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wellesleyunderground · 4 years

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Wellesley Underground Interview with Founders (Sara Hess ‘08 and Shavanna Calder ‘08) of Feminist Fashion & Beauty Magazine, MUJER!

Need a break from the politics? Dive into the making of Issue No.2 of MUJER! Magazine. Interview by Camylle Fleming ‘14.

1. Wellesley Underground (WU): Tell us about the origin of MUJER! Magazine and bring us up to speed on the November launch.

Sara Hess ‘08, Editor in Chief: MUJER! has been a long time coming for us. Ever since Shavanna and I were swapping clothes from each other’s closets when we were roommates at Wellesley, we’ve had an interest in fashion and over the years we’d often played around with the idea of doing a fashion related project together. MUJER! came about in late 2017 when I had reached a point of being really frustrated with fashion magazines (all of the ads and the Photoshop, the lack of any real content and focus on hyper consumption). I also was disappointed to see that several of the fashion bloggers I’d followed over the years and enjoyed for their authenticity were following the same route as they transitioned from blogs to Instagram and started posting highly stylized Photoshopped pics that were all sponsored and very phony. Finally, I had recently turned 30 and it then occurred to me that I was older than nearly all the models I saw in the major fashion publications, which is insane when you think about it. I told Shavanna what I was thinking of doing-- a feminist fashion and beauty mag, all models 25+, no Photoshop on their faces or bodies, more racial and ethnic diversity, a focus on more sustainable production and consumption and no ads. Shavanna is an amazing stylist and has a great eye for design so I was super excited when she agreed to be creative director. I was living between Mexico City and New York at the time. I had developed some contacts in the fashion industry in Mexico and really admired the fashion scene there, which is one of the reasons we went with the name MUJER! It took us about 6-7 months to produce the content for the first print edition which was published in September 2018.

2.WU: How did fashion and beauty become sites of contestation and rebellion for you two?

Sara: I grew up in a small town in rural Pennsylvania and was constantly getting in trouble for breaking the dress code at my public school. It’s ironic because I was definitely a major nerd-- not your typical rebel. In junior high, I was really upset to find out I had not been accepted to the National Junior Honor Society. I asked one of my teachers why and he told me that it was because the shorts that I wore to school were often too short. Honestly, it was not my intention to be risque. I was just awkwardly going through puberty and had legs that were too long for my body and it was impossible to find shorts that were long enough and didn’t look dorky. After that, I went through a punk rocker phase, where again clothing is a form of rebellion. I was totally into the early Gwen Stefani punk looks. I would get picked on a lot by classmates but then a few months later everyone would be wearing what I had been wearing before, which would be my cue to change styles because I never wanted to look like everyone else. For me, it became a way to stand out and to push back against conservative influences.

Shavanna Calder ‘08, Creative Director: I can’t say that I’ve thought of fashion for most of my life as a site of rebellion. I just wore what I liked and (especially as a kid) what was on trend.

I had hip surgery 5 years ago and have struggled to be able to wear heels after that. In some ways that forced me to rethink how to dress for formal situations (without heels). Though I am working towards wearing heels again through physical therapy (my profession requires it), I’ve found a certain level of pride in showing other women that we can still look dressed up/professional etc. without wearing heels. Also embracing flatforms has been fun!

I think beauty, more so, has always been a site of contestation and rebellion for me as a Black woman. Growing up and having hair that was different than most of my friends. Makeup and hair supplies that we had to drive an extra distance for. Reading different magazines than my friends because teen vogue (at that time), seventeen etc never catered to me (thank God for Essence). Now, being natural, my hair oftentimes is a point of rebellion/contestation as I educate and ask for the things that I need as a Black artist instead of accepting the burden of sitting in silence.

Founders Shavanna + Sara (above)

3. WU: On social media, you’ve discussed the initiative of “showing women as they actually exist in the world”. Can you describe some of the images you two grew up with and how they are in conversation with MUJER!

Shavanna: In some ways growing up when I did, I feel like I did get to see images of women (more often) without photoshop and a ton of contouring etc because that just wasn’t on trend. It’s one thing I miss about the early 2000’s. That being said, the rest of the content oftentimes centered around ways to get men, look flirty etc etc. For us I think “showing women as they actually exist in the world” goes beyond imaging to the content of the magazine (the stories and issues that are discussed) as well as the lack of harmful ads encouraging women to alter their bodies by buying certain products etc. We are able to highlight a diverse group of female identifying folx and the complexity of us instead of the monolith that I often see portrayed.

4. WU: What are the ways in which your Mexico City base contributes to the core principles of MUJER!

Sara: Mexico City is just my heart and soul. I don’t know how else to describe it. It makes me turn to mush as though I’m talking about someone I’m in love with. The creative and design scene here is out of this world funky and unique and I really feel that I can wear anything going out here at night. People are elegant and cool and put a great deal of thought into how they present themselves. The fashion scene is authentic and fun and nowhere near as pretentious as it is in other parts of the world. We try to reflect this creativity and sincerity in MUJER! as well.

Shavanna: Additionally I’ll say that people have really embraced us there. There is an openness, flexibility and sense of collaboration that has made it super easy to throw any ideas we have out there and run with it (more than I’ve seen in other parts of the world).

5. WU: For those of us who are new to publication production, can you walk us through the steps of creating content, finding models, artwork, all without the filler of advertisements?

Sara: We are also new to magazine production, ha! We started by basically bringing together people we knew from the fashion world here in Mexico City. I have a dear friend, Jenny. She’s a stylist from Sweden and was working on the sets of reality shows here so she kind of kicked me into gear to do the first beauty shoot. She had a lot of experience doing shoots so she helped me get a great photographer and scout a location and models. We’ve really been blessed with meeting all of the right people at the right moment. We found a wonderful lead graphic designer, Celina Arrazola who happened to know the neighborhood where all the printers are and was an expert in hand binding books. Advertisements were never an option so we self-finance the production, which was and is intense.

Shavanna: Yes, as Sara mentioned we’re incredibly new to this and are (honestly) still figuring a lot out as we go. However, generally we come up with ideas/stories together that excite us, that we haven’t seen in other fashion magazines. We then reach out to female identifying folx to help us realize these ideas (because we want to support female entrepreneurs as well). The hardest part will be figuring out how to make it sustainable (and take the more of the financial burden off of Sara) and we’re in the process of sorting that out the best way we can!

5a. WU: Okay, same question. Add COVID, go:

Sara: Now, because of COVID, our plans to do another print edition were derailed so we decided to do a digital edition-- everyone featured sent in their own photos and instead of printing we created a PDF version of the magazine, with Celina’s excellent graphic design of course.

It essentially made printing the way we did with the first edition impossible. That was a very manual process that involved visiting the printer in person multiple times and Celina handbound the magazine, with me struggling to be useful to her by folding the pages. This time we went all digital.

Shavanna: In addition we had to become creative since we could no longer conduct shoots or interviews in person. Everything was done via email (except for Sultana’s shoot which happened pre-COVID). All other photos were submitted by the women in the issue. Whilst I missed many aspects of being in person, in some ways the challenge allowed us to lean in to our mission of showing women as we truly are. It also allowed for us to have a remote intern via Wellesley which was awesome!

6. WU: How do you want to grapple with the plurality of feminism(s) in the pages of the magazine?

Shavanna: By being truly intentional about seeking out diverse voices. By celebrating those voices and by taking our readers feedback to heart. Outside of the folx who are interviewed or featured in our magazine we attempt to employ women in the creation of the physical product as well (design, photography etc). The end result is something that has been touched by women from various parts of the world and from different walks of life.

7. WU: Can you share the story of how the magazine gained its title? How do you respond to any pushback and claims of appropriation from Latinx individuals for your usage of the word “Mujer”?

Sara: For starters, we were founded in Mexico City and at least half of our readers are native Spanish speakers. The publication, like many of its readers, is also bilingual. For the interviews and articles that are originally done in Spanish, we leave them in Spanish, only translating key quotes into English and vice versa for pieces that are originally in English. The title is also a global call to women that goes beyond the English-language paradigm.

8.WU: The fashion and beauty industry can carry both an air of superficiality and apoliticism. Tell us what people get wrong about the experience of working within it.

Sara: I think this is hard for us to get into because we are not really working in the fashion and beauty industry-- we are working parallel to it and trying to pick the piece we enjoy while also creating something new and different for women that makes them feel empowered, not inadequate.

Shavanna: Yes neither Sara nor I really work within the industry (nor have we prior to the magazine). I’ve worked as a stylist from time to time, but that’s about it. For the most part we’ve been consumers who were unhappy with what we were consuming and figured we could do something about it.

9. WU: In an effort to not over-glorify the value of success and “making it”, let’s talk about failure. Can you share with our readers what went wrong in the process of producing MUJER!?

Sara: Before our Chilanga shoot, Shavanna and I got horrible food poisoning. Like, nearly had to go to the hospital.

Shavanna: Yes we were living on pepto bismol and had just started eating plain bread and pasta the day of our shoot, but we powered through! Honestly this magazine has felt like a contribution to society that we were meant to be a part of, so despite obstacles that have come up, we know that we can’t be sidetracked.

10. WU: How do you react to the “self-care” trend and it’s correlation to the consumption of beauty products? Relatedly, how do you two take care of yourselves?

Sara: I’m an introvert who fakes being an extrovert, but I definitely know I need alone time so I try to make space for that. As of late, I try to use more natural/ organic beauty products and just less of everything period. Also sleep. Sleep is so important. Finally, I’ve decided I will deal with drama in my professional life because I feel like that’s where I’m making a contribution that’s important but I try to minimize drama in my personal life as much as possible.

Shavanna: I try to take care of myself by reminding myself that rest is ok and necessary (so hard). Practicing my faith/meditation. Asking for what I need. Going to therapy (physical and mental health). Exercising. Connecting with loved ones (friends and family). Being kind to myself.

11. WU: As a follower of your Insta page, I find myself lingering on your original posts, staring into the faces of the individuals you capture. It makes me realize how my brain has been trained to see the same faces featured in public spaces, so much so that they’ve become invisible. Can you share the favorite photos that you’ve captured and why they stand out to you?

Shavanna: My favorite photos are of Wellesley alumna Solonje Burnett. I’ve always admired Solonje’s fearlessness and creativity and I think we truly captured her essence in these. Though she is beautiful, the interview is about so much more and highlights her as the complex, multifaceted woman that she is (instead of just her beauty routine or what her house looks like).

12. WU: What does the day in the life of an Editor-in-Chief look like? How about a Creative Director?

Shavanna: We’re very collaborative. I don’t think we really have hard and fast rules as to who does what necessarily as much as it’s a partnership. One of us will propose an idea (in between juggling the rest of our lives) and we’ll discuss pros and cons and greenlight what works best and aligns with our values. We also just hold each other accountable. Right now there isn’t a typical day in the life as well just because we both have other jobs (though it would be amazing for Mujer! to continue to take off in a way that allowed us to devote more time to it).

13. WU: Both of you currently have worked with higher education institutions (Harvard + NYU). Can you tell us a bit about your “day jobs” and the types of opportunities they have afforded you in relation to the Magazine?

Sara: While I was working at HBS, I co-authored a case study on Monocle magazine which has helped to inform some of our thinking around the business model for MUJER!

Shavanna: I worked for almost 7 years at NYU, first at Stern and then within the Faculty of Arts & Science. In terms of opportunities? I’d say actually, for me, anyway the two aren’t related. My time at NYU influenced my acting career more so than Mujer! by giving me some flexibility and certainly financial stability.

14. WU: Lastly - a question you ask your features in the upcoming digital issue: how have you been gentle with yourself during this time?

Sara: Uff, I have been eating a lot of ice cream and taking breaks when I need to. I turned off the New York Times news alerts on my phone. I still read the news everyday but this has helped a lot.

Shavanna: Uff indeed. Hm sometimes I remind myself that the fact that I’m functioning is enough. This quote from Audre Lorde has been getting me through: “Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare.”

Working out and going for walks, journaling, therapy, being in touch with my spirituality, limiting myself on social media (or at least certain groups or accounts), listening to my body in terms of what it wants (whether that be food or change of environment). Talking to friends when I have the energy always brightens my day and constantly reminding myself to take things one moment/day at a time. This is all incredibly hard and I’m grateful to those who have been gentle with me when I struggle to be gentle with myself.

Check out the MUJER! Covid-19 digital issue here: https://www.mujerrev.com/mujer-sale Given the increase in domestic violence and gender based violence around the world during the pandemic, a portion of the proceeds from the issue will go to two organizations helping womxn that are survivors of domestic abuse and human trafficking: Women of Color Network - Blue Lips Campaign and El Pozo de Vida.

MUJER! Homepage: https://www.mujerrev.com/ MUJER! Instagram: https://www.instagram.com/mujerrev/

#wellesleyunderground #wellesley college #mujermagazine #fashion #beauty

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bladekindeyewear · 5 years

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Bloggin’ bout HS^2 Commentary from start to Mid-Jan-2020

Sigh. Time to pay the piper. Someone’s gotta extract whatever plot-important and plothole mentions get mentioned in this commentary, even though reading behind-the-scenes stuff about Homestuck makes me even more nervous than reading frontend stuff ever could so I don’t really want to. FYI, that’s what you’re going to get out of my posts on these -- anything regarding plot stuff and plotholes, things we would’ve misinterpreted or missed otherwise, not any of the other paid content such as sketches or full quotes from them about things.

TWENTY FUCKING DOLLARS A MONTH!???!?? Is Andrew even seeing any of this cash? --no, not much of it I guess, he would want to make sure the WP folks get paid enough after the--

Yeah I’m not gonna even think about that.

Fuck it. I’m ponying up.

Alright, first commentary post on the Patreon, commentary and bonus sketches for Ghostflusters... whoa, this is long and extensive. Is it going panel by panel??

I guess I’ll give you a small quote just for a taste of how this starts...

Page 33: Not sure what any of this shit means. It’s pretty deep though. We were going for an echo of the beginning of the epilogue when John is dreaming in anime. Except here it’s Jake, and nobody is dreaming, at least not yet. Also an anime dream wouldn’t be a nightmare for Jake, since Jake likes anime. Or he used to. Now anime probably just reminds him of Dirk.

Good thing we’re never gonna hear from that guy ever again.

...because this commentary is sort of stylized. They’re kind of riffing on what they’re doing, and I get that -- when you have to write commentary you’re asking people to PAY for you can easily feel like you have to be entertaining. But they are describing the rationale for the shot choices they made and such. They’re also going for a sort of Andrew-recap sort of attitude, and I don’t blame them for that choice, either.

[Candy] Jade is...well, you’ll see.

GOD DAMNIT. Don’t remind me that Dave vanished on her forever while they were doing pro-revolutionary work and she’s probably going to be in a bit of a state! Stupid knowing author future allusions...

Then again, that’s exactly why I’m here blogging about the commentary for you guys -- for me to relay Authorial Intent on Stuff That Happened That Seemed Plotholey and Hints About What’s Going To Be Relevant.

I just, uh... didn’t expect there to be that MUCH of it. And that casual phrasing for that Candy Jade Is Going To Be Seen And Or Relevant hint is... kinda indicating to me that there’s gonna be a LOT more of that here than I wanted. :|

Continuing... there’s talk of why they started with Jake here, being unused to writing for middle-aged characters in Homestuck terms, et cetera, but again, I’m only here to relay anything with plot impact or SERIOUS perspective on how we should / the authors are viewing this. The rest stays behind the paywall for whichever of you all think it’s worth $20, I don’t really have a choice. At least now I know why there was no one to tell me what details were actually BEHIND the paywall. Seriously, that’s steep.

Speaking of how stylized the commentary is here, I can get why some might read it and view the authors as slightly callous -- I’m giving them PLENTY of benefit of the doubt, though. Andrew was FAR from callous and he hurt us worse out of love of artistic intent with the Epilogues than the HS^2 folks could EVER hurt us. Real Dirk-like, actually. Dirk is practically half of a self-insert, as we well know. No wonder Andrew thought the right thing to do was to take his hands off the story, what with Dirk’s villainous action being putting his own hands ON the story.

We like to make fun of Jake English as much as the next guy, but he probably is actually pretty good at “doing things” if the need arises.

Mhmm; there are some jibes at how screwed up Jake has made his life, but I don’t believe these authors actually disrespect Jake at all. He was dealt a bad hand by the story leading up to this point (quite INTENTIONALLY by Dirk’s narrative control in the Epilogues, too) and HS^2 and its bonuses so far have been exploring the heap of merits and potential he’s still got in him.

It’s kind of sweet how he wants to clean out his ecto-son’s house, even if most of that is to prevent the slow creep of mounting existential dread and narrative relevance.

Huh. So they think Jake can sort of feel that narrative relevance is seeping in around him, to him? That’s not out of the question at all.

Continuing... they’re going on a bit about the same sort of things I mentioned about their choices in detail or detail-less-ness when depicting people in this new format, considering ages and the paired text descriptions and such. That’s the sort of thing you’d traditionally want to pony up for commentary for, so rest assured that all that IS in their commentary posts if you want to do that. I’m kind of extracting the plot stuff out of the paywall just on principle.

A lot of making this comic--and every other comic ever--is trying to convey as much information with as little space as possible.

Quite so.

From this conversation we find out a couple things. 1) that Brain Ghost Dirk knows about Ultimate Dirk, and he thinks he’s a dickhead. 2) Brain Ghost Dirk knows who Jeff Bezos is, and Jake doesn’t. This could be a sign of a couple things, all of which are probably stupid.

This is ALSO what I came here for: Legitimate “don’t worry about it” handwaves about stuff that shouldn’t matter to us. I never ascribed the slightest bit of relevance or inference to BGDirk making a Jeff Bezos reference, and I’m glad I was completely justified in ignoring it. So far I agree with this probably-plural-but-acting-like-a-singular author’s train of thought.

Come to think of it, it’s maybe strange that in this Cool Future Earth where all of our characters are rich as hell, none of them have bothered to have any sort of corrective eye surgery. Jane, Jake, John, and Jade all still wear glasses. I guess they do have “signature looks” to maintain in regards to their brand.

I had to include this, I was legitimately curious. Understood it was probably an artistic decision to stay on-brand a fair bit -- and losing glasses even temporarily has a lot of thematic significance whenever it happens in Homestuck Proper -- but it’s nice to have some confirmation that this was the understandable rationale behind the choice.

Here we find out what Dirk thinks about Jake’s behavior of the last few years. In other words, we find out what Jake thinks about Jake’s behavior over the last few years. [...]

[Brain Ghost] Dirk is manipulating Jake here, but he isn’t actually saying anything demonstrably untrue.

Again, most of this was obvious at the time, but it’s nice to have authorial confirmation on what was being brought across as per the strange divide between Brain Ghost Dirk’s independent will and his mostly-part-of-Jake status.

Seriously though, shoutout to the conceit that god tiers can just fly endlessly, with no visible effort. It’s a really excellent form of narrative shortcut that fits perfectly into the bonkers vibe of earth c as a whole. Oh there goes one of the Creators, just flying over the Wal-Mart like an asshole.

You know... who IS doing the commentary here? One of the authors, all of them? One of the artists?? This really is a COLLABORATIVE effort between the authors and artists involved here, I think, and it shows in their clear surprise and appreciation for each others’ work that only settles into a full understanding instead of just knowing what one intended off the bat.

It calls into question exactly how much of the Condesce’s mind control was actually mind control at all, and how much was just a lowering of inhibitions.

Right, right.

We see Jane greeting Jake here with open arms, which makes you wonder exactly what is going on here. If you’ll remember from Candy, Jane has already served Jake divorce papers. A mystery in need of solving, for sure.

HERE we go! This is the potential plothole we were concerned about that got me alerted that the commentary had something to add in the first place. John mentioned toward the trail-end of the Candy epilogues that divorce papers had shown up for Jake. (And we also saw an HS^2 update ago or so that Jane hadn’t actually KNOWN Tavros was “awol” at all until he was literally a part of this whole clowncorpse logistics business.) So in light of what this post continues to say:

It could be that Jane has put aside the nasty business of their divorce in order to have a strong chest to cry on. Can’t really say I blame her. Jake English has many flaws but he does seem like a good person to drape yourself across and really let loose on. And without Gamzee there, Jane needs another punching bag.

...it all finally fits as pretty logically consistent, although the author is being deliberately coy in a way that leaves it open for more to be revealed later about exactly how this is happening. Good! No obvious plotholes in HS^2 (yet). That’s an honest relief. The more often they have something in mind where I’d previously worried they’d screwed up, the more often I can give them credit and speculate properly on those gaps in story-logic expecting something there, like we so often got to with Andrew before the retconsplit made even THAT kinda fucky.

If you’ve ever had a friend or family member go evil, you’ll know that one of the hardest parts is there’s always still elements of them that you like.

I can definitely say that from nearly personal experience.

Also, at this point in the story there is no lingering doubt that Jake and Dirk have had a sexual relationship. There’s a familiarity there that wasn’t around when they were teens.

I assumed so, but I guess I never thought ABOUT how I assumed so. Huh.

Do any of the creators have a moral leg to stand on if all they’re doing is curling up into a ball and hoping the world gets better without them? Actually, does anyone have a moral leg to stand on if they do that?

Almost Riddley, there.

These posts are certainly interesting! Steeply priced for what they are, but interesting. Moving on to the second of four so far... this one’s about Catnapped Part 1.

Taking over Earth C's business world certainly would have required rubbing shoulders with the already-powerful on the planet.

--yep, which I never doubted even when brought up in the Epilogues is a large part of her supply-side government views.

Ah, looks like the bonus commentary is a good deal shorter! But that bonus section was a good deal shorter than the story section covered earlier too, so.

On to the next one, for Clown Logistics.

Page 58: If you love Vriskas, i hope you enjoy more Vriska content. If you hate Vriskas, well. Here is another one that is kind of different. Feel free to contemplate nature vs nurture and how best to apply this dichotomy toward emoting about the vriskas of your choice how you see fit.

I’m starting to really enjoy this author commentary.

Tavros being named Tavros sure was a decision. Go back and reread the commentary for panel 58 but stop before the nature/nurture thing, since they are not clones, or even the same species. They just have the same name, which, in this universe, means you at least type kind of the same.

Hmhmm.

Page 65: Sometimes you try and come up with something to say about a page, and you cannot, and so you wait 8 hours, and go see Knives Out, and then you have 2 white russians, and then you still can’t come up with anything to say, but oh well! Commentary needs writing. Tavros is experiencing an emotion here.

Now THAT’s a mood. I gotta go see Knives Out sometime soon.

...Alright, I can see why some people think MAAAAYBE this author might be being a little disrespectful to the audience, but if they’re going based on THIS, I don’t have a clue what they’re talking about. This comment could have come from Andrew’s fingertips any day of the week!!! I honestly wouldn’t WANT replacement authors who couldn’ comment like this in there for a page in paid commentary, especially in a lighter section of the story that doesn't need too much said about it.

And I paid $20 for this shit.

...Continuing, I’m loving all this commentary on Harry Anderson. Representative excerpt:

Again, direct your eyes toward the boy. What a fucking asshole.

...these commentaries are honestly improving my mood! I didn’t expect that, really.

Ah, I didn’t even notice that the flying cars appear to be self-driving. I think maybe the back of my mind MIGHT have noticed but only a bit.

Referring to the corpse-carry crew:

Page 82: Pokedex entry for Magneton in Pokemon Sun: When three Magnemite link together, their brains also become one. They do not become three times more intelligent.

Ain’t THAT a mood.

(...I just had an internal “Wait, am I using that right, it being a “mood”? Isn’t that the hip new term, how do I have any right to latch onto that however much I feel it? Ohhh gosh I’m so fucking old” moment.)

It’s clear from the commentator’s complaints that the crew never viewed this commentary ALONE as worth upping the pledge to $20, but that’s... not quite a bad thing? I think it’d have been more disrespectful to think that they COULD make the commentary worth that. I doubt there’s a single person on their team who feels quite right about the business model (besides the artists they have plenty of context to know how deserving they are of a living goddamn wage), but it’s what they have to live with and go with, here. I feel weird for honestly understanding ‘em, and more than slightly pitying for how many people will look at all this and read “these assholes don’t care about us”. I really can’t think that’s anywhere CLOSE to true from this without more context. (And I really DON’T want more context, don’t send me any. I’ve got to read HS^2 and I’m enjoying reading it so far so let me keep enjoying it please. Background drama details make me nauseous, DON’T give me any if there is any (which I wouldn’t know about in the first place beyond an opinionated friend or two dropping hints in a bad mood).)

Did you know there are people who I’ve seen honestly believing “Undertale is pretty good but the creator is an arrogant asshole”?????

Because they saw his tweet about the game score passing Kojima’s MGSV on metacritic briefly and misinterpreted his wide-eyed disbelief, disbelief honed to nervous laughter to maintain sanity by Toby’s insecurity about his unprofessional work and work product??? They thought he was SERIOUS without any of the context of the usual insincere little dog persona they should’ve read into the game of his they played??

Awh man. That just ticks me off.

Anyway where were we.

Page 91: This is a flashback so I didn’t write this one, which means I thankfully don’t have to say anything about it.

Wait. What?

Are they trading off writers between chapters, or...? Hm.

Whatever they’re doing, it fits together pretty darn well SO far.

Alright, that finishes that off, time for the last commentary post on the second bonus update.

I don't know if you noticed, but everything is terrible right now. And I don't mean just in Homestuck's dumb fake earth. I mean in our dumb real earth.

Now that’s a mood.

I've been playing a lot of Death Stranding recently. Basically any media that you're making in 2019 has to either address what's going on around us or come off sanitized, sterilized, with its head in the sand. Kojima offers a simple power fantasy: Through Norman Reedus's sweaty, urine-filled labor, the things that divide us can be banished. America can be unified again.

Now THAT is a god damned MOOD.

The author(?) goes in about why this is happening, why Jane is being confronted this way, why she IS this way, et cetera.

Privilege, safety, and inherited wealth do funny things to the brain. People justify to themselves why they have what they have. If you have enough for long enough, you start to convince yourself you deserve it.

That’s one of the biggest goddamn reasons for the inequality and political landscape we have today IRL, yeah.

She saw a new world and chose, simply, to replicate the power structures of the 21st-century America she was raised in. Boardrooms, power pantsuits, formality and professionalism.

Jane's favorite comic, a noir-detective drama steeped in the pop-cultural trappings of pulp Americana, reflects this mindset.

So, our catgirl Seer of Light takes us through the looking glass, and we get to see an old friend.

Hm!

Nothing really to say, I just had to share this fitting context the author is giving. How things fit together even better than they seemed to, and this was all far from random.

I feel warmly ensconced in the womb of nostalgia, gently cradled on Norman Reedus's chest.

Pffffffff

Yep, more of what we already surmised and appreciated, how Swifer and Cliper were giving us some much needed perspective... the commentary post even has little traditional-Homestuck sprites for ‘em.

And... that’s it for the commentary so far! Again, I enjoyed all that more than I expected. $20 doesn’t sting for me as much as it does for others in general, but it stung a lot less after I was through reading all that honestly somewhat-entertaining stuff confirming a lot of the insights I’d thought the plot was having.

I’ll probably wait to check for further commentary posts until like... after bonus updates come out, in the future, and then just blog about whatever I’m not caught up on. Sound fair? I’m going to blog as often as a real or bonus upd8 comes out, but I’m not going to pop in more often than that for my own sanity’s sake. Have a good MLK weekend, y’all. :)

#Homestuck #hs2 #Homestuck Liveblog #bladekindeyewear #Homestuck Commentary #blastyoboots

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theretroperspective-blog · 7 years

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Is "Trolls" About Battling Depression? Or is it Just Me?

“Trolls” DreamWorks, 2016

So. “Trolls” came out November, 2016, but I didn’t get to see it until around March of this year. And I LOVES IT. While I really, REALLY loved all the songs and characters, what hit me hardest was the story they had to tell - at least, the story I heard them telling, which I thought was about fighting depression.

I’ve had depression and anxiety my whole life, and what’s helped me the most (well, the pills help, too), is movies. If you’ve followed this Tumblr, or know me at all, you’ve already figured that out. Movies have taught all of us a lot, and can be a helluva catharsis, therapeutic in many ways.

I also don’t seek out movies ABOUT depression. The subject might be part of a film’s subtext, or even a B - line, but not usually the main focus.

“Trolls” was just supposed to be a fun movie. It had Zooey Deschael, Cyndi Lauper’s “True Colors” as a major part of the soundtrack, and felt-like, stylized CGI I hadn’t seen before (well, not as much of it as is in this movie).

I guess quirky nostalgia is a thing of mine.

By the end of this thing, I was sobbing like a baby deer with a dead mom, all snotty and choking on my own spit. It was great! I told my best friend Missy that I wanted to blog about my ‘theory’, but wondered - I couldn’t be the ONLY ONE who made the connection, right? I figured that if I looked online (mistake #1), I would find a review (mistake #2) that thought the same (mistake #3).

Take a DEEP BREATH with me…

QUICK-ISH STORY BREAKDOWN

To begin, these aren’t the trolls from the 70’s and 80’s. The minute-sized pencil toppers with a shock of primary colored tuff have been replaced with neon-toned smurf-a-likes that (most of them) wear clothes and fart glitter. 20 years ago they escaped Bergen Town where they’d been trapped by the Bergens, gigantic in comparison to the trolls, and that reminded me of the trolls from the 1980’s Christmas cartoon “The Trolls and the Christmas Express”, both ironic AND nostalgic! The Bergens caged the trolls in a tree in the center of Bergen Town in order to use them to celebrate the annual Trollstice; wherein every Bergen had the chance to EAT a troll, and thus gain True Happiness.

However, King Peppy (sir Jeffrey Tambor) leads them all on a fantastic escape, and saves every - last - one (AKA - setting the precedent), and finds them all a new home - about a mile away, but the trolls are tiny, and have camo-effect, so they’re settled for the next 20 years (and start of the story).

Until Princess Poppy (voiced by Anna Kendrick) decides to throw a rager on the anniversary of their escape, to celebrate not being dead. The only one who protests this plan is Branch (that’s Justin Timberlake), a broody, loner-type with a sad backstory who of course winds up helping Poppy (because every princess in every story needs help… #bitterfeminism). But their relationship feels authentic, showing the steps the two wind up going through to become as close as they do by the end of the movie.

And on that point - SPOILERSSPOILERSSPOILERS

Branch has to help her because her party included screaming-loud electronica, complete with blasting bass and fireworks. And that grabs the attention of the exiled Bergen Chef (oh god I love her Christine Baranski), who’s been kicked out of Bergen Town when the trolls escaped, and ever since then has just been waiting on the outskirts for her opportune moment. When she sees the party and reaches the troll village, she grabs all of Poppy’s closest friends, taking them back to Bergen Town and fully intent on coming back and finding the rest later.

Back in Bergen Town, Chef presents the captured trolls to Prince Gristle (Christopher Mintz Plase), and begins to work on programming him to believe completely that happiness can only come from eating the trolls, that only SHE can provide. But what the prince doesn’t know is that the scullery maid Bridget (Z.D.) is frantically in love with him, and ends up getting a makeover and friendship from Poppy, who of course travels to Bergen Town to rescue her friends, and has brought a 'reluctant’ Branch, who eventually gets his own chorus for the tragic backstory flashback where the reason why he doesn’t sing is revealed. In the end, everyone learns how to be happy on their own terms, people fall in love, and find their places in their world.

That is BASIC outline material. What I can’t show you are the musical numbers that hit you almost out of nowhere (I won’t hear Simon & Garfunkles’ “Sounds of Silence” the same way again), the most poignant being Kendrick’s spritely rendition of the original song “Get Back Up Again”, where she sings/screams about not letting anything stop her while dodging various predators and near-death experiences that gives it a sardonic twist, helps the medicine go down.

I’VE MADE A TERRIBLE MISTAKE

So I’m watching this movie, and I’m wondering to myself - is it just me, or is this movie actually about fighting depression?? And what better way to find out than to randomly peruse the internet, and a Google search later and I had me some revues.

YEESH….

It's fine that not everyone enjoyed this movie, I even expected some backlash of cynicism for something so unabashedly cheerful, bright, AKA 'spunky'. It's a cynical world, and I'm a weird, realistic optimist, but almost every bad review was following one central theme; that this flick is trying to sell you something, and it ain't happiness. Like the review from rogerebert.com by Susan Wloszczyna (11/4/16), who writes: "We are but mere humans, and it will be hard to resist the pre-fabricated pseudo charms of an escapist musical fantasia that invests most of its ingenuity into its insanely infectious soundtrack." I agree with the first part, it IS hard not to like this movie. It's bouncy. It's fun. But I believe she continues to say your enjoyment would be mostly due to the soundtrack only, which is overly critical of the narrative. While the characters aren't any study in depth, they do have actual conversations with each other, act as protagonists that MAKE things happen (as they should), and feel real. They're more than just CGI puppets on the strings of commercialism. You root for Poppy and Branch, both to save their friends AND find common ground with one another. From that same review; "Of course, love eventually conquers all but it can't camouflage the fact that the narrative is so weak that it is not just secondary to the musical numbers, but perhaps even tertiary, considering the merchandising push behind this enterprise." Which was actually pre-empted by "All you have to do is sit through the end credits to see how many bodies were devoted to securing licensing deals (Target.com alone lists 165 tie-in products)." I eye rolled so hard there I have permanent strain. Yes, the music is often spot lit, but in no way does it over-shadow the story that's being told here. From the beginning there's an undertone of empathy, like with baby Prince Gristle's prayer of "Please make me happy Princess Poppy." (Morbid, since he's gonna eat her, but we've all said a prayer that things go right), to King Peppy's regret when he realizes, "...I'm not the King I once was." These are thoughts and feelings we can all say we've had in our lives. That bit about Target - it's true, this movie had a LOT of tie-ins, but it's not shoving it down your throats. Do I believe there's a marketing element? Sure! I think there's marketing in ALL high concept, possible tent-pole studio releases. I'm paranoid like that. At least five of the eleven reviews I read continued on in this line of cynicism. Here's another one, from Matt Goldberg's 11/3/16 collider.com review: "But DreamWorks Animation saw an IP, assumed it was valuable, and that's how we've come to a 'Trolls' movie that no one particularly wants, needs, or should care about..." Now that's just mean. There are a LOT of unneeded, unasked for movies out there that still get made ("Smurfs", "Transformers", "Smurfs 2"). THIS movie has something those don't - a solid message. There was one person that made a critical and exceptional point. From pluggedin.com, "However, always being that euphorically enthused does have its drawbacks. For one thing, it emphasizes to those less happy sorts that they're kinda missing out." THAT ... is a great statement, and very true. In the film the Bergens only realize their inherent depressive state in comparison to the Trolls unending happiness. But it's an important tool in showing the audience the Bergens' state of being, an example of why these guys are searching outside themselves to find the joy they're looking for. THE GOODS OK, enough cynical, downer BS - to the good stuff! Let's start with those musical numbers and how they were used. From Owen Glieberman's 10/8/16 variety.com review; "The films' disco pulse gives it a throb of ecstasy, and this does more than create a handful of kicky musical sequences. It lends resonance to what it really means to be a happy troll - it lifts them out of the realm of the Smurfs or the heroes of a genial mediocrity like 'Gnomes'." That's what I'M saying! In the climax to Act 2, when all the trolls are captured and it looks like they're literally about to be in the frying pan AND the fire, Poppy has lost all hope, and actually turns gray, losing all color and, showing their solidarity, the rest of the trolls follow suit. It's at this moment that Branch finding it in himself to care, sings a beautiful rendition of Cyndi Laupers' "True Colors", and its haunting how well that song fits not only the moment, but the idea that this film is about struggling with sadness, not just in certain moments, but a life-long act of defiance for some of us. It also proves that there was definite thought given to the musical choices, to how they'd fit in the narrative. As Gwen Ihnat from avclub.com put it in her 10/31/16 article; "Trolls may have a lower bar going in, but the movie scales it quickly and admirably by defying conventions, adding both new and familiar musical numbers, and hiding a valuable, Zen-like message in plain sight...Trolls winds up transforming from a prospective toy commercial to a spiritual lesson about being content with what you already have." IS IT ABOUT DEPRESSION OR NOT? To me? Yup. "Trolls" hit that chord hard in me, and maybe it will in you, I'm not sure. I think a lot of moments reached that idea, plus the film has an overall optimism but doesn't punch you in the face with it like a lot of movies for younger audiences tend to do these days. I'd encourage anyone who leans to films that say a little more than intended to check out "Trolls". As for the grumpy pundits on commercialism that can't see the forest for the merchandising - I feel really bad for you, and if you need somebody to talk to, I'm here. "Trolls" is available to rent now or you can catch it streaming on Netflix.

#Trolls movies commentary depression

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