#family means we actively try to foil each other's schemes

[akabaka-dev]

Hi! Hope I'm not bothering you and I adore Sucker For Love but I have a few questions if that's okay.

Will we see Rhok'zan's other family?

I think it was mentioned that Rhokzan has over a thousand children, but are Estir and Ineta her only grandchildren?

Will anymore gods be inspired by Lovecraft?

Is there any male or gender neutral presenting gods or is all the Eldritch god panthion made up of ladies? (Not complaining just genuinely curious.)

Sorry if there's so many. I genuinely love the games so much! Thank you for taking time out to read this!

Yes, no (not the only grandkids in HP lovecraft lore // still making decisions for SFL universe), yes, and yes!

The family tree from Lovecraftian mythos is... complex. So this is the family tree Aka had been using for the established characters in the SFL mythos. Characters like Hh'eily (color out of space) and Muu are eldritch but not gods

As for other gods and goddesses, lovecraftian lore has 40...? 50? other gods in the pantheon, any of which are fair game >.>

I'd love to see yall's ideas for gods and goddesses if y'all have some :) like for fun

it's one of the really cool things about the lovecraftian mythos-- H. P. Lovecraft wrote prolificly for the genre. But the mythos has been expanded and developed beyond HP Lovecraft's concepts (and ideals). Over the years, so many creative, wonderful authors and artists have added their voices to such a fascinating genre of horror. I think it's nice that anyone can add their voice too :)

[trashlie]

I'm loving all your ILY posts! I've also seen your comments on reddit and I enjoy reading your insightful analysis there, too. I would like to know your thoughts on Kousuke and Alyssa. Do you think they will become narrative foils? I noticed they were acting awkwardly around each other too (it kind of reminds me of how annoyed Soushi reacts around Maya) and she seems to have a crush on him 👀 I think she'll be used to contrast how he's still capable of redemption. 1/?

I mean Yui groomed them both successfully. They have shown to emulate her behavior, value their reputation over other people's feelings, and refuse to take accountability for their actions against Shin Ae and Nol. But unlike Kousuke, Alyssa has shown no hint of remorse or even guilt. 2/?

Waaahh thank you so much, anon! Isn't it silly that I still go :O when I realize people actually enjoy what I have to say? I started yelling into the void on tumblr because I got worried I was too active on reddit and I was possibly annoying people lmaooooo so I'm actually really glad you're able to find me on both platforms! It means a lot that I'm not just yelling into a total void.

If you don't mind, I'm breaking your ask down into two parts, because I might leave somethin off/this will get too long if I keep it all in one lol. BUT you bring up things I love to think about!!!!! So!!!!!

I think we are deliberately kept in the dark about Alyssa - whether it's to subvert the scheming girl trope, I'm not sure, but there's a lot of things we don't know about her and that's definitely on purpose. She's a character who probably won't be revealed more to us for a while yet, too, which is frustrating if only because I want to know everything NOW, but it does serve to make her more interesting.

Alyssa's interest in Kousuke is so obvious I can't believe I never noticed it in my original reads. I've seen this brushed off as "She just admires him" and I'm just like... she actually sulked for a moment about Kousuke leaving! Meanwhile she was straight up all but telling Nol she'll help him pack his bags lmao.

I feel like the cast of her shadow is deliberate, too, but look at that face. Sulking.

Compare with

There's room to argue that we can't see Alyssa's face when she first tells him she won't stop him, but she kind of makes it abundantly clear that Nol being away doesn't really affect her. And, I mean, look at how their relationship is conducted. She's bragged to Meg that she and Nol are so casual and cool and easy breezy.

(I guess that means there ALSO is room to argue that Alyssa is putting on a front and just saying this to make sure people think her relationship is great, but the only People who know is Meg. And as a people pleaser, if Alyssa felt uncomfortable with the casual nature of her relationship with Nol, wouldn't she actually do more to make the relationship more of what she wants? Notably during the conversation on the balcony, she basically tells Nol this isn't really her dream relationship, which leads to the admission that they are together not for each other but for the benefits they each get so......)

Kousuke is the one who confuses me the most, because it strikes me as really weird that Yui has used Alyssa as leverage before against Kousuke. "You should bring a date, Kousuke, Alyssa will be there." What does this mean? What does it have to do with him and why would it entice him to bring anyone, anyway? I'm still really baffled on this one, tbh. Something that really stood out to me was during the dinner when Nol finally revealed he was planning to attend Oxford, Kousuke was distracted by his own news that the CFO position would be opening. In fact, when Nol mentions attending Oxford later, Kousuke seems to act like this is his first time hearing it.

Nol takes note of Kousuke's state of distraction before he finally starts talking about his plan.

The way quim does the dialogue and suddenly Kousuke's interest returning is.... interesting isn't it? From the moment Nol notes Kousuke's disinterest, we don't see his face again until Rand brings up Alyssa. Quim doesn't do anything without reason - in a movie, you wouldn't waste film on Kousuke's interesting returning at the mention of Alysa unless it meant anything, right?

There's so many little moments that make me go what the heck is going on here, too.

What the heck is up with THIS? Why does Kousuke deliberate SO LONG before he calls Alyssa? Like, do I think he's really so weirded out about calling his younger brother's girlfriend, considering he has one of his younger brother's own friends reporting on him and at his beck and call? You can't convince me that he's hesitant only because Alyssa is the sister of Meg. It just seems too wary.

And yes, this moment here?

It really does have the same tone as Soushi's wariness of Maya, except is Kousuke wary of Alyssa in the same way? Is he wary of her intentions? This one is so hard for me to read, because frankly, at this point it's hard to tell if Kousuke even cares about Nol as a brother or because he was forced to and he feels deep-buried remorse for the way he treated him and doesn't know how to handle it. Is he just aware of Alyssa's keen interest in him and that puts him on edge? Would he even care about Alyssa's keen interest unless she starts to get pushy?

I HONESTLY HAVE NO IDEA and frankly, it drives me nuts, so I love to discuss this and see what other people have to say. I'd never even noticed how long he deliberates before finally calling her until someone on reddit pointed that out.

lmao this so much preamble to get to the point but anyway YES they are absolutely parallels and I do wonder if they would become foils. Again, it's hard to know with Alyssa because we've been deliberately shielded so much of her personality right now and it's hard to tell what's real and what's not with her. The way that she worries about Shinae telling Nol what she did absolutely reads to me as a lack of remorse, but maybe I'm just projecting because we haven't been given much reason to like her lol. Shinae definitely makes it seem like Alyssa never actually apologized and the way Shinae just brushes it off makes me feel like there was never actual, proper closure. What Alyssa did is worse than just causing her injury: it was why she did it and how she reacted like Shinae was something dirty and how dare she even talk to her even though Shinae probably just wanted to know why Alyssa stopped being friends with her. Maybe she was even seeking closure at the time.

In the same way that Nol and Shinae are mirrors, Kousuke and Alyssa are their parallel abusers, grooming victims of Yui, those who care more about their image and reputation than anything else and have hurt others (Nol and Shinae) in their quest to fill the role. We still don't know if Alyssa dated Nol because she genuinely had a crush (doubtful so far) or because she figured out the family he's from and wanted to get closer. I try so hard to give her the benefit of the doubt but narratively we aren't privy to that yet. Also, have you noticed that Nol and Shinae both have a relationship of some kind with each others' abuser? This mirror and their parallel abusers thing is INTRICATELY woven.

That's what makes it so difficult to tell if she'll become a foil or merely a parallel that highlights what Nol and Shinae have been through. We know Kousuke will receive a redemption arc, because he's a main character, and also because I think part of subverting his trope is that he has to take responsibility for his past actions, rather than being loved in spite of the things he's done or whatever. In order for Kousuke to proper and develop further, he has to be held accountable and he has to break free of his family. Can we trust the same for Alyssa? At this point, she doesn't want to lose Nol because she knows if she loses him, she can just as easily lose her career and access to the world she's only just gained access to (and if she were to lose it all right now, it would be worse for her because she'd have all those trainee fees to pay back).

I think both Kousuke and Alyssa are likely in for a very public airing of their sins; for Kousuke it may come in the form of the expose YuJing is working on, collateral damage in the quest to take down Yui. I also think the only way to nudge Kousuke to change is that his image has to take a hit in some form. Is it that Rand isn't his father? Is it a reveal that he abused his brother? Is it whatever happened in the past that Nol got in trouble for was caused by Kousuke and he let Nol take the blame? Likewise, I think the fact that people knew Alyssa in middle school means she's not so safe, either; what if one of the girls from after school duty reveals what happened? Surely there were rumors going around school about what happened - Shinae is out of school, Alyssa is pulled from school, kids talk. Frankly, a scandal like that could ruin her career, and worse, if Nol knew what she had done, would he be able to remain shackled to her?

While I know Kousuke won't immediately take responsibility for his actions, I've always believed that such a catalyst would at least make him start thinking about it and force him to admit it. It wouldn't happen over night, but in time it will. But will Alyssa? Would she deny the allegations? Would she just shift blame, insist that it was all an accident, that it wasn't bullying like you think? (Cos look, I do believe it was an accident, but there's a way to call it an accident and still admit fault and blame; but just as easily you can call it an accident and try to shirk responsibility.)

I do love the idea of her being a foil for Kousuke, an Aesop's fable, if you will, of what happens when you barter with the devil (Yui). I'm not opposed to the scheming female character type, but I do oppose it when they take down others to raise themselves up, and if that's the way Alyssa will end up doing it, then I'll be happy to watch her fall. If she can scheme and use her connections without hurting people then hey power to ya. Unlike Alyssa, Kousuke never had a chance to evade Yui, and being able to walk away from her as an adult will be a choice he can make. Alyssa loses... so much if she breaks her deal.

I guess that's the thing about where she and Nol are in their relationship now - it's been made clear he's hanging in here because he's forced to and as a sort of act of self-sabotage, full well knowing she's here because she's taking advantage of the opportunities that "dating" him brings so... if they're in an agreement, is it okay to watch her climb right now? She leaves me conflicted and I know it's largely because she's one of the characters we know just enough to hate but so little to justify. Could it be that it all just got out of hand for her? At first she just wanted friends, was trying to find a place to belong, something good in a life that deprived her of social connections. And then comes along Yui, seducing her with ideas of fame and fortune? Was the desire to be loved and admired so strong it powered over the need to fit in with friends and she readily cast them off? Did she not anticipate what it would actually mean, thought she could have her cake and eat it, too? The way she responds to Nol's texts, and the fact that Dieter and Soushi ask him about her, means she probably isn't even in touch with them at all anymore. Idk, I really look forward to seeing their dynamic pre-idol Alyssa, because I want to know how she fit with them, what was it like?

And then, because this was supposed to be about foils lmao you have the fact that Shinae basically foils both Alyssa and Kousuke in regard to Nol, both as a person who cares about him and also as "a good friend" vs "the person I'm currently seeing" lmao like, everyone is literally set to juxtapose each other and man, I'll never get over how well this has been done lmao. Compared to Kousuke and Alyssa, Shinae is the one who accepts responsibility even when it's difficult, who knows when and how to swallow her pride (even if she's not the one who should) and I think it's why she is the one seen a the champion at Nol's side - they are the ones who care little for their images and who know how to apologize (even when they aren't the ones who should be) and that's why they are at each other's sides.

So yes, this is a very long essay response lol to essentially say: I'm still undecided if I think Alyssa will become a foil or merely remain a parallel. I would love to see her redeem herself but something tells me not all characters in this story will be redeeamable. Maybe one day we'll understand her motivation, even if we don't agree with it. I hope at the very least she makes peace with Shinae, but I get the feeling she'll be forced into it (as in, her secret gets ousted) and that's not as satisfying, but hey, if it helps Shinae then I'm for it.

A friend of mine has mused that maybe Alyssa will be the one to oust the secret herself and I'm ngl, I like that idea though it does feel kind of vindictive towards her character. Maybe accidentally spilling it to Nol would be the segue to a couple episodes from her POV though!

Gosh this was so long I'm so sorry lmao but please follow up with your thoughts and feelings, too, or if this made you think of anything or what! I think at this point in the story we've been given a lot of information but we just don't have enough of it to totally piece together what we're supposed to be seeing. I think Kousuke and Alyssa's weirdness around each other is very deliberate, though, and I'm not sure "She's Meg's sister" is enough to warrant so many panels of Kou being SO WEIRD about her, you know? Am I missing thing? Is there more to be revealed? Are we just blind? lmao Aaaahhhhhhhhhhh

[diveronarpg]

Congratulations, BECKY! You’ve been accepted for the role of LADY MACBETH with an approved FC change to Karrueche Tran. Admin Cas: Ah, Lucrezia. She’s undoubtedly one of my favourite characters here, and for good reason. She’s perceptive, calculating, enchanting, and perhaps most importantly of all, utterly terrifying. I adored your application from start to finish, Becky - you captured every dark ambition, every siren song, every scheme and subterfuge that Lucrezia’s ever used to her advantage. Femininity is her weapon, and she knows exactly how to use it. Honestly, I could feel the beat of her heart in every single word you wrote. This line in particular got me: “You must shed your snakeskin and free the heart-thrum-fresh creature which lays ready and waiting beneath.” Your Lucrezia certainly isn’t for the fainthearted, and I’m so excited to watch how she flourishes in your capable hands! Please read over the checklist and send in your blog within 24 hours.

OUT OF CHARACTER

Alias | Becky

Age | 24

Preferred Pronouns | she/her

Activity Level | WFH so online daily.

Timezone | GMT

How did you find the rp? | Blast from the past !

IN CHARACTER

Character | Lady Macbeth, Lucrezia Falco

What drew you to this character? |

There’s blood on your hands and it won’t wash out. There’s blood on your hands and it glistens, deep and dark and vicious. There’s blood on your hands and it whispers like a friend, like a confidant, like a lover.

There’s blood on your hands – and you know this is the price to pay for greatness.

You will build your empire piece by piece until a crown of power rests against your brow. If the streets of Verona must run with ichor, so be it. You are the flower and the serpent. You are becoming and unbecoming. You are forging yourself anew until the person looking back at you in the mirror is a reflection you deem worthy.

Docile smiles have never been a currency you can afford to use. When you were younger, bright and teetering on the edge of foolishness, your mother and father had wished for a doe-eyed daughter. Instead, you had come home from school with a bruise marking your face and a blade-sharp smile cutting across your mouth ( the other girl had looked far worse ). Makeup had covered the purpling skin from friends and family, your mother chiding you with a loss for how to tame her daughter. Your parents had done all they could to brush aside your misdemeanours. This is what happens when you grow up in a house which thrives on concealment: you get good at hiding your sins.

You feel yourself being picked apart. The decadent dance of decaying debutante. You must shed your snakeskin and free the heart-thrum-fresh creature which lays ready and waiting beneath. Your heart turns to a sticky dark mess that slides through the fingers of anyone who dares to try and save it.

You were never built to be soft.

Venom pools in your mouth, tart on the tongue. Dark eyes shine bright in the nighttime, flashing a smile to distract from danger. Laughter echoes down a cobbled passageway and silence pools along stone grooves soon after, matching the rust-coloured criss-cross patterns that decorate your palm as soap and water cleanse you of tonight’s trouble.

Marriage. Misdemeanours. Murder. Perhaps there’s a reason they call you Lady M beyond simply carrying your husband’s moniker with you. Binding yourself to him had been necessary to get where you are now but it had not been his trust you sought to gain but that of Cosimo. The best laid plans are those that take time. You know how to lay in wait, patient when necessary, and those who do not perform as you wish them to are cut loose from their marionette strings.

There is nothing you wouldn’t do to achieve what you desire.

– Lucrezia Falco is the amalgamation of some of my favourite characters, including her namesake; Narcissa Malfoy; Marisa Coulter; Rebecca de Winter; Carmine Zuigiber; Melanie Cavill; Estella Havisham; Amy Dunne. I’m definitely drawn towards the idea of Lucrezia embracing the darker parts of herself and pushing her boundaries. I’m always a sucker for a character who stirs gossip and whispers in people’s ears so I have no doubt she’ll bring her fair share of drama with her, leaving anyone who suffers for it in her wake. A temptress at heart, she’s particularly adept at inciting trouble.

What is a future plot idea you have in mind for the character? |

I. ASCENT. You are destined for more. You can feel it calling to you like a siren song billowing up from murky depths. Every ounce of praise is gathered, wrung out and collected from those above you. Hierarchy is merely a concept devised to provide a clear pathway for people like you. The top is evident; the means for ascent less so. – Lucrezia sets her sights high. The absolute pinnacle of her goals is to achieve a high level rank, be it Boss, Underboss or Advisor. She isn’t fussy. I have no doubt this will put her at odds with Juliana ( who is somewhat her foil ) but who doesn’t love some tension? Vivienne and her influence is potentially tricker for Lucrezia to deal with but I envision her attempting to carve out a mentorship-type role for herself in the heart of Ms Sloane. She’ll be quick to pitch her desire to become something more and, whilst it would be great to see her achieve it, I can’t help but wonder what she may do should she be denied.

> Vaguely and conceptually curious about the idea of her becoming a hitman to take the spot Orion left behind but she’d certainly be a bit of a wildcard option, all things considered. Very femme fatale, very serpent-under-the-flower.

II. BONDS. You can feel him watch you, eyes tracking your movements. Lust occasionally sparks but love remains absent, settling like quiet of your shared abode when his conversation starter falls flat at your feet. It is not his fault, not really. You are repulsed by the idea of letting him know you well enough to know your weak spots. To let him in would be to surrender. The organ beneath your ribs serves its purpose keeping you alive and you shan’t let it soften for the sake of a husband who wants to know the woman who shares his bed better. – Ah, Mikael. Married for his connections and potential. Lucrezia is purposefully preventing herself from having any feelings towards him that aren’t inherently carnal but even those have begun to dry, the thrill of what they once had having risked returning to routine. I don’t think it’s impossible for them to fix what they have but it would take Lucrezia learning to be vulnerable in front of him which, after ten-or-so years of marriage, may admittedly never happen. For now she is satisfied keeping him ( what she assumes to be ) happy so that he doesn’t grow tired of her. It’d be interesting and very Shakespeareanly-apt were he to get wrapped up in her devious plans. For better or for worse, and all that… Perhaps they will end up breaking apart or perhaps they will overcome their current lack of love for one another. Either way, it’ll be messy.

III. MANIA. You wipe the blade against silk, a dark smear across fine fabric. Information is precious and once you’ve plucked what you need from a mouth that offers what it can in amongst strangled sobs, you dispose of the source before others can make use of it. Clean. Precise. An emissary is not expected to get their hands dirty like this but you do what you can to get noticed by the right people. And the wrong ones. But your sins are beginning to take a toll, gnawing their way into the blackened husk of your heart. Before long, you may begin to unravel.

– Emissaries trade in whispers but Lucrezia knows she needs to get ahead of the rest in order to stand out from the crowd. She’ll do whatever it takes to get information and secure deals. We love drama in this house so I am absolutely here for her getting in too deep. The more she tests her morality, the weaker her conscience grows. She treats it like an experiment to see whether she’ll ever reach a point of breaking and thus far is yet to see any signs of such. If there is a price to pay for these inhuman acts, it will be her sanity.

IV. CONTROL. You will take what is offered. You will keep climbing. You won’t turn back and you certainly won’t let anything get in your way. Or anyone. You need those ranked higher than you to look on you favourably. The thought of someone close to Cosimo thinking you are incapable makes your skin crawl. With recent deaths and absences leaving gaping holes in the mob hierarchy, you need to do all you can to ensure that those who fill them adore you.

– The higher she attempts to rise, the further the fall. Lucrezia knows she cannot achieve power on her own; she needs supporters. It will take more than a well placed compliment and a brush of her fingertips. She needs to climb inside their minds; carve out a space for herself to sit amongst dark thoughts and ensure the loyalty of her fellow Capulets. Once inspiring this in a chosen few, she will rely on them to protect her and behave in a way that snubs out the sparks of any other bright things daring to climb the ranks. As soon as a new Advisor is chosen, should it be someone she doesn’t take kindly to, she may very well start fanning the embers of mistrust in their abilities. A whisper here, a comment there. A reputation can take a long time to build but can be toppled overnight by the right sharp-smiling disarming woman.

Are you comfortable with killing off your character? | Not currently but that could certainly change if it helped with the overall plot!

IN DEPTH

In-Character Interview:

I. ) At half past nine, in the wake of Mikael going to work and leaving her alone ( precisely the way she likes it ) in the shell of their home, Lucrezia dons her gym wear and goes for a jog. The route is specific. The timing is immaculate. She passes the wife of the mayor like clockwork, passing a smile in her direction each morning until smiles become greetings and greetings become stopping to coo at the child in her stroller.

Eventually this turns to weekly lunches and invitations to various social events. They all dance the way she desires, puppets dangling from strings caught in her hands. It’s at the book club that she learns the most; gossip spilling from the wine-loosened lips of women in power or women married to power. Falling into the latter camp isn’t so bad when it gives you a free step up in the world. Lucrezia knows this fact well.

“But is that really your favourite place in Verona?” the Capulet asks as they talk of unexciting places nestled snuggly in her Don’s territory, seeking a location fit to hold an entirely over-the-top birthday party for the mayor’s wife. She’s only been half-listening, waiting for the perfect moment to chip in with her opinion. Her valued opinion. That was important. Charm the right people into believing you have their best interests at heart and they won’t see that your own motives lay at the centre of all you do.

“What about Teatro Nuovo?” she suggests, seemingly off-handedly, gaze fixing on the mayor’s wife with familiarity and a glimmer of private acknowledgement, as though only she knew precisely where would be best. Lucrezia wouldn’t dare spend an unnecessary amount of time in Montague territory typically but this particular excuse to snoop around the building wasn’t one to turn her nose up at. With high profile politicians and their security in attendance, she’ll bet her luck that the Montagues wouldn’t dare to target her. “There’s an elegance to the theatre. Grandeur. And who doesn’t love an opera-masquerade themed party?”

II. ) “I’m trying to get a better idea of Mr Falco’s routine. What does your typical day look like?” Mikael’s PA asks, far too eager to please their boss in a way that Lucrezia would like to think only she knows the art of.

The edges of her mouth lift, hiding her irritation at the prying behind a well-practiced false smile. “To begin, Mikael and I wake up and enjoy some early morning cardio.” The lie leaves her lips, accompanied by a laugh to put the other at ease. Her wifely facade remains; she’s used to putting on this charade. It is the blush that stains the PA’s cheeks that marks her success. “And then he will leave for work and I attend a yoga class or meet a friend for breakfast.” Lie. It’s more likely to be a negotiation, securing a deal with someone whose attention lingers on her just as much as it lingers on the examples of the firearms the Capulets can offer. “I’ll typically spend some time running errands or planning a dinner party before lunch which is either eaten alone at home or out. The afternoon is for shopping or a leisurely stroll.” Another lie. Afternoons are for organising reports to give to Vivianne. Who is following through with their half of agreements? Who is falling short and needs a follow up visit from her less-charming friends? “And then Mikael will return from work and we’ll have an enjoyable evening.”

Lucrezia conjures a vision of perfection without giving it a second thought. She neglects to mention the hours spent at The Twelfth Night; or those coaxing whispers from unyielding mouths; or those scrubbing the blood of another from the beds of her fingernails.

III. ) “What has been your biggest mistake thus far?” The bespectacled marriage counsellor asks. Beside Lucrezia, Mikael fidgets. She reaches for his hand, curling her fingers around it. His wedding band is warm to the touch. He stills as he always does when she touches him as though surprised by his own wife’s affection. Predictable.

Agreeing to attend this meeting, she thinks to herself. She’d slammed a door in Mikael’s face when he’d suggested they try and talk things through with a therapist present yet agreed to attend for the sake of keeping up appearances ( he talks to Everett about their relationship, she knows this much ). “I once served garlic hors d'oeuvres at a party with an orchestra.” Lucrezia answers. “Such a bad idea when everyone had to stand so close to speak to one another.”

Her revenge on her husband’s attempt to meddle with their relationship is to be had afterwards as she says goodbye, a hand on the therapist’s arm and a sultry tone drifting from her lips. When she glances towards the door, she meets Mikael’s line of sight.

It didn’t matter what games they played, the queen was always the stronger piece.

IV. ) “What has been the most difficult task asked of you?” Cosimo’s question wafts towards her on a tendril of cigarette smoke that catches in the sunlight streaming into his office through slits in the blinds.

Inwardly, Lucrezia wants to scream. Very little can make her speak genuinely, truthfully, from the heart. This line of questioning makes it feel as if he were trying to climb inside her head and understand who she was. She doesn’t care for thinking about her shortcomings, nor does she have any intention of allowing Cosimo to do the same.

She deploys one of her usual tactics. Raises her hand slowly to pull the cigarette from Cosimo’s lips and hold it to her own, taking a drag before returning the lipstick-stained end to him. She exhales slowly. “I’ll tell you when you give me something difficult to do.” Her brow raises in challenge, settling the boss with a steady stare. Test me, she wants to tell him. I want to feel alive.

V. ) “What are your thoughts on the war between the Capulets and the Montagues?” Everett asks her the day she leaves his decina, chin held high in light of her promotion to emissary, no longer trapped beneath the heel of another man’s shoe. The question is posed casually but Lucrezia knows him well enough by now that Everett rarely acts without purpose – and that purpose would be sat snuggly against the morals that keep his spine straight and his expression guarded.

Lucrezia turns the question over in her mind cautiously as though it were a trap, steel jaw ready to spring shut. A smile slinks slowly across her lips as she closes the space between them until a metre of polished wooden floor is what keeps them apart ( along with a history of unresolved differences ). She squares her gaze with his. “All this time spent teaching me and you still can’t figure out what goes on inside my head, can you?” Something that isn’t quite a laugh escapes her mouth. The sound is silky, amusement winding itself around it like a serpent. “What would you like me to say? That the war is necessary? That, like you, I got involved in all this because of someone I love?”

It doesn’t take a telepath to know that Vivianne springs to the forefront of both of their minds. An emissary is only as good as her intel and sufficient background information was always a valuable arsenal to carry. Her reassignment had not been born from luck; she knows exactly what she’s doing.

Acrylic fingernails reach to brush an imaginary piece of lint from the shoulder of Everett’s suit before turning swiftly to leave, her answer falling behind her as she strides out of the room. “It’s about time we fucking won, Everett.”

Connections:

THE SPOUSE: Mikael Falco. As much as it pains her that the man she married can’t find the strength to stand up to her when necessary, she still clings to a thread of hope that she can turn him into the person she wishes he was. Headstrong. Lethal. As hungry for more as she is. The Falco name is a pretty one and would surely look just as beautiful sitting alongside the most powerful families of Verona, no?

THE ADVERSARY: Calina Sokolova. This town isn’t big enough for the both of them. Calina seems to slip through life with casual elegance whereas Lucrezia feels like her nails have left imprints in everything, working hard for what she deserves. She waits with bated breath to hear news of the Montague emissary’s fall from grace, eager for the whispers to land on the shell of her ear first so she can watch it all burn down in flames.

THE ANNOYANCE: Everett Craven. There’s fun to be had in finding new subtle ways to torment a man like Everett. She waits for the twitch of his brow or the tick of his jaw, hoping to be the cause of the vexed sigh that leaves his mouth. His seriousness mixed with his influence over Mikael are, irritatingly, things she’s never been able to break. And not for a lack of trying.

THE PUPIL: Delilah Bello. She is not one to offer a shoulder to cry on but, equally, she is not one to disregard those who do whatever it takes to stay ahead. Delilah’s choice of tactics may have been misguided and Lucrezia certainly doesn’t find the soldier’s attempts to deny what happened in any way productive – but perhaps she simply needs steering in the right direction. Making the best of a bad situation can be an enjoyable pastime when done right.

THE SOURCE: Mona Chen. Mona certainly knows how to string together a pretty sentence, words shining through the darkness that they have both made their home in. Lucrezia enjoys collecting the payment owed to Cosimo; enjoys having the privilege of hearing the secrets whispered to her as if some vessel for the truth. She turns the information over in her head, admiring it, deciding what should and shouldn’t be passed on. There’s power in that.

THE SEDUCED: Open to anyone. Lucrezia has them hooked around her finger, but unlike post-marriage Mikael they prove to be much more of a fun plaything. She knows they want what they can’t have but she’s beginning to get a taste of her own medicine. Being with them is like playing with fire, dangerous but enthralling. She won’t cheat on Mikael but she might just test a few boundaries.

THE SANCTUARY: Open to Capulets or neutrals. Even someone like Lucrezia needs a safe place to rest. Somewhere she can drop the many charades and be herself. This person is, perhaps, the only soul she has ever felt truly at peace beside. Time is what strengthened their bond, along with their fair share of helping one another out of tricky or dangerous situations.

THE TRICKED: Open to Montagues. She has no intention of harming them, for that would be counterproductive. They are a plaything, of sorts. An experiment to see what she can do, what she can achieve. When they first meet, she slips into a charade of fear. Pretends to be at their mercy if only for the sake of spinning her story: the terrified wife. A sob story can go a long way if you know how to play it.

[howtohero]

#240 Villain Songs

We’ve already spoken about how supervillains love to monologue. For some of them, being able to monologue is 80% of their motivation for committing crimes in the first place. You see, supervillains tend to be outcasts and they rarely have people around to listen to them rant about things they don’t like or to marvel about how well-laid and intricate their plans are. (Especially since they keep killing their own henchmen. According to a study done by Professor Lucius Flay, in 2019 supervillains killed twice as many henchmen as they did superheroes.) Because they so rarely get a platform to just let loose and talk about whatever they want, some villains have started to significantly jazz up their monologues. And of course, once one villain goes above and beyond the average monologue, all the other villains in their social circle are going to step up their game as well, in order to keep up. This has led to the widespread adoption of the villain song. A villain song is no regular monologue. There are backup dancers, there are lights, there is very involved choreography. Sometimes, if you’re unlucky, there will be a rap. If you thought monologues were bad, you haven’t seen anything yet.

(Note: The subject of this entry is not villains who have been trapped in some kind of forced-musical scenario. These villains are just very dramatic, and quite frankly, I kind of see where they’re coming from. There are some grievances, some hatreds, that are so intense that they can only be properly expressed through grand musical number!)

While villain songs are no less drawn-out and time-wasting than regular monologues for the average superhero who is trapped it is at least slightly more entertaining. If your villain has any skill or sense of showmanship you could have the once in a lifetime experience of having a front row seat to a fabulous show that will only happen once. That’s pretty rad. Of course, if the bad guy has no actual performing skill, and if they haven’t shelled out for professional backup dancers and instead have just decided to dress up their henchmen in leotards and sequins, things can be very very bad for you. But superheroes are nothing if not resourceful, and villain songs actually provide you with a good many opportunities to save the day.

It pays to listen carefully to the lyrics of a villain song, because they will undoubtedly contain crucial information that you can use, once you’ve escaped, to foil the villain’s plan. When a villain monologues or rants and raves for hours on end, it can prove difficult to remember much if any of the villain’s actual plans or goals. But songs rhyme, songs have rhythm, songs are easy to remember. Plus, songs have a chorus, which will most likely contain the most important points or big ideas of this villain’s plan. Surely you can remember a chorus. Conversely, the need to be able to relay information in song tends to force supervillains to simplify their grandiose, and exhaustingly-complicated plan. If they can’t make it rhyme, and if they can’t fit into an approximately three-minute song (already a massive reprieve from the seventeen hour monologues about how soaps should not look like candies unless they are going to taste like candy that superheroes used to have to fit into their busy schedules) then it can’t be their evil plot of the day. 

Additionally, if the villain is serious about what they do (if they aren’t then you don’t really need to worry about them anyway) then their song will be accompanied by a lot of supervillainous pizzaz. There will be streamers, there will be a kick line, there might be a light show. It’s going to be a lot, and it’s going to be distracting. Which means a villain song is the perfect opportunity for you to escape captivity and stop the villain right then and there. If you read our recent entry on escapology, then you know that everything is a key, and that includes many of the props that can be found in a grand musical number. Mounds of glitter can be melted down (using laser vision, a pocket lighter, or a nearby torch that is being used for the musical number) and then sculpted and molded into a key. Stereo systems can be cannibalized and their innards used to make crude explosives. Even if you can’t reach anything outside of the cell or cage or death trap you’re being held in, you’re clever enough and informed enough to break out with whatever you’ve got inside the cage. (Remember folks, even your teeth can be used as keys in a pinch. And you’re innards are basically one big skeleton key.) The point is that your villain will be so focused on making sure they do their big Broadway-esque song and dance number perfectly so as not to completely embarrass themselves in front of you, their greatest enemy, that they won’t be paying much attention to you, their greatest enemy, escaping and foiling their schemes. (After much trial and error we have determined that the very best time to mount an escape during a villain song is right at the beginning, when they’re snapping dramatically with their back turned towards you. If you make any sort of noise during this part of the song they’ll get frustrated that you’ve thrown off their rhythm and take it from the top. This way you don’t have to be subjected to whatever horrible performance a villain who calls themselves The Worst Showman has in store for you and you don’t even have to worry about staying quiet during your escape.)

Sometimes a villain will sing not only about their evil plan, but about whatever tragic/hilarious reasons they have for pursuing such a plan in the first place. (”For you seeeeee, I was laughed out of seminaryyyyy/ All the priests thought me a dope, because I just could not stop eating soap”.) It pays to listen to these lyrics too, if you can understand why a villain is doing what they are doing, you may gain a better understanding on how to stop them. If you can get to the root of their childhood traumas and/or all of their perceived adulthood slights, and if those issues have a simple fix, then you can avert not only the crime these bad guys are about to commit, but all future crimes they would go on to commit as well. Wow! Who knew music could be so educational??

Another reason why villain songs are much better for superheroes than standard villain monologues is the colossal waste of resources they represent. In order to perform a villain song on par with all the other villains that are desperately trying to one up each other, a villain needs to spend thousands on props, personnel, and pyrotechnics that they’d normally put towards building soap-melting rays or perma-dirt, the “dirt that cannot be scrubbed off with soap and will one day put the entire soap industry out of business”. Sure, they might just rob a bank to accrue those funds, but bank robberies are very easy to stop. Especially since the banks started hiring their own superhuman security forces. Villain songs also take up a lot of time, they require choreography sessions, endless rehearsals, and lengthy vetting sessions to make sure none of the backup dancers are superheroes in disguise. (Don’t worry, if you’re thinking about going undercover this way, all you need to do is whip up a fake resume with places like “Cruelliard, the school of villainous arts” or the “Badway Dance Center” and put us down as a reference, as we’ve said before, we’ll back any of your outrageous lies.) All of this means they’re not spending times committing crimes or fine-tuning their evil plans. Anytime a supervillains is wasting money or time is good for you!

Supervillains are always striving to reach new heights of extreme drama. Where once they would simply talk a superhero’s ear off for hours or days or years (never forget the three year monologue of George the Cranky Immortal about how he was sick a tired of not qualifying for senior discounts and was therefore going to use a nifty machine he built to de-age old people.) now they’ll sing and dance until they feel they’ve gotten their point across. Which is usually before hours or days have past. Singing and dancing takes a lot out of you it turns out. This new practice has provided superheroes with entertainment, valuable information, and lots and lots and lots of saved time that they can spend with their families or actively improving the world. It’s an overall win for everyone in the world except for the supervillains, who have once again played themselves, like fools.

[imaginemycroftholmes]

@grand-admiral-luna

“No one can know about her,” Moriarty fussed to his loyal sidekick Sebby, the Terror Tiger, looked unfazed by the declaration from his boss.

This wasn’t something new to him considering their gigs as superheroes for the greater part of London.

As Pyro Professor and Terror Tiger they constantly battled with the evil masterminds such as Ice Man, Purple Pirate or even worse, tango with their favorite henchman, Captain Action.

It was always a game of cat and mouse as the lone duo tried to rid the city of their influence and control while managing to evade arrest. A deed, most annoying slow considering Mycroft Holmes aka Ice Man had his hand in the pockets of every major business and authority.

To have their own sibling Eurus as their mole was a blessing the city couldn’t afford to lose as she had a watchful eye on both her brothers evil schemes. 

“Boss, if the Ice Man and Purple Pirate haven’t caught onto our real identities by now then I don’t think we have to worry about it,” Sebby rationalizes to Jim, “I mean they still won’t come to terms that the Holmes brothers are villains so why worry about us?”

“Because if they figure out who we are our families will be in danger,” Jim stresses, “They  could be used as bait or worse!”

 This isn’t the first time that Jim had gone off like this about his sister _____ after a difficult foiling of the dastardly duo but this is one of the few times it was too close for comfort.

However, being an orphan of war Sebastian can’t imagine what it feels like to lose someone but if its anything by the way Jim acts he know it can’t be good.

Not one of them could figure out why or how ______ kept ending up near their battles but it was starting  to put Jim on edge and when Jim is on edge then he’s crawling up his back with complaints that makes him want to claw off the backs of the infamous Holmes brothers just to make Jim stop crying.

And he just got his titanium claws resharpened just for the occasion. 

Watching and (tuning out) his boss’s ramblings about keeping his sister safe Sebastian turns his attention to the big screen showing off the city’s zones praying for a distraction when a cellphone rings.

“I’m holding out for a hero! I’m holding out for a hero until the morning's light..”

If it wasn’t for the fact that Jim was surrounded by some of his most dangerously sensitive bombs-the ones that only required just a light pressure to set off- Sebastian might have found it funny how he fumbled for his phone to answer it. 

With his cat-like reflexes he swooped in to drag the the nervous man from dropping his device on what would be an instant death for them both and answered the phone for him.

“Hello?”

“Sebby,” comes an excited voice from the other line, “It’s great to hear you! How has the canning business going with you two lately?”

Sebastian winces both at the moniker that ____ picked up from her brother and the fact that she still believes that lie.

How anyone believes that lie is beyond him but then again, people still can’t believe that Sherlock Holmes is the Purple Pirate DESPITE WEARING THE SAME OUTFIT EACH TIME BUT ONLY PURPLE. THERE’S NO MASK TO OBSCURE HIS FACE OR HAIR BUT WHEN HE TRIES TO SHOW PEOPLE THAT THEY THINK HE’S “CRAZY”.

But thanks to his ever witty and not good with lies on the spot partner the first thing that came out of his mouth for their nightly activities is starting a canning business and they’re in a relationship.

Needless to say, this puts a damper on his dating life but for the life of him Sebastian doesn’t have the heart to cheat on Jim for fear of _____’s private version of “You hurt him and I’ll make sure you have a 4 year slow death in the backyard tool shed back in Sussex where no one can hear you scream.”

If ______ is anywhere near as bad as Moriarty Sebastian doesn’t want to be on her bad side. 

“Yeah, its going great _____,” Sebastian says convincingly while shooting a glare at Jim who is piteously trying to reach for his phone, “So what are you up to sunshine?”

“I’m so glad you asked,” she continues with enthusiasm, “You see, I met this guy...”

“You met a guy you say,” Sebastian parrots loudly knowing good and well that it would send her brother into a rage.

“A GUY?? WHO IS HE?? SEB! GIVE ME BACK MY PHONE!”

It really shouldn’t bring Sebastian as much joy as it does but Jim jumping desperately to retrieve his phone but it does and he continues to torment him.

“So what? you want me and Jim to meet him,” Sebastian carries on causally like Jim isn’t trying to scale him.

And failing.

“Yeah, actually. I’ve kinda been seeing him for over 2 months now and want him to get acquainted with you guys because I might be bringing him home for Christmas this year,” she states with more confidence than her brother wearing spandex tights.

“Ya know that’s a pretty big step in a relationship right?”

“I know,” _____ agrees, “But this guy is just so right for me that I don’t feel like its too big of  deal.”

  ‘Yeah I know,” Sebastian concedes, “But you know that your brother is going to have kittens right?”

“Well, that’s why I want you to come with. Nothing can settle someone down like their spouse am I right?”

“Spouse...right...”

“Speaking of which is my brother around?”

Looking around and finding that Jim had skunked off somewhere was alarming.The guy never gave up that easily which was why he was the Purple Pirate’s favorite target. 

“I think he may have ran to the loo-” Sebastian tries to say before an image of terror, Moriarty running full speed with one of his guns toward him with a battle cry of “GIVE ME MY PHONE” being heard throughout the hide out. 

“No, wait! ____, here he is,” Sebastian cries as he throws the device at Jim and runs for cover.

The phone is quickly caught by Jim who purrs his hellos to her and then promptly hangs up.

Sebastian doesn’t have to turn around from his hiding spot to know that its Moriarty standing behind him. His voice is dark and deadly as he leans closer.

“You tease me like that again when ______ is calling and I’ll clip those claws permanently.” 

“Yes boss,” Sebastian responds carefully knowing that when Jim is in one these moods that his life can very well be in forfeit because for all of Jim’s silliness he was a damn genius with an affinity for violence and murder. 

He could only shudder of what horrors Moriarty would unleash if he had not been on the side of angels.

“So, when are we meeting him?”

“Next Tuesday at 6″, Jim spats coldly, ‘And you had better not make us late.”

“You know that’s not my faul-” Sebastian says defensively until he sees the look of murder in his boss’s eyes. “I mean, sure boss,” he corrects himself, “are you going to use Eurus to spy on the bloke?”

“Of course I am! Why wouldn’t I want to know the scum who’s shacking up with my sister? I want to know who he is, what he does and what he shits to see if he’s good enough for her! I wanna maul the guy with all the dirt I have on him so he’ll fuck off and leave us alone.”

Poor guy Sebastian thinks as his boss stalks off to Skype Eurus he can’t be all bad if ____ likes him.

                                XxXxXxX

“YOU.”

“Believe me the feeling is mutual.”

“Guys, can we settle down please! We’re in a public place!!”

“You gotta be kidding me.”

Here, sitting before him in the flesh in one of his bespoken suits, is the Ice Man at one of the nicer restaurants in London acting like he’s an honest to God good man beside Jim’s sister. 

Like the guy hadn’t tried to murder them last week for foiling their slave labor camps in India or tortured them on occasion.

And to make matters worse his hand is on _____’s thigh, oh my God Jim is going to murder him before the waiter even arrives.

________ has her hands up as is to stop her brother from launching himself over the table to fight and pronounces quickly, “I can explain!”

Well this would explain why Eurus couldn’t find information on him Sebby muses as the air becomes frigid. 

Crap, its one of Ice Man’s classic moves Sebastian thinks as other civilains begin to feel the icy sting.

“Explain what,” Jim spits out venomously, “that this monster brainwashed you into thinking that it loves you? That not even you can recognizes that he’s the Ice Man, the man responsible for the poverty and waste in our country? That he’s so evil that members of his own family are trying to end his tyranny?”

“Jimmy!”

“Now you see here, you two-bit genius,” Mycroft interjects, “I may make up causes and strife for my own gain but my love for ______ is one of the few things from me that are true.”

“Bullshit! You’re just using her to get to me!”

“Why would he want you when you already have Sebby,” _____ cries.

“I’m not gay!”

Sebastian can already see their waiter in the distance looking far too nervous to approach the shouting match that was their table so he shooed him off with a “come back later.”

Realizing that this would not only lead to a needless blood bath but to unmasking their identities to the public Sebastian tries his attempt to at least save this meal.

Tapping his glass to get their collective attention Sebastian starts,” Shut the hell up, you guys are causing a scene.”

Pointing at Mycroft accusing Jim begins to mouth out, “But he started-”

“I don’t care who started this I told you to shut up!”

He looks around the table at the lot of them.

______ looking confused and hurt that anyone would accuse Mycroft of anything less than sainthood, Mycroft torn between tearing ____ away with him like the villain he is or staying to suss out any evil intent toward her and Jim seemingly five seconds from ignoring the command to maul the Ice Man outright.

Praying to whatever deity that cursed him into a situation like this Sebastian began. “Look, we can’t outright believe that Ice Ma-I mean, Mycroft has the best intentions toward you _______-”Only to be interrupted by Jim’s HA!

Giving Jim a glare Sebastian continues, “However, JIM, we also can’t lawfully say that Mycroft’s feelings aren’t true because we aren’t mind readers.”

“I bet I can find us one on Craigslist!”

“Jimmy shut the hell up,” ______ hisses before gesturing for Sebastian to carry on. “So, my proposal is that we, Jim and I, monitor you two just to make sure that you’re safe.”

“But I’m 32,” ______ complains, “I’m too old for a chaperone!”

“Listen, I’m doing what I can _____. It’s either this or Jim’s going to try and murder Mycroft when you’re not around. It’s a compromise.”

“As if he could after all this time,” Mycroft snidely remarks.

“Maybe I just didn’t have the right motivation,” Jim counters getting squared up.

“Promises, promises,” Mycroft teases as he gestures for a waiter,” Besides we both know who the better genius is.”

“Yeah, your little sister.”

The air was becoming increasingly frigid to the point where Sebby was sure that he would have to evacuate people from the premises until _____ leaned onto Mycroft’s shoulder, melting away the frost.

“Guys, guys! Let’s stop the banter and eat! I’ve been dying to try this menu for ages,” _______ says cuddling Mycroft’s chill into submission.

“Anything you wish ______,” Mycroft says fondly in a way that makes Jim’s skin crawl.

Later after the bill was (fought over) and paid for  _____ hung back with him while Mycroft and Jimmy went to “talk” about some ground rules in private.

 “Sebby, why do Mycroft and Jimmy hate each other,” she asked innocently, “I know they never went to school together and Mycroft rarely leaves his office so how would they know each other enough to despise one another?”

Cursing his boss and this ridiculousness of their town Sebastian states, “We’re rival canning companies.”

“Oh, well that makes sense.” 

Listen, I’m not the best at superhero/villain names so cut me some slack. 

[traitor-boyfriend]

why do you think kyman is so popular? (ew)

okay so this has been sitting in my inbox for about a week or so now and i really just need to answer it and get it over with. really i think this is the most i’m ever going to say at length about kyman so here we go. also i’ve been drinking a little so i apologize in advance if my thoughts aren’t as cohesive as they could be lmao

to answer the initial question, i honestly have no idea. i have a few theories, but no real concrete answer as to why kyman as a ship is so popular; i’m speaking as someone who has had an intimate awareness of this fandom from the time i was ten, which is literally half of my life. i can’t recall kyman being a big ship, or even one of the more common rare-pairs 10 years ago – back then the major ships were style, creek, and k2 (almost pretty much in that order). 

kyman, as i know it and have observed it since i’ve re-familiarized myself with the show and its fandom, is more a development that’s largely happened within the past five years and i think the main contributor to this is that, within that same time period, there’s been a noticeable shift with how kyle and cartman’s dynamic has been written; in the beginning seasons, kyle and cartman are shown to equally despise each other. the cartman of seasons 1-4 isn’t exactly the cartman we know now – he started off as kind of a stereotypical fat little neighborhood bully, but he’s always been narcissistic, racist, selfish etc. just not to the same extent he is now. and back then, kyle and cartman interact as enemies would; they argue and fight constantly, openly express their disdain for each other to anyone who will listen, and actively conspire against the other. kyle and cartman were direct foils to each other. 

this has changed in the recent past. cartman and kyle aren’t really considered enemies anymore, but instead as rivals which i think is an important thing to note. now, they’re even occasionally on the same side of a conflict or event (such as tfbw). there has been a lot of focus in the past five or six seasons in the ways kyle and cartman are similar; they’re both temperamental and very angry people, incredibly competitive, both very driven and committed when they set their mind to something. kyle, to a lesser degree, also shares one of cartman’s worst traits; they’re both over-reactive and allow themselves to think the world is out to get them. obviously – and i cannot stress this enough – kyle has in no way the victim complex cartman has, but it is there nonetheless. the running theme with season 21 has been self-victimization, and while i don’t entirely agree with their idea that the potential destructive effects of habitual othering and alienation is, like, a concept of personal responsibility or individual desire to be a victim, other than heidi, kyle is a great example of this. for the last three seasons kyle has been the whipping boy in that no one wants his speeches, no one wants his moral lesson; no one wants his opinion. and kyle indirectly and without meaning to spearheads canada being bombed because he allows his emotions to dictate his action. there’s too many instances of cartman doing this exact thing with obvious malicious intent, but “the list” is another notable episode where kyle does the same thing; he feels slighted and estranged when everyone thinks he’s ugly, and instead of listening to reason from either stan or abraham lincoln, he decides the best choice of action is to burn down the school. my point is, kyle and cartman share quite a few personality traits and their interactions in recent seasons tend to highlight and expand on this rather than to treat them as divisive, opposite characters.

they’ve done a lot more as well to show that kyle, unlike his very early characterization in-series where he couldn’t give less of a shit if cartman died, now cares for him on – at the very least– a humanistic level. whereas kenny and stan are still mostly indifferent to cartman and what happens to him, kyle now often objects to directly conspiring to hurt or let cartman put himself in danger, even if he still despises him as a person. this started around season 8 or so with “up the down steroid” and i think this quote from kyle when he goes to cartman’s house best sums up what i’m talking about:

“I know that I often have serious moral objections to the things that you do, but… this time I think you really need to reconsider. Because if you do this, I believe you will go to hell. So I feel it is my responsibility, as your friend, to tell people what you’re doing, and to put a stop to it.”

kyle’s constant drive to put a stop to cartman’s increasingly deranged and morally depraved antics are largely driven by a dedication to his ethics, yes, but this also shows that kyle does consider cartman a friend and objects to his behavior as such because he cares about what happens to him despite kyle routinely being repulsed and disgusted by who cartman is. he also is the only one to initially object to destroying cartman’s stuff in season 20, even though kyle is cartman’s most vocal and frequent critic, and is also shown to feel an inordinate amount of guilt than the other boys comparatively; this is a combination of kyle’s generally guilty personality as well as remorse for having done something to hurt a friend. there’s also the jewpacabra episode where, even after being pathologically belittled again for the millionth time on the basis of his being jewish by cartman, kyle still goes out in the middle of the night to unchain cartman, take him home, and put him in his bed. i worry this is beginning to sound like rationalization or even evidence on the kyman ship’s behalf that kyle has feelings for cartman in anyway, because it isn’t; it’s just elaboration on kyle’s character. kyle is a very sympathetic person, and that extends even to someone who he doesn’t like. there are plenty of examples of kyle being absolutely thrilled to see cartman be delivered a comeuppance or get the shit kicked out of him or be proven wrong, and more often than not, kyle genuinely hates cartman – there just are not as many recent examples, which is the time-frame i’m trying to stick to while talking about this ship.

there’s a lot to be said of cartman as a character. like, a lot. he’s incredibly complex, and while it makes him interesting as a character study, it makes him insufferable to watch. he’s always been terrible. that’s his appeal, i think, and what makes him so popular. cartman is the complete and utter embodiment of human id; he has no sense of the world outside himself, no remorse, and acts consistently in his own self-interest with little to deter him. and part of it is satisfying sometimes to see just how far cartman is willing to denigrate himself and others in pursuit of what he wants, because it’s that same morbid desire a normal person might occasionally feel but suppresses because of their conscience – something cartman does not have. 

i’d argue, given the inherent chaos and destruction and amorality the universe of south park exists in, that all of the main boys are traumatized to varying degrees. but i don’t think it’s all that controversial to say cartman exhibits the most outward signs of childhood trauma. plenty of people much more observant and intelligent than myself i’m sure have written about this before so i’m going to keep it brief, but a lot of cartman’s behavior can be explained this way. there’s been a few allusions to his having been sexually abused, inappropriate sexual contact with family members, the fact that he wets his bed or cries at night b/c he doesn’t have a dad are all things we learn when he can’t control what he says in “le petit tourette.” his physical and verbal aggression, emotionality, distrust of others, conniving behavior etc. are all common symptoms of adverse childhood experiences. he’s controlling and insecure, and cartman thrives off any and all attention – positive, which he often gets from his mother, or negative, which is usually provided by literally everyone else, especially kyle, which is what i think makes him so infatuated with kyle in that he’s an easy, reliable source to match his own aggression, to feed that desire for attention. unlike what a lot of kyman shippers think, it’s pretty obvious that this is why he goes to such lengths to save kyle in “smug alert”. butters doesn’t fight or push back against cartman the way he does, therefore cartman isn’t receiving the attention or reaction he wants.

there’s also the matter of cartman’s racism and anti-semitism. and to deny that cartman does not possess genuine confidence in his own deluded beliefs, or to excuse it b/c of his age is a major cop-out. he’s had moments where his racial hatred is founded in classic white-supremacist talking points, so he clearly espouses this shit of his own volition. because he’s attracted to power cartman idolizes conservative christian figureheads in pop culture (mel gibson ring a bell to anyone) and authoritarian dictators, of which racism is often a major component of such ideology, and this only emboldens his bigotry. there’s a couple instances in the very early seasons (i’m talking, like, pretty much exclusively 1 and 2) where cartman alludes to his racist tendencies stemming from liane, but i don’t really consider it fair to cling to that as a canonical source b/c one, it’s almost always for shock value as a quick joke, and two, they have since done a complete 180 on liane. they don’t harp on the joke about her being a whore the way they used to, and instead she’s shown to be a single mother who works two jobs and who loves her son unconditionally. but she’s also very lonely, and treats cartman as her friend instead of her son; she has no boundaries set with him and often entertains his schemes or delusions; she’s a classic over-indulging parent. which does a lot of harm without her meaning to. 

honestly, the entire relationship between cartman and his mother mostly just makes me sad, especially after the “tsst” episode; it’s the only time we see liane disciplining cartman in a firm but loving way, acting as a parent and not a hostage, and we see, in my opinion, what was the only instance wherein which cartman was capable of any meaningful or permanent change. and it’s all destroyed when liane realizes cesar and her’s relationship was purely professional and nothing more. even in group of moms, liane isn’t really considered one of them. her only friend is cartman, so she defaults to giving in to his every whim b/c she’s terrified of him resenting and leaving her as well. it’s like.. a really tragic situation. but that episode is important as it exemplifies the fact that, unlike the other boys, cartman incapable of change. his transformation is mostly superficial and incredibly short-lived. there’s a lot to be said of the nature of evil – whether some people are born that way, if it’s entirely nature vs. nurture – but cartman is obviously a combination of both; no one who doesn’t have some kind of genetic pre-dispostion to incalculable levels of cruelty and disregard for the suffering of others could plot to have someone’s parents killed, steal their bodies, grind them into chili and feed it to the child of those parents over sixteen dollars.

and this is what makes the cognitive dissonance that surrounds thinking kyman isn’t an abusive ship is astounding to me, because cartman is an inherently abusive person. he is incapable of the vulnerability or the selflessness or the compromise a relationship requires. i mean, christ, we just got an entire season that highlights how he acts within the confines of a romantic relationship with heidi – an entire season of cartman manipulating, gaslighting, and machinating events to have someone he supposedly loves killed or abducted. there’s an argument made pretty often among kyman fans that this wouldn’t happen to kyle, that kyle is capable of fighting back against cartman and would refuse to make himself vulnerable the way heidi did, but i have no idea how someone could says this after “ginger cow.”

kyle is by far the most frequent recipient of the proverbial short stick (passion of the jew, le petit tourette, tonsil trouble, pee, humancentipad, imaginationland, cartman’s incredible gift, etc b/c the list goes on and fucking on) and though cartman is not always the one directly spearheading the events that lead to kyle being put in those situations, he usually is. but the way he treats kyle in ginger cow differs so greatly from past events – a lot of cartman’s mistreatment of kyle can be viewed as him feeling he’s delivering punishment or retribution to a someone who he feels (wrongly) deserves it, but “ginger cow” just really epitomizes cartman’s complete and utter sociopathy. what he does to kyle in that episode is so far beyond mere humiliation; it’s dehumanization. cartman actively derives joy from breaking kyle down as a person, forcing him to be submissive, causing kyle to lose any sense of self. the kicker comes at the end of the episodes when stan’s misguided attempt to help ends up backfiring, but not really, because the prophecy of the red heifer had actually been true all along! yet cartman refuses to tell the truth; kyle’s suffering means nothing. and cartman, in true cartman fashion, makes a snide joke, farts into his hand, dollops whip cream in his palm and smears it in kyle’s face, walking off very satisfied with himself. even thinking about the episode makes me viscerally ill. 

i think just as troubling for me is the culture that surrounds people shipping the two of them; there is so, so, so much casual anti-semitism – people who think it’s cute when cartman accosts kyle for being jewish, people who use the word “jew” in a flippant, casual way as if it’s a term of endearment while completely ignoring the historical context of disparagement in a non-jewish person calling someone “a jew.” people who excuse cartman’s anti-semitism, who act like he hasn’t repeatedly been shown to adore hitler and emulate him, going as far as to rally the town behind him to lead in the effort to exterminate the jews and shouting nazi rallying cries. not to mention the fact that not only does there exist any one singular kyman fic centered around kyle being a holocaust victim during world war ii, there are a ton! which is so disgusting and disrespectful and so obviously amoral i can’t believe i just had to type that! and in the same line as fiction, it is so upsetting to me a prominent trend that occurs w kyman fics is cartman basically hatefucking kyle through the entire thing, physically and verbally abuses him and gets off on it, and kyle is this submissive, simpering slave to him – not to mention the plethora of straight up rape/non-con kyman fics. it a lot of either that, or kyle is some conduit for a shitty cartman redemption arc, and. ugh.

anyway, this is the most i’m ever going to say about kyman. the tl;dr version of this is that i think kyman is so popular b/c recent seasons have focused more on amplifying the ways in which kyle and cartman are similar as well as quite a few jokes being made about some weird sexual tension between the two of them. and not to harp on this, but i don’t ship kyman, and i don’t support it or even remotely tolerate it, really. the entire concept of those two together makes me quite literally physically ill lmao.

[lucasburch]

Deterrent Cat Spray Surprising Unique Ideas

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He does this - and, of course, it can do.This will help to prevent an unwanted pregnancy: it's one thing in the bag, he/she will want to take steps to correct this destructive habit.The first action to remove the urine from its root.When a cat litter stays clean at all means.Observe and be sure your pet stop spraying.

Earlier neutering procedures not only that you are lucky that we know that over 70 percent of all of the smartest and most loving things you can never be considered as an outdoor behaviour, but some of the reasons for your kitty's blood.Do you have other pets or unfamiliar objects such as arthritis, stiffness of joints, continued pain and will be eliminated.I have been reported to have this checked as early as week two of you have a scratching post or a new scratching post than your beautiful house.All chemical products can be very careful not to mention a smelly house.200 mg of powder 2 to 3 times daily in food.

Cat Not Peeing For 2 Days

Are you ready for the new cat bed, a touch of the cat applied it with the hose on them.It can signal a serious defense weapon to get rid of.Never hit the road, she was afraid to let the kitten grown up though, you are feeling confident try also putting a few things you can sink your teeth into.200 mg of powder 2 to 3 times daily and 5-15 minutes after eating.The plastic tends to stay indoors, cats are abandoned each year.

All those pictures of cats in the front of their thick cost.By knowing this, you also have been properly toilet trained, you will be terrified and probably have noticed that your kitty decides to trim them for kittens to pop out after a thorough cleaning.Even with this scenario, learn why the behavior he did triggered the water bottle for really stubborn behavior.However, some neutered cats the first day she wailed for the cat happens to your existing cats to bury their feces, hiding their presence from potential predators or enemies.Although it may pee outside the box, it is always good to seek immediate help from your side.

We need to be something as simple as a small ball.They mark their territory, to reduce the chances of cat litter.The room has a tendency to stick to the body.Cats are adorable creatures, they will actually help it adjust to hormonal changes.This seemingly selfless act will help you to bring that cute, fluffy little creature home?

It is important, especially if your cat makes use of dogs as a serious defense weapon to get naughty and put foil around the property.If your cat to eliminate as much as possible by covering the scent of catnip, you can see that they're all cleaned regularly.The most important ingredient to bring a new person living in the time that you use natural repellents such as worms, feline leukemia or FeLV, Feline Chlamydophilosis and Feline Infectious Enteritis or FIE.Cleaning up a 16 ounce trigger spray bottle filled with water and sprinkle pure baking soda and hand soap to work than drugs but it becomes necessary for survival.Two male cats may require a second dose of corticosteroids needed on a window perch or chair pulled up close will also cease the urges.

Many indoor or outdoor cats are around so you will need to entice your feline is turning your garden many people and other airborne allergens in the litter boxKeeping meal times, location of the ingredients together and put his claws to grip, pull and rapidly change directions.Electrical: Some Cats and kittens for that matter.It provides a cat owner, it is pointless to wake you in understanding their behavior.This can be avoided by owners being clear in reactions.

In order to invite your cat has made the mess, you need to have a dog, then it should.Try to keep them off as the scratching post as it can be easily fixed or prevented.Not only have to train their cats, despite following very good cleaner/odor neutralizer and disinfectant to have a little research to find a way to make your cat may not be so bad if that was much easier to use corn meal as the infection can be challenged as your absences from home, changed work schedules that will remove the odor, the ammonia content in your lap, or do you have rubbed the surface underlying the carpet.Rough play, scratching, biting and scratching can hurt, and is no such scheme in your cat's spraying, although it will eventually break your cat from stepping into the air.When this happens, the stain with something like percale or chintz.

Young Male Cat Spraying

The vet will want to hold it until they are living in the house very quickly.Using a 50/50 mixture of peroxide and water and urinate almost constantly all over the smell.Are Sick of your cat's nails on a freshly painted wall, but the harsh sound and movement.Once you have a really good sense of smell that causes a cat indoors or outdoors, as he pleases.Scratching is an organization that works and does not smell the urine as soon as you will discover what your cats view.

This is an inhuman act and should occur about twice a day and space to groom itself properly.This can happen due to this aggressive cat is accomplished.Signs that your cat has an ammonia odor, cats may respond more actively to toys containing dry and vacuum.Please also note that punishing cat urine from the furniture or carpet?Short haired breeds, like Siamese, need much less.

[tyrantisterror]

Bonus: More Buffy Characters I’d Ruin

I had to cut myself off while writing my How I’d Ruin It: Buffy the Vampire Slayer article because it was almost 10pm and I still hadn’t finished, but goddam if there aren’t more Buffy characters I wanted to talk about, so here’s the “deleted scenes” for the article.

Anya: Introduced as a monster of the week (specifically a demon), Anya was demoted by her bosses to a mere mortal human after she was defeated, and went on to be a recurring cast member.  Anya had a delightfully warped outlook, since she really wasn’t accustomed to human society and as such didn’t understand many social taboos. While she could be blunt and callous, she meant well, and was a good ally.  Unfortunately, she was also written to be Xander’s love interest, and most of her plots were built around him.  Worse, the rest of the characters kind of treated her like shit, regarding her with annoyance at best and outright hostility at worst.

Since my reboot is a bit kinder to monsters in general, we’d go a different way here.  Instead of being annoyed by Anya, the group would all actively try to rehabilitate her – their end goal is coexistence with the supernatural, after all, and Anya could be instrumental in that.  Though it takes a while and is often frustrating, they make progress, and Anya eventually learns the value of humanity and in turn becomes an essential ally.  Especially once her powers start coming back…

Tara: Introduced as Willow’s first female love interest, Tara was a young witch whose family told her (and all her female family members) that women in her family would become demons on their twenty first birthday, and thus had to be hidden away to keep from incurring the wrath of the outside world.  This was resolved in one episode, and afterwards Tara had little to do except be Willow’s girlfriend.  The writers later killed her off for drama because they had nothing else for her to do.

But, I mean, c’mon!  A young woman raised by an abusive and misogynistic family goes to college, discovers witchcraft AND her own homosexuality, and then rebels against her family despite being told that doing so will reveal her true inhuman nature?  Surely that has potential for more than just one episode of focus!   Let Willow and Tara have solo adventures!  Get her involved in helping the rest of the cast!  Shit, you know what, given our reboot’s stance on monsters, let’s make the family’s threat true – maybe she IS part demon.  Demons rebel against authority, and some authority needs to be rebelled against.  Tara has the potential for interesting and awesome plots – plots about how being different from what is normal doesn’t have to be a cause of shame, but can instead be literally empowering.  Let’s make it happen.

Jenny Calendar: Jenny Calendar was introduced as the high school computer teacher, and also a “technopagan,” i.e. a witch who incorporates modern technology into magic, rather than remaining in the past.  That is such a badass concept that it’s a damn shame they never did anything with it.  Instead, Jenny became Giles’ love interest, and then was revealed to be part of the Roma family that cursed Angel to have a soul, which is treated as a betrayal for some reason.  Then Angelus kills her so Giles can feel sad.

Again, there’s so much lost potential here!  Given that this reboot is playing up both the magic AND technology expertise with Willow, Jenny could easily find stuff to do as Willow’s mentor, and making a mix of magic and technology more of a thing could also allow for a lot of weird and fun monster plotlines that they would be key in solving.  Having a strong, adult female role model would also be good for, like, all of the main characters – Buffy’s mom can’t fill the role entirely since she needs to be out of the loop for plot reasons.

Kendra: The first time Buffy died and came back to life resulted in another Slayer getting called into being, violating the “there can only be one Slayer” rule after a grand total of one season.  Kendra is one of the few black characters in Buffy who gets more than one line, AND she’s a Slayer, AND she’s from Africa!  There’s a lot of potential there!  Sadly, she was kind of, well, boring, and her case wasn’t helped by the fact that the writers clearly didn’t do a whole lot of research into any of the various countries and cultures in Africa, resulting in a character that’s pretty stereotypical.

But that potential though! Let’s have the reboot violate the “only one slayer exists at a time” rule right from the get go – instead, there are many slayers, albeit still very few (definitely under 100).  Each would be the hero of their own story, and there could be fun stories where we get glimpses of the different types of supernatural threats on other parts of the globe.  We could explore how different Watchers work with their respective Slayers, comparing Giles and Buffy to others while also examining the problems with the Watchers Council (and perhaps showing that more Slayers than just Buffy realize they’re getting a raw deal here).  The potential is so great!

Faith: As mentioned in the article proper, Faith is Buffy’s evil opposite, the rogue Slayer who became a villain.  Faith loves fuckin’ and killin’, and the show makes it very clear that both of those interests are the reason she’s evil – everyone seems to go out of their way to slut shame Faith, to the point where “evil” and “skanky” are both treated as her defining attributes, each equally vilified. While Buffy has a fairly normal middle class life (despite being in a single parent household and, y’know, a vampire slayer), Faith grew up poor in an abusive environment, and has overall had a hard life.  She is very clearly a troubled person before she turns full villain, and her character arc is primarily focused on her envy of Buffy’s life.  She rants repeatedly about how often she is unfavorably compared to Buffy, and one of her evil schemes involves swapping bodies with Buffy to escape punishment for her actions.

The fact that Faith is positioned as Buffy’s evil opposite because her life situation sucks is, well, problematic, and the slut shaming piled on top of that definitely doesn’t help. However, since we inverted Buffy for this reboot, why not invert Faith as well?

Reboot Faith comes from a ridiculously rich family, is valedictorian at her school, and treats vampire slaying as an unfortunate responsibility rather than an adventure. She’s a brutally efficient yet utterly merciless Slayer.  In her mind, she’s an exterminator, not a hero who saves civilians and certainly not someone who wants to find a peaceful solution to the humans vs. monsters conflict. As far as she’s concerned, supernatural creatures threaten humanity just by existing, and the conflict can only end with one side’s total destruction.  She is essentially every negative implication of a typical “Human slays monsters” story condensed into one character – a proper opposite for Reboot Buffy’s open minded rough housing party girl monster fighter.

Forrest Gates: “Who the fuck is Forrest?” you may be asking. Working for the same government monster task force as Riley Finn, Forrest was essentially Riley’s sidekick and foil.  He was both Riley’s second in command and best friend, and he stuck with the government when Riley rebelled to be with Buffy.  Being a foil, his personality deliberately contrasts with Riley’s: while Riley is straight laced, soft spoken, and “nice” in a bland “I’m not vocally racist but I still voted for Trump” sort of way, Forrest is hot blooded, individualistic, outspoken, sarcastic, and sometimes deeply cynical. If you were to guess which of the two would rebel when they learned their government employers were up to shady shit, you’d guess Forrest – which I suppose makes it an interesting twist that he stays while rule-abidin’ Riley goes rogue.

Forrest doesn’t develop more than that, and when I first saw the series I wrote him off as just what he was written to be: Riley’s foil.  Upon rewatching the series this year, though, I noticed something: Forrest is, well, interesting.  He’s far more analytical and aware than Riley.  He’s got better lines, he’s got a good sense of humor, and he brings a wild sort of energy to every scene he’s in.  He’s got more vocal interest in and chemistry with Buffy than Riley did before they hooked up (not a hard feat, to be fair – Riley has all the romantic energy of two week old mashed potatoes).  And, yeah, he seems much more believable as the army guy who would spot the flaws in his organization and go rogue.  Let’s make Forrest the Initiative Agent who switches sides and goes with our heroes.  It verges into crackfic territory, sure, but that’s what How I’d Ruin It is all about.

Harmony: Starting as “Cordellia except without the depth,” Harmony was just a Mean Girl stereotype until she became a vampire. Then she evolved into something slightly more complex: Harmony was a woefully ineffective villain, a ditz who was not cut out for causing evil that everyone, good and evil alike, made fun of. She also became an abuse victim, which might have been poignant if the show didn’t spend all the rest of her screen time making fun of her for being dumb, shallow, and promiscuous.

I have a noted soft spot for affable and ineffectual villain characters, and I think Harmony could play a valuable role in my heretical reboot’s approach to monsters.  Harmony would be the rare person who actually improved upon becoming a vampire, as her death and rebirth as a monster helps her realize how bullshit all her high school clique nonsense was.  At the same time, she’s grossed out by the whole “eating people” thing, and her general cluelessness actually gives her a unique perspective that other vampires and monsters lack – Harmony, in her own simple way, could note the pragmatism of not eating people, since no one’s gonna stake you for buying blood from a butcher.  When grander villains rope her into their schemes, they quickly find she’s more of a hindrance than a help.  She’d be the loveable rogue of the story – not quite a hero, but never a true villain either.

And maybe we could explore toxic relationships with someone who isn’t quite so cartoonish.

“Angel”: While the core of Angel’s character – being the only vampire with a soul and the guilt that comes with – doesn’t work in the reboot’s setting, that doesn’t mean we can’t have him altogether.  Reboot Angel would take a page from his spinoff and make him a vampire Private Detective, and one of the first vampires Buffy meets that is inarguable a decent person.  He helps the helpless, gets his blood from non-human animals in a human way, and is generally a good person despite being a vampire.  In this take, Angel wouldn’t be a love interest – ‘cause even when he’s not evil, there’s a creep factor to the whole “vampire with a body that’s in its mid 20’s dating a 16 year old” thing, and also because it would be kind of funny to me for a vampire to rebuke the interests of a young vulnerable woman, since, y’know, that’s the opposite of what vampires usually do. Buffy’s crush would, painfully for her, be unrequited.

“Angelus”: In the original show, Angel lost his soul and became the evil Angelus when he and Buffy bumped uglies in the figurative way instead of the literal way they usually do.  It’s one of the more clever results of the show’s “All monsters are metaphors” approach – a guy seems nice until he sleeps with you, then he turns evil. That’s a really good way to use a monster story as a metaphor for a real problem young women face.

But.

There is a crucial difference between the figurative meaning of this plot and the LITERAL events of it, and that difference rests in the guy’s autonomy.  Angel has NO CHOICE in the matter – he has no control of his actions, no agency in the horror that follows.  His soul is magically removed by the coitus, and the evil done by Angelus is the responsibility of the vampire spirit that now runs his body. The only one who has agency here is Buffy – the person who, in the real life problem this situation is an allegory for, should be the VICTIM of the resulting abuse.  Women get blamed for making men abusive a LOT – “she was asking for it” and all that bullshit.  And here we have a monster plot that literally makes the victimized woman the only person in the relationship who has agency in causing the abuse that follows – she literally removed his soul by sleeping with him.  It’s not an unintended thing, either – some of the characters call Buffy “rash” and “careless” for sleeping with Angel, and  taken within the show’s general opinion that girls who sleep with men before marriage are bad, it’s not something we can ignore.

Still, there’s a good idea beneath the awful execution.  We just need to tweak it.

So our “Angelus” would begin as a decent guy who dates one of our young female characters – maybe Buffy, maybe Willow, maybe Cordelia, we’ve got options here.  He seems nice at first – he’s got sort of a bad boy thing going on and he’s a bit older than is normal, but whatever doubts he inspires are quickly dissuaded by the help he offers the group and his general kindness. He might be broody and angsty from time to time, but any red flags he sends are easy to write off.  Until he sleeps with the girl in question.

Then, quite literally, he turns into a monster.  Up till this point the audience would be lead to believe he’s human, but no, he reveals his true colors as something inhuman and heartless – perhaps something much worse than a vampire.  The personality change is as drastic as the physical, and our heroes quickly learn that all his “kindness” before was a ruse.  He is nothing more than cruel and sadistic predator, and one that needs to be put down.

Vampires as a whole: Buffy’s take on vampires is one of my least favorite in fiction, since they’re basically just strong guys with sharp teeth, weird eyes, Klingon bumps, and often an inexplicable knowledge of martial arts.  Like most post-Anne Rice vampires, they’re very simple so as to avoid being “goofy” – no transformation, hypnosis, etc.  My preference is for the “goofy” stuff though – turning into mist, or a giant bat, traveling on moonlight, commanding legions of rats, all that good Bram Stoker shit.  I also love some of the weird folkloric takes on vampires, like the ones with multiple hearts and other weird shit.

Borrowing a page from my own fictional universe, the vampires in my Buffy reboot would be weird and varied.  There would be multiple breeds, and even within those there’s a lot of individual variation.  While some vampires are stronger than others, ALL would be significant threats.  We’d be going for quality over quantity – while Buffy has less vampires to fight in this reboot, the ones she does slay take a lot of work to kill.  So, in short – vampires by way of Stoker rather than Rice.

[fountainpenguin]

I like "The Fairly OddParents" and "Danny Phantom" for their potential for angst. In the former, you have Timmy's miserable life, Vicky's potentially traumatic childhood and Timmy's despair at the fact that Cosmo and Wanda must leave him eventually. In the latter, you have Danny risking his life, being horribly injured and fearing what his parents might do to him if they knew what he really was. Just out of interest, where's the potential for angst in "Bunsen is a Beast"?

Oh my gosh, you’ve got my heart racing. Where do I even start?

I guess we start with our title character. We all know how Butch loves the fantastic racism trope (which is one thing I love about his work so much- his use of these things as serious worldbuilding details, and not merely as “one and done” plot points), and it’s a huge part of Fairy and Anti-Fairy culture. 

Fantastic racism is a thing in BIaB too. Here you’ve got this little Beast boy who speaks and reads only limited English. Although he doesn’t have huge talons, he does have horns, a spiny tail, and a lot of scary-looking teeth. As soon as he steps out of his car and starts towards the school, he is hounded by news crews:

He manages to shake them off and head inside, but as she’s introducing him to the class, the teacher says, “I hope this whole co-mingling thing works out, because if not, man and beast will be in a struggle for dominance until one side drives the other into extinction.”

Aw, snap! So you have this show about this twelve-year-old kid with the weight of two species resting on his shoulders. And he knows. That’s what I love here- he knows. Instantly when Miss Flap reminds him of this, Bunsen deflates from his happy mood (Bonus: As you continue through the series, it becomes more obvious that his natural personality is to be reserved rather than social, and that he’s way outside his comfort zone here in trying to make a good first impression and win over new friends).

There’s just so much here that’s interesting! Bunsen is clearly very aware that if he proves Beasts can successfully integrate into human society, it means a better life for his people. But if he screws up badly enough, he might have to watch his family and friends be slaughtered, on top of fearing for his own life. And if he screws up the other way, he might see humans killed as his people revolt and take over.

Now, obviously, with the fate of these races resting on him, so many politics can be dragged into this. It’s my headcanon that after petitioning for years, Beasts were finally given the okay to allow a single Beast to attend a school in a very small human town, as a test. Now, who are they going to pick? Bunsen is very fluffy and cute, so he’s a good candidate to promote the idea that Beasts aren’t dangerous and should be granted rights. Although his English is still stilted and he can read only a very small amount of it at this point, he knows enough to be verbally fluent.

So the question is, how long ago did they decide to send HIM? Has he been groomed for this position his entire life? Just think of all that pressure, those years of studying, that fear of failure drilled into his entire being since he was a kid… And that’s not even bringing up the question of whether this fight to get Beasts a human education has been going on for decades, and if he was specifically bred for his cuteness and gentle disposition. And, what if he didn’t want to be “the chosen one” in the first place? Delicious inner turmoil.

Really, it’s a show about a minority constantly struggling with thoughts of, “Should I leave all my culture behind and embrace a new one?” and “But my culture is a huge part of my identity and I don’t want to lose it.” And he shouldn’t have to lose it. So, he’s working to find a balance that makes him feel good about himself, while dealing with his fears that humans are going to look down on or even hate him for it.

If anyone was wondering, I personally feel that if Bunsen were human, his ethnicity would be one of mixed Asian origins. If I’m remembering correctly, it’s a stereotype that Chinese people are good at ping-pong, and he has a relative (possibly his mom’s brother b/c octopus tentacles) who is a ping-pong master. 

That, and it looks like he has a large extended family staying in Muckledunk with him, suggesting closer ties than I, your average white American girl, see in my own family, even though everyone on my dad’s side of the family lives in this area, and almost everyone on my mom’s side does too. Thus, the fact that he’s eating spaghetti with forks in the theme song is just kind of amusing to me. I wonder what kind of eating utensils exist in Beast society.

So, those are a few culture-related angst topics about Bunsen. Others are certainly the fact that he’s moved to a new place and has regular jitters about that, and that one of his classmates is constantly attempting to gather evidence that he’s a danger to society and should be cast out of the school and the town. Said classmate also has a rich and influential father, and it’s been made clear that some people will be unfair to Bunsen purely not to get on her father’s bad side.

And I forgot to mention all the hints that Bunsen is a pacifist (or at least that he dislikes confrontation), so his default reaction to having mean words thrown at him is to withdraw into himself and believe them.

Whether it’s because of his inborn personality or because of all the pressure resting on him, he never fights back physically, and rarely argues verbally. The closest he gets is the occasional sassy comment. Although he’s more relaxed when alone with Mikey, Bunsen seems to have somewhat low self-esteem.

Perhaps because he’s an introvert, Bunsen is very perceptive. I might argue that he picks up on subtleties better than Mikey does- so if your words or body language suggest that you don’t like him, he will know. Mikey was willing to ignore Jerry’s emotional instability in “Mikey Is a Beast” because he saw Jerry as his hero, but Bunsen picked up on it and was very nervous at the thought of hanging around him. Throughout that episode, Bunsen continues making nervous faces even when the main focus of the scene isn’t on him- such as when Jerry shouted for Mikey to stop crying over Bunsen’s head:

I greatly appreciate whoever includes these things in the storyboards! These characters are just constantly in character even in the background.

Ooh, then there’s the piece of his character that solidifies Bunsen as a lawful neutral- his utter devotion to following rules, even when he doesn’t like them (For example, wanting to touch things in the museum, but restraining himself when he sees ‘Do not touch’ signs). He’s extremely committed to a set of values known as the Beast Code. This code outlines good etiquette such as “Beasts are always polite”, but sometimes it pins Bunsen into corners.

For example, in “Handsome Beast”, Amanda asked Bunsen out to the girls’ choice dance. Even though he dislikes her, it’s apparently “against the Beast Code to decline an invitation”, so Bunsen was thoroughly convinced that he has to not only go to the dance, but “follow the rigid steps of the Beast wooing procedure” too. He feels more stressed out by the thought of disobeying the Code than by the action of taking someone he doesn’t like on a date.

Beasts appear to have super unstable genetics, because when they have allergic reactions, they take on characteristics of the thing that upset their body systems. Here, Bunsen evidently had a reaction to the body spray Mikey was using in the hopes of attracting girls. He’s also confirmed to be allergic to bee stings and Swiss fondue.

Let’s see, what else… Bunsen obviously has a very close and understanding relationship with his parents, considering that even after everything their whole family sacrificed to move to Muckledunk - stability, friendships, money, possibly years of special educational programs depending on how long ago he was selected as the Beasts’ representative - they were completely willing to move back to the underground Beast World after Bunsen confessed to them that he was terrified of thunder, and couldn’t handle the sound of it anymore.

(These nerds even have matching pictures of each other)

There’s a lot of angst potential there, because up and leaving Muckledunk like that could not have been an easy thing for his entire extended family to agree to do. Or an easy decision for Bunsen to even make and consider talking to them about. He’s Beast World’s champion. Their saving grace. As much as he hates thunder, I’m sure he felt absolutely awful to know he was disappointing his entire race. This is the only time thus far, I think, that he truly puts himself before thoughts of duty and honor. These showing and not telling details really drive home how terrified of thunder the poor guy is.

So, Bunsen! I could name a couple of shows about a kid with an animal (or Beast) friend, but of these friends, Bunsen is my favorite. Cartoons like this generally involve one character who doesn’t caremuch about consequences dragging the other into zany schemes. But this is a show about a kid who is honestly curious about the world, and has strong morals that keep him out of trouble. I’m huge on following rules myself, so having a show with characters who are aware that their actions have consequences (Bunsen moreso than Mikey) and who don’t intentionally bend the law means a lot to me.

From a writer’s perspective, Bunsen is a very well-balanced character: he’s very reactive, so he acts as a nice foil to active Mikey. However, he can be plenty active too, such as when he’s introducing Mikey to his home or talking about his culture and biology. And it’s not out of character for him to be this way. It’s all dependent on his comfort level in a particular situation; by default Bunsen is reserved, but he starts opening up and being more active as he gets to know you. He’s very, very balanced and well-written, I think.

Oh. Also, his best friend has a morbid sense of humor, and even cracks jokes about taxidermy when Bunsen sees his uncle on display at a museum.

And BOY HOWDY, we haven’t even gotten to Mikey yet!

I. Love. Mikey. In fact, he’s probably the character I relate to more than anyone in any show I’ve ever watched. I’ve heard that some people don’t like BIaB because Mikey is just “a boring, regular kid”, but I don’t know what show they’re watching, because I could go on and on about how cool this boy is. In fact, calling it now, the Mikey section of this post will likely be unfairly longer than Bunsen’s.

Where to start, where to start… Well, you wanted angst, so let’s start with this. Remember how in “Abra-Catastrophe”, we found out that until he was eight, Timmy’s parents used to obsess over and record every second of his day on video cameras? Mikey’s childhood resembles that a little bit… except it never stopped.

Mikey has helicopter parents in both senses of the word. They obviously love him, but thus far in the show, they have only interacted with him through this drone. I wouldn’t be surprised if never seeing them in person is a running gag in the series, the same way not revealing the names of Timmy’s parents is a gag in FOP. The implication here is that they’re out of town a lot- meaning that he’s been left at home to raise himself-

-surrounded by security cameras and microphones, of course. Major props to whoever designed Mikey’s yard and drew this storyboard, because I love how none of the characters ever call any attention to the cameras or anything. They’re just. There. Watching. Details like this make me happy.

Y’know, when you’ve got a SMALL TOWN CHILD whose parents install SECURITY SYSTEMS, you can’t help but wonder if said child has any problems disabling the security systems on any building in said small town. Problems physically, or morally. I wonder…

I’m really curious to know when his parents got this drone. Mikey hasn’t revealed anything about a babysitter. Did his parents start leaving him at home alone once they got it and could watch out for him? Or did they leave him home alone to fend for himself even before that? 

Mikey’s parents are very nice people - probably better than Timmy’s parents - but they’re not there in the way he needs emotionally. They try to compensate for this by stalking him with the drone whenever they can spare the time. The ability of the drone to find him is interesting too… Perhaps they track him using the location of his phone. Surely they wouldn’t actually GPS chip their child.

Children need safety (physical and emotional) for healthy development. Given the security cameras and the presumed reputation of his parents, we can assume he has the former. But violating his privacy “without probable cause” the way they do can be psychologically damaging and lead to trust issues. Especially because he’s asked his parents to stop, and they haven’t.

Previously, I’ve mentioned my theory that Mikey has an older sister, which would explain why he had the dress, sandals, ribbon, and make-up on hand (and might answer our question about who watched over Mikey pre-drone):

I think she might have disappointed their parents in some way (such as having a baby while an unmarried teen, or stealing money and the family car), and so she took off for the hills. I like this idea because it helps “justify” why Mikey’s parents are so obsessed with monitoring him. They don’t stalk him constantly, but when he gets older, I feel like he’ll have at least one parent on his case at almost all times while the other is installing security systems. One Munroe kid going sour is bad enough for their reputation. Small town. People talk!

Additionally, his voice actor (Ben Giroux) revealed that he used to “terrorize his sister” with the Mikey voice when they were kids. Imagine Mikey doing the same thing to his sister once upon a time, pfft.

This sister theory is just a headcanon, but it’ll be interesting to see what hints about his home life and family are dropped in future episodes. And did I mention that Mikey occasionally visits his uncle in prison, possibly because this is the only family member he has who can’t run away? I love him.

That was Mikey in the past. Now, what about Mikey in the present?

Let me say it again: I. Love. This. Kid.

I’m majoring in psychology, and when I started watching this show, I quickly ended up leaning back in my seat with a knuckle in my mouth, grinning at the ceiling. Mikey is a textbook case for narcissistic personality disorder, with the bonus joke thrown in of, I have no idea if Butch and the writers meant to do this or not (at least, they may not have realized they’ve been checking off all the diagnostic criteria as we go along). Either way, I don’t think I’ve ever seen a narcissistic cartoon character pulled off so subtly and so well- and without the cliché stereotype of being obsessed with his looks to boot!

People with this personality disorder are typically characterized as being “arrogant” (Check), “self-centered” (Check), “manipulative” (Check), “concentrating on grandiose fantasies [such as their own success or brilliance]” (Check), and as having “a need for admiration” (Check), “a lack of empathy for other people” (Check), and they “may be convinced that they deserve special treatment” (CHECK- Did you see “Beast of Friends” and “Astro-Nots”?). Such narcissists might “have difficulty tolerating criticism or defeat and may be left feeling humiliated or empty” when their pride is injured. That sure sounds like Mikey to me!

(Technically, since he’s young, we can’t officially diagnose him until he’s acted this way for a year, but if he continues in this pattern then he should fit the bill!)

What a personality disorder means is, this is his personality. You could maybe tone him down by reinforcing certain behaviors, but there’s nothing you can do to “fix” him permanently. There’s no medicine that will change him. It’s just the way he is, and it’s not really his fault. Mikey just loves being the center of attention. And I’m sure it doesn’t help his ego that he’s lived a life with cameras focused on him, and he’s possibly the second child and baby of his family.

He just constantly refocuses the spotlight on himself, like in this scene here where he expresses no sympathy for Darcy being alone all day (or even acknowledges her statement whatsoever), and changes the subject to him:

“Outside, when you were very close to my face, you said something about… helping me?”

Translation: “I’m only here for my benefit. Are we actually doing this, or are you just wasting my time?”

His narcissism is especially prominent throughout “Beast of Friends”. Not only does he interrupt Bunsen once he hears Bunsen has a friend who’s a wish-granting fairy, but when he meets Timmy Turner, all Mikey wants to do is make wishes. Timmy even asks him nicely to stop, and Mikey agrees by making comments like, “I totally hear you. Just let me make one more wish”. 

Spoiler: He doesn’t stop at one more. And when Timmy is tripping over himself, struggling to cover up hints of magic and fairies from his dad, he begs Mikey to back him up. Mikey cheerfully says, “Timmy’s totally right”, and immediately turns his attention back to Wanda and - you guessed it - makes more wishes. He’s completely blind to the fact that he’s causing Timmy distress. He hardly seems to register Timmy’s presence, because he’s so focused on the fact that Timmy has fairy godparents. Mikey even assumes they’ll grant his wishes, and never asks Timmy for permission first. This also happens to be the only episode thus far where Mikey realizes he got a little carried away, and apologizes for it. It took the threat of Bunsen’s death to get him to this point.

He also just honestly forgets to think about others a lot of the time. I think the best example I could pull up is that scene where Bunsen congratulates Amanda on winning “hide and go freak”, to which Mikey responds-

He forgot Amanda. As soon as he saw Bunsen’s game room, all bets were off. He just naturally assumed that if he wasn’t playing, the game was over. It didn’t even cross his mind to tell Amanda he wanted to play ping-pong instead. And he’s like this throughout the show. All. The. Time.

Of course, apart from his narcissism, Mikey has another fair reason to be distractible: there are heavy hints that he has ADHD, not the least of which is that he seems to be canonically dyslexic:

(“Go”)

(“Doomed”)

(Here he’s struggling to spell “cat”)

Dyslexia isn’t an actual diagnosis in the DSM-5, but he would have a specific learning disorder for writing - aka spelling, grammar, punctuation, and clarity (refer to the script he wrote above) - but he has no impairment in the reading department (fluency, comprehension), which is why he can read perfectly fine.

ADHD and dyslexia typically go hand in hand. On top of that - and this is SUPER fascinating to me - he’s actually animated as having an inability to sit still. He’s constantly out of his seat, or in his seat and changing position.

I actually had a different example in mind but it was too long and wouldn’t loop

When I first heard of this show, I naturally assumed Bunsen was going to be the wild one, and Mikey would be your average, plain kid along for the ride. It just seemed the cliché default. But then comes this huge plot twist in my mind: Bunsen is playful, but a bit reserved, and Mikey is the extremely peppy and hyperactive child. So, I think that’s really cool and lots of fun. Mikey is the first time I’ve ever watched a show and selected a lead to be my favorite character, so obviously something’s going right here!

ADHD also has some angst potential along with it. Aside from the obvious examples of struggling in class, he’s confirmed to be the head of the school welcoming committee. So, when it comes to designing posters, that can’t be the easiest job to do!

Oh, did you think that was all? NOPE! It’s been hinted numerous times that Mikey has an interest in psychology (and I wouldn’t be surprised if he spent hours poring over childcare books when he was younger as he tried to figure out if the way his parents were raising him was right or wrong). 

And, whether he started doing this intentionally or not, he’s turned into a massive guilt-tripper. He cries, people give him what he wants, he stops.

To be fair, Mikey doesn’t seem to realize that what he’s doing is wrong in any way. He’s sensitive in general- that part certainly isn’t faked, nor is he trying to be mean. Simply, this guilt-tripping behavior has been reinforced. 

Repeatedly.

As of “Astro-Nots”, he has yet to come up against anyone in the show who says no to big sad eyes (and he seems to have, perhaps unconsciously, taught this guilt-tripping behavior to Bunsen by this point). Since Mikey hasn’t tried to guilt-trip Amanda onscreen, it’s possible he’s tried in the past, but wasn’t reinforced and so unhappily gave up. He’s just savage to her with his words.

Now, I have that GIF above of Mikey guilt-tripping even Bunsen, his best friend, to do something he really didn’t want to do. I wouldn’t call their relationship abusive at all, especially with Mikey not seeming to realize what he’s doing is wrong. They’re good, close friends and get along awesomely. A time or two of guilt-tripping shouldn’t be reason to end their friendship. Really, what Bunsen did when agreeing to be Jerry’s mascot was a favor. Although being a mascot wasn’t something Bunsen wanted to do, he did want to make Mikey happy, and he did willingly agree to this- as a favor to a friend.

But for angst purposes, he didn’t want to do it. Like I said, I don’t consider their friendship abusive or anything like that, but it might be a tad strained at times. Think of it like, your college roommate might have really irritating quirks, but they’re probably not abusive. Only if Mikey’s manipulating got out of hand to the point where Bunsen was in distress and wanted this to stop - and Mikey refused - would this become a big problem. But, everyone has character flaws and their own struggles in relationships, and for now, this is just one of Mikey’s.

Don’t get me wrong. Mikey’s a really nice person, and he’s proved it multiple times (One of my favorite lines of his is, “Help me help you”). This is the thing: he always wants to get his way. If his way happens to be, “I want to make you happy”, then you’re in luck! But if you’re opposed to his views… he’s not going to make life easy on you. Mikey’s the sort of person who only says sorry out of sympathy- not when you insist he’s made a mistake. Not easily, anyway. He’s a narcissist who reads about psychology- he hates admitting that he’s wrong.

Heh heh. He’ll totally be there if you directlytell him what you need. But he can be a little blind to the feelings of others. The apple doesn’t fall far from the tree!

On top of ALL of this, Mikey has to put up with his rival being attracted to him:

She invades his personal space constantly and forces physical contact like this on him, and it obviously makes him super uncomfortable. I can relate. In my ninth grade math class, I had to sit next to a couple of jerks who - not an exaggeration, because they told me this - had grade point averages of 1.9 (out of 4.0). I didn’t show any interest in them, except once when one of them was bugging me about what my name was, I finally reinforced him by revealing it. This did not go well for me. And for whatever reason, the girl who sat in front of me thought I had a crush on this annoying kid. No clue why, because he was awful. So, she told him to come up behind me and rub my back.

Okay. So, no. I was out of my seat so fast, grabbing my thick, heavy school binder and whirling around, ready to smack him upside the head, but the bell rang just then so he got off scot-free. Keep in mind that I’m not even five feet tall as a college student, so I was even smaller back then. But BOY, did that kid have the face of someone who thought he was going to die.

Gosh, why is Mikey so relatable…

Then there’s more angst to be found within Amanda, Beverly- and of COURSE, Commander Cone… I could talk about them for a while still, but this post has gotten pretty long, so I’ll settle for just discussing our leading boys.

Mostly, the angst in BIaB is that sort of subtle emotional angst that’s obvious if you’re an adult paying attention to the show, but that’s easy to miss if you’re younger. It’s similar to “Fairly OddParents” in that respect (which is a show I personally favor to “Danny Phantom”, even though there are several things I could name about DP that appeal to me too).

Huh. Come to think of it, I wonder if that’s why DP has always been so popular- the younger generation caught onto its angst potential because it was more physical and obvious than the emotional angst present in cartoons like FOP. Plus he’s like a superhero and kids like superheroes. I tend to favor subtleties myself… I suppose because it feels more like I’m in on the joke than like I’m being force-fed.

Anyhow, “Bunsen Is a Beast” is not a cartoon that requires angst to move it along. And yet it’s sprinkled in there anyway; it never feels forced to me. Along with its super-expressive characters, that’s one thing that attracts me to the show- Holding my breath in anticipation to see if I can catch the subtleties. 

For example, all throughout “Body and the Beast”, Mikey refuses to say “school picture day” because he’s convinced something bad will happen to him if he does. That’s a hint that he may be superstitious, and adds a fascinating layer to his character since he’s our man of psychology and science. 

Isn’t that neat? Depending on how deep this runs, he might even struggle with thought-action fusion: the belief that thinking something is the same (aka, as “sinful”) as actually doing it- and there is so much angst tied up with that. 

And OH MAN, we didn’t even get to the part about Mikey “mysteriously” going bald two years prior the show’s beginning. Pardon me, but what is a ten-year-old narcissist who isn’t getting the emotional affection he desires from his parents going to do to himself for attention? Thaaaaaaaat’s right.

(Or if you want bonus angst potential… ever heard of trichotillomania?)

The clip where Mikey refuses to mention picture day and goes straight into talking about how he went bald two years ago was only a few seconds long, but it reveals so much! See? There’s so much fun here for someone like me! But like… It’s left up to me to choose if I want to see these characters as the sum of their parts, or if I want to enjoy this show while merely scraping the surface: Bunsen being cheerful and Mikey being his happy friend.

I like having this depth. I like having subtleties. With DP, “Star”, and “Gravity Falls”, every episode tasted very, “Meh, that went the way I expected it to” in my mouth. I guess you could say that that the subtle details I like in BIaB are very “inside joke” in nature. With those other three, everyone who watches the show is going to catch angsty things. It doesn’t take the coolness out of them, but it takes that excitement of discovery away from me a bit, I suppose? 

Could be. I don’t like being spoon-fed emotions. That’s why you don’t normally find me shipping characters (and when I do, I often tend towards background couples). I’m just not a very emotional person. I don’t tear up at anything less sad than Radio’s death in “Brave Little Toaster to the Rescue”, so you can guess how often that happens, because hoooooly wow, that death scene.

See, there are very few things that bug me about “Star vs. The Forces of Evil”, but the fact that I’m expected to feel bad for Star when Marco starts dating the girl of his dreams is one of them. The ending of “Just Friends” bothered me, with the way that Star lashed out and destroyed the stadium billboard like she was five. Ick. I guess the show put a little too much faith in the idea that people watch shows for ships. Yes, lots of people do- but I’m not one of them. I don’t ship two people just because they’re there, so I have a very hard time sympathizing with Star’s refusal to let Marco be happy with Jackie. 

In my mind, she’s an exchange student. They live together. They’re foster siblings. So when you don’t pity her, Star just looks like a selfish brat throughout the end of Season 2. Good glory, I so do not want Starco to be the endgame couple… I know it’s extremely unlikely to happen, but I’d love for her to end up with Oskar. Just. The potential of freaking Oskar being Mewni’s king. I need this so badly. Plus, they just feel so natural. 

Awesome show. But I don’t really go for the idea of, “She had to leave him, and it was so sad because she was in love!!!” What is this, a nuzlocke? I’m much happier fawning over Ludo and his story, like the way he once said, “Are you proud of me?” and then when he was complimented, he hesitated and asked, “Can you say proud?” That tells you everything.

I did really enjoy the twist in “Danny Phantom” that Danny doesn’t need to keep his identity secret from his enemies, but from his family- not to protect his family, but because his family are ghost hunters, and they’re liable to hurt him. But, like… I would have enjoyed some filler episodes, actually. Episodes where Danny didn’t even fight ghosts. Episodes that gave him more character traits. Because who is Danny without his ghost powers? He’s a shy kid who enjoys learning about outer space and wants to get with the cool crowd, but has only two close friends. Mostly, he only does poorly in school because he never has the chance to sleep or study, or when he does have free time, he’s distracted by video games.

I wanted to see that Danny a little more, and not just when Danny gave up his ghost powers in “Phantom Planet”. I wanted THAT Danny to have angst. The problem with Season 3 was, in Season 1, Danny was learning to control his powers for the first time. In Season 3, he’d mastered them. He didn’t struggle anymore. He lacked good weaknesses. His weakness became exhausting himself to the point where he slipped back into human form. Aka, the removal of powers: kryptonite. His angst was about fighting ghosts. It was very plot-based. And that worked really well until suddenly it didn’t. Fans of the show have rounded his character out some more, but canon!Danny was left flailing for weaknesses in Season 3, or so I think.

I didn’t mean to go off about shows that you didn’t even ask about in your question. Sorry! This is the first time I’ve tried putting into words my thoughts about why those shows are neat to watch, yet I don’t consider myself part of their respective fandoms. 

What I enjoy about BIaB is, the fantastic racism element is definitely there, but it’s not the main focus of every single episode (Geez, that would get annoying fast). It’s a show about, well… fitting in. Making new friends. Struggling with a bully who hurts people emotionally instead of physically. Culture shock. It’s about two kids caring for one another, accepting who they are and who the other is, making mistakes, and learning to be better people in the process. Y’know. With plenty of angst sprinkled on top. The type of angst that fleshes characters out and builds up solid worlds. The kind of angst that I enjoy a lot.

So, DP, GF, and “Star” are generally well-done and awesome, but for whatever reason, I just appreciate them in a different way than I do FOP and BIaB. Anyone who’s been around my blog for awhile knows which of the shows I watch I actually produce fanwork for.

I think it’s interesting that people enjoy different things, don’t you?

[recentanimenews]

Mind over Matter: Mob and the Foil, Mogami

There are days where even if we’ve won the battle, we feel like we’ve lost the war.

I’m talking about the days where you studied hard and you didn’t quite get that grade you were hoping for on your quiz; where you aligned yourself up for a promotion, but it came with huge consequences, or maybe you mustered the courage to asked someone out, and you managed to say it out loud, but it didn’t work out. These are sometimes, the most painful days. You tried your best and somehow, it just didn’t make the cut.

Mob Psycho 100 is ultimately a show about breaking through these kinds of days and focusing on self improvement. It views every day and chance as an opportunity to better oneself, no matter how messy the predicament is. Through its main character, Mob, we’re exposed to a world where a boy’s incredible powers are highly irrelevant to his own image of popularity and confidence. Sure, Mob can wipe out an entire crowd of spirits and perhaps, even people, but at the end of the day, the show, through the suave con man Arataka Reigen, tells us this: being kind is what matters. Empathy and good will precede any other ulterior motive, and the more patient and aware we become of other people’s emotions, the better we can be to them, and help them become better to themselves and others. Kindness pays forward.

It’s a strong message that hits like a truck every week, but realistically, how long can a mindset like that last? In a world where Arataka Reigens are as rare as they come, and Body Improvement clubs are far more a representation of toxic masculinity than supportive friendships, life can—and will—wear you down. It’s easy to feel lost, unstable, unloved, and alone. Good intentions mean nothing if they aren’t recognized, and what happens if someone like Mob, who is fortunate to have caring people around him, is ripped away from those kinds of positive circumstances?

Mob Psycho 100 cleverly renders this scenario in the form of the Mogami arc, creating the ultimate foil of Mob, Keiji Mogami. Like Mob, Mogami is a being of unmistakable psychic power. He also is intimately aware of the thoughts and presence of those around him; he also once tried to help people and use his powers for good. But unlike Mob, who has a strong support group to guide him through his troubles and empower his growth, Mogami found himself alone, desperate to support his dying mother in the only way financially possible: assassination. Moral corruption encroached his soul to the point where he physically discarded his body and in an attempt to cast revenge on a society (and mother) that disowned him, became a malicious spirit.

At first glance, Mogami sounds like a typical “tragic baddie gone full villain” story, and that’s not unnecessarily true. He is relentlessly malicious, scheming, and devious, and has no remorse for his actions. In most cases, this kind of behavior would feel trite, especially in a show like Mob Psycho 100, which goes out of its way to consistently poke fun of flip inside-out the laws of what it means to be a genuine hero. But it’s precisely because Mogami is insidious that his actions, behavior, and mindset carry such a heavy weight; he is the foil of Mob, who represents the ultimate virtuousness, integrity, and patience of humanity. They are both opposite sides of the coin: stemmed from similar circumstances, but completely different in their approach to the world and people around them. One is fueled by bitterness, and the other one is fueled by kindness.

Mob Psycho 100 dives into this dynamic when Mogami traps Mob in a hell of his own making: a world where he has no powers, no supportive family or friends, and no motivation for self improvement. He steals every kind of factor or potential seed for Mob’s growth and turns it upside down, as Mob is physically and mentally assaulted consistently for over six months. It’s a painful sequence of events to watch as our hero is kicked around, thrown food at, and verbally manipulated again and again. Eventually, Mob breaks. He uses his powers to almost destroy his bullies, but is saved by the presence of Dimple, who reminds him of all the people who care about him in the real world.

Is Mogami’s theory true? Mob Psycho 100 doesn’t really answer this question, and while it’s left up to the viewer as to whether his treatment of Mob would have made him into a Mogami-esque figure or not, I also think that Mob Psycho 100 realizes that ultimately, that kind of answer doesn’t matter. This is seen in the climax of the arc when Mogami and Mob go head to head with each other in a mental landscape unlike anything we’ve seen before. Red ghosts swamp the screen, flailing miserably as they try to drown Mob in pain and suffering. Buildings fragment into dust. Mob is once again, assailed by negative emotions and maliciousness, but now stemming from the loneliness of a man who only wanted Mob to understand that the world is cruel. It is unforgiving. It does not miss a soul when it fades.

And Mob tears up. Maybe he’s won a battle, but lost the onslaught of the war. Maybe his kindness is not enough. The six months he endured are still very real, and the emotions of hatred and bitterness are still embedded in his heart. And Mogami’s negativity is so very powerful and overwhelming. He almost gives in, but then he realizes: he’s here to save somebody. Maybe all of those things Mogami was saying are true. But here, and now, Mob is capable of doing something good. And he does. Mogami is expelled, but not without telling Mob that maybe he was wrong. Maybe he was right. He’ll be watching Mob, to see if his choice was better.

This all ends with one of the most emotionally affecting scenes in the arc, when the girl who bullied Mob in his mental hell apologizes for being such a mean person. Mob, being Mob, instantly forgives her, but there’s a certain momentum behind this action: people can change for the better. Our personalities, mindsets, and behaviors are always in a turmoil based on our circumstances, but we always have an active choice, or the inherent capacity, to progress.

The first step to moving forward is to be aware of your own faults and find the courage to overcome that. The person we are today doesn’t have to be the person we are tomorrow. Mogami and his arc are a haunting realization that if we let those battles become representative of the wars we lose, then we lose altogether. But with him, comes the potential of Mob, and the message that courage isn’t in the form of being physically strong or psychically powerful; it’s about battling your own fears and finding a way to a better tomorrow.

Do you think the Mogami is the best arc of the second season so far? Do you have any other favorite moments from these two episodes?  Let us know what you think in the comments!

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When not finding ways to doom all her ships, Natasha can often be found on her twitter as @illegenes, or writing more about anime on the blog Isn’t It Electrifying! Feel free to swing by and say hi.

By: news+feed@crunchyroll.com