#fae 🧌

[feyres-divorce-lawyer]

watch my video boi 🧌. transcript 👇🏾

the issue at hand here isn’t sarah as a white woman writing a white female character. the issue is sarah as a white woman making intentional writing choices that place her bipoc coded characters in positions of servitude, whether as a literal position of service such as handmaidens and servants or under a metaphorical purpose where either a part or the whole of their existence in the story is to further the development of their white counterparts.

nuala and cerridwen only exist in the story as servants to rhysand and by extension the inner circle. they cook for them, making entire dinners that they don’t get to eat at. they work for them as spies, they care for elain. these are all positions of servitude.

the point you make of only seeing racial issues in fantasy because they exist in real life is, well yes! stories do not exist in a vacuum where real world connections can’t be drawn because all stories are made by real world people, with real world backgrounds and real world biases. biases that show up in the stories they create. racial issues exist in fantasy because fantasy is created by people who know what racial issues are, and sarah is no exception. in fact, she uses racial issues as plot points in her stories, with no sensitivity, of course.

slavery is a construct that exists in all three of her series and a slavery is a racial issue, so pointing out the racism literally baked into her work isn’t looking and reaching for problems that don’t exist. race is a social issue in all her universes because she makes it a social issue in all her universes. simply switch out humans with black people and people of color, and the fae, high fae, magical creatures in positions of power are white.

it is racist the way sarah write her bipoc coded characters, and i really, truly want to emphasize that. there are no ifs, ands, buts, urms, urhs, that’s not the way she meant its, about it. it is racist, point black and period.

moving on to nehemia, you say she fought and died for her country but that is not the reason for her murder that the plot at large emphasizes the most. at every turn in the story past crown of midnight, nehemia’s death is discussed as the plot point that furthered aelin’s character. it is heavily implied that she orchestrated her own death because aelin wouldn’t act against the oppressive power over their world and she was prophesized to.

it has been a really long time since i read of throne of glass but i cannot recall any mention of nehemia’s death that did not tie back to how it made aelin feel, how it was what spurred her into action, made her overcome her cowardice. the narrative never mourns nehemia’s death as the loss of an individual person, the loss of a great mind, the loss of a princess to largely enslaved nation.

nehemia is mourned as aelin’s loss. her murder is set as somethings that happens to aelin. nehemia didn’t simply die, it is aelin’s best friend that was killed. she serves only to further aelin’s character.

if the main message readers were supposed to take away from her death was how she fought for her country until the very end, why do we hear nothing concrete about how ellywe reacts to their princess’ homocide. why is nothing on page about how ellywe mourned a member of their royal family? because nehemia didn’t die for her country, she died so aelin, a white character, could start fighting against tyranny.

[ginkasei]

i've been informed that my cryptids poll was missing fairytale folks so:

[faefeedee]

177lbs → 187lbs

fun little game of spot where the last 10lbs went

[faefeedee]

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[faefeedee]

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[faefeedee]

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[faefeedee]

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[faefeedee]

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[faefeedee]

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[faefeedee]

stretchmarks lookin pretty

[faefeedee]

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[faefeedee]

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[faefeedee]

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[faefeedee]

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[faefeedee]

lookin positively rotund