#fanny sidney

[haveyouseenthisseries-poll]

[chanelbagsandcigarettedrags]

Call My Agent

[fuckablerobotbracket]

Round 2 matchups!

High(er) res: [Side A] [Side B] [Side C]

Gonna get started on queueing these bad boys tonight. My goal is for Side A to drop on Friday. This is still a TON of polls so I'm going to stick to one side per day. Each poll will be 24 hours, same as last time. As a reminder, there will eventually be a losers' bracket, so no worries if your character was eliminated in the first round.

Text under cut.

Side A

Genos/The Sorcerer

2B/BT-7274

R.O.B./Revenant

SR-71/Genji

Victor/Xcelerator

Nemesis/Disaster Transport

Balin/Voyager

Toyota 8FGCU20/Canadarm

Lacey/Six

Shodan/K2SO

Mettaton/GLaDOS

Zenyatta/Evac

General Grievous/Roxanne Wolf

Soundwave/Shockwave

Springtrap/Starscream

C3PO/Sun/Moon

Side B

Bubs/T.O.M. 3

Swordsmachine/P03

Von Roll 101/Momo

Inspector Gadget/HAL 9000

Perseverance/Marvin

Edgar/Viktor

Xbot 4000/Roberta

ART/Perihelion/Fey

Legion/AM

Fisto/Nick Valentine

James Webb Space Telescope/Ash

Tasque Manager/Stabby the Roomba

Queen/The Smiler

Bender/Calculester

TARS/Aunt Fanny

Belisarius Cawl/Karen

Side C

Robot/Light Hope

T800/Machinedramon

Fl4K/Lady Parsec

Ramattra/CCaldarius

The Starship Aurora/Synergy

Bastion/Emperor Nefarious

Data/V1

Sundry Sidney/Batou

Phineas T. Ratchet/Seven Red Suns

Curie/Bigweld

EVE (Wall-E)/Queen Vexus

AUTO/Atlas

Frank/L0U13

Robotman/Robo Ky

Aigis/Hera

K_K/Samuel Hayden

[tuesdayisfordancing]

Preliminary thoughts on the second half of 3.4:

“Bob’s your uncle, Fanny’s your aunt” wtf Jack. Is this a thing people say. ETA: apparently people really do add “Fanny’s your aunt” on the end of “Bob’s your uncle”. THE MORE YOU KNOW

Oooh Jack looking at his mother while she talks about Deanna… All these ghosts that hovered around his childhood suddenly aren’t ghosts anymore!

No Raffi and… do I give a Bechdel point between Seven and the changeling? I’m gonna say no bc changeling gender unknown and also bc come the fuck on.

Sidney LaForge shoulda gotten to do more: my first thought is she should’ve been the one to think of throwing the asteroid at the ship, given that she excitedly talked about it when Vadic did it to them, but alternatively they could have also done a thing where ~oh~ people think she’s not a great pilot but when she follows her instincts in a situation with less fancy tools she’s magic! (aka give her Jack’s “wait 4 more seconds trust me” moment)

I care very much about Jack’s sad little face and his sad little cap at the bar and the feelings I am going to assume he has about Starfleet being a fucking. Simultaneous shadow over his whole life that’s the reason he doesn’t have a brother or a dad or stepdad and his mom doesn’t have friends and a bright shining thing that his mom and dad both talk about like it was something incredibly magical and that he doesn’t get to be a part of. BUT I do think all the reasons I brainstormed for Jack not wanting to meet Picard were less cliched and I’m going to continue to headcanon a whole bunch of factors. (Also it’s very hard for me to let go of Jack just being a bitch to Picard for no particular reason I preferred that. I also preferred the shining moment when “I never had [a father]!” was not the cliche bitterness at Picard not being there but instead a defiant statement that his sperm donor is irrelevant and no one is going to tell him that he has or needs a father.)

Oh and Jack saying “I know my mother didn’t hate you but” about his name, interesting. Did he assume she did at one point? More emphasis on Beverly not talking about history. But also, more Beverly being characterized in what people say about her while she’s offscreen.

Entirely insufficient Beverly. Why am I not watching a show called Crusher, about Beverly and her complicated family and her inner life? Like it’s not even that she’s generally been a character I prefer over Picard, neither of them were one of my special little guys on TNG but they were both fun, but right now they’ve set her up with way more interesting stuff going on than him and it feels like she’s not getting the time of day about it!

[mccleans]

sidney crosby is built like aunt fanny from robots

[arts-dance]

Janet Sobel (May 31, 1893 – 1968) was a Ukrainian-American Abstract Expressionist painter whose career started mid-life, at age forty-five in 1938. Sobel was the first artist to use the drip painting technique that directly influenced Jackson Pollock.[1] She was credited as exhibiting the first instance of all-over painting seen by Clement Greenberg, a notable art critic.

Early life

Janet Sobel was born as Jennie Olechovsky in 1893 in Ukraine. Her father, Baruch Olechovsky,[2] was killed in a Russian pogrom. Sobel along with her mother, Fannie Kinchuk, a midwife,[3] and siblings moved to Ellis Island in New York City in 1908.[2]At sixteen years of age, she married Max Sobel, with whom she had five children.[3]

She was the mother of five children when she began painting in 1937. She produced both non-objective abstractions and figurative artwork.[4] Upon recognizing Sobel's talent, her son helped her artistic development and shared her work with émigré surrealists, Max Ernst, André Breton, as well as John Dewey and Sidney Janis.[5]

[detournementsmineurs]

"Les Belles Cicatrices" court-métrage de Raphaël Jouzeau avec les voix de Fanny Sidney et Quentin Dolmaire, novembre 2024.

[cleoenfaserum]

TWO OSCAR SHORT FILMS of 1932 FLOWERS AND TREES, MUSIC BOX. AND A WILD CARD: Rhapsody in Black and Blue to jazz it up.

The Oscar short film categories have been an integral part of the Academy Awards since 1932, which was the 5th edition. Initially, the category was divided into Live Action Short Film and Animated Short Film, and later expanded to include Documentary Short Subject. These short films, often overlooked by mainstream audiences, have made significant contributions to the world of cinema.

The very first film to win the Animated Short Film award was “Flowers and Trees” by Walt Disney.

Flowers and Trees is a Silly Symphonies cartoon produced by Walt Disney, directed by Burt Gillett, and released to theatres by United Artists on July 30, 1932. It was the first commercially released film to be produced in the full-color three-strip Technicolor process after several years of two-color Technicolor films. The film was a commercial and critical success, winning the first Academy Award for Best Cartoon Short Subject.

1068-1 LINK: https://youtu.be/_NKcsg8vE_U

READ UP ON: Silly Symphony - Wikipedia

FLOWERS AND TREES was Walt Disney's 29th Silly Symphony production.

The Music Box is a Laurel and Hardyshort film comedy released in 1932. It was directed by James Parrott, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer. The film, which depicts the pair attempting to move a piano up a long flight of steps, won the first Academy Award for Best Live Action Short (Comedy) in 1932. In 1997, it was selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film is widely seen as the most iconic Laurel and Hardy short, with the featured stairs becoming a popular tourist attraction. The Music Box - Wikipedia

1068-2 link https://youtu.be/xIWcfBWrQlk

 Major film studios dominated this category for the first 30 years, showcasing their creativity and innovation in animation. Over time, the awareness and availability of short films have increased, thanks to organizations like Shorts International. They not only screen the Oscar-nominated shorts in theaters but also bring the best of short films into people’s homes through the Shorts HD network.

Rhapsody in Black and Blue is a short ten-minute film that was created and released in 1932, starring Sidney Easton and Fanny Belle DeKnight. It is an early example of a "music video", showcasing the tunes I’ll Be Glad When You Are Dead You Rascal You and Shine, sung and played by well-known jazz artist Louis Armstrong. The film was directed by Aubrey Scotto and the screenplay written by Phil Cohan.

The story line:

A Husband who would rather listen to jazz and drum on pots and pans than mop the floor is whacked over the head with the mop by his wife when she hears him listening to I’ll Be Glad When You Are Dead You Rascal You. He falls into a dream in which he is the king of "Jazzmania," sitting on a royal throne with servants to fan him. In the dream Louis Armstrong plays and sings jazz for him while dressed in a leopard print cave man outfit. When he wakes up and sees his flustered wife still standing over him, he smiles and breaks a vase over his own head.

1068-3 link https://youtu.be/ThudMtzD3Io

The racism in this film was appalling and offensive to Black America but as stated by Krin Gabbard,“Joe Glaser [Armstrong’s trusted manager] seized any opportunity to find work for Armstrong, and if Glaser made no effort to ask if the movies were good for the Negro people, neither did Armstrong”.

In the book Jammin’ at the Margins, Krin Gabbard quotes Miles Davis saying in his autobiography,"...some of the images of black people that I would fight against all through my career. I loved Satchmo, but I couldn’t stand all that grinning he did”.

Phil Cohan tried to portray Armstrong's role in the film as degrading, but instead Louis decided to embrace his role, and he played his trumpet and sang just as he would any other night with power and authority owning every word he sang. A Rhapsody in Black and Blue - Wikipedia

These short films or documentaries from the 1930's take us back in time, a testament to the artistry and storytelling prowess of filmmakers in a compact format! AI Copilot

[lboogie1906]

The American Negro Theater was formed in Harlem on June 5, 1940, by writer Abram Hill and actor Frederick O’Neal. The group was founded by the influence of the purposes of the Negro Unit of the Federal Theatre Project in Harlem. It produced 19 plays before closing. Designed as a community theater group, performances were held in Harlem’s Schomburg Center for Research in Black Culture. ANT began its Studio Theatre training program for beginning actors. Graduates include Sidney Poitier and Harry Belafonte.

Hill and O’Neal started the ANT by assembling several of their theatre friends: Howard Augusta, James Jackson, Virgil Richardson, Claire Leyba, Jefferson D. Davis, Vivian Hall, Austin Briggs-Hall, Stanley Green, Fanny McConnell, and Kenneth Manigault. Collectively, they started the group with just 11 cents. Hill spent his time mailing out postcards to invite as many people as he could to meetings and within just a few weeks, the group grew to thirty people.

Hill approached librarians at the Harlem Branch of the New York Public Library, to start producing his plays. The librarians granted Hill and the ANT permission to use their basement stage. The basement theatre held 150 seats and Hill charged 49 cents a seat. The first show they produced, was “Hits, Bits, and Skits.” The first major play that the ANT put into rehearsal was “On Strivers’ Row” which Hill put into rehearsal after it had done so well with the Rose McClendon Players who held performances in Harlem. “On Strivers’ Row” ran for five months, Hill moved it to the Apollo Theatre as a musical with the lyrics of Don Burley, the music of J.P. Johnson, and the choreography of Leonard Harper. It ran at the Apollo Theatre for one week. #africanhistory365 #africanexcellence

[multitudecontainer420]

bebe daniels, lucille ball

billie burke jane wyman moira betty grable joan fontaine ruth chatterton diana dors paulette goddard margaret sullavan dorothy lamour mary astor jean arthur loretta young maureen o'hara gloria grahame june allyson judy holliday ann sothern doris day eva marie saint jennifer jones sandra dee mia farrow shirley jones fanny ardant tippi hedren anne baxter dorothy malone janet gaynor carmen miranda yvonne de carlo alice faye sylvia sidney helen hayes luise rainer

[starstcff-z]

#STARSTCFF,  independent,    extremely private,    plot - driven multimuse, featuring characters from star trek, doctor who, librarians, stargate and marvel, adored by odette ( she/her, 26, brazil ).

primary muses: beverly crusher, fanny price, sidney la forge, peter parker && josh lyman

⁽ ⁱ ⁾ carrd.    ⁽ ⁱⁱ ⁾ interest tracker. ⁽ ⁱⁱⁱ ⁾ inbox tag ⁽ ⁱᵛ ⁾ @nursc

[grantmentis]

Notes:

-Defense is i think the lowest amount of available talent (which. Still a lot considering how many defenders there are) so that affected a lot of my division. It’ll be easier to get top end forwards and goaltenders than defenders. Thus defender ended up drafted higher for me, with some defenders getting drafted over higher end forwards because of this 

That being said, a lot of stay at home defenders went undrafted, but I expect them to be scooped up in free agency after the draft to fill out the rosters. They are some of my favorites so this made me sads 

Opposite wise, goalies is where there’s the biggest wealth of talent available to spots available, thus I waited longer to pick them.) I didn’t even have teams who already have one signed goaltender pick another one

Age played a huge part of my drafting strategy 

Maybe its the wnba fan in me but pro experience mattered lot of them when it came down to picking some of the ncaa players vs others 

Im doing this at work with no time to spell check 

Round one:

Minnesota - Taylor Heise (F)

Toronto -Natalie Spooner (F) 

Boston - Alina Müller (F) 

New York - Claire Thompson (D)

Ottawa -  Emma Maltais (F)

Montreal - Erin Ambrose (D)  

Round two: 

Montreal - Ella Shelton (D) 

Ottawa - Sophie Jacques (D) 

New York - Loren Gabel (F) 

Boston - Kali Flanagan (D) 

Toronto - Jaime Bourbonnais (D)

Minnesota - Grace Zumwinkle (F)

Round three: 

Minnesota - Sidney Morin (D) 

Toronto - Jamie Lee Ratray (F) 

Boston - Aneta Tejralová (D) 

New York - Savannah Harmon (D) 

Ottawa - Jocelyne Larocque (D) 

Montreal - Elizabeth GIguére (F) 

Round four: 

Montreal - Dominika Lásková (D) 

Ottawa - Lina Ljungblom (F) 

New York - Emma Söderberg (G) 

Boston - Jillian Dempsey (F) 

Toronto - Ashton Bell (D) 

Minnesota - Susanna Tapani (F) 

Round five: 

Minnesota - Jincy Dunne (D) 

Toronto - Daryl Watts (F) 

Boston - Brooke Hobson (D) 

New York - Mikyla Grant-Mentis (F) 

Ottawa -  Kati Tabin (D) 

Montreal - Ann-Sophie Bettez (F) 

Round Six: 

Montreal - Brittany Howard (F)

Ottawa - Minttu Tuominen (D) 

New York - Allie Munroe (D) 

Boston - Tereza Vanišová (F) 

Toronto - Corinne Schroeder (G) 

Minnesota - Gabrielle Hughes (F)

Round Seven:

Minnesota - Natalie Buchbinder (D)

Toronto - Shiann Darkangelo (F)

Boston - Chloé Aurard (F) 

New York - Kennedy Marchment (F)

Ottawa - Jesse Compher (F) 

Montreal - Jade Downie Landry (F) 

Round Eight. 

Montreal - Gabrielle David (F) 

Ottawa - Kaleigh Fratkin (D) 

New York - Dominique Kremer (D)  

Boston -Maureen Murphy (F) 

Toronto - Kristin O'Neill (F) 

Minnesota - Jonna Albers (F) 

Round Nine: 

Minnesota - Jessie Eldridge (F) 

Toronto - Maggie Flaherty (D)

Boston - Kateřina Mrázová (F) 

New York - Taylor Girard (F) 

Ottawa - Michela Cava (F) 

Montreal - Maude Poulin-Labelle (D)

Round ten: 

Montreal - Theresa Schafzahl (F) 

Ottawa - Patti Marshall (D) 

New York - Madison Packer (F) 

Boston - Olivia Zafuto (D) 

Toronto - Rebecca Leslie (F) 

Minnesota - Allie Thunstrom (F) 

Round Eleven: 

Minnesota - Sophie Shirley (F) 

Toronto - Emma Woods (F) 

Boston - Denisa Křížová (F) 

New York - Claire Dalton (F)

Ottawa - Mélodie Daoust (F) 

Montreal - Hayley Scamurra (F) 

Round twelve: 

Montreal - Audrey-Anne Veillette (F)

Ottawa - Matilda Nilsson (F)

New York - Haley Skarupa (F) 

Boston - Claudia Kepler (F) 

Toronto - Sarah Bujold (F)

Minnesota - Amanda Leveille (G) 

Round thirteen: 

Minnesota - Amanda Boulier (D) 

Toronto - Victoria Howran (D) 

Boston - Caitrin Lonergan (F) 

New York - Becca Gilmore (F) 

Ottawa - Hannah Miller (F) 

Montreal - Leah Lum (F) 

Round Fourteen: 

Montreal - Nicole LaMantia (D) 

Ottawa - Alena Mills (F) 

New York - Fanni Garat-Gasparics (F) 

Boston -  Taylor Wenczkowski (F) 

Toronto - Akane Shiga (F) 

Minnesota - Natalie Snodgrass (F) 

Round Fifteen: 

Minnesota - Sydney Brodt (F) 

Toronto - Emma Nuutinen (F)

Boston - Samantha Davis (F) 

New York -Alexa Gruschow (F) 

Ottawa - Alyssa Wohlfeiler (F) 

Montreal - Christine Deaudelin (D) 

If anyone is interested I might do a mock draft tonight

[verypersonalscreencaps]

How to conduct a job interview, by Andréa Martel – Dix Pour Cent, series 1 ep.1

[lilyhana]

I started watching season 1 of CALL MY AGENT (Original French title Dix pour cent; "ten percent") and I am quite charmed by Fanny Sidney as Camille. Have you watched the series? Am I going to like all 4 seasons?

I also really liked Cecile de France as herself in episode 1 but it seems she’s only in that episode. Too bad.

[cenestpasaudrey]

If anyone asks, this is what I would be doing tomorrow.🤩

[detournementsmineurs]

"Les Belles Cicatrices" court-métrage de Raphaël Jouzeau avec les voix de Fanny Sidney et Quentin Dolmaire, novembre 2024.