#fan film companies

[highgroundanimations]

They fight hard and party even harder! 🥳

Happy Star Wars Day from me, Captain Tukk & Hill Company! 💙🪶

[horygory]

The Company of Wolves (1984)

[toytulini]

no but for real not to beat a dead horse that i havent seen and dont plan to but they keep trying to do live action atla and i just Do Not Get It? its already been done? quite well? the original cartoon is very good and it doesn't feel like its actually really lacking in a way that a remake would improve upon, and it doesnt seem like either remake has improved upon it, and it doesnt feel like they ever get the tone right either? and why are they only ever trying to adapt atla? why not the comics? or korra ? the adventures of fire lord zuko. i mean fuck i dont even like that they turned toph into a cop but they could do a Toph crime drama procedural. probably shouldnt i dont think that would be good but at least it would be like. a new idea. fucking, adapt the kyoshi novels maybe. i wont forgive you if you fuck them up of course, but im already not forgiving the live action ATLAs so like idk. why not try something new. something a little more original.

[slytherinshua]

people need to stop celebrating the fact that scoups is exempt from military enlistment. people have started to only focus on the fact that he’s not going and ignore the fact that he had a serious injury which is why he’s exempt. real carats who actually cared about their artist’s health would much rather have the standard 1.5-2 year hiatus for military and a completely healthy artist than an injured one not going.

[fortheturnstiles]

had an absolute whirlwind of an afternoon in class today finding out my film professor is not only a neil young fan but a monkees fan. and like a real die hard michael nesmith guy . isn’t that wild. and i never would have known if i hadn’t brought up the monkees in a conversation that was not about them because i’m a crazy person. he also brought up chrome dreams which completely sent me into the stratosphere i just love music and i love people who love music and that we can share that together as people . isn’t it wonderful. that’s why we’re all here isn’t it

[lulu2992]

Last month, I also watched the Walt Disney Animation Studios’ 100th Anniversary short film Once Upon A Studio, and I loved it.

It’s not the story I liked most; it was nice and cute, but nothing revolutionary or unexpected. What I loved was seeing and hearing all these familiar characters, especially the 2D-animated ones, again. I’m a fan of hand-drawn animation and really miss it, so I was happy to experience it once more, even if it was only for a few minutes.

I love traditional animation because it’s always felt more magical and “personal” to me. I missed seeing a character on screen and thinking, “I know who drew you”. Here, when Louis (The Princess and The Frog) appeared, I recognized his original supervising animator Eric Goldberg’s work. I also knew that impressive shot of Peter Pan and the Darling siblings flying around the building could only have been animated by James Baxter (his brain works in 3D; I don’t know how he does that but it’s always mind-blowing). And as a fan of Mulan, seeing her not only being animated by Mark Henn, whose style I think is unmistakable and who was her supervising animator in the 1998 movie, but also holding hands and singing with Snow White (the first Disney protagonist) and Asha (the latest Disney protagonist) was quite special and moving.

What’s also great is that you can tell they tried to remain as faithful as possible to each movie’s original visual style, which means characters, for the most part, really look like they’ve just come out of their respective films. Graphically speaking, the numerous protagonists all have their own identity (it clearly was the artists’ goal, and I think they achieved it), but the whole thing still looks surprisingly coherent. The vast majority of the original voice actors are back, which is a very nice touch as well.

I don’t know, I just think the care, skills, and passion of the people who worked on Once Upon A Studio were palpable, and that felt good. Their attention to detail is evident, and as someone who grew up watching hand-drawn animated movies and truly loves the artistry behind them, I appreciate that.

[ankylosaurusthesaurus]

that’s it i’m setting fire to the netflix building

[pocket-mobster]

honestly never understood the idea of sequels that "ruin" the series like??? it's all made up. literally just don't look, and if you do for some reason, just mentally put it in the same folder as fanfiction. the concept of the "validity" of a piece being dependent on whether it's canon or not is completely fabricated bullshit made up by cappies, lame-o's, and narcs trying to force "intellectual property" agenda down your throat. write your own sequel. be your own cowboy. i hope you dance by lee ann womack.

[inhistorysfootsteps]

what makes me sad with the teaser being released right now is that the actors can't share in the excitement :( they all clearly love it so much and it sucks that they cant participate

[sanstropfremir]

honestly i also think that groups arent going to award's shows anymore is also because its not only rigged but you also already know whos gonna win. like if they have 10 awards you already know b'ts is gonna get at least 3 whether they deserve it or not because otherwise fans will eat them alive, thats 7 awards left then you have male and female rookie which, well it excludes anyone who isnt a rookie, 1 award for best male (excludes women) 1 award for best female (excludes men), an award for solo artists, and then like performance of the year or something. so you basically have 50 groups sitting there ineligible for half the awards and not being able to get the other half because the same 5 groups always get them so like..... why even go at that point

yea i agree, awards shows across genre have been losing their sway for a couple of years. i think kpop ones are a particularly acute microcosm bc there are not very many types of awards, and there are really stark differences between the 'top tier' of groups and the rest of the ones that make up the majority of the industry, despite the industry being relatively small. even though there's numerically less groups debuting in the last twoish years (i did a quick survey of the wikipedia list of debuts by year to check numbers and it was about 30ish per year in the 2010s but so far it's been about 20ish for the 2020s. however this does include subunits and project groups so it's not a totally accurate figure), all those numbers compound on each other since there aren't the same amount leaving the industry as entering. so overall, these awards shows continue to be stacked towards the groups with the biggest companies and fanbases, even though there's better art that deserves that recognition being made by increasingly more and more groups that go completely unnoticed and have no chances of being noticed.

[highgroundanimations]

This is Moss.

Honestly he's not important for the story at all and purely exists because I wanted some variation for the background Clones. Poor guy. 🫡

If you're a fanfic writer feel free to adopt him and give him a home in the wildest backstory imaginable lol

[morianar]

“The hobbit used too much CGI” don’t you dare disrespect my mans Richard Taylor and his team making fully anamatronic goblin suits ever again

[tariah23]

Definitely gonna watch Csm soon wahahabbab

[pocima]

Independent artists need to give mid-tier/small K-pop companies crash courses on how to serve on a budget

[vulpixhoney]

people keep comparing the WatcherTV move to Dropout (for obvious reasons) but I cannot emphasize enough how vastly different the circumstances between the companies is. like astronomically different

• Watcher does not have the years of experience that Dropout/CollegeHumor did. CH as a company formed in 1999. They've been doing sketch comedy since the early 2000s. they were a company, like an actual company with offices and departments and everything. Watcher hasn't even existed for 5 years

• Because CH has been established for that long, not only do they have an established connection to the industry, but they have an established fan base already. People that knew about and were fans of CH for over a decade, before Dropout was even a thought in someone's head.

• When Dropout was in its infancy, CH was still under their parent company IAC, they weren't roughing it completely on their own the way that Watcher is. They were later dropped by IAC, but having that connection and funding in the vulnerable start was important

• CH was still posting sketches and skits on YouTube for free while filling out Dropout's catalog. They didn't hard shift into exclusively subscription based, they continued doing both for the first couple years in order to help get Dropout established. Even now, they still occasionally post full episodes for free on YouTube, including whole seasons of Dimension 20

• They have a large rotating cast that they move between multiple shows. They have a variety of content and a variety of entertainers to be guests on shows. Watcher has 3 guys which the occasional guest

• A big part of this transition is because Watcher's episodes have a high production cost. That's what they claim. That it costs hundreds of thousands of dollars to film one episode of Ghost Files. but why?? why does it cost that much?? I get cost of travel for talent and crew but hundreds of thousands of dollars per episode?

• When IAC dropped CH and they went bankrupt in 2020, they only had 7 employees. When Sam Reich bought the company, they only had 7 employees. not twenty five. I'm not advocating for laying off people, but maybe they shouldn't be payrolling more people than they can afford

• also. Sam Reich is very vocal about how Dropout surviving and succeeding was nothing short of a miracle. They didn't get that success because the business model works, they got that success from years of networking, hard work, and pure luck

[tepkunset]

Marvel Studios is an American film and television production company. Marvel Comics is an American comic book publisher.

As of the current date, the official BDS Movement has called for a Boycott of Marvel Studios upcoming Captain America film that features a zionist Israeli character who supports apartheid. There has been zero mention of Marvel Comics - or anything else Marvel - in either of their two statements I can currently find mentioning "Marvel" on their website, unless something is missing from that tag.

April 27, 2023: "Palestinians call for widespread boycotts of Marvel’s 2024 film, Captain America: New World Order, unless it drops Sabra/Ruth Bat-Seraph, its “superhero” that personifies the apartheid state of Israel. ... We encourage creative, peaceful protests to challenge Marvel Studios’ – and its owner Disney’s – complicity in anti-Palestinian racism, Israeli propaganda, and the glorification of settler-colonial violence against Indigenous people. ... We urge conscientious audiences worldwide to join us in boycotting Captain America: New World Order, and standing up for freedom, justice and equality."

November 23, 2023: "Marvel’s next Captain America film features Sabra/Ruth Bat-Seraph, a “superhero” personifying apartheid Israel. The character’s backstory includes working for the genocidal Israeli government and its occupation forces. By reviving this racist character in any form, Marvel is promoting Israel’s oppression of Palestinians. It is complicit in anti-Palestinian racism, Israeli propaganda, and glorifying settler-colonial violence. Tell Marvel you won’t buy its toys, clothes or accessories."

It is my understanding that the only way a boycott will work is if it's organized and targeted - thus the reason for BDS in the first place. The demand was that Marvel Studios remove the Israeli character from the film. Since the demand has not been met, then the boycott remains in place. But boycotting some random comic book writer's work and some comic book shop that makes pennies, with nothing to do with the MCU, is not what is being organized at this time.

The character in question hasn't even been featured in comics in 10 years - though of course she never should have been created in the first place. But Marvel Studios is choosing to pull her out of nowhere, when they have thousands and thousands of characters they could adapt instead. Please boycott Captain America: Brave New World (formerly titled New World Order) set to come out February, 2025, even if you're a Sam Wilson fan.