#fabio vogel

[hey-sherry]

Oh no, not at all! :D I don't think it's a coincidence at all - ACD was friends with Wilde (and one canon Sherlock story mentions the years of his trial), and overall it just fits.

I've been meaning to re-read Dorian Gray for this very reason, because frankly it's been almost two decades and I don't remember the details, hahah. I included the book as an easter egg in fanart, but I do have to credit other fans for noticing the connection in the first place. Also, it's worth mentioning that I also want to read "Dorian" by Will Self, because one of the SHCO writers recommended it (not as a part of any game-related discussion, mind you). So... yeah.

Speaking of other influences, another one of the writers confirmed multiple times that he used Hannibal/Will as inspiration for VV/Sherlock scenes. If you feel like going down more inspirational rabbit holes. :D

Am I the only one, who thinks Verner Vogel‘s whole relationship with Sherry gives off some serious Lord Henry / Dorian Gray vibes?

Of course, the plot is different, Sherry isn’t like Dorian at all (ok maybe a little bit at the beginning before Dorian became a total asshole). But an older, hedonistic and cynical man obsessed with a young, kinda naive and innocent man in his very early 20s? The older man trying to corrupt, manipulate and shape the younger one? Of course, in VV‘s case, he followed different goals, and he also took over Basil‘s role. But the vibe is still there imo.

[chasingrainbowsforever]

Fabio Vogel

[compneuropapers]

Interesting Papers for Week 23, 2024

Metabolically regulated spiking could serve neuronal energy homeostasis and protect from reactive oxygen species. Chintaluri, C., & Vogels, T. P. (2023). Proceedings of the National Academy of Sciences, 120(48), e2306525120.

Exponential history integration with diverse temporal scales in retrosplenial cortex supports hyperbolic behavior. Danskin, B. P., Hattori, R., Zhang, Y. E., Babic, Z., Aoi, M., & Komiyama, T. (2023). Science Advances, 9(48).

Learning efficient representations of environmental priors in working memory. Eissa, T. L., & Kilpatrick, Z. P. (2023). PLOS Computational Biology, 19(11), e1011622.

Bayesian accounts of perceptual decisions in the nonclinical continuum of psychosis: Greater imprecision in both top-down and bottom-up processes. Goodwin, I., Kugel, J., Hester, R., & Garrido, M. I. (2023). PLOS Computational Biology, 19(11), e1011670.

Rhythmic modulation of prediction errors: A top-down gating role for the beta-range in speech processing. Hovsepyan, S., Olasagasti, I., & Giraud, A.-L. (2023). PLOS Computational Biology, 19(11), e1011595.

Distributed Coding of Evidence Accumulation across the Mouse Brain Using Microcircuits with a Diversity of Timescales. Imani, E., Radkani, S., Hashemi, A., Harati, A., Pourreza, H., & Moazami Goudarzi, M. (2023). ENeuro, 10(11), ENEURO.0282-23.2023.

Hopfield-like network with complementary encodings of memories. Kang, L., & Toyoizumi, T. (2023). Physical Review E, 108(5), 054410.

Parametric information about eye movements is sent to the ears. Lovich, S. N., King, C. D., Murphy, D. L. K., Landrum, R. E., Shera, C. A., & Groh, J. M. (2023). Proceedings of the National Academy of Sciences, 120(48), e2303562120.

A Somatosensory Computation That Unifies Limbs and Tools. Miller, L. E., Fabio, C., de Vignemont, F., Roy, A., Medendorp, W. P., & Farnè, A. (2023). ENeuro, 10(11), ENEURO.0095-23.2023.

The Structure of Hippocampal CA1 Interactions Optimizes Spatial Coding across Experience. Nardin, M., Csicsvari, J., Tkačik, G., & Savin, C. (2023). Journal of Neuroscience, 43(48), 8140–8156.

Misidentifying illuminant changes in natural scenes due to failures in relational colour constancy. Nascimento, S. M. C., & Foster, D. H. (2023). Proceedings of the Royal Society B: Biological Sciences, 290(2011).

The microstructure of intra- and interpersonal coordination. Nazzaro, G., Emanuele, M., Laroche, J., Esposto, C., Fadiga, L., D’Ausilio, A., & Tomassini, A. (2023). Proceedings of the Royal Society B: Biological Sciences, 290(2011).

Algebraic approach to spike-time neural codes in the hippocampus. Pasini, F. W., Busch, A. N., Mináč, J., Padmanabhan, K., & Muller, L. (2023). Physical Review E, 108(5), 054404.

Subsecond fluctuations in extracellular dopamine encode reward and punishment prediction errors in humans. Sands, L. P., Jiang, A., Liebenow, B., DiMarco, E., Laxton, A. W., Tatter, S. B., … Kishida, K. T. (2023). Science Advances, 9(48).

Abstract cognitive maps of social network structure aid adaptive inference. Son, J.-Y., Bhandari, A., & FeldmanHall, O. (2023). Proceedings of the National Academy of Sciences, 120(47), e2310801120.

Optimal information loading into working memory explains dynamic coding in the prefrontal cortex. Stroud, J. P., Watanabe, K., Suzuki, T., Stokes, M. G., & Lengyel, M. (2023). Proceedings of the National Academy of Sciences, 120(48), e2307991120.

Decoding working memory information from neurons with and without persistent activity in the primate prefrontal cortex. Thrower, L., Dang, W., Jaffe, R. G., Sun, J. D., & Constantinidis, C. (2023). Journal of Neurophysiology, 130(6), 1392–1402.

Architecture of the brain’s visual system enhances network stability and performance through layers, delays, and feedback. Velarde, O. M., Makse, H. A., & Parra, L. C. (2023). PLOS Computational Biology, 19(11), e1011078.

Information-theoretic analyses of neural data to minimize the effect of researchers’ assumptions in predictive coding studies. Wollstadt, P., Rathbun, D. L., Usrey, W. M., Bastos, A. M., Lindner, M., Priesemann, V., & Wibral, M. (2023). PLOS Computational Biology, 19(11), e1011567.

Interaction between decision-making and motor learning when selecting reach targets in the presence of bias and noise. Zhu, T., Gallivan, J. P., Wolpert, D. M., & Flanagan, J. R. (2023). PLOS Computational Biology, 19(11), e1011596.

[edithtove]

Showroom of Aesop store that I had the pleasure of helping design a few weeks ago during Three Days of Design in Copenhagen. Celebrating the collaboration with German designer Fabio Vogel. Early June 2023.

[foxyou-too]

Fabio Vogel.

[strathshepard]

Custom made glass objects by FABIO VOGEL @vogel_studio

[designae]

bloOD.(21)

[theleoisallinthemind]

Fabio Vogel

[lnwolffeugene]

  Fabio Vogel

[thisispaper]

Fabio Vogel brings modern handcrafts

[talajoon]

[gramilano]

Eleonora Abbagnato,Teatro Massimo di Palermo @ Marco Glaviano

There are many, many Italian dancers scattered around companies throughout the world. Some are in the corps de ballet, others are principal dancers, but all continue the tradition that made Italian dancers some of the most famous of all. Even leaving the men aside, we have Pierina Legnani (noted as ‘maybe’ being the first to perform 32 fouetté turns) who was a prima ballerina assoluta at the Mariinsky; Giuseppina Bozzacchi who created the role of Coppélia for the Paris Opera Ballet when she was 16; Fanny Cerrito and Carlotta Grisi (together with Marie Taglioni – herself half Italian – and Lucile Grahn) who created the roles in Perrot’s Pas de Quatre in London; Virginia Zucchi (for whom Petipa created La Esmeralda pas de six), Carlotta Zambelli (the star of the Paris Opera Ballet for three decades), and more recent exports: Fracci, Ferri, Galeazzi, Durante, Savignano, Abbagnato and others who have become principal ballerinas with major international companies.

Eleonora Abbagnato in Puccini by Julien Leste © Rolando Paolo Guerzoni 01

Eleonora Abbagnato in Puccini by Julien Leste © Rolando Paolo Guerzoni

It is Paris Opera Ballet’s Eleonora Abbagnato (also director of the Rome Opera Ballet company) who heads the bill of Daniele Cipriani’s latest starry gala, this time for the 62nd edition of the Festival of Two Worlds in Spoleto, a town which has seen many of the world’s most famous dancers pass through over the last half-century.

The programme, curated by Cipriani, ranges from the great classical repertoire to pieces by important contemporary choreographers, as well as original creations by young Italian dance makers.

Joining Abbagnato in the line-up are Davide Dato, from Biella, who since 2016 has been First Soloist with the Vienna State Ballet (who will dance in George Balanchine’s Tarantella, which the company has in its repertoire); Gabriele Frola, from Aosta, who became principal dancer of the National Ballet of Canada and, at the same time, of the English National Ballet in 2018; and Rachele Buriassi, a soloist at Boston Ballet.

Davide Dato 2017 © Cositore

Rachele Buriassi in Don Quixote © Stuttgarter Ballett

Davide Riccardo

Gabriele Frola © Aleksandar Antonijevic

There is also 18-year-old Davide Riccardo, from Messina, who graduated from the School of American Ballet and, since August 2018, has become the first Italian at the New York City Ballet (and will present Jerome Robbins’s Andantino as a tribute to the NYCB choreographer who also had strong links with Spoleto); as well as six Italian dancers from the Stuttgart Ballet: Fabio Adorisio, Daniele Silingardi, Alessandro Giaquinto, Matteo Miccini, Vittoria Girelli and Elisa Ghisalberti.

Coincidentally, the gala – on Sunday 30 June – coincides exactly with the tenth anniversary of the death of Pina Bausch, and Damiano Ottavio Bigi, who dances with the Tanztheater Wuppertal Pina Bausch in Germany, will present his own creation dedicated to the great choreographer and interpreter.

Contemporary choreographers are represented by Claudio Cangialosi, from the Vlaanderen Opera Ballet, who will dance a piece by Sidi Larbi Cherkaoui, and Sasha Riva and Simone Repele, formerly at John Neumeier´s Hamburg Ballet and now at the Ballet du Grand Théâtre de Genève, will perform a work by Marco Goecke.

Sasha Riva and Simone Repele

Claudio Cangialosi

Sasha Riva and Simone Repele

Damiano Ottavio Bigi

Rachele Buriassi in Jiří Kylián’s Wings of Wax © Rosalie O’Connor

There are also national premieres by young Italian authors whose talent has been acknowledged abroad: Alessandro Giaquinto and Fabio Adorisio, of the Stuttgart Ballet, present two creations, especially for the Spoleto Festival, danced by the six Italian dancers from the same company. Tommaso Beneventi from the Royal Swedish Ballet will dance with Buriassi (together with Giacomo Castellana of the Rome Opera Ballet) in a world premiere by Francesco Ventriglia on the music of Saint-Saëns’ Danse Macabre.

Among the (non-Italian) guest artists who complete the lineup are Nikisha Fogo and Liudmila Konovalova from the Vienna State Opera who will dance the Le Corsaire pas de deux along with the young dancer from La Scala, Mattia Semperboni, who set the stage alight in Milan recently as the slave. There’s also Friedmann Vogel from Stuttgart, Megan LeCrone from the New York City Ballet, Katja Khaniukova from English National Ballet and Nancy Osbaldeston from the Royal Ballet of Flanders.

Not only is there a fancy lineup – and quite unique – but the gala will be performed in the Piazza del Duomo with the stage backdrop being Spoleto’s stunning cathedral.

Nancy Osbaldeston 1

Nancy Osbaldeston 2

Liudmila Konovalova © Fotografia Massimo Danza 01

Liudmila Konovalova © Fotografia Massimo Danza

  Eleonora Abbagnato con le Stelle italiane nel mondo – Sunday 30 June at 21.30.

Some tickets are still available: Festival Di Spoleto – Abbagnato.

Eleonora Abbagnato at Teatro Massimo in Palermo @ Marco Glaviano

Dance in Italy – Spoleto Festival’s Dance Gala with Abbagnato, Vogel, Frola, Dato and many more on 30 June There are many, many Italian dancers scattered around companies throughout the world. Some are in the corps de ballet, others are principal dancers, but all continue the tradition that made Italian dancers some of the most famous of all.

[giallofever2]

1971

L'occhio del ragno aka Eye of the Spider aka Deadly Revenge

Italian Re/Edit Title “Caso Scorpio sterminate quelli della Calibro 38”

Data di uscita: 1 novembre 1971 (Italia)

Regista: Roberto Bianchi Montero

Musica composta da: Carlo Savina

Scritto da: Roberto Bianchi Montero

Sceneggiatura: Fabio De Agostini, Luigi Angelo, Aldo Crudo

Cast

Klaus Kinski - Hans Fischer

Antonio Sabato - Paul Valéry / Frank Vogel

Van Johnson - Prof. Orson Krüger

Romalı Perihan - (as Perihan)

Lucretia Love - Gloria

Teodoro Corrà

Goffredo Unger - (as Fredy Unger)

🇮🇹

Stile

Nonostante le immagini del titolo e del poster che fanno sembrare il film un giallo, lo storico del cinema italiano Roberto Curti ha definito il film un "noir piuttosto tipico".

Curiosità

A causa della crescente popolarità e successo commerciale dei poliziotteschi negli anni '70, il film fu ripubblicato come “Il Caso Scorpio: sterminate quelli della calibro 38

Il film incassò 133.333.000 lire italiane a livello nazionale.

🇬🇧

Style

Despite the title and posters imagery which makes the film sound like a giallo, Italian film historian Roberto Curti referred to the film as a "rather typical film noir"

Release

Eye of the Spider was released on 1 November 1971 in Italy 🇮🇹

Due to the growing popularity of and commercial success of the poliziotteschi through the 1970s, the film was re-released as Caso Scorpio: sterminate quelli della calibro 39.

The film grossed 133,333,000 Italian lire domestically.

[elandirthor]

Sherlock Holmes Chapter One (deutsch) [42] - Der Maskenball

In dieser Episode wird der Fall "Opferlamm" gestartet. Werner von Vogel hat uns eine Einladung zu einem Maskenball geschickt. Anbei war auch eine Maske und eine Kutte. Sherlock gibt sich die Ehre und besucht diesen Ort. Neben den Maskierung sind auf der Feierlichkeit auch Genussmittel in essbarer und menschlicher Form auffindbar. Vogel ist in einem Séparée und genießt die Anwesenheit zweier Damen. Er verweist uns an einen gewissen Fabio im Nachbarraum. Als Sherlock die Tür öffnet, entdeckt er Fabio auf einem Opferaltar mit einem Dolch im Herzen. War dies ein Ritualmord? Wie lange liegt er schon dort und hat Vogel damit direkt etwas zu tun? Sherlock untersucht den Tatort und entdeckt eine Reihe von interessanten Hinweisen...

[iamawalkingcontradiction]

fabio vogel