#extended descendants universe | Explore Tumblr posts and blogs

reasonsforhope · 9 months ago

Text

"A century of gradual reforestation across the American East and Southeast has kept the region cooler than it otherwise would have become, a new study shows.

The pioneering study of progress shows how the last 25 years of accelerated reforestation around the world might significantly pay off in the second half of the 21st century.

Using a variety of calculative methods and estimations based on satellite and temperature data from weather stations, the authors determined that forests in the eastern United States cool the land surface by 1.8 – 3.6°F annually compared to nearby grasslands and croplands, with the strongest effect seen in summer, when cooling amounts to 3.6 – 9°F.

The younger the forest, the more this cooling effect was detected, with forest trees between 20 and 40 years old offering the coolest temperatures underneath.

“The reforestation has been remarkable and we have shown this has translated into the surrounding air temperature,” Mallory Barnes, an environmental scientist at Indiana University who led the research, told The Guardian.

“Moving forward, we need to think about tree planting not just as a way to absorb carbon dioxide but also the cooling effects in adapting for climate change, to help cities be resilient against these very hot temperatures.”

The cooling of the land surface affected the air near ground level as well, with a stepwise reduction in heat linked to reductions in near-surface air temps.

“Analyses of historical land cover and air temperature trends showed that the cooling benefits of reforestation extend across the landscape,” the authors write. “Locations surrounded by reforestation were up to 1.8°F cooler than neighboring locations that did not undergo land cover change, and areas dominated by regrowing forests were associated with cooling temperature trends in much of the Eastern United States.”

By the 1930s, forest cover loss in the eastern states like the Carolinas and Mississippi had stopped, as the descendants of European settlers moved in greater and greater numbers into cities and marginal agricultural land was abandoned.

The Civilian Conservation Corps undertook large replanting efforts of forests that had been cleared, and this is believed to be what is causing the lower average temperatures observed in the study data.

However, the authors note that other causes, like more sophisticated crop irrigation and increases in airborne pollutants that block incoming sunlight, may have also contributed to the lowering of temperatures over time. They also note that tree planting might not always produce this effect, such as in the boreal zone where increases in trees are linked with increases in humidity that way raise average temperatures."

-via Good News Network, February 20, 2024

14K notes · View notes

mostlysignssomeportents · 11 months ago

Text

It all started with a mouse

For the public domain, time stopped in 1998, when the Sonny Bono Copyright Act froze copyright expirations for 20 years. In 2019, time started again, with a massive crop of works from 1923 returning to the public domain, free for all to use and adapt:

https://web.law.duke.edu/cspd/publicdomainday/2019/

No one is better at conveying the power of the public domain than Jennifer Jenkins and James Boyle, who run the Duke Center for the Study of the Public Domain. For years leading up to 2019, the pair published an annual roundup of what we would have gotten from the public domain in a universe where the 1998 Act never passed. Since 2019, they've switched to celebrating what we're actually getting each year. Last year's was a banger:

https://pluralistic.net/2022/12/20/free-for-2023/#oy-canada

But while there's been moderate excitement at the publicdomainification of "Yes, We Have No Bananas," AA Milne's "Now We Are Six," and Sherlock Holmes, the main event that everyone's anticipated arrives on January 1, 2024, when Mickey Mouse enters the public domain.

The first appearance of Mickey Mouse was in 1928's Steamboat Willie. Disney was critical to the lobbying efforts that extended copyright in 1976 and again in 1998, so much so that the 1998 Act is sometimes called the Mickey Mouse Protection Act. Disney and its allies were so effective at securing these regulatory gifts that many people doubted that this day would ever come. Surely Disney would secure another retrospective copyright term extension before Jan 1, 2024. I had long arguments with comrades about this – people like Project Gutenberg founder Michael S Hart (RIP) were fatalistically certain the public domain would never come back.

But they were wrong. The public outrage over copyright term extensions came too late to stave off the slow-motion arson of the 1976 and 1998 Acts, but it was sufficient to keep a third extension away from the USA. Canada wasn't so lucky: Justin Trudeau let Trump bully him into taking 20 years' worth of works out of Canada's public domain in the revised NAFTA agreement, making swathes of works by living Canadian authors illegal at the stroke of a pen, in a gift to the distant descendants of long-dead foreign authors.

Now, with Mickey's liberation bare days away, there's a mounting sense of excitement and unease. Will Mickey actually be free? The answer is a resounding YES! (albeit with a few caveats). In a prelude to this year's public domain roundup, Jennifer Jenkins has published a full and delightful guide to The Mouse and IP from Jan 1 on:

https://web.law.duke.edu/cspd/mickey/

Disney loves the public domain. Its best-loved works, from The Sorcerer's Apprentice to Sleeping Beauty, Pinnocchio to The Little Mermaid, are gorgeous, thoughtful, and lively reworkings of material from the public domain. Disney loves the public domain – we just wish it would share.

Disney loves copyright's other flexibilities, too, like fair use. Walt told the papers that he took his inspiration for Steamboat Willie from Charlie Chaplin and Douglas Fairbanks, making fair use of their performances to imbue Mickey with his mischief and derring do. Disney loves fair use – we just wish it would share.

Disney loves copyright's limitations. Steamboat Willie was inspired by Buster Keaton's silent film Steamboat Bill (titles aren't copyrightable). Disney loves copyright's limitations – we just wish it would share.

As Jenkins writes, Disney's relationship to copyright is wildly contradictory. It's the poster child for the public domain's power as a source of inspiration for worthy (and profitable) new works. It's also the chief villain in the impoverishment and near-extinction of the public domain. Truly, every pirate wants to be an admiral.

Disney's reliance on – and sabotage of – the public domain is ironic. Jenkins compares it to "an oil company relying on solar power to run its rigs." Come January 1, Disney will have to share.

Now, if you've heard anything about this, you've probably been told that Mickey isn't really entering the public domain. Between trademark claims and later copyrightable elements of Mickey's design, Mickey's status will be too complex to understand. That's totally wrong.

Jenkins illustrates the relationship between these three elements in (what else) a Mickey-shaped Venn diagram. Topline: you can use all the elements of Mickey that are present in Steamboat Willie, along with some elements that were added later, provided that you make it clear that your work isn't affiliated with Disney.

Let's unpack that. The copyrightable status of a character used to be vague and complex, but several high-profile cases have brought clarity to the question. The big one is Les Klinger's case against the Arthur Conan Doyle estate over Sherlock Holmes. That case established that when a character appears in both public domain and copyrighted works, the character is in the public domain, and you are "free to copy story elements from the public domain works":

https://freesherlock.files.wordpress.com/2013/12/klinger-order-on-motion-for-summary-judgment-c.pdf

This case was appealed all the way to the Supreme Court, who declined to hear it. It's settled law.

So, which parts of Mickey aren't going into the public domain? Elements that came later: white gloves, color. But that doesn't mean you can't add different gloves, or different colorways. The idea of a eyes with pupils is not copyrightable – only the specific eyes that Disney added.

Other later elements that don't qualify for copyright: a squeaky mouse voice, being adorable, doing jaunty dances, etc. These are all generic characteristics of cartoon mice, and they're free for you to use. Jenkins is more cautious on whether you can give your Mickey red shorts. She judges that "a single, bright, primary color for an article of clothing does not meet the copyrightability threshold" but without settled law, you might wanna change the colors.

But what about trademark? For years, Disney has included a clip from Steamboat Willie at the start of each of its films. Many observers characterized this as a bid to create a de facto perpetual copyright, by making Steamboat Willie inescapably associated with products from Disney, weaving an impassable web of trademark tripwires around it.

But trademark doesn't prevent you from using Steamboat Willie. It only prevents you from misleading consumers "into thinking your work is produced or sponsored by Disney." Trademarks don't expire so long as they're in use, but uses that don't create confusion are fair game under trademark.

Copyrights and trademarks can overlap. Mickey Mouse is a copyrighted character, but he's also an indicator that a product or service is associated with Disney. While Mickey's copyright expires in a couple weeks, his trademark doesn't. What happens to an out-of-copyright work that is still a trademark?

Luckily for us, this is also a thoroughly settled case. As in, this question was resolved in a unanimous 2000 Supreme Court ruling, Dastar v. Twentieth Century Fox. A live trademark does not extend an expired copyright. As the Supremes said:

[This would] create a species of mutant copyright law that limits the public’s federal right to copy and to use expired copyrights.

This elaborates on the Ninth Circuit's 1996 Maljack Prods v Goodtimes Home Video Corp:

[Trademark][ cannot be used to circumvent copyright law. If material covered by copyright law has passed into the public domain, it cannot then be protected by the Lanham Act without rendering the Copyright Act a nullity.

Despite what you might have heard, there is no ambiguity here. Copyrights can't be extended through trademark. Period. Unanimous Supreme Court Decision. Boom. End of story. Done.

But even so, there are trademark considerations in how you use Steamboat Willie after Jan 1, but these considerations are about protecting the public, not Disney shareholders. Your uses can't be misleading. People who buy or view your Steamboat Willie media or products have to be totally clear that your work comes from you, not Disney.

Avoiding confusion will be very hard for some uses, like plush toys, or short idents at the beginning of feature films. For most uses, though, a prominent disclaimer will suffice. The copyright page for my 2003 debut novel Down and Out in the Magic Kingdom contains this disclaimer:

This novel is a work of fiction, set in an imagined future. All the characters and events portrayed in this book, including the imagined future of the Magic Kingdom, are either fictitious or are used fictitiously. The Walt Disney Company has not authorized or endorsed this novel.

https://us.macmillan.com/books/9781250196385/downandoutinthemagickingdom

Here's the Ninth Circuit again:

When a public domain work is copied, along with its title, there is little likelihood of confusion when even the most minimal steps are taken to distinguish the publisher of the original from that of the copy. The public is receiving just what it believes it is receiving—the work with which the title has become associated. The public is not only unharmed, it is unconfused.

Trademark has many exceptions. The First Amendment protects your right to use trademarks in expressive ways, for example, to recreate famous paintings with Barbie dolls:

https://www.copyright.gov/fair-use/summaries/mattel-walkingmountain-9thcir2003.pdf

And then there's "nominative use": it's not a trademark violation to use a trademark to accurately describe a trademarked thing. "We fix iPhones" is not a trademark violation. Neither is 'Works with HP printers.' This goes double for "expressive" uses of trademarks in new works of art:

https://en.wikipedia.org/wiki/Rogers_v._Grimaldi

What about "dilution"? Trademark protects a small number of superbrands from uses that "impair the distinctiveness or harm the reputation of the famous mark, even when there is no consumer confusion." Jenkins says that the Mickey silhouette and the current Mickey character designs might be entitled to protection from dilution, but Steamboat Willie doesn't make the cut.

Jenkins closes with a celebration of the public domain's ability to inspire new works, like Disney's Three Musketeers, Disney's Christmas Carol, Disney's Beauty and the Beast, Disney's Around the World in 80 Days, Disney's Alice in Wonderland, Disney's Snow White, Disney's Hunchback of Notre Dame, Disney's Sleeping Beauty, Disney's Cinderella, Disney's Little Mermaid, Disney's Pinocchio, Disney's Huck Finn, Disney's Robin Hood, and Disney's Aladdin. These are some of the best-loved films of the past century, and made Disney a leading example of what talented, creative people can do with the public domain.

As of January 1, Disney will start to be an example of what talented, creative people give back to the public domain, joining Dickens, Dumas, Carroll, Verne, de Villeneuve, the Brothers Grimm, Twain, Hugo, Perrault and Collodi.

Public domain day is 17 days away. Creators of all kinds: start your engines!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/15/mouse-liberation-front/#free-mickey

Image: Doo Lee (modified) https://web.law.duke.edu/sites/default/files/images/centers/cspd/pdd2024/mickey/Steamboat-WIllie-Enters-Public-Domain.jpeg

CC BY 4.0 https://creativecommons.org/licenses/by/4.0/deed.en

#pluralistic #copyfight #scotus #mickey mouse #public domain #ip #contract #trademark #tm #jennifer jenkins #copyright #disney #nominative use

6K notes · View notes

tenrose · 2 years ago

Text

I finished the Dark Forest and I honestly don't think this trilogy is gonna end well...

#i like how they come to an agreement but there's a third book lmao #i mean without that #the story hasn't been on the bright side #and the whole each species goal is to survive and to extend across the universe #and the whole suspicion thing #I don't see how they can break it permanently #they are going to annihilate each other and part of the universe with them I think #the whole thing with the one who escaped was so dark #it's approximately five seconds before disaster that i understood wtf the suspicious thing was #i'd like to read about the descendants of those who survived though #like how the whole fucked up thing would have been erased from memory till it resurface #and how hundred of years later they are drifting through space having a complete different set of mind from what their ancestors were #initially doing #i wonder if we're gonna see them in third book #the dark forest #remembrance of earth's past

0 notes

journeytothewestresearch · 2 months ago

Note

As someone who’s Chinese w/ a degree in social science + (art) history regarding East Asia I’m always super intrigued and interested to how others interpret changes in new titles on older religious texts- but I will ask in particular if you have any personal ties to Buddhism/Taoism/Confucianism (and Chinese culture) when you find yourself interpreting BM:W’s change in allegorical use of Buddhism as contemporary political adherence! BM:W’s religious and soul mechanics follows their previous game without much overt linking between the two.

Overthrowing Gods in East Asian media is a very common trope in videos specifically due to player involvement (contrast to books where you are separate as the audience) and often is used as an allegory for the system/recent events we exist in. In such it does shift a lot from the original text in base but I think it’s not supposed to relay the same allegory due to the time period in which the writers exist! Wukong’s story changing to him still being chained by the principles that envelop life is far more relatable to late-stage capitalist environments viewers and artists exist in- as such he fulfils the contemporary variant of his original role in JTTW!

I think the change in purpose the Buddhist mythos serves in this game is decisive by nature due to inherent bias present in the original text as a religious piece, and such is core to the allegory. However I don’t think BM:W is supposed to relay that allegory, I think it is supposed to branch off on its own as an alternate contemporary extension of the foundation JTTW set out (plus with the 2 DLC’s on the way, there is plenty of time to extend the universe in game to validate a shift in religious purpose compared to the cut 7 chapters planned during development). And such i think attributing it to the CCP can be a bit of a touchy statement (especially if one doesn’t have long standing ties to East Asian culture or Regional religious practice!) and can accidentally play into sinophobic phrasing and attitudes.

Buddhism as a practice and way of life has a very different presence in writers centuries ago compared to now, as well as how we use religion in audience-involved stories. And such I find it an interesting shift regarding a game made with an international and widely multi-religious audience (that isn’t consuming it as a psycho-socio poem compared to a much smaller and more culturally homogenous readerbase. I think the friction caused by thematic changes is more due to how the game relays the physical journey so closely with reusing characters and having to shift them according to the foundational changes- if it was closer to other written “sequels” that created characters connected to the original cast through descending from them etc, the changes wouldn’t grate on completed arcs or how we compare the experience to wukong’s parallel one

No, I do not have any direct personal cultural connection to Buddhism, Daoism, or Confucianism. I live in Asia, though, and beyond my research of JTTW, I do study religion here (with more of an emphasis on folk religion as it pertains to the Great Sage). My negative view of Black Myth: Wukong is colored by my deep love for the original story. In general, I don't like adaptations.

Thank you for your explanation of the game.

#Asks #Journey to the West #JTTW #Sun Wukong #Monkey King #Black Myth: Wukong #Black Myth Wukong #Chinese religion #Buddhism #Taoism #Daoism

153 notes · View notes

venussaidso · 11 months ago

Text

Mercury Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 𝐩𝐚𝐫𝐭 𝟖

It seems to be a theme in Revati where all the wealth that has been accumulated from the Uttara Bhadrapada stage is easily accessed, but the native must be deemed worthy or in alignment with this sacred wealth and very often they are (but they gotta prove it usually). Profound, universal secrets are quietly recovered in Revati where elevating/ascension is easily achieved (whether through wealth status, spirituality, surpassing mental limitations etc).

The 12H activates so perfectly in Revati by draining everything away to remind us of those secrets so that we 'wake up' again.

I'm going to use monetary wealth and inheritance for my observation, not spiritual, so bare with me.

Revati reminds us of the duality of privilege and hardship, which is either emphasized in this nakshatra or tends to be taken for granted (how such 12H harsh lessons will come in).

We can see how Revati is the 'nepo baby' nakshatra, but there's more to it if we extend this theme a bit more.

Revati being extremely wealthy while also being a nakshatra about humanity & community further validates it being a universal sign (Pisces).

We can look at the story; The Prince & the Pauper written by Mark Twain who is Revati Moon.

The story is about two boys, the prince and the pauper, who switch places and briefly experience each other's lives. The prince experiences the struggle of a commoner's life, and the pauper gets a taste of the responsibilities of the royal life. This makes them have a deeper understanding and even empathy for each other and others alike. Revati emphasizes the shared humanity of all of us, and that's why this nakshatra tends to use their wealth to give back to communities; going into foreign lands to help others that cannot be helped. This proves them being worthy of their wealth, which is now something that can be maintained and even elevated.

Gaining inheritance but only through challenging conditions is something that I associate with Revati. This falls into them proving themselves worthy of the given wealth or learning to put their ego down to be properly nourished.

The film The Bachelor (1999) is about a man, who is fearful of commitment, is made aware that the only way to inherit his grandfather's wealth is by finding himself a bride. The guy is literally commitment-phobic, but he must change his ways. He is played by a Revati Moon.

It's very interesting that films regarding family monetary/asset inheritance have (Mercurial) nakshatras which trine Revati. For example, the film The Descendants (2011) has a plot where the main character is considering on selling a pristine piece of land that has been passed down throughout generations in his family. The director of this film is a Jyestha Moon.

Or the film Inheritance (2020) stars an Ashlesha Moon who plays a character whose father dies, unfairly leaving her with a small inheritance of $1m compared to her brother - played by a possible Ashlesha Moon - who received $20m.

Unfortunately, she also inherits a lifetime of deception and deadly truths that her father left her to deal with. So, we can see how this trope looks on the flipped side where inheritance can be a curse. Mercury nakshatras are the last to deal with the (family) baggage that tend to be passed on from their family, and they're usually the ones to put an end to curses or cycles. Mercury nakshatras, in the general, are the last stage where all matters from the Jupiter/Saturn nakshatras are dealt with & released. In the film, the deceased father is interestingly played by a Vishakha Sun, Purva Bhadrapada Moon.

Actually, circling back to the film The Bachelor (1999), the deceased grandfather who's willing to pass his wealth to his Revati Moon grandson is actually played by a Pushya Moon, Punarvasu Ascendant. I find that Saturn nakshatras can make things challenging for Mercurial nakshatras, not wanting to let them off too easy. Giving them challenging conditions regarding inheritance. Sometimes, Jupiter/Saturn nakshatras can play a role in which they take advantage of vulnerable, Mercury nakshatra natives.

This is seen in the film Rain Man, which was literally directed by Revati Sun AND Jyestha Moon, Barry Levinson.

The film is about two brothers who reunite after the death of their father. The greedy, selfish brother played by a Pushya/or Punarvasu Moon who realizes that his father left his entire estate to his autistic savant brother who is played by an Ashlesha Sun. The Pushya/or Punarvasu Moon brother kidnaps the Ashlesha in hopes to get him to share his inheritance with him.

Now, very interesting how Mercury nakshatras can be born into wealth but it can all be drained away from recklessness, arrogance, or for a lesson for the natives. Going bankrupt, being dethroned etc. can be Revati/12H themes that make us go boundless, by taking everything away which we held onto most of our lives. It makes sense why the 12H is said to be co-ruled by Ketu. Nakshatras trining Revati can also have these themes extended to them.

The film 'Material Girls' is about two heiresses to a multi-million-dollar company who approach life very recklessly and arrogantly. One day a scandal they get involved in causes the downfall of their family reputation and they shift into a life of being penniless and homeless.

The film stars Jyestha Moon, Hilary Duff, and her sister, Haylie Duff, who has her Mars&Venus in Revati. And the movie is literally directed by Revati Moon, Martha Coolidge.

Another movie to mention is the very first Thor (2011) movie, in which the main character - an arrogant, reckless royal prince - is stripped of his powers and banished from his home. He lands on Earth, powerless and ordinary, where he learns humility and what it truly means to be a hero before reclaiming his status. The main character is played by Ashlesha Sun Chris Hemsworth, and the movie is directed by Jyestha Sun Kenneth Branagh. LMAOOO I MISTAKENLY WROTE JYESTHA MOON IN THE PIC

Now, onto Disney Princesses.

What do these three movies have in common? There's a commonality in their respective storylines. Rapunzel, Princess Aurora, and Princess Anastasia all have a period in the plots where they are not aware of their royal lineage or rightful place on the throne. It becomes a central narrative to move the stories towards these characters finally remembering who they are. 12H themes are at work again here, as 12H will strip you of your identity and create even more confusion of the Self. The 12H is also about remembering who you are again, being reminded of where you belong. These characters are so incredibly Piscean/12th house in nature that of course they can only be voiced by Revati natives!

Tangled (2010) — Mandy Moore voicing Rapunzel

Sleeping Beauty (1959) — Mary Costa as Aurora

Anastasia (1997) — Meg Ryan as Anastasia

Live-action version of Princess Aurora has been played by Elle Fanning; very fittingly lmao.

There's a Barbie Rapunzel movie and Rapunzel was interestingly voiced by a dominant Revati stellium.

And Rapunzel in the Shrek version was voiced by someone with two Ashlesha placements (I know, not the best example but having two repeated nakshatras make them dominant imo).

As I've mentioned, nakshatras that have the same nakshatra lord can share the same themes because they trine as a result, so they're closely connected. But Revati is the face of this post, just btw.

From what I gathered, Revati teaches humility, empathy and compassion. Revati is a nakshatra that sees humanity in all, and this trope is well embodied in the Prince and the Pauper story. Revati teaches us how class and wealth creates illusions of separation, and so the 12H takes that thing you believe 'separates' you from others so that you are reminded of the truth. Reminded, is the key word, because the truth has already been realized Uttarabhadrapada, where self-liberation and abundance is achieved. In Revati, you forget the truth that freed you in Uttarabhadrapada. So, Ketu will remind you (Pisces/12H co-ruled by Ketu) and it will hurt (the process of remembering hurts, but the aftermath is so freeing). But things can go the Disney Princess way, where you have to find your way back to yourSELF. This is how we see Revati natives losing themselves, especially in love, just to forget to remember (which is the whole point of life/humanity... EXACTLY WHY REVATI IS A UNIVERSAL NAKSHATRA).

528 notes · View notes

winter2468 · 7 months ago

Text

Leto II and Ghanima as twins is an absolute tragedy.

Here is Leto and his sister. They were born together. They share the same ancestral memories. The only other person like them, their aunt, is being driven insane by her own ancestral memories, and she is trying to make them both end up like her. Their mother is dead, their father is gone, and their grandmother left the planet before they were born and does not return to see her grandchildren until they are nine years old.

They grow up together. They talk together in dead languages.

They are trapped together. They are raised as the children of an Emperor father who walked out on them the day they were born. Their carer, Stilgar, occasionally contemplates killing them because he is afraid of what they are. Their grandmother's people want to force them to marry each other and have children together, and they are horrified by this. They love each other, but not that - never that.

The sister of their father's wife - the wife he never loved, the wife who is not their mother but committed herself to raising them - plots to have them killed. They know the only way to survive is to separate.

They have never been apart before.

By the time they reunite a year later, their father has just been murdered. Their aunt immediately kills herself in front of them. Leto Atreides II, aged ten, is the Emperor of most of the universe, and he is no longer human. He will never be alike to his sister again. He will live for thousands of years. He is fond of children - he will never have children of his own.

He runs until he exhausts himself and then he puts his head in his sister's lap and asks her to find a way for him to die.

Ghanima dies first. Spice extends her lifespan, but she dies two centuries later.

Leto will live another 3,300 years without his twin.

3,500 years into Leto's reign, Ghanima's descendant steals Leto's Journals and finds between the pages a strand of Ghanima's hair, a pressed flower that Ghanima once gave Leto, and a poem that Leto wrote when he was told that Ghanima had died.

Siona, descendant of Ghanima, realises how much Leto Atreides II loved his sister, and views it only as a weakness to be exploited.

245 notes · View notes

specialagentartemis · 2 years ago

Text

Something always fascinating to me is the "character who thinks they're in a different genre" phenomenon. The theme of the story you are telling determines what the right and wrong actions to take are; but the characters, reacting in-universe to the situation, don't know what story they're in, and the exact same responses can be what saves you or damns you depending on what kind of story the author is telling and what the story's message is about what life is like.

In Wolf 359, Warren Kepler approaches the mysterious and powerful aliens with threats; he kills their liaison and tries to position himself as a powerful opponent. However, he's shown to be wrong and making things worse: his preemptive aggression is unwarranted and unhelpful and bites him in the ass. The aliens want to communicate and understand humanity and share our music. It's Doug Eiffel, the pacifistic (and kind of scaredy-cat) communications officer who loves to talk and share pop culture, who talks to them and understands that the aliens are scary not because they want to kill us but because they don't understand the concepts of individuals and death. Talking to them, communicating with them, understanding where they're coming from and and bringing them to understand a human point of view, is what succeeds. Openness rather than suspicion, trust rather than aggression. Kepler thinks he's a dramatic space marine protecting the Earth from the alien threat by showing them humans are tough and can take them, but that's not the kind of story this is.

Conversely, in Janus Descending, Chel is in awe of the strange and beautiful alien world around her. She wants to touch it, understand it, get up close to it. When she sees a crystal alien dog, she wants to befriend it, despite Peter's warning. But when she gets close to it, extending her arm in greeting, it attacks her and drags her down into the cave to try to eat her. This sets the inevitable tragedy in motion. Suspicion is warranted; trust will get you killed. Because this is a sci-fi horror, with a major running thematic reading about how racism and sexism will destroy your brain and your society, and how the people who think they're too smart to be prejudiced don't see their own prejudice and will end up ruining the lives of the people they still don't fully see as equals, this kind of trust that Chel shows this strange alien is tragic. However it is also a horror story where there are very real hibernating space snakes ready to wake up and eat the fresh meat that has landed on their planet, and by being too trusting Chel has accidentally introduced herself to one.

Kepler, suspicious and ready to shoot any alien he doesn't understand, would likely have survived Janus Descending; Chel, with her enthusiasm for learning about and meeting aliens, would have been a wonderful and helpful member of the Wolf 359 crew.

In a similar manner, in Alien, Ellen Ripley yells to the rest of her crew not to bring the attacked crewmember with the alien on his face back on the ship and into the medical bay, you don't know what contamination that thing might have; she's ignored. She tells them not to let the crewmember out of quarantine even though he seems fine; she's ignored again. Ripley is the one person protesting this isn't safe, we don't know what's going on, and she is consistently ignored, until an alien bursts out of her crewmate's chest and then eats everyone and Ripley is proven to be right and also the only survivor. (And it turns out that the science officer consistently overriding her protests was an android sent by the company that contracted them, and said android was given orders to bring the alien back so the company could study it and do weapons development with it, try not to let the crew find out about it, and kill them if he had to in order to do so!)

Ripley's paranoia and mistrust of the situation was correct, because Alien is a space horror and the theme is in space no one can hear you scream (also corporations consider you expendable).

Conversely, in All Systems Red, we have a damaged and almost-combat-overridden Murderbot being brought back into the PreservationAux hab medical bay after being attacked by other SecUnits. Gurathin becomes the one person protesting this isn't safe, we don't know what's going on, he doesn't want to let Murderbot out because it's hacked and probably sabotaging them for the company contracted their security and sent it with them. Gurathin thinks he is the Ellen Ripley here! He is trying to warn his teammates not to make a dangerous mistake that will get everyone killed!

However, All Systems Red is a very different story than Alien, and Murderbot is neither a traitor on behalf of the company to sabotage them and steal alien remnants for weapons development, nor a threat to the humans - it's a friend, it's a good person, and it wants to help them against both companies willing to screw them over. Trusting it and helping it is the right thing to do and is what saves their lives. Gurathin is proven to be wrong.

If everyone on the Nostromo crew had listened to Ellen Ripley, they would still be alive (except Kane. RIP Kane), because this is a horror story about being isolated and hunted and going up against this horrifying thing that wants to kill and eat you and just keeps getting stronger. If everyone on the PreservationAux team listened to Gurathin, they would all be dead, because this is a story about friendship and teamwork and trust and overcoming trauma and accepting the personhood of someone very different from you.

Same responses. Different context. And so very different moral conclusions.

Warren Kepler was about how the brash violent over-confident approach to things you don't understand is wrong, and that openness and developing that understanding between people is what's important; Chel was about the tragedy of trust destroying a Black woman who wanted so much to believe in a world that could be kind and beautiful. Ripley was about a woman whose expertise and safety warnings were ignored and brushed aside and everyone who did so died because of it; Gurathin was about how even justified fear shouldn't mean you make someone else a scapegoat and mistrust them because they seem scary.

Sometimes you're in the wrong genre because you need to be, because the author is trying to show how not to react to the situation they set up in order to build the mood and the theme they're trying to convey.

#Wolf 359 #Janus Descending #Alien #The Murderbot Diaries #Murderbot #meta #my meta #it's about what the author is saying about the nature of the world and how to respond to it

2K notes · View notes

100s-of-random-things · 2 years ago

Text

Audrey: I never hit snooze. Woodland birds make the best alarm clocks.

Trace: So do loud exhausts and gunshots.

#descendants #disney descendants #descendants oc #descendants audrey #incorrect descendants quotes #my incorrect quotes #my descendants extended universe #disney descendants oc #oc #princess audrey #oc quotes

22 notes · View notes

virginiaoflykos · 1 year ago

Text

What to read after Light Bringer? (Series similar to Red Rising)

August 2023 update!

Red Rising is my favorite series of all time, and since I first read it, I have sought series and books similar in both spirit and execution. Some of these recs are books I haven’t read personally, but have often come up in discussions with other users!

1. The Stormlight Archive by Brandon Sanderson

Status: ongoing, expected 10 books in total, 4/10 out at the moment

Book 1: The Way of Kings. The Way of Kings takes place on the world of Roshar, where war is constantly being waged on the Shattered Plains, and the Highprinces of Alethkar fight to avenge a king that died many moons ago.

2. The Craft Sequence by Max Gladstone

Status: finished, 6/6 books out.

Book 1 (in publication order): Three Parts Dead. Comprised of 6 standalone books set in the same universe, the Craft Sequence tells the tales of the city of Alt Coulumb. The city came out of the God Wars with one of its gods intact, Kos the Everburning. In return for the worship of his people, Kos provides heat and steam power to the citizens of Alt Coulumb; he is also the hub of a vast network of power relationships with other gods and god-like beings across the planet. Oh, and he has just died. If he isn’t revived in some form by the turn of the new moon, the city will descend into chaos and the finances of the globe will take a severe hit.

3. Hierarchy by James Islington

Status: ongoing, 1/3 planned books out

Book 1: The Will of the many. The Will of the Many tells the story of Vis, a young orphan who is adopted by one of the sociopolitical elites of the Hierarchy. Vis is tasked with entering a prestigious magical academy with one goal – ascend the ranks, figure out what the other major branches of the government are doing, and report back. However, that isn’t quite as easy as Vis or anyone else thought it was going to be…

4. Suneater by Christopher Ruocchio

Status: ongoing, 5/7 books out

Book 1: Empire of Silence. Hadrian is a man doomed to universal infamy after ordering the destruction of a sun to commit an unforgivable act of genocide. Told as a chronicle written by an older Hadrian, Empire of Silence details his earlier adventures and serves as an introduction to the characters and the setting.

5. Dune by Frank Herbert

Status: completed, 6/6 books out

Book 1: Dune. Set in the distant future amidst a feudal interstellar society in which various noble houses control planetary fiefs. It tells the story of young Paul Atreides, whose family accepts the stewardship of the planet Arrakis. While the planet is an inhospitable and sparsely populated desert wasteland, it is the only source of melange, or "spice", a drug that extends life and enhances mental abilities.

6. The Expanse by James S A Corey

Status: completed, 9/9 books out

Book 1: Leviathan wakes. Set hundreds of years in the future, after mankind has colonized the solar system. A hardened detective and a rogue ship's captain come together for what starts as a missing young woman and evolves into a race across the solar system to expose the greatest conspiracy in human history.

7. The First Law by Joe Abercrombie

Status: completed. 3 books in the original trilogy + 3 standalone books + 3 books in the newest trilogy

Book 1: The Blade Itself. The story follows the fortunes and misfortunes of bad people who do the right thing, good people who do the wrong thing, stupid people who do the stupid thing and, well, pretty much any combination of the above. Survival is no mean feat, and at the end of the day, dumb luck might be more of an asset than any amount of planning, skill, or noble intention.

8. Cradle by Will Wight

Status: completed, 12/12 books out

Book 1: Unsouled. Lindon is Unsouled, forbidden to learn the sacred arts of his clan. When faced with a looming fate he cannot ignore, he must rise beyond anything he's ever known...and forge his own Path

9. Hyperion Cantos by Dan Simmons (one PB’s favorites)

Status: completed, 4/4 books out

Book 1: Hyperion. The story weaves the interlocking tales of a diverse group of travelers sent on a pilgrimage to the Time Tombs on Hyperion. The travelers have been sent by the Church of the Final Atonement, alternately known as the Shrike Church, and the Hegemony (the government of the human star systems) to make a request of the Shrike. As they progress in their journey, each of the pilgrims tells their tale.

663 notes · View notes

worfsbarmitzvah · 3 months ago

Note

I've thought about how gentile Abrahamic religions are antisemitic religious colonialism before and it pisses me off a ton and I'm thankful you said it, but now that it's someone besides me saying it, I'm gonna give some criticism (please don't take this personally)

Everything up to Abraham (particularly Adam and Noah) have G-d creating and tending to the entirety of humanity, right?

During Abraham's time, it should stand for something that G-d tends to Hagar and Ishmael, right? Especially since Hagar gives her own name for G-d and He makes a promise to Ishmael that he'll be the father of nations (or something like that). And I think the Prophet Muhammad is supposed to be descended from Ishmael.

And Noahides are a whole Thing in all this too ofc.

But the bigger thing is there are definitely texts and interpretations that take G-d being the G-d of the Hebrews and extend it to Henotheism, but for the Jews who are purely monotheists and say there is truly only one G-d in existence and He belongs only to us, isn't it cruel to totally deny the vast majority of humanity the Divine, especially if He is still their Creator and controls the world(s) they live in?

this whole thing is coming from the assumption that judaism was always monotheistic. it wasn’t. at one point in time we were monolatrous, meaning we only worshipped one g-d but didn’t deny the existence of others. hell, the language used in the torah supports this (the way the text treats egypt’s g-ds being perhaps the most prominent example). hashem has always been our specific g-d, since before the idea emerged that he is the only g-d. our/the world’s perception of him may have since evolved into this idea of one singular deity, but it has not always been that way.

hagar and ishmael still come from our mythology surrounding our particular g-d. the idea then emerged in islam, which was born with the same jewish roots that christianity was, that muslims were descended from ishmael. and, like, i don’t really mind or care about that either way. ishmael’s not a super major figure in our folklore. the story, along others in breishit, genuinely does lend itself to the idea that hashem can be the guardian of many different peoples, families, and nations. and to tell the truth i don’t genuinely have much of a problem with sharing some folklore and roots.

but it NEEDS to be acknowledged where those roots come from. for so much of history, right up until today, christians and muslims have pretended they know our g-d and our folklore and our history better than we do. they have MURDERED us for worshipping our g-d and practicing our customs in OUR way, the way we have been since before their religions and cultures emerged. if the religions that find their roots in our culture were more willing to listen to us, respect us, and learn from us, maybe i’d be less angry. but they’re not. they’ve tried and tried and tried to eradicate us and erase where they came from and make our stuff theirs. i don’t think it has to be like that forever but i don’t think we’re very close to it not being like that as of now.

also, i can’t think of a single cultural mythology that doesn’t have a creation story of some kind. it’s just the kind of thing that societies do when they try to make sense of their place in the grand scheme. the fact that we believe our g-d created the entire world does not actually mean that that story or that g-d belongs to the entire world. the fact that everybody thinks our creation myth applies to and belongs to them is just more evidence of how widely our culture has been co-opted.

there’s nothing we can do to change the fact that our g-d has been made universal (either through the natural evolution of our theology or from colonialism and cultural theft, more likely a combination of both) and i have to be fine with that. sure, fine, the people who have adopted our g-d as their own without actually bothering to understand us at all can outnumber us by orders of magnitude.

but why does our holy city have to also be their holy city? the christians have the vatican and rome and islam has mecca and medina. why do they need jerusalem? why can’t even that just be ours?

again, i have to push this aside and be okay with sharing if i truly want to have peace in our land. and i do, because i love eretz yisrael and yerushalayim more than i hate what has been done to her. the situation has grown so far beyond the injustices i am angry about that it is impossible to right those injustices without creating brand new ones. so i will be okay with sharing our g-d, our texts, and our land. but that doesn’t mean the injustice of it won’t burn like a fire in my heart.

#txt #ask #anonymous #jumblr #< yeah fuck it i’ll tag this one. im saying a lot of things and i wanna see if they make sense to people

83 notes · View notes

meraki-sunset · 10 months ago

Note

I was thinking of the cherub adults; do you think they'd have aspects too? Or because they're before a session they don't?

I mean, the trolls ancestors also have aspects and they were before a session, so they could also potentially have one?

To me, everyone has an aspect. Because aspects are the primordial components of the universe in Homestuck, so I think everyone is born tuned to one specific aspect, regardless of if they’re born inside the game or not, destined to play it or not.

The kids and trolls were meant to play it, they were created for it, but Calliope and Caliborn weren't and weren't supposed to play. Cherubs being a super powerful being of legend aside, they were simple mortals unconnected to Sburb, but they still played it, the game let them have a session and they had classpects. The strongest posible classpects no less.

Another good example are the extended zodiac signs. They tell us the aspect and lunar sway of random trolls, even tho they will never play the game. People are just born with an aspect

The only people I believe are born without a classpect are carapace, consorts and leprechauns, because they were created by the game itself to fulfill a role in it, so it would make no sense for the game mechanics to give them a player classpect.

They themselves are already a part of the universe creation.

The same way Players can’t use the Queen’s ring, because its purpose is to be used by a carapace

So yeah, They could be time and space, like with trolls and their descendants or they could have ony other aspects, but Calamity and Calmasis should have aspects, simply because they’re mortals, born inside a Sburb-created universe, in which everyone is tuned to an aspect. (According to the Skaianet files, Calamity was born on universe B1, the beta kids original universe, while Calmasis was born on C1 the EarthC universe)

#homestuck cosplay #hs #homestuck calamity #homestuck calmasis #homestuck analysis #homesruck classpect #homestuck cherubs

252 notes · View notes

primoredial-jade · 11 months ago

Text

to you, 500 years from now.

" i wonder if you remember me as i was. sometimes, i think of those days. do you? " —dishonored

prompt: he wishes to see you again one day, in a world that is kinder for a soul as beautiful as yours.

pairing: neuvillette x gn!reader

cw: reincarnation alternate universe, heavy themes and depictions of death, neuvillette story quest spoilers, fontaine archon quest spoilers, a light-hearted scene sprinkled in, reader is an oceanid in their past life, reader is a geoscientist in their current life

as a part of @seraphiism's 2023 writing event 🤍 merry christmas!

500 years ago.

seldom did visitors grace the presence of the hydro dragon.

adorned with shimmering scales that reflected the hues of the deepest ocean, piercing violet eyes that sparkled like the shiniest amethysts, and hailed as one of the strongest sovereigns of the world– his reputation preceded him. thus, the hydro dragon chose to live in seclusion in the salacia plains.

time worked differently for a being such as him. in a momentary lapse, the hydro dragon had shut his eyes for what he thought was a brief respite, only to be roused by the gentle murmur of bubbling water. as his eyes fluttered open, he remained unaware that several years had slipped away during his tranquil slumber.

with seemingly no fear at being in the presence of the hydro dragon, a beautiful oceanid floated before him, blowing bubbles in his direction. twirling around him, the oceanid radiated a warmth that the hydro dragon could not resist. drawn by the mesmerizing glow of his scales, the oceanid came closer.

the hydro dragon sat up in his full form, extending his wings and towering over the oceanid, gauging its reaction. he knew he was terrifying like this. the oceanid did not flee in fear, rather, gazed up at him in amazement and wonder.

"what is your name?" the hydro dragon asks.

you offer it to him, easily.

days turned into nights into years as the hydro dragon finally had someone to call his companion. you followed him everywhere he went, offering him countless condessence crystals on your trips, "because it resembles your eyes."

with time, the hydro dragon had discovered a love that transcended ordinary within you.

fate, as cruel as it could be, had other plans. the heavenly principles had descended to wage war against the seven sovereigns. the hydro dragon urged you to stay away, to not get involved. yet, you refused, promising that you would never leave his side.

the heavenly principles, having sensed the unconventional bond between the hydro dragon and his oceanid, instantly killed you before the hydro dragon could even think to intervene. dying in his hands, you apologized.

"hydro dragon, hydro dragon, don't cry," you murmur, placing one last condessence crystal in his palm.

filled with agony and rage, the hydro dragon unleashed his elemental fury upon the heavenly principles.

still, it wasn't enough. he couldn't save you, he couldn't avenge you, and now, he was to also perish by the hands of fate.

as he lay dying with the condessence crystal in his hand, he wishes to see you again one day. in a world that is kinder, and more forgiving for a soul as beautiful as yours.

500 years later.

the stars are keeping you up tonight.

ever since furina had given up her position as the hydro archon and the prophecy was deemed to be untrue, you had felt a shift within yourself that you could not really explain. when you had been enveloped by the water of the primordial sea, you had felt... at home. tranquil, even.

fontaine's winter festivities were in full swing, and the city's lights twinkle slow as children zip past you through the streets. red and green decorations are adorned on every wall and lamp post. you raise a hand to catch a delicate snowflake– rarely did snow ever reach fontaine, but it was a welcomed change for the season.

you shiver, pulling your coat closer to your neck. it was probably reckless to be out this late when the night was this chilly, but you just couldn't shake the feeling of having to be out here. something was pulling you here, but you didn't know what.

"good evening," a voice calls your name and you startle, hand over your heart. you turn to meet piercing violet eyes and an easygoing smile, one that you meet sheepishly.

"good evening, monsieur neuvillette," you answer, inadvertently straightening your posture.

"i thought it was you i saw..." neuvillette trails off, clearing his throat. he gestures up to the palais mermonia, quite a ways away. you tilt your head in bewilderment.

"you could see me from there?"

"well, not at first," he answers, lightly tapping his cane on the floor. "you could say it was instinct, perhaps. i cannot find the words to really explain it, but it had to be you."

you would be lying if you said that one of the reasons as to why you had felt so on edge since the flooding didn't have anything to do with neuvillette.

as a geoscientist investigator for the marechaussee phantom, most of your interactions in the past had been strictly professional in solving cases and exonerating or indicting those on stand. after the failed prophecy, neuvillette had begun to seek you out for casual conversation. of course, you welcomed it. you were easily drawn to him, like a moth to a flame.

something about the way he had interacted with you since then with a longing gaze in his eyes had you feeling as if he knew something that you didn't.

it did not do any favors to your heart. he was a gorgeous man with a kind and respectful personality to boot.

you shouldn't get this excited about him finding you, but your blood thumping in your ears betrays you.

"ah- i see... it's funny you say that, because, well- likewise," you manage to say, flustered and feeling the urge to bolt on the spot.

neuvillette smiles at you, nodding toward the brightly lit street. "would you take a walk with me?"

speechless, you nod. what would fontaine think seeing you strolling around town with neuvillette this late at night, shoulders so close?

"there are a few stands around with festive goods and the likes. there's actually a..." you pause, a sudden memory making you laugh, "a water taste-testing booth made by your fanclub. would you want to check it out?"

neuvillette's eyebrows raise in amusement. "it would be my pleasure. i had not even been aware i harbored a fanclub."

you absentmindedly lean closer to his side, "well, you are quite popular among fontainians, monsieur neuvillette. many of them admire you for everything you have done for fontaine."

"and what about you?" his eyes meet yours expectantly.

you're caught off guard by his teasing. ears burning, you focus your attention on the path. "well, of course, i do too," you mumble. you can't see it, but he smiles.

a brightly lit booth in blue finally comes into view. its banner reads, "water around the world!" with a small, cute drawing of neuvillette's face in the corner.

"surely that's breaking a law in copyright infringement?" you joke.

"the oratrice would surely find them guilty," he nods, and you cannot suppress your laugh.

"hello, and welcome to- monsieur neuvillette?!" the teenager running the stand jumps out of her seat at the sight. she sputters, waving her hands around frantically. "it- it's so nice to see you, monsieur! are you interested in trying out some of the water we've collected?" her outburst spawns members of neuvillette's fanclub whispering excitedly behind her, to your amusement.

"i would be delighted to, along with my companion, if you would be so kind." he gestures to you, and it is only now that the fanclub seems to notice you. a few of them audibly gasp, and you already feel the dread of having your name front and center on the steambird come tomorrow morning. "monsieur neuvillette and the esteemed geoscientist: on a late-night excursion?"

they're quick to place multiple cups of water in front of you. respectively labeled cider lake, samudra coast, dadaupa gorge, sal terrae, and the suigetsu pool. neuvillette takes the one from cider lake, swirling it, and taking a leisurely sip not unlike wine. he hums, encouraging you to take your sip as well.

as you go down the line, truthfully you cannot tell much difference between them all. but, your heart warms seeing neuvillette take this very seriously, to the delight of his fanclub.

"did you like them?" you ask as you both depart from the booth, truly curious.

neuvillette nods, a smile on his face. "they all tasted quite fresh."

you cannot repress your own grin at his honesty. "i'm glad, monsieur neuvillette."

as the snow gets heavier and the night turns darker, booths begin to shut their lights down with people scurrying back to their abodes. you get the occasional double take at being with the chief justice, of course.

you watch neuvillette as he slows to a stop to stare up into the sky. delicate snowflakes fall into his long hair and eyelashes, and yet he seems completely unbothered by the cold. he's beautiful.

you heart suddenly aches in a way that feels like the breath has totally escaped you. the feeling is so unknown that you wonder if this moment is even real at all.

you'd had nightmares about it that you didn't dare tell a soul, of how you had died once. it was impossible- unfathomable.

but if it was, then how could you vividly remember in your last moments the feeling of being held by warm, protective hands?

neuvillette is already looking at you when you come to, like he knows.

"maybe we should call it a night." your voice is thinned.

neuvillette takes a step closer. "may i?"

you can only nod, breath hitching. he's standing closer than how he usually allows himself to be. you move, but one of his hands lift to gently cup your cheeks.

instantly, tears begin to well up in your eyes. his touch feels so familiar. "i'm sorry," you whisper.

with his free hand, neuvillette unclips the brooch at his neck and places it in your hand. seeing it up this close, your eyes widen.

"this is a condessence crystal."

neuvillette's eyes meet your own. he closes both of your hands around the crystal, and you see white.

"what is your name?"

"it resembles your eyes."

"i love you."

"i won't ever leave your side."

"don't leave me by myself."

"hydro dragon, hydro dragon, don't cry."

your knees suddenly grow weak, but neuvillette is quick to catch you.

your mind is running at a thousand miles a minute, swirling with questions that repeat themselves in your head, what is wrong with you, what is wrong with him, what is wrong with fate.

"so it is real," he finally says, eyes so solemn yet relieved. his words, resolute and cutting, make you still.

"i– what is?"

"us."

you didn't realize that you needed to hear it from him to finally understand. his eyes are darting across your face, trying to get a read on your expression.

"ever since i was given my authority back on the day of the prophecy, i remembered everything of our past life together, traversing across the seas of the teyvat," he explains, thumbing a stray tear that escaped your eye.

“for a long time, i wondered why i had this when i was reborn into this form,” he squeezes your hand with the condessence crystal, “and then it all made sense.”

"i remember now too," you say, "neuvillette, i remember."

this world is much kinder for a soul that is as beautiful as yours.

"would you give it a chance?" he asks.

"why, neuvillette?"

"because i know," his beautiful eyes don't falter from your own. "i know of the one life i spent where i lost you."

the chill that runs up your spine is not from the cold.

"and now, i have finally found you again."

you don't know who moves first, but his lips are on yours in the next breath you take. you are anguished, confused, happy, at peace.

even in the snow and the pretty lights, all you can see is him.

#neuvillette x reader #reincarnation au #neuvillette reincarnation #genshin x reader #genshin impact x reader #genshin x you #fontaine story spoilers #fontaine spoilers #oceanid reader #past life au #neuvillette #seraphiism’23 #neuvillette | primoredial-jade

236 notes · View notes