#explain this to us puella magi gods (not you madoka)

[einwish]

why is it so hard to meet cute girls in this city

[thewadapan]

Spent today checking out The Amazing Digital Circus and Murder Drones, and god, the kids today have it so good when it comes to this sort of content. When I was a teen, I was obsessed with Red vs. Blue and RWBY, which I think it's fair to say are the equivalents of the time, and the sheer gulf in terms of writing quality and production value is stunning. I hear there were some rumblings of unprofessional conduct from the production company, which would hardly be surprising considering this is yet another guys-working-from-their-basement success story, but much bigger companies with much shittier business practises consistently put out much worse content than this.

The Amazing Digital Circus is definitely the better show of the two, thanks to its slam-dunk premise and some great writing from Gooseworx. The producers have talked about aiming to fill a perceived gap in the market between kids' cartoons (The Boss Baby) and adult animation (Bojack Horseman), and I think they have successfully threaded the needle to create a very unique tone. There's a sense of these works existing totally outside the mainstream media machine; they're not getting BBFC rated, but you just know millions of kids are watching them. It's on YouTube and the fact that it looks like some Frozen Spider-Man kids' slop just means da parents won't question what their kids are watching.

But truth be told, there's nothing objectionable about the content of The Amazing Digital Circus whatsoever. It's unusually metatextual and loosely apes the aesthetics of much darker media, touching on slightly more existential themes than your typical kids' cartoon, but it still has a lot in common with those same cartoons. The zany characters are all fairly one-note, and the emotional arcs of the episodes are honestly quite straightforward. The second episode in particular has an absolutely textbook plot structure to it. It's a far more self-assured and traditional style of writing than you ever see in this kind of independent work—certainly far more so than Murder Drones, which is written by an insane person.

More than anything, I'm reminded of how I felt watching Puella Magi Madoka Magica: that it's a very solid work of fiction, but that the people who'd get the most out of the work are isolated teens struggling to make the transition into adulthood. Certainly if nothing else, the fandoms of these shows must be bringing a lot of kids together around the world. I adore this soundbite from Goose: "Above anything else, I just wanted it to feel kind of lonely." You see Pomni's worldview shatter, she suddenly finds herself in a body that feels completely wrong, and she has to construct a new kind of belonging for herself.

As for Murder Drones, that show's absolutely fucking nuts, yo. The writing is at once painfully basic and utterly incomprehensible. If someone just sat down and explained the plot straightforwardly, it would be fantastically boring. But man, the presentation, the sheer delight the animators seem to approach every scene with...! I'd say it's clearly trying to use "the characters are robots" as an excuse to expose da kids to some absolutely shocking levels of gore, much like the Transformers movies, but midway through the series it starts straightup swapping the oil and wires for blood and bones and you've got to respect that.

The writing itself is so excruciatingly irony-poisoned that it goes beyond cringe and somehow wraps back around again to being sincerely funny. The show kind of wants to have its cake and eat it in terms of constantly lampshading how flat and cliché the emotional plotting is, but also clearly aiming to genuinely tug at the heartstrings and whip fans into a frenzy. And it kind of succeeds, I think! The way it veers between bizarrely high-effort implementations of memes, seriously cool fight scenes and horror visuals, and big emotional moments is very disarming. If The Amazing Digital Circus is an attempt to faithfully rework the American-cartoon formula for a slightly older audience, Murder Drones aims to crib the aesthetics of high-school cartoons while actively rejecting every traditional narrative technique used in those stories. Which means it's kind of bad, which means it's also kind of great.

If it's not already, then within a couple of years it will be deeply cringe to have ever been into Murder Drones in particular or (to a slightly lesser extent) The Amazing Digital Circus, in much the same way that everyone seems embarrassed to admit they were ever a Homestuck fan. But like with Homestuck, I feel like these series are genuinely pushing at the frontiers of storytelling in a way that's commendable and might inspire new kinds of writing once the fans grow up.

ENA is also pretty good, for the record.

[princess-of-the-corner]

As of today, if you had a nickel for all the times Joan of Arc was shown as a magical girl you'd have four, as far I know:

Kamikaze Kaitou Jeanne: a 1998 manga with anime adaptation, it features Joan's reincarnation in the modern day on a mission from God, stealing magical chess pieces to foil the devil's plan.

Puella Magi Madoka Magica: the final episode of the original series, aired in 2011, shows Joan on the pyre as one of the magical girls rescued by Madoka. The manga Puella Magi Tart Magica (with the name Tart being taken from the original spelling of her name, Jehanne Tart) was eventually made, detailing her story and ending with Joan on the pyre as Madoka is coming for her.

Miraculous: Tales of Ladybug and Chat Noir: Joan first shows up in the season 1 finale, with her image appearing on a stained glass window facing a goddamn' dragon. The actual Joan gets time displaced and briefly meets Marinette in "Ephemeral", and her ghost is summoned in "Reunion".

Giovanna Pulzella: a song from Italian parody band Bardomagno released on October 25 2024, the video shows her going from a "normal" maiden that hears the voice of God into a warrior as a magical girl transformation that gives her armor and a new haircut.

Now, how historically accurate are they?

Kamikaze Kaitou Jeanne: Not in the slightest. They took the bare bones of Jeanne's tale and adapted it to a phantom thief story, throwing the magical girl thing in to make it work and going utterly against the actual history while accidentally getting the medieval Catholic idea of purity of a woman right.

PMMM: Extremely accurate down to her haircut (though incorrectly showing her as a blonde), and featuring a lot of historical character in the proper time and action with a single exception justified by virtue of being Perenelle Flamel (that is someone said by folk tales to be immortal), though with a few poetic licenses due the magical girl setting. Especially notable her banner (preserved after her capture but destroyed during the French Revolution), based on historical descriptions except for Kyubey (that Joan thinks is an angel) replacing Jesus, prompting those who see it to comment on how ugly it is (and explaining why descriptions differ), and her reaction of awe to a Soul Gem (by Catholic doctrine the body is merely a container of the soul, so being suddenly able to TOUCH her soul is taken as proof of the Incubator's divine power).

Miraculous: mixed bag, and irritating. For starters it's the only time they presented her with her historical black hair, if with a cut contrary to descriptions preceding her prisony. In "Ephemeral" she calls for Bertrand de Poulengy, a French knight historically known only for being her follower from BEFORE meeting the Dauphine Charles to her rehabilitation trial, only to follow it up with her attacking with her sword when her own testimony at the heresy trial, confirmed by witnesses at the rehabilitation trail, explain she never used the sword in combat, only as decoration and to chase prostitutes out of the camp (and breaking one on the back of one of the prostitutes). And in "Reunion" her ghost (by some accident identical to how ghosts were seen in the Middle Ages, as an image of the soul of a defunct left in the world to help the living or made by the devil to tempt them) shows her famous temper and references how the French throne was in fact vacant from the death of Charles VI in 1422 to the anointment and coronation of Charles VII in 1431 (long story short one could truly be King of France through the coronation in Reims and needed to be a knight for it, but the city was in English hands until retaken by Joan and Henry V was below the minimum knighthood age), only for her devotion to God (great enough she was eventually made Saint Joan) to go unmentioned and her devotion to France being ignored for a trite romantic plot that included Charles VII and Henry V being presented as warmongers prolonging the war for their own ambition IN DIRECT CONTRADICTION TO INFORMATIONS SHE HAD MENTIONED EARLIER IN THE EPISODE (when she was asked who was King of France in 1423 and she started explaining why the answer was "no one").

Giovanna Pulzella: Quite accurate except for the jokes (it's a parody band, after all), as expected by Bardomagno, whose members are all history buffs. Just don't ask why Charles VII is shown as looking like the main character from the old manga Kaibutsu-kun, that's one pun for older Italians that would make Chat Noir groan.

And if you ask me, when the magical girl manga and the parody band that are both taking artistic licenses make a better job representing Saint Joan than the guy who supposedly is a fan of the Maiden of Orleans, one has the right to be angry.

It's a bit of a mess

[atamascolily]

One of the fun things about being a fan of multiple shows by the same author is that you get to watch them play with the same ideas over and over again. It's especially fascinating with Thunderbolt Fantasy (2016-present), where you can see Gen Urobuchi returning to and building on many of the themes and issues in Puella Magi Madoka Magica (2011).

AKA a long-winded analysis on the ethics of time travel, or what a tired wandering swordsman has in common with a 14-year-old magical girl (hint: heart is an awesome power). [CW: spoilers for both series.]

When the possibility of using the scrying mirrors to travel back in time is first introduced in TBF Season 3, Lang Wu Yao zeroes in on using them to save Mu Tian Ming from being blinded by Huo Shi Ming Huang--an injury he feels personally responsible for. He's upset by Shang's dismissal of this idea, but Lin Xue Ya interrupts before Shang can explain his position any further, even though I doubt there is any argument that Lang would accept at this point.

Lang Wu Yao sees the world in binary terms--good and evil, action and in-action--and he also believes that the ends justify the means, so his stance on using time travel to prevent a terrible fate is not particularly surprising. His offer to sacrifice his life for Tian Ming's well-being is genuinely sincere. But it's not that simple and Shang is acutely aware of the dangers that come from meddling in the past; furthermore, the show offers some tantalizing hints that this knowledge came from personal experience (more on this later).

Shang's stance that time travel is against the natural order of things is in sharp contrast to that of Homura Akemi in Madoka Magica, who, like Lang, wishes to defy the laws of space and time and travel back into the past in order to save the most important person in her life from a terrible fate. In Homura's case, she wants to save Madoka first from death, and then from becoming a magical girl in the first place, reliving the same few weeks over and over again in an effort to do so; conveniently, Kyubey, a cute cat-like figure and stand-in for Mephistopheles is right there, willing to grant that very wish in exchange for Homura's soul.

Unfortunately for Homura, every time she goes back in time she's actually traveling to an alternate dimension, and the karmic "weight" of all these timelines ends up making Madoka more and more of a target as both her power and potential grow on an exponential scale. This unexpected consequence ultimately results in Madoka making a wish to save all magical girls from their fate--but which condemns her to a liminal existence as a concept, once again denying Homura her true wish.

Wishes are a dangerous thing in Urobuchi's stories, as Lang will discover. A hooded figure calling himself the "Cross-Time Guardian" (actually the demon Azibelpher) takes Lang back in time to the battle against Huo Shi Ming Huang, and, in classic devil fashion, tempts him to take matters into his own hands and save Tian Ming. When Lang and Ling Ya question his motives--correctly sensing this is too good to be true--Azibelpher says, "I'm simply curious as to what kind of karma you are willing to shoulder."

Like "fate", "karma" is a loaded word in Thunderbolt Fantasy (there's a reason why Huo Shi Ming Huang's weapon is called "All Karmas Destroyed Together"). As in Madoka Magica, karma is a source of power; Lang's intervention would essentially make him responsible for everything that happens in this new timeline as a result. In this case, this statement also points to a more straightforward narrative purpose: this scene is a test of Lang's character.

Unlike Homura, Lang gets to see the potential consequences of his actions in advance, and it's not pretty: an eldritch demon god unleashed upon the world. Lang's choice is Tian Ming or the world.... and if he chooses Tian Ming, there won't be a world anymore. Any semblance of choice was an illusion from the beginning; the past cannot be changed without destroying any hope of a future. As Homura herself notes in Madoka Magica, "Kindness can lead to an even greater tragedy".

On a meta-narrative level, Tian Ming's mutilation and Shang's subsequent arrival in Dong Li are what makes the story of Thunderbolt Fantasy possible ; Lang can change the past.... at the cost of erasing the entire story. [Note: Do I hate that Urobuchi made a woman's suffering the unchanging crux on which all canon events subsequently hang? I sure do! Was it technically well done? Also yes, but I cannot emphasize enough how much I hate it.]

However, while it's taken to an extreme in this particular case, I would argue that this kind of narrative erasure is the logical goal of most time travel stories--the fantasy that you can somehow go back and fix everything, conveniently ignoring the fact that life generally doesn't work like that. The exceptions, of course, are those stories where it turns out that time cannot be changed for whatever reason--either because it's a stable time loop or because certain events will always happen no matter what changes are introduced--but their power comes in large part from how they are still addressing this same fantasy by subverting it. (There are also stories like Ray Bradbury's "A Sound of Thunder", which hinge on the difficulty of maintaining the status quo in a world where the timeline is all too easily altered, but again those are the exceptions rather than the rule.)

Being Lang Wu Yao is suffering and he's only just begun, because Azibelpher twists the knife in further by asking him, "Okay, so the world would be destroyed, so what? If fate is cruel and suffering is inevitable, why not give it the middle finger by wrecking everything on your way out?"

The meta irony of puppets discussing whether or not they are "puppets" of fate gets me every time.

This is the same question Homura asks Madoka as they lay dying in episode 10 of Madoka Magica--why not destroy the world that has betrayed and failed them and is full of so many terrible things? Here, it is the Devil himself making the argument; after much agonizing, Lang's response is ultimately, "Not today, Satan!" Once again, Shang Bu Huan was right about everything, and Lang finally understands that now.

Lang is able to make this choice because he is more fully aware of the consequences of interference--knowledge that Homura did not have. Given that there wouldn't be much of a story if she didn't go back in time, I doubt it would have made much difference, but you never know.

What's especially striking about the next part--as Lang witnesses Tian Ming's fate and taking full responsibility for his inaction--is that it's intercut with Shang Bu Huan's discussion with Bai Lian in the distant past. Instead of the previous epic battle music, the same scene is recast as melancholy and bittersweet, with the music and framing changing the entire tone. The events are the same, but we are experiencing them differently along with Lang this time, watching from the outside as spectators without changing anything--very much like a memory or a dream.

I've speculated elsewhere what exactly the point of Azibelpher sending Shang Bu Huan to this particular point in time to meet Bai Lian, but on further reflection, I wonder if this was (among other things) a similar test of character for Shang. If so, he passes with flying colors; when Bai Lian asks if Shang is here to correct the "mistake" of making the Shen Hui Mo Xie, Shang tells him he's doing just fine.

"No way in hell is it just a 'mistake'. The future that starts here isn't just disasters. There's joy and salvation, too. Saying what you did is wrong is like denying any of that happened."

This is Madoka's answer to Homura in Puella Magi Madoka Magica--the world is terrible and cruel, but it is also full of good things too, and therefore it should be preserved rather than destroyed. Urobuchi is often pigeonholed as a "dark" and "edgy" writer, but I see Shang and Madoka voicing his true opinions, which are ultimately hopeful and uplifting.

Furthermore, this emphasis on "mistakes" hearkens back to an earlier conversation between Madoka and her mother Junko, who serves as a dispenser of worldly advice, in which Junko explains that sometimes, the only way to help a friend is to let them make their own mistakes, or be willing to do it for them. Paradoxically, mistakes are sometimes necessary; for better or worse, our mistakes have made us who we are and attempting to erase or undo them is to also erase and undo ourselves and any good that may have come of them.

(The irony, of course, is that Shang can accept this about anyone and everything except for himself--but then we all have our blind spots and Shang, for all his wisdom and maturity, is still human.)

Even Azibelpher kind of gets into this when he tells Lang to "Accept the weight of what your actions will result in." Sure, he means it to hurt, but for better or worse, this is a fundamental part of adulthood, something that Lang must accept in order to mature. And even though I don't think Azibelpher intended it this way, this harrowing experience of re-living his past trauma forces Lang to let go of his fixation on "fixing" things and accept them for what they are--to finally move beyond obsession over the past so he can enjoy the present and the future.

It's an open question if demons in Thunderbolt Fantasy can truly experience anything like "love" or "affection" in the human sense, and if Azibelpher sees Lang as anything more than a toy and tool, but there's nonetheless the element of "tough love" in this scene, of a father schooling his son in the harsh realities of life (which later become textual, but that's another essay). Azibelpher is mature and polished, but unlike Shang, he has no compassion, no "heart", and I think that will ultimately prove to be his undoing.

Azibelpher's obsession with fate blinds him to the truth that human beings can grow and change and move beyond their old roles and into something new, as Shang is constantly attesting--and whatever else he might be, Lang is still human. Lang surprised Azibelpher in this scene with his restraint, and I think he will continue to surprise Azibelpher in the end--in large part from what he learned from his time with Shang.

To bring it back to time loops once more, I mentioned earlier that Shang was a part of one, and I have a sneaking suspicion we haven't seen the end of it yet. Will future installments show a younger Shang in the ruins of the Void Junction? And if so, who will he meet there and what will he learn as a result? Has the whole story been one big loop after all, circles within circles, wheels within wheels just like Madoka Magica?

tl;dr: Thunderbolt Fantasy and Madoka Magica are two different stories that can be experienced independently of each other, but there are a lot of fun parallels for the folks who have seen them both as Urobuchi continues to explore these same tropes and issues in different circumstances and contexts, and this is especially true for the time travel subplot in TBF S3.

[puella-1n-somn10]

🕊️Puella Magi Madoka Magica x Team Fortress 2: Medic and his Witch Form🕊️

word count w/o intro text: 10,651

(Over...two...months...of writing; thank FUCK I've managed to get this all down right on time for Halloween!)

This has been a long time consideration, and, according to one of my last few polls, ya'll really wanted to see how I would interpret Medic's witch form! Well, after a long-time wait, here's the rundown of how Medic's witch would look like in my mind!

Before we start, I highly recommend that you look at the list of trigger warnings present in the tags; the Team Fortress 2 universe, both in-game and outside of it, is no stranger to gruesome elements, so I strongly urge you to take a long look at them before proceeding. If any of the mentioned makes you uncomfortable in whatever form, look away now for the sake of your own health.

As expected, spoilers for Madoka Magica, Kazumi Magica, Tart Magica, Magia Record (especially the anime), and the Team Fortress 2 comics ahead! We are going to talk about one of the many stingers of the Puella Magi universe, after all! On top of that, there will be mentions of Heavy x Medic x Engineer, so if the ship doesn't sit right with you, I must sincerely apologize in advance; it is recommended to click away from this post if said ship is not your cup of tea at all.

With all that being said, let us begin with this mess of an analysis/ficlet post!

-The Wish, Possible Powers, and Soul Gem-

"Oh ho hoh! I have been in zhe wrong profession. I must learn zhis magic!"

Let's be blunt here for a second- he's already laid waste to whatever concept of "morals" present within the human consciousness that would prevent him from furthering his medical and experimental endeavors, and he's done so much without the use of an incubator's powers; from granting his teammates invincibility to bringing them back from the clutches of death. Ludwig's immoral, sickened mind, coupled with his medical skills and treatment of the human body as an art canvas, has allowed him to play God.

On the other hand, though he did align himself with the opposing Classic team for some time within the comics, he explained to the newly-resurrected Sniper that it was purely for financial reasons, and that he never harbored any ill-will towards his teammates. In fact, it would be safe for us to assume that he, in his mind, genuinely cares for his team, and made it one of his missions to turn them into unstoppable killing machines- into gods. He cherishes his fellow mercenaries...albeit in his own twisted, inhumane, and silly way.

Building upon the above, it is also clear that Ludwig is a responsible pet owner and genuinely cares for his doves, especially Archimedes. Yes, he does resort to using animal organs - especially the exotic kind - when fit in order to further his experiments and enhance his teammates' performances, but the contrast between that and his care for the birds is kind of a testament to how he treat other humans - especially the classic team - vs. how he treats the mercs and others close to him. For goodness' sake, he's put Classic Heavy's demands on a back burner and allowed Sniper to escape while he was too busy reviving Archimedes! Ludwig does have a heart and the capacity to care, but not much in terms of morals, if at all.

Wow, he would definitely get along with Alina Gray, huh?

So, right off the bat, it wouldn't be farfetched for Medic to be curious over Kyubey's wish-granting skills; he did make a deal with the Devil himself on two separate occasions within the official Team Fortress 2 comics (though the initial deal's conditions is still unknown to us), after all. How he came to figuring out the existence of the incubators is anyone's guess at this point due to his unpredictable nature, but, in my opinion, it can range from old folklore surrounding the species or simply finding out that one of the mercs had already contracted (my personal bets are either Heavy or Solly). I recommend going off the walls with this one; for all we know, he could have managed to detect spikes in magical activity around the base/island and forced himself into the world of Magi, Witches, and wishes- all the while a certain little bipedal fiend began to showcase an equal amount of interest in him for reasons we are going to dive into soon.

On to the main topic of his wish, it's quite simple, really; it would be related to his hunger for power/knowledge and furthering his research/scientific endeavors; promptly dissipating whatever is limiting his experimental pursuits (maybe even financial, as presented to us in the comics).

Another possible wish that he could have made might be rooted to the bonds he had formed with the mercenaries and the surprisingly deep respect he had shown to each one them on numerous occasions. Such fascination towards his teammates is even presented to us within the beta version of Meet the Medic, where he made his goal of enhancing them and turning them into beings akin to the divine as clear as daylight. I won't deny the fact that this man just keep on finding out new ways to break both the Hypocratic Oath and Geneva Conventions with each passing minute - and it's usually for his own amusement -, but he also seeks to sculpt each mercenary into the best versions of themselves not just as a testament to his own prowess, but also because of his fascination towards them; he just likes those goobers around him and sees the mercs as his fellow pals.

With all that being said, I personally don't believe that whatever power he gained as a result of these wishes would be on a similar caliber as his canonical healing skills; after all, even without Kyubey's interference, he has shown to be exceptionally skilled in his craft to the extent that he had deemed himself to be a god on multiple occasions- and none of them were without reason. Instead, I believe that the core theme of his new magical powers relate to limits- whatever barriers that prevented him from unlocking his and the rest's full potential, and fully dissipating them. Perhaps he can manifest organs, transfer them at high speeds, all the while making his surgeries a little easier for himself. The option of him being able to create little animated "familiars" of his own from the remains of both ally and enemy alike is also there. If you guys have better ideas, please don't hesitate to share; I'll have to admit that this coming up with wish-related powers is a personal weak point of mine, and I will be accepting any and all criticisms coming my way.

Finally, to close this section and move on to the next, I would also like to discuss the matter surrounding his soul gem, and how I would personally interpret it. I am unsure if what I am going to say next has been backed up by canon or not, but a nice detail that I have noticed whilst looking into the soul gems present in canon is that they often correspond with the eye colors of their respective magi; which brings to mind the idea of eyes being the windows to a person's soul. Even if it's not a mandatory rule for when it comes to designing a Magi (especially when we take Nagisa Momoe into account), we can still see this metaphor being at play on numerous occasions throughout the Madoka canons, and where else is it more evident than within Kazumi Magica and the Magia Record anime?

Putting it briefly, aside from just looking at their soul gem, another indicator of a magi's slip into witchhood is by looking into their eyes during their final moments; Michiru Kazusa's sclera turned completely dark as her pupils began to shift into scribbles, and Kuroe - poor, sweet Kuroe - had the same corruption her soul gem was undergoing being displayed from within, you guessed it, her eyes.

So, while I do believe that red could be a nice color for Ludwig's soul gem, as it would also correspond with him being on the RED team - as presented to us on the cover of Fight Songs -, I can also see that a striking blue could also fit our crazy bastard.

As for the emblems present on his soul gem's egg form and its shape upon transformation, I'm gonna be honest; this is gonna be a little more complex than the color part - especially with the soul gems of Tart Magica and Magia Record in mind -, but I will do my best to summarize it to the best of my abilities-

To make this easier for my sanity's sake, the red cross he is already associated with in-game will be present as the emblem on top of his soul gem, though the the one on the middle would probably be based on either his bonesaw, the Ubercharge, a realistic heart (as a tie-in to how the Ubercharge works), or his doves instead. The actual shape his soul gem take on upon transformation, on the other hand, would resemble a large, anatomical heart placed on the center of his chest - connected to the rest of it and his shoulders through glass arteries and veins - due to its sheer size; usually, a magi's soul gem is only large enough to fit within the palm of their hands, while Medic's could be as huge as his curled-up fist or even an ostrich's egg.

The cause behind this peculiarity will be thoroughly explained soon enough, but, for now, let us close this chapter up and move on to the next...

-Descent Into Despair-

Before we kick off this angst fest and start hypothesizing, we're gonna need to take a good look at the nature of the soul and how this ties into the existing similarities shared between Kyubey and Ludwig- yes, this will get wild, especially if you're in only one of those fandoms from the outside looking in, so it's best for you to buckle up, hon, 'cause we in for a fucking joyride.

According to multiple religious and philosophical texts, the soul is a vital, non-physical part of a human being; it is an individual's very core of existence. The soul isn't exactly abstract, per se, as it's believed to actually exist between the lines of this plane of reality and that of the intangible world, and that each person has a unique soul that is distinctly theirs; it is, by definition, metaphysical- that person is the soul, as much as the soul is them.

Despite the limitations placed upon us by the very nature of the soul, it can be treated as a tangible and even physical object within both the TF2 and PMMM canons; in the latter case, Kyubey was able to turn them into magical gems for the sake of both efficiency and "incubation" - the goal of turning his victims into despair-riddled witches that spread the very misery they are drowning in -, all the while, in the Team Fortress universe, they are treated as nothing more than organs that can be removed and then reapplied at will by the very hands of, you guessed it, our very own Ludwig Humboldt for the dual purpose of conning the Devil out of the ownership of his soul and, in turn, extending his own life span.

This brings us back to the very moment where Ludwig made his wish with Kyubey; as presented to us via both Sayaka Miki and Homura Akemi, the process of making a wish and establishing a contract with Kyubey is proven to be quite the painful procedure, as they were able to feel their souls being pulled right out of their bodies by Kyubey in order to remold the very cores of their whole existence into these magical jewels known as Soul Gems; shining with the wishes that bind them to the life of a Magi until they inevitably reach their grisly ends.

Medic, of all people, would absolutely be the first to know exactly how painful it would be to have one's soul be forcefully ripped out of one's own body; he had already done so to 8 other people before grafting the extracted essences into himself. As result of this forced amalgamation, the size of his soul gem would be, as already stated, much larger than average. As for Medic himself and his reaction to his accumulated souls being turned into this grand artifact of magical potential, he would be in a state of shock, awe, and perhaps even a tinge of conflict - from the pain alone, he knew that his souls were tampered with; extracted and reforged -, but they were miniscule when compared to the wave of amazement that washed over him as he held the newly formed symbol of his status as a magi in his hands, shining a brilliant red with the wish he made with the white devil before him.

If Medic had to be honest, he would say, without a shadow of a doubt, that the incubators sure knew what they were doing; despite the tinge of bitterness regarding his souls being torn out of him, it was undeniable that having his life essences be turned into an all-powerful jewel was rather efficient, especially when stranded within the chaotic, unforgiving battlefield. Besides, this deal not only granted him what he desired most in life, but it unlocked a whole new world for him to explore; the realm of the witches.

After his first witch hunt went off without a hitch, he looked at his soul gem...yes, it had dimmed a little, and, according to his newly-formed, four-legged acquaintance, its brightness reflected what magic he had left; the very power he had gained from their infernal deal. This knowledge, combined with the grief seed taking in the impurities he had accumulated, had sparked inspiration within him, and, inevitably, that little glimmer turned into a raging, uncontrollable wildfire.

As his lips curled into that deranged smile of his, he arrived to the conclusion that he needed to research both his soul gem and these otherworldly monsters. Oh, was he was ever-so excited; a whole new world of possibilities had unveiled before him! He knew he had to learn more about these witches, for they were prime candidates for new observations and experiments...

Besides, if things were to go awry, he would have his backup plans as safeguards. He looked at the large jewel on his desk, its light reflecting on his glasses, with a look of complete confidence- after all, he was Ludwig Humboldt, the RED team's medic; he had already played the classic team like the money-hungry fools they were, defied all known laws of life, death, and nature on the regular, and bested the Devil in his own game! What bases of morality and human decency were little more than etches on the wall to him, and he was willing to go above and beyond to ensure his own and the rest's survival.

He cackled; oh, there was no need for any worries, my friend! Whatever that may come to pass, he shall find a workaround. So, with his lips curling into that toothy smile of his, he went to work-

Just like clockwork, it didn't take long for his signature obsession to dig its talons; day by day, he would salvage what parts of these unfathomable creatures and bring them back to his infirmary- even going as far as to capture their familiars and the smaller witches to bring back. After all, killing these wicked creatures outright would just cause them and their barriers to fade away, so he had to think of workarounds in order to harvest as much useful parts of them as he could.

All that, and that is without even getting into the details of the bargain he had made with the little pale ferret- why, that rascal Kyubey could be considered a new good friend of his in his eyes! He had even experimented on the bipedal fiend, and the Incubator held no grudge towards the quack doctor (hence how he came into the knowledge of his entire species and the fact that they were a hivemind). Back on topic- yes, the contract in itself was agonizing, there was no denying that, but at least he had gained a myriad of benefits from their mutual agreement.

Yet, as the saying goes, the higher they soar, the harder they fall.

Within every enforced law and in every deal made, loopholes were an inevitability- Ludwig and Kyubey knew that all too well as the roles of the recipient and contractor respectively. Time and curiosity have worked hand-in-hand in order to nurture their individual experiences and wisdom surrounding this unwritten rule of the universe. As several blazing days turned into howling nights, Ludwig's intrigue towards the limitations set before him as both a mercenary and a Puer Magi grew; his souls being turned into a singular, portable trinket was effective, yes, especially with the magic he had gained and his more than impressive healing abilities making both jobs a lot more easier, but, of course, so much could go wrong in the long run-

Ah, and these witches- at this stage, he had accomplished what many had deemed to be either impossible or far too risky; lining up the walls of his laboratory, amongst the butchered appendages and organs of their kin, were the captured forms of smaller witches and familiars- some were still struggling to be set free, while the others have resigned themselves to their fates. Whenever Ludwig wasn't on either battlefields or experimenting on his teammates, he would be slicing and chopping these poor souls away- trying to see how they functioned, or even analyzing their individual reactions to his little tests. Each of these curse-driven monstrosities' very existence brought forth a cluster of enigmas that only Ludwig could unravel, and the answer to these riddles must be tied to the very core of these beings- whether we're talking about how they would function as a living organism...or their grief seeds.

Besides...in his mind, there was nothing wrong with getting a few more benefits for yourself, was there? So long as such a possibility could help him continue on with both his life and work without any worries over the unknown, he was willing to take that chance. He was more than willing to rise up in the face of these hindrances- even if it took nearly pushing his soul to its breaking point, or unleashing what horrors mankind is not ready for once he manages to crack open a grief seed, he was certain he would find his way through this maze.

Unfortunately, his trickery of the devil himself had rendered him too confident. This unassuming little creature was no devil.

The further he descended down the inferno, the more barricades he had encountered on his way; wounding and injuring him to no end. Even with his soul gem on the edge of shattering, the grief seeds he had gathered were torn apart, watching as his own teammates neared their own limits as he caught up with them during their own witch hunts- the result was the same; he needed to research this even further. The fact that the two objects were apparently made of the same material had led Ludwig to several hypotheses - even coming close to the truth himself -, but, let us be real here for a second- if he did manage to figure out the truth behind the witches, which, logically speaking, he would, would it even come close to bothering him?

In fact...who was to say that, by learning the origins behind these creatures, that he wouldn't embrace the corruption of his soul gem? That he wouldn't lay his old vessel to waste, and treat his ascension to a higher plane of existence as a new experience for him? If that wasn't the case, then wouldn't he also inadvertently boost the process by going through meaningless hoops in the attempt to prevent his pre-written fate?

When looking at a man like Ludwig, a man already too far gone, only cold insanity and sadism irradiated from him- possessing an uncaring glee over the prospect of being able to experiment on the less fortunate souls who got in his way. His insistence on carrying on with his research came to the shock of almost nobody; such was his habit, and the mercenaries got used to his antics over time- yet, as time passed, his grip on his frustrations, desperation, and ever-growing drive continued to waver; everything about this new perspective on life filled him with a sense of wonder, even the countless roadblocks he had encountered still gave him a sense of awe...

His soul gem was as large as it was powerful, yes; it would take a larger accumulation of filth in order to actually affect him in any way or manner, and the reserves of magic he had- oh, how brightly must his gem shine when at its peak! Yet, one must consider at what point will the accumulated filth become...irreversible- how, at a certain threshold, the process of gathering up enough grief seeds to make sure it stays at its brightest at all times will yield more drawbacks than prospects of restoration? That the net value of the magic restored will inevitably hit zero if not the negatives?

How many times must this cycle repeat itself in order for the magi to inevitably give up on keeping their own soul completely pure at all times?

Ludwig still managed to keep his magic reserves somewhat afloat; though his cheerful and friendly mannerisms haven't wavered a bit, he couldn't keep his attention away from the developments that were unfolding before him. The experiments he had conducted on both his soul gem and the grief seeds he had gathered up did not help at all; further damaging and tainting his core only to satiate his own curiosity. He saw no issues as darkness slowly consumed his soul gem- it was simply another phenomenon to experience and document, no? It wasn't like it was hurting him or anything- if anything grim were to occur, he had his backup plans...if he could find one that actually worked...

No matter what Ludwig did, it appeared that his core was strictly bound to this jewel; he wasn't able to separate the souls within it, and, no matter how many times he would place another soul within him, it would just fade away as soon as he reached for it- purifying his soul gem in the process and leaving Ludwig as hollow as he was before the tests.

...He needed to study this further.

Ludwig's worries and starvation for answers gnawed at him. Within his glass heart, shades of ebony and crimson danced around one another, with only a small glimmer of light flickering through the veins existing to provide any form of luminescence, and his eyes-

Mikhail felt a lump on his throat as he gazed into the medic's soul through them- his once bright, fear-inducing blue eyes were beyond bloodshot, and, by his life, he could have sworn he saw the particles of his overheals float amidst the chaos. Still, Misha gulped down his worries as he placed the sandwich on Ludwig's desk and expressed his concerns over his health- to which the doctor thanked him - for both the meal and his considerations -, and assured the Heavy Weapons Guy before him that it was really nothing to flutter his feathers over, in his own words.

It was all going to be worth it soon. He knew it.

Tensions within the RED base grew with every passing day, and nobody sensed it more than Mikhail and Dell Conagher; though Ludwig would insist that he was alright - that it was all a part of the usual routine - and how close he was to a breakthrough, the two couldn't help but look out for the well-being of their medic. For the last few weeks to come, the two would keep a close eye on him- checking on the guy every now and then - as much as they could -, and making sure he hadn't completely lost himself.

His answers were becoming more cryptic as time passed; no matter how much Dell would ask and express his concerns, Ludwig would still act nonchalant, even as his eyes continued to darken with and his health evidently took a nosedive. This was no need for the concern, my friend; he continued to promise the engineer that it was all working out fine, and that he'll be okay once it's all over. Dell still kept his guards up; worried that, one day, Ludwig's gonna go completely off the rails- his and Mikhail's resolution to keep that man safe grew with each conversation they had with him. Something just ain't completely sound here, and he'll have to be there for him when that time comes.

What a hollow vow.

Days blurred with one another in Ludwig's mind. Each passing second held little to no significance to him anymore. No, he had to continue on with his hunts- he needed to. His doves looked at him with worried expressions; the lab was a mess, with papers and feathers scattered everywhere, the lights burnt out, and Ludwig himself slouched on the chair- illuminated by moonlight, and still carrying that damned gem.

And...he was never as satisfied as he was right at this very moment.

He looked down at his beaten-down, darkening soul gem- it was all worth it, no? He gazed into the flickering crimsons as though he was in a daze. He was exhausted, unable to get up on his feet, but he didn't mind that at all. His team will understand soon enough...

The light within his soul gem went into a frenzy- he smiled from ear to ear, for it was finally time; the hour of revelation had dawned upon him. Like a grand supernova, it collapsed into itself.

Ludwig tilted his head backwards, still fascinated by what was happening before him even as all life escaped his eyes. He embraced the corruption consuming him, and, with a crack and a flash of bright light, the entire RED base was sent into chaos.

-The Witch's Nature-

In short, this is tied to the personality/aspect of a magi that did them in; what drove them to slip into despair with their skulls cracking wide open upon impact. To provide a few set examples; Homulilly's was Self-Sufficiency (closing herself off from others as both Moemura and Cool Homu), Oktavia's was to Fall in Love (the infatuation with both Kyosuke and the ideal of a Magical Girl marked poor Sayaka's end), and Candeloro's was inviting (Mami's coping mechanism to deal with her loneliness- and the irony of her dragging innocents into the life of a magi). It can also reflect the intent behind their wish (Sayaka and Madoka) or how they would cope with the life of a magi and the responsibilities that come with it moving forwards prior to their demise (Mami, Kyoko and Homura).

Unfortunately, it is rather....difficult to describe the traits and convictions that cause such complex characters to do what they have done in a single sentence, much less a word or two. For all anyone would know, any of the mentioned above - cause of their wishes, how they cope, and what finally marked their ends - could have been driven by a multitude of a magi's traits and goals, and Ludwig was no exception.

To make this easier on everyone, myself included, I have divided most of the traits that have pushed Lud over the edge into separate segments. The suggested natures listed below are in no particular order; one can fit the bill more than the other. Though I have chosen only one of them for the witch card, ya'll are free to reinterpret it with any of the other suggested natures.

Desperate

Cunning

Wonder

Sadistic

To Experiment

Observant

Curious

-The Witch's Appearance-

"I have a bird head! You're dominated! We're both having a bad day."

This might either be the most fun or the most agonizing segment of the entire thing. As a matter of fact, aside from his descent to despair, this part took me the longest to conceptualize, and it's still not 100% complete in my eyes, oh dear oh me-

Right off the bat- the witch has to be gruesome. I am not placing heavy emphasis on this one just because this is Medic we're talking about and how we're all aware of his...peculiar views on his job and the human body, but it's also due to the aforementioned souls he's surgically implanted into himself prior to contracting. Let me state this again- before managing to find and ensure a contract with Kyubey, the man had already managed to turn the abstract concept of a soul into nothing more than an organ that can be grafted into himself; that ferret's nifty trick is no longer special.

To showcase exactly why the topic of Lud having multiple souls is so integral here, we have to recall that, throughout the Puella Magi canon, we have witnessed witches fusing with one another via various means; it has been stated that Walpurgisnacht was a singular witch who fused with others over time, and Kazumi Magica's Hyades Daybreak was an artificially-created witch born from the fusion of multiple soul gems. You could argue that Madokami is another such example thanks to Homura's resets and wish having her as the main focus; thus binding her to multiple iterations of herself across numerous timelines (as is it made clear to us with Madokami's transformation sequence in Magia Record).

The point being is that not only is Medic's witch's stupidly powerful, but I doubt it would be pretty to the eyes; unlike Madoka, those souls weren't originally his, and the way that he fused himself with said souls is thanks to his, let's say, bizarre surgical skills, and not due to whatever logic is behind the witches' ability to fuse with one another. Think of the core of his very being as an amalgam; whether he's retained his original soul from the Devil's ownership upon contracting or not is up to you, but the idea still stands nonetheless. It wouldn't just be some Frankenstein-esque monstrosity with stitches, additional appendages, and mismatched skin, either; the organs representing the souls he had stolen are there for all to see just beneath his unassuming, reliable, and even charming exterior.

Now that we've gotten some key details written down, we are going to have to examine his role, self-image, history, and the impact his actions had on the rest of the team in order to actually, well, design the bastard's personification of obsession and despair; these four elements are crucial for when it comes to designing a decent witch that would not only fit in the world of Madoka Magica, but also drive home the idea that these witches were once Magi themselves- with their own dreams and goals.

We'll kick this off by looking at Ludwig's role in the canon of Team Fortress 2; he is the de-facto healer, but he's less interested in actually helping the ill and is more into the idea of tinkering with the human form- going as far as to use animal organs for his whack scientific endeavors for the goal of satisfying his curiosity. His healing abilities are also stated to be side-effects of his knowledge regarding human anatomy- even the Medigun wasn't initially supposed to be healing the mercs, according to the lore provided for us.

While on topic, I should also bring Medic's gameplay onto the table; though he is one of the weaker classes when speaking in terms of strength, making sure your team's medic stays on the map for as long as you could is crucial. Think of him as the king piece on a chess board; once your doc out of the picture, not only will your team start to drop like flies, but you'll lose some of that sweet, sweet Uber time. There is a reason as to why Medics tend to stay around the more resilient classes rather than glass cannons like Scout; survival and defenses.

Next up, we'll talk about his self-image and how he is perceived by the rest. As we can tell, he takes much delight in his work and his experiments on other human beings- he doesn't see anything to worry about his interests and the peculiar way he goes about it, no matter how extreme it is. Obviously, the man's not in-tune with the concept of human morality- going as far as to see these unwritten rules of humanity as nothing more than roadblocks on the way of his life.

In spite of his...screws being more than loose, as I already stated above, it isn't like he sees his fellow mercenaries as lesser beings when compared to himself; he does like them, albeit in his own amoral, gory way - he wouldn't have granted them the power of invincibility otherwise, among the other feats in modern science he had accomplished in order to save his team's asses -. Yeah, he does experiment on them, but, at this point, that's just how he says "hello"- and, when compared to what he did to the Classics, the adjustments made were for the active benefit of his team (...most of the time).

From all this, we can tell that his witch is on the more dangerous side (AS IF THE EXTRA SOULS DIDN'T DO THE JOB?)- with a dash of grace, of course; a reflection of his friendly exterior hiding away his twisted interests and "job"- and, fellas, he adores his work. He holds no regards for the safety of his patients and how outlandish his experiments are; he already kept an enemy Spy's head alive in a fridge, for corn's sake. Nonetheless, he is still a competent doctor- more than competent, in fact; when given the right tools, organs, time, and budget- death is no more than a small hurdle to him. He also genuinely cares for his fellow mercs, even going as far as to call them his friends; maybe that's how the witch will see his own familiars? What if he also tries to smile, joke around, and sing lullabies as he cuts open his human victims?

By looking at this being, only unfathomable, suffocating dread surrounded you- for you were in the presence of he who holds the thread between life and death. This creature before you- no, that isn't right...this deity looked down upon his next patient; surrounded by the lifeless husks of his familiars and their victims, he was rather annoyed over the prospect of having his work be interrupted, but he was also more glad that a living being had wandered into the operating room. Yes, he knew it now; a sadistic sense of glee beamed from the monster as he knew that the next medical trial will be a lot more interesting than he had expected.

Finally, to wrap things up, we glance at his history. Now, I am going to give you guys the heads-up in advance, because not only will this segment be composed of speculations for the most part, but we will be discussing themes of ethn1c gen0c1de. If this topic is in any way triggering, scroll down to the part where we talk about either the latter part of his design, his barrier- or just skip right to the Witch's Card. Clicking away from this post altogether is also highly encouraged.

Much of Ludwig's history is currently kept wrapped under shadows- we were told of Mikhail's, Tavish's, Jeremy's, Dell's, Mundy's, and even Jane's lives before they joined RED/BLU and partook in the Gravel Wars, but, aside from the enigmatic Pyro, Medic was the only one whose backstory was never clearly given to us. All we have to go off of are the bits and pieces peppered across the official website(s) and several official cosmetics-

We all know that he was native to and lived in Germany "during an era where the Hippocratic Oath had been downgraded to an optional Hippocratic suggestion" until he had escaped it by hijacking a catering van during a prime minister's wedding for reasons currently unclear to us - it has been speculated it was due to him having stolen a man's whole skeleton, but he had stated that he lost his medical license soon after the incident -. In the Two Cities update, one of the signs present in Rottenburg, his hometown, was that of a pharmacy advertising a number of...odd products, one of which being Baboon Hearts (leading to the speculation that his name has to be Humboldt- as it was the name of said pharmacy and the confirmation that Medic descended from a line of mad scientists like himself). We also know that he had found and then adopted his doves, namely Archimedes, as he escaped via grand theft catering van.

These should be all he scraps we were given in regards to Ludwig as a character outside of his job and the mercenary business, right? Weeeeeeelll....not quite. There is still one more jigsaw puzzle we should piece together, and, when combined with the time period TF2 takes place in, it does not paint a pretty picture of his life prior to becoming a mercenary. Folks...

We have to talk about Ludwig's Jewish coding, and the implications it has in regards to his backstory when combined with the timeline of the Team Fortress universe.

Though it was never explicitly stated to us, several aspects of Medic do shine a light towards this specific direction; to make this easier for us all, I'll just be listing down the evidence present across the canons of both the game and the comics-

The theme song of his bird, Archimedes, that plays during his surgery on Heavy in Meet the Medic is Klezmer music- Yiddish folk music

His pronunciation of "Danke Schon" is the Yiddish way

In the Gargoyles and Gravel comic, he was dressed up as the openly Jewish Albert Einstein for Halloween

The most damning of all, Valve's insistence that Medic is NOT a N-zi; especially with how fanmade cosmetics that portray him in such a way are often taken down almost immediately

Now, I do understand the fact that Ludwig is far from a saint, but...you have to understand the sheer, vile evil the N-zis and their ideology embody- and, unfortunately, he was also another target for their venomous rampage. Add in the fact that it was at full swing back when Lud was a young adult and he probably witnessed the rise of the heinous ideology when he was a little sap, and...there is no way I can say this lightly-

Ludwig had lived through dark, heinous years. Maybe he's always been this crazy, maybe what was left of his sanity had shattered to brittle pieces thanks to what he and countless others were forced to experience- perhaps he was already insane, but the slaughters and oppression were a whole other degree of evil to him; of course, until the writers at Valve say otherwise, all this falls upon how you personally interpret Medic as a character and how he coped with his backstory.

Though this is all just simple speculation based on what bits and pieces of the man's background we were given officially, it does bring into question what Lud had experienced outside of his medical endeavors. Besides, topics surrounding the second world war have already been explored in the world of TF2- Heavy's backstory is one example, where he and his family were sent to a gulag following the imprisonment and execution of his father, a counter-revolutionist; they only managed to escape once it had burnt down. The trauma of the experience still lingers within Mikhail, as was shown to us in A Cold Day in Hell, so such a backstory for Ludwig is not out of the realm of possibility.

With all that in mind, one must wonder about the kinds of thoughts that were running through Ludwig's mind during that time, and place his escape from Germany under a different light. I must, once again, repeat the statement that Ludwig is not a good man, but did that justify whatever he possibly went through? He even went as far as to crash a political figure's wedding in order to flee; was it because of the hilarity factor TF2 and Medic as a character are well-known for - namely after he stole that dude's skeleton -? Or was there another aspect at play- one of utmost urgency? After all, leaving one's home country for good has got to be a difficult decision- he didn't even return to Rottenburg when Grey Mann took over, implying that, unlike the rest, he didn't have anything waiting for him back home...

Ah, it wasn't like it mattered to him nowadays, anyway; nay, he dared not to think about it any further- all that mattered to him now were his research...his experiments...

So, with all the complicated stuff set on the table, let's move on to the simpler bits of a witch's design- the glue that tie all these bits and pieces together!

Where do we start? With the Magi's own design, of course! After all, Oktavia's knightly theme didn't just come from Sayaka's desire to become a hero/Kyosuke's knight in shining armor, and don't get me started on Homulilly's final form. I am certain that there are other witches that would also help get the point across, like Charlotte, but let's not extend this segment too much.

Upon taking a closer look, we can see that Ludwig's design invokes the imagery of a dove - just like how the little nubs on Nagisa's hat are reminiscent of mouse ears (and we all know how her witch form looks like) -, especially with the ends of his coat resembling a dove's tail feathers. Several cosmetics of his that are present in the game also boost this specific theme of his, especially the Blighted Beak mask, the Wings of Purity, and, of course, the infamous Medimedes bird head.

Of course, this might be a reference to the doves in his lab - there we go, simple as that -, but I don't think that's all there is to it; remember, for an amoral, crazed man like Medic, he is still represented by holy themes, much like any other healer in most media. When you think of a healer, you think of a person who swore under the oath of not doing any harm, and have devoted themselves to the life of pacifism...everything that Medic is not. In fact, Medic himself invokes the fear of being before the almighty; how small and utterly insignificant we are in his eyes, and that, to a being with a mind like Ludwig's, our lives are in the palms of his hands to toy with.

Ah, sacricore and holy themes- don't we just love them? The idea of a savior is definitely written down; a brilliant being with evidence of the slaughter staining his hands. Doves are also gonna be heavily referenced- what kind of Medic-related design are we working on if we didn't give him a pair of wings or two?

As a matter of fact, who is to say that the witch isn't a mad, humanoid-ish dove? With his crooked, bright smile and unfeeling red eyes being hidden by his aura and brilliant, white feathers? You think you might be in the presence of a god of hospitals and medicine, and he even approaches you with such a cheerful demeanor; happy to see a patient stumbling into his lab! That is, until you see how red the ends of his feathers are, how wide that smile is under that plague mask of his, and his eyes...

Hang on- is this a plague mask to begin with? As your eyes finally focus...you can see that it is jutting out of his skin- it's not a mask, but a part of his skull.

Next, we are going to focus on the magi's weapon and what powers they had prior to witchification; now, I am aware that their weapons and their powers are not always reflected in their witch designs - coughs coughs, Kriemhild and Homulilly -, but it does appear to be an "either/both/neither" case for when it comes to analyzing and designing them - I mean, just look at Ophelia -. Besides, Team Fortress 2 is a combat-oriented game, so it would be of great disservice to the game if I did NOT incorporate the main vessel in which you would use to bludgeon your enemies to smithereens with.

Once more, the Medic's main shtick is healing and granting your team a wide number of buffs depending on the medigun equipped; the Kritzkrieg grants a 100% crit chance upon activation, the Vaccinator provides immunity/reduced damage against several damage types, and don't get me started on the number of buffs a Medic can grant their team alone in the Mann vs. Machine mode. For now, we'll just be focusing on the classical Medigun, and how it grants invincibility to both himself and the person he is healing upon activation.

As seen in Meet the Medic, this was possible due to the adjustments made on each of the mercs' hearts- or, what replacements they have received in place of said organs, considering that even HEAVY'S had burst from the pressure caused by his medigun's rays. It is shown to us that the heart begins to pump at an accelerated rate upon activation, likely to spread the influence of the medigun at full power through the subject's veins; turning them into a bulletproof behemoths ready to turn the enemy team into a pile of mush.

From this alone, we can pinpoint the idea that hearts are an important motif in his witch's design. I'd also wager that he'd also possess powers that aren't unlike the functionalities of his medigun; allowing him to heal himself, his familiars, and even other witches at close proximity- bloodthirsty, erratic mercenary or not, he is still the team's doctor. Once the witch starts glowing red, you only have a few seconds to either find a weak point as soon as you could or make a break for it.

To further build upon this theme, attached to his back, not looking too dissimilar to how his medigun backpack, are vials filled with fluid that each resemble the lights of a soul gem at its limit. Within them, he stores his victim's souls, blood, guts, and organs for future usage. How did they get here? Why, with his other appendage hidden inside his forearm; resembling a combination between a saw and a needle. It is easy to use a surgical knife, yes, but some patients are...less than cooperative.

Before we unveil the finalized-ish idea for the witch, I should also take a second to talk about his hypothetical barrier and possible witch's kiss/warlock's whisper. It is true that the most powerful witches in-canon don't exactly need to hide in their barriers - case in point, Walpurgisnacht, Kriemhild Gretchen, Hyades and Shitori Egumo -, but, if we go by the concept art pertaining to Kriemhild Gretchen, we can see that they do have labyrinths they call their own. Even Walpurgisnacht has a pocket space she calls her home; it's the none other than the monochrome hallway Madoka was running through during episode 1, as confirmed by the PSP Game. If neither Walpurgis nor Kriemhild were exempt from this rule, then it shouldn't be surprising to see that this also applies to Ludwig's witch.

As stated in the January 2012 issue of Dengeki Playstation, a witch's labyrinth represents "the magical girl's mental landscape before they became a witch"; Oktavia's was a concert hall- resembling the one where she would watch Kyousuke play the violin, Candeloro's a tea party for one- representing how she would cope with her loneliness and the fact that she arranged her meetings with Madoka and Sayaka as tea parties -, and, according to the aforementioned concept art, Kriemhild's barrier is an obsidian and magenta void full of floating furniture- specifically those of her and her mother's rooms.

From these examples, we can assume that the barrier represent core memories of the magi before they fell into despair, and are either tied to the reason behind their wishes or how they coped with their lives after contracting:

Madoka had a healthy family life in comparison to the other members of the holy quintet, and it is thanks to the environment she was raised in that she ended up becoming the merciful, selfless girl that we all know today

Everything about Homulilly's barrier just represent how much Madoka meant to Homura, even if she didn't exactly see her perspective 1:1; as such, the rundown state of Mitakihara City not only represents her time loops and how it is the setting for all her time loops, but also how she failed to protect Madoka in the end and to grieve the normal life they could have had- had it not been for the universe and everything it stood for standing against them (it might also foreshadow the choice she had made at the end of Rebellion; trapping her team and the rest of the city in a gilded cage so that the incubators will not have a chance at hurting Madoka ever again)

Nagisa didn't have much of a social life outside of school, her run-down home, and visiting the hospital where her mother was at- and it is within that hospital that she proclaimed that she was done with being the perfect daughter to someone who barely deserved it; that it was her turn to take control

We can even tell that Sayaka watching Kyousuke's concerts was such a pivotal moment in her life because of how this specific memory was shown to us at least twice during the series; when she explained what happened to him and the cause behind her wish, and as soon as her soul gem had reached the point of no return- albeit for a split second.

Of course, this is not necessarily a strict rule to follow for when it comes to designing and deciphering witch labyrinths; H.N Elly's barrier resembles a snow globe in composition - according to production notes -, Charlotte is having a tea party with a doll in which both of them are unable to respond, and...I am not 100% sure on what to make of Ophelia's barrier- though I will come back to it later. Barriers don't have to be based on actual locations that are significant to the magi's life; rather, they can be manifestations of their desires prior to witching out- Elly wished to preserve a happy memory that gave her a shred of respite in the midst of the stressful life of an idol; and the tea party symbolizes the relationship Nagisa craved from her mother, that she was the timid one of both parties- silent as a doll, and how ultimately hollow that wish is- in the end, it's just a toy; it cannot respond to her even if she could speak, nor could it comfort her.

Unsurprisingly, I can see that Ludwig's barrier could be an infirmary...no, that can't be right; after all, Ludwig does what he does not out of compassion for the sick, but because he could. He seeks to change and perfect the mercs; turning them into unstoppable killing machines forged by his own hands and mind. He usually does all this to satisfy that itch in his mind and the excitement whatever results he gets from these surgeries bring him. It looks like a place of respite for one's health, but it is a death trap, first and foremost.

As a reference to his escape from Germany, maybe Ludwig's doves are still flying around the barrier; blood and feathers staining the floors and hallways, and themes of uprooted trees are peppered in as paintings and ruined potted plants. This represents the panic setting in and high speeds of the van, on top of how he came to discover and adopt these feathery companions of his, while the uprooted tree symbol suggests that he has nothing waiting for him back home in Germany; the other mercenaries went back home after the events of Rings of Fired (sans Pyro and Engie) except for Medic, after all. Maybe he was just lucky(?) enough to immediately land a job amongst the classic mercs, or perhaps...he just couldn't go back "home", not after everything.

Going back to the canonical barriers for a sec, one part of when it comes to designing a proper labyrinth is that, sometimes, a person can sway your heart so much they could change the trajectory of your ideals and influence the way you look at both your actions and the world around you.

This is most evident in Ophelia's barrier, as seen to us in Madoka Magica Portable; though it's hard for me personally to decipher exactly what it is, there's a fuck-ton of symbolic elements literally swimming around there, including musical notes floating from the ground and into the air. I don't think I need to specify exactly what said notes represent here.

Since there are multiple rooms within a barrier that can serve different functions, perhaps there's an outdoors segment where the magi first end up in; a frigid winter wonderland threatening to turn this labyrinth's visitors' limbs into unfeeling, darkened blocks of frozen meat falling off their bones. The only salvation from this bitter cold is to enter the interior segments of the barrier, and, even then, you are still not at all safe; his familiars are still on high alert- whenever they aren't "looking after" the other patients present -, and the infirmary in of itself is nothing more than the lure of an anglerfish- fooling the humans who have stumbled into it and punishing them to a fate worse than death.

The conveyor belt stretches through the halls of the labyrinth and leads right to the center; the operating room. There, the doctor awaits either his next batch of organs - human or otherwise - or a new patient. Ah, how everything runs smoothly; the bloodshed, the violence, the screaming- such fine melodies, they nearly compelled him go and play a tune on his "bone" saw at this very moment.

Another small detail that I want to pepper in is that there are the sounds and vibrations of a heart beat that echo through the halls of the labyrinth's interior sections. Perhaps there are slices of lavish wedding cakes (the van), pretzels (Germany), and all manners of bread (the mercs and that bread monster) that are being served in the canteen- and, before you ask, no, I would not recommend eating them. I know I already said that hearts are a core theme of the witch's design itself, and maybe the canteen thing is a bit too farfetched, but, hey, a nice detail is a nice detail.

Finally, so we can wrap this whole segment up already, we'll discuss the details of his witch's kiss/warlock's whisper. Now, Witch Kisses in-canon are...weird; they hold less consistencies than the witches themselves and their barriers, so it is hard to draw out the necessary similarities needed to create a decent design. Some witch's kisses are tied to the witch's type (Uhrmann, Homulilly), designs (Oktavia, Elly), and their grief seeds (Kriemhild). Sometimes, I have no idea on what they represent at all! (CANDELORO) I'm just gonna go on a limb here and just...wing it.

-BADUM TSS-

Okay, okay, that was horrible, I'm sorry. Indeed, wings will be a key theme- specifically 6 of them; not only are they reflective of him being a dove, but also to boost the holiness theme he has going on and to symbolize his earlier deal with the devil. In the middle of it, a clawed, red hand grabs on to an anatomical heart; whether he is handing it out or taking it for himself is unknown. Upon closer inspection, one can see that it is affecting the victim's veins, causing the area around the whisper to turn into a deep, glowing red; remember how the ubercharge works, people.

Finally, finally, after two months of hard work - two months of AGONY -, we have it; the moment we have all been waiting for...

-Witch Card-

Asclepius, the Warlock of Reconfiguration. His nature is wonder. A revolting, mad avian who conceals his sickened mind with the appearance of a plague doctor, and a charming, silver tongue. Upon gathering up those who would become the volunteers and patients for his latest medical trials, his very own ward begins to choir and hum with every slice and stitch made on his victims' bodies; readjusting and mutilating their forms to fit what piqued his mind at the hour.

The leftover organs are then either stored for his future endeavors, swallowed whole by the warlock in order to improve upon his own self, or are kept alive - perhaps even conscious - within his barrier as a testament to his prowess; eternally trapped and wailing for the liberation of death.

-Familiars-

Galatea. Servants of the Warlock of Reconfiguration. Their duty is to worship. The warlock's beautiful creations- the culminations of his medical curiosities. Right out of the operating tables, they would test out the enhancements blessed to them, and continue to be of good use to the warlock by defending his infirmary and the operating room. Those who cross paths with the Galateas will not see a hint of hesitation- they are willing to keep the bloodshed around the labyrinth ongoing for the sake of their doctor, even at the cost of their own lives.

Though the warlock prefers the blank slates that are the humans who get admitted to his infirmary, he would still pick apart at and experiment on his Galateas, whether in order to fix them, enhance them using the organs of his victims, or to salvage as much of their parts as he could- perhaps in order to rebuild them in the future.

(Familiars are said to be "projections of a magi's heart before they became a witch"; as result, their duties can range from directly serving the witch - the Holgers representing Sayaka's desire to be in the center of Kyousuke's attention, and the Anthonies are tasked to care for the roses Gertrud cherishes from the bottom of her heart -, to becoming obstacles to all, sometimes even to the witches themselves - the Klarissas' only task is to dance around Oktavia, Anja's stated to have been separated from Albertine, and dare I talk about how the Clara Dolls represent Homura's self-loathing over her inability to save Madoka? -. It isn't uncommon to see that a familiar can be based on significant key figures in the magi's life, especially if they were either related to the wish they made or the cause(s) behind their despair.

These buggers here symbolize Ludwig's love for not just mutilation, but also reinventing the way his teammates' organs function- and, as I mentioned before, his deep trust in the mercenaries. He also compared himself to the divine on numerous occasions and is followed by multiple holy motifs in spite of his little deal with the devil going on; he was even followed by a choir and his doves flying behind him as soon as he stepped into the battlefield in Meet the Medic.)

-

Hubris. Servants of the Warlock of Reconfiguration. Their duty is donation. Bound by their hauteur and the broken bones of their bounties, these pathetic prisoners of the warlock have been chained and are treated as nothing more than livestock by both their master and his other servants. Watching their own organs and other body parts be pulled apart from one another before regenerating once more for the continuation of this cycle has drained all hope of ever escaping their punishments from their eyes- not with these atrophied limbs and sore boils.

Their stringy, rotting flesh provide little to no sustenance for neither the warlock nor his other familiars, and are too fragile to use for his medical trials - hence the need for human patients -. Nonetheless, they are bound to these spare operating tables, awake at all times, as the claws of the other servants pick apart and toy with each and every one of their fibers. The warlock finds humor in their agonized howls.

(They resemble misshapen versions of the TFC team - barring their own medic -, since we are going with the assumption that he took their souls rather than those his own teammates. Why I went with the idea of the classics themselves becoming his familiars is and are not just projections of how Medic saw them during his time working with them is due to how both Walpurgisnacht and Hyades Daybreak had their respective original forms re-manifesting as their own familiars.

Yes, Cheavy gets the worst of it.)

-

Archimedes. An old friend of the Warlock of Reconfiguration. His duty is attendance. As he glides through the bloodstained halls of the infirmary, this dove, whose pristine feathers have long since been soaked with a deep crimson throughout his master's countless trials, would not only take part in the warlock's surgeries as the role of a willing audience, but he would also stand by and even assist (Asclepius) - all the while satisfying his own morbid, sickened curiosity -. Of all familiars, the warlock treats this one with the most respect, understanding, and fatherly affection.

(Not a familiar that looks like the bird, not a familiar that is inspired by the bird- it's the fucking bird itself.)

-Inspirations-

In-game:

His doves, and the fact that Archimedes was a WEDDING DOVE before Medic found him

Him hijacking the chancellor's van during his wedding in order to escape Germany (and eventually finding then adopting Archimedes who was within it)

His silver tongue clashing with or weirdly complementing his deranged personality and actions; would it translate into his witch looking more humanoid, among other traits? Well...

His usage of animal organs to compensate for the fragility of human organs might make the humanoid aspect of his witch sort of moot

His bonesaw and how he plays it like a violin (non-conventional musicals?)

The Vita-saw

Ubercharge

Him playing cosmic systems like a damn skipping rope to his advantage (reviving Sniper and having multiple souls sewn into himself in order to scam the Devil out of their deal). This does not work with Kyubey, like, sir, your surname ain't Kaname, if memory serves me right

The Blighted Beak cosmetic; its Vibrio Cholerae style specifically, as it would better fit Inu Curry's art style

Medic's gameplay in both the vanilla game and the V-Script Zombie Infection mode

"And no wonder! For even the devil disguises himself as a being of light." - His association with themes that are considered "holy" and "good" in Meet the Medic and several of his own cosmetics...yeah, no need for me to go into detail as to how ironic this all is

Outside Influences:

The Greatest Living Show by Itoki Hana and Toby Fox (wow, I have an addiction to Itoki Hana's songs, don't I?)- evident especially with the heart beats in his barrier

Repo! The Genetic Opera

German fairytales- especially with how some of them revolve around mortals dealing with otherworldly beings

-Closing Statements-

To be completely honest, I wish I was able to actually draw this shit and not make ya'll read through this drag of a document and leave the gist of it up to your imaginations. I also have to apologize for how rushed it is near each segment's ending; I initially wanted to publish this around the start of October, but it was far, FAR from finished by the time it rolled around.

This has been a wild 2 or so months; constantly looking up references and refining the concept time and time again along the way, and it is still not perfect (especially with how the description of the warlock's appearance), but, overall, I am very happy to have managed to deliver it during spooky season.

I should also give a huge thanks to @bluethepearldiver! Not only did they support me incredibly so throughout the process of writing this in ways I cannot write down so easily, but they've also helped me with the names of his familiars and that RAW line ("Unfortunately, his trickery of the devil himself had rendered him too confident. This unassuming little creature was no devil.")! So, please, do give them the support they deserve ;0;

Once more, I am more than willing to listen to suggestions and criticisms; I'm aiming to not just improve upon Asclepius, but also the other mercs' witch forms when the time comes (I even have a concept for Scout's)! Do not be afraid to send an ask or even tag me regarding the matter- I'll do my best to reply (if Tumblr gets its head outta its ass and does its job notifying me for once)!

Thank you all so, so much for reading all this! I appreciate any and all engagements and feedback coming my way.

[bwsdragon]

I’ve seen your twitter works of your oc’s; Celeste, Christopher, Suniki, ect. And they look EPIC AND AMAZING AND PHENOMENAL AND FANTASTIC AND AAAAAHHHH, SO GOOD!!!!

I need to know everything about your oc’s and if they have stories and thier inspo and everything! What do you use for art, where do you come up with oc ideas, do you write, how did you start drawing because YOURE SO GOOOOOOD!! AAAHHH, I’m OBSESSED!!!

OH MY GOD THANK YOU SO MUCH AHHH <33333333

Gosh I have too much to say. First the easy questions! I use Clip studio paint pro, and an ipad pro 12 inch (2020 edition I think)! And yes I do write! Like once in a blue moon though haha, I much prefer to draw, and most of the time I update the lore so quickly the writing doesn't make sense anymore hahaa

Inspo is a lot, at first it was Percy Jackson and RWBY but that was a long time ago. Now I'd say the plot is more inspired my Puella Magi Madoka Magica (anime). Characters themselves I'm not too sure, just a lot of everything. They've lived in my head for so many years I can't put anything for definite down on paper for inspo haha.

First i'd have to introduce Celeste and Cassandra, who are my main character you could call it. Celeste is Queen of Feu (desert Kingdom in my world), she's very focused on helping others and is selfless to a fault. She is very anxious though, and she has autism (very heavily based off my own). She has the gift of plant manipulation and summoning! Celeste is a Lesbian and is asexual! Her and Cas are in a relationship. Celeste's father died when she was young, and her sister committed a couple years later, her mother is still alive though (although Cas's family spend their time trying to wipe out the whole family)

Then you have Cassandra! Cas is very closed off, she's very cold to everyone outside Celeste and Suniki. She's more selfish, but to an extent, she's based off Homura from Madoka. She came from an awful family, and made a deal with a God, receiving time magic. Her magic is very linear though, its like unravelling a thread, she draws herself back to a point, erasing what has happened. She can't go forward, only backwards. She also can't rewind to a time before she received the magic. She fell in love with Celeste and her whole goal (similar to Homura) is to save Celeste from dying. She's the most complicated of my characters. Cassandra is demi romantic. She has an insane back story, but I'll explain that another time maybe haha it's too much

Next there's Suniki! She's Celeste best friend, she grew up with Celeste. She also ends up being quite good friends with Cas. She moved into the castle when she was a kid, due to her stepfather gaining a high position, right after her mother pasted. She's very upbeat and energetic, and she loves a good laugh. She's bi and poly, and has two partners Edris and Onyx! Suniki has a fire summoning and manip gift! Her back story is inspired from the song dead mom from beetlejuice haha

Then we have Christopher. He's.. I'll say he's very morally grey. He's not a villian or evil, he's just bitter and was raised in bad circumstances. Cassandra tends to beef with him a lot, due to him in previous timelines being the one to harm, or kill Celeste. Chris doesn't like the royals, or anyone who lives in the castle, due to his perseption of them. He was poor, and any money they received to help with that, his mother spent on booze. Chris was hired by the castle though, he needed the money so he accepted the job, and it got him out of the place he lived, out of his mother's life. He has the power to manipulate the body, making him an excellent healer (but also making him good at killing). He has a younger sister named Angel who is selectively mute. He's aroace (the couldn't be less intrested kind)

Then we have some side characters! I won't go into too much detail. But we got Onyx, he's blind but has the power of a perfect memory. He has a guide dog named ilay (eye-lay). And we also have Edris! Edris is cousin to Celeste. He's genderfluid and uses he/she pronouns. She has the power of water manipulation

I have so many other characters that you might see me post. Like people from Celestes family, or even Cas's. There are too many details to write in one post hahaha

Thank you so much for your kind words!!! It makes me so happy when people are interested in my OCs :))))))))

Also for how I started drawing. I picked up a pencil and obsesivly drew dragons for three years, then i made human OCs and drew them obsessively, that and fanart. Haha. It's a lot of work, art is so hard, and I can't be bothered studying so my anatomy is kinda eh, but I enjoy it and that's all that matters :))))) I'm no where near where I want to be, but that's okay, because I'll continue to improve, even if it's slow :)))))

[andaisq]

let’s be clear. puella magi madoka magica is a work that you absolutely cannot engage with on a surface level and come away with any idea of the story being told. in order to extract a coherent narrative from the absolute fucking nightmare that is gen urobuchi’s wanky sadgirl magnum opus, you are either going to have to acknowledge the very real buddhist themes and symbolism underpinning not only the story but the fundamental laws of the setting, or you are going to come away saying “well, that was fucking stupid.” (you are allowed to do both.) meta that does not engage with this structure tends to fail as madoka meta, because it’s approximately as central to the story as homura’s lesbianism.

that being said. bearing in mind the very real buddhist themes et cetera, and the fact that these lie at the core of everything, and that changing them means changing everything.

i want to see reform jewish madoka.

i want a story about a girl who finds herself plunged into a secret world of monsters and magic that spins on the axis of god loves us, and he makes us suffer, and we do not know how to square that circle. a setting in which the miracle-worker is still doing everything he can to hurt us, but he doesn’t have the courtesy to explain why - and we struggle through it and live and love because we must, because that is what we do. a universe where suffering is an inextricable characteristic of existence and we see this and we laugh and we say “well, that’s not news.”

i would like to see the story where instead of giving up on desire and giving up her life to make a better world, madoka looks at the world around her and says “this is not right, and it is not fair, and the answer is not to give more of myself. the sickness is in the root. god has hurt my people, and god will answer to me.”

i think she probably kills god afterwards. so i guess it’s less reform and more secular. sorry for the confusion.

[somereaderinblue]

TGCF PMMM AU

Srsly, how has no one put two and two tgt? HUALIAN IN PUELLA MAGI MADOKA MAGICA. Bcz clearly my sick rotten angst-inducing heart has decided that these two were made to suffer. ＼（Ｔ∇Ｔ）／

Fr, the sheer devotion, the desperation, the despair, the love they hold dear like shards of broken crystals, precious and irreplaceable despite the raw agony it causes- how is that not hualian?!

Let’s look at it like this:

Xie Lian as Madoka (obviously.)

Hua Cheng as Homura (Fafa, I’m so sorry, pls forgive me-)

Ling Wen or Pei Xiu as Mami (both are mature, level-headed, tactical.....and have god knows how many repressed issues that require therapy.)

Feng Xin or Shi Qingxuan as Sayaka (well-intentioned BFFs that gradually mature)

Mu Qing or He Xuan as Kyoko (emotional constipation slowly cured through the power of love & friendship)

Bonus: Jun Wu as Kyubey (do I even need to explain this one?)

Credits for this brainworm goes to natcat5 who wrote the Wangxian PMMM AU ‘Lethe’  & ‘Elysium’. Pls pls pls, do go read it as their fic honest to god deserves so many more hits and kudos, it feels too underrated in my opinion. You can find said fic using the link down below.

However, TW: the fic does contain self-harm, body horror, mental instability, implied/referenced child abuse & self-worth issues. Read at your own risk.

https://archiveofourown.org/works/28622166

If you’re a XueXiao fan, there’s a PMMM AU for them too by simply_kelp. Again, it’s underrated and deserves more hits.

https://archiveofourown.org/works/26263960

[recentanimenews]

FEATURE: Meet the Stars of Princess Connect Re:Dive

  Going into Princess Connect! Re:Dive, I knew little about it other than the fact that it was an adaptation of a mobile game. That didn’t bode well; my experiences with video game adaptations have been less than positive.

  Imagine my surprise, then, when it turned out to be hilarious. When a pair of ridiculous-looking wolves started dragging off our protagonist, I completely lost it. I found myself constantly laughing at the KONOSUBA-esque humor — it was only much later that I’d learn that Princess Connect and KONOSUBA shared the same director. It was also well-animated and delivered some impressive-looking action scenes and spell effects.

  At the end of the day, however, this is a comedy anime through and through. And comedy anime live and die on the basis of their voice acting. Unsurprising, then, that Princess Connect features an all-star voice cast, with the actors from the mobile game reprising their roles in the anime. Let’s take a look at some of the talented voice actors that bring the characters of Princess Connect, both the game and the anime, to life.

Pecorine (M·A·O)

    Mao Ichimichi, also known as M·A·O, is probably better known for her non-anime roles — she started off her career in tokusatsu (live-action often with heavy special effects), most notably playing Luka Millfy in Kaizoku Sentai Gokaiger. She later ventured into anime voice acting. She voices the cheerful and energetic (and perpetually hungry) Pecorine in Princess Connect. She has also voiced Iris in Fire Force, Luluco in Space Patrol Luluco, Hondomachi in ID:Invaded, Vorona in Durarara, Bela in Bem, and Remi Ayasaki in the currently-airing Horimiya.

Kokkoro (Miku Ito)

    This isn’t the first time Miku Ito has played a character named Kokoro, having played the character of the same name in the BanG Dream! franchise. Her most well-known role is probably that of her own namesake: Miku from The Quintessential Quintuplets. Her other roles include Shimamura from Adachi and Shimamura, Ann Akagi from Action Heroine Cheer Fruits (in which she starred alongside fellow Princess Connect actor M·A·O), and Nana Mifune in Gleipnir.

Karyl (Rika Tachibana)

    Rika Tachibana has an extensive voice acting career in video games, featuring in such titles as Granblue Fantasy, Magia Record, The Idolmaster Cinderella Girls, Street Fighter V, and of course Princess Connect, where she plays Karyl. Tachibana’s anime voice acting roles include Sae Kobayakawa from The Idolmaster Cinderella Girls, Reiko from Shomin Sample, Naruse from The Island of Giant Insects — in which she starred alongside ... you guessed it ... M·A·O — and African Wild Dog from Kemono Friends.

Yuuki (Atsushi Abe)

    Our main protagonist Yuuki may not say much, but Atsushi Abe manages to make whatever little he says absolutely hilarious. Abe garnered widespread recognition for his role as Touma Kamijou in A Certain Magical Index and its spinoffs. His other roles include Moritaka Mashiro in Bakuman, Koichi Sakakibara in Another, Takashi in B Gata H Kei, Akiyuki in Xam’d: Lost Memories, Soya in Planet With, Inojin Yamanaka in Boruto, and Sougo in IDOLISH7.

Kaiser Insight (Shouta Aoi)

    It is not uncommon for female voice actors to voice male roles, especially younger characters. But male voice actors voicing female roles? Extremely rare. Shouta Aoi’s unique, “angelic” voice allows him to do so, with him voicing main Princess Connect villain Kaiser Insight. Aoi is better known as a singer, but he made his voice acting breakthrough as Ai Mikaze in Uta no Prince-sama. Since then, he has voiced Hideaki Tojo in Ace of the Diamond, Licht in The Royal Tutor, and will voice Subaru in the upcoming adaptation of Tokyo Babylon.

  Maho (Maaya Uchida)

  Maho is considered by the other Princess Connect characters to be slightly delusional, so of course she is voiced by Maaya Uchida, best-known as the voice of out-of-touch characters like Rikka from Love, Chunibyo, and Other Delusions and Ranko Kanzaki from The Idolmaster Cinderella Girls. Her non-delusional roles include Yoshioka from Blue Spring Ride, Norman from The Promised Neverland, Yuki Yoshino from Food Wars, and Catarina Claes from My Next Life as a Villainess: All Routes Lead to Doom.

  Miyako (Sora Amamiya)

    I mentioned earlier how Princess Connect feels incredibly KONOSUBA-esque, both in its setting and its sense of humor. Makes perfect sense, then, for it to feature the voice of Sora Amamiya, known for voicing “useless” goddess Aqua from KONOSUBA. Amamiya’s other notable roles include Elizabeth from The Seven Deadly Sins, Touka from Tokyo Ghoul, Akame from Akame ga Kill, Kaori from One Week Friends, Isla from Plastic Memories, and Asseylum from Aldnoah.Zero.

  Hiyori (Nao Toyama)

  Nao Toyama played her first major role as Kanon Nakagawa in The World God Only Knows, which kickstarted her music career. Many people also know her as Yui Yuigahama in My Teen Romantic Comedy SNAFU, or Chitoge Kirisaki in Nisekoi. However, the role for which I personally recognise her the most is as the quiet Rin Shima in Laid-Back Camp. Other major roles include Karen in KINMOZA!, Ruka in Rent-a-Girlfriend, and Nozomi in Sound! Euphonium.

  Suzume (Aoi Yuki)

    Aoi Yuki has been earning plaudits this season for her energetic portrayal of the titular spider in So I’m a Spider, So What? Yuki has had many significant voice roles over the years, including Madoka from Puella Magi Madoka Magica, Tanya in Saga of Tanya the Evil, Froppy in My Hero Academia, Tamaki in Fire Force, Diane in The Seven Deadly Sins, and Mami in Rent-a-Girlfriend.

Rei (Saori Hayami)

  Saori Hayami is one of the most in-demand voice actors of recent times. She is known for portraying Yukino Yukinoshita in My Teen Romantic Comedy SNAFU, and received considerable praise for her performance as Shoko Nishimiya in A Silent Voice. Her other notable roles include Shirayuki in Snow White with the Red Hair, Shinobu in Demon Slayer, Tsuruko in AnoHana: The Flower We Saw That Day, Yumeko Jabami in Kakegurui, and Himawari in Boruto.

  Jun (Ayako Kawasumi)

    Jun is a classic knight in metal armor. And who better to voice a knight than Ayako Kawasumi, best known as the voice of Saber in various installments of the Fate franchise. Kawasumi is also a talented pianist, which explains her role as Nodame in Nodame Cantabile. Some of her other major roles include Fuu in Samurai Champloo, Erina Pendleton in JoJo’s Bizarre Adventure, Alice in Pandora Hearts, Melfina in Outlaw Star, Natsuki in Initial D, and Lafiel in Crest of the Stars.

Io (Shizuka Ito)

  Shizuka Ito won a “Best Actress in Supporting Roles” award at the 10th Seiyuu Awards for her performances as Meiko Shiraki in Prison School and Sailor Venus in Sailor Moon Crystal. Some of her other major performances are as Himawari in xxxHolic, Ran in Texhnolyze, Kaori Kanzaki in A Certain Magical Index, Boota and Darry in Gurren Lagann, Yayoi in Psycho-Pass, Rei Hasekura in Maria Watches Over Us, and Hinagiku in Hayate the Combat Butler.

Yui (Risa Taneda)

  Risa Taneda is undoubtedly best known for her roles as Erina Nakiri in Food Wars and Kaori Miyazono in Your Lie in April. But to me, she will always be Saki from Shin Sekai Yori, where she delivered an excellent performance spanning many ages, and performed the first ending song too. Taneda’s other significant roles include Rize in Is the Order a Rabbit?, Mirai in Beyond the Boundary, Yukina in Strike the Blood, Ai Mizuno in Zombie Land Saga, Xenovia in High School DxD, and Yukari in YUYUSHIKI.

Labyrista (Miyuki Sawashiro)

    Miyuki Sawashiro is one of the most prolific voice actors of all time. She first came to prominence as the voice of Puchiko in Di Gi Charat; she famously reprised the role in the English dub of Leave it to Piyoko, becoming the first anime voice actor to voice the same character in both sub and dub. A few of Sawashiro’s other major roles include Kurapika in Hunter x Hunter, Celty Sturluson in Durarara, Bishamon in Noragami, Fujiko Mine in recent installments of Lupin the Third, and Kanbaru in the Monogatari series.

Aoi (Kana Hanazawa)

    Kana Hanazawa needs no introduction, being one of the most popular voice actors of our times. She rose to popularity as Nadeko in Bakemonogatari and its sequels, performing the iconic opening song “Renai Circulation.” Some of her other anime roles include Akane from Psycho-Pass, Mayuri from Steins;Gate, Angel from Angel Beats, Kosaki Onodera from Nisekoi, Hinata Kawamoto from March Comes in Like a Lion, Kuroneko from Oreimo, and Ichika from The Quintessential Quintuplets.  

Who is your favorite Princess Connect voice actor? Let us know in the comments!

  By: Manas B. Sharma

[gorochuva]

OC-tober Day 9: Spice

@oc-growth-and-development

Also abt Day 7: Power (Glory's Element of Spirit), my day be so fine, then BOOM, writer's block

Baby's first lemon/lime fic plz go easy on me-

“You do know none of this really happened to me, right?”

“I know.” Oriko sighed. “I just… thought it would be fun.”

“I’m- sure it would, but… It’s just- you want us to fight for control?”

Oriko chuckled. “Don’t worry about it, you’ll get your turn~” Though, in truth, she did lament it a little. She wished she could take both of them at once.

And so, there they were. Tonight was the night. She had even asked to borrow Nero’s dress for the occasion- not that Ritsuka’s Saber really knew exactly what she needed it for. Henry cleared his throat. “Mrs. Jekyll, may I have this dance?”

“Dr. Jekyll, you may have every dance.”

They spun in place for a moment, humming in place of the music. Suddenly, Henry stopped, separating himself from her and doubling over in pain. “Henry, what is it?” Oriko asked, although she didn’t need to. It was all part of the act.

“Don’t make a fuss- Terrible pain- Get me out of here- Can’t breathe!”

He began screaming and thrashing around. Even if he and Hyde weren’t really fighting for control anymore, it was an easy habit to fall back into. So much so that Oriko didn’t have to pretend to be scared. “Oh, God, what now? Oh, God, not now! Help me, somehow- Please take the pain away! Feel it fill me- This will KILL me! Please, God, will me somehow to fight, I pray!”

————————————————————————————

Madoka was pleasantly surprised when her old friend, Sayaka Miki, was Summoned as one of Oriko’s Servants. Even though she herself was torn away from the Law of Cycles, her legend and very existence as a Servant gave it a strong connection to the Throne of Heroes. “Are any of the others there, too?” she asked excitedly.

“So far, just me.” the blue-clad Saber replied. “We tried to get Nagisa, but this Gilgamesh guy was like “but you can’t have cheese here” and she started crying. I’ve heard rumors about Homura, though.”

“Really? That’s wonderful! She’s the reason we’re here, after all. I say she deserves it! Well, I should probably introduce you to our Master, huh?”

A scream came from the end of the hall towards Oriko’s room. “GOD HAVE MERCY! Don’t let her see- Not on our wedding day!”

“What was that?!”

“It sounded like Jekyll!” Madoka cried.

“Jekyll? You don’t mean-“

Madoka was already sprinting down the hall, bow at the ready. “I’ll explain later, Sayaka! We have to help him!”

————————————————————————————

With a final cry, the transformation was complete. “Henry?!”

“There is no Henry, only HYDE!”

Oriko faked a gasp.

“We seem to be married, my love.” Hyde grabbed the padlock chain around Oriko’s neck and shoved her into the wall. “Ready for our bridal bed, are we?” he growled hungrily, wiping her bottom lip with his thumb.

Oriko returned the Berserker’s sultry smirk. “Yes, sir~”

SLAM

Madoka gasped at the sight before her, dropping her bow, hand over her mouth, blood quickly coloring her cheeks. Sayaka stood behind her, wide eyed and jaw dropped, her swords dissipating. Both were left too speechless to apologize.

Too frozen in shock to close the door.

Footsteps echoed in the direction the Puella Magi came, stopping behind them. Once he laid eyes on the same sight, Dantes laughed. “Nice.”

Hyde: Man, what a bummer. Way to kill the mood, pigtails!

Oriko: It's fine, Edward. I'll talk to Romani about soundproofing the place tomorrow and we can try again.

[mikkeneko]

Got tagged by @ushauz to do Ten Favorite Characters. This post will probably take me a couple sessions to put together, so expect lateness.

As always I am stuck on the scope of the question. Ten favorite! What does that even mean. Ten I thought were the most interesting? The most enjoyable? Characters from comfort series I read a lot, or only read once but really stuck with me? Through the years? Recently? I guess I can just pick the first ten who come to mind.

1. Ista dy Chalion from the Curse of Chalion/Paladin of Souls books. People like to talk a lot about how there should be more middle-aged matron action/adventure/fantasy heroes, well, here’s one. We meet her, at the start of the books, in a very bad place -- she had a stint as a Chosen One god-avatar in her teenage years which absolutely wrecked her life, and she never recovers from it. (Although even in the midst of her Noble Tragedy, she never loses sight of the fact that her nobility does  afford her a certain amount of privilege that other women will never have.)

Over the course of the second book she is  finally able to move on and recover from it. She starts the book as a crushingly depressed/nervous wreck of a powerless widow, and ends it as a demon-eating sorceress-paladin of a bastard god, with a sexy illegitimate trophy twink on her arm to boot. (I very much doubt that she and Illvin would ever be able to marry, all things considered, but one of the important things she learned -- as a woman whose entire social life had formerly revolved around chastity and propriety -- was to stop letting that bother her.) And she does it all without ever letting you forget that she is a highborn noble lady.

2. Wei Wuxian from The Untamed. Given how much of my mental real estate he’s taking up recently, I surrendered to the inevitable and gave him a spot on the list. I outlined a lot of the reasons I like him so much in this post, but aside from all of that there’s the fact that good (or at least good-hearted) characters who use ‘dark’ powers are magnetically appealing to me.

3, 4, 5. I almost feel like Fai Fluorite (from Tsubasa Reservoir Chronicles) Anders (from Dragon Age) and Caleb Widogast (from Critical Role) should all have to share a spot on my list given that they all follow the basic formula of being the Traumatized Cat-Loving Magic Man. It’s not quite  that simple -- they all have pretty distinct stories that go in different directions -- but I sort of feel like... I spent 369,149 words explaining why I love Anders, I don’t think I can do it again but tiny.

6. Homura Akemi from Puella Magi Madoka Magica gets a spot on this list, I think, and a spot in my heart. I don’t talk much about the series because I don’t have a lot of original things to say, but I was just reminded of this show recently and how good it was and how good she  was -- my brilliant, brave, determinator of a girl with a love as vast as the ocean. And sure, maybe she was willing to burn down the world for the sake of that love, but I sort of feel like that puts her in good company on this list.

7. I’ll go ahead and put Geralt of Rivia (from The Witcher, games and Netflix) on here; I dunno if he’d still make the list 10 years down the line, but I’ve spent a lot of time in 2019-2020 mooning over how great he is, so might as well. He’s not as firmly dead center My Type as some of the others, but he certainly fits the criteria of Unfairly Attractive, Extremely Traumatized, Surprisingly Sassy, and Tragically Good-Hearted. The good-heartedness is key! He could be as pretty and traumatized and witty as he likes but if he were fundamentally an asshole, I would not care about him.

8. Ciaphas Cain (of Warhammer 40k.) In a landscape of published fiction where heroic action characters all tend to follow very similar beats, the debonair, devious and cowardly Ciaphas Cain stands out in a way that really wormed its way into my heart. His books do tend to be a little formulaic, but sometimes that’s just what you need. And the best part about reading the entire series in one go is getting a sense of the shape of the man behind  his constant façade of self-deprecation and realizing that as much as he demurs being the brave and kind hero that his misleading reputation paints him as, he is actually pretty damn heroic on his own measures -- he cares about people, even the people under his command who he properly should be thinking of as disposable pawns, he’s way  more tolerant of (non-hostile) xenos than 99% of his countrymen, he moves time and time again to block harm and do good in a way that goes beyond his pretty flimsy excuses of ‘well I had to do it to maintain my reputation.’ 

The main reason he’s so convinced that he’s not a real hero is that he’s been raised in a (lbr, openly fascist) empire so steeped in propaganda of glory and sacrifice that is literally impossible to live up to (since the number one tenet is dying gloriously for the Emperor.) He led an entire caravan of people from the heart of bombed-out, occupied territory in a refugee march that ended up liberating the entire damn planet, he did that,  and while he would never have survived without a healthy dose of luck it was still his leadership and skill  that took full advantage of that luck. The Imperium of Man, frankly, doesn’t deserve Ciaphas Cain.

9. Raoden and Kaladin (of Elantris  and The Stormlight Archives) both share a slot as Brandon Sanderson protagonists who occupy pretty much the same narrative role: they have lost everything, been socially and physically rejected pretty much down to the dust, tossed into a role of waiting for death to come for them in a variety of cruel forms; and instead of giving in to despair they both say no.  they both say, I do not accept this for me, and I will not accept this for them either,  and they both gather fellow outcasts around them and build themselves a kingdom out of mud and scraps. Yeah, it’s a trope he uses a lot, but it’s a trope I like. (And, come to think of it, a category that Wei Wuxian and Ciaphas Cain both fall under as well. Hm.)

10.  Skywise (of Elfquest.) Honestly, at this late date I doubt I could muster an essay explaining why he is the Best Elf. All I can tell you was that this series was super duper  important to me when I was a teen, and he was my favorite character from that series. He loved to explore, he loved new knowledge and the sky and the stars, and he loved his friends and family a whole lot.

That’s that! Hmm, who to tag? @cygnahime, @cerusee, @araglas1989, @drowningbydegrees , @jaggedcliffs, @fairandfatalasfair, @fledgling-witch, @overthinkingfeathers, if you have not already done it and are interested!

[shiny-procrastinates]

(re)Watching Magia Record S1 - part 12

part 11 here

Hello and welcome back everyone to this kinda watch-along of Magia Record s1. Last time, Mifuyu invited our girls to a lecture about the "salvation" her cult is preaching and took the opportunity to make a psychological attack on Yachiyo, who's now avoiding her team. Oh, and also Momoko was going to tell the truth to Rena. How will the girls react to learning the truth about magical girls? Why did Yachiyo suddenly start distancing herself from the others? We can only find that out by watching, so let's get on to this penultimate episode!

Puella Magi Madoka Magica Side Story: Magia Record S1 episode 12

Yachiyo's seriously not having a good time since she saw Mifuyu. After talking briefly with what I guess are the illusions of old companions of hers and denying that the girls are her friends, Yachiyo decides to follow after Iroha and co. with the excuse of being unable to ignore other magical girls being fooled.

pft, what a callback, I can't believe she's still tracking Felicia. Yachiyo, please, you look like a stalker lol

Back at Memory Museum, Iroha's having a not very pleasant reunion with one of her best friends (also Felicia's growling at her haha). Iroha refuses to accept the reality that Touka's a Magius, since she thinks that the Touka she knows would never do that, but Touka really doesn't remember either her or Ui.

While Touka Mary Poppins around, Mifuyu steps in on their little argument, reminding Touka that she's supposed to be giving them a lecture, and Iroha also pulls herself together to do what she actually went there for.

Oh, that's a nice transition to the op, I forgot that happened. I forgot this ep had the opening at all.

Back at the bridge, Momoko's about to let Rena in on the truth about magical girls, when a certain person joins them.

Kaede! Long time no see. Normally, I'd be glad to see her back, but there's just something very ominous about her showing up now of all times, with a black umbrella and smiling, after what happened to her.

While that's going on, Iroha's team is getting a very handy educational slideshow on Magical Girls, courtesy of Touka. First, she proposes the scenario of a Soul Gem breaking, asking our girls what would happen in that case. After Sana and Tsuruno get it not wrong but not exactly right either, Touka gives them the answer: The Magical Girl dies.

Alas, that's a very Touka slideshow indeed, condescendingly giving a lot of synonyms for "death" just to make sure you get it. Thanks, Touka.

Back at the bridge, I wasn't imagining it, there really must be something weird going on with Kaede. Did popping a witch really break her this much? Rena hugs Kaede, who apologizes and promises they’ll be together forever now... in any other situation, I'd say that's really sweet, but right now it's really disturbing. Then, Kaede-

Kaede? KAEDE? Why and how do you know about that already?! Did Momoko tell you? Momoko's also acting suspicious. Just what the heck is going on here?

Thanks for this shot anime. Yes, Touka does very much sound like the white weasel here.

In Memory Museum, Touka explains what exactly a Soul Gem is, to the very understandable shock of Iroha and the others. After complaining about their inability to keep up, Touka urges them to move on to the next part of the lecture: "Magical Girl Theory: About Witches". Ohh man here we go.

Exactly what part of being a magical girl is exciting escapes my understanding. Maybe "scary" or "hopeless" would be a better descriptor. That aside, no wonder the rumor says you'd be affected by the memory you saw. Vicariously experiencing it is a whole 'nother deal...

Except that they don't. Unlike the game, they only get to watch the memories, not take part in them. One has to wonder why the script even bothered having Mifuyu say that if they weren't going to do it after all.

In Mifuyu's memory, just like Touka had described earlier, Yachiyo's group, who at the time was her, Mifuyu and one of the girls Yachiyo had hallucinated earlier, Kanae, are having a hard time against a powerful witch. When taking an attack from the witch head on, Kanae's Soul Gem ends up cracking and breaking so, although she managed to reflect the attack and kill the witch, she dies.

So that's how Yachiyo and Mifuyu learnt the truth about the Soul Gems, and now the Mikadzuki girls were proved that through their memories (though it's specifically Mifuyu's memory).

Back at the entrance, Yachiyo has finally caught up with the group (kinda). Touka tries to talk to her, maybe to buy some time, but Yachiyo gives absolutely zero cares and just slides down the rope like she's in some video game. Girl has no chill huh, didn't even wait to hear Touka's name, which means she has no idea that that’s one of the people Iroha was looking for.

Continuing the "practical part" of the lecture, Iroha's now seeing Mifuyu's memories from some time (years, I think) later. By this time, she and Yachiyo already had a new team with Tsuruno, Momoko and Mel, one of the other girls Yachiyo had seen the illusion of earlier, and Mikadzuki Villa was basically back to normal.

That day, when Tsuruno was busy, Yachiyo and team went to hunt a witch who had moved all the way from the east to their own ward. Like in the previous memory, the witch was powerful and her team was having a hard time, so Yachiyo told them to run away while she distracted it (remember Seance Shrine?). However, Yachiyo ends up in a pinch and Mel, the day's lucky girl, ignores Yachiyo's order and comes in to save her.

The result, too, is very much like Seance Shrine. Mel used up all her magic on saving Yachiyo and, before they can go find a Grief Seed to purify her Gem, Mel ends up witching out.

I have to say though, even though it's her own memories, Mifuyu's being pretty damn cold about this. Man, how can you watch this smiling? Are you alright? (from the point she's a magical girl, probably not.)

Rena, who probably just heard this very same story, is having the expected reaction.

Back then, Momoko was indignant to learn this truth, pressing Kyuubei for answers. The stupid cat-rabbit, however, gives the very same explanation he had given on the og about magical girls and saving the universe.

With this, Iroha's team has also learnt the truth behind Witches, whether they wanted to or not. I feel Kyuubei would like to complain about that statement saying that he's fooling someone, considering his stance is "no one asked".

That was the end to that part, but it seems there was still more to be learned here, since the lecture is not over and we continue seeing Mifuyu's memories from after that.

Mifuyu felt pretty damn miserable after what happened to Mel and couldn't get over it even after half a year had passed. Momoko tells her to just forget it already, but Mifuyu just can't. Momoko also says they shouldn't tell Tsuruno, which explains why she didn't know.

Unable to forget and unable to tell anyone about it, Mifuyu ends up witching out... or, that's what should happen normally, but instead of witching out for real Mifuyu releases her impurities to an outside form, just like Iroha, Kaede, the Amane twins and Alina all did throughout the series.

At this point, Touka cuts in to continue her lecture, now on exactly what is this event that we had been wondering the whole series about. Thanks, Touka.

According to Touka, these crystallizations of a magical girl's impurities is called a Doppel and she's the one that created the system that makes them possible. That, itself, is the proof of "salvation" that the Magius are preaching, and their goal is to reject Kyuubei's system, releasing all magical girls. Well... that's fine and all, but 1: how are you doing this; and 2: why do you need Rumors and witches for that? Still fishy.

Poor magical girls indeed.

Oh, oh no Kaede also entered the cult, she's now repeating the salvation spiel!

At the same time, Iroha and co. are also at their last stop.

I really, really like how this last scene fells like Mifuyu is inviting us, the viewers, to join the cult too. Almost makes you want to root for them... almost.

Because being meguka is suffering.

- x - (if you have been reading this as a hamster face, you're right)

Aaand that's it for episode 12! Finally, FINALLY I can call doppeling out by what it is without it being a spoiler, thank god... but now it doesn't matter because there's only one episode left, dammit >:v

So yeah, there's the explanation, kinda. It's not like they were breaking any rules (if we ignore the fact this universe shouldn't exist at all thanks to Madokami), but more that Kamihama is a special place. And yet we still have no idea of how exactly the cult's doing this, what is a Rumor, why exactly are they collecting emotional energy like Kyuubei would... actually there's one more thing that makes the cult not much better isn't it, Touka's saying they reject Kyuubei system and yet they're doing the exact same thing as them, that's super shady. Also there's no way there's no consequence to doppeling out when this series works on equivalent exchange, there's definitely gotta be some con to it. SO MANY QUESTIONS.

Talking about questions, I'm always curious about the exact timeline for this story. Whenever they talk about Mel's incident, they say it was "one year ago", and then half a year later Mifuyu's still not over it and it seems like she doppels out at this point, but in the game they say it takes another half year before that happens, I think(?). Which always left me the question of: When exactly did the Magius start acting then? It should've taken some time to get the organization as big as it is now, so one has to wonder how long ago did the incidents in Kamihama start, since by the time Iroha shows up the magical girls here already seem used to it. This always leaves me feeling like this “one year ago” is closer to “almost two years ago” rather than “a bit over a year ago”. At least by this time in the story, it should be.

Knowing exactly when did The Wings of the Magius start would also let us guess at how long Iroha herself has been a magical girl, since Touka was probably still hospitalized when she made her wish. If Iroha's really been a magical girl for over half a year, that'd explain why she was already used to it by the time she came to Kamihama, despite being weak. Rather, that'd mean she's done a great job surviving thus far considering how she's only been shown sucking at battles lol (I’ll probably never get the answer to this, tho)

By the way, we STILL have no clue as to what happened to Iroha's little sister... I don't think we're making any progress on this front this season anymore. Poor Ui, even the show forgot about her.

So yeah, that was ep 12. Next episode, hopefully, we'll get more on the reactions of our girls upon learning the truth, and see what Yachiyo plans to do, if she had a plan at all coming here... which I suspect she doesn't, she's in fact even too late to do anything about it. I told you she'd regret it! The next episode's also the last one for this season, so you can look forward to having some awesome thing to tie it off *wink*

This is it for this post, hope to see you again on the next one. Have a good morning/afternoon/evening and remember to stay hydrated!

[arlingtonpark]

Winter 2020 Anime Round-Up

I decided to do a round-up of all the anime I’m watching this season because, turns out, most of the shows I was interested in were bad!

I.D. Invaded.

This is a psychological thriller sci-fi mystery type show. It’s about a police unit who uses this sci-fi technology to detect a killer’s murderous intent and create a sort of virtual reality projection of the killer’s mind.

They then take a special agent and insert him into the projection to hunt down clues and find the killer’s identity and whereabouts.

Enjoying this show is not cheap. It asks a lot of you.

1. Don’t laugh at how ham-fisted the exploration of how a killer’s mind works is.

2. Don’t laugh at the special agent’s official designation being “The Brilliant Detective.”

3. Don’t question the ridiculous premise of the show; they use a killer’s particles to create the projection of their mind to hunt for clues, but are later shown using those same particles to pinpoint the killer’s location.

4. Don’t laugh at one of the police unit’s agents being a teenage girl.

5. And, of course, don’t notice all the expository monologuing for the audience’s sake.  

The show is silly, but there’s some intriguing stuff in it. The conflict between the unit’s field squad and the desk workers can be good, though the locus of that conflict being about what seems to be a bureaucratic oversight is pretty weak.

The teenage girl is the most bald-facedly ridiculous thing about this show, but she is unironically the best character. She does some daring, crazy shit in this show and I was legitimately shocked by it.

Oh, yeah, I forgot.

6. Don’t laugh at the OP using recycled production materials and footage from the first episode.

Signs of a quality production right there.

 Plunderer.

>.<

This. Show.

I feel bad for Sarah Wiedenheft. She voices the main heroine in the dub. The in-over-her-head, naïve, helpless heroine, Hina.

God, help us!

Hina is a woman with a mission. She is bubbly and naïve, but stubborn and she gets in over her head by the end of the first episode. Why?

You know why, fool! So she can be rescued by the hero.

This show puts a creative spin on the typical shonen formula. Many shonen shows are designed to be wish fulfillment for teenage boys, with Mary Sue main characters for them to project onto.

The crazy spin on the formula here is that it’s wish fulfillment for sexual predators.

That’s not a joke.

The show takes place in a magical world where everyone is branded with a “count,” a number that increases whenever they complete a task specific to them.

Hina’s count goes up whenever she walks 100 km. Another’s count goes up whenever her food is complimented.

The count is denoted by a number that’s branded somewhere on their bodies. Hina’s count is located on her inner thigh, just below her crotch.

Meanwhile, this is what the hero does to Hina the first time they meet:

This is them at the end of the episode after he rescues her.

You know how in Dragon Ball, Master Roshi was this old pervert? The hero here is like that, except he’s young, not old, and a predator rather than just a pervert.

Licht is the hero; his count goes up whenever he dates someone, I guess, but the thing about him is that he’s a predator, so his count is actually -999. If your count reaches zero, you’re Kylo Ren-ed off into an abyss never to be seen again, so negative counts shouldn’t even be possible.

The reason the hero isn’t dead is because he’s actually.

Wait for it.

The Legendary Ace!

A badass fighter spoken of only in legends!

Who is this show even for?

It’s clearly supposed to be a wish fulfillment kind of show, but the only people I can see projecting onto the hero are, like, really, really pathetic people who fantasize about sexual assault.

(Another female character’s count is located on her left breast.)

The heroine is looking for this legendary ace, but even though she’s lived in this world her whole life, and has traveled throughout it her whole life, she knows nothing about how the count system works.

That was necessary, you see, for two reasons: so the system can be explained to us in monologue, and so the heroine can be made helpless and in need of rescue.

Those with a higher count have a high social status. This could have been a cool exploration of how luck is underappreciated as a factor in one’s social status, since how counts are determined is completely arbitrary and some are easier to increase than others, but no, we don’t get that.

People with a lower count must obey people with a higher count. But you’re in the military, there is an appeals process: if you have a lower count and are ordered by someone with a higher count to do something, you can challenge the high count to a duel and if you win, you can ignore their order.

You can then take the loser’s count and add it to your own.

These duels are called “star stakes.” >.<

Hina, naturally, is suckered into one of these duels and is about to lose everything when Licht saves her by agreeing to duel Hina’s opponent on her behalf.

And just to emphasize how infantilized Hina is in this show, Licht not only saves her physically, he even provides her with some emotional support, but phrased in a way that totally talks down to her.

 Asteroid in Love.

I’ve already seen the first episode three times, and I have no shame!

Doga Kobo is the Kyoto Animation of the past few years. Just as KyoAni made a name for themselves with a string of shows about cute girls doing cute things, Doga Kobo have sort of taken on that mantle.

Three Leaves, Three Colors; Gabriel Dropout; New Game; Senko-san; and now Asteroid in Love are all shows with good characters with good design work and animation better than they had any right to have.

This show is about a girl named Mira who meets a boy named Ao during a camping trip. He has a thing for astronomy and Mira is completely won over by it. They promise to discover and name an asteroid together.

Tragically, that one camping trip was the last they saw of each other.

Comically, they happen upon each other at the start of high school and wouldn’t you know it? Ao was a girl the whole time!

She was very tomboyish at that time in her life, so Mira mistook her for a boy.

But whatever, Mira’s friend still ships them.

They’re both passionate about astronomy, so they reconnect and become good friends real quick.

The friendship between Mira and Ao is by far the best part about this show; unfortunately, everything else is very generic.

High school club? Check.

Club member who’s boisterous and excitable? Check.

Club member who’s serious and down to earth? Check.

But in spite of all that, I could watch this show all day.

The presentation is excellent. The character designs are lovely and the direction and animation are amazing.

 Magia Record.

A spin-off of Puella Magi Madoka Magica. Magia Record takes place before Rebellion, but in an alternate universe where the events of Madoka Magica haven’t happened yet. There’s a new cast, but the main cast of Madoka Magica will be back as major characters.

InuCurry, who did the artwork for the witches’ labyrinths are back, this time as series co-directors and co-writers.

The Magica Quartet, the brain trust of people who created Madoka Magica, Gen Urobuchi, Akiyuki Shinbo, Ume Aoki, and Atsuhiro Iwakami, are back too. The four are collectively credited with coming up with the story.

Shinbo, who co-directed Madoka Magica, is back as an animation supervisor. Aoki is back in her role as character designer. Iwakami is co-credited with series planning.

Yukihiro Miyamoto, who co-directed the original series alongside Shinbo, is back as assistant director.

This show…it’s just good to see it all back. The character designs are a bit different from the original series, but they nailed the aesthetic otherwise.

Magia Record draws heavily from plot elements first used in Madoka Magica, but it’s not what I would call uninspired. Anyone who’s seen Madoka Magica will notice the callbacks, but they’re fun, not cringeworthy.

It reminds me of how The Force Awakens brought people back in to the Star Wars universe by heavily echoing A New Hope, but Magia Record is much more creative in its echoing than Force Awakens was.

Everyone who likes the OG series should check this out.

There’s already much intrigue in the story. A magical girl whose wish was granted, but also apparently simultaneously erased from existence, rumors of a city where magical girls can be “saved,” and a Kyubey who is a separate entity from the others.

The show is an adaptation of a mobile rpg. This is from a cutscene.

Iroha Tamaki, the main character of Magia Record, and Homura Akemi. 

Get excited.

 Bofuri.

This show is like Asteroid in Love, in that it would be totally boring if it weren’t totally charming.

This is the type of show that takes a silly phenomenon in the real world and makes it the premise of the whole show. Maple is a girl who’s just gotten into video games. Because she’s a newb, she puts all of her points into defense at the expense of even basic stuff like speed and strength.

Thus ensues hilarity.

There’s not much to talk about here. Maple is endearing as a video game noob. The artwork is great. The writing is legitimately funny in a subdued way.

A+

 Darwin’s Game.

I watched this show because the premise reminded me of King’s Game.

For those who don’t know, King’s Game is widely considered to be the worst anime ever made. It sucks.

King’s Game is about a death game administered over the phone and it the point is that everyone dies. It tries hard to do horror and it fails hard. I watch it every Halloween. :D

Darwin’s Game is about a mobile app game that pits players against each other in death matches. You win by killing all the other players.

With some shows it’s clear the writer can’t decide what they want to do. This show can’t decide if it wants to be trash or legit good.

Immediately you can tell this show is going to suck because the artwork is terrible. This is an ugly show to look at.

The show opens with a cold open clearly made to make the audience ask questions. It succeeds too well.

The opening depicts a random person being chased through the streets and then killed by an invisible furry.

Seriously.

By God, the fanservice in this show…

This doesn’t even fully capture the shamelessness of it. If you watch the episode, you’ll notice her dress has frills from the waist down.

Except for when we see her kneeling down, when her dress is suddenly a single piece of cloth. So we can better see her ass outlined through it.

Things temporarily get good when the main character has to fend off the furry from the opening. It really is thrilling, but everything goes back to crap when the mc has to fight the dress woman in the above picture.

He doesn’t kill her though. Oh, no, he doesn’t.

She becomes smitten by how strong he is and the episode ends with her asking him to bed her.

-barf-

[wheremytwinwatches]

[Where My Twin Watches]: Puella Magi Madoka Magica Episode 9

So, I’ve spent the last few days trying to type up my thoughts on the last episode, sort of like I did for Episode 3. However, each attempt kept turning into random keysmashing and more profanity than I think that this forum will allow, and you guys did a good job of covering how complex the situation is. Therefore, let’s keep moving.

We open with aw jeez I have to see this again. My newest ship of Sayaka and Kyoko are at the train station, shortly before Sayaka’s Soul Gem breaks. (Also, what the heck is with this show and my ships? I ship Madoka and Mami, and Mami gets eaten. I ship Sayaka and Kyoko, and Sayaka turns into a Witch. I am therefore swearing off shipping in this show, as apparently my thinking two characters are compatible is Urobuchi’s sign to ax one off. My Ship of Death is hereby docked.) Sayaka mutters about a balance between happiness and curses, her tear falls… “I was so stupid… so stupid.” And we are in a new Labyrinth. This one created by Witch-Sayaka. There are strange runes floating around, musical bars and a checkered floors/walls, train tracks stretching through space. So it’s a mixture of Sayaka’s music-based wish and the trainstop environment? Also, what the hell, why is the music so awesome. This is a tragic moment, I do not need music that sounds so good I want to download it. Sayaka- Sayaka’s body falls through the air, Kyoko immediately transforms into MG mode and leaps for her- it. The Witch launches train tracks and train wheels and apparently a whole train at her, but Kyoko makes it through and grabs the body, ending up right in front of the screaming Witch. Sayaka’s body slumps in Kyoko’s arms while Food Girl tries to figure out what’s going on, or more likely refuses to acknowledge what just happened. I sadly do not have that luxury, as I have to report my thoughts to all you jerks. I hope you’re happy. Kyoko continues to dodge the tracks and wheels, until one explodes in front of her? Homura! I- I have mixed feelings about you showing up. Because on one hand, yay, you can help Kyoko out. On the other hand, the last time you were around Sayaka… Homura tells Kyoko to get back and the animators stop drawing her, then they draw a cylindrical grenade right in front of the Witch. Ok, I know the last one looked like a frag grenade but was actually a flash-bang. This one looks more like the flash-bang type I know from shooters, is it going to… yup, big bang. REALLY big bang, sends Kyoko’s hair waving. Homura pops back in front of Kyoko and tells her to take her hand, and then activates her shield when she does. Suddenly the Witch freezes, hand and sword casting a shadow over the three-two Magical Girls. Kyoko’s confused, and Homura warns that if she lets go of her hand time will stop for her as well, before they start running away. Kyoko asks where that Witch came from. Sorry to tell you Kyoko, but- Homura beats me to it, bluntly says that it’s what used to be Sayaka Miki. Kyoko doesn’t say anything like “What?!” or “That’s impossible” but just asks if they’re just going to run away, making me believe that she did realize but just wasn’t accepting it. As for running away, Homura says “If you want to fight it, drop that needless baggage and we’ll turn around to kill it right now.” … That’s… Ok, I know that Sayaka’s soul was already out of the body, but… for all my comments on meat puppets, it was still her body. To call it ‘needless baggage’... Knowing that Homura’s a freaking TIME TRAVELER and has presumably seen this before is one thing, but… Kyoko’s only response is “Like hell!” and keeps running, to which Homura says that she’s only dragging them down. Since Kyoko refuses to drop the body to fight the Witch (and likewise, doesn’t take action to fight the newly-created Witch in general…) they’re heading out. And in a burst of white light they’re back in the real world. Kyoko slumps to her knees still holding the body, and Homura does a Hair-Flip as the musical notes around them fade. Hoo boy. This is a predicament. Intro of LIES Episode 9: I’d Never Allow That To Happen There are flies/moths on a lamppost, forming a skull shape. Random happenstance? Sign of a Familiar or Witch labyrinth? Urobuchi and the artists being jerks? Who knows? Madoka slowly walks along some train tracks. When did we last see her? Oh right, it was right after Kyubey turned (temporarily) into Swiss Cheese and emotionless Homura broke down crying. And good grief, reading back over that part I am amazed at how naive I was. I was actually pissed off at Homura for killing the Incubator, because I thought that Madoka could finally get some powers. But good grief, after learning that apparently Magical Girls who run out of power turn into god-damned Witches, I am so freaking happy that the Incubator was stopped in time. Or at least for a while. We’ve already lost Mami and Sayaka, I don’t wanna lose little Madoka too. Then she looks up and sees two pairs of legs Oh. Oh no. I don’t want to see this. Madoka just saw Sayaka’s body. Said body being carried by the girl who she saw fighting Sayaka to the death a few days ago, and followed by the girl who murdered the Incubator right in front of her. Understandably, she freaks out, rushing forward and… asking Sayaka what happened… and where her Soul Gem went… Homura just does a Hair-Flip and says that her Soul Gem turned into a Grief Seed, and was destroyed when it hatched a new Witch. No, Madoka. They’re not joking. I wish to god it was a joke, that Sayaka would open her eyes and laugh and say “Boy, we got you good Madoka!”. But it’s the truth. The final secret of the Soul Gems. When they grow tainted/run out of power and turn completely dark, they turn into Grief Seeds, and the Magical Girl is ‘reborn’ as a Witch. “This is the inescapable fate of all who become magical girls.” A train roars by and Madoka collapses, saying that all Sayaka wanted to do was protect people from Witches. And now she is one? “It could only last until she had suffered an amount equal to the good she had wished for. From here on, for ever person she has saved, she will curse another.” Man, this is the dark side of karma, isn’t it? I’ve always heard of it in a sense of “life will get better than it is now, look forward to the future”. But this? If Fate/Stay was a cynical take on “The Needs of the Many”, then this is his take on karma. Kyoko lays Sayaka’s body down in front of Madoka. Then spins around and grabs Homura by the collar. Yes, thank you! Homura, I get that you’ve seen this before in the other timeline, that you’ve had time to process the event, but for us its the first time we saw Sayaka turn into a god-damned Witch! Show a little understanding! And maybe explain why you didn’t warn us this was going to happen, like you didn’t warn us about how Magical Girls are lichs! I mean, good God! I gave you so much flak about your Hallway Threat way back when, but now I can see that you were being too soft! If you knew this was going to happen, maybe you could give a more direct warning? Or a more clear threat to scare Madoka off, so all this doesn’t happen? Kyoko chews Homura out for acting all “Ooh, I’m a Time Traveler, I know all this stuff and you don’t”. She was Sayaka’s best friend! They knew Mami for a few days, and that was tragic enough. Madoka knew Sayaka for years! But all Homura does is say that they truly know what the thing they wanted to become is like. Oh, and try not to be seen with the corpse you insisted on dragging along, alright? Don’t be sloppy disposing of the middle-school girls remains, otherwise the cops might find it and then things just get distracting. ...wow. I’m going to have to take away your seat cushion for that, Homura. Kyoko asks how Homura can even call herself human when she acts so callous in the face of loss. And even I can know how Homura’s going to respond to that one: “I don’t, of course.” Hair-Flip. “And neither should you.” Well. You may have had an alternate timeline/who knows how many years as an immortal lich to get used to ‘not being human’, but Kyoko is not only likely younger, but came from a religious background. It’s not that easy for her. One final Hair-Flip and Homura walks off. It’s later now, and Madoka is in her room, curled up on her bed in her pajamas and failing to sleep. YOU. GET OUT. The Incubator is outside her window. Nope, no, uh-uh. I am not in the mood to put up with your shit right now, Incubator. I don’t care what you’re going to say, what excuses you’re going to give like “But you never asked” or “What does it matter what form your Soul takes” or “Well, we’re down a Magical Lunch Lady. Guess you need to pick up the pace to keep me fed. On that note, I know where you can find a newly-hatched Witch, shouldn’t be too hard to fight…” NOPE. Not putting up with your shit tonight.

*one angry sleep later*

*Deep breath*

Alright, Incubator. Let’s see what excuses you’ll make this time.

Oh, well thank you for asking to come in, instead of just showing up like at Homura’s. Very polite of you.

Madoka is very unsurprised to see that the Incubator is alive, considering last time it was Swiss Cheese. I’m guessing Homura told her?

Oh, never mind about being polite, the Incubator’s inside with all the stuffed animals now. Permission, what’s that?

Madoka asks if what Homura said was true, the Incubator’s all “Yep, true enough I can’t protest it. I can’t lie, nosiree.”

Aw, Madoka no. She looks so… blank. Burnt out.

She asks if the Incubator really has been turning them into Magical Girls just so they’ll become Witches.

“Please don’t misunderstand.”

Oooh boy. *Sits back, munches on popcorn* Alright, you little monster. You justified tearing out these girl’s souls to make them more effective Witch fighters, let’s see how you excuse Contracting them into becoming literal monsters.

You… don’t do this out of ill will towards humans?... bwuh?

“Everything we’ve done is for the sake of prolonging the life of the universe.”

...turning young girls into monsters is good for the universe. Seems legit.

Ok, huh? Why are you talking about entropy now?

Energy a fire gives off is not equal to the energy to create its fuel, sure. Standard thermodynamics here. How does this relate to Witches?

Amount of usable energy in the universe is decreasing, sure…

Does this apply to Magical Girls as well?

Hold up, I think I’m seeing where this is going.

Incubator’s Race: “Oh no, we need warriors to defend our physically weak race and get us food from stronger creatures. Hey, these ‘humans’ can wield great power, but they can’t unlock it on their own. Let’s uplift them and get them to fight our battles. This could in no way backfire!”

Incubator’s Race: “Hooray, they’re defeating all our foes… but they’re using up all of our power in doing so, they lack any idea of subtlety. We need some way to cull their numbers… hey, we just figured out a flaw we can introduce into their Soul Gems, if they use up too much power at a time it shatters and their soul corrupts, they can’t use our power anymore. They turn into monsters, sure, but there are so many humans we can always Contract a few more to fight them. And hey, these ‘Witches’ drop tasty treats!”

Ok, sorry for random speculation. Been on a Mass Effect kick lately, made a tenuous connection between the settings. Back to the Incubator.

So their race looked for an energy source that wasn’t bound by thermodynamics, to counter entropy. And they found a solution with Magical Girls?

The Incubator’s civilization created technology to convert… emotions? Into raw energy? An impressive technology, but then why not just use it on yourselves, unless humans are somehow more emotional? A sort of Vulcan/Humanity emotional divide? (And I feel dirty for comparing Vulcans to this little jerk.)

Wait, you don’t ‘possess the capacity’? Like, at all? Huh.

So they searched the universe for species to serve as emotion batteries for their new tech, until they finally found humans.

(Hoping that the finale is a bunch of these other races that didn’t meet the Incubators’ needs showing up and helping out the “young” Terran civilization against the Galactic Jerks)

Shots of empty chairs?

So since humanity was a Yeerk Class 5 species (big population, fast reproduction), and the emotional-energy (emergy?) produced by a single human is more than they use between their birth and growth, the Incubators had found their power source.

Yep. The Incubators consider human souls as the perfect fuel source.

Abridged!Mr. Popo: That carpet gets 10,000 miles to the soul. Abridged!Bulma: What? Abridged!Mr. Popo: The gallon.

Oh, but why settle for unleaded humans for emergy, when the most effective of all are girls in their “second stage of development”? Seeing as they experience the greatest fluctuations between hope and despair.

Hmph. And I’d imagine that girls who are not fully informed have more ‘fluctuation’ than girls who know exactly what they’re getting into, hmm?

Oh for-really? Really?!

“In the moment when your Soul Gems flare out and turn into Grief Seeds, enormous energy is created.”

That’s it?

That’s the whole reason for this farce?

Ok, sit down, Incubator. I SAID SIT DOWN.

Look, maybe there’s something I don’t understand about the process. But not a minute ago you said “a single human” produces more emergy than the energy they use in a lifetime. Bam, problem solved, you have energy for days right there. But no, you just had to get greedy, didn’t you? It’s not enough that you’ve got a source of emergy with plain old humanity that bites its thumb at thermodynamics, that solves your “Oh, energy of the universe is running out” problem just as it is. Nope! Instead you manipulate young girls into giving up their souls and turning into monsters because that gives you even more emergy!

This is not logic! This is greed! I am so glad to be wrong, you aren’t the Vulcans. The Vulcans would never stoop so low for a little bit extra. You’re the Ferengi!

*Sigh* So the Incubators go around collecting the energy, ‘hatching’ Soul Gems into Grief Seeds. Buddy, setting aside how wrong that is, what about all the lost potential emergy from the humans a Witch eats? Is one Grief Seed forming really enough to make up for that?

Madoka’s still in shock, mutters a question asking if Incubators really just see humans as disposable energy supplies. The Incubator asks if she knows just how many species there are in the universe, and how much energy they use all the time.

...which implies that the other species’ energy use is supplemented by the Incubators. Suddenly hoping they don’t show up after all.

“And someday even you humans will be able to leave your planet and come join all of us.”

Which will probably be pretty awkward. “Hey, so you’re the species that we’ve been harvesting to power our hot tub? Cool, cool, nice to meet you.”

Actually, why don’t they Uplift humanity? If a single planet of humans create enough emergy to conter the energy use of the rest of the universe’s species, how much emergy could be created by a Human Federation? See, Incubator? I’ve only known about this for a few minutes, and already I’m finding problems. You fail at logic!

Ahaha, NO. Incubator, you don’t get to try and blame humanity for the rest of the universe’s species using so much energy. Maybe they should cut back on their electricity, turn down the AC? If we leave our world to find an “empty and desolate” universe, that’s not our problem.

...don’t make me say it.

...I really don’t want to say it.

...ok, FINE. You may have a tiny, itty-bitty point. Yes, it would be advantageous for humanity as a whole to rise up into an established universal community.

BUT. You are saying that this comes at the cost of human lives.

Read my lips, Incubator. It was NOT okay for Mami to die. It was NOT okay for Sayaka to suffer. It was NOT okay for Kyoko’s family to implode.

“But we always ask and receive your consent before making the contract. Doesn’t that alone show our good will?”

Madoka screams that they do it by tricking all of us. YES.

“We aren’t able to comprehend what you mean by ‘tricking.’”

…

“Why is it that when humans regret a decision based on a misunderstanding they feel resentment toward the other party?”

…

…

… *snap*

FUCK. YOU. BUNNY-CAT.

This is not logic, this is not “for the greater good”, this is just being a dick. You claim to be an advanced species? Then you damn well understand what we mean by ‘tricking’ someone else. You knew all the details, and only gave out information at your leisure. If someone makes a decision based on a misunderstanding, it’s not their fault for not having all the knowledge. It’s the fault of whoever did have the knowledge, and neglected to share it for their own advantage.

Here, let me try something. Hey Incubator, I know about this other planet with a species that produces ten times as much emergy than any human, even a Magical Girl. Just fly off to the Alpha Centauri system, you’ll spot them easily!... Oh, what’s that? You flew all the way there and used up so much energy, but there was nobody there? Aw, what a shame. Hey now, what are you blaming me for? It’s not my fault you misunderstood that I was joking.

Madoka can’t follow the Incubator’s so-called “logic”. Believe me, Madoka, it’s good that you don’t understand that little jerk’s excuses.

Oh come the FUCK on, Incubator. You’re going to act the victim here?! Oh, I’m so sorry that it’s so hard for you to understand humans and our values system. We’ve got nearly 17 billion people, with 10 more every 4 seconds-

“-why should you care so much about the loss of a tiny handful?”

...WOW. Ok then.

Aaaand we have reached the tipping point. Madoka, our all-loving Protagonist, has said “If that’s how you think, then you really are our enemy.” Good job, Incubator! You proved to be so immoral with your faulty logic that sweet little Madoka has named you Enemy.

The Incubator soldiers on, acting all gracious that he came to try and explain themselves to her.

“I was hoping you’d understand what incredible good your sacrifices have done for this universe.”

Oh, well if you think that sacrificing these girls for the universe is for the best, then who am I to stop you?

The Incubator can’t understand Madoka’s point of view, and Madoka can’t accept the Incubator’s.

But the Incubator keeps up the compliments, saying that one day she’ll be the most powerful of Magical Girls. And then the wickedest of all Witches. A Witch with protagonist powers, brrr…

Oh, I’m so happy to hear that the harvesting of Madoka will get you an incomparable amount of energy, Incubator. That makes everything so much better!

“So if you ever feel like dying for the the sake of the universe, please call me anytime. I’ll be waiting for you!”

...wow. You dick.

The Incubator jumps away, and Madoka starts to cry.

*slight break between posts*

Aw jeez, sorry guys. I thought I’d take a few days to get settled into the fall semester, not get delayed over a month getting back. But on the plus side, as I’m sitting here, about to pull up Crunchyroll and resume the episode, there’s some emotional distance from that last part. Yes, I recognize the irony. And in that time, I have come to two realizations: Kyubey is right. And Kyubey is a moron. Hear me out. I’m going to try and do this response justice. If we accept what Kyubey has said as truth, then we are not alone. There are other species out in the universe, other inhabited planets. I don’t know how many there are, but let’s assume at least two others besides us and Kyubey’s race. If we go by pure, ‘unemotional’ math, we can say that humanity is outnumbered by 3 to one. And that’s not even factoring in the likelihood that these other races have settled more planets than our single world, the ratio could be much, much higher. Going by pure numbers, we are in the minority. In pure voting terms, if the other races are in agreement, our ‘discomfort’ means diddly-squat. And even beyond that, we’re talking about the heat-death of the Universe, the Incubators and the other races are working to prevent the end of reality. If that’s your goal, what sacrifice is too great? Especially if it’s not you who’s doing the sacrificing? So yeah, the need is there. Using emergy is a solution, perhaps the only solution, to the heat-death of the universe. Assuming that Kyubey isn’t lying about it being greater than entropy. In that, this single point, Kyubey is right. What I find painful however, beyond that whole ‘sacrificing young girls who knew not what they were getting into because you didn’t tell them’ thing, is that the Incubators are being criminally inefficient about this. It’d be funny if it wasn’t measured in lives. As Shay Guy said, they’ve found a local maximum with the emergy from a single human and just focused on maximizing that. Which I find to be criminally short-sighted on their part. I mean, seriously? You find a species that is the single solution to the heat-death problem, you maximize the emergy from young girls, and then you just leave it at that? Let’s run a scenario: Instead of sulking about in the shadows, creeping on little girls, you land a spaceship in front of the UN. An Incubator saunters inside, reveals that there are multiple alien species out there, and that they rely on human emotions to prolong the universe. Set up a few emergy-capturing satellites in orbit, rather than whatever method you use to gather emergy from individual girls, and start uplifting humanity to settle other planets, set up more emergy satellites… Hell, at worst if emergy satellites won’t work you get people who contract knowing the price. For crying out loud, I’d be willing to make the Contract myself, knowing that I’d get to enjoy power for at least a little while, be wary about my magic use and falling into despair so quickly, and knowing that my passing would result in the entire Universe lasting just a little bit longer. Ugh. Just, ugh. Incubators, what you are doing now is like finding a coal mine and setting it on fire to stay warm. Or whatever, I just cannot wrap my head around the inefficiency of this so-called advanced race. Bleh, whatever. Let’s get back to the Magical Girls. Been a while since I saw the episode, so I’ll pause here, watch up to where I left off, and then come back once I’m in the proper mindset. *Ten minutes later* FEEEEEEELS. Also, I demand an Incubator plushie for Christmas so I can punch it repeatedly. Camera is panning over Anime City (I know it has a real name, but I can’t remember how to spell it), settles on a table loaded with food. Ah, Kyoko! What are you up to? ...That’s Sayaka. No, that’s Sayaka’s body. Why do you have Sayaka’s body, Kyoko? What are you doing with your Soul Gem? INCUBATOR. GET OUT. It asks what Kyoko hopes to achieve, using so much energy to “keep the body fresh.” Aw, Kyoko. You haven’t given up on Sayaka, have you? I get it, I really do but… you know what happens when a Magical Girl uses up their energy or gives into despair, you’ve seen it happen right in front of you. Don’t put yourself at risk. Kyoko asks if there’s any way to get the Soul Gem back, the Incubator- Oh, you dick. “None, as far as I know anyway”? That is the worst kind of manipulation, saying that you don’t know but not completely dismissing the possibility. Because after all, it only benefits you if Kyoko uses up too much energy trying to fix Sayaka and Witchifies herself. Aaargh. Yup, after the Incubator says that Kyoko stops eating and pounces on the possibility, the fact that there’s stuff even the Incubator doesn’t know. Oh. Oh damn you, show. I accept that Sayaka is gone, that there’s no hope of her coming back, but then… “The existence of magical girls defies logic as it is.” This is a world of magic, of power greater than entropy. I can’t rule anything out. Heck, there’s apparently a time traveler running around (and doesn’t that say volumes about the show, that someone being a time-traveler has taken a backseat to this current issue). Like Kyoko, I am thinking about the possibility. I want it to be true, so bad. Argh, and the Incubator just keeps not committing. “There’s no precedent for it.” Speaking the truth, but framing it in a way that these poor girls are getting played. “Unfortunately, I can’t offer any guidance at this time.” GOOD. Now get out. Kyoko (and I) are done with your ‘advice’, you can just shove off. Later, it’s a new day! The sun is shining! The birds are singing! Madoka shuffles along to school, knowing that her best friend has become a Witch and fielding well-meaning questions from Hitomi! She tries to claim that she just didn’t get enough sleep. “Speaking of which, it looks as if Sayaka is staying home again today.” … Please stop talking. Please stop talking about how you should go visit her later, but you’re worried about how awkward things are between the two of you at the moment. Madoka is about to speak up- Sudden Kyoko telepathy! She rightfully calls Madoka out for trying to act like everything is normal and going to school, after the bombshell of yesterday. Kyoko says she needs to talk to Madoka, who says she’ll stay home today too and runs off, leaving a very confused Muggle behind. In what I assume is the touristy part of town, with the clean streets and windchimes, Madoka meets up with Kyoko. “Don’t you want to save Sayaka Miki?”... what are you planning, Kyoko? Maokda immediately leaps on the possibility of saving her best friend, and damn you Incubator I can see where this is going. Kyoko wants to save the girl who countered her “live only for yourself” philosophy… Side note: I know that I said I would stop shipping people in this show because apparently my saying “they would be a cute couple” is a death sentence. But am I allowed to ship people if one of them is already dead? I still think that comic of Kyoko and Sayaka is adorable, and she should be safe now that a ship is impossible. Right? Anyways, Kyoko questions why Madoka was going to school, not trying to save her best friend. Ouch. Well, I mean, I assumed that becoming a Witch was irreversible, too. Can you really blame Madoka for not trying something that she thought wasn’t possible? Oh? Kyoko’s apologizing for her phrasing? Damn, her personality has really mellowed since her first “let the Familiars feed on Muggles” introduction, hasn’t it? Still stubborn and headstrong, though, as seen here when she says that until they are certain whether Sayaka can be saved or not, she’s not going to give up. Ok, so what’s the plan?... Talk at the Witch and hope that when Madoka calls out to her, she’ll get back her human memories? Um. I… am not certain about the validity of this plan. I mean, if it is possible, then her best friend Madoka would probably be the only one capable of getting through to her. But given this show’s track record, I’m not so certain that “magic of friendship” plan is going to work. Kyoko admits that she has no idea if it’ll work or not. But that’s just the reason that she wants to try it. Heck, maybe if they cut the witch apart Sayaka’s Soul Gem instead of a Grief Seed would pop out. “Wouldn’t that be something? It’d be like one of those stories where love and courage triumph over all.” Urobuchi, stop laughing. I can hear you from here. Let me have this. Awwww. Kyoko’s talking about how she probably became a MG in the first place because she used to love those sort of stories. She’d forgotten… but it was Sayaka who reminded her again. Crap. Crap crap crap. I did it again, didn’t I? I just doomed Kyoko with my Ship of Death. I’m sorry, Food Girl, please forgive me! I didn’t mean to put you in Urobuchi’s crosshairs, I thought it was safe to ship you with a dead girl! And that sounds way creepier than I intended! Kyoko’s frank, saying that she won’t force Madoka the Muggle to follow the plan, that it’ll be dangerous if she does, and that Kyoko can’t guarantee that she can protect her. But our Protagonist agrees. Go Madoka, show that stupid Bunny-Cat what for! And we get the adorable pair-up of sweet, friendly Madoka and the tough, cool Kyoko. One joke about Madoka cramping her style and giving her some food (The Kyoko Seal of Approval), and the plan is in motion. Ouch. The classroom is looking a little emptier now, with multiple “absent” future-desks. And Homura claims sickness, walks out. Later that day, as the sun is setting, Kyoko and Madoka are walking along under a highway, heading to Sayaka’s Labyrinth. Madoka asks about if Homura would help them, but Kyoko blows it off, saying that she’s not that kind of person. Methinks Kyoko’s still a little bitter about the “drop that useless baggage” comment from the night before. Madoka, sweet loving naive Madoka, asks “Aren’t you the two of them friends?” Kyoko says not really, they did team up to beat enemies that they couldn’t defeat alone- Oh crap, Wally-Watsit, the Super Witch! I completely forgot about them! I mean, knowing that Homura is a time traveler, I’m not thinking that she’s intentionally summoning it, but… Ok, wild theory time, thinking about Homura’s philosophy of power. I think my idea that she summoned Wally-Witch could still work in the original timeline, but when she realized that she bit off more than she could chew she (somehow) went back in time to try it again. Try to warn Mami about the hospital Witch, keep Sayaka from making a Contract and turning into a Witch and distracting them from preparing for Wally, recruiting the outsider Kyoko to help in the fight… seems like a good plan to me. Pity it all went to pot. Oh, Kyoko is telling Madoka about Wally (Walpurgisnacht) now, warning her that it’ll arrive in a few days. Stronger than either Kyoko or Homura, if they team up they stand a chance. Incubator: “Oh, how brave of your friends to fight this terrible foe! But it’s really dangerous, they may not survive. But of course, if they had help from another Magical Girl, one with loads of potentia-” *Gets punted by Kyoko* And they’re at the construction site. Kyoko’s sure that it’s Sayaka, since the magic patterns are the same as yesterday. Kyoko finishes off her whatever-on-a-stick and transforms, checks one last time to make sure Madoka is up for the Labyrinth. “I’ve gotten kind of used to this, actually. Although… all I ever do is trail along behind others.” Nope, nope nope nope. You are doing just fine, Madoka, do not give into peer pressure now. But she’s still brave enough to go in as a Muggle. Kyoko smiles… and opens the Labyrinth. Inside what appears to be a dark brick-wall hallway, Madoka asks Kyoko if she’s a coward, since everyone else fights but her. Kyoko just asks why she would ever become a Magical Girl. It’s not a job just anyone can do. If Madoka gets to live a life that Kyoko dreamed of when she was younger and her father’s church was failing, good food every day and a happy life with her family… why give it up to fight monsters? “I’d never allow that to happen.” Daw, and Kyoko has joined the ‘Protect Madoka Brigade’. You may think that you’re weak, Madoka, but frankly you’ve got superheroines tripping over themselves to protect you. But of course Kyoko adds her own twist of tough love to this declaration of protection, saying she’ll pound Madoka’s face in before she became a Magical Girl. Heh. “I mean, putting your life in danger… only people who’ve got no other choice should do that.” Aw, Kyoko’s turning from a Barbarian to a Paladin. She keeps calling heroes idiots, but she is becoming quite a heroine. Damn you, Urobuchi, for making me see that as a sign of death. Let me have the hope that heroes can prevail, not just die tragically. Stop crushing my optimism. “But maybe a time will come when you’ll have no choice but to risk your life and fight. You should wait until then to think about it.” And with that lovely quote, they approach the end of the hallway. Now there’s another one, with glowing walls and a bunch of musical notes… oh yeah, Sayaka’s magic signature was music notes! Man, this scene’s going to have some good music, isn’t it? Yeah, I can hear an orchestra starting up- crud, the door just slammed shut behind them! She’s coming! Music is picking up- oh hell yes, it is an orchestra. And the Witch herself, swaying as if she’s conducting. Ladies and gentlemen. Showtime. Come on, Madoka. Call out to your friend. Let Sayaka be in there, let her hear Madoka. Let us get a happy ending… no, the Witch is attacking now. Kyoko summons up a barrier for Madoka and tells her to keep calling out while Kyoko parries the train wheels. Madoka’s pleading for Sayaka to remember how she wanted to fight for justice, to go back to her old self. But it’s not working. The (awesome) music is swelling as the Witch sends a stupid amount of train wheels at Kyoko, and oh crap the barrier just went down. Ok whew, Kyoko is still ok… but looks tired after that barrage. She just tells Madoka to keep it up, resummons the barrier and keeps at it. But she’s getting knocked around, Madoka’s not getting through. Come on, Kyoko, keep fighting, don’t just stand there and get hit. Aw hell no, Kyoko. Don’t get all maudlin on me now, stop talking about how you started off trying to kill each other. You gave her food, doesn’t that mean something! Stop reminiscing and start kicking ass! But nope, she’s thinking about a red-and-blue image of Kyoko reaching out to Sayaka only for the Blue to shatter and the image collapse. Crap. You really did like Sayaka, didn’t you? The barrier is down again, Madoka is exposed. Crap, the Witch grabbed her! You let our Title Character go! There we go, Kyoko is pissed off, get back up! She’s cut Madoka free, is yelling at the Witch… crud. Madoka is unconcious, the floor is collapsing, and Kyoko is praying. Is that… Kamijo? Oh thank god Homura’s here, caught Madoka. But… Kyoko is not doing too well. And she doesn’t have Sayaka’s healing ability. “Hey. You… take care of her for me…” No. “I was an idiot for dragging her into this.” NO. NO! Kyoko! You pull that barrier down this instant, young missy! Homura just got here, don’t you dare keep her from helping you! Don’t you dare throw her “you can’t fight when weighed down with a burden” words back at her, make her retreat with Madoka. Don’t you dare pull a self-sacrificing Paladin! Don’t you fucking dare! Kyoko undoes her hair, and a hairpin falls out. She grabs it, and then kneels down in front of the barrier and beings to pray, or rather use her magic to summon a bunch of giant spears. She talks to Sayaka, says that she’ll be here with her… kisses her Soul Gem… and then stabs it. Explosion. Homura and Madoka are out in the real world. And the Labyrinth is nowhere to be seen. Later, at Homura’s house/apartment/residence. Homura is sitting in her room, staring at the floor. Or maybe at the maps scattered on her table. Still planning for Wally-Witch, then? But without Mami, Sayaka, or now Kyoko, can you still face it this time without Madoka giving up her soul? INCUBATOR. GET OUT. Homura asks if there was any real chance for Kyoko to save Sayaka. “Of course not. She should have known that it was impossible.” Oh fuck you, Bunny-Cat! And then to go on, say that you would have stopped her if “her death had been needless”? That getting her out of the picture served a very important purpose? But of course, this all works out to your favor. Because like I said, now there is no one else to help Homura against Walpurgisnact. Even with the experience of a past life, she is not strong enough to face the Super Witch alone. “In order to protect this city, there is no choice but for Madoka to become a Magical Girl.” And here’s the terrible, terrible choice. Homura is defined as doing whatever it takes to save others from the fate of giving up their souls, becoming a Magical Girl. Everything she has done has been to prevent Madoka from making that sacrifice. But when the cost of Madoka’s freedom is her city getting attacked by a Super Witch? Can one life be preserved at the cost of the many? Homura won’t let Madoka make the Contract. She swears it. … OH FUCK YOU, UROBUCHI! You end on this downer note, I’m practically crying over the injustice of the Incubator manipulating things to where Madoka has to Contract in order to save the city, and then you blindside me with this beautiful artwork of Kyoko and Sayaka?! God damn it, just take my heart and stomp on it, why don’t you? And this end-credits song… Da fuq? Final artwork piece of Kyoko looking a lot older and much more cat-like. Ok? Alright, let’s hear this teaser for the next episode: “No one believe me about the future.” Oh my god. Oh my god oh my god oh my god. We finally get to see Homura’s story? Her previous life? “No one can accept the truth about the future. I won’t rely on anyone anymore.” ...oof, this next episodes going to be a gut-punch, isn’t it? I mean, I’ve come to accept that these episodes are murder on my emotional state, but seeing Homura try to distance herself from these people, to keep from despair? This is going to be brutal. 

[translationandbetrayals]

THE GACHA GAMES

At this point in time, you have probably already heard about gacha (if not, God bless thee, may he protect thine white soul from corruption!) well, being serious, gacha is a capsule-toy vending machine quite popular in japan, and gacha games are those games that have adapted this system into the game itself examples may be: Fate/Grand order, AzurLane, Girl’s Frontline, BanG Dream!, among MANY others.

These games are usually free to play but have an option to use real currency in order to obtain something (you may argue PAY TO WIN but that comes later) In these games, there are usually numerous characters, cards, or other random items that players can obtain, and and sometimes they are only obtainable via the "gacha" mechanism, which will allow players to "pull" or "spin" the gacha (here is where the slot machine or roulette wheel mechanics come into play) using a specific amount of in-game currency, which will then give player a randomized character, card, or other item. Sometimes, these gacha are limited, such that specific prizes can only be obtained within a specific event time-frame (Rate-Up is a lie BTW). Because some of the rewards have a lower chance to appear, typically players must spin the gacha many (manyx10) times before they get their desired outcome if they ever do (*cries in salt*).

Their Fool-proof/Numbah wan strategy is: to use a very liked character of the game/franchise and make A LOT of variations of this same character *laughs in saberface*

Many people (and whit these people is where the true problem lies in my opinion) say that you are FORCED to use real life currency in order to obtain anything and that these kinds of practice should be banned (LOL). They compare it to GAMBLING and that the CHILDREN SHOULD NOT BE SUBMITED TO THESE SHADY PRACTICES and so on and so forth, *sigh* to start on something, these games are aimed at an audience that has monetary income, credit cards, in other words NOT CHILDREN (if you give your children a C. card in order to maintain him entertained, you have failed as a parent and as a human being) hell, even the themes of the source material are normally aimed at a mature audience…(don’t trust the SRB and other rating institutions, they rate it in an isolated environment and usually discard context)… if you say that the Fate series, Puella Magi Madoka Magica, and such are for children….. ill beat you up.

To begin whit, most of these games have a farmable currency FFS… FGO has the quartz shards (the most annoying to farm out of all 7 Q SHARDS = 1 saint quarts and 3 of these are needed to roll) Azur lane has cubes, You get around 4 per day, and you need one (up to three) in order to pull. And so,on and so forth the few games that really have a nearly unfarmable currency are the “idol games” but those are on a whole another level. (like… the amount of publicity, fame, copyright and such is just way to different, look at The IdolM@ster games, the numbers are mind-blowing ).Sadly, this has put them in the same (dastardly) category as the “lootbox” games (overwatch, fortnite, etc.) which in my opinion are NOT gacha.

  Ok, to end this random-ass rant and to try to explain myself here, I am not saying that Gacha games (and their creators) are saints, hell, I’m a victim of the eternal salt too, but I’m not whining (too much) the point is simply to state my opinion in this matter, and the reason for this? I was going to do a post about a different thing, but two days ago I heard a walking piece of trash (AKA absolute Normie) that was not only dissing my favorite games AND franchise but also said the cursed words of Anime is for children (he was talking about fate and puella magi to top it off…) 

so yeah, if you have read up to this point.

  CONGRATS! AND TANKS FOR READING!

BONUS: an image you can hear

Alexis Romero

[mx-bright-sky]

Masterlist for all my bnha AUs

you can ask me about any of these, at any time. I love to talk about my ideas. asking about them will never ever both me.

Warning: the descriptions on the aus are accurate, but not at all written seriously, and i got more bored and wacky as the list went on, enjoy

Ones that have been published on AO3 so far:

Green Lightning: vigilante!izuku au, featuring gadgets, a smug ferret, loopholes, and Shinsou and Hatsume as main characters + two OCs

My Neighbor Midoriya: best friends au with Shinsou and Izuku, featuring lots of fluff, Tsuyu in the Izusquad, actual Bakugou character development, and the complete disregard of just about everything that happens in canon

A Shadow In An Empty Room: ghost quirk!izuku au, featuring NANA SHIMURA, ghostly puns, and lots of various ghosts which may or may not eventually include Touya Todoroki

Crossover AUs/ AUs where the characters are just in the setting of another story:

Hero Emblem: Awakening: Fire Emblem: Awakening au, featuring prince Shouto who adopts random hobos he finds on the ground, izuku who is the random hobo on the ground and also has amnesia, incredibly fed up royal guard Iida, awesome big bro Natsuo, and Shigaraki who hates the good guys because Endeavor is a dick, which is Understandable Have A Nice Day(TM)

Hero Emblem: Fates: Fire Emblem: Fates au, featuring izuku with more low key amnesia, family feud medieval edition, More Shinsou Love, and other worldly shananigans. Also no one dies because I Said So. (also, like in the game, after the chapter where the crossroads comes the audience will get to choose which path to take, and i might end up writing all three paths which would be exhausting but Worth It(TM) )

Hero Emblem: Echoes, Shadows of Valentia: FE: SOV au, featuring an author who Definitely Does Not Have An Obsession with fire emblem, they swear, secret prince Shouto, rowdy boy Izuku, general good friendship, and Darth Vader twists that I saw coming from a mile away in the original game

Rune Hero: Rune Factory 4 au, featuring more amnesia izuku because that’s just how the games i like happen to start, weirdly, Dragon Dad Might, incredibly badass moma Inko, and as much or as little fluff as anyone wants

Puella Magi Izuku Magica: Madoka Magica au, featuring pain, suffering, and ooowwwchhh feelings, but also in the end (because of time shenanigans) everyone lives i promise

Delta Rune au that I don’t have a name for, featuring Shouto eats moss, Shinsou eats chalk, Izuku has the power of fluffy boys, and I Don’t Know Who Lancer Is Yet, But It’s Either Eri Or Prototype Bakugou, Help Me Choose, People

Magnus Chase au that I don’t have a name for either, featuring Norse Mytholigy shenanigans, literally a ray of sunshine Izuku, magic elf Shouto, I Forgot Who Blitzen Is And I’ll Edit It In Later, Fuck, Valkyrie Jirou, chaotic good kids of class 1-A that fuck shit up as a Family, shapeshifter Shinsou, and some good wholesome momojirou

Fossil Fighters Champions au and i’m starting to realize i’m not good at naming things yet, featuring It’s A Pokemon AU But With Dinosaurs, where are all my fossil fighters kids at, Literally A Skeleton Man Toshinori, and low key causing the end of the world by accident

Mekakucity Heroes: Kagepro au (finally something else that actually has a name), featuring One Big Damn Family, whoops I think Kirishima is dead, Bakugou is more depressed and less of a bitch, Izuku is actually 150 years old but is basically 15 in body and spirit so details details, Actually, Technically Everyone Is Dead, But Not, everyone has crazy powers but not the same powers that their quirks are, and Kagepro is fucking weird and also niche so probably a very small fan base here

Sword Hero Online: sao au but it’s 1000% better than sao in every way and makes sense, featuring Everyone Is A Gamer, Bakugou being that douche who cusses people out online in chat, Izuku playing DPS, Kiri playing Tank, Uraraka playing Support, and a story that actually has an end and doesn’t drag out forever

AUs set in the BNHA universe:

Shinsou with One For All AU, featuring bffs Izuku and Shinsou, again, because that’s just my brand at this point, Izuku having a quirk and it’s basically that he’s a dnd character (luck and dice rolls), not much else because I came up with this idea like yesterday and haven’t had a lot of time to plan rip

A Bit Of Irony: Hisashi Midoriya is a villain au, featuring slightly pyrophobic Izuku, bonding over garbage fire dads, and a lot of other things that I don’t want to give away just yet but it’s good trust me I promise

Mirrored Fate: Okay, it’s an au of the above where Izuku has both his parent’s quirks, featuring not really a villain and doesn’t actually want to hurt people but is kinda stuck here Izuku, Shouto befriending the technically not a villain, villains not every getting the hint that Izuku will never stop helping the heroes with shit, and Izuku eventually getting saved I promise

again, because I cannot stop, it’s another au that sort of follows the one above but in this one it’s Villain!Endeavor and Number 2 Hero!Hisashi Midoriya, featuring absolutely horrible garbage fire dads, the number two hero spot must be cursed to make you a douche unless if you’re Hawks, a villain second only to All For One who just wants to beat the shit out of All Might, and like izuku in the au above, shouto helping the heroes at literally any opportunity because the villains can’t catch the hint that these kids are just good kiddos

Shouto and Izuku swap AU, featuring Shouto Midoriya as achey brakey bone hurt juice boy, Izuku Todoroki as oh god stop the feels no, Shouto taking absolutely none of Bakugou’s shit except he can’t actually physically do anything to stop it, making friends and being nice out of spite, and Shouto using support gear which may or may not include a taser which solves a lot of problems to be honest

MY Hero Academia: it’s bnha but I do literally whatever the fuck I want to it when it comes to fixing things, featuring a sentient narrator who is too sassy, Izuku staying quirkless, Bakugou being less of a douche and then getting actual character development, no Mineta, well designed costumes, and much much more

Is It A Crime To Have A Good Time: Fun little one shot where the villains just spend the day at an amusement park. Not doing malicious things, mind you, but just general petty things, such as popping kids’ balloons, cutting in line, playing bumper cart in the go karts that explicitly say ‘do not use like bumper karts’, etc. 

Secret Identities: au where it’s only 8% of the population that has quirks and so they’re more like vigilante heroes that you see in comic books, featuring identity hiding shenanigans, accidentally falling in love with both a person’s secret identity and real person, oblivious lesbians (written by a hella oblivious lesbian), and hiding quirks badly

AU where kouta replaces bakugou and bakugou replaces kouta, featuring an actually decent childhood friendship, Kouta being incredibly done with his reckless bff who just got the ultimate quirk of breaking his bones, and becoming a hero to stop your best friend from getting himself killed smh

it’s bnha but I randomized who ends up in Class A and who ends up in Class B, featuring lots of Class B kids, and honestly, isn’t that enough to make you want it?

The Purrfect Hero: CAT QUIRK AU!! featuring cat boy Izuku, lots of obscure cat facts, absolutely always fucking tired and has sleepy bitch disease Izuku, sometimes knocks things off tables on accident, sometimes knocks things off tables on purpose, feels like he doesn’t get taken seriously, and immediately bonds with Shouto over mmm left side warm and bonds with Shinsou over ‘OH MY GOD YOU’RE A CAT’

Underground Avengers: okay, you know how in like episode two when All Might is explaining his injury he says he got it in a fight five years ago, and we as the audience now know that it was against AFO??? Okay, in this AU, the result of that fight was reversed and AFO won and All Might is in hiding and unable to use his quirk anymore, featuring dystopian au vibes, Aizawa Is Always A Mom, secretly used to be a pro hero Inko, and actually on the side of the good guys for once Stain even those he’s a bastard and I hate him in canon

there’s probably more that I’m forgetting, but I’ll edit it and add what I’m missing later