tracks like “anthems” and “forever” made me return, and it’s a huge grower. If you listen closely, you’ll find the sugary-sweet hooks and relatable sentiments nestled deep in the crunchy hyperpop textures, begging to be discovered and eventually loved.

Jaguar by Victoria Monét: If you enjoyed positions, then check out the debut from one of that album’s most prominent co-writers. Jaguar’s concise collection of silky R&B slow-burners show that Victoria Monet’s is a superstar in her own right.

Some great albums I listened to that didn’t come out this year: Blue by Joni Mitchell, BLACKPINK IN YOUR AREA by BLACKPINK, I Need to Start a Garden by Haley Heynderickx, Plastic Beach by Gorillaz, Out in the Storm by Waxahatchee, 7 by Beach House, Dummy by Portishead, Lovers Fevers by Babygirl, and Red by Taylor Swift.

Whether you liked, reblogged, or commented on a post, sent me an ask, or interacted with this blog in any way, thank you so much for all the support throughout the year! I can’t express how much I appreciate it.

What were your favorite albums from this year? Did I miss anything? Send me an ask and let me know. I’ll tell you my thoughts, or put it on my to-listen-to list if I haven’t heard it.

Here’s to 2021! May it clear the extremely low bar set by this year.

#album #EP #album of the year #album recommendation #taste in music 2020 faves #taste in music

20 notes · View notes

starclast · 1 year ago

Text

My brain: ...Why a cat??? 🤨

Me: I have yet to master drawing any other animals from Sonic style... 😔

My brain: Oh... 😥

Me: ...And besides I like cats! 🤭

My brain: a 😑

#far-fetched #far-fetchedshow #far-fetched show #far-fetched griff #far fetched #farfetchedshow #far fetched show #far fetched griff #griff #sonic fanart #sonic style #crossover #crossover fanart #sonic x far-fetched #like a sonic character #traditional drawing

3 notes · View notes

viviane-lefay · 3 years ago

Text

Yeah, no fucks to give here!

Really not into this ship - at least not in a romantic & sexual context.

—

At this point, I think it is best, if I put a little clarification here, before I continue:

This is just about my personal opinion, theories & headcanon - and by no means lays a claim to general validity (nor does your POV, btw).

I have more of a pick & choose approach to fandom subjects, anyway, so I can customize the experience exactly according to my needs and wishes. This is fiction, after all - the realm of endless possibilities - where anything goes, and where there is a place for the preferences of all of us.

That said, I really want to point out that I have nothing against people shipping the Dr. with Agent Stone - but since I, personally, prefer m/f ships, I’d rather choose the female OC approach, as it’s also my beloved villain x heroine constellation (not the subject of this post, though).

My take on the dynamic between the Dr. and his assistant is, therefore, quite a bit different from the fandom popular one. Well, to each his own.

What this post definitely is not, is an invitation for a debate regarding character interpretation, shipping choices, etc. - and all the potential drama that this might entail. If that is what you’re after, then I’d politely ask you to leave now, because all you are doing is wasting both of our time.

Let’s just agree to disagree and move on, k!?

I do my thing and you do you, guys!

I suppose, I made myself abundantly clear now.

—

Anyway, to return to the topic …

Where have all the male friendships & professional partnerships in fandom gone!?

Because, personally, I think agent Stone rather relates to his boss on that level…

Robotnik being a role model of some sort, that is - not unlike a kohai & senpai, or a younger & older brother constellation, actually - where the former looks up to the latter due to certain traits that he admires (and Stone certainly does). Regarding the age difference of the two, this could also make sense.

I’d estimate that Stone can’t be much older than his mid-twenties at most, since he’s in the position of a junior agent and assistant - still at the very beginning of his career path. And he’s very capable, disciplined and professional, at that, which is probably why he made it as Robotnik’s assistant at all (unsurprisingly, given the man isn’t the most patient).

Speaking of whom - I think, regardless of Jim Carrey being in his late fifties at that point - he, himself, can’t be that old, actually. My personal take (& preference) here would be late thirties, which would still make a lot of sense regarding his academic and occupational career. Being this overachieving genius, I guess that he finished school in time-lapse mode, skipping one, or even more grades - same goes for uni. Therefore, it wouldn’t surprise me if he was done by the age of 25 - his five PhDs included (bet he did two at once), which would still give him plenty of time to make his way as an agent and scientific government official up to the time of the events of the movie.

Aside from that, I can’t help but see parallels to the dynamic of Piett and Vader here, as well - a mixture of professional esteem and a bit of intimidation. But certainly no outright fear, as Stone is hardly under the threat of being strangled to death by his superior, like poor Piett is.

That is not to say that Robotnik’s still frequent misconduct towards him is ok (it definitely is not), but it certainly is more mild than he behaves towards, say, pretty much anyone else. Btw, that includes the “pin yourself to the wall”, grabbing him by the bottom lip and dragging him towards himself, while glaring at and chiding him (For what exactly!? Not being perfect, or as smart as him!? Chill, man, the boy is doing his best, and he’s doing a good job!).

Fandom, of course, does what it always loves to do - construe this as “evidence” for the alleged attraction between the two, which is pretty far-fetched, imho (…although you’re surely free to interpret it this way, if you so please. As I said, this is just my pov & to each his own. *shrugs*).

Anyway, you can clearly see Robotnik displaying this type of behaviour, along with the invasion of personal space, towards other male characters as well - be it “Major Nobody Cares”, “Officer Brainfart”, the big bar dude he threw out of the window, or Tom Wachowski. So, following this line of argument, does that mean he’s into these guys, as well!? Honestly, that’s pretty ridiculous!

If anything, it is a blatant display of asserting dominance, bringing the message home that he is the alpha male, while putting his opponent / subordinate in his place - and that’s it! What this behaviour definitely is not, however, is something remotely shipping related.

Besides, there are many examples of other male characters doing this for similar reasons, too - amongst others Darth Vader (remember that scene between him and Orson Krennic!?), and Severus Snape (after Harry invaded his memories during the occlumency lessons). And Robotnik does that quite aggressively in the cases above. In fact, it seems to be a fairly consistent behavioural pattern with him (not that he actually needed that though, but that’s an entirely different matter).

As for Robotnik’s personal attitude towards his assistant, I think Stone’s one of the very few people he actually respects, and even likes, because the young man’s esteem for him is so genuine, while everyone else regards him pretty much like nothing more than an asset, or a threat.

It’s not like he doesn’t somewhat encourage being kept in that position himself, behaving like he does - aside from actively reducing himself to his intellect & academic prowess. This isn’t all that surprising, as it is something he apparently gets his entire sense of self-worth from, and likely the only thing he got any appreciation for from others, which is, perhaps, also why he constantly needs to spotlight said trait (no behaviour someone truly at one with himself & his abilities would display, btw). Then, there is his little tolerance for failure - especially when it comes to himself. He truly expects to perform flawlessly, like a machine, and when he doesn’t, that really seems to unsettle him (that face when Tom points his unsuccessful attempts to catch Sonic out to him … he was so offended, he almost looked like he wanted to cry ^^;;).

So, of course it is likely that he becomes quite attached to the sort of attitude and behaviour that Stone displays towards him, even though he wouldn’t think of it this way - because, you know, emotional bonds with other human beings obviously are beneath him (Yeah, sure, we did see the veracity of that claim afterwards, didn’t we!?).

But, then again, growing up as an emotionally starved child and adolescent, used to being brushed aside, and, later, deliberately distancing himself from other people, he actually might have no clue whatsoever how to appropriately deal with things like these, and thus brushes them aside as “weakness”, which really does make sense, especially in the context that he was bullied as well.

Same goes for him eventually adopting the habit of pushing other people away via plain disagreeable behaviour. I think this phenomenon is called “hedgehog’s dilemma”, and it is quite ironic that he is more afflicted by it than his blue nemesis.

It is so painfully obvious that this guy has some massive issues, stemming from past emotional neglect and negative experiences - so much, that he even rejects all things human altogether, along with his own humanity.

His excessive idealization of and identification with technology, therefore, comes quite in handy as a defense mechanism in order to cope with said experiences.

Machines don’t ask much of you, they do what they are told, they are predictable, and they - above all - can’t suddenly abandon, betray, humiliate, and hurt you (which, I think, is the crux of the matter here).

Even though he might claim that his robots are everything to him, and that he doesn’t need anything and anyone else - his actions, however, prove otherwise … let alone his constant spiteful remarks on the matter, which just sound so damn bitter.

We can recognize that quite clearly when he is forced into involuntary seclusion on that mushroom planet at the end. This is where we see that what he truly is missing are not his machines (I bet he could have easily built a robot to accompany him out of the wreckage of his vessel), but one of the few people (maybe even the only one at that point), that he had apparently grown to value as worthwile company - namely agent Stone.

And, yes, it is very evident that he misses him (platonically, for me - but this isn’t even the point here) - he even tries to make a rock resemble Stone’s likeness in order to have someone to “talk to”, and mimic the social interactions he had with him.

Essentially, all those objects and machines are but a substitutive gratification that he tries to use, but that never come remotely close to the real deal, let alone are ever able to replace it.

In the end, he’s still a human being, along with all the human needs that go along with it - human contact and care included.

If the psycho-social and emotional makeup of his closest known relatives is any indicator to how his own might be structured - and it usually is (I’m speaking about the nature aspect, not nurture) - then he can’t be such a bad guy, after all - at least not inherently.

Taking his grandfather Gerald Robotnik, for example, who loved his granddaughter Maria (a total sweetheart) so much, that he was willing to do anything for her, in order to heal her from the fatal illness that was afflicting her - and who literally went insane with grief after losing her - then it shows someone with a strong emotional life, who feels what he feels very keenly and deeply. Furthermore, he is also someone that happens to bond very selectively, but if that is the case, it has this virtually absolute quality about it, with a love just as intense and profund to match (which is quite beautiful, actually).

On the other hand, though, that can also mean someone that has a high degree of emotional vulnerability, and who, therefore, is susceptible to sustain lasting damage from interpersonal traumatic experiences (which happens to be the case here, imho).

More often than not, it is this type of person that is likely to cork up their feelings and harden their hearts as a result - and who use every opportunity to deride the very traits, needs, and wishes they worked so hard to push away, if they see them in others. That is, amongst others, what gives them away. It’s pure projection - which is why I think that his caustic remarks should definitely not be taken at face value.

There are many, many examples of villains (or anti-heroes) that fit this type. Robotnik would hardly be an exception.

Besides, it is nice to see that Jim Carrey seems to have a fairly similar take on that matter (not that I actually care, but still):

“… and all it really comes down to is, he wants to be special to somebody, only it’s gone megalomania for him.” [x]

Ouch! Poor guy, actually.

He seems a lot like Ozai in that regard. No wonder I dig this dude (aside from him being hot, that is, haha) - he’s totally the type of villain I fancy.

And also, like it’s the case with Ozai, I can’t help but wonder about his past, given there is known so little about it (aside from a few hints), so the following will be about some of my personal theories and headcanons about him, his family, and his past.

These are such important characters (main antagonists, no less), yet the creators can’t bring themselves to be more specific about the most basic facts concerning their families. Ugh, huge pet peeve here! Nobody expects a huge ancestral chart down to the tiniest details, but they could at least offer more info about their closest relatives - especially the parents, who happen to have the most formative influence on a person.

How old was he, when his parents died, anyway!? That they died seems pretty much a given, as that is what being an orphan is about, per definitionem (and he referred to himself as such). But how did they die? Did he witness their death, or was he absent?

Personally, I have this theory that their demise might very well be linked with what happened to his grandfather Gerald Robotnik, and his cousin Maria. Perhaps they were on that space research colony during the military assault, and were also amongst the “collateral damage” there.

From what I read, the recruited scientists lived there, so I reckon that they did bring their families with them, which is likely, since it is said that Maria was born there, so at least her parents must have lived there for an extended amount of time, as well. Since Ivo isn’t Maria’s brother, but her cousin, Gerald must have had at least two children, who lived alongside him (… and his wife!? No info about her, either.) on that station.

While I think both of Ivo’s parents were from prominent scientist families (after all, that is what the population of this space station was comprised of), it is still unclear whether or not they remained on that station. I am inclined to believe they might have split their time between there and Earth, as Maria and Ivo don’t appear to have been particularly close, such as, for instance, her and Shadow (who was pretty much her only friend there), but I think that might also have been the case due to a difference in age.

Maria was 12 years old when she died during the military attack on the station. Since Ivo apparently seems to have no significant memory of his parents, and seems to have spent his childhood as an orphan, he can’t have been older than 3-4 during this incident.

With Gerald arrested, and pretty much the rest of the inconvenient Robotnik family gone, aside from that small child, I think the military decided to take him along, simply because of the vast potential of this child, coming from a bloodline of geniuses, that was now theirs to mold and to exploit.

They likely left the boy in an orphanage afterwards, mostly to his own devices, and without any support, or caregiver whose bonds transcended the mere duty of keeping their fosterling alive - a lonely life, largely deprived of emotional warmth and attachment.

However, they did keep him under close monitoring, so they could intervene anytime they saw fit, to stir him in the direction they wanted - like a psychological experiment of sorts. I remember that in the movie the presiding pentagon guy referred to him as “a lab rat with teeth” - which is rather telling regarding how they perceived him, and pretty nasty, considering the implication.

The Robotnik name, though, they obviously did not refuse him - a decision they would come to regret later. While this allowed him the only tie to his ancestry, their legacy, however, didn’t do him much good.

Gerald Robotnik was a disgraced man, known to the world as the genius madman, imprisoned and sentenced to death as a criminal - which was, by far not the whole truth. And yet, he was turned into this idealised picture of a hero by his grandson, who so admired his achievents and strove to become a scientist because of it, despite knowing only the official version of the story.

The tainted reputation of his grandfather would haunt Ivo for a long time to come. It would also become the lens through which he was perceived and judged by the world at large, and this turned out to be the main reason he was rejected, and, furthermore, relentlessly bullied by his peers - irrespective of his own accomplishments, which earned him at least the praise of his authority figures.

That he eventually snapped and retaliated, did not exactly improve the situation for him. While the bullying did stop for the greater part, the peoples’ suspicion had turned into fear, as their concerns had come to pass after all, and, as a result, he was shunned even more.

In the following years, he was further on groomed to become this perfect military asset - a morally unchecked scientist and ruthless agent, that the government could deploy like the weapon they undoubtedly saw him as.

Unfortunately for them, however, their experiment didn’t quite have the outcome they had anticipated, as he not only exceeded their expectations on an intellectual and scientific level, but, at the same time, became increasingly unstable, unpredictable (”psychological tire-fire”) and, hence, potentially dangerous - to such a degree that they became very hesitant to deploy him at all (despite the “perfect operations record”), and even downright terrified of him.

Frankly, I think they’d also have ample reason to be afraid of him, other than just his obviously ambitious nature. The most prominent being a possible event, where he finds out about what truly happened to his family and himself, as well as their role in this. Needless to say, that he wouldn’t take this lightly, considering all the shit he had to endure because of it, and likely seek revenge. I’d really be curious about such a scenario.

#Dr Ivo Robotnik #Sonic the Hedgehog #movieverse #headcanon #personal opinion #not interested in a debate here #that is what rl subjects are for #fictional world is purely for wish fulfillment and processing stuff #I am merely looking for like-minded ppl here and those with a similar taste

5 notes · View notes

pemdasblog · 4 years ago

Text

PEMDAS - Special Year-End Edition - Albums

I love end of year lists because I like consensus, rankings and numbers. But consensus is all based on who gets to rank, and the people who get the most access to major publication rankings are white men, so the numbers are tainted by white supremacy, misogyny, and many other forms of bigotry.

Which makes it even more interesting to see what gets ranked where.

Here’s a Google Sheet I made of all the lists and I created a formula that basically measures how many times an album placed on a list as well as how high it placed on that list. I’m going to keep updating this list as it’s not done, but it’s fun to play around with right now!

According to my formula and the critics, the top 10 albums of 2020 (in order) are:

#1: Fetch the Bolt Cutters •• Fiona Apple

#2: RTJ4 •• Run the Jewels

#3: folklore •• Taylor Swift

#4: Future Nostalgia •• Dua Lipa

#5: Punisher •• Phoebe Bridgers

#6: Set My Heart on Fire Immediately •• Perfume Genius

#7: Saint Cloud •• Waxahatchee

#8: Heaven to a Tortured Mind •• Yves Tumor

#9: Women in Music Pt. III •• HAIM

#10: Rough and Rowdy Ways •• Bob Dylan

I also have a fun, unranked albums list brewing. I’ll release that at the very end of the year.

Click below for all of the publication lists!

The 50 best albums of 2020 •• ABC | Double J

Dan Condon

RTJ4 •• Run the Jewels

Fetch the Bolt Cutters •• Fiona Apple

Crossover •• Emma Donovan & The Putbacks

The Slow Rush •• Tame Impala

UNTITLED (Rise) •• SAULT

Saint Cloud •• Waxahatchee

Song for Our Daughter •• Laura Marling

What’s Your Pleasure? •• Jessie Ware

The Sharecropper’s Daughter •• Sa-Roc

Sideways to New Italy •• Rolling Blackouts Coastal Fever

Sixteen Oceans •• Four Tet

Chose Line •• Benny the Walker

South West •• L-FRESH the LION

Far Enough •• Cable Ties

Punisher •• Phoebe Bridgers

Nyaaringu •• Miiesha

You Be the Lightning •• Tracy McNeil & The GoodLife

Mordechai •• Khruangbin

Suddenly •• Caribou

Our Two Skins •• Gordi

Down In the Weeds, Where the World Once Was •• Bright Eyes

græ •• Moses Sumney

Distance •• Jess Cornelius

King’s Disease •• Nas

Shore •• Fleet Foxes

Batflowers •• Washington

It Is What It Is •• Thundercat

That’s How Rumors Get Started •• Margo Price

ENERGY •• Disclosure

The Ascension •• Sufjan Stevens

Reunions •• Jason Isbell & The 400 Unit

Paid Salvation •• A Swayze & The Ghosts

songs •• Adrianne Lenker

Ohms •• Deftones

Unity •• Gordon Koang

A Hero’s Death •• Fontaines D.C.

Child in Reverse •• Kate Miller-Heidke

K.G. •• King Gizzard & The Lizard Wizard

Aloha •• Son Little

The Modern Medieval •• Something for Kate

II: The Next Wave •• Quakers

Rome •• Josh Pyke

Fallow •• Fanny Lumsden

Optimisme •• Songhoy Blues

Original Cast Recording •• Braille Face

Colour by Number •• Leah Flanagan

Ultra Mono •• IDLES

What You Gonna Do When the Grid Goes Down? •• Public Enemy

Feral •• RVG

Róisín Machine •• Róisín Murphy

The best albums and songs of 2020 •• BBC Culture

Nick Levine

Best albums of 2020

Fetch the Bolt Cutters •• Fiona Apple

Ungodly Hour •• Chloe x Halle

Rough and Rowdy Ways •• Bob Dylan

Future Nostalgia •• Dua Lipa

Róisín Machine •• Róisín Murphy

Set My Heart on Fire Immediately •• Perfume Genius

RTJ4 •• Run the Jewels

SAWAYAMA •• Rina Sawayama

Kitchen Sink •• Nadine Shah

folklore •• Taylor Swift

6 Music Recommends Albums of the Year 2020 •• BBC Radio - 6 Music

BBC Radio - 6 Music Staff

UNTITLED (Black Is) •• SAULT

A Hero’s Death •• Fontaines D.C.

Shore •• Fleet Foxes

Shortly After Takeoff •• BC Camplight

Rough and Rowdy Ways •• Bob Dylan

Kitchen Sink •• Nadine Shah

England Is a Garden •• Cornershop

RTJ4 •• Run the Jewels

The Universal Want •• Doves

Deep Down Happy •• Sports Team

The 50 Best Albums of 2020: Staff Picks •• Billboard

Billboard Staff

folklore •• Taylor Swift

Future Nostalgia •• Dua Lipa

After Hours •• The Weeknd

YHLQMDLG •• Bad Bunny

Chromatica •• Lady Gaga

My Turn •• Lil Baby

Fetch the Bolt Cutters •• Fiona Apple

Gaslighter •• The Chicks

Meet the Woo 2 •• Pop Smoke

Women in Music Pt. III •• HAIM

Positions •• Ariana Grande

Good News •• Megan Thee Stallion

Starting Over •• Chris Stapleton

RTJ4 •• Run the Jewels

Punisher •• Phoebe Bridgers

Circles •• Mac Miller

Ungodly Hour •• Chloe x Halle

Manic •• Halsey

Tickets to My Downfall •• Machine Gun Kelly

SAWAYAMA •• Rina Sawayama

Miss Anthropocene •• Grimes

Rare •• Selena Gomez

Eternal Atake •• Lil Uzi Vert

Colores •• J Balvin

The Album •• BLACKPINK

Set My Heart on Fire Immediately •• Perfume Genius

The Slow Rush •• Tame Impala

Before Love Came To Kill Us •• Jessie Reyez

Notes on a Conditional Form •• The 1975

Reunions •• Jason Isbell & The 400 Unit

Fake It Flowers •• beabadoobee

It Was Good Until It Wasn’t •• Kehlani

Map of the Soul: 7 •• BTS

Letter to You •• Bruce Springsteen

Atrapado en un Sueño •• Junior H

The Album •• Teyana Taylor

Ho, why is you here? •• Flo Milli

Emmanuel •• Anuel AA

Love Goes •• Sam Smith

Suddenly •• Caribou

Petals for Armor •• Hayley Williams

B7 •• Brandy

Southside •• Sam Hunt

Mesa Para Dos •• Kany García

Savage Mode II •• 21 Savage & Metro Boomin

Good Souls Better Angels •• Lucinda Williams

Kid Krow •• Conan Gray

Hecho en Mexico •• Alejandro Fernández

A Written Testimony •• Jay Electronica

Blame It on Baby •• DaBaby

Top 10 Albums of the Year 2020 •• Bleep

KiCk i •• Arca

Magic Oneohtrix Point Never •• Oneohtrix Point Never

Phoenix: Flames Are Dew Upon My Skin •• Eartheater

Cape Cira •• K-LONE

Fountain •• Lyra Pramuk

Black Nationalist Sonic Weaponry •• Speaker Music

Help •• Duval Timothy

Karma & Desire •• Actress

Shadow of Fear •• Cabaret Voltaire

Tara Clerkin Trio •• Tara Clerkin Trio

The Best Albums of 2020 •• Complex

Jessica McKinney, Andre Gee, Eric Skelton, Edwin Ortiz, Khal, Angel Diaz, Will Schube, Shawn Setaro, Lucas Wisenthel

After Hours •• The Weeknd

My Turn •• Lil Baby

Eternal Atake •• Lil Uzi Vert

Alfredo •• Freddie Gibbs & The Alchemist

Burden of Proof •• Benny the Butcher

Savage Mode II •• 21 Savage & Metro Boomin

The Slow Rush •• Tame Impala

Circles •• Mac Miller

Pray for Paris •• Westside Gunn

Shoot for the Stars, Aim for the Moon •• Pop Smoke

The GOAT •• Polo G

From King to a GOD •• Conway the Machine

folklore •• Taylor Swift

Wunna •• Gunna

Ungodly Hour •• Chloe x Halle

YHLQMDLG •• Bad Bunny

A Muse In Her Feelings •• dvsn

A Written Testimony •• Jay Electronica

Meet the Woo 2 •• Pop Smoke

Ho, why is you here? •• Flo Milli

So Help Me God! •• 2 Chainz

Angelic Hoodrat •• Kenny Mason

It Was Good Until It Wasn’t •• Kehlani

The Price of Tea in China •• Boldy James

RTJ4 •• Run the Jewels

Fuck the World •• Brent Faiyaz

Fetch the Bolt Cutters •• Fiona Apple

Dark Lane Demo Tapes •• Drake

Young & Turnt 2 •• 42 Dugg

Good News •• Megan Thee Stallion

Top •• YoungBoy Never Broke Again

Mt. Marci •• Roc Marciano

Notes on a Conditional Form •• The 1975

Future Nostalgia •• Dua Lipa

One and Only •• Sheff G

Positions •• Ariana Grande

Limbo •• Aminé

UNLOCKED •• Denzel Curry & Kenny Beats

Anyways •• Young Nudy

Legends Never Die •• Juice WRLD

Industry Games •• CHIKA

Reasonable Drought •• Stove God Cooks

Spilligion •• Spillage Village

King’s Disease •• Nas

While the World Was Burning •• SAINt JHN

Only for Dolphins •• Action Bronson

Just Cause Y’all Waited 2 •• Lil Durk

Featuring Ty Dolla Sign •• Ty Dolla Sign

Detroit 2 •• Big Sean

Forever, Ya Girl •• KeiyaA

Top 50 Albums of 2020 •• Consequence of Sound

CoS Staff

Fetch the Bolt Cutters •• Fiona Apple

RTJ4 •• Run the Jewels

Punisher •• Phoebe Bridgers

Set My Heart on Fire Immediately •• Perfume Genius

Future Nostalgia •• Dua Lipa

Saint Cloud •• Waxahatchee

Ohms •• Deftones

Chromatica •• Lady Gaga

Alfredo •• Freddie Gibbs & The Alchemist

Gigaton •• Pearl Jam

Reunions •• Jason Isbell & the 400 Unit

Map of the Soul: 7 •• BTS

SAWAYAMA •• Rina Sawayama

It Is What It Is •• Thundercat

After Hours •• The Weeknd

YHLQMDLG •• Bad Bunny

Heaven to a Tortured Mind •• Yves Tumor

how i’m feeling now •• Charli XCX

The Ascension •• Sufjan Stevens

Eternal Atake •• Lil Uzi Vert

Petals for Armor •• Hayley Williams

A Written Testimony •• Jay Electronica

Fake It Flowers •• beabadoobee

Likewise •• Frances Quinlan

Ultra Mono •• IDLES

Forgotten Days •• Pallbearer

folklore •• Taylor Swift

Suddenly •• Caribou

Everything Is Beautiful •• Princess Nokia

As Long as You Are •• Future Islands

Magic Oneohtrix Point Never •• Oneohtrix Point Never

Shore •• Fleet Foxes

Letter to You •• Bruce Springsteen

The Price of Tea in China •• Boldy James & The Alchemist

That’s How Rumors Get Started •• Margo Price

Giver Taker •• Anjimile

Twice as Tall •• Burna Boy

Gaslighter •• The Chicks

Shamir •• Shamir

Lamb of God •• Lamb of God

Pray for Paris •• Westside Gunn

Live Forever •• Bartees Strange

The Greatest Part •• Becca Mancari

Power Up •• AC/DC

The Liz •• Armani Caesar

Miss Anthropocene •• Grimes

American Head •• The Flaming Lips

The Neon Skyline •• Andy Shauf

Good News •• Megan Thee Stallion

Honeymoon •• Beach Bunny

The Top 50 Albums of 2020 •• Crack Magazine

Help •• Duval Timothy

Indigo Dream •• E.M.M.A.

Mas Amable •• DJ Python

Heaven to a Tortured Mind •• Yves Tumor

Future Nostalgia •• Dua Lipa

Big Conspiracy •• J Hus

Duma •• Duma

Alfredo •• Freddie Gibbs & The Alchemist

how i’m feeling now •• Charli XCX

Punisher •• Phoebe Bridgers

Metal Preyers •• Metal Preyers

From Avoca Hills to the World •• Citizen Boy & Mafia Boyz

Miss Colombia •• Lido Pimienta

Ungodly Hour •• Chloe x Halle

To Feel Embraced •• Sparkle Division

Workaround •• Beatrice Dillon

Set My Heart on Fire Immediately •• Perfume Genius

Miss Anthropocene •• Grimes

YHLQMDLG •• Bad Bunny

A Written Testimony •• Jay Electronica

Man Alive! •• King Krule

Healing Is a Miracle •• Julianna Barwick

Snoopy •• CS + Kreme

Dark Matter •• Moses Boyd

Pain Olympics •• Crack Cloud

Ho, why is you here? •• Flo Milli

Cape Circa •• K-Lone

Róisín Machine •• Róisín Murphy

Eternal Atake •• Lil Uzi Vert

Microphones in 2020 •• The Microphones

UNTITLED (Black Is) •• SAULT

Chromatica •• Lady Gaga

Modern Bliss •• Roza Terenzi

Ten Billion Angels •• Zora Jones

Pray 4 Love •• Rod Wave

Saint Cloud •• Waxahatchee

Modus Vivendi •• 070 Shake

Cenizas •• Nicolás Jaar

Fetch the Bolt Cutters •• Fiona Apple

Black Nationalist Sonic Weaponry •• Speaker Music

Pray for Paris •• Westside Gunn

Second Language •• Minor Science

Forever, Ya Girl •• KeiyaA

Crabs in a Bucket •• Nines

Deep Technik •• MoMA Ready

Live Forever •• Bartees Strange

Send Them to Coventry •• Pa Salieu

Pillowland •• Jam City

Phoenix: Flames Are Dew Upon My Skin •• Eartheater

Every Bad •• Porridge Radio

The 15 best albums of 2020 •• Entertainment Weekly

Leah Greenblatt, Sarah Rodman & Alex Suskind

Fetch the Bolt Cutters •• Fiona Apple

After Hours •• The Weeknd

RTJ4 •• Run the Jewels

Rough and Rowdy Ways •• Bob Dylan

folklore •• Taylor Swift

Gaslighter •• The Chicks

Women in Music Pt. III •• HAIM

A Written Testimony •• Jay Electronica

YHLQMDLG •• Bad Bunny

UNTITLED (Black Is) •• SAULT

Future Nostalgia •• Dua Lipa

American Love Story •• Butch Walker

Set My Heart On Fire Immediately •• Perfume Genius

Your Life Is a Record •• Brandy Clark

Petals for Armor •• Hayley Williams

Exclaim!’s 50 Best Albums of 2020 •• Exclaim!

Exclaim! Staff

God Has Nothing to Do with This Leave Him Out of It •• Backxwash

Fetch the Bolt Cutters •• Fiona Apple

Punisher •• Phoebe Bridgers

RTJ4 •• Run the Jewels

Suddenly •• Caribou

Women in Music Pt. III •• HAIM

Miss Colombia •• Lido Pimienta

Heaven to a Tortured Mind •• Yves Tumor

Rough and Rowdy Ways •• Bob Dylan

Pantayo •• Pantayo

Heavy Light •• U.S. Girls

It Is What It Is •• Thundercat

The Neon Skyline •• Andy Shauf

Miss Anthropocene •• Grimes

Alfredo •• Freddie Gibbs & The Alchemist

græ •• Moses Sumney

Have We Met •• Destroyer

Saint Cloud •• Waxahatchee

Ohms •• Deftones

The Ascension •• Sufjan Stevens

Legacy •• Aquakultre

folklore •• Taylor Swift

Devouring Ruin •• Wake

How Ill Thy World Is Ordered •• Daniel Romano’s Outfit

Microphones in 2020 •• The Microphones

After Hours •• The Weeknd

Burden of Proof •• Benny the Butcher

What’s Your Pleasure? •• Jessie Ware

DNA Activation •• Witch Prophet

Peaceful as Hell •• Black Dresses

Where Only Gods May Tread •• Ingested

Circles •• Mac Miller

2017-2019 •• Against All Logic

Lianne La Havas •• Lianne La Havas

Stygian •• Atramentus

ELEMENTS Vol. 1 •• TOBi

Reliever •• William Prince

Every Bad •• Porridge Radio

Someone New •• Helena Deland

Pray 4 Love •• Rod Wave

color theory •• Soccer Mommy

Sundry Rock Song Stock •• Yves Jarvis

Finds You Well •• Khotin

Underneath •• Code Orange

songs •• Adrianne Lenker

Future Nostalgia •• Dua Lipa

Visions of Bodies Being Burned •• clipping.

Total Freedom •• Kathleen Edwards

Shore •• Fleet Foxes

Free I.H.: This Is Not the One You’ve Been Waiting For •• Illuminati Hotties

The Best Albums of 2020 •• FLOOD

FLOOD Staff

RTJ4 •• Run the Jewels

Fetch the Bolt Cutters •• Fiona Apple

græ •• Moses Sumney

Set My Heart on Fire Immediately •• Perfume Genius

Punisher •• Phoebe Bridgers

color theory •• Soccer Mommy

Magic Oneohtrix Point Never •• Oneohtrix Point Never

Saint Cloud •• Waxahatchee

After Hours •• The Weeknd

Ungodly Hour •• Chloe x Halle

Women in Music Pt. III •• Haim

Visions of Bodies Being Burned •• clipping.

SAWAYAMA •• Rina Sawayama

What’s Your Pleasure? •• Jessie Ware

Alfredo •• Freddie Gibbs & The Alchemist

My Agenda •• Dorian Electra

Live Forever •• Bartees Strange

Phoenix: Flames Are Dew Upon My Skin •• Eartheater

Shrines •• Armand Hammer

That’s How Rumors Get Started •• Margo Price

It Is What It Is •• Thundercat

American Head •• The Flaming Lips

Si Miedo (del Amor y Otros Demonios) ∞ •• Kali Uchis

Song Machine: Season 1 - Strange Timez •• Gorillaz

Moveys •• Slow Pulp

The Gigwise 51 Best Albums of 2020 •• Gigwise

Gigwise Staff

SAWAYAMA •• Rina Sawayama

Set My Heart On Fire Immediately •• Perfume Genius

folklore •• Taylor Swift

UNTITLED (Black Is) •• SAULT

RTJ4 •• Run the Jewels

Good News •• Megan Thee Stallion

Women in Music Pt. III •• HAIM

Ohms •• Deftones

Circles •• Mac Miller

The Night Chancers •• Baxter Dury

Sex, Death & The Infinite Void •• Creeper

What’s Your Pleasure? •• Jessie Ware

The Archer •• Alexandra Savior

Future Nostalgia •• Dua Lipa

Punisher •• Phoebe Bridgers

color theory •• Soccer Mommy

Mordechai •• Khruangbin

Heaven to a Tortured Mind •• Yves Tumor

Night Network •• The Cribs

I Disagree •• Poppy

Introduction, Presence •• Nation of Language

Modern Dread •• Denai Moore

K.G. •• King Gizzard & The Lizard Wizard

To Love Is to Live •• Jehnny Beth

A Hero’s Death •• Fontaines D.C.

Saint Cloud •• Waxahatchee

Working Men’s Club •• Working Men’s Club

We Live Here •• Bob Vylan

Song for Our Daughter •• Laura Marling

how i’m feeling now •• Charli XCX

I Grow Tired But Dare Not Fall Asleep •• Ghostpoet

925 •• Sorry

Got To Be Tough •• Toots & The Maytals

græ •• Moses Sumney

Viscerals •• Pigs Pigs Pigs Pigs Pigs Pigs Pigs

Three Mile Ditch •• The Wytches

England Is a Garden •• Cornershop

It Is What It Is •• Thundercat

In This House •• Lewsberg

Optimisme •• Songhoy Blues

songs •• Adrianne Lenker

Letter to You •• Bruce Springsteen

Big Conspiracy •• J Hus

Every Bad •• Porridge Radio

Monument •• Keaton Henson

Seeking Thrills •• Georgia

Hyper Romance •• Jadu Heart

Container •• The Wants

The Prettiest Curse •• Hinds

In Waiting •• Pillow Queens

The Reson for Hardcore Vibes •• Joe & The Shitboys

Gorilla vs. Bear’s Albums of 2020 •• Gorilla vs. Bear

Chris

Someone New •• Helena Deland

Untitled (Black Is) •• SAULT || Untitled (Rise) •• SAULT

Send Them to Coventry •• Pa Salieu

Weaving a Basket •• Sea Oleena

Modus Vivendi •• 070 Shake

Fires in Heaven •• Salem

Galore •• Oklou

What’s Tonight to Eternity •• Cindy Lee || Cat O’Nine Tails •• Cindy Lee

Miss Anthropocene •• Grimes

Taken Away •• Moodymann

All the Time •• Jessy Lanza

Alletiders •• Alle

WHAT WE DREW 우리가 그려왔던 •• Yaeji

Because of a Flower •• Ana Roxanne

How Much Works •• Sweet Whirl

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

The Don of Diamond Dreams •• Shabazz Palaces

Magic Oneohtrix Point Never •• Oneohtrix Point Never

Hunger for a Way Out •• Sweeping Promises

Your Hero Is Not Dead •• Westerman

Future Nostalgia •• Dua Lipa

Alfredo •• Freddie Gibbs & The Alchemist

Remote Control •• Discovery Zone

how i’m feeling now •• Charli XCX

Help •• Duval Timothy

Yes •• Shinichi Atobe

What’s Your Pleasure? •• Jessie Ware

I Was Born Swimming •• Squirrel Flower

Healing Is a Miracle •• Julianna Barwick

Mia Gargaret •• Gia Margaret

I Feel Alive •• Tops

Karma & Desire •• Actress

Crooner qui coule sous les clous •• Oï Les Ox

Bobby Joe Hope •• Jon McKiel

Motherhood •• No Joy

Land of No Junction •• Aoife Nessa Frances

acts of rebellion •• Ela Minus

Cave Vaults on the Moon •• Tan Cologne

Sundry Rock Song Stock •• Yves Jarvis

A Mythology of Circles •• Faten Kanaan

Man Alive! •• King Krule

Inner Song •• Kelly Lee Owens

Good Songs for Bad People •• Drab City

Roped In •• North Americans

Sorceress •• Jess Williamson

Phoenix: Flames are Dew Upon My Skin •• Eartheater

Fantasy Chapel •• Riches

Ride Lonesome •• Young Ejecta

Shimmering Basset •• The Green Child

Silver Ladders •• Mary Lattimore

The 50 best albums of 2020 •• The Guardian

Ben Beaumont-Thomas & Laura Snapes

Big Conspiracy •• J Hus

folklore •• Taylor Swift

græ •• Moses Sumney

Róisín Machine •• Róisín Murphy

Ungodly Hour •• Chloe x Halle

Rough and Rowdy Ways •• Bob Dylan

What’s Your Pleasure? •• Jessie Ware

A Written Testimony •• Jay Electronica

Punisher •• Phoebe Bridgers

A Hero’s Death •• Fontaines D.C.

RTJ4 •• Run the Jewels

Chromatica •• Lady Gaga

Miss Anthropocene •• Grimes

Heaven to a Tortured Mind •• Yves Tumor

Workaround •• Beatrice Dillon

Suddenly •• Caribou

Inner Song •• Kelly Lee Owens

UNTITLED (Rise) •• SAULT

Gold Record •• Bill Callahan

Song for Our Daughter •• Laura Marling

It Is What It Is •• Thundercat

Circles •• Mac Miller

Shore •• Fleet Foxes

Heavy Light •• U.S. Girls

Forever, Ya Girl •• KeiyaA

how i’m feeling now •• Charli XCX

Alfredo •• Freddie Gibbs & The Alchemist

Working Men’s Club •• Working Men’s Club

Notes on a Conditional Form •• The 1975

Savage Mode II •• 21 Savage & Metro Boomin

I Think I’m Good •• Kassa Overall

Suite for Max Brown •• Jeff Parker

Positions •• Ariana Grande

Karma & Desire •• Actress

DISCO •• Kylie Minogue

Made in Lagos •• Wizkid

All the Time •• Jessy Lanza

Rare •• Selena Gomez

Three •• The Necks

The Album •• Teyana Taylor

color theory •• Soccer Mommy

Have We Met •• Destroyer

Visions of Bodies Being Burned •• clipping.

The Best Albums of 2020 Ranked •• The Line of Best Fit

The Line of Best Fit Staff

SAWAYAMA •• Rina Sawayama

The Baby •• Samia

how i’m feeling now •• Charli XCX

Punisher •• Phoebe Bridgers

græ •• Moses Sumney

Rough and Rowdy Ways •• Bob Dylan

Set My Heart On Fire Immediately •• Perfume Genius

Heaven to a Tortured Mind •• Yves Tumor

Ungodly Hour •• Chloe x Halle

RTJ4 •• Run the Jewels

Fetch the Bolt Cutters •• Fiona Apple

Saint Cloud •• Waxahatchee

The Worst Generation •• Che Lingo

Healing Is a Miracle •• Julianna Barwick

Big Conspiracy •• J Hus

I’m Your Empress Of •• Empress Of

We’re New Again: A Reimagining •• Makaya McCraven

Visions of Bodies Being Burned •• clipping.

Anime, Trauma and Divorce •• Open Mike Eagle

Beginners •• Christian Lee Hutson

Good News •• Megan Thee Stallion

Show Pony •• Orville Peck

The Angel You Don’t Know •• Amaarae

Inner Song •• Kelly Lee Owens

A Hero’s Death •• Fontaines D.C.

The Amanda Tape •• THEY.

songs •• Adrianne Lenker

JAGUAR •• Victoria Monét

Shore •• Fleet Foxes

Someone New •• Helena Deland

Whatever, Man •• BLACKSTARKIDS

folklore •• Taylor Swift

SOURCE •• Nubya Garcia

Without People •• Donovan Woods

What’s Your Pleasure? •• Jessie Ware

Petals for Armor •• Hayley Williams

Debris •• Keeley Forsyth

Warnings •• I Break Horses

So When You Gonna... •• Dream Wife

Future Nostalgia •• Dua Lipa

Twice as Tall •• Burna Boy

Now or Never •• Giggs

SISTER •• Mina Tindle

Circles •• Mac Miller

Mordechai •• Khruangbin

The Prettiest Curse •• Hinds

Chromatica •• Lady Gaga

Women in Music Pt. III •• HAIM

EDNA •• Headie One

Dark Hearts •• Annie

Best Albums of 2020 •• The New York Times

Jon Pareles, Jon Caramanica, and Lindsay Zoladz

Simmering Emotions, Louder Explosions Jon Pareles

The Ascension •• Sufjan Stevens

Fetch the Bolt Cutters •• Fiona Apple

græ •• Moses Sumney

folklore •• Taylor Swift

Rough and Rowdy Ways •• Bob Dylan

Lianne La Havas •• Lianne La Havas

Twice as Tall •• Burna Boy

RTJ4 •• Run the Jewels

Mama, You Can Bet! •• Jyoti

SIGN •• Autechre

The Art of Taking One’s Time Jon Caramanica

Southside •• Sam Hunt

SAWAYAMA •• Rina Sawayama

Pray 4 Love •• Rod Wave

A Written Testimony •• Jay Electronica

RTJ4 •• Run the Jewels

Fetch the Bolt Cutters •• Fiona Apple

Shoot for the Stars Aim for the Moon •• Pop Smoke

Ho, why is you here? •• Flo Milli

Poems of the Past •• Powfu

Changes •• Justin Bieber

Starting Over •• Chris Stapleton

YHLQMDLG •• Bad Bunny

Honeymoon •• Beach Bunny

and 27 more for a chaotic year...

Savage Mode II •• 21 Savage & Metro Boomin

Burden of Proof •• Benny the Butcher

Trap Tumbado •• Natanael Cano

Gaslighter •• The Chicks

City on Lock •• City Girls

Underneath •• Code Orange

From King to a GOD •• Conway the Machine

Dark Lane Demo Tapes •• Drake

Alfredo •• Freddie Gibbs & The Alchemist

Positions •• Ariana Grande

A Rock •• Hardy

Violence in a Quiet Mind •• Haux

AUNTIE •• Ian Isiah

Atrapado en un Sueño •• Junior H

Levon James •• King Von

Just Cause Y’all Waited 2 •• Lil Durk

God Made a Woman •• Lauren Mascitti

LP5 •• John Moreland

Before Love Came to Kill Us •• Jessie Reyez

Rosetta •• Dua Saleh

Jesus Is Born •• Sunday Service Choir

Easy Money Baby •• Myke Towers

What’s Your Pleasure? •• Jessie Ware

Saint Cloud •• Waxahatchee

After Hours •• The Weeknd

The Dream •• Hailey Whitters

Top •• YoungBoy Never Broke Again

Rebel Yells, of Passion and Fury Lindsay Zoladz

Fetch the Bolt Cutters •• Fiona Apple

Punisher •• Phoebe Bridgers

Saint Cloud •• Waxahatchee

Women in Music Pt. III •• HAIM

Heaven to a Tortured Mind •• Yves Tumor

how i’m feeling now •• Charli XCX

What’s Your Pleasure? •• Jessie Ware

Eternal Atake •• Lil Uzi Vert

No Dream •• Jeff Rosenstock

Set My Heart on Fire Immediately •• Perfume Genius

folklore •• Taylor Swift

The Best Music of 2020 •• The New Yorker

Amanda Petrusich

No. 1 •• Etran de l’Aïr

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

Silver Ladders •• Mary Lattimore

Future Nostalgia •• Dua Lipa

Fetch the Bolt Cutters •• Fiona Apple

Mama, You Can Bet! •• Jyoti

Rough and Rowdy Ways •• Bob Dylan

Shore •• Fleet Foxes

Alfredo •• Freddie Gibbs & the Alchemist

Punisher •• Phoebe Bridgers

Honorable Mentions:

folklore •• Taylor Swift

Good News •• Megan Thee Stallion

Un Canto por México Vol. 1 •• Natalia Lafourcade

It Was Good Until It Wasn’t •• Kehlani

A Written Testimony •• Jay Electronica

The New Abnormal •• The Strokes

Saint Cloud •• Waxahatchee

Sheldon Pearce

Microphones in 2020 •• The Microphones

Fetch the Bolt Cutters •• Fiona Apple

Punisher •• Phoebe Bridgers

græ •• Moses Sumney

Rough and Rowdy Ways •• Bob Dylan

Act II: The Patents of Nobility (The Turn) •• Jay Electronica

YHLQMDLG •• Bad Bunny

Mama, You Can Bet! •• Jyoti

Set My Heart on Fire Immediately •• Perfume Genius

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

color theory •• Soccer Mommy

SAWAYAMA •• Rina Sawayama

Thank You For Using GTL •• Drakeo the Ruler

Shore •• Fleet Foxes

Anime, Trauma and Divorce •• Open Mike Eagle

WHAT WE DREW 우리가 그려왔던 •• Yaeji

Miss Anthropocene •• Grimes

Mutable Set •• Blake Mills

RTJ4 •• Run the Jewels

APOLLO •• Fireboy DML

Couldn’t Wait to Tell You... •• Liv.e

Live Forever •• Bartees Strange

Ho, why is you here? •• Flo Milli

UNTITLED (Black Is) •• SAULT

Every Bad •• Porridge Radio

Descendants of Cain •• Ka

folklore •• Taylor Swift

Big Conspiracy •• J Hus

Heaven to a Tortured Mind •• Yves Tumor

Healing Is a Miracle •• Julianna Barwick

The 100 Best Albums of 2020 •• Noisey (Vice)

Noisey Staff

UNTITLED (Black Is) •• SAULT || UNTITLED (Rise) •• SAULT

Ho, why is you here? •• Flo Milli

It Is What It Is •• Thundercat

EDNA •• Headie One

Fetch the Bolt Cutters •• Fiona Apple

Bartees Strange •• Live Forever

My Turn (Deluxe) •• Lil Baby

Heaven to a Tortured Mind •• Yves Tumor

Saint Cloud •• Waxahatchee

JAGUAR •• Victoria Monét

Meet the Woo 2 •• Pop Smoke

BRAT •• NNAMDÏ

Shame •• Uniform

YHLQMDLG •• Bad Bunny

Send Them to Coventry •• Pa Salieu

Full Wack No Brakes •• Bad Boy Chiller Crew

Shore •• Fleet Foxes

how i’m feeling now •• Charli XCX

Fuck the World •• Brent Faiyaz

Cruisin’ with Junior H •• Junior H

Twice as Tall •• Burna Boy

Punisher •• Phoebe Bridgers

SAWAYAMA •• Rina Sawayama

Inlet •• Hum

Alfredo •• Freddie Gibbs & The Alchemist

Forever, Ya Girl •• KeiyaA

Eternal Atake (Deluxe) •• Lil Uzi Vert

Lament •• Touché Amoré

A Written Testimony •• Jay Electronica

Set My Heart On Fire Immediately •• Perfume Genius

color theory •• Soccer Mommy

Rich Slave •• Young Dolph

Fires in Heaven •• SALEM

Future Nostalgia •• Dua Lipa

City On Lock •• City Girls

Big Conspiracy •• J Hus

The Great Dismal •• Nothing

Welcome to O’Block •• King Von

songs •• Adrianne Lenker

Thank You for Using GTL •• Drakeo the Ruler

Àdá Irin •• Navy Blue

Featuring Ty Dolla $ign •• Ty Dolla $ign

Scacco Matto •• Lorenzo Senni

Grime MC •• Jme

Viva el Perreo •• Jowell & Randy

Phoenix: Flames Are Dew Upon My Skin •• Eartheater

The Goat •• Polo G

Speed Kills •• Chubby and the Gang

Common Prayers •• Walter Martin

Petals for Armor •• Hayley Williams

Burden of Proof •• Benny the Butcher

Eternity of Shaog •• Esoctrilihum

Magic Oneohtrix Point Never •• Oneohtrix Point Never

Corridos Tumbados •• Natanael Cano

The Prince of Tea in China •• Boldy James & The Alchemist

A Muse in Her Feelings •• dvsn

KiCk i •• Arca

Circles •• Mac Miller

Rise Above Hate •• Unknown T

I Love You 2 •• Hook

WHAT WE DREW 우리가 그려왔던 •• Yaeji

Every Bad •• Porridge Radio

From a King to a GOD •• Conway the Machine

Chromatica •• Lady Gaga

Healing Is a Miracle •• Julianna Barwick

12th House Rock •• Narrow Head

Watch This Liquid Pour Itself •• Okay Kaya

Growth & Development •• 22Gz

Miss Anthropocene •• Grimes

Weight of the World •• MIKE

Auto-Pain •• Deeper

Bino Rideaux •• Outside

Tearless •• Amnesia Scanner

Made in Lagos •• Wizkid

U-Void Synthesizer •• Machine Girl

Take Time •• Giveon

Pure X •• Pure X

Last Year Was Weird, Vol. 2 •• Tkay Maidza

Women in Music Pt. III •• HAIM

Starmaker •• Honey Harper

So Help Me God! •• 2 Chainz

Crabs in a Bucket •• Nines

Descendants of Cain •• Ka

Good News •• Megan Thee Stallion

Blue Eyes, The Harlot, The Queer, The Pusher & Me •• Waylon Payne

Have You Lost Your Mind Yet? •• Fantastic Negrito

Just Look at That Sky •• Ganser

7G •• A. G. Cook

Vibras de Noche •• Eslabon Armado

Immersion •• Primitive Man

Supergood •• Duckwrth

The Weather Up There •• Jeremy Cunningham

Underneath •• Code Orange

El Androide •• El Alfa

Lianne La Havas •• Lianne La Havas

SIGN •• Autechre

folklore •• Taylor Swift

Occupational Hazard •• Mozzy

The Freelancer’s Blues •• Dougie Poole

4 Da 304′s •• KentheMan

Best Music of 2020 •• NPR

NPR Music Staff

UNTITLED (Black Is) •• SAULT

Fetch the Bolt Cutters •• Fiona Apple

Miss Colombia •• Lido Pimienta

Punisher •• Phoebe Bridgers

Spilligion •• Spillage Village

Adès Conducts Adès •• Thomas Adès

YHLQMDLG •• Bad Bunny

Source •• Nubya Garcia

Eternal Atake •• Lil Uzi Vert

Blue Eyes, The Harlot, The Queer, The Pusher & Me •• Waylon Payne

Women in Music Pt. III •• HAIM

Lianne La Havas •• Lianne La Havas

Ho, why is you here? •• Flo Milli

Future Nostalgia •• Dua Lipa

RTJ4 •• Run the Jewels

Expectations •• Katie Pruitt

Data Lords •• Maria Schneider Orchestra

Underneath •• Code Orange

on the tender spot of every calloused moment •• Ambrose Akinmusire

JAGUAR •• Victoria Monét

Regresa •• Buscabulla

Dawson: Negro Folk Symphony •• ORF Vienna Radio Symphony Orchestra

Ungodly Hour •• Chloe x Halle

The Slow Rush •• Tame Impala

A Small Death •• Samantha Crain

Pauline •• Ashley Ray

Mama, You Can Bet! •• Jyoti

Siti of Unguja (Romance Revolution on Zanzibar) •• Siti Muharam

songs •• Adrianne Lenker

My Turn •• Lil Baby

It Is What It Is •• Thundercat

Live Forever •• Bartees Strange

Spider Tales •• Jake Blount

Silver Ladders •• Mary Lattimore

Set My Heart on Fire Immediately •• Perfume Genius

Fuck the World •• Brent Faiyaz

Debussy • Rameau •• Víkingur Ólafsson

Muthaland •• Bbymutha

SAWAYAMA •• Rina Sawayama

En Español •• The Mavericks

Thank You For Using GTL •• Drakeo the Ruler

The experience of repetition as death •• Clarice Jensen

Inside •• X Alfonso

Total Freedom •• Kathleen Edwards

Savage Mode II •• 21 Savage / Metro Boomin

some kind of peace •• Ólafur Arnalds

Saint Cloud •• Waxahatchee

Giver Taker •• Anjimile

Don’t Feed the Monster •• Homeboy Sandman

how i’m feeling now •• Charli XCX

The 50 Best Albums of 2020 •• Paste

Paste Staff

Fetch the Bolt Cutters •• Fiona Apple

Saint Cloud •• Waxahatchee

RTJ4 •• Run the Jewels

Untitled (Rise) •• SAULT

Set My Heart on Fire Immediately •• Perfume Genius

Every Bad •• Porridge Radio

color theory •• Soccer Mommy

SAWAYAMA •• Rina Sawayama

songs •• Adrianne Lenker

græ •• Moses Sumney

Suddenly •• Caribou

Reunions •• Jason Isbell and the 400 Unit

Alfredo •• Freddie Gibbs & The Alchemist

Punisher •• Phoebe Bridgers

It Is What It Is •• Thundercat

God Has Nothing to Do With This Leave Him Out of It •• Backxwash

Untitled (Black Is) •• SAULT

Inner Song •• Kelly Lee Owens

Heavy Light •• U.S. Girls

Heaven to a Tortured Mind •• Yves Tumor

The Great Dismal •• Nothing

Welcome to Conceptual Beach •• Young Jesus

Rough and Rowdy Ways •• Bob Dylan

Healing Is A Miracle •• Julianna Barwick

Youth Pastoral •• Ben Seretan

Microphones in 2020 •• The Microphones

Shore •• Fleet Foxes

Inlet •• Hum

KIND •• Thanya Iyer

Miss Colombia •• Lido Pimienta

acts of rebellion •• Ela Minus

Ultimate Success Today •• Protomartyr

Anime, Trauma and Divorce •• Open Mike Eagle

Bonny Light Horseman •• Bonny Light Horseman

Speed Kills •• Chubby and the Gang

Live Forever •• Bartees Strange

Shadow Talk •• Cafe Racer

Source •• Nubya Garcia

What’s Your Pleasure? •• Jessie Ware

A Hero’s Death •• Fontaines D.C.

Introduction, Presence •• Nation of Language

Women in Music Pt. III •• HAIM

The Baby •• Samia

Forever, Ya Girl •• KeiyaA

Free I.H.: This Is Not the One You’ve Been Waiting For •• Illuminati Hotties

Celebrated By Strangers •• Catholic Action

Lianne La Havas •• Lianne La Havas

Flower of Devotion •• Dehd

Just Look at That Sky •• Ganser

Somewhere •• Gum Country

The 50 Best Albums of 2020 •• Pitchfork

Pitchfork Staff

Fetch the Bolt Cutters •• Fiona Apple

Saint Cloud •• Waxahatchee

græ •• Moses Sumney

Punisher •• Phoebe Bridgers

Set My Heart on Fire Immediately •• Perfume Genius

Rough and Rowdy Ways •• Bob Dylan

Heaven to a Tortured Mind •• Yves Tumor

Women in Music Pt. III •• HAIM

What’s Your Pleasure? •• Jessie Ware

YHLQMDLG •• Bad Bunny

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

Eternal Atake •• Lil Uzi Vert

Microphones in 2020 •• The Microphones

Act II: The Patents of Nobility (The Turn) •• Jay Electronica

Heavy Light •• U.S. Girls

RTJ4 •• Run the Jewels

Róisín Machine •• Róisín Murphy

Have We Met •• Destroyer

The Angel You Don’t Know •• Amaarae

Shore •• Fleet Foxes

Future Nostalgia •• Dua Lipa

Forever, Ya Girl •• KeiyaA

Every Bad •• Porridge Radio

Miss Anthropocene •• Grimes

SOURCE •• Nubya Garcia

color theory •• Soccer Mommy

Inner Song •• Kelly Lee Owens

Ungodly Hour •• Chloe x Halle

folklore •• Taylor Swift

Live Forever •• Bartees Strange

Shall We Go On Sinning So That Grace May Increase? •• The Soft Pink Truth

Thank You for Using GTL •• Drakeo the Ruler

Workaround •• Beatrice Dillon

Melee •• Dogleg

Descendants of Cain •• Ka

The Passion Of •• Special Interest

Hannah •• Lomelda

Help •• Duval Timohy

Flower of Devotion •• Dehd

KiCk i •• Arca

SAWAYAMA •• Rina Sawayama

Room for the Moon •• Kate NV

Good News •• Megan Thee Stallion

Alfredo •• Freddie Gibbs & The Alchemist

Fountain •• Lyra Pramuk

Twice as Tall •• Burna Boy

My Turn (Deluxe) •• Lil Baby

how i’m feeilng now •• Charli XCX

WHAT WE DREW 우리가 그려왔던 •• Yaeji

Silver Ladders •• Mary Lattimore

The 60 Best Albums of 2020 •• Pop Matters

Pop Matters Staff

Punisher •• Phoebe Bridgers

Fetch the Bolt Cutters •• Fiona Apple

What’s Your Pleasure? •• Jessie Ware

Women in Music Pt. III •• HAIM

Heaven to a Tortured Mind •• Yves Tumor

RTJ4 •• Run the Jewels

Outland •• Ital Tek

UNTITLED (Black Is) •• SAULT

Saint Cloud •• Waxahatchee

A Hero’s Death •• Fontaines D.C.

Future Nostalgia •• Dua Lipa

It Is What It Is •• Thundercat

A Written Testimony •• Jay Electronica

3.15.20 •• Childish Gambino

YHLQMDLG •• Bad Bunny

Rough and Rowdy Ways •• Bob Dylan

folklore •• Taylor Swift

Set My Heart on Fire Immediately •• Perfume Genius

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

Ohms •• Deftones

Gaslighter •• The Chicks

Workaround •• Beatrice Dillon

Shore •• Fleet Foxes

Good Souls Better Angels •• Lucinda Williams

Reunions •• Jason Isbell & The 400 Unit

Inner Song •• Kelly Lee Owens

Private Lives •• Low Cut Connie

Suddenly •• Caribou

Song Machine: Season 1 - Strange Timez •• Gorillaz

Keleketla! •• Keleketla!

Seeking Thrills •• Georgia

Every Bad •• Porridge Radio

I’m Your Empress Of •• Empress Of

Before Love Come To Kill Us •• Jessie Reyez

Róisín Machine •• Róisín Murphy

The Cycle •• Mourning [A] BLKstar

Microphones in 2020 •• The Microphones

Notes on a Conditional Form •• The 1975

The Universal Want •• Doves

We’ve Landed •• Tony Allen & Hugh Masekela

Mama, You Can Bet! •• Jyoti

Eno Axis •• HC McEntire

color theory •• Soccer Mommy

Visions of Bodies Being Burned •• clipping.

Ultrasonic •• Field Works

Sixteen Oceans •• Four Tet

VOICES •• Max Richter

on the tender spot of every calloused moment •• Ambrose Akinmusire

Neon Cross •• Jaime Wyatt

Cenizas •• Nicolás Jaar

To Love Is to Live •• Jehnny Beth

Amazones Power •• Les Amazones d’Afrique

Shall We Go On Sinning So That Grace May Increase? •• The Soft Pink Truth

The Piano Equation •• Matthew Shipp

Making a Door Less Open •• Car Seat Headrest

Silver Tongue •• TORRES

BRAT •• NNAMDÏ

The Night Chancers •• Baxter Dury

Blue Eyes, The Harlot, The Queer, The Pusher & Me •• Waylon Payne

Wooden Cave •• Thin Lear

Quietus Albums Of The Year 2020 •• The Quietus

The Quietus Staff

Dances/Curses •• Hey Colossus

Shall We Go On Sinning So That Grace May Increase? •• The Soft Pink Truth

The Passion Of •• Special Interest

Fountain •• Lyra Pramuk

Energy Is Forever •• UKAEA

Help •• Duval Timothy

Be Up A Hello •• Squarepusher

Kitchen Sink •• Nadine Shah

Send Them to Coventry •• Pa Salieu

Guerilla •• Nazar

Only Darkness Now •• Alison Cotton

Alles in Allem •• Einstürzende Neubauten

SIGN •• Autechre

First Seance •• Land Trance

Duma •• Duma

These Charms May Be Sung Over a Wound •• Richard Skelton

Untitled (Rise) •• SAULT

Debris •• Keeley Forsyth

Type II •• Sex Swing

Dark Hearts •• Annie

Set My Heart on Fire Immediately •• Perfume Genius

The Common Task •• Horse Lords

Workaround •• Beatrice Dillon

7 Weapons Series •• Howie Lee

Zoom •• Upsammy

Free Humans •• Hen Ogledd

Suite for Max Brown •• Jeff Parker & The New Breed

Cumbia Siglo XXI •• Meridian Brothers

Serpent •• MXLX

Because Of A Flower •• Ana Roxanne

Forever Underground •• Phantom Posse

There Is No Year •• Algiers

Heart’s Ease •• Shirley Collins

Mestarin Kynsi •• Oranssi Pazuzu

Silver Ladders •• Mary Lattimore

DISCO •• Kylie Minogue

Edna •• Headie One

Mas Amable •• DJ Python

Have We Met •• Destroyer

Future Nostalgia •• Dua Lipa

Glory Days •• Heather Leigh

Blues •• Lamin Fofana

Gold Record •• Bill Callahan

To Kiss Earth Goodbye •• Teleplasmiste

The Night Chancers •• Baxter Dury

Barbarians •• Young Knives

Fast Edit •• Still House Plants

Jp4 •• Junglepussy

Loom •• Katie Gately

Flower Violence •• Blóm

A Late Anthology Of Early Music Vol. 1: Ancient To Renaissance •• Jennifer Walshe

Cantus, Descant •• Sarah Davachi

Big Conspiracy •• J Hus

Endless Wound •• Black Curse

if i don't let myself be happy now then when? •• More Eaze & Claire Rousay

Seven Storey Mountain VI •• Nate Wooley

L’Inattingible •• Delphine Dora

Rock Sutra •• Sun Araw

Róisín Machine •• Róisín Murphy

Heaven To A Tortured Mind •• Yves Tumor

The Ascension •• Sufjan Stevens

Visions Of Bodies Being Burned •• clipping.

Returner •• Closed Circuits

Scacco Matto •• Lorenzo Senni

Lamunan •• Antonina Nowacka

Future Teenage Cave Artists •• Deerhoof

Não Fales Nela Que A Mentes •• Nídia

SKEEN •• Mariam Rezaei

Winterreise •• Jerskin Fendrix

May Our Chambers Be Full •• Emma Ruth Rundle & Thou

how i'm feeling now •• Charli XCX

Superstar •• Harry Pussy

The End Of Their World Is Coming •• Dead Meat

Viscerals •• Pigs Pigs Pigs Pigs Pigs Pigs Pigs

KiCK i •• Arca

World Serpent •• Memnon Sa

Pedernal •• Susan Alcorn

Cwm Gwagle •• Datblygu

Beyond The Floor •• Geld

Trinity •• Laylow

The Big Exercise •• The Homesick

Malibu Liquor Store •• Shit And Shine

Couldn't Wait To Tell You... •• Liv.e

No Era Sólida •• Lucrecia Dalt

Abscess Time •• Pyrrhon

Thug Ambient •• Dale Cornish

Pillowland •• Jam City

Crabs In A Bucket •• Nines

Hidden In This Is The Light That You Miss •• Regis

Prole Art Threat •• East Man

Evil Spirits Who Prowl About The World Seeking The Ruin Of Souls •• Haq123

Toutes Ces Horreurs •• Satan

Figures •• Aksak Maboul

Mind Hive •• Wire

2020 •• Magik Markers

Training Day 3 •• Potter Payper

Swirling •• Sun Ra Arkestra

Nah Nah Nah Yeh Yeh Yeh •• Luminous Bodies

Aux Pieds De La Nuit •• Nyx Nótt

6 •• Pharaoh Overlord

The 50 Best Albums of 2020 •• Rolling Stone

Jonathan Bernstein, Emily Blake, Jon Blistein, Jon Dolan, Patrick Doyle, Brenna Ehrlich, Jon Freeman, Kory Grow, Christian Hoard, Joseph Hudak, Elias Leight, Angie Martoccio, Claire Shaffer, Rob Sheffield, Hank Shteamer, Simon Vozick-Levinson

folklore •• Taylor Swift

Fetch the Bolt Cutters •• Fiona Apple

YHLQMDLG •• Bad Bunny

Rough and Rowdy Ways •• Bob Dylan

Future Nostalgia •• Dua Lipa

RTJ4 •• Run the Jewels

Saint Cloud •• Waxahatchee

Eternal Atake •• Lil Uzi Vert

What’s Your Pleasure? •• Jessie Ware

Punisher •• Phoebe Bridgers

Chromatica •• Lady Gaga

Letter to You •• Bruce Springsteen

City on Lock •• City Girls

Women in Music Pt. III •• HAIM

Ho, why is you here? •• Flo Milli

Map of the Soul: 7 •• BTS

Shore •• Fleet Foxes

græ •• Moses Sumney

Ungodly Hour •• Chloe x Halle

Never Will •• Ashley McBryde

Honeymoon •• Beach Bunny

Positions •• Ariana Grande

Plastic Hearts •• Miley Cyrus

Rare •• Selena Gomez

Manic •• Halsey

To Love Is to Live •• Jehnny Beth

Good News •• Megan Thee Stallion

Reunions •• Jason Isbell & The 400 Unit

Shamir •• Shamir

Sixteen Oceans •• Four Tet

Petals for Armor •• Hayley Williams

After Hours •• The Weeknd

A Hero’s Death •• Fontaines D.C.

Private Lives •• Low Cut Connie

Got to Be Tough •• Toots and the Maytals

Traditional Techniques •• Stephen Malkmus

color theory •• Soccer Mommy

Inner Song •• Kelly Lee Owens

Fake It Flowers •• beabadoobee

McCartney III •• Paul McCartney

Haunted Painting •• Sad13

Alphabetland •• X

Aftermath •• Elizabeth Cook

Starting Over •• Chris Stapleton

Power Up •• AC/DC

The Price of Tea in China •• Boldy James & The Alchemist

Good Souls Better Angels •• Lucinda Williams

Growth •• Kareem Ali

Love Is The King •• Jeff Tweedy

Live Forever •• Bartees Strange

Albums of the Year 2020 •• Rough Trade

Rough Trade Staff

Untitled (Black Is) •• SAULT

Punisher •• Phoebe Bridgers

SAWAYAMA •• Rina Sawayama

Song For Our Daughter •• Laura Marling

Beyond the Pale •• Jarv Is

So When You Gonna •• Dream Wife

Viscerals •• Pigs Pigs Pigs Pigs Pigs Pigs Pigs

Bedroom •• bdrmm

Every Bad •• Porridge Radio

Sideways to New Italy •• Rolling Blackouts Coastal Fever

England Is A Garden •• Cornershop

Galore •• Oklou

Protean Threat •• Osees

Ultra Mono •• Idles

Suddenly •• Caribou

What Kinda Music •• Tom Misch + Yussef Dayes

By The Fire •• Thurston Moore

Saint Cloud •• Waxahatchee

Wu Hen •• Kamaal Williams

Wake Up! •• Hazel English

Heaven to a Tortured Mind •• Yves Tumor

Jump Rope Gazers •• Beths

A Hero’s Death •• Fontaines D.C.

Seeking Thrills •• Georgia

RTJ4 •• Run the Jewels

There Is No Other •• Isobel Campbell

Head Above Water •• Brigid Mae Power

Inner Song •• Kelly Lee Owens

Old Flowers •• Courtney Marie Andrews

Sixteen Oceans •• Four Tet

Loco •• A Certain Ratio

Ummon •• Slift

Coriky •• Coriky

Keleketla! •• Keleketla!

That’s How Rumours Get Started •• Margo Price

Introduction, Presence •• Nation Of Language

some kind of peace •• Olafur Arnalds

Walking Like We Do •• Big Moon

Bug On Yonkers •• Damaged Bug

WHAT WE DREW 우리가 그려왔던 •• Yaeji

Home •• Romare

Infinity of Now •• Heliocentrics

3D Routine •• Mush

All or Nothing •• Shopping

Fading •• Pole

Flower of Devotion •• Dehd

Heritage of the Invisible II •• Aqulies Navarro + Tcheser Holmes

Blue Hearts •• Bob Mould

All the Time •• Jessy Lanza

WILL THIS MAKE ME GOOD •• Nick Hakim

Alfredo •• Freddie Gibbs & The Alchemist

Myopia •• Agnes Obel

Anywhere But Here •• Habibi

Man Alive! •• King Krule

Invisible People •• Chicano Batman

It Is What It Is •• Thundercat

I Grow Tired But Dare Not Fall Asleep •• Ghostpoet

Cenizás •• Nicolas Jaar

Straight Songs of Sorrow •• Mark Lanegan

Friday Forever •• Everything Is Recorded

Pleasure Line •• Video Age

Happy Birthday •• Sneaks

Shortly After Takeoff •• BC Camplight

Fetch the Bolt Cutters •• Fiona Apple

Voices •• Max Richter

Even in Exile •• James Dean Bradfield

The True Story Of •• Bananagun

Making a New World •• Field Music

Only for Dolphins •• Action Bronson

Midnight Manor •• The Nude Party

The Juice That’s Worth the Squeeze •• Cherry Pickles

The Long Goodbye •• Riz Ahmed

Colourfield •• Dan Michaelson

Stray •• Bambara

Collector •• Disq

Gentle Grip •• Public Practice

Miss Anthropocene •• Grimes

Reunions •• Jason Isbell and the 400 Unit

Tender Epoch •• Rudy De Anda

Bonny Light Horseman •• Bonny Light Horseman

Moveys •• Slow Pulp

Alphabetland •• X

The Land that Time Forgot •• Chuck Prophet

Up in the Air •• Bent

Mind Hive •• Wire

UNLOCKED •• Denzel Curry x Kenny Beats

Rough and Rowdy Ways •• Bob Dylan

High Risk Behaviour •• Chats

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

Have We Met •• Destroyer

The Ascension •• Sufjan Stevens

Visions of Bodies Being Burned •• clipping.

Articulation •• Rival Consoles

Mordechai •• Khruangbin

Marigold •• Pinegrove

It’s Only Us •• Monophonics

Debris •• Keeley Forsyth

Superstar •• Caroline Rose

Truth or Consequences •• Yumi Zouma

Mother Stone •• Caleb Landry Jones

The Best Albums of 2020 •• Slate

Carl Wilson

ALBUMS

Punisher •• Phoebe Bridgers

Likewise •• Frances Quinlan

Saint Cloud •• Waxahatchee

color theory •• Soccer Mommy

Diet Cig, Bully, The Beths, beabadoobee, Beach Bunny, Mitski, Torres, Down Time, and Emily Brown

Beginners •• Christian Lee Huston

Down in the Weeds, Where the World Once Was •• Bright Eyes

Artlessly Falling •• Mary Halvorson’s Code Girl

Pedernal •• Susan Alcorn

Zurich Concert •• Jaimie Branch & The Dave Gisler Trio

Beverly Glenn-Copeland

Here It Comes Again [EP] •• Cate Le Bon & Group Listening

L’inattingible •• Delphine Dora

Solar Wind •• Joëlle Leandre, Robert Dick, and Miya Masaoka

Memory Game •• Meredith Monk & The Bang On a Can All-Stars

Fra Det Onde •• Fra Det Onde & Emil Nikolaisen

What’s Your Pleasure? •• Jessie Ware

Future Nostalgia •• Dua Lipa

DISCO •• Kylie Minogue

Chromatica •• Lady Gaga

Positions •• Ariana Grande

The Album •• Teyana Taylor

It Was Good Until It Wasn’t •• Kehlani

After Hours •• The Weeknd

Modus Vivendi •• 070 Shake

Songs for Pierre Chuvin •• The Mountain Goats

Getting Into Knives •• The Mountain Goats

Day of the Tiles [EP] •• Human Hearts

Island •• Owen Pallett

Microphones in 2020 •• The Microphones

Gold Record •• Bill Callahan

Home Time •• Darren Hayman

Alphabetland •• X

Untitled (Rise) •• SAULT || Untitled (Black Is) •• SAULT

We Are Sent Here by History •• Shabaka and the Ancestors

Dark Matter •• Moses Boyd

Source •• Nubya Garcia

Universal Beings E & F Sides •• Makaya McCraven

Swirling •• Sun Ra Arkestra

To Know Without Knowing •• Mulatu Astatke & Black Jesus Experience

Dutch from the 5th •• Dutchavelli

Send Them to Coventry •• Pa Salieu

Stormzy & Skepta

Crabs in a Bucket •• Nines

J Hus, Headie One, Tion Wayne, D Double E, Blanco, Young T & Bugsey, Kojey Radical, AJ Tracey, and Ghetts

on the tender spot of every calloused moment •• Ambrose Akinmusire

Suite for Max Brown •• Jeff Parker

America the Beautiful •• Kahil El’Zabar

Omega •• Immanuel Wilkins

Good Days •• Chicago Underground Quartet

8: Kindred Spirits •• Charles Lloyd

Your Life Is a Record •• Brandy Clark

Blue Eyes, The Harlot, The Queer, The Pusher & Me •• Waylon Payne

Gaslighter •• The Chicks

Southside •• Sam Hunt

Never Will •• Ashley McBryde

Starting Over •• Chris Stapleton

Reunions •• Jason Isbell & The 400 Unit

The Way It Feels •• Maddie & Tae

But I’d Rather Be With You •• Molly Tuttle

Bridges [EP] •• Mickey Guyton

Fetch the Bolt Cutters •• Fiona Apple

My Turn (Deluxe) •• Lil Baby

RTJ4 •• Run the Jewels

Mt. Marci •• Roc Marciano

Alfredo •• Freddie Gibbs & The Alchemist

High Off Life •• Future

A Written Testimony •• Jay Electronica

Good News •• Megan Thee Stallion

Ho, why is you here? •• Flo Milli

Meet the Woo 2 •• Pop Smoke || Shoot for the Stars, Aim for the Moon •• Pop Smoke

Savage Mode II •• 21 Savage & Metro Boomin

Descendants of Cain •• KA

Eternal Atake •• Lil Uzi Vert

folklore •• Taylor Swift

Heart’s Ease •• Shirley Collins

Fretted & Indebted •• Alasdair Roberts || The Songs of My Boyhood •• Alasdair Roberts

Mama, You Can Bet! •• Jyoti

Rejoice •• Tony Allen & Hugh Masekela

Forever, Ya Girl •• KeiyaA

I Think I’m Good •• Kassa Overall

Love-Lore •• Deerhoof

Future Teenage Cave Artists •• Deerhoof || To Be Surrounded by Beautiful, Curious, Breathing, Laughing Flesh Is Enough •• Deerhoof & Wadada Leo Smith || Surprise Symphonies •• Deerhoof

The 50 Best Albums of 2020 •• Stereogum

Stereogum Staff

Fetch the Bolt Cutters •• Fiona Apple

Saint Cloud •• Waxahatchee

RTJ4 •• Run the Jewels

Women in Music Pt. III •• HAIM

folklore •• Taylor Swift

Manger on McNichols •• Boldy James & Sterling Toles

Magic Oneohtrix Point Never •• Oneohtrix Point Never

Lament •• Touché Amoré

Untitled (Rise) •• SAULT

color theory •• Soccer Mommy

Inlet •• Hum

Hannah •• Lomelda

Heaven to a Tortured Mind •• Yves Tumor

Shore •• Fleet Foxes

Set My Heart on Fire Immediately •• Perfume Genius

Live Forever •• Bartees Strange

Notes on a Conditional Form •• The 1975

Alfredo •• Freddie Gibbs & The Alchemist

how i’m feeling now •• Charli XCX

925 •• Sorry

Inner Song •• Kelly Lee Owens

Rough and Rowdy Ways •• Bob Dylan

World House •• Mil-Spec

No Dream •• Jeff Rosenstock

Song for Our Daughter •• Laura Marling

What’s Your Pleasure? •• Jessie Ware

It Is What It Is •• Thundercat

Punisher •• Phoebe Bridgers

Viewing •• Stay Inside

Impenetrable Cerebral Fortress •• Gulch

Microphones in 2020 •• The Microphones

KiCk i •• Arca

2017-2019 •• Against All Logic

The Neon Skyline •• Andy Shauf

The Price of Tea in China •• Boldy James & The Alchemist

Suddenly •• Caribou

Reunions •• Jason Isbell & The 400 Unit

SIGN •• Autechre

Every Bad •• Porridge Radio

græ •• Moses Sumney

Southside •• Sam Hunt

Descendants of Cain •• Ka

Introduction, Presence •• Nation of Language

A Hero’s Death •• Fontaines D.C.

FREE I.H.: This Is Not the One You’ve Been Waiting For •• Illuminati Hotties

Take a Chance on Rock ‘n’ Roll •• Couch Slut

May Our Chambers Be Full •• Emma Ruth Rundle & Thou

It Was Good Until It Wasn’t •• Kehlani

As We Suffer from Memory and Imagination •• Nuvolascura

Future Nostalgia •• Dua Lipa

Best Albums of 2020 •• TIME

Raisa Bruner & Andrew R. Chow

folklore •• Taylor Swift

Ungodly Hour •• Chloe x Halle

Fetch the Bolt Cutters •• Fiona Apple

Gaslighter •• The Chicks

Eternal Atake •• Lil Uzi Vert

Set My Heart on Fire Immediately •• Perfume Genius

Agüita •• Gabriel Garzón-Montano

We’re New Again - A Reimagining •• Makaya McCraven

Miss Anthropecene •• Grimes

Celia •• Tiwa Savage

The Best Albums of 2020 •• Uproxx

Uproxx Staff

folklore •• Taylor Swift

Fetch the Bolt Cutters •• Fiona Apple

Spilligion •• Spillage Village

Eternal Atake •• Lil Uzi Vert

Future Nostalgia •• Dua Lipa

Circles •• Mac Miller

Saint Cloud •• Waxahatchee

Women in Music Pt. III •• HAIM

Ungodly Hour •• Chloe x Halle

After Hours •• The Weeknd

Please Excuse Me For Being Antisocial •• Roddy Ricch

Shore •• Fleet Foxes

RTJ4 •• Run the Jewels

My Turn •• Lil Baby

Punisher •• Phoebe Bridgers

Ho, why is you here? •• Flo Milli

Heaven to a Tortured Mind •• Yves Tumor

Cuttin’ Grass - Vol. 1 (Butcher Shoppe Sessions) •• Sturgill Simpson

Fine Line •• Harry Styles

Positions •• Ariana Grande

Black Habits •• D Smoke

What We Drew 우리가 그려왔던 •• Yaeji

how i’m feeling now •• Charli XCX

color theory •• Soccer Mommy

Live Forever •• Bartees Strange

Set My Heart On Fire Immediately •• Perfume Genius

Limbo •• Aminé

YHLQMDLG •• Bad Bunny

The GOAT •• Polo G

Rare •• Selena Gomez

Talk About It •• Blimes and Gab

Everything •• Kota the Friend

Good News •• Megan Thee Stallion

Wunna •• Gunna

SAWAYAMA •• Rina Sawayama

Mordechai •• Khruangbin

It Was Good Until It Wasn’t •• Kehlani

Imploding the Mirage •• The Killers

songs •• Adrianne Lenker || instrumentals •• Adrianne Lenker

Pray for Paris •• Westside Gunn

The Album •• BLACKPINK

Better •• Deanté Hitchcock

Queen of Da Souf •• Mulatto

Twice as Tall •• Burna Boy

The Slow Rush •• Tame Impala

A Written Testimony •• Jay Electronica

Fake It Flowers •• beabadoobee

My Agenda •• Dorian Electra

Heaven or Hell •• Don Toliver

The New Abnormal •• The Strokes

Behind-the-Paywall Lists:

LA Times

The Economist

12 notes · View notes

coolmusiccentral · 4 years ago

Text

20 for ’20: #1 Protomartyr - "Ultimate Success Today" (Domino)

"Ultimate Success Today", the fifth and best so far effort by Protomartyr, unleashes a dystopian post-punk maelstrom which perfectly describes the chaos of 2020, although recorded a year earlier. Verses about “a foreign disease washed up on the beach” and “riot in the streets” makes you believe Joe Casey, at some point prior to writing the lyrics of standout track “Processed by the Boys”, had access to a magic portal into the near future. Musically the Detroit quartet has never sounded better; their tight sonic assault is getting more precise and refined, therefore more lethally effective than ever, while saxophone adds a free jazz dimension to their Pere Ubu - meets - The Fall post-apocalyptic boogie.

youtube

And with Protomartyr’s ultimately successful album, one of our 5 Albums of the Year, we are concluding the countdown of our 20 favorite albums of 2020. This Top 20 was C.M.C.’s contribution to Blogovision 2020, the annual poll of Greek music bloggers voting for their favorite albums of the year. You can check out the combined results here.

As I have already mentioned, we’ll get back on the subject of the best albums of the year with a more in-depth list at the beginning of the New Year, while a playlist with our favorite tracks of 2020 is also under development (hint: there’s no “WAP” in it!) and it will be here before the end of the year. Meanwhile, here’s what the rest of our current Top 20 for 2020 looks like:

#2 Fontaines D.C. - "A Hero's Death" #3 Idles - "Ultra Mono" #4 Run The Jewels - “RTJ4” #5 Fiona Apple - “Fetch The Bolt Cutters” #6 Rolling Blackouts C.F. - “Sideways To New Italy” #7 Porridge Radio - “Every Bad” #8 Thurston Moore - “By the Fire” #9 This Is The Kit - “Off Off On” #10 Waxahatchee - “Saint Cloud” #11 Smoke Fairies - “Darkness Brings The Wonders Home” #12 Adrianne Lenker - “songs and instrumentals” #13 X - “Alphabetland” #14 Bob Mould - “Blue Hearts” #15 Sorry - “925” #16 U.S. Girls - “Heavy Light” #17 The Orielles - “Disco Volador” #18 Nadine Shah - “Kitchen Sink” #19 Mark Lanegan - “Straight Songs Of Sorrow” #20 The Dream Syndicate - “The Universe Inside”

#Blogovision2020 #best of 2020 #best albums #top albums 2020 #protomartyr

1 note · View note

tokiro07 · 6 years ago

Text

There’s two DLC slots left (assuming there’s only going to be one season pass), and there’s a lot of ways it can shake out, so I’m gonna cast as wide a net as I can so I have a decent chance of being right

The one thing that we can say for absolute certain is that the two characters will either be from a Nintendo property (1st or 2nd party) or from a 3rd party property that has been on a Nintendo system before

Since this post ended up getting kind of messy, I’m going to be highlighting the ones that I think are the most likely from each developer or category

If it’s from a Nintendo property, then it’d either be:

Someone from a relatively long-standing Nintendo franchise that doesn’t have a fighter or Assist Trophy yet; the best I can think of would be the Wars franchise (probably Andy), the Excite franchise (probably Excitebiker), Chibi-Robo, Custom Robo (one of the models of Ray), or Rhythm Heaven (if Spirits are out, then probably Tibby or Marshall, but if Spirits are in, Karate Joe or the Chorus Kids)

A character from a recent game or series such as BoxBoy (Qbby) or Ever Oasis (Tethu) which have been gaining some attention lately, or upcoming Nintendo game, like Astral Chain (Akira Howard), Daemon x Machina (either the pilot or the mech), or some other game that we don’t know about yet

A character from an older Nintendo game that may have only had one or two games, like Balloon Fight, Mach Rider, StarTropics (Mike Jones), or any others that don’t have a fighter or Assist Trophy

For 3rd parties, it could be from a developer already represented in Smash:

Of the 3rd parties already in, Bandai-Namco is the only one that only has one series as opposed to two (not counting Bayonetta, technically 2nd party, or Banjo, a former 2nd party), which is especially odd given their involvement in the creation of the game itself; their new series could be Dark Souls (most likely the Chosen Undead), Klonoa, Katamari (the Prince of All Cosmos), Dig Dug (Taizo Hori), Tower of Druaga (Gil), Tekken (Heihachi), Soulcalibur (Nightmare), or the Tales franchise (probably Lloyd). Alternatively, Bandai specifically could get in on the action with either Tamagotchi (Mametchi) or its more action-oriented counterpart Digimon (probably Agumon), which both started out as Game-and-Watch style digital toys and evolved into video game franchises in their own right, though Digimon had a much greater focus on that

Sega, who technically only has one (Sonic), since Persona was an acquired property rather than an original property, could get Alex Kidd, NiGHTs, Super Monkey Ball (AiAi), or Virtua Fighter (Akira Yuki, who already has a Mii costume), though their most likely addition would probably be Puyo Puyo (most likely Arle), as despite being another acquired property (from Compile), it is most heavily associated with Sega and is currently one of their most popular franchises. They could also get other Sonic characters, like Tails or Eggman, but I’m mostly leaning towards new franchises. Also, though I don’t believe it has any real shot, Sega does make the Vocaloid rhythm games, Project Diva, so there’s a non-zero chance that we could get Miku.

Capcom, who already have Megaman and Street Fighter, could potentially get Monster Hunter (as the Rathalos is already a boss), Ace Attorney (Phoenix Wright), Devil May Cry (Dante), or possibly even Resident Evil (Chris Redfield, Jill Valentine, or most likely Leon Kennedy, since he has the closest ties with Nintendo)

Konami, who already have Metal Gear and Castlevania, could potentially get Frogger (an icon of arcade gaming), Silent Hill (unlikely, but Pyramid Head is a horror icon, so it wouldn’t be too far-fetched), Mystical Ninja (Goemon), or Contra (Bill Rizer/Lance Bean). If Bomberman weren’t already an Assist Trophy, I’d say he was a strong contender as a Hudson rep, though Bonk is still in the running there

If you consider Banjo-Kazooie a Microsoft property, then it’s possible that Microsoft allowed Nintendo to use it on the condition that they get another character in as well, though this seems unlikely. If that’s the case, though, they’d most likely go with Minecraft (Steve/Alex), since as far as I know that’s the only property of their’s that’s ever been on a Nintendo platform outside of other Rare properties, though maybe that hypothetical deal would open the gates for series that have never been on a Nintendo console, like Halo (Master Chief)

Square Enix most likely won’t get another one, but they do own Taito, formerly a major studio in their own right, and thus could reasonably get Bubble Bobble (Bub/Bob) or even Space Invaders, though I’m not sure how viable that would be. For Square Enix themselves, the Mana series (likely Randi) or even Kingdom Hearts (Sora) would be good choices, but I don’t see it happening

If Nintendo wants to keep bringing in other companies, though, there are still four more of the top 10 biggest gaming companies in Japan that aren’t in yet:

Tecmo-Koei has pretty close ties with Nintendo, co-owning the Fatal Frame franchise, which already has an Assist Trophy; chances are good they’d go with Ninja Gaiden (Ryu Hayabusa), since that’s one of the iconic classic Nintendo games, though they could also potentially go with Dead or Alive (Kasumi) or Dynasty Warriors (though for the life of me I don’t know who they could go with. Lu Bu?)

Level-5, who frequently gets help from Nintendo with international publishing, would most likely go with Professor Layton or Yokai Watch (likely Jibanyan), though Inazuma Eleven (Mamoru Endou) or Ni no Kuni (Oliver, Evan, or Roland) would also work in a pinch. Interestingly, Level-5 also owns Comcept, so Mighty no. 9 (Beck) is a possibility, but an exceedingly slim one

Sony, Nintendo’s most major rival, doesn’t have much to offer since most of their first party games aren’t on Nintendo systems, and their most significant viable IP, Crash Bandicoot, is currently owned by Activision, so even if Crash got in, it’s hard to say that it would be as a Sony rep. Still, Crash is a gaming icon and former mascot of Sony, which would heavily symbolize the rivalry between Sony and Nintendo even if ownership has changed hands. If being on a Nintendo system isn’t an issue, Little Big Planet (Sackboy), Sly Cooper, or God of War (Kratos) would all be excellent choices. Interestingly, everything I’ve said so far has been developed by Sony’s American or European subsidiaries. For Japanese studios, their most likely reps would probably be Ape Escape (Spike) or Gravity Rush (Kat). Sony also currently owns Q*Bert (formerly owned by Gottlieb), who would be a perfect representative of arcade gaming, though I don’t imagine Sony would pick Q*Bert over any of their original IPs if given the choice.

Marvelous, who happens to be making Daemon x Machina with Nintendo, frequently releases their games on Nintendo platforms; by far their biggest series is Story of Seasons (likely Pete with Sara as an alternate costume, though other player characters such as Mark, Pony, Toy, Claire, Henry and Holly would also work), or its spinoff, Rune Factory (likely Raguna), but Muramasa (Momohime/Kisuke) would be a fairly strong contender if only because of popularity. They also own Senran Kagura (Asuka), which got its start on Nintendo consoles and still remains there to this day. Its risque nature makes me hesitant to call it viable or likely, though that certainly didn’t stop Bayonetta, but either way Story of Seasons feels a lot more likely. There’s also Little King’s Story (Corobo), but that’s a fairly niche title, I think

More in line with Microsoft, there are also a number of particularly big Western companies with a lot of support for getting into Smash

The biggest is probably Ubisoft, who is definitely the Western company on the best terms with Nintendo; they would most likely use Rayman, especially since he’s had a trophy and a Spirit, though a Rabbid is also possible. Assassin’s Creed (probably Ezio or Altair), Prince of Persia, or even Starlink (Mason Rana) may all work, but Rayman is definitely the best bet

A representative from Bethesda, another major Western company which seems to be on at least friendly terms with Nintendo; since Bethesda owns Id, I’m inclined to say Doom (Doomslayer), though I would think that Bethesda would want to use one of their original properties, so potentially Elder Scrolls (Dovahkin). Fallout (likely Vaultboy) may work too, but that’s also an acquired property

Though mostly inactive now, Atari was once one of the pillars of the video game industry. Unfortunately, they don’t really have many iconic characters that are particularly viable, but as I’ve said in the past, the Centipede would make a really interesting fighter

Activision Blizzard doesn’t have much that’s been playable on Nintendo, though there are games from both Activision and Blizzard individually: Activision could potentially contribute Call of Duty (Private Martin?), but they did acquire Spyro and Crash from Sony, so that would probably be a better fit for Smash, though it’s hard to say if they’d use someone else’s mascot; on Blizzard’s side, Overwatch (Tracer) was recently announced to be coming to Switch, and Diablo has gotten a lot of attention from Nintendo, what with the Diablo variant Switch and the Loot Goblin amiibo, though I’m not sure who would be a viable representative

Warner Bros. Interactive doesn’t really have a ton to offer since it mostly does licensed games, but it does publish NetherRealm Studios’ Mortal Kombat (Scorpion or Sub-Zero), one of the most iconic fighting games of all time, and 5th Cell’s Scribblenauts (Maxwell). The latter certainly isn’t as iconic as Mortal Kombat in terms of video game history, but it’s at least a lot easier to associate with WB

The Tetris Company doesn’t explicitly have any characters of their own as far as I know, though Tetrominos are a surprisingly popular choice. I however propose that they could use Tee from Puyo Puyo Tetris, as he is the closest thing to a Tetris character that there is. Unfortunately he’s probably considered a Sega character since he was designed by Sonic Team, but who knows, maybe the Tetris Company co-owns him

EA has...uh...the Sims, which used to belong to Nintendo? Dr. Wright from SimCity is already an Assist Trophy, but Nintendo never lost the rights to the character, so that doesn’t really count. They don’t really have much else that’s useful. Plants vs Zombies? Need for Speed? Dragon Age...? Regardless, EA has said that they are distancing themselves from the Switch (though they immediately backtracked on that statement), which seems evident since they don’t appear to be putting the new PvZ on Switch, so it feels unlikely that they’d get any representation in Smash at all

CD Projekt Red is getting Witcher III on Switch, and people really love Geralt, so maybe? Doesn’t seem super likely, but not impossible

Take-Two Interactive has GTA and LA Noire, but I’m not sure if those are viable

Epic Games has Fortnite which...I guess could just have eight different outfits? I don’t know anything about Fortnite

Some smaller Japanese studios (smaller than the top 10, not necessarily indie) may also be decent choices, since they have games with enough history to warrant being in Smash:

SNK has King of Fighters/Fatal Fury (Terry Bogard or Mai Shiranui) and Metal Slug (Marco/Tarma). SNK has officially gotten Fatal Fury’s Terry in Smash, seemingly to represent the Neo Geo system, which honestly I should have considered would make SNK a stronger contender

Cooking Mama Limited has...Cooking Mama

Nippon Ichi Software has Disgaea (Laharl)

ArcSystem Works has BlazBlue (Ragna), Guilty Gear (Sol Badguy), and iconic beat-em-up series Double Dragon (Billy/Jimmy Lee) since acquiring Technos Japan from Data East

Grasshopper Manufacture has No More Heroes (Travis Touchdown), which has had pretty much its entire history on Nintendo systems

Natsume is probably the least likely of this entire post, but they have what is currently called Harvest Moon (Farmer?) and their more well known original title, Medabots (Metabee or Rokusho) which is surprisingly still going

And of course, there’s the indies, both Japanese and Western:

Nicalis currently has the rights to indie forerunner Cave Story (Quote), and are the current publishers of classic SNES series Umihara Kawase, but the real star for them is definitely Cave Story

WayForward’s Shantae is already a Spirit in Smash, so of indies, I think she has the best bet, but only if Spirits don’t preclude fighter status

Not technically indie, but Inti Creates broke off from Capcom several years ago and released Azure Striker Gunvolt (Gunvolt) before teaming up with various indie developers to help them with their projects, so I’m gonna go ahead and count them. They also have Gal*Gun (Ekoro), Dragon: Marked for Death (likely Empress) and now have the rights to Blaster Master (Jason) from Sunsoft. If they only have the license and the rights still belong to Sunsoft though, then chalk Sunsoft and Blaster Master up in the smaller studios category above

Toby Fox’s Undertale (Frisk) has a lot of demand, so it only seems fair to put it on this list

For the sake of acknowledgment, Yacht Club’s Shovel Knight is the only indie to have an Assist Trophy, so while I doubt Shovel Knight is going to be in the DLC, he could come up in a future Smash

Devolver Digital is getting pretty big lately and has a ton to offer, and with their flagship series Hotline Miami (Jacket) confirmed to be coming to Switch, their chances have certainly improved. The Messenger and Enter the Gungeon would both work too, but Hotline Miami is definitely the go-to for Devolver

Gears for Breakfast’s A Hat in Time (Hat Kid) is the latest indie darling making the rounds, and with its imminent release on Switch, its chances have only gone up

Similarly, Team Cherry’s Hollow Knight is gaining a lot of traction, to the point that its sequel had its own segment at E3 this year

Brace Yourself Games’ Crypt of the Necrodancer (Cadence) has a crossover with Legend of Zelda, an honor that I don’t believe I’ve ever seen an indie game get from Nintendo before

Choice Provisions’ Bit.Trip (CommanderVideo) had a trophy in Smash 4, making it the first indie to be acknowledged in Smash, although CommanderVideo did not receive a Spirit in Ultimate. They’re also the current publishers of Bubsy, which...I would hope doesn’t get in

Edmund McMillen has at least two successful indies, Super Meat Boy and Binding of Isaac, and while I don’t think either of them will make it, I felt that they were at least worth mentioning

StudioMDHR’s Cuphead is on Switch and ostensibly getting a physical release soon, and from what I’ve seen is one of the most hotly requested indies for Smash

Similarly to Cave Story, Kikiyama’s Yume Nikki (Madotsuki) was wildly influential for the indie scene and would be very interesting, though highly unlikely, for Smash

Speaking of influential indies, Team Shanghai Alice’s Touhou Project (Reimu Hakurei) is one that I see a fair bit of clamor for, especially now that it’s getting console games

Supergiant Games’ Bastion (the Kid) is yet another influential indie game, and also interestingly enough was published by Warner Bros. Interactive, so if Mortal Kombat doesn’t work out, this is another good option

And of course, how could I forget Matt Makes Games’ Celeste (Madeline), a game with tremendous pull by fans to get into Smash

If I think of any I missed that I think have a decent chance, I’ll add them in later

#super smash bros #super smash bros ultimate #smash ultimate #fighter pass

9 notes · View notes