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inthedayswhenlandswerefew · 2 months ago

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In The Gloomy Depths [Chapter 1: Amethyst]

Series summary: Five years ago, jewel mining tycoon Daemon Targaryen made a promise in order to win your hand in marriage. Now he has broken it and forced you into a voyage across the Atlantic, betraying you in increasingly horrifying ways and using your son as leverage to ensure your cooperation. You have no friends and no allies, except a destitute viola player you can't seem to get away from...

Series warnings: Language, sexual content (18+ readers only), parenthood, dolphins, death and peril, violence (including domestic violence), drinking, smoking, freezing temperatures, murder, if you don't like Titanic you won't like this fic!!! 😉

Word count: 5.2k

💜 All my writing can be found HERE! 💜

Tagging: @arcielee @nightvyre @camsdaae @mrs-starkgaryen @gemini-mama

Let me know if you’d like to be added to the taglist 🥰

A note goes sharp, and you swim up through colorless currents—indistinct conversation, an iron-grey draft each time the front door opens, cigar smoke like fog over the ocean—and turn to the viola player. His eyes have caught on the place where your left hand rests on the table by a glass of pear cider, still cold from the icebox, misty with condensation. Rain pours outside. Logs fracture and hiss in the fireplace. Your gown is thick velvet, indigo like the night sky, and the ruffles of your sleeve have slipped back to reveal the evidence roped around your wrist: shadows of trapped blood, rubies that sicken and turn to sapphires and amethysts.

You hurriedly adjust your sleeve. Now the viola player’s eyes are on yours, an overcast blue and improperly direct, and something flies between you: his shock, your shame. You look away and pretend to ignore him. His horsehair bow finds its rhythm again, a tempo like a racing pulse. The quartet is playing The Wild Rover.

Daemon hasn’t noticed. He has ensnared the reporter entirely, here in O’Connell’s Bar in the heart of Galway, just across the street from Eyre Square and only a few blocks west of the Docks and the North Atlantic Ocean. The young man writes for The Irish Times and has traveled from Dublin to interview your husband, once a celebrated newcomer but soon departing and taking you with him. Five years ago a storm blew him in; now the gleam of distant treasure catches his eye and beckons him like the moon calls the tides. He has been this way all his life. You were mad to believe he’d change.

“Lord Targaryen,” the reporter says with his felt-tip pen hovering over his notebook, gazing at Daemon worshipfully, firelight dancing on both of their faces. You glance at the viola player again. He’s still watching you, and this is bad. “You’ve been described as a cowboy by numerous publications and business associates. Do you consider that a compliment?”

Daemon chuckles, smirking and imperious. He puffs on his pipe, elbows propped on the table. His eyes are a deep-set reptilian green, emeralds glinting from the mouth of a mine. Strands of dark blonde hair fall roguishly down over his forehead. “Oh, it’s a massive compliment, isn’t it? A cowboy eschews the safe and the predictable. A cowboy makes his own way in the world. My father was a duke, and now my brother is a duke, and one day my nephew will be a duke, God help us all. And so I always knew that if I wanted anything for myself, I’d have to go out and find it.”

The reporter is smiling, enraptured. He asks, already knowing the answer: “And what was it you found?”

“In the Wah Wah Mountains of Utah, we discovered red beryl.” Daemon talks with his hands, magnetic fields, incantations, spells that once worked on you. “It’s exceptionally rare and a gorgeous stone, high color saturation, not as hard as a diamond but durable enough for jewelry, essentially a blood-colored emerald. I was twenty-five years old and had just put together my first small mining expedition, and here we were sitting on the only known supply of red beryl on the planet. And it was then that I realized that there are these sorts of…natural monopolies that exist scattered across the globe, gemstones that can be found in only one location, and thus if you are the man who owns the mine…every single stone must pass through your hands before it ends up in retail establishments in London or Paris or Milan or wherever.”

“And so you took the lesson you learned from red beryl and applied it to other minerals,” the reporter says as he scribbles in his notebook.

Daemon grins, puffing on his pipe, exhaling smoke like a dragon. And how remarkable he is to have agreed to meet here in this pub like a common man, so unpretentious, so unafraid of the world’s dirt, effortless and yet untouchable, and this is why his miners love Daemon, why they will break their spines and poison their lungs for him. “We kept the Utah mine, of course, and bought up rights to thousands of acres of land surrounding it. I hired more workers. And then I investigated reports of mysterious, unnamed, brand new stones that had been stumbled upon in far-flung places, untamed by civilized men, the earth just waiting to be slit open and butchered like a fat hog. In Madagascar, we found Grandidierite, a bewitching blue-green, the Indian Ocean in miniature, crystalized form. In Tanzania, we discovered Tanzanite, halfway between an amethyst and a sapphire.”

The reporter nods to you as he says: “I believe Lady Targaryen is wearing some this evening, is she not?”

“Indeed,” Daemon replies without much interest. You touch your fingertips to your teardrop-shaped earrings and give the reporter a polite smile. You steal a glimpse of the viola player; he isn’t staring at you anymore—a blessing, a relief—but he frowns distractedly as his bow glides over the strings. “In Australia there was black opal, and in the Dominican Republic we were the first mining operation to encounter Larimar, and then…well, then I heard of Connemara marble.”

“Native to Ireland,” the reporter says proudly. “The lone quarry that’s still producing is right here in Galway.”

“So of course that intrigued me.” Daemon taps on the tabletop with his right hand, and now he is watching you, curling lips, taunting eyes. “And when I crossed the Atlantic to acquaint myself with this quarry and inquire into purchasing it, I was intrigued by the quarry owner’s daughter as well.”

His pen scratching against parchment; black rivers of ink filling up the page. “How would you describe the courtship?”

“Brief,” Daemon says, then laughs. He points to you with his smoldering pipe. “How about you, dear? How would you describe it?”

“Flattering,” you answer honestly, and the reporter makes his notes. “Daemon already had a reputation by then. A captain of industry, a staggering success story, a man who refused to rest idly on his family’s titles, which he could have easily done.” And a man who also refused to marry, rejecting Rockefellers and Morgans and Astors, duchesses and countesses, but asked your father for your hand in marriage after only a few weeks of tours of the quarry and dinners set alight with charismatic retellings of his travels. You knew the Connemara marble was part of the allure, but you took this as a common interest rather than the only thing Daemon wanted from you. Well…one of two things.

“You’ve resided in Galway ever since,” the reporter is saying to Daemon. “Barring a few trips for business. But that is about to change.”

Daemon sucks on his pipe. “I’ve received a very generous offer from Tiffany & Co. in Manhattan. They’ve been around for almost a century, did you know they supplied the Union Army with swords and surgical tools during the Civil War? Real patriots. Not afraid to get bloody. They want to expand into the sale of colored gemstones, not just diamonds and pearls and gold, the same unimaginative pieces peddled by their competitors. And after some long and arduous negotiations, Tiffany has agreed to pay a fair price for the exclusive rights to specimens originating from my mines, and I have agreed relocate to New York City for the foreseeable future to consult with them as a gemstone expert.”

“It’s my understanding that you have family in New York too, Lord Targaryen. Perhaps a reunion is part of the appeal of a move across the pond.”

“Oh, I wouldn’t assume that,” Daemon says impishly. “I haven’t seen Alicent Hightower or her children in years and years. I wouldn’t even know them if I passed them on the street.”

“Is that right?” The reporter’s pen hovers uncertainly over his notebook; he doesn’t think this is the sort of familial disharmony that should be printed in a newspaper.

“But my wife and I will have some company for the voyage,” Daemon continues. “My niece Rhaenyra and her charming husband Laenor will be joining us on Titanic. They’ve been on holiday in the Mediterranean and have several social engagements on the East Coast before they return to summer in England with my brother.”

“Viserys Targaryen, the 9th Duke of Beaufort.”

Daemon grins, not kindly at all. “One man earns a title, eight others wear it.”

The reporter shifts awkwardly in his chair. It’s not the sort of joke he’s allowed to laugh at. Changing the topic, he looks to the string quartet, which is now playing Danny Boy. The viola player’s eyes flick to you; you drink you pear cider and pretend you are unaware. “You’ll be sorely missed in Galway. But what a proper Irish sendoff you’re receiving here at O’Connell’s tonight!”

“Yes,” Daemon muses, the bit of the pipe in his mouth. “A week from now, tugboats will be hauling us out of Cork Harbor and into the Atlantic Ocean, perhaps never to return.”

You shudder as a man enters the pub and a cold draft blows through you. You are terrified of ships, tiny metal buckets at the mercy of bottomless blue, unnatural incursions into inhuman spaces. You have sailed twice before with your parents—once to Le Havre to visit Paris and again on a cruise of the Aegean—and both times you were consumed by visions of water rising up over your feet, bodies thrashing in the waves, bones turning to silt. You don’t want to cross the Atlantic. You don’t want to leave home.

“You look a bit familiar, boy,” Daemon says, and you realize he’s talking to the viola player. You startle, then are relieved to see that your husband has only a dim curiosity in the musician. The reporter has bored him, and Daemon’s eyes are wandering. He is a man of short and restless attention. You have learned this the hard way. “Have we met before?”

The viola player—early twenties, around your age, sandy blond hair and a beard trimmed close to the skin—pauses his fiddling as his three companions carry on. His accent is English, not Irish. “Well I’ve played all over Ireland, sir. All over Europe, in fact.”

“Were you by chance at the McPherson wedding back in February?”

You don’t believe he was, you think you’d remember him; but the viola player nods eagerly. “Yes sir, that was me.”

“Ah! That was a fine night. Excellent duck. Wasn’t the duck good, dear?” But Daemon only half-listens for your response. He has turned back to the reporter and is recounting how he and his expedition hacked through the jungles of Tanzania to reach the location of suspected gemstone deposits, how they endured attacks from crocodiles and chimpanzees and burned up from fevers.

“Please excuse me for a moment,” you say as you rise from the table. The reporter scrambles to his feet to stand as decorum demands.

“Yes yes,” Daemon replies abruptly, not looking at you, then continues his stories.

You escape from the pub through the front door and stand beneath the awning just out of the rain, watching the reflections of streetlights glow in puddles like stars. Across the street in Eyre Square, a public park established in 1710, shadows of ash trees rock in the wind. With trembling fingers, you fumble a Kerry Blue and your cigarette holder out of your black handbag, then realize you don’t have a lighter. Someone else always does that part for you. You sigh and stare out into the rain, taking deep breaths of Irish night, early April, cold and wet and green, the only air you know how to take painlessly into your lungs, blood, bones, the dark damp earth that built you. You cannot imagine living amongst metal skyscrapers and rumbling automobiles instead of verdant rolling hills dotted with sheep.

You hear the pub door open, and you assume it is one of the waiters or perhaps Rush—Edward Rushton, Daemon’s valet and bodyguard, ever-watchful and unwaveringly stern—bringing you the black mink coat you left inside. But to your horror, it is the viola player, carrying his instrument by its neck. You gape at him as rain continues to fall.

“Hi,” he says.

You are clutching your handbag, a cigarette and holder still tucked between your fingers. “What are you doing?”

“I just…I was…uh…” He spots the cigarette. “Oh, do you need a lighter? I have one, hold on…” He begins rooting around in the pockets of his olive green tweed jacket.

“No, I don’t need a lighter,” you snap, glancing anxiously at the door. “I need you to go back inside.”

“Wait a minute, I wanted to—”

“Why are you speaking to me?” Your eyes are wide and petrified, your voice is a sharp whisper. No musician has ever addressed you beyond pleasantries: Good morning, good afternoon, good evening, thank you ma’am, my pleasure ma’am. “What’s wrong with you?”

“Look, I came out here because…I just wanted to ask…” He struggles to find the words. His eyes fall to your left wrist, now fully obscured by the ruffles of your sleeve, then return to your face. “Are you okay?”

“What?”

“Do you…you know…do you need some kind of help or something?”

It’s improper, it’s unthinkable, it’s dangerous. “You’re deranged,” you say as you breeze past him towards the door. “You’ve clearly escaped from an asylum somewhere. I wish you all the best in your recovery.”

He does not grab you—that would be absurd—but he does get between you and the front door of the pub. “Wait, please, I’m sorry, I’m not trying to be rude or to overstep or anything, I’m trying to see if there’s anything I can do—”

“You will make it worse for me,” you hiss, and only then does the viola player go quiet and let you pass. You shove by him into O’Connell’s Bar.

Back at the table, Daemon and the reporter are engrossed in conversation. When you rejoin them, neither of the men take any notice of you beyond the reporter’s momentary rise to his feet. After a minute or two, the viola player returns to the quartet and slips seamlessly into the song they’re playing, Star of the County Down. You gaze into your pear cider, determined not to glance at him even once.

Daemon is saying as the reporter jots franticly: “I am reminded of something I read once in a French fashion critic’s guide from the 1870s. In the gloomy depths of the mineral world, stars are concealed that rival in their beauty those of the firmament. The fresh splendors of dawn, the sun’s incandescent rays, the magnificent sunsets, the brilliant colors of the rainbow, all are found enclosed in a morsel of pure carbon or in the center of a stone. Not everyone can see the potential, not everyone has the skill or the willpower to move the earth and free the treasures trapped beneath. But I found stars no one else knew existed. And my work isn’t finished yet.”

~~~~~~~~~~

At home in Lough Cutra Castle, your family’s estate since 1817, your parents are asleep and Fern is waiting up for you and Daemon, yawning into the back of her hand to try to hide it. She is your maid but she was hired by Daemon, and she scurries around the property like a mouse, eternally picking up toys and articles of clothing and papers that have slid off of tables, head bowed, footsteps so light you often don’t realize she’s walked into a room until she’s spoken.

“Care for some tea, my lady?” Fern asks as she takes your mink coat. Daemon goes directly to his study; you watch him leave with some feeling you couldn’t name, loss, relief, loneliness, resignation.

“No, thank you, Fern. I’m exhausted. Is Draco upstairs?”

“He is,” she says, but with hesitation, as if she is sending you into the lion’s den. You know what that means. You climb the staircase and find him in his bedroom sound asleep, four years old, surrounded by an army of teddy bears. Bears are his favorite animal; he likes the way they roar and brandish their teeth. He is named after the crest of Daemon’s family; Draco is the Latin word for dragon. His hair is white-blonde, a Targaryen trait. As they age it fades to an ordinary sand-like color, and by the time they are middle-aged—Daemon is forty, nearly two decades older than you are—their hair is a blonde so dark it’s almost brunette.

You stand in the doorway watching Draco for a long time. When you think of him, this is the image that comes to mind: your son across a room, or a lawn, or a garden, and you lurking on the periphery, longing to be a part of his existence, feeling so palpably unneeded. Already, he is becoming a stranger. He thinks it’s funny when Daemon insults people and breaks things. He stomps his little feet when he doesn’t get his way and rips flowers from the garden, tosses rocks through the windows of the greenhouse, hurls sticks at hissing geese.

“He’s asleep,” Dagmar says as if she’s scolding you. You whirl to see her behind you in the hall, glowering with those icy Nordic eyes, her hair grey and twisted into a tight bun, her face angular and cold-blooded. Legend has it that Saint Patrick expelled all the snakes from Ireland; you think he must have missed one.

“Yes, I can see that.”

“You’ll wake him.”

“I certainly won’t.”

“A boy that age needs his rest.” And this is how Dagmar has been since Draco was born: You can’t hold a baby like that, you can’t feed a baby like that, you can’t play with a baby like that, never showing you how to do things but only alienating you further and further until you looped around on some hopelessly remote orbit like Neptune circles the sun.

“Yes. Like I said, I won’t disturb him.”

But she does not leave; she only scowls at you with her bony arms crossed over her chest. She is ancient; she was Viserys and Daemon’s governess when they were boys, and your husband wrote to her immediately after Draco was born. She idolizes Daemon. The three of them are a family unto themselves, sardonic and spiteful and fiercely loyal, an oath you can’t figure out how to break. She wins this battle, as she’s won them all. It is not a war but an insurgency, a perpetual struggle for independence, sabotages and hunger strikes that amount to nothing. You retreat from Draco’s doorway and go to find Daemon in his study, bent low over his desk and sketching designs for jewelry men will buy for their wives, sisters, mothers, daughters, mistresses.

He glances over at you impatiently. “What is it?”

“You promised I’d never have to leave Ireland.”

Daemon shrugs, smiling wryly. “And yet…”

“Draco and I could stay here,” you say, as if this has not already occurred to him.

“And people would say my house is not in order. How am I to command the respect of American businessmen when my own wife does not obey me?”

You are desperate. “Half the year,” you plead. “I’ll spend winters in Manhattan and summers here.”

“Absolutely not.”

“What if I won’t go?”

“I don’t see how you’d accomplish that,” Daemon says, as if he’s already bored of this conversation. “You could throw yourself over the ship’s railing and into the Atlantic Ocean, I suppose. But that’s the only way you’re not ending up in New York.”

“You don’t even really want me there,” you reply, your voice quivering. “You don’t care where I am or what I do. Lots of men live separately from their wives, you can as well.” And even now—horribly, humiliatingly—you want him to contradict you, to swear that he does care, that he wants you, that he loves you in the sick brutal way he knows how.

Daemon picks up the dagger he keeps on his desk and uses it as a letter opener to unseal a piece of correspondence from one of his many mines, left in the care of managers just as your father’s Connemara marble quarry soon will be. The hilt is made of gold and has seven small gemstones imbedded in it, one on top of the other: amethyst, tiger’s eye, black opal, emerald, ruby, bloodstone, sapphire. “You know,” Daemon says offhandedly as he skims the letter. “Draco is getting old enough for boarding school.”

“What?” You are shellshocked; it takes a moment for you to sputter a reply. “He’s…he’s four, Daemon. He can’t read more than a handful of words. He just learned how to write his own name.”

“I was only five when my father sent me away.”

“And you turned out to be so normal.”

“No,” Daemon says, a blade-sharp warning, his eyes burning into yours, ruthless green fire. He aims the point of his dagger at you. “I turned out to be extraordinary.”

Draco. Draco sent away. If I lose him now, I’ll lose him forever. He’ll never know me. He’ll never love me. “Please let me have a few more years with him.”

“Sure. In New York.”

“I’ll go,” you surrender. “Fine, fine, I understand. I’ll go. No more complaints.”

“Good.” He sets down his dagger and the letter and resumes his sketching. You’ve been dismissed, but you can’t look away from him: cunning hands that won’t touch you, blood that runs hot enough to scald.

What is this feeling, this hunger, this hatred, all gnarled up together, dark earth glimmering with flecks of jewel-tone light, constellations of subterranean stars? He has hurt you, but he has given you pleasure too, this man who is so impossible to know, to predict, the only man who has ever been inside you. It’s not that you want him, not exactly; you want what he can give you, and the cold truth is that if it’s not him it’s not anyone, never again for as long as he lives. You’ve never craved another body, another soul. If you ever took a lover, you believe Daemon would kill you.

He grins, mocking and cruel. And you are transported back to your wedding night, still euphoric and flushed and panting on the bed as Daemon sighed and got up to go to the washroom, the satisfaction and the shame, the inescapable sense that you have disappointed him. “Did you only come here to be vexing and disobedient, or did you have something else in mind?”

“No,” you say softly, turning away, leaving him with his drawings of rocks stolen from distant corners of the world.

At breakfast the next morning—Fern cracking Draco’s soft-boiled egg and feeding him careful spoonfuls, Dagmar reading aloud to him from The Three Billy Goats Gruff, giving him smiles radiant with warmth you’ve never received from her—you sip tea and spread butter over your soda bread, gazing listlessly at the mist that hangs cool and heavy beyond the windows. Daemon is at the quarry already. You are suddenly acutely aware of the absence of music.

“Hey, lassie?” your father says as your mother tries to coax him into eating his full Irish breakfast: fried eggs, bacon, beans, mushrooms, tomatoes, white pudding.

You look to him, clearing the fog from your skull. “Yes, Daddy.”

“I saw the luggage. Where are you going?”

You keep telling him, but he doesn’t remember; he was becoming forgetful five years ago but now he can’t work at all, can barely even carry conversations. You had a brother who died in infancy and a sister who was taken at eight years old by convulsions. You are the only child left, and there are no other evident heirs to the quarry. This must have been something that occurred to Daemon when he met you, seventeen and overwhelmed by the black magic of him. He had seemed like the right choice: dashing, capable, from an illustrious family, a man who could take charge of the quarry as your father’s health continued to fail.

“Daddy, I told you. We’re going to Manhattan.”

He is stunned, grief-stricken. “What? That far?”

“Yes, on Titanic. It’s the largest ship ever built.”

“Who the hell cares about the ship?” your father says. “When will you be back?”

Never. You and your mother exchange a heartsick glance. She tries to be strong for him; she tries not to show you that her world is ending as you and Draco are taken across the ocean like gemstones mined and smuggled away for cutting. “Soon, Daddy,” you lie. He won’t remember anyway. “We’ll be back really soon.”

And then again ten minutes later, and then again after a half hour, and then again at lunchtime:

Where are you going?

When will you be back?

~~~~~~~~~~

Titanic is not a ship but a wonder of the world, unbreakable like the pyramids, towering like the Colossus of Rhodes, beckoning seafaring travelers like the Lighthouse of Alexandria. It is too large to dock in Cork Harbor, and so two tenders—named, quite appropriately, Ireland and America—are used to shuttle the passengers to the anchored goliath waiting to carry you across the ocean. Aboard, a five-piece string ensemble greets the first-class passengers with The Sunny South, and beaming stewards distribute flutes of champagne, liquid gold freckled with bubbles of trapped air. The men are chucking and shaking Captain Smith’s hand and the women are sighing with soft, feminine awe at the soaring funnels and the sprawling Promenade Deck, steel overlaid with yellow pine and teak, and you stare vacuously back at the shadow of the shore, speaking to no one, noticed by no one, alone in a wonderstruck crowd on a cloud-covered, warm afternoon, April 11th, 1912.

Rush is giving bellboys instructions for the luggage to be taken to your rooms. Daemon disappears with Rhaenyra to inspect the accommodations, their steps swift and careless, laughing like children, Rhaenyra’s blonde hair—yellow jasper, yellow jade—streaming out behind her, her gown a shallow-water bluish-green like the Grandidierite Daemon found in Madagascar. Fern skitters after them to unpack the bags when they arrive in the staterooms and offer to make tea. Laenor, wearing a deep and dignified shade of blue, immediately makes the acquaintance of several Parisian passengers and sets about to stroll the deck with them, smoking their pipes and remarking on the ingenuity of the ship’s design, planning to enjoy the Turkish Baths together this evening. Draco is getting tired and ill-tempered; Dagmar merrily whisks him off to see the Grand Staircase and distract him until the rooms are ready.

Meandering, rudderless, you walk to the deck railing and look down into the water as the ship weighs anchor, unmooring itself from Ireland, stealing you away forever. Trying to distract yourself from weeping—tears burn in your eyes like a stoked furnace—you pretend to adjust your earrings. You wear amethysts to match your gown, dark mauve, a color not long ago only owned by royalty. One of the musicians has appeared to soothe your maladies, desperate terror and melancholy he perhaps mistakes for seasickness. But no, it’s not one of the men from the ensemble that welcomed you aboard; he is not wearing a pristine black suit but a pale green tweed waistcoat and unceremonious plaid trousers. He isn’t a crewmember of Titanic at all. He’s the viola player from Galway.

You jolt away from him, spinning around to ensure no one from Daemon’s party has reappeared to witness this. Then you whisper furiously: “What are you doing here?!”

The viola player stops fiddling and holds his instrument by its neck. His answer is amiable and innocent. “Playing viola.”

“No, why are you on this ship?!”

He shrugs, smiling, his hair blowing in the wind as the tugboats pull Titanic out to sea. “Heard it was the biggest one ever built, unsinkable, extravagant beyond compare. Seemed like something I’d like to experience given the opportunity.”

“You followed me,” you say flatly.

He winks, resting an elbow on the railing. His teeth are small and white; there are lines from the sun around his eyes.

“You overheard our arrangements at O’Connell’s Bar and bought a ticket for yourself? Crossed Ireland, travelled south to Cork, all to stalk me like some lunatic? A nautical Jack the Ripper?”

“Well…I wouldn’t say I bought a ticket.” He is playful, teasing you. “I found one.”

“How did you manage to by pure happenstance find a ticket for Titanic’s maiden voyage?”

“I ran into an aspiring passenger at a pub in Cork,” the viola player explains. “A very nice man, his name was Fergal. Unfortunately for poor Fergal, when the time came to board the tenders, he was…indisposed, and I found myself in possession of his third-class ticket. A strange coincidence!”

“Indisposed?” you say, squinting suspiciously.

“Perhaps he had a few too many pints in celebration and passed out somewhere. Perhaps he got lost on his way to the harbor. Or perhaps he was locked in the pub’s storage room and therefore unable to make it to the tenders in time to sail blissfully away on his trans-Atlantic journey. Who could say for sure?”

“So you stole a ticket.”

“I think that’s a cynical way to put it.”

You are incredulous. “How would you put it?”

“Fortune brought me a ticket. The stars aligned, the saints were looking out for me.”

“If you hold a third-class ticket, you are on the wrong deck of the ship.”

“Shh!” He holds a finger to his lips. “No one knows that, I just wander around playing songs for the rich people and they assume I’m supposed to be here.”

“You have to stay away from me,” you plead, staring out over the ocean. “Daemon can’t see us talking, he can’t know you followed me from Galway, he can’t find out that you saw…” The bruise, the evidence, the betrayal of you not keeping his secrets.

“Relax, I’m not here for you,” the viola player says, and of course he is lying. “I have family in New York City. I left home and haven’t been back in years, and I think now’s a good time for a visit.”

You roll your eyes. “Yeah. Okay.”

He grins, slow and mischievous, and you are alarmed to realize some part of you wants to smile too. “You know what?”

“What,” you offer resentfully.

“I think you want me to be here for you.”

You turn away from the railing to make your escape. “I want you to leave me alone.”

“I’ll think about it,” the viola player quips. And when you glance back at him from the end of the Promenade Deck, ocean wind tearing your hair out of its pins and salt stinging on your skin, he’s still watching you.

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fatehbaz · 1 month ago

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About the entanglement of "science" and Empire. About geographic imaginaries. About how Empire appeals to and encourages children to participate in these scripts.

Was checking out this recent thing, from scavengedluxury's beloved series of posts looking at the archive of the Budapest Municipal Photography Company.

The caption reads: "Toys and board games, 1940."

And I think the text on the game-box in the back says something like "the whole world is yours", maybe?

(The use of appeals to science/progress in imperial narratives probably already well-known to many, especially for those familiar with Victorian era, Edwardian era, Gilded Age, early twentieth century, etc., in US and Europe.)

And was struck, because I had also recently gone looking through nemfrog's posts about the often-strange imagery of children's material in late nineteenth- and early twentieth-century US/Europe. And was disturbed/intrigued by this thing:

Caption here reads: "Game Board. Walter Mittelholzer's flight over Africa. [...] 1931. Commemorative game board map of Africa for a promotional game published for the N*stle Company, for tracking the trip of Walter Mittelholzer across Africa, the first pilot to fly a north-south route."

Hmm.

"Africa is for your consumption and pleasure! A special game celebrating German achievement, brought to you by the N*stle Company!"

1930s-era German national aspirations in Africa. A company which, in the preceding decade, had shifted focus to expand its cacao production (which would be dependent on tropical plantations). Adventure, excitement, knowledge, science, engineering prowess, etc. For kids!

Another, from a couple decades earlier, this time British.

Caption reads: "The "World's globe circler." A game board based on Nellie Bly's travels. 1890." At center, a trumpet, and a proclamation: "ALL RECORDS BROKEN".

Same year that the United States "closed the frontier" and conquered "the Wild West" (the massacre at Wounded Knee happened in December 1890). A couple years later, the US annexed Hawai'i; by decade's end, the US military was in both Cuba and the Philippines. The Scramble for Africa was taking place. At the time, Britain especially already had a culture of "travel writing" or "travel fiction" or whatever we want to call it, wherein domestic residents of the metropole back home could read about travel, tourism, expeditions, adventures, etc. on the peripheries of the Empire. Concurrent with the advent of popular novels, magazines, mass-market print media, etc. Intrepid explorers rescuing Indigenous peoples from their own backwardness. Many tales of exotic allure set in South Asia. Heroic white hunters taking down scary tigers. Elegant Englishwomen sipping tea in the shade of an umbrella, giggling at the elephants, the local customs, the strange sights. Orientalism, tropicality, othering.

I'd lately been looking at a lot of work on race/racism and imperative-of-empire in British scientific and pop-sci literature, especially involving South and Southeast Asia. (From scholars like Varun Sharma, Rohan Deb Roy, Ezra Rashkow, Jonathan Saha, Pratik Chakrabarti.) But I'd also lately been looking at Mashid Mayar's work, which I think closely suits this kinda thing with the board games. Some of her publications:

"From Tools to Toys: American Dissected Maps and Geographic Knowledge at the Turn of the Twentieth Century". In: Knowledge Landscapes North America, edited by Kloeckner et al., 2016.

"What on Earth! Slated Globes, School Geography and Imperial Pedagogy". European Journal of American Studies 16, number 3, Summer 2020.

Citizens and Rulers of the World: The American Child and the Cartographic Pedagogies of Empire, 2022.

Discussing her book, Mayar was interviewed by LA Review of Books in 2022. She says:

[Quote.] Growing up at the turn of the 20th century, for many American children, also meant learning to view the world through the lens of "home geography." [...] [T]hey inevitably responded to the transnational whims of an empire that had stretched its dominion across the globe [recent forays into Panama, Cuba, Hawai'i, the Philippines] [...]. [W]hite, well-to-do, literate American children [...] learned how to identify and imagine “homes” on the map of the world. [...] [T]he cognitive maps children developed, to which we have access through the scant archival records they left behind (i.e., geographical puzzles they designed and printed in juvenile periodicals) [...] mixed nativism and the logic of colonization with playful, appropriative scalar confusion, and an intimate, often unquestioned sense of belonging to the global expanse of an empire [...]. Dissected maps - that is, maps mounted on cardboard or wood and then cut into smaller pieces that children were to put back together - are a generative example of the ways imperial pedagogy [...] found its place outside formal education, in children's lives outside the classroom. [...] [W]ell before having been adopted as playthings in the United States, dissected maps had been designed to entertain and teach the children of King George III about the global spatial affairs of the British Empire. […] [J]uvenile periodicals of the time printed child-made geographical puzzles [...]. [I]t was their assumption that "(un)charted," non-American spaces (both inside and outside the national borders) sought legibility as potential homes, [...] and that, if they did not do so, they were bound to recede into ruin/"savagery," meaning that it would become the colonizers' responsibility/burden to "restore" them [...]. [E]mpires learn from and owe to childhood in their attempts at survival and growth over generations [...]. [These] "multigenerational power constellations" [...] survived, by making accessible pedagogical scripts that children of the white and wealthy could learn from and appropriate as times changed [...]. [End quote.] Source: Words of Mashid Mayar, as transcribed in an interviewed conducted and published by M. Buna. "Children's Maps of the American Empire: A Conversation with Mashid Mayar". LA Review of Books. 11 July 2022.

Some other stuff I was recently looking at, specifically about European (especially German) geographic imaginaries of globe-as-playground:

The Play World: Toys, Texts, and the Transatlantic German Childhood (Patricia Anne Simpson, 2020) /// "19th-Century Board Game Offers a Tour of the German Colonies" (Sarah Zabrodski, 2016) /// Advertising Empire: Race and Visual Culture in Imperial Germany (David Ciarlo, 2011) /// Learning Empire: Globalization and the German Quest for World Status, 1875-1919 (Erik Grimmer-Solem, 2019) /// “Ruling Africa: Science as Sovereignty in the German Colonial Empire and Its Aftermath” (Andrew Zimmerman. In: German Colonialism in a Global Age, 2014) /// "Exotic Education: Writing Empire for German Boys and Girls, 1884-1914". (Jeffrey Bowersox. In: German Colonialism and National Identity, 2017) /// Raising Germans in the Age of Empire: Youth and Colonial Culture, 1871-1914 (Jeff Bowersox, 2013) /// "[Translation:] (Educating Modernism: A Trade-Specific Portrait of the German Toy Industry in the Developing Mass-Market Society)" (Heike Hoffmann, PhD dissertation, Tubingen, 2000) /// Home and Harem: Nature, Gender, Empire, and the Cultures of Travel (Inderpal Grewal, 1996) /// "'Le rix d'Indochine' at the French Table: Representation of Food, Race and the Vietnamese in a Colonial-Era Board Game" (Elizabeth Collins, 2021) /// "The Beast in a Box: Playing with Empire in Early Nineteenth-Century Britain" (Romita Ray, 2006) /// Playing Oppression: The Legacy of Conquest and Empire in Colonialist Board Games (Mary Flanagan and Mikael Jakobsson, 2023)

#mashid mayar book is useful also the Playing Oppression book is open access online if you want #in her article on slated globes mayar also mentions how european maps by 1890s provoked a sort of replete homogenous filling in of globe #where european metropole thought of itself as having sufficiently mapped the planet by now knit into neat web of interimperial trade #and so european apparent knowledge of globe provided apparently enlightened position of educating or subjugating the masses #whereas US at time was more interested in remapping at their discretion #a thing which relates to what we were talking about in posts earlier today where elizabeth deloughrey describes twentieth century US #and its aerial photographic and satellite perspectives especially of Oceania and Pacific as if it now understood the totality of the planet #ecologies #tidalectics #geographic imaginaries #mashid mayar

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the-kr8tor · 4 months ago

Text

Rotten Floorboards

Pairing: Cowboy! Hobie Brown x Fem! Reader

Word count: 11.5k

Tags: No use of Y/N, no specific physical description of the reader, Cowboy AU, Wild west AU, CW hallucinations, TW poisoned without your knowledge, CW violence, religious talk, CW guns, TW abuse mention, CW food mention, CW panic attack, CW injury, TW death, TW blood and gore.

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CHAPTER 7 >>> CHAPTER 8

Skinned knees, scarred hands, and venomous words, you've endured it all back home. Survived it all— his tight, firm grip on your hand that only loosened around guests, finger always running along the gold band on your finger, a reminder of your hatred, a different reminder for him. Then your aunt's yelling in your ears until you could only hear her thunderous words at night even when you're alone. Her pen that does more than sign documents, the sharp end pointed directly on your palm, stabbing and cutting along your life line as if it could end your life right then and there— sometimes you wish it could. Then him, your uncle who had his hand in cutting your ties with the man you love, whose echoing footsteps walk outside your door at night, never giving you reprieve from the pain of being awake in that mausoleum of a home. All that pain, all that abuse you've suffered from your so-called kin doesn't compare to seeing Hobie's limp body under the monstrous weight of steel and ash.

Your heart has stayed inside your stomach since then, his green eyes closed, breathing shallow than the well that your uncle threatened to push you inside— you won't drown in it, you'll just crack your neck and your spine while you lay in tepid dirty water. You feel like that now, hopeless, blank eyes staring at the sky, seeing the world pass by from inside the well.

You've never left his side, feeling as if you'd regret it if you did even for a moment. You've regretted a lot of things, letting your parents go on that doomed expedition, and letting your aunt dictate the rest of your life. Never again. So you don't leave, you don't drink, you don't eat while the stranger who helped carry Hobie into the shabby inn treats him.

Your own wounds ache, festering under the heat of the southern sun. The humidity is clinging to your skin, making it all worse, making the pathetic bandage around your ear throb from the pain, tethering from infection. The walls of the small room they've put you in is suffocating, walls that feel like it's closing you in, dark hardwood that sweats from the sheer heat, and floorboards that creak and squeak from your footsteps. But you'd rather stay upstairs than what's below you. It smells there, especially when the day runs hotter than the surface of a boiling pot. It's probably because the whole building is old and moldy. Or there's something dead hiding underneath the rotten bloated wood.

The alligators outside your window hiss and groan, birds you've never seen before get eaten the moment they step foot inside the marsh. It's not fair, you think, for they only wanted to eat yet they ended up getting eaten themselves.

The night gives your nerves a break, the cooler air breezing through your injuries, taking the pain away for only a moment. Fireflies gather outside the willow tree that you've been staring at since you've arrived. Hobie sleeps under it all, from all the noise and the heat. You've held his hand the entire time, even with the bandages around your palms you could still feel him, feel his pulse, feel how he still breathes. Your eyes are dry and red, tears gone from how much you've cried on his bedside, and pleaded to the man to save him whatever it takes. The rickety armchair that has one leg missing has been your home, the room is your land, and Hobie has been your reason to stay.

You held his hand in yours, watching as his eyelids moved about, a sign that he still lives and thinks despite the trauma to the head he endured when the train crashed. The bandage around his head has turned red from his wound. He protected you, did everything to shield you from death. You'd cry if you still had any tears left to give.

Dawn has arrived, and you hear a knock at the door. It's quiet, almost silent as if the sound would disturb Hobie's slumber.

“Come in,” your voice is still hoarse from the noose that wrapped around your neck. It's small, barely there, barely having the resemblance of your former self.

With a creak, the door opens, and a familiar face pops out. “Just checkin’ on ya.” His southern drawl is thick, shaven face illuminated by the lamp he holds. “I need to change his bandages. And yours if you'd permit me.” Entering the room, he shakes his leather bound bag with the initials ‘T.M.’ embossed on it. The metal and glass inside clinks against each other.

You watch him carry himself with confidence, but with apprehension from his gait. “Do him first.” Moving the chair aside, you still don't fully leave Hobie.

“Alright,” his friendly eyes look at you with uncertainty. Kneeling down next to the bed, he examines Hobie's head, gently unspooling the cloth. That's the only time you look away, refusing to see him that way or it might wiggle its way into your dreams. “I’ve realized that I haven't asked for your name, miss.” You hear his bag unzipping while you stare at the outside world blanketed in deep blue. “Not your fault though, Holden brought you in haste.”

“Holden?” You ask, eyes scanning along the marsh.

“That's the big brooding man that carried him in. My name's Thomas, by the way, what's yours?” The smell of putrid ointment hits your nose, you refuse to cover the smell.

You give him a fake name, a name that isn't known to many, a name that isn't plastered in every bounty board across the country. “It's Clementine.”

“What a pretty name, I'd shake your hand but 'm occupied right now.” He chuckles, and you hold your breath while he continues to treat Hobie. After minutes of silence, you hear the rustle of fabric as he closes the bandages around his head.

You turn to look, the sight of Hobie just laying there is sobering. You've always known him as a strong person, always burying his heels in, independent in all the ways, and speaking his mind when he needs to be. The opposite of you, but right now, you have to be the one that's strong enough for him, to fight, care, and protect him if need be while he recovers. You don't know if you can do it, but it comes easily to you because it's Hobie, you've already done so a lifetime ago. You inhale deeply, finally meeting Thomas’ brown eyes.

“Thank you, for helping, you don't know us but you still helped. I promise I'm going to pay you back for the room and…” you look at the room that still bares Hobie's blood all over the floor, and his things thrown in the corner. “And everything else.”

“No, need.” Thomas smiles, eyes crinkling at the corners. Crow's feet evident in his smile. “Just seein’ him get better slowly is enough for me.” You give him a weak but genuine smile. “Your turn, miss?”

“I'm fine.”

“I've been a doctor for twenty years, and you're clearly not fine. Especially that ear of yours. I've seen better ears from pigs in line for the slaughter.”

You glance at Hobie's sleeping face, finally relenting. “Okay.”

“I'll try to be quick, I promise.” You scooch your chair closer, immediately holding Hobie's hand like his skin is magnetized. “I don't want to ask but, this injury doesn't look like it came from the train derailing.” He starts to peel off the shoddy bandage that you hastily put on, your skin feels like on fire. You don't mind it anymore, you've felt worse.

You sniff, eyes glued onto the gold ring dangling from Hobie's neck. “A piece of metal from the train nicked it.”

“And your hands?” He nods at your burned palms hidden under cloth.

“Heat from the metal when I tossed it off him.” A half lie.

“Ah,” Thomas cleans your wound with the same putrid ointment. He tugs at your raw skin, you bite your tongue on instinct. “Maybe I shouldn't ask about your neck then.” The angry mark left by the lasso still stays, you know it'll stay there forever. If not, then in your mind.

You look back at the stranger, eyes pointed and daring. “Don't ask.”

There's new cloth around your ear, muffling the sounds made by the house. “Then I won't.” He seizes his movements, eyeing your hand around Hobie's. “May I treat your hands?”

“It's fine, mister Thomas.”

“It's doctor, actually,” there's amusement in his eyes. “I’ve got a license and everythin’. You should see it, it's very professional lookin’.”

You crack a smile, “sorry, doctor.” With slight apprehension, you slide your hands away from Hobie's before laying your palms on your lap. “Do you own this place?”

“I do, sort of.” He unwraps your hands, revealing the angry skin underneath. Sucking in his teeth, you already know it's healing badly. But he still tries, for that you owe him everything.

“Sort of?”

“It's my sisters’ you see, they went on this business trip to get more funds for the place so they asked me to look after it for a few weeks.”

“I'm guessing that you had to leave your practice.” You flick your eyes over to Hobie's rising and falling chest to check on him. Satisfied, you look back at the doctor handling you with care. “That must've been horrible.”

“Havin’ sisters?” He jokes.

“No, leaving it all behind.”

His smile falters. “Don't cry crocodile tears for me, miss, I'll be back there treating the sick in no time.” His head tilts curiously at the old scar on your palm, ghosting his thumb over it. “What happened to this one?”

You want to say that it was because of her, that she did it. But this is one of the rare times that it wasn't her fault. Yet, when it was, she's good at hiding the evidence. Your aunt wasn't an idiot, she knew how to turn a girl into her personal workhorse that you whip and punch to obey without leaving any marks, without showing the world and causing them any concern for your well-being. So you tell the halfhearted truth.

“It was a long time ago, there's no cause for concern on that one.” It healed, a remembrance, telling you that everything will heal if you give it time— that Hobie will heal. You meet his eyes, finding it hard to read the old man. “How about Holden and the others I saw? I didn't get a good look at them when I entered but I saw a few guests. Are they guests?” You question him because that's what Hobie would do.

“Holden lives nearby who just happens upon the train wreck. He has a small stable in town, in Saint Denis. If you want he can take in your horses? They're mighty fine, I don't want them getting soiled by the marsh.”

“That…” you think for a second. If the horses are gone then you'd lose your only way out. Hobie would say no. “No, thank you, I'll take care of them.”

“You sure? Fine by me, there's hay inside the stable for ‘em.”

“The others? You were talking about them.” You continue to push the subject.

“Ah yes, sorry ‘bout that, old mind and all. Well, there's Eli, he's been stayin’ with us for quite a while. A priest on a mission we call him.” You listen intently, taking note of every single detail. “Then there's Lucy, she's a regular ‘ere, always comin' and goin'. Accordin’ to my sisters.”

You nod as he finishes your hands that's now tightly wrapped with bandages. Thomas begins to stand up, gathering his things. “Will he be okay?” Will he wake up?

He sighs, there's something behind his eyes that you can't quite pinpoint. “It’s hard to tell.” Your heart hammers inside your ribcage. “But he has so far survived the night, I think he'll pull through.”

“Thank you, again. I'll repay you, I promise.” You reach for Hobie's hand, letting your warmth seep through his clammy hands.

Thomas' eyes flick between your hand and eyes. “Don't mention it. I'll bring a basin with drinking water for him. Drip water onto his lips every few hours so he won't dehydrate.”

You nod in understanding. “I will, thank you ”

“Then some food and water for you.” He smiles, opening the door and looking over his shoulder to glance at you.

“No need—”

“How would you care for him when you don't take care of yourself? You need the energy. What would he say?”

You chuckle, squeezing his hand tighter. “He’d call me a wanker for not eating.”

Thomas knits his brows, turning back towards you. “A what?”

“Nothing, it's something profane.”

He chortles, wiping his hand across his nose like he smelled something foul. And you smell it too— the sourness, the moment he opened the door. Maybe a rat died under the staircase. “I won't ask then. Get some rest, miss Clementine.”

The door clicks and you're once again alone with him. It hits you again, how dire your situation is. There's a rock in the back of your mind that keeps rolling about, reminding you how close Hobie was from dying in your arms. But there's another boulder in the pit of your stomach, it tells you of a fate that could befall you now that you're here, close to the person looking for you. You'd rather jump towards the alligators than be back in their hold.

Hobie will wake up, you know he will. For now, you'd stay by his side, play the good nurse and protect him as much as you can because he would do it if the roles were reversed. You hold his ring in between your fingers, letting the cold metal melt into your warm skin.

—

You whisper to him, words that you're afraid of letting go, words that you wish would wake him up. You wonder what he dreams of, is it home? Is it something good? Or is he dreaming of you? You'll ask him when he wakes up, he'll wake up, you know he will.

There's another knock at the door a few hours later. Thomas enters with a tray that smells of something savoury, you've forgotten how hungry you are. But how could you indulge when Hobie lays there like a statue?

“I have some duck for ya, and a loaf. It's not much but it'll fill you up.” He senses your trepidation. “Please eat, you'll get weaker if you don't. ‘sides, no one will take care of him if you fall ill.” The utensils rattles as he places the tray in your hands.

You stare at the food with a blank stare. Guilt eats you alive, grief devouring what's left of you. “C-can you…” you clear your dry throat, “can you check on him? See if his breathing is alright?”

Thomas nods curtly after a moment, placing his fingers above his pulse, timing it on a watch that dangles from his waist coat. You don't touch the warm food until he's done. “His breathin’s fine, he's a fighter.”

You finally feel like you can exhale again. “Thank you.”

“Of course,” standing up, Thomas points at the bowl filled with water where a cloth floats atop it. “That's for him, from what we talked about.”

“I remember.” You're already squeezing the cloth, releasing excess water before you place the tray on his bedside to slowly let the water drip on Hobie's dry lips. With every drop, you pray to whoever is listening to will him awake.

“I'll leave you to it,” the door closes, and you're once again left in your dark thoughts where your fears have come true.

In between eating and playing nurse, your eyes start to get heavy with every bite of the succulent meat. You couldn't help but finish it to the bone, letting it fill your belly, leaving half of the loaf for Hobie when he wakes up. After chugging a whole pitcher of water and emptying Hobie's bowl by slowly but surely letting him drink, you place the tray down on the ground to lay down next to him carefully. There's a headache forming in-between your eyes, maybe you're incredibly fatigued than you thought you were. You're mindful of his injuries but not your own as you lay on your injured ear. It's self flagellation, as if everything that has happened was your fault the moment you stepped foot in the new world. As your eyes get uncomfortably heavy, mind foggy, you fall asleep curled up on his side.

You open your eyes and you're back home. The gilded walls of your room open up to you like a theater curtain. Your chest heaves, eyes filled with tears that you refuse to let go. Chiffon and velvet dress hugging you tightly, too tight, suffocating you slowly like a hand on your throat. Hand upon your chest, you rip it all off as if the garment burns you. But it isn't enough to get rid of it all, so you walk over to your table in haste, grabbing a sharp letter opener to slash and tear at the threads putting it all together. One by one, the once pretty gown is torn to shreds at your feet, from bodice to skirt, it all lays on the ground like discarded meat. In a flash, your eyes see red and bloodied muscle still writhing on the floor instead of fabric. As soon as it appears, it's gone after a beat.

You stand there in your slip, but the heaviness in your chest persists, hands and legs going numb— a testament to your shallow breathing. Your hands glide along your body to find anything tight around you, gasping and still in a panic, your hands stop around your neck that holds a string of diamonds. Without a second thought, you snatch the shiny thing away from your clammy skin, breaking the chain in the process.

Air enters your lungs the moment it's gone. Palms above your chest, you inhale and exhale whilst hot tears flow out of your eyes in a shower of sorrow. Leaning over the table for balance, your eyes meet with a familiar handwriting addressed to you. You're brought back in time the second your hand touches it, brought back to five years ago when Hobie slipped you a note during a party. You read it again, telling you that everything was ready, that he's ready to run away with you, somewhere far away and that you should pack your things.

After you read it, the letter dissolves into dark ink that drips down to your feet. You're holding the new letter again, opening the plain wax seal, you read the contents. Then you read it over and over until you get your mind wrapped around the saccharine yet sorrowful words that are all written in his hand. Hobie, the one you've been mourning since the news hit you.

His address is written hastily next to his own name, you laugh and then sob, hugging the letter to your chest. The scene shifts as if you've entered the fog and into a new world. You're in front of the docks, a large ship looming over you. You're dressed in a pair of borrowed trousers from Peter's wife, whilst the older man himself speaks by your side but you can't make out his words. It's all a garbled mess. For some reason, his hands are dripping with blood, but you don't point it out.

You tell him something, and he shakes his head with a smile, eyepatch moving as he gently nudges you towards the ship. The night hides his face, and all the secrets haunting you, even with the full moon shining down. As you wave goodbye, the ship unfurls its sails, sailors reeling the anchor up, and the captain steering the ship towards your future. You watch as Peter's silhouette gets farther until he's a mere dot in your sight.

You raise your head up to watch the swirling sky, falling stars raining down, and the moon smiling back at you. Someone whispers your name, and you instinctively turn around, expecting a fate worse than death thinking that they've found you. But you're greeted by Hobie himself, still in the same clothes you last saw him in, hair short, and face flat.

“Hobie?” You sound like you're underneath the waves.

“Run.”

You're awoken by the squeak from the rotten hinges. Sitting up, your eyes adjust to the light, seeing a silhouette of a tall, bony man in black and white. Vision focusing, you see him awkwardly stop in front of the doorway, the white square on his collar tells you that this is the reverend Thomas was talking about. He has a patch work of a beard and an aura of weariness.

“Eli,” your mouth speaks before you could think.

“That's me,” he chuckles, clearing his throat right after. His hands are behind his back, prompting you to be more wary of the man.

“What are you doing here?” You sit properly, hand placed on your gun belt, feeling the cold metal of Hobie's gun on your palm.

“I–I was…” his blue eyes flick from your gun to Hobie's sleeping face. “Thinking of p-praying for him.”

“He’s not dead yet, reverend.” Your harsh voice cuts through the man.

“I don't mean any offense.” He holds his empty hands up, you glance at his rough hands and the tattoo on his wrist revealed from how his sleeve rode down. It's something you can't quite get a good look at. Noticing your stare, Eli brings his hands down, pulling down his sleeves. “Praying for his swift recovery. That's what I meant.”

“You can pray for him outside our door. Better yet, pray downstairs.” You stare him down. “Where's your book of prayers?”

“I'm sorry, I should've knocked.” You can't place his accent. “I thought you were asleep—”

“And that makes it alright to barge in?”

He balances on the balls of his feet, your eyes instinctively flick over to his leather shoes that are too shiny, too kept as if he just bought it or cleaned it for the occasion. “We got off on the wrong foot, I'm sorry, miss…Clementine. My name's Eli.” Reaching for you, you only look at his hand without shaking it.

“I didn't give you my name.”

The reverend takes his hand back with a wince. “I–I got it from Thomas.” Your jaw tightens, eyes boring holes into his forehead. Thankfully, he reads the room and your expression. “I should go—”

“You should. Goodbye.”

The reverend doesn't turn his back on you, opening the door with what you could read as a cursory apologetic look. “I'm sorry, again.”

You grunt in reply. With the door clicking close, you stand up, taking a spare chair that Thomas always sits down on to lodge it under the doorknob. Locking the door and battening down the hatches. It's what Hobie would do, it's what he always does when he thinks you've fallen asleep.

“Wanker.” You scoff out before sitting back down next to Hobie. You don't find sleep after that. Your mind is too noisy, too chaotic to find sleep even though your body demands it.

—

Two days in and Hobie is still unresponsive, he breathes, even twitches in his sleep but he's unable to wake up. It's pure torture for you, seeing him lay there while you try your best at taking care of him. You've even tasked yourself at watching the good doctor clean his wounds and replace the bandages so you could do it yourself. You miss his smile, his laugh, and how he holds your hand. It’s just like how you've felt for those five long years, but this time you can see him, touch him, and take care of him but he doesn't speak nor look back at you. You don't know which one is worse.

Thomas says he's getting better, but you still worry. You play his nurse and a grieving widow at the same time. Everytime Hobie's breath hitches or even when his finger twitches you sit up, frantically calling the doctor to check on him. He always says the same thing, ‘he’s just dreaming,’ it doesn't fill you at ease, especially if it's anywhere near the dreams you've been having.

Three meals are brought to you every day, and each meal has brought you to sleep. You blame the trauma you've experienced, the things you've seen, the things you've done— it brings you towards the precipice of life and death each time, and without fail, you dream of him. Hobie still sleeps on the lumpy bed, body lay still, breathing sturdy and true. You don't mind the sleep, but the dreams you've had aren't always good, so you'd rather keep your eyes open than face the horrors that sleep brings.

Sometimes your mind wanders off, vision whirling to something else, something worse than him laying unresponsive to the world outside. In the corner of the dark room, you see a bloodied fountain pen with soiled grain littered around it. You turn around to look away, and you see something worse, his pristine white suit is a glaring contrast to the almost dilapidated state of the room, acting like a beacon of pain for you. He doesn't smile, nor come closer to you, he just stands there, back straight like he owns the place, light green eyes aglow like the fireflies outside but none of the comfort.

The blood in your veins runs cold at the sight, so you turn away from him as he stands guard with his judging eyes. Your eyes land towards Hobie to calm you down and bring yourself back to reality. He still sleeps, bandages wrapped around his head, eyelids twitching while he dreams. With a sigh, you suddenly see a pair of eyes under his bed, you're frozen at the sight of a large hand appearing from underneath, nails dark and rotten, wounds littered around the arm, decaying and sour smelling. You see it give you a crooked smile. Heart thrumming, the hand grabs Hobie's wrist, blackened blood oozing from its touch. With horror in your belly but bravery in your heart, you yank the hand away, finding it bursting into a cloud of smoke the moment you touched it.

“You alright?” Thomas asks, he watches you catch your breath from the doorway.

Your hand is closed around nothing, still held up in front of you, gasping at nothingness. You inhale, clearing your throat and bringing down your trembling hand to your lap. “Y-yeah, I think I'm just too hot.”

Thomas nods, eyes roaming around the room. “You've been cooped up in this room for two days. I think some fresh air would do you some good.”

You immediately shake your head. “I can't leave him. Besides, there's a window here, I get enough air as it is.”

“Pardon my bluntness but, you need to stretch around, get a different scenery or you'll go mad seeing the same walls.” Thomas crosses the gap, tentatively placing his hand on your shoulder. His palm hovers slightly above your blouse, not truly holding you. “I can watch him for you, the worst has come to pass already. I know he'll wake up eventually.”

You glance at Hobie's face, he does look better than before. There's color on his lips again, his breathing stable, skin no longer clammy and his wounds are starting to scab over. And the horses need your attention too, you have no idea how they're faring since they got here. You ponder leaving him for a moment.

“...okay, j-just for a few minutes.” But you still don't trust Thomas enough to leave Hobie alone with him. “You don't have to watch him.”

“Alright, I understand where you're comin' from. Hell, I'll give you the key to the room if it makes you feel any better.” Thomas takes out a ring of keys from his pocket, and then he takes out an old key from the metal ring to hand to you. “Just bring it back after.”

“Alright, thank you, that actually fills me with ease.” You close your fingers around the key, letting the metal press down into your burned palms.

“I'll be downstairs. I promise if I hear anythin’, even a squeak I'll come runnin’ out to get you.” Thomas smiles, back already turned to leave.

Your voice calls him back. “Doctor, you've seen death, do you think there's an afterlife?” You suddenly ask him, Thomas stops in his tracks, chuckling softly.

“I don't know, love.” You raise a brow, head turning immediately to face him. “I think it's best if you ask the reverend that. I'm sure he can provide you with an answer.”

“But you've seen people die, right? From your patients, to just…living. I want your opinion on the matter.” You push the subject, eyes heavy and tired. You can feel every bone in your body as your vision shifts, seeing iridescent light pass through the windows and shine in Thomas' face. When your eyes focus, the light is gone.

Thomas scratches his head. “From what I experienced?” You nod, “I don't think so. I think there's just darkness right after.” He sniffs, hands placed in his pockets. “I really think you should talk to the reverend, he might provide a more comforting answer.”

“Maybe I should.” Your voice drifts off, eyes blankly staring outside.

“You sure you're alright?”

“I don't know.” You don't see how red your eyes have become, or the bags weighing it down.

Thomas leaves without another word. You don't leave the room after that, and the key stays with you to hold onto, letting the metal dig into your palms.

—

Startling awake, you sit up from the whispers that have managed to slither its way inside your ears. You look over your side, seeing Hobie asleep and safe, you begin to sit up, head pounding roughly against your skull as if you've been hit by something in your sleep.

More whispers echo out into the darkness, your eyes wander around the room, finding no one so you listen closely. You glance at the floor, ears straining to hear, you realize the voices are coming out from beneath.

Slowly clambering away from the bed, hand reluctantly releasing Hobie's hand, you make your way onto the floor, laying yourself down on the cool wood. Pressing your ears, you listen in on the murmured conversation.

“She barely sleeps!” A woman's voice exclaims, it's followed by shushing. “It doesn't even work on her. I'm at my fuckin’ limit.”

“We need to be patient—” Someone says.

You press your face down closer to hear better. “We've been patient. We need to—” the floorboards creak from your movement. And they immediately quiet down.

You lay there perfectly still, but no sound from downstairs can be heard. Standing up, you check the doors if you've locked it properly this time, and you pat the gun on your hip to feel if it's still there. The unfounded trust that you've given to the strangers downstairs are wavering by the minute. But you can't leave, not until Hobie wakes up, or you might disturb his healing.

—

You gasp awake, trembling in your seat, the wounds on your palms have reopened from how your nails have dug into your broken palms. It's another nightmare, another nightmare that has kept you awake. Hobie still sleeps, and you're still trapped inside the small dusty room.

The heels of your palms rub roughly on your eyelids, washing away the nightmare and sleep. Laying your head on the back of the chair, you stair at the ceiling and the cracking paint. There's a dark red spot near the middle, it's barely noticeable but it's there. The longer you stare at it, the bigger it gets. You fight a sob as you abruptly stand up, maybe you should take Thomas on his offer by going outside. It doesn't hurt to leave for a few minutes, right? Surely no one is awake at the break of dawn, so Hobie is safe to be left for a moment. And he's comfortable with the window opened, letting the cool early morning breeze inside.

You sit down on his bedside, hands gently cupping his own. “I'll be back, alright? I just need to check on Buck and Cherry.” He doesn't answer. “Maybe they can tell me how they managed to find us. Or maybe what you told me before was actually right, that they can smell us. Like loyal hounds we had back at the manor.” Your words drift away as your eyes lose focus, staring at the raised scar on his neck. You sniff, bringing yourself back to reality. “Please wake up, I feel like— just please wake up. Yell my name when you do and I'll come running back.” You kiss his knuckles, eyes glancing at the pair of white trousers standing in the corner. “I'll be back.”

You stand up, ignoring all the ghostly eyes staring at your back. They're not real, you whisper to yourself. Opening the door and locking it behind you before you could change your mind. The key is safely tucked away in your breast pocket. A headache rushes by, you almost fall on your knees from the pain.

As you stand shakily in the hallway, the floors seem to shift and change. It stretches before you while you walk, as if it won't allow you to escape the place. You close your eyes tightly, grounding yourself by holding onto the wall. When you open your eyes, you see your aunt standing at the end of the long hallway. She's clad in black, a long coat hiding her entire body, from her neck to the tips of her feet. Her hair is stark white against the dark material, strands that are longer than you last saw her. You can barely see her face, but it's odd, like something's amiss.

“Where are your eyes, dear aunt?” You ask in a small voice, as if you've returned to the young age you first met her.

She opens her maw, a deep dark crevice of sharp teeth all lined up in rows. You hear your name escape from her unhinged jaw, it's whispered close in your ears. “You can't leave.”

“I just did.” You say without remorse, and without guilt. “Watch me leave again.” With measured steps you walk closer to the vision, as you get closer and closer, her body turns transparent until you've walked through her. And everything returns to normal. You've reached the banisters overlooking downstairs, hand clasped tightly around the wood. Shaking, but victorious. “Not real.”

You look over the railing, eyes roaming around the small space. There's a small common room where a fireplace that doubles as the kitchen lies. A large man sleeps on the single couch facing the fireplace, snoring softly, arms crossed over his chest. A humble bar is placed across it, where amber liquid in foggy glass sits on the shelves. Leaning closer, you spot a door on the floor that could lead to a basement of some sort. The surfaces have been wiped clean except for the tops of the shelves that are caked in dust. There's minimal decorations, save for a few pictures hanging on the walls. Then it hits you, the smell of the place. From sour milk to rotten eggs, you can barely decipher what it is, only decay.

You can see the place being homely after a renovation if not for the stench.

The wooden bannister creaks when you put your weight on it, you flinch away before it gives out from under you. You walk slowly down the small steps of the stairway, legs shaking from the thrumming headache behind your eyes, feet swaying like you're drunk off of moonshine. You attribute it from the vision you saw and from how fatigued you are. But your shoes barely clack against the floor from your footsteps. Your eyes skim over the photographs on the walls, yellowed paper and old frames of family. You look for Thomas in any of the pictures, but he's absent in every single one.

You finally make it down without waking anyone. The man, Holden, you surmise based on the description Thomas gave you, still snores on the couch. Crossing the threshold, you unlock the front door to go outside.

The entire marsh is bathed in blue, sun barely peeking in the horizon. A breeze passes by, goosebumps rising on your arms from the cold. You should've brought your coat with you, but it's too late now. If you go back upstairs, you think you cannot go back down.

You already feel like you're coming back to your old self. Eyes still weighing heavy in its sockets but at least the air and the greenery have grounded you back to reality. You have no idea what has befallen you, why you've been having visions of your family. Maybe it's the sleep deprivation, or maybe the living has decided to haunt you for all the things you've done to survive.

Walking along the wooden paths that prop you up from the mud, you follow it further down towards the small stable. The birds are beginning to wake up, chirping just above the canopies of tall willow trees. With every footstep, your feet sink slightly into the mud, soil swallowing down the planks of wood laid down as a makeshift path. Flies buzz around your legs, you swat away any that comes near your healing wounds.

You finally make it towards the stable, opening the door with slight force since the hinges are long rotten from the wear and tear of the moist environment. You finally crack it open, seeing seven horses in their little pens on the side. The wood inside is in the same state as the inn, bloated and decaying from age. Light filters through the cracks, dust and bloatflies flying all over the horses.

Bucky peeks his head when he hears you enter, he immediately recognizes you, hind legs stomping in excitement. You smile genuinely at the dark horse, walking towards his stable, still swaying slightly on your feet. Cherry appears from behind Bucky, coat muddy and hair tangled. You guess that they had to share a pen because of the lack of space in the stable.

“Hi, you two.” You reach up towards their faces, Bucky nuzzles your hand while Cherry huffs against your palm. “I'm sorry, I should've visited you earlier. But Hobie needed my attention.” With the mention of his rider, Buckeye neighs, leaning away, almost standing up on two legs. You think that he worries for him. “It's alright, calm down, boy. He's getting better.”

Bucky shakes his head, so you scratch the back of his ear where he always seems to like. You coo at him, whispering kind words towards the horse for finding you and Hobie amidst the wreckage with Cherry in tow. You enter their pen, brushing your hands along his fur and hair. Hobie's canteen peeks from his saddlebag on Bucky, so you take it, taking big gulps before placing it back inside the pack. You feel a lot better already.

Cherry watches you and Bucky interact. When she's had enough of Bucky getting all of your attention, she nudges your shoulder, nodding and huffing like a petulant child. “Alright, alright, I didn't forget about you.” Chuckling, you rub along her snout, you find that she likes to be pet there the most. “Have you been good? I'd give you both an apple or sugarcube but I don't have any on me.” You spot the bundle of hay near the entrance. “Is hay good enough? When we get out of here I'll give you both all the sugar cubes and fruit you could ever want.”

Leaving their side after numerous pets, you grab a pitchfork laying on the corner to grab some hay to place in their pen. Once both horses are properly fed and petted, you look around the stable for a horse brush, but the only thing you could find were more horses looking at you with curious eyes. You're more confused though, you see five horses in each pen, but there are only four guests inside the inn that you know of. There's Thomas, Eli, and Holden that you've already met. Then there's the mysterious Lucy. Whose horse is it that is alone in the corner? Maybe it's a spare? Nevertheless, you feed all of them.

“I'll be back,” you fold your knees to grab a bucket on the floor. “Let me just get some water for—”

“You're speaking to horses.”

“Jesus!” You clutch your chest from the sudden intrusion.

“Just me, sorry.” A woman stands in the doorway, hands on her shiny belt buckle, red corset tight on her torso, revealing freckles dusted on her shoulders and clavicle. She smiles, showing a gold tooth in the bottom row of her teeth. The sun has now fully risen outside, bathing her back in light, shadows hiding her face from you. “I'm Lucy, you must be Clementine.”

You clear your throat before you almost made the mistake of correcting her. “Y-yeah. Nice to meet you.”

“Why are you doing manual labor? Aren't you injured?”

“I am, but I'm feeling a lot better now thanks to the doctor.”

“Thomas?”

“Yeah, is there another doctor here?”

She chuckles, stepping forward out of the shadows. You see her chiseled face, lips full and pretty, more freckles lined around her eyes and cheeks. Her blond hair is tied in a neat braid, cowboy hat perfectly fitted around her head. There's a hunting rifle strapped on her back, and a large ornate knife on her waist.

“I'll take care of the water. Breakfast is being served inside if you're hungry.” She says with a lilt in her tone. “There's sausage, the good kind. I think you'll like it.”

“You've got their water?” You ask, glancing at your horses.

“Yeah, I've got them.” She crosses the small distance towards you, you don't drop your guard even when her hand grabs the bucket away from you. “I've been the one looking after them.”

“Oh, thank you then. I hope they're not too much of a bother.”

“Not really. Especially your Arabian there, she's real pretty.” Lucy eyes Cherry like a piece of meat on the chopping block. “How much for her?”

“Excuse me?” You scoff. “She's not for sale.”

“Alright, understandable. How about the thoroughbred?”

“No,” you stand stiff, jaw clenched. “They're not for sale.”

She grins slowly, brown eyes flat and staring at your soul. Shrugging, she begins to walk outside. “Eh, it's worth the try. Your loss, I would've bought them at a mark up.” Her voice fades away as she leaves.

You stand there with your fists shaking, you're perturbed by the people residing in the inn. You think Thomas and Holden are the only decent ones inside.

Cherry neighs behind you, you look over your shoulder to meet with her eyes. “The nerve of some people, huh?” Buckeye agrees by trotting in place.

Walking back towards the inn already has you sweating from the humidity. Once you open the door, all eyes are on you. Thomas stands behind the bar, preparing a plate. While Holden eats on one of the empty bar stools with a cup of steaming coffee paused on his lips as he stares at you. The reverend was just about leaving the basement when you entered, hand frozen on the handle of the basement door.

The doctor breaks the awkward silence. “Good morning. Did ya have a nice walk outside?”

You flex your hands on your sides, biting the inside of your cheek. “It was…pleasant.”

Eli casually stands up and then sits on the sofa near the fire and the cooking pot. He opens a large book, reading like he didn't just leave the basement as if he owned the place.

“Come have breakfast with us.” Thomas beckons you over, sliding the plate he was just preparing over to you. “I was just about to go upstairs and give this to ya.”

“Thank you, I'll eat it in my room. I don't want to disturb you all.” You come closer to the bar, fingers placed around the porcelain plate. You feel eyes on you, Holden continues to eat in the corner of your eyes. Eli is mouthing scriptures at his seat.

“No, no, come stay!” Thomas hands you a cup of coffee. The smell brings you back home. It's not a good memory. “It'll do you some good to have company, even for a moment. Please stay.”

You nod, clammy palms rubbing along your trousers. “...sure, just for breakfast though.” Rubbing your nose, Thomas notices.

“Sorry ‘bout the smell. We think there's a rat that died in the basement but we can't seem to find it.” He picks at his own plate while leaning on the other side of the bar. “That's why the reverend was down there. It was his turn to look.”

You nod, glancing briefly at the trap door on the floor. “Can I have a glass of water instead? I don't like coffee.”

His fork clangs on the plate as he lets go. “Oh of course!” Turning around he takes a pitcher of water and then he pours you a glass. While he does that, you look at the pictures behind the bar.

“Which one are your sisters?” You gesture towards the frames, Thomas still has his back towards you as he continues to pour you a glass.

“Oh, the picture that's in the middle.” You follow where he pointed at. A photograph of two smiling women in front of the inn when it was still new and shiny hangs in the middle of the bar. Their faces are flat and serious but the way their arms are around each other says that they're particularly happy in the picture. If not for the long exposure needed to take the scene, they would be grinning widely.

You tilt your head at the picture, eyes scanning their features and comparing it to Thomas' face. “You don't look like them.”

He twists around, handing you your glass of water. “I've been told.” Chuckling, he looks back at the picture briefly before turning towards you. “They got my mother's features and I got my father's. Which parent do you look like the most?” His eyes watch the mouth of the glass against your lips.

“I barely remember their faces now.” You don't drink the water just yet to answer his question. “So I don't know.”

“That's too bad.” And yet, he smiles. “How ‘bout you, Holden? Who do you look like?”

“My mother.” He says gruffly, tone monotone and uninterested.

“Ah.” Thomas picks at his plate again.

“I haven't thanked you yet for saving him.” You address the large man. “Thank you.”

“I just happened upon the place. My eyes couldn't leave the train wreck.” Holden stares at the same spot on the bar, you follow his line of sight, once you've reached the end, you see a dark red splatter on a glass of gin.

Before you could ask, Eli interrupts. “As is his will.” He's now in front of the fire even though it's sweltering inside already. “It's very lucky that Holden happens to be riding that way.” Eli says those words with humour, as if the train derailing is the funniest thing in the world.

Thomas clears his throat, “I heard no one else on the train got hurt.” You sigh in relief, knowing the real Clementine and her family are safe and sound. “A few railroad workers were injured but they're fine now, last I heard.”

“Yes, it's good that no one else got severely hurt.” Lucy appears inside the inn, smiling at you. She stalks silently around you like you're prey. Your hand instinctively slides down towards your gun belt.

“Well, except for your lad.” Thomas says, you look at him with wide eyes, blood running cold, gun now fully in your hand. The world swirls around you, your breathing gets faster, heartbeat loud in your ears. The air shifts, everyone except Thomas stiffens. “We know who he is. He's a fuckin’ legend ‘round ‘ere, but don't worry, we won't tell any lawmen. We're not like that.” Thomas continues to speak even with your world crumbling around you. He doesn't know what he just revealed. “Drink your water, we don't want you goin' thirsty now.”

“‘L-lad?’” you almost whisper, but the entire room is silent, a pin could drop and you'd hear it. Your words are thunderous compared to the fire cracking in the fireplace. “You said you're from here.”

Thomas chuckles nervously, you stand up, eyes flicking over towards the occupants. The rotten stench under the floorboards has increased ten fold in your panic, the tiny splotches of crimson on the walls and glass aren't just dirt and grime.

It's blood, and the entire inn is covered in it. Hastily scrubbed off the surface, but the mark of death remains.

They all look at you, Holden stands behind you, his shadow casting over you. Lucy continues to smile while Eli looks on amidst the backdrop of the raging fire behind him. Thomas gives you a look, shaking his head subtly.

You don't miss a beat, gun aiming behind you to shoot. But no bullet flies, you don't hit your mark for the chamber is all emptied out without your knowledge. You don't know when it was taken out but you don't have time to ponder it. Running past Lucy towards the stairs, you yell his name.

“Hobie!” You manage to get to the third step before you fall flat on your face, nose harshly landing on the stair, shoulder oozing something warm. Looking over the source, you see Lucy's hunting knife embedded in your shoulder. “No!”

Lucy giggles, and the reverend joins her side, face downturned, eyes following how your blood oozes out of your back.

“Fuck! They said don't draw blood! What the bloody hell is wrong with you!” Thomas shows his true colours, yelling at Lucy angrily. You continue to crawl up the stairs despite the searing pain. “Fuckin’ grab her! Get the key, it's on her.”

“I'm…” you still fight, elbows pressed on the rough wood, crawling relentlessly up the stairs. “Going to fucking kill all of you.” You say through gritted teeth, ignoring the seething pain as your body trembles.

Eli's voice pipes up. “We just want to get you home. God will strike you down if you do that.”

“Strike me down all he wants. He knows where I am.” With determined eyes, you keep crawling even though your arms are split apart by splinters.

You're about halfway up the steps when you hear loud heavy footsteps walk towards your form. Groaning, you dig for the key inside your pocket. The second you find it, you toss it with all your might, it flies up and then it lands and slides under the bar shelves. It's your turn to cackle. Large hands grab you, turning you over. Holden's scowl looks back at you. Puckering your lips, you spit at his face, laughing as he lets you go, desperately cleaning his face.

“Move over, big guy. Do I have to do everything around here?” Silent steps cross over to you while you try to desperately climb up. You can't feel your back anymore. Suddenly, you feel a cloth press on your mouth and nose. You know this smell, it's sweet and tart, but there's an underlying bitterness. Recognizing it from the description on the botanical books you've read, the ones that they say a proper lady shouldn't read. And you know you're about to black out within ten seconds. You try to fight back but you're weakening.

“Shh,” Lucy coos, arm tightening around your neck as she presses the concoction harder on your nose. Her own arm hits the knife still in your shoulder, you gasp in pain, inhaling more. “Go to sleep, sweetheart.”

The last thing you hear is his voice calling out after you. You're not sure if it's real or not, but you still cling to hope that it is.

—

The rope around your body is rough against your skin, the hemp seems to tighten around you as you move. You feel bandages on your shoulder blade, stab wound aching and throbbing. Entire body covered in sweat, your clothes are drenched from the heat. Your vision swirls, mind tethering between reality and fantasy. You see your aunt standing near the rake you just held, your uncle crouched in the corner, watching you struggle against your binds. And him, who sits next to you, as if he's guarding you. His face crosses your line of sight, it shifts between Hobie's soft smile, and his grinning face.

“I told you, you can't leave.” He says, hand reaching up to touch your face. You know he's not real, that he's a result of what Lucy gave you, what they've been giving you— but you still feel the air around him shift, how his palm sits on your cheek like a hot pan against your skin.

“C–Cross,” you gulp down as much air as you can amidst your state. “What did I do to deserve this?”

He could only grin at you.

“You’re awake, good. Lucy didn't accidentally kill you.” Eli stands near the doorway of the stable with a gold gun in his hand. Fingers yanking off his tab collar.

“Eli, you creepy motherfucker.” You slur your words, but you fight the haze. “How much did they pay you just to bring me back?”

He sniffs, “a lot.” The horses neigh in the background, you turn your head and you see Bucky and Cherry frantically thump and kick their hooves inside their pen.

“You’re not even a reverend are you?”

“No,” He says, turning away from the doors to face you. “I was once though.”

“Let me guess, you weren't cut out to be one.” You lean up, almost folding yourself to squint at him. “Or they fucking kicked you out.” He flinches, it's subtle, but you saw it. “They did, didn't they? What did you do, reverend?” You taunt while you try to ease your wrists off from the rope. Your skin stings from the movement, but it'll be worth it once you get your hands around his scrawny neck. “Oh shit, don't tell me it's—”

“It was gambling. I've racked up a debt.” He was quick to answer, as if he's still trying to protect his reputation. “I used all the donations.”

“That's fucked up.” You scoff, riling him up, playing him like a fiddle. “Seriously, so fucked up. And you decided to what? Scam more people by wearing the uniform?” Eli doesn't answer, you see him bounce on the balls of his feet, anxiety rolling off him in waves. “Is there an afterlife, reverend?” You say in a small, weaker voice to rag on him on more. It works when he turns towards you.

“Stop talking,” He saunters over to you, crouching down to your level. “I've already heard all those words before, you don't get to hurt me back, girl.”

“Was it all of you? Holden looked like he didn't want to be in there.”

“Please, he was the one who recruited me. He knew that Thomas needed more men the moment he heard Hobie's name.”

You chuckle bitterly. “You know that one of you has damaged the goods, right?”

“Thomas healed you.”

“Yeah, but still, you've left a mark. That means the pay will go down, that means your share will go down thanks to Lucy.” You can practically see the cogs in his head turn. Tilting your head, you turn him against his own team. “Tell me, would it hurt if you got someone out? You know, increase your pay.”

“What are you saying?”

“There are plenty of alligators here. I'm saying that accidents happen.”

Eli knits his brows, “but which one—?” The unmistakable sound of a gun going off echoes around the marsh. It's so loud that the horses are startled, panicked neighing fill the stable, birds scramble off the trees to fly away. “That came from inside the inn!” He stands up, you drop your façade as he turns away. “Shit!” More shots ring out, then a dozen more, suddenly, it's quiet in the marsh again.

Eli is in the perfect position for you, his body shields you from the afternoon sun as he stands there in a worried state. His gun is in his clammy hand, hammer pushed all the way down. Without a thought, you sit up in a crouched position slowly without startling him. And then you push him on the back of his knees with your shoulder, earning a pained groan from you and a sudden bang when he falls that has you flinching away.

Rubies pool around Eli's body, and you realize, he has shot himself when he fell on his face.

“Fuck.” The voice by the doorway says, you can only see his silhouette, the setting sun directly at his back. He's hunched over, silver gun in his bloodied hand.

“Hobie, are you real?” You could cry, on instinct, you move to get to him but your binds prevent you. Tears cling to your eyelashes as he slowly makes his way towards you. “H-how?”

You can see his face fully now, blood coats his cheeks and neck, eyebrows contorted in pain but his smile tells you otherwise. “I woke up.”

“You did.” Sobbing, you try to hold him even with the ropes around your wrist. “Are you okay?”

Hobie holsters his gun, wiping the blood off his hands on his trousers, and then he cradles your face. Thumb brushing along the tears. “‘m alright, dizzy and a bit of a headache but ‘m alright.” His viridescent eyes are aglow, trapped tears glimmering. “Are you—? Did they hurt you?” He asks in a small voice, afraid of your reply.

You frown, and he already knows the answer. “I thought you wouldn't wake up.”

“With you waitin' for me, of course I'd wake up.” Hobie lays his forehead against your own. He's real, and he's holding you in his arms again. “‘m real, love. I'll never leave you again.”

You cry in his arms even when he cuts off your binds. Your mind is still reeling from the previous event. Body free, you embrace him, face tucked on the crook of his neck. He holds you, kissing your temple, hands rubbing up and down on your back. He apologizes against your skin a hundred times. And you forgive him a hundred more.

Hobie releases all the horses from the stable, all the now riderless horses gallop out in a rush. He guides Cherry and Bucky out to hitch them just outside on the trees and away from the inn and stable. Coming by to get you, who stands in front of the inn.

“I need to get my things.” He says next to you, pinky curled around your own. “Your letters are still in there.”

“I'll come with you.”

“No, you don't need to see that.” His eyes warn you of the sight ahead.

“Too late for that, Hobie.” You thump your head on his bicep. “I’ll watch your back. Just in case.”

“Stay close, yeah?” He smiles softly, letting go of your hand reluctantly. You nod behind him, gun drawn and loaded.

The door opens, you try not to look at the bodies at your feet but your eyes seem to gravitate towards the violence that was left. There's blood splattered all over the walls, Holden's body is hunched over itself, blood seeping out from his numerous gunshot wounds. You walk a bit more, following Hobie's path. Broken glass crunches at your feet, and you see Lucy laying on the ground with her own knife shoved inside her chest. Her eyes are wide open, mouth agape in surprise. By the stairs, in the same position you were in mere hours ago, lies Thomas with a shotgun wound on his back, making you see through him.

“H-how'd you manage this on your own?” Your nails scratch along the metal of your gun.

“You were in danger.” Was all he answered.

As you stand there, you hear something on the floor next to the bar, glancing downwards even though you've had enough of the sight, you find someone who shouldn't be there.

“Culver?” You ask, and he whizzes out.

“Help. Me.” He tugs at your trouser leg, he's drenched in crimson, from his face down to his boots.

“He was hiding underneath the floorboards with the bodies of the actual owners.” Hobie says, guilt is written all over your face. “It's not your fault, love, you gave him a chance and he spat at it.”

“P-please,” he wheezes out, voice hoarse and broken, “they hired me, I-I was just following orders.”

You sniff, fists shaking. “It was my aunt wasn't it?”

Culver shakes his head, desperate to please you, desperate for you to save him again. “No, it was your h—”

Your bullet cuts him off, he lays there, now unmoving, and the gun in your hand smoking. You feel like you're deprived of air. Hands shaking, tears flowing out freely.

Hobie reaches for you slowly, you don't flinch away so he pulls you in, letting you weep against his chest.

—

The flames ebb away at the building, ashes flying off into the air as the roof collapses down on itself. You let the smoke fill your lungs, watching the fire light up the entire marsh, but it acts as a beacon to where you are. And you can't risk being found, especially when he's back on your side.

You kneel down, placing the framed photograph of the actual owners on the ground, apologizing to them quietly.

“We should go, Hobs.” You softly say, tugging at his sleeves.

He nods, eyes flicking between you and the burning inn. His palm is pointed towards you, waiting for you to reach for him. When your hand slides on his own, all his fears melt away. You're safe, and he's alive— that's all that matters.

—

Midnight comes, you and Hobie rode further north and away from the chaos you two left. Bucky and Cherry sleep next to each other, both tired from the ride. You tend to the fire while Hobie cleans his hands in a nearby river. The murky water turns a dark shade of red as he scrubs his hands clean, there's blood under his fingernails. And shallow crimson slashes on his arms. Once all the blood has been washed away, he sees a slash on his palm, identical to yours, the one he sutured himself. He winces, and you turn around to check on him. The both of you had been quiet the entire journey, preferring to look on whenever one groans in pain or when either one of you shifts on the saddle. You don't want to talk about it, and he doesn't want to either. Both thinking that it was his and your fault for everything that had happened.

He holds up a hand to you, wordlessly telling you that he's alright. Nodding, you turn back towards the fire, your vision shifts from the campfire in front of you to the burning cinders of the inn. A wet cloth on your cheek jerks you awake.

“Sorry,” Hobie flinches, taking the cold cloth away from your skin. “You have soot all over your face.”

You smile softly, hand reaching for his wrist, gently placing the cloth back to your face. He understands, wiping away the ash off of your skin. You stare at him, face unreadable, bandage still wrapped around his head. “Hobie,” he hums in reply, continuing to wipe the grime off. “You said you had to leave but you never told me how you left. Please tell me what happened that night.” Why did you leave me?

Hobie scooches closer to you, knee to knee, hand still wiping along your forehead. “Hicks did it.” You listen, hands fisting his vest to tamp down your frustration and everything in between. “He was the one who found out, told your aunt and got a group from the factory to ambush me in our meeting place.” His voice breaks but he composes himself. “He was the one who slashed my throat and…” faltering, the cloth slid downwards to your neck, rubbing along your skin. “buried me alive under our tree.”

Your heart clenches, imaging him clawing his way out of the dark earth. “Hicks, h-he married my aunt six months after you left. That motherfucker boasted that he killed you, hid your body in the woods. But I knew better.”

Hobie runs his thumb under your eye, wiping away a stray tear. He gives you a brief smile. “Fucker wasn't content in bein’ the factory manager, he had to ‘eliminate the competition,’ he said. I wasn't even participatin’.”

“I'm sorry,” you wrap your arms over his shoulders, hands holding his jaw. You apologize to him like an acolyte asking for retribution in front of the shrine. “I'm sorry, I should've done something— I could've—”

“There was nothin' you could've done, love. Just like how I couldn't fight back.” He pulls you in, face pressed on the crown of your head. “They used you against me. Told me that you didn't want me anymore. Told me I was a burden to you.”

“No, never. I'd never do that.” You pull away, holding him close, meeting his emerald eyes that reminds you of the best parts of home.

“I know that now. I knew it back then too, but my anger and frustration got the best of me.” He presses a heavy kiss on your forehead as you close your eyes, listening to him breathe. “Peter helped me get out, and all he got from it was getting his eye taken out.”

You gasp softly. “He helped me too,” Hobie looks at you, hands still cradling your face. Hands that are warm against your soft skin. “He didn't tell anyone where you were, I didn't know until now, until your letter. He helped me get on a boat.” You remember that day, it was raining, it was also pouring down back when Hobie left. Your nails dig into your palms when your mind gives you the image of him digging himself out of the flooded soil, lungs inhaling in rain water and dirt. “I–I really wanted to look for you, to run after you but I couldn't.” Hobie presses you against his chest while you heave, tears flowing down your cheeks as you feel his own drop on your head. “They had me under lock and key, they guarded my doors for years, until—” You pause, hands bunched up on his shirt. “I'm so fucking sorry.”

Hobie cradles you in place, arms holding your form as he lets his touch calm you down, accepting your apology, and accepting his faults. “You did good, love, you survived. But I'm ‘ere now, you'll never be back there.” You nod against his chest, Hobie hides his sorrow filled face in the crook of your neck, lips pressed on your skin, mumbling apologies. “When I was runnin’ away while I was still bleedin’, I thought I should at least say goodbye to you. But I changed my mind and went towards the docks while Peter hid me in his cart.” He leans away, just like back then, he doesn't want to sink his teeth into you, to bite hard and draw blood. “I thought that you deserve someone who isn't me. Someone who's not broken. 'm broken, and 'm afraid I'll never return to who I was before.”

You reach up to touch his cheek tenderly, head placed on his lap, cradling your body just like he did under your oak tree. “You are not as broken as you think you are. Not to me, never. You are everything to me, Hobie Brown.” You hug him, for you have no idea how to tell him that you know he can't be ‘fixed’, that there's nothing to be fixed. That even if there was, you'd break yourself, break every muscle and bone in your body, tore it limb from limb so you'd be broken together. That you'll fit right in where his jagged edges lie just like before. But you know you don't have to, because you're just as broken as he is.

"Is there still room left in there for me?" You poke his chest right where his heart is.

His yearning has taken a form in you, it has your face, and it has your voice. You are love incarnate.

"Always. you've never left.” He says softly, words that are only for your ears. You nod, smiling, tilting your head up as he leans down. “Let's go home, love.” He wants to carve out your name in his heart, but he'll settle for the next best thing— etching your lips upon his own.

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bekaterrier · 1 month ago

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A few other wonderful shows I wanted to shoutout for BIPOCtober, with BIPOC creators and/or leads:

A Ninth World Journal: Based on Numenera, a tabletop roleplaying game, and written, produced and performed by David S. Dear (plus guests). Set one billion years in the future… it’s the story of Januae, a man who randomly teleports to strange and dangerous places with no way of controlling it.

@meteorcitypod: In 2008, a freak meteor shower hit Detroit, killing hundreds and displacing thousands. Hundreds of people were quarantined for radiation exposure. 10 years later, Bianca Diaz, a vlogger returns to tell the stories of the dead, the missing, and the remaining citizens of Detroit, now called Meteor City. Shortly after returning, Bianca realizes that Meteor City, New Detroit, and the people left behind are not what they appear to be...

@witcheverpath: An interactive horror anthology podcast. Their current story is Message in a Bottle. A siren misses what was taken from her, but as she swims out to sea, she discovers a bottle that may change the course of her life.

@radio-outcast: A fantasy-western audio drama. When Helix, the Messenger God of Sound, gets yanked from the 1980s and sent to the 1880s by her abusive ex-lover, the God of Time, she must forge unlikely alliances with two humans: Jesse, a cowboy out for revenge, and Charles, a conman running from his past. The three of them embark on a journey across the American West, each with their own goals and secrets waiting to be revealed

@vegapodcast: A Sci-Fi Adventure Podcast!: In a fantasy futuristic world, Vega Rex is employed by her government to kill off the world's worst criminals. She's never met a criminal she couldn't catch...until now. Join Vega as she journeys through a world of bumbling apprentices, powerful technogods, and her biggest challenge yet

@noadventurespod: A fantasy (un)adventure story that follows Sig, the owner of Signature Eats bakery, as he aggressively avoids becoming embroiled in any daring quests or chosen one shenanigans even though the universe really seems to want him to do just that. This is a story about cutting the Hero’s Journey off at the knees to chill with friends. And also baking. This is also a story about baking.

Harlem Queen: A Black historical fiction audio drama based on the life and times of Black, woman, gangster "Numbers Queen" Madame Stephanie St. Clair during the Harlem Renaissance (the story takes place around 1926-32). She fought the "big boys" (Lucky Luciano and Dutch Schultz) and won.

@herebedragonspod: When the body of a previously unknown aquatic creature washes up on shore, four women are called together for the expedition of a lifetime. Tasked by the U.S. Government to find and record evidence of this new breed of sea monster, Harper Bennett, Pippa Cambell, Lt. Commander Adrienne Scarlett and Dr. Natalya Atlas set off into the untamed wilds of The Bermuda Triangle.

@unwellpodcast: A Midwestern Gothic Mystery. Lillian Harper moves to the small town of Mt. Absalom, Ohio, to care for her estranged mother Dorothy after an injury. Living in the town's boarding house which has been run by her family for generations, she discovers conspiracies, ghosts, and a new family in the house's strange assortment of residents.

Fan Wars: The Empire Claps Back: A not-so-romantic comedy about two star wars fans on opposite sides of the Last Jedi debate.

#a ninth world journal #meteor city pod #witchever path #radio: outcast #vega podcast #unwell podcast #harlem queen #absolutely no adventures #here be dragons #here be dragons podcast #fan wars: the empire claps back #bipoctober #podcast recs

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ningauinerd · 1 year ago

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Wonderful news from the Cyclops Mountains of West Papua today with the rediscovery of Attenborough's long-beaked echidna (Zaglossus attenboroughi)!

(Image credit: Expedition Cyclops)

Previously known a single specimen collected in 1961, Attenborough's long-beaked echidna has long been one of the world's most elusive mammals. Recognised as a distinct species in 1998, an expedition to the Cyclops Mountains in 2007 failed to observe the echidna but found evidence of recent diggings and foraging activity which, alongside local knowledge, implied that the species still survived in those remote mountain forests.

Finally, just a few months ago, a new expedition into its remote mountain home by Expedition Cyclops caught the first ever footage of Attenborough's long-beaked echidna in the wild, which is also the first time it has been seen by scientists in over 60 years. In a remarkable stroke of luck, the echidna was captured on the last of over 80 camera traps on the final day of the trip!

Attenborough's long-beaked echidna is the most distinctive of the three species of long-beaked echidna thanks to its smaller size, shorter, straighter beak and reddish-brown fur. Its habits are virtually unknown, but its differently shaped beak may suggest that it differs in diet and feeding habits from the other two long-beaked echidna species. It appears to be endemic to the highest elevations of the Cyclops Mountains, which are steep, extremely rainy and treacherous to explore, hence why it remained hidden for so long.

(Image credit: Expedition Cyclops)

There are only five species of monotreme alive today, the sole living custodians of a lineage stretching back some 200 million years, and this makes each species extraordinarily valuable. Unfortunately, all three species of long-beaked echidna are threatened with extinction, with Attenborough's long-beaked echidna being classed as critically endangered. Losing any species is a tragedy, but for a group as small and precious as monotremes, any extinction would be especially disastrous.

Alongside the rediscovery of the echidna, Expedition Cyclops also made the first record of Mayr's honeyeater (Ptiloprora mayri) in 16 years and discovered dozens of new species of insects, arachnids, shrimp and frogs. Their work documenting the hidden biodiversity of the Cyclops Mountains is ongoing, so if you'd like to follow and support the expedition make sure to visit their website! https://www.expeditioncyclops.org/

#oceania #papua #west papua #new guinea #wildlife #mammal #mammals #monotreme #monotremes #echidna #echidnas #animal facts #animal news #mammalogy #natural history #my stuff

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wilwheaton · 1 year ago

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Netanyahu’s current government is heavily dependent on the most violent and extreme elements of the settler community. And a lot of what the IDF was doing in the territories when this happened amounts to monitoring and picking up the pieces for the most extreme settlers’ wilding expeditions into Palestinian villages. There are reports that the government pulled a number of battalions out of the South to reinforce battalions in the West Bank shortly before the attack. This may seem like just the details of getting caught totally off guard. But it plays almost like a morality play of Netanyahu’s government – that he was so focused on having the IDF coddle the misbehavior of his settler allies that he dropped the ball on the most foundational of the state’s responsibilities: protecting Israeli civilians from attack. I’m not saying that happened. My point is that the specifics of what is being alleged here is not just a calamitous failure to heed warnings but one that fits almost lock in key with the political critique of Netanyahu’s extremist heavy government over the last year (and in a broader sense the last 15 years). I’d keep an open mind on this part of the story as we learn more.

Was There A Warning?

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dailyanarchistposts · 1 month ago

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Somewhere in the Lacandon Jungle, Chiapas: The roots of the rebel Zapatista Army of National Liberation (EZLN) have long been intertwined with the roots of what remains of the Lacandon rainforest. The Tzeltal, Tojolabal, Tzotzil and Chol indigenous farmers who now form the core of the EZLN first came to the Lacandon as part of the great stream of settlers that poured into the forest 30 years ago. According to sociologists their long struggle to remain in the region, despite the objections of environmentalists dedicated to preserving the integrity of this unique lowland tropical jungle, have shaped the demands and the militancy of the Zapatista Army. Now, as tensions between the Zapatistas and the Mexican government ratchet up, environmentalists fear renewed hostilities could do irrevocable damage to the rainforest.

When the European invaders first reached this paradisical region in 1530, they literally could not find the forest for the trees. The rainforest extended from the Yucatan peninsula southwest, blending with the Gran Petan of Guatemala at the Usumacinta river, a swatch of jungle matched in the New World only by the Amazon basin. The Lacandon region was a three million acre wilderness of pristine rivers and lakes, its canopy teeming with Quetzales and Guacamayas under which lived ocelots and jaguars, herds of wild boar and tapir, and the Indians who gave the forest its name. The first Lacandones and the Spanish interlopers fought a guerrilla war that did not end until the Indians did — by 1769, there were just five elderly Lacandoes left living outside a mission on the Guatemalan bank of the Usumacinta.

The story of the Lacandon jungle is one of massacres, both of Indians and trees, relates Jan De Vos, the San Cristobal-based historian of the Chiapas rainforest. Soon after Chiapas won its independence from Guatemala and Spain, expeditions were sent to explore the “Desert (jungle) of Ocosingo” — De Vos uses its more poetic name “the Desert of Solitude” — all the way to the juncture of its great rivers, the Jacate and the Usumacinta. Timber merchants soon learned how to move logs on the rivers, and priceless mahogany and cedar groves began to fall. By the turn of the century the jungle was seething with logging camps — monterias — in which the Mayan Indians, gangpressed in Ocosingo, were chained to their axes and hanged from the trees. The conditions in the monterias were exposed to the world in the 1920s in a series of novels by the German anarchist writer Bruno Traven.

Foreign investors bought up huge chunks of the jungle — the Marquis of Comillas, a Spanish nobleman, still lends his name to a quarter of the forest. In the 1950s, Vancouver Plywood, a U.S. wood products giant, bought up a million acres of the Lacandon through Mexican proxy companies, and made another dent in the forest. The Mexican government later cancelled all foreign concessions and installed its own logging enterprise, initialed COFALASA, which took 10,000 virgin mahogany and cedar trees out of the heart of the Lacandon every year for a decade.

The settlers began to stream into the forest in the 1950s, boosted by government decrees that deemed the Lacandon apt for colonization. Choles, pushed out of Palanque, settled on the eastern flanks of the forest. Tzotzil Mayans from the highlands, expelled from landpoor communities like San Juan Chamula under the pretext of their conversion to Protestantism, arrived in the west of the Lacandon, as did landless Tzeltales and Tojolabales, newly freed from virtual serfdom on the great fincas (haciendas) of Comitan and Las Margaritas. In 1960 the Mexican government declared the Lacandon jungle the “Southern Agrarian Frontier” and non-Mayans joined the exodus into the forest. Oaxacan Mixes displaced from their communal lands by government dams, campesinos from Veracruz uprooted by the cattle ranching industry, and landless mestizos from the central Mexican states of Guerrero and Michoacan all pushed through Ocosingo, Las Margaritas and Altamirando, on their way down to the canyons — Las Canadas — towards the heart of the forest. The land rush narrowed the dimensions of the Lacandon and upeed its population considerably. In 1960 the municipality of Ocosingo had a population of 12,000 — the 1990 census was 250,000.

The new settlers were not kind to the forest. Infused with pioneer spirit, the campesinos cut the forest without mercy to charter and extend their ejidos (rural communal production units). Other settlers were more footloose, aligned themselves with the cattle ranchers, slashed and burned their way into the Lacandon, planted a crop or two, and abandoned the land to a cattle ranching industry fueled by World Bank credits. The zone of Las Canadas, the Zapatista base area, was one of the most devastated by the logging and cattle industries.

Two government decrees sought to brake the flow into the forest but backfired badly. In 1972, President Luis Echeverria turned 645,000 hectares of the jungle over to 66 second-wave Lacandon families and ordered all non-Lacandones evicted — settler communities were leveled by the military. Seeking to crystalize communal organizations that could defend the settlers from being thrown off the land they had wrested from the jungle, San Cristobal de las Casa’s liberation Bishop Samuel Ruiz sent priests and lay workers into the region to build campesino organizations such as the Union of Unions, Union Quiptic, and the ARIC — formations from which the Zapatistas arose years later.

Then, in 1978, a new president, Jose Lopez Portillo, added to the turmoil by designating 380,00 hectares at the core of the jungle as the UNESCO-sponsored Montes Azules Biosphere Reserve, declaring that all settlers living inside its boundaries must leave. Forty ejidos, twenty-three of them in the Canadas, were threatened. A young EZLN officer, Major Sergio, remembers well the struggle of his family to stay on their land in Montes Azules: “the government would not hear our petitions. We were left with no road except to pick up the gun.”

Many Zapatista fighters — the bulk of the fighting force is between 16 and 24 years old — were born into the struggle of their parents to stay in the Lacandon in defiance of the Montes Azules eviction notice. “The first experience the young colonos of Las Canadas had with a factor external to their lives was the pressure brought by environmentalists to preserve the forest,” writes sociologist Xochitl Leyva in Ojarasca, a journal of indigenous interests.

A 1989 environmentalist-backed ban on all wood-cutting in the Lacandon also led to resistance and frequent clashes with the newly-created Chiapas forestry patrols. In one of the first EZLN actions, two soldiers, thought to have been confused with forestry patrolmen, were killed in March 1993 near a clandestine sawmill outside San Cristobal.

The EZLN uprising has highlighted the development vs. conservation controversy that has raged in the Lacandon for generations. The EZLN demand that new roads be cut into the region drew immediate objection from the prestigious Group of 100, which, under the pen of poet-ecologist Homero Aridjis, complained the new roads would mean “the death of the Lacandon.” The Zapatista demand for land distribution also worries Ignacio March, chief investigator at the Southeast Center for Study and Investigation (CEIS), who fears the jungle will be “subdivided” to accomodate the rebels.

“Ecologists? Who needs them? What we need here is land, work, housing,” Major Mario remarked to La Jornada earlier this winter, when questioned about the opposition of the environmental community to EZLN demands.

The June 10th EZLN turndown of the Mexican government’s 32-point peace proposal has heightened fears of renewed fighting, a worst-case scenario for ecologists. S. Jeffrey Wilkerson, director of the Veracruz-based Center for Cultural Ecology worries that a military invasion of the Lacandon by the Mexican Army would mean the cutting of many roads into untouched areas, the use of destructive heavy machinery, the detonation of landmines, bombings and devastating forest fires and even oil well blow-outs.

Because of national security considerations, PEMEX, the government petroleum consortium, does not disclose the number of wells it is drilling in the Lacandon — some researchers think there are at least a hundred. From the air, the roads dug between oil platforms scar the jungle floor, and painful bald patches encircle the drilling stations.

One of the Zapatistas’ most important contributions to preserving the integrity of the Lacandon was to force 1400 oil workers employed by PEMEX, U.S. Western Oil, and the French Geofisica Corporation to shut down operations and abandon their stations during the early days of the war.

Despite disputes with the environmental community, the EZLN may be one of the most ecologically-motivated armed groups ever to rise in Latin America. The Zapatista Revolutionary Agrarian Law calls for an end to “the plunder of our natural wealth” and protests “the contamination of our rivers and water sources,” supports the preservation of virgin forest zones and the reforestation of logged-out areas. The lands they demand, the rebels insist, should not be shorn from the Lacandon but rather stripped from the holdings of large landowners.

The EZLN approach to the forest in which they and their families have lived for decades draws grudging approval from some environmentalists. “Few armed groups have ever included these kinds of demands in their manifestos” comments CIES investigator Miguel Sanchez-Vazquez. Andrew Mutter of the Lacandon preservationist Na’Bolom Institute is also sympathetic to the environmental roots of the EZLN: “this revolution rose from the ashes of a dead forest...”

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certifiedalbedoenthusiast · 7 months ago

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I have crafted 2000 Woodland Dreams.

Around the time of Albedo's first rerun in 2021, I began a quest in Genshin: to craft the maximum possible quantity of his special dish, the Woodland Dream. Today, I finally hit 2000.

This has been around 2.5 years of daily fishing, milk and salt purchasing, butter crafting, and small lamp grass collecting. Never mind artifact grinding, this is the grind I had on my mind.

I was inspired by Youtuber Memorii, who crafted 1000 of Noelle's special dish for her birthday back in 2021. At first I thought I would just craft a hundred Woodland Dreams, which I figured was an impressive but manageable number. But, as I hit 100, I just wasn't satisfied. Why stop at 100 when the item limit is 2000? And so here we are today, 2.5 years later, with a full inventory of Woodland Dreams.

Fun stats, musing about optimised Woodland Dream production, and my attempt at cooking Woodland Dream in real life below the cut:

The Sunshine Sprat recipe uses 3 butter, 3 fish, 1 salt and 1 small lamp grass. Like any 3-star special dish, you have a 15% chance of crafting a Woodland Dream whenever you cook a Sunshine Sprat with Albedo. I was cooking Sunshine Sprats at a rate of around 100 per week, and while I didn't keep any exact records, we can use these facts to make some estimates.

I would have crafted roughly 13k Sunshine Sprats in total, over the course of around 133 weeks. 85% of those (around 11k) would have just turned out as regular Sunshine Sprat. Of course regular Sunshine Sprat has an item limit of 2000 too, which means I would have had to discard (consume) about 9k Sunshine Sprats in the process.

Crafting 13k Sunshine Sprats takes approximately:

40k butter

40k fish

13k salt, and

13k small lamp grass

I exclusively crafted butter from milk, as it was easier and cheaper to buy in bulk than directly buying butter. This means I would have bought around 80k milk, which cost me 7.2 million mora.

Fish can be gathered from the wild as well as purchased from various merchants around Teyvat. In the early days, I was very diligent about collecting fish in the wild, but towards the end I got a bit lazy and started buying fish more. Overall I bought roughly 10k fish, which is around 75 fish per week, and cost me around 2.2 million mora.

(Sidenote: I was using mora gained from expeditions exclusively for this Woodland Dream quest. This gives me a decent estimate of how much I spent on fish, since I can calculate how much mora I received from expeditions over 133 weeks, and my estimates for milk and salt costs are a bit more concrete.)

The other 30k fish were gathered from the wild. With the assistance of Kuki Shinobu and Yelan, who I discovered were very, very good at killing fish efficiently (helpful when you have high ping like me), the fish populations around Yujing Terrace, the western shore of Mingyun Village, and the Dawn Winery shoreline were absolutely decimated. There are many places to gather fish in Teyvat, and I didn't limit myself to these 3 spots, but these I found were the most convenient places.

(Klee, I found, was surprisingly not that good at killing fish. Her bombs are not very easy to aim properly, and the explosion AoE isn't that great.)

Salt cost me around 670k in total. Nothing more really to say about salt.

And finally, small lamp grass. I had an intensive teapot farm going, and grew nearly 2.5k small lamp grass. But the teapot farm could only give me 8 lamp grass every 3 days, so the bulk of lamp grass, the remaining 10.5k, was harvested from the wild. Whispering Woods and Wolvendom are good sources of lamp grass (17 and 19 lamp grasses respectively), and there are 4 west of Dawn Winery, which were also convenient to collect while I was fishing. Nahida was a blessing for easy lamp grass collection.

In total, I spent around 10.1 million mora on this quest. I don't want to try to calculate the actual number of hours I spent gathering fish and small lamp grass because that will make me cry.

This screen makes it totally worth it though.

I did take this quest at a pretty leisurely pace, admittedly, so just for fun, I thought I'd calculate how long it would take to craft 2000 Woodland Dreams at the most optimised pace. I'd say there are two cases, one where you have unlimited access to resources in co-op worlds, and one where you only have access to your world.

For the first case, you can assume unlimited fish and small lamp grass since these can be gathered from as many co-op worlds as necessary. The limiting factor ends up being butter. It takes 5 minutes to craft butter from milk, which means 288 butter can be crafted every day. (This takes 576 milk per day, which is not a problem, as 600 milk can be purchased daily across Teyvat as of version 4.2.) Additionally, 40 butter can be purchased weekly. Thus you can craft 96 Sunshine Sprats every day, plus an additional 13⅓ each week. This comes to about 685 Sunshine Sprats per week, and on average, 102.75 Woodland Dreams per week. Thus, it would take just over 19 weeks to craft 2000 Woodland Dreams at the most optimised pace possible, about 7x faster than it took me.

If you only have access to your own world, the limiting factor becomes small lamp grass. 77 lamp grass can be collected from the wild every 48 hours. Also, every 3 days, 8 lamp grass can be harvested from the teapot, and 5 bought from Flora. Thus, every 6 days, you can collect 257 lamp grass, and thus can craft 257 Sunshine Sprats every 6 days. On average, this gives you 38.55 Woodland Dreams every 6 days. Thus it would take you just over 44 weeks in total to craft 2000 Woodland Dreams at the most optimised pace when you only have access to your own world. This is about 3x faster than it took me.

But I was already getting quite tired of spending the measly few minutes needed every day to catch fish towards the end. I had no interest in doing it "more optimally" - it was a marathon rather than a sprint, to use a cliche.

Anyway to celebrate this historic moment, I cooked some Woodland Dream in real life. I followed the recipe in this video.

The fish used is barramundi fillet (which was the best size and shape out of all the fish at the local supermarket). I had just as much trouble drawing with the sauce as the guy in the video. But tastewise the dish turned out pretty good! The sauce especially was very nice (I slathered a lot more sauce on when I started eating). This is a dish I'd definitely make again, but I don't think I'd bother making it look fancy like this. So basically, I'd make regular old Sunshine Sprat in the future instead, which I suppose is fitting.

I shall now proclaim myself #1 Albedo Fan (culinary division) 🥇🎣

#genshin impact #albedo #me living up to my url #a

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sane-human · 5 months ago

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Ever heard of the east african bronze age, land of Punt

I did not! But now I do and I find it very very cool!!

(Punt 2500–980 BCE)

"Land of Punt was an ancient kingdom known from Ancient Egyptian trade records. It produced and exported gold, aromatic resins, blackwood, ebony, ivory and wild animals." ------------------------------------------------------------------------------

(Cool Article about Punt)

Punt was likely located in present-day Puntland State of Somalia or, at least, North West Somalia!

"...he country is best known from inscriptions regarding Queen Hatshepsut's famous expedition in 1493 BCE in the 18th Dynasty of Egypt. This exchange between the two countries brought back living trees to Egypt, marking the first known successful attempt at transplanting foreign fauna. "

(The possible route taken : Wadi Tumilat)

------------------------------------------------------------------------------

"Punt came to hold a deep fascination for the Egyptian people as a "land of plenty" and was known as Te Netjer, the land of the gods, from which important goods came to Egypt."

In the 12th Dynasty (1991-1802 BCE), Punt was immortalized in Egyptian literature in the Tale of the Shipwrecked Sailor!

videos: (Audio Book online I found , more story like) (More faithful video to the original story, also read in egyptian, very cool)

"Punt is purposefully chosen in this story as the mystical land on which the sailor washes up because it was already understood as a faraway realm of exotic goods and generous people."

(A friendly game of Senet)

#countryhumans ask the bronze age #countryhumans ancient egypt #countryhumans punt

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dailyunsolvedmysteries · 8 months ago

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Christopher McCandless, The Man who Hiked to Death

Born February 12th 1968, in Inglewood, California, Christopher McCandless was immediately plunged into a chaotic family. His sister, Carine McCandless, documented in her book ‘The Wild Truth’ that they shared their home with six half-siblings. Carine also alleged that her parents were abusive, both physically and verbally, toward the McCandless children. She documented how her father was an alcoholic, and their mother often fed off his evil energy, inflicting her own abuse upon them.

The McCandless never stayed in one place for long as Walt McCandless worked for NASA as a rocket scientist, taking him across the U.S. Eventually, the family settled in Virginia long enough for Christopher and Carine to graduate.

Following his graduation from university, Christopher knew he needed to travel. He had spent much of his childhood moving from town to town, state to state, and this had a profound impact on his outlook on life.

He only stayed in one place for a short time, seeing the beauty in exploring the world. In mid-1990, Christopher left Virginia for new pastures and began driving West. He stopped in towns and cities along the way, picking up odd jobs to make ends meet. By April of 1992, Christopher was itching for another adventure, and that is when he decided to make his way to Alaska, the final frontier of the U.S.

Incredibly, Christopher managed to hitchhike from Carthage, South Dakota, to Fairbanks, Alaska, a whopping 3,000+ miles through Saskatchewan, Alberta, British Columbia and Yukon, Canada. Eventually, he arrived, and he began planning his largest expedition yet. He wanted to hike through the Denali National Park. The park covers over 6,000,000 acres in the middle of Alaska. Communities are few and far between, with many Alaskans congregating near large towns and cities.

Despite the harsh weather conditions of Alaska, Christopher McCandless seemed ill-prepared. Fellow hikers and locals recalled seeing Christopher arrive in Fairbanks carrying only a backpack. He also stood out for his ‘Hippie-like’ appearance, choosing to remain unkempt and dirty. April 28th 1992, would mark the last day that Christopher McCandless would ever see the seeds of civilisation.

That day, Jim Gallien was flagged down by Christopher, who was looking for a ride to the Stampede Trail in the Denali National Park. Gallien later told author Jon Krakauer that he had doubts about the 24-year-old’s survival from the start. When he got into his car, Christopher had minimal clothing and a backpack. Christopher explained that he was carrying a 10 lb bag of rice, a Remmington semi-automatic rifle and a pair of Wellington boots inside his bag. Gallien was, in fact, so concerned that he offered to drive Christopher to Anchorage so that he could purchase the necessary equipment for him. He knew how harsh and unforgiving the Alaskan landscape could be, and per population, it has an alarmingly high missing persons rate. Throughout their drive, Christopher assured Gallien that he would be fine and had hiked many times before.

It wasn’t until months later that Gallien learned Christopher’s real name, as when he had picked him up, he had simply given the name ‘Alexander Supertramp’. The only item that Christopher accepted from Gallien was a map. Before leaving, Christopher asked Gallien to snap a picture of him at the Stampede Trail, making this one of the last photographs ever taken of Christopher McCandless.

For two days, Christopher hiked the Alaskan wilderness, soaking in the beauty of the Denali National Park. After a gruelling march, Christopher made it to an abandoned blue and white bus. Whilst the exterior was rusted and hadn’t been loved for some time, Christopher recognised it was the perfect shelter and base camp. He wasted no time setting up his gear and prepping his new home.

The blue and white bus that would become a notorious tourist hotspot was not Christopher’s intended finish line. According to his diary, which was later discovered with his body, Christopher had planned to hike through the park and to the Bering Sea. Christopher remained at the blue and white bus for two months, eagerly journaling every step. Christopher wrote in his diary that he had begun consuming the roots of the Hedysarum Alpinum plant. Christopher also detailed in his diary how he had trapped and hunted small game and wildlife. He had successfully hunted a moose/caribou with his rifle. However, the meat was rotten by the time he came to consume it. With just 10 lbs of rice and foraged plants, Christopher rapidly began losing weight.

The lack of food and people was beginning to get to Christopher, who heavily documented his trip via his journal and camera. On July 3rd 1992, Christopher packed up his things, leaving the blue and white bus behind.

With a map in hand, Christopher hoped to reach civilisation once more, but the landscape had changed and he became distressed and returned to the blue and white bus to wait out the days until the river froze over once more.

On July 14th, he also began to incorporate the seeds of the Hedysarum Alpinum plant into his diet, as was documented in his diary. The meagre diet of plant material and small animals was nowhere near enough to sustain Christopher, who continued to waste away. As he continued to weaken, he lost his energy and ability to forage further afield for plants and fruits.

Christopher McCandless made his final diary entry on what he noted as ‘Day 107’. The entry simply reads, “Beautiful blue berries.” Author Krakauer noted that days 108 through 112 had / (slashes) but no words, and after Day 113, no more entries were made. Sometime around these final diary entries, Christopher wrote, “I have had a happy life and thank the Lord. Goodbye, and may God bless all.” It is clear Christopher knew his end was coming, and he had made his final preparations and peace with his fate.

It wasn’t until September 6th 1992 that the grizzly truth would be revealed.

That day, hikers in the Denali National Park came across the blue and white rusted van that Christopher had once called home.

These hikers had the same idea as Christopher and were eager to use the bus as shelter.

When they approached the bus, they found a note taped to the door which read “Attention possible visitors. S.O.S. I need your help; I am injured, near death and too weak to hike out. I am all alone; this is no joke. In the name of God, please remain to save me. I am out collecting berries close by and shall return this evening. Thank you, Chris McCandless, August.”

As they moved through the bus, they saw the familiar outline of a human in a sleeping bag. After reading the note, they hoped that Chris had managed to survive, but all hopes were dashed when the stench of decay overcame them. The hikers took a closer look, and their worst suspicions were confirmed. Christopher McCandless was deceased, his body decaying in a sleeping bag in the back of a rusted-out bus.

Alaska State Troopers and Denali Park staff were summoned to the bus where Christopher’s body was recovered. His family were notified of the terrible news, and preparations for his body to be returned to Virginia were made.

Christopher’s passing marked a turning point in the culture surrounding hiking and travelling. He had wilted away in the wilderness when a bridge and cabin were within a few miles of his location.

#christopher mccandless #unsolved #unsolved mysteries #creepy #missing

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dandelion-wings · 23 days ago

Note

Hi! For the Whumptober prompt meme: from the first list, 16 "no, I can’t feel anything", with Jean please! I hope your October gets better soon °^°

Thank you for the ask, and for the well-wishes! <3 Funny story: I did a bunch of research last night on "delayed injury" for this, because I thought it would be a fun twist for that prompt, and then I woke up this morning and... absolutely chose violence. I can rehash the same setup two prompts in a row, right? >>

(Though I am filing that research alongside a suggestion made to me re: the last fill that I saw too late to take, and there may or may not be a non-prompt story that utilizes both concepts some time in the future.)

---

It isn't Klee's fault. She had been as safe in her play as ever, and it wouldn't have happened if the Abyss Lector hadn't arrived when it did, or if Jean had taken a little longer to consider the ground before she struck.

Klee is more than capable on her own in Mondstadt's tamer wilds. Perhaps (*probably*) it was a mistake to think that she was more-or-less harmless out there, damaging only the landscape, very careful never to put bombs anywhere near roads ("It's bad to step on bombs, ever!"), or structures ("Walls should stay up! And roofs should stay on!"), or people ("Only blow up monsters and bad guys!"). But despite her age she can defend herself ably, and even with some of the expedition returned the Knights are still stretched thin when it comes to Vision-users, who are really the only people who can safely watch her.

These are all excuses. Jean knows that when she makes them to herself, letting Klee go out the city gates day after day, but they seem solid enough.

When Klee comes to Jean and tells her that she'd seen a bad guy while she was playing in the Whispering Woods, one of the really bad scary ones she's supposed to report *right away*, Jean lets her take Jean's hand and lead her back out of the city. She'll have Klee wait a bit back from the engagement, but this is easier than searching the woods based on Klee's rather erratic directions, and Jean can handle what sounds like one Abyss Lector on her own. Besides, all the knights she would call on are of the city on missions of their own, and she doesn't want to wait.

The location Klee points out is actually on the edge of the woods, one of the lower cliffs rising up out of Starfall Valley and only half-wooded. Jean leaves her deep among the trees, in a spot with no monsters about. "If you feel like I'm taking too long, or you see anything that frightens you, return to Mondstadt and tell a Knight right away," she tells Klee, before heading up.

She circles around wide, scaling the higher cliff to the west of that one, then crouches at the edge to look down at the cliff below. From here she can see the Abyss Lector, circling a section of disturbed ground. It seems agitated, gesturing and muttering to itself, making arcane gestures with its catalyst and then dismissing it again. Jean doesn't know what it may be searching for, but generally, when creatures of the Abyss are on the hunt for something, it's better to stop them *before* she find it.

Drawing her sword, she leaps into the air, letting her glider spread out to catch her. She glides forward a few feet, lining up the angles, and then shifts her stance as she pulls the cord. Her glider's wings snap shut, and Jean comes crashing down, sword-first, upon the Lector.

The tip of her blade catches on the Lector's pauldron and drags down from there, scraping a deep gouge into its armor. Jean bends her knees enough to soften her landing and draws straight, summoning a Gale Blade. The swirling Anemo catches the startled Lector, and she uses its moment of surprise and the force of the Anemo to whirl around, then takes one step forward, ready to hurl it against the hard stone of the cliff.

As her weight comes down on her front foot, something clicks underneath.

Disturbed ground- Klee was playing here- and the Lector's appearance would preclude her usual and required warning sign.

Jean hurls the Lector in a panic, no longer thinking about her aim, and leaps sideways. She might have been fine, had it only been her and the bomb. Layers of earth on top usually muffle the force of Klee's explosions. But the Lector, which *hadn't* hit the cliff and *isn't* still staggering from the blow, recovers enough to send a fireball flying towards the spot where Jean had been. It hits just as the ground begins to bulge.

There's a soft *whumph* from beneath the dirt, and then a much louder, roaring, rumbling *WHOOMPH,* and then the very stone of the cliff goes out from under Jean's feet.

She yanks the cord of her glider only to have rocks immediately batter into it, though at least the wood and fabric of the wings serve as a partial guard against being pummeled herself by the falling stones. One does strike her in the arm hard enough that she feels bone crack, and she loses her grip on her sword. Then, tumbling wildly through the air with only the drag of the broken glider, she hits the ground in the midst of the falling stones.

More bones crack as they fall upon her; Jean, on her belly, throws her hands over her head. Then one huge boulder crashes down right in the small of her back, and she screams, her vision going white for a moment at the sheer agony of the impact, convulsing under it, bile rising in her mouth. She's retching and spitting up the remnants of her breakfast as the last few pebbles and flakes of gravel settle, a layer of thick, choking dust over the pile she's halfway buried in.

There's no sign of the Lector. Jean tries to twist about and look up, but her broken arm gives out under her, and her back is screaming with half the muscles torn, and when she tries to turn her neck alone she can't actually see past one torn, dangling glider wing.

She's gasping for air, her lungs compressed under stone and scree and further choked by the heavy dust, and pain and panic and adrenaline have her heart pounding. In the woods, under the trees, she can see Klee's pale face, her wide eyes, the way she clutches with one hand on her little book of tales that serves as a catalyst and the other tight around Dodoco. Jean mouths *'Go'*.

One thing goes right: Klee turns and bolts, rushing for the road out of the Woods.

That leaves Jean lying there, unable to see most of her surroundings, barely able to move, wracked with pain. Except for where she isn't, but Jean isn't thinking about that right now. She has to stop panicking.

Anemo still responds to her Vision's call, though she's not foolish enough to try to heal herself while she's still crushed beneath so much stone. Instead she uses it to control her breathing, dragging air in and out of lungs through her Vision's power instead of her own compressed diaphragm. As that slows and steadies, her heartbeat does, too. The pounding in her ears slowly recedes, and what Jean had thought was dizziness fades with it.

She wishes she had her sword. Instead she's channeling through her brooch, which is far from a catalyst--not that she's ever been good with catalysts. But it's enough for this one task. She won't think about what happens if the Abyss Lector does come to finish off the job.

It doesn't. Jean lies there regulating her breathing, struggling to focus on that, on the slice of woods she can see, on the ways she's going to have to rearrange the Knights' schedules in the next few days, on the wisdom of perhaps sending some of her recovery time becoming better-practiced with catalysts, anything that isn't the fear sending cold tendrils through her or the despair that threatens to choke her throat and blur her eyes. Above all, she has to stay calm.

Help comes startlingly quickly. Jean has only just gotten her breathing and heart rate fully under control and set up a rhythm she can stick to when there's a breathless, familiar shout. "Master Jean!"

"Watch out," Jean manages to croak as Amber comes pounding out of the wood and up to her. "There may be an Abyss Lector about."

"Yeah! Klee told me. Don't worry, I have a couple Baron Bunnies ready, and I told Klee to keep heading back to Mondstadt and get more people to help."

Amber is doing an admirable job of looking and sounding steady herself, though her voice wavers just a little at the end, and she's pale around the edges when she steps back to survey the pile of stone Jean is under. Jean is proud, but not surprised. The Outriders used to be responsible for wilderness rescues, when there were enough of them to handle that alone, and Amber is still usually the person who finds stranded travelers or overconfident adventurers when they run into the sort of circumstance they need to rescue from. She does know what she's doing.

In fact, just as Jean is reminding herself of that reassuring fact, Amber shoves her bow into its case and steps forward again to start taking off stones. "You're not that far in. If I get these off here, it shouldn't shift anything... can you breathe any better?"

Jean attempts a breath without any aid from her Vision and feels that the cramped feeling is mostly gone. "Yes, I can."

"Okay. Since no one else is here yet, I'm gonna take this slow! But this is way more spread out than it is piled up, so it's safe to move most of it."

Amber is well into the process of unearthing her when Albedo arrives on the scene. Jean feels something drawn tense in her relax at his presence. He's as capable of Kaeya or Eula of handling the Lector if it appears, even if he hadn't been her first thought as a rescuer.

Better yet, he's brought along a selection of survival gear that she suspects matches the contents of his emergency cabinet on Dragonspine. He leaves that to Amber as soon as she exclaims in recognition of the stretcher, though, and steps in to move the last few and largest stones instead. Amber had tested the huge boulder that had struck her in the back once, barely tilted it, and immediately decided from Jean's pained noise that she couldn't move it alone. Albedo carefully and precisely places a Transient Blossom on one side of her, just beneath an outward jut of the stone, and brings it up so that the stone tilts and then topples over on her other side.

Jean feels a bolt of rebounding pain up her back, torn muscles spasming, and chokes back a cry. She doesn't feel the same bolt going downward.

Kneeling down beside her, Albedo puts a hand to the small of her back, sending another wash of pain up her spine as he presses gently at what *must* be crushed bone. He runs his fingers lightly up from that spot to the back of her neck, prodding each vertebrae. Then the pressure returns in that painful spot, for a moment, and--nothing. Jean feels nothing at all.

She tilts her head enough to look at him, and he meets her gaze and reaches out to do something she can't make out. "Can you feel this?"

"No," Jean whispers back. "I can't feel anything."

"This?"

"No."

"And this?"

Jean can't entirely choke back the despair at that, "No."

"One last time."

Albedo's fingers are suddenly pressing down, hard, on the painful spot that makes Jean twitch all down her spine--all down the part of her spine he can *feel*--and she gasps out, "Yes."

"Hmmm." There's only the barest, slightest hint of apology lurking in his clear blue eyes; the rest is shared understanding. Jean finds herself unutterably grateful for his reserved calm as he rises again and turns to Amber. "Is the stretcher ready? We'll have to roll her onto it."

"It is," Amber says, her voice shaking harder now, face white, and Jean realizes with a sharp stab of regret that for all they'd both been quiet, for at least part of that, she'd been watching. But she drags it forward beside Jean, takes a deep breath, and looks up at Albedo. "I'm ready."

Jean manages neither to scream when they roll her onto it, nor to say more than, "It's all right," when Amber apologizes for jostling an apparently broken leg, then flinches. She lies still on the stretcher and keeps her eyes open for any sign of the Abyss Lector and guides her breath with her Vision, in and out, in and out, slow and steady, refusing to let her fear control her.

The Knights at the gate leap to help, freeing Amber from her burden, though Jean is relieved that Albedo refuses to relinquish his end of the stretcher. There's something about Geo users that seems to keep their steps always steady, and his serious calm remains a reassurance beyond what her own breath control can give. By the time they reach the second tier of stairs Noelle has come racing to take the other end, and Jean is carried to the Cathedral with as little jostling as could possibly be expected.

Sister Victoria is at the Cathedral's gates by the time they arrive, and takes ruthless control of the situation. Jean is settled in an infirmary bed by the time Barbara, whose hands are clutched in her skirts but who smiles idol-bright regardless, gets there. Jean draws in breath for a clear and honest description of her own injuries, so far as she's able to tell.

"I did a basic field examination," Albedo says before she can say the hard words of her self-report, and beckons Barbara off to a corner, facing him, so that Jean doesn't have to see her face when he says them instead.

Jean still hears her sob, once, and whisper, in a choked voice, "Big sister...." And then a deep indrawn breath of exactly the sort that Jean has been taking, and Barbara turns and starts towards the bed with a determined step and that idol's smile, only a little strained, and a nearly-cheerful, "We should start with a potion for the pain, and then I'll do- everything I can!"

---

The potion isn't just for the pain. Jean wakes in darkness; she lies still, her head fuzzy, trying to remember where she is and how she got here. Someplace close, someone is crying.

Scent and feel--medicinal herbs and familiar scratchy sheets--tell her this is the Cathedral's infirmary, so she can relax until the memory of the past day slowly filters back to her. Subtly, aware of the sobbing presence at her side, she tenses and relaxes her jaw, her arms, her back and abdomen, testing for lingering aches and pains. There's none at all, even in her lower back. Barbara is very good at what she does.

There's none at all in her legs, either, because they don't tense when Jean wishes them to. Even Barbara, best healer in Mondstadt, can only do so much. The spine is one of those few parts of the body that rarely if ever responds to magic.

Which is as good a clue as memory as to who is sitting beside her. "Barbara?" Jean whispers into the dark. It's been a long, long time since she's heard her little sister cry.

The legs of a chair scrape on the floor, and then Barbara is lurching closer, a shadow in the dark. "I'm *sorry*," she chokes out. "I tried my best, but... it wasn't enough."

There's a weight in Jean's chest that grows suddenly heavier, like another stone dropping atop her, at that admission. She hadn't even realized that she was still hoping that Barbara would say it was just taking a while, or she'd put in a nerve block, or--it doesn't matter what hopes she'd held. Those words crush them.

She swallows down her own sob of despair as they come crashing down. "It's all right," she lies, with dismay at the voice her way wavers. It refuses to steady, but she still forges on. "I am a healer too. I know how difficult nerves are, and the spine... is impossible."

Barbara swallows hard enough to be heard; her voice is a little less thick as she answers. "Not impossible," she says in a tone that's struggling to be cheerful, and failing even worse than Jean's. "Lisa says there's an Electro healer who studied in the Akademiya at the same time as her, and helps Bimarstan out sometimes with these sorts of cases. She can't always help, but... she's going to write and ask! You're the Acting Grand Master of Mondstadt, and she's Lisa's friend. I'm sure she'll come."

Or Jean can go to Bimarstan. She's afraid to have any hope at this thin reassurance. It's far from a guarantee, and to count on it... yet she can feel the weight on her chest lift just a little.

Not much. Jean wants nothing more than to burst into tears. If she was alone here, she might. But Barbara is here, and already guilty and grieving. The last thing Jean wants to do is make it worse.

*'Be strong for your sister,'* she remembers her parents saying, her mother sternly, her father kindly, both more than once. Barbara has always been the smaller of them, the weaker, the one who struggled no matter how hard she tried. Jean *can't* give into weakness in front of her, can't pile this pain on top of her own.

She holds out her arms. "It's all right, Barbara," she whispers, and pulls Barbara close when she falls into them, stroking Barbara's hair as she starts once again to try. Jean squeezes her own prickling eyes closed to keep any tears from escaping as she holds her sister tight.

---

Eventually Barbara falls asleep, and Jean after her. She wakes as the room brightens, morning's first light dancing in a dozen different colors across the room through the stained glass of the window, and finds her sister gone. A little while later a different sister of the Church comes in with breakfast--thin broth and tea--and wordlessly props Jean up with a pile of pillows before leaving her to eat.

Without anyone here to comfort, Jean feels the despair beginning to creep in. She choked the tears back too well in the night; her eyes are dry, now, belying the rising, choking tide within her breast. She takes a deep breath, then another, once again tugging at the Anemo around her to keep her breathing steady. But however steady her breathing, this time soothing her body does nothing for her mind.

Even if Lisa's friend from Bimarstan can come, even if she can help, Jean doubts it would be a quick or easy solution. When those things that so rarely respond to magic *do* happen to recover, whether magically or otherwise, it's a long, slow process, working by inches to regain feeling, or sight, or movement, or speech. The Cathedral has a half-dozen such cases already. For few do they expect to do more than maintain or slightly improve their quality of life.

So Jean can't count on that. If she assumes that this is her future--her chest squeezes tight, refusing the Anemo forced into it, until she closes her eyes and counts to ten and tries again, slowly loosening it--then what does she do next? Her days in the field are over. That means her days of leading the Ordo are over. She might remain Acting Grand Master in name until Varka returns, though perhaps it would be better to formally and officially return to Master of the Knights and give Kaeya the title, but there's no question now of her ever becoming Grand Master in earnest. Nor remaining Master of the Knights, at that. It's a more administratively-focused position, but both are expected to provide leadership in battle, and she cannot.

A future outside the Knights looms large and terrifying, empty of all purpose. With effort, Jean turns her mind away.

Until Grand Master Varka *does* return, it's unwise to make such a dramatic change in the Knights' command structure as to remove herself entirely. She can still handle the administrative side of affairs, in fact might do better at staying on top of it without anything else to handle. If Kaeya takes over as central commander in the field it will detract from certain other work he does, but she's not a fool. She does know Sister Rosaria does enough similar work that she might be able to ask her, obliquely, for more assistance--or even have her reassigned to the Knights as an adjunct for the duration, though that would be a fight with both the Church and, she suspects, Rosaria herself. And while she hates to lean upon Diluc, under the circumstances-

Diluc. What will he have to say about this? He's left the Knights, too, but she can't ask him for any advice about her future. Diluc left with a purpose of his own, a righteous one, even if she disapproves of some of the methods with which he pursues it. He still protects Mondstadt, in his own way. He still *can* protect Mondstadt. Jean has trained all her life as a knight, dedicated heart and body and soul to its defense. Now she's nothing but a broken shield, her very presence on the battlefield a weakness rather than a strength.

Jean tries to make herself stop *thinking* of this, to focus on the immediate needs of the situation, to drown her fears in expediency. It isn't working. Every thought leads to the yawning depths of the life ahead, robbed of her family's ancient duty and the calling she feels in her own heart, without the strength to serve Mondstadt as has always been her joy.

Perhaps she can find a place in the Cathedral. They're always in need of healers, and while she'll never be Barbara's match, she could learn to use her healing more delicately than battlefield medicine requires. It isn't what she *wants*, but that's a selfish thought; it's still service, will still help Mondstadt. If she has to give up the career she's pursued her entire life, the work at which she excels, the comrades with whom she's fought side-by-side, whose lives she's saved and to whom she owes her own life....

Jean's chest has once again tight, and this time she can't focus herself enough to loosen it. She starts a flow of Anemo and then thinks, this is something she could do as a Church healer, and then she's imagining herself sitting there forcing air in and out of lungs as she's done a time or two in the field, and then her chest tightens again. She abandons all control of the Anemo around her and just sits there wheezing until it loosens of its own accord, unable in any way to heal herself.

The broth and tea still sit on the side table. Jean has no desire to eat, feels almost nauseous with revulsion at the thought, but she knows that she needs to after such a complex healing. There's no point in making Barbara and the other sisters' lives more difficult. She picks up the bowl, manages one lukewarm spoonful, and tells herself she's warming up for another as she chases the one stray slice of spring onion that hadn't been strained out around the bowl with her spoon.

Before she can wind herself up for that second spoonful, there's a knock on the door. Jean knows who it is from the cadence before Kaeya pushes the door open. He's filthy, covered in dust with his boots smeared with dried mud all the way to the top, and he moves with the careful walk of someone who's been riding far too long as he appropriates Barbara's chair.

"You're meeting with the commander of the Millelith in Liyue Harbor today," is all Jean can think to say.

"Unfortunately, I had to cut that conference short. That does mean the Tianquan will know what's happened by this afternoon, but even if I'd been here already, she would have known by tomorrow evening in any case." He flicks the whole subject away with a hand and leans in. "Lisa filled me in. How are you?"

Jean takes a deep breath, sits up as much straighter as she can manage when she can only rely on the pillows to hold her, and gets ready to fill him in. "I've considered the situation, and I think it may be best to name you Acting Grand Master, and resume a support role as Master of the Knights until Grand Master Varka returns. I should still be capable of all the administrative duties of the Acting Grand Master, and fully intend to continue doing them, so as not to completely overwhelm you with work. I may even be able to take over your work as Quartermaster for the duration, but the Knights need a commander fit to take the field. I had thought to ask if Sister Rosaria might-"

"*Jean*," Kaeya interrupts, leaning in, looking at her seriously. "How are *you*?"

All of Jean's efforts to stave off the tightness fail at that question, and it feels as if her chest caves in on itself. Now the tears come, her throat closing and her eyes prickling. She calls Anemo again to help her breathe past it and blinks hard.

"I have to talk to Klee," she says, desperate for something, *anything* to say that won't turn into a sob. "She saw everything, and one of her explosives was involved. There were clearly errors... I should have fully considered the safety ramifications of allowing her to bury them, even well away from habitations and with their locations marked as she has been doing. Those will have to be addressed, but I don't wish her to think that she was at fault."

"I've already talked to her," Lisa says, coming in through the open doorway. "Albedo has, too. You have an *adorable* get well-card on the way, though it might be a little delayed. I mentioned that the wheelchairs they use at Bimarstan would be useful if not for all of Mondstadt's stairs, and she and Albedo got distracted trying to design a chair that could handle them.... But let us handle her for a little while."

"Thank you," Jean whispers, and, humiliatingly, sniffles, unable any longer to hold back the tears.

Lisa, not even bothering to look around for a second chair, comes around the bed to sit directly beside Jean. She rests a hand on Jean's arm, and her perfume fills the air, familiar and comforting, the same sweet roses with a faint deeper undertone that has surrounded Jean a thousand times when she's come to the library to steal a quiet moment and a cup of tea. As always, Lisa's presence is all it takes to coax her secrets out.

"I'll- I can do my best to help the Knights, until Grand Master Varka returns," she chokes out. "But I can no longer *be* a knight. I can't- I am meant to be Mondstadt's sword and shield, and yet I cannot serve- there is so little I can *do*."

Kaeya leans in further, tensed to rise from his chair, shoulders shifting and hands coming up as he looks at her in uncertain question. Jean gladly holds out an arm, and he steps forward and rests his knee on the bed and pulls her into a hug, one of the sort she's felt too old for since first was made a captain. Lisa slides in closer behind Jean and wraps an arm around her from the back, and Jean buries her face in Kaeya's shoulder, dust and all, and lets his cape soak up her tears.

"You know," Kaeya says, "the Inspector's position has been open for what is it, now? Five years? It requires someone of utmost integrity to fill the position, preferably with considerable experience, and it isn't a combat role."

Lisa chimes in, rubbing Jean's shoulder comfortingly with her free hand. "I'm sure Barbara has already told you that I've written to an old associate from Sumeru. Even if she can't be as much help as I hope, Sumeru is much more forward-thinking about these sorts of problems than Mondstadt is, and she may have some ideas. I wouldn't count out Klee's 'Bouncy-Jouncy Carriage,' either."

"And while Diluc might make a production out of insisting you needn't stay a knight, you know he'll do whatever it takes to get you any help you need," Kaeya adds. "The Dawn Winery's name and money can open plenty of doors."

"I know." More tears are welling up, and Jean clutches at Kaeya for support as she's wracked by a sob. "Thank you. Please don't- I would rather not, right now, but- thank you."

"Whatever you like, darling," Lisa says, and Jean can feel Kaeya's nod.

Another sob takes her, and another, and in the arms of her two best friends she curls around the weight of despair in her chest and lets them hold her through it, just for a little while. There will be time for hopes, for plans, for rebuilding the future around everything that's just changed. Right now, Jean needs this space to mourn.

#ngl the mood on this one has... external influences. but here we are #fic bits #asked and answered #why not meme i guess #someone please give jean a nap

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inthedayswhenlandswerefew · 4 months ago

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Where Will All The Martyrs Go [Chapter 7: Tell Me That I Won't Feel A Thing]

A/N: Hello besties! Thank you for voting in the poll for Chapter 7. Below are your predictions...let's see how you did! 🥰

Series summary: In the midst of the zombie apocalypse, both you and Aemond (and your respective travel companions) find yourselves headed for the West Coast. It’s the 2024 version of the Oregon Trail, but with less dysentery and more undead antagonists. Watch out for snakes! 😉🐍

Series warnings: Language, sexual content (18+ readers only), violence, bodily injury, med school Aemond, character deaths, nature, drinking, smoking, drugs, Adventures With Aegon™️, pregnancy and childbirth, the U.S. Navy, road trip vibes, Jace is back yay!!!

Series title is a lyric from: “Letterbomb” by Green Day.

Chapter title is a lyric from: “Give Me Novacaine” by Green Day.

Word count: 9.6k

💜 All my writing can be found HERE! 💜

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Billboards ask you as the Tahoe flies across the flat emerald sea of Iowa: Have you heard the good news? Have you been saved? Where will you spend eternity? Are you struggling with same-sex attraction? Do you regret your abortion? Do you fear the Lord? Do you want to end up in Hell?

Aegon snickers, gnawing on a Slim Jim. The sun glare turns his wild hair to gold, etches crinkles into the ruddy skin around his eyes, murky like deep water, oceans you recognize from other corners of the world. “I thought I was already there.”

Jace’s Honda Rebel 300 is left on the shoulder of the highway with its fuel tank uncapped, drained to feed the Tahoe, prehistoric combustion, bottomless mechanical hunger. Rhaena takes over driving so Baela can sit with Jace, touch him, inhale him, convince herself he’s real. Aegon climbs into the passenger’s seat and skips songs on the CD player until he finds the one he wants: In Da Club by 50 Cent. The miles roll by so soft and so infinite that you can’t imagine ever feeling trapped again, warm July air unfurling down the darkest corridors of your lungs, hawks on lifeless power lines and fields dappled with white-tailed deer. And you think: Everything will be better now.

You cross the Missouri River and into Nebraska at Plattsmouth, which—according to a plaque mounted on the outskirts of town—the Lewis and Clark Expedition passed through over two centuries ago. Rhaena follows Aegon’s directions to cut between Lincoln and Omaha, avoiding the roiling wastelands of the cities and keeping well north of Cooper Nuclear Station, where in the absence of a successful manual or computerized shutdown before the power grid collapsed, rods of uranium are melting down and irradiating the surrounding area, anemia, cancer, heart disease, radiation sickness, an affliction that eats you alive.

Rhaena takes Nebraska State Route 66 north and then Route 92 due west, lush fields of corn and soybeans and sorghum planted before the dead began to walk, bones of devoured livestock. You stop for the night in a town called Broken Bow, the sky turning the colors of fire and rust and blood, the Tahoe exsanguinated like a man with a slit throat. Every vehicle you pass already has its fuel cap unscrewed; the farther west you go—the scarcer the resources, the longer it’s been since the world began to end—the less the earth will yield to you: less guns, less gasoline, less food, less human settlements scattered across what was once called the frontier. You commandeer a two-story house: white wood, wraparound porch, a long gravel driveway that winds like a snake. There is a small cornfield and a barn, both of which you sweep for zombies before making yourselves at home. You try not to think about what happened to the family that used to live here.

Helaena lights candles, Luke and Rhaena distribute bowls and silverware, Aemond and Rio gather kindling for the woodstove, Daeron keeps watch on the porch, Aegon picks all the Twizzlers out of a mixed bag of Hershey’s candy for Jace. There is a 12-pack of Ramen noodles in the pantry, gallons of water in the cellar, and a pot large enough to cook it all in one batch. Cregan takes Ice and disappears into the cornfield for half an hour at dusk—something none of the rest of you would ever consider—and reappears with an opossum that he’s nearly decapitated with his axe. He butchers it and you brown cubes of meat in a sauté pan placed directly on the glowing embers. The others are horrified and won’t eat a single bite until you do. It’s the first real food you’ve had since you left Saratoga Springs, and you feel satiated in a way you had forgotten existed.

In honor of Jace’s resurrection, some revelry is in order. There are bottles of Grey Goose vodka in a kitchen cabinet, and Aemond allows a two drink maximum for anyone eligible to participate: Baela is too pregnant, Daeron is too young, Aemond himself is too vigilant, too self-sacrificial, too indoctrinated into the religion of his own martyrdom.

“Daddy loved his screwdrivers,” Cregan says. “I remember being five or six and taking a big gulp of one thinking it was Sunny D or Tang or something. Lord almighty, was that a shock!” He guffaws, then inspects the pantry, scratching at the dark stubble on his cheeks. “We ain’t got nothing like orange juice though.”

“Mama made hers with Hawaiian Punch.” You point: there are several jugs of it on the floor between boxes of Pop-Tarts and Welch’s Fruit Snacks and Cheddar Whales, red like crushed blackberries or fresh blood.

Cregan grins at you over his brawny shoulder. “That’ll work, Miss Chips.”

Luke and Rhaena have first watch, Rio and Aegon will take the second. You are blessedly unburdened tonight. This house is big enough for you to get your own room; you climb the staircase with Grey Goose vodka burning in your throat, your head warm and dizzy, a sensation like freefalling as you lie down on the bed.

I left them, you think, the walls spinning around you, echoes of Mama’s voice through the phone as Rio stood there nodding, encouraging you to hang up. I left them and I never looked back. Can someone commit such an act of ancestral betrayal without incurring a curse?

You are still considering this when you feel Aemond’s weight on the mattress and fold into him, the world going dark and hushed and harmless.

~~~~~~~~~~

“I think it’s safe,” you tell Aemond between sighs, his lips on your throat, his hand between your thighs. Late-morning sunlight slants in through the bedroom windows; goldfinches and blue jays flap by chirping blithely. The dead pillage the misfortunate beasts of the earth, but creatures of the air and water are spared. You can hear geese honking from a distance, and the breeze through the cornfield, and calm indistinct voices beneath the floorboards. You can smell pancakes turning from white to gold in a pan sizzling with Crisco. Cregan must be cooking breakfast in the woodstove.

“How sure are you?” Aemond murmurs, his breath warm on your neck, those small teeth he’s always hiding nipping playfully, and if he leaves marks like stains of ballpoint ink you don’t care. He’s whisked every scrap of your clothing away. Beneath him you are bare and helpless and needing more.

“Like…eighty percent sure.”

“I’ll pull out.”

“Like Jace did?”

He laughs and kisses your mouth, not just ravenous but wild like a storm, and all the rest of the world goes quiet. Your ankles are linked around him, his hips rocking with yours. He is wearing only his boxers, black plaid from a looted Walmart, apocalypse chic. “Hopefully better than that.”

“Just try your best. I trust you. I’m willing to risk it.”

“Yeah?”

“It’s worth it to me.” I could be dead in nine months, he could be dead in nine months. I’m not wasting the time we have left.

“It’s your decision. You would be most affected by the consequences.” He draws away and glances down. “I want to look at you.”

“Ohhh.” You stall. “I’ve been trimming with scissors by candlelight. It’s a hack job.”

“I won’t mind.” He grins. “You don’t mind my hack job of a face.”

“I love your face,” you say as you skim your fingerprints down the length of his scar. And then, when he raises an eyebrow roguishly: “I didn’t break any rules. I didn’t say I love you, just your face. I’m totally using you for your face. Your personality is terrible.”

He snickers, kisses you goodbye, retreats to your hips and pushes your thighs apart as you cover your face and whimper, nervous, exhilarated. And then his lips are on you and the trepidation melts away, puddles pooling and then evaporating, and you have a vision of being home again, shivering and dripping in front of the crackling flames of the woodstove after playing outside in the snow and waiting for the fire to take the cold away. Now the fire is growing over you like ivy, tendrils snaking through veins and leaves opening in your lungs, bones vanishing, muscles turning pliant and weightless. You can feel Aemond’s fingers pushing into you, a fleeting second of tension and discomfort, and then a fullness that is delectable, irresistible, maddening.

“Come back,” you plead, and when he does you clasp his face with both hands, kissing him deeply as his fingers remain inside you, thrusting and bathed in your wetness. You’re finally ready for him, you have to be, you need him so badly: like you’re dying of thirst, like you’re running out of air. “Now, Aemond, please. I want all of you.”

And he wants it too. His boxers are gone and he’s positioning himself between your legs, his tongue in your mouth, one hand cradling your jaw as the other guides his cock to where you are slick and aching and aware of an emptiness that has never felt so dire.

He’s so big…

But you are determined to take all of him. You don’t care if there’s pain, if there’s fear. You want to feel what it’s like to be with him before it’s too late.

Aemond presses himself against you, rolls his hips cautiously…and nothing happens. He is a bit more forceful. There is immense pressure, then the beginning of a stretching that is sharp, searing, dreadful, unfamiliar in a way that is completely disorienting. You gasp before you can stop yourself; a wince ripples across your face too quickly to camouflage. Aemond shakes his head and climbs off you, settling beside you on the bed.

“Fuck,” you exhale in frustration, slapping a palm down on the mattress. “I’m sorry, I don’t understand why…why I’m like this…”

“Shh,” Aemond soothes, kissing you. “It’s okay, it’s fine. I’ll help you finish and then we can try again later.”

“Why isn’t this easier?”

“You’re just nervous,” he says gently, smoothing your hair back from your face, like it’s no big deal, like he’s pointing out a bird or a rabbit or the shape of a cloud.

“I don’t feel nervous.”

“It’s not always conscious, sometimes the body reacts without the mind even being aware of it. You tense up and things become…more challenging. But fortunately for us, the treatment is very enjoyable. We just keep messing around and working up to it until one day you’re so aroused and so relaxed that I can glide in without any discomfort whatsoever, and then your body adjusts to this glorious new experience and you aren’t so nervous anymore.”

“Can’t you just��you know…sorry, this isn’t very romantic, but like…shove it in?”

“I could, sure,” Aemond says. “If I was a horrible person. And then you’d learn to associate sex with pain, which would just exacerbate the situation.”

“The problem, you mean.”

He smiles patiently. “You aren’t a problem. We’ll figure it out, we have time.”

Do we? You stare morosely up at the ceiling, shadows of clouds, shades of wings. “I should have hooked up with that Marine at Corpus Christi. Then I’d have practice. I was so afraid of giving a man the power to hurt me or get me pregnant or otherwise ruin my life, but I didn’t know I’d meet you one day. And now I just want everything to be easy for us, and it isn’t.”

“Hey.” Aemond turns your face towards his. “For me, you are…” He struggles to decide on the words, his eye drifting to the window, sunlight turning the blue of his iris to a shallow, glass-clear river. “You’re like an island, and everything else is a sea of poison, and violence, and catastrophically fucked up situations, and when we’re alone together it all goes away for a little while. The world gets quiet. It’s never been like that for me before. I don’t mind if it takes time for us to figure this out. I just want to be with you.”

“What happens when we get to Nevada, and you’re supposed to turn south for the Bay Area while I go north to Oregon?”

Aemond shrugs, but his expression is contemplative. “I’ve been thinking about that. Maybe we’ll all stay together and go to one place, then the other. If Odessa is safe, I can bring my parents, Criston, and Grandfather there. If it isn’t, we can bring Rio’s family south and live in California in that beach house on the cliff.”

“I never thought I’d set foot in a mansion.”

“I never thought I’d eat opossum.”

You laugh and curl up against him, resting your head and a palm on his chest. “How was it?”

“Not too bad, actually. Kind of like dark meat chicken. A little gamey, but I like lamb and venison, so that’s fine with me.”

“Just wait until you try bear.”

“Bear?!”

There is a knock at the bedroom door. Luke’s bashful voice is muted through the wood. “Aemond?”

“Yeah?” Aemond replies impatiently.

This was not an invitation, but Luke doesn’t seem to know that. He opens the door, and as he does Aemond throws the blanket over you so you’re covered, leaving himself completely exposed.

Luke begins: “I’m really sorry, I didn’t want to bother you, but…” His eyes go wide. “Oh, you’re like, all the way naked.” He turns and stares at the wall to be polite. “If it’s a bad time, I could come back in five minutes. Do you need more than five minutes? Wait, that was rude, I didn’t mean it like that, I’m sure you can last way longer than five minutes…um…”

Aemond sighs. “What’s wrong, Luke?”

“Jace is sick.”

“Sick?” Aemond sits up straighter, his eye narrowing. “Sick how?”

“He’s been puking since he woke up.”

You and Aemond exchange a startled glance as you clutch the edges of a blanket patterned with wild horses. Illness, virus, plague, curse.

“He hasn’t been bitten or anything,” Luke says quickly. “So it can’t be…you know…that. And he and Baela don’t seem that worried. But you should probably take a look at him.”

Aemond nods, less alarmed now. “I agree. Can I get those five minutes first?”

Luke smiles. “Yeah. See you downstairs.” He leaves and shuts the door behind him.

You look to Aemond. “Why—?”

He yanks the blanket away and drags you towards him. “I said I was going to help you finish,” he says, grinning, a hand slipping between your thighs.

You bite at his lips when he kisses you and tease: “I don’t need your help.”

“No, I’m sure you don’t. But it’s better when I’m here.”

And he’s right; it is.

~~~~~~~~~~

Daeron is out on the front porch sharpening sticks into arrows and using goose feathers for fletching, attaching them to the wood with a tube of Gorilla Glue that Helaena found for him. Helaena herself is presently floating through the house—soundlessly, ethereally, traceless like a ghost—and partaking in what you all call “apocalypse shopping,” pilfering the clothes and accessories of the former occupants. She seems to know everyone’s sizes without needing to ask. Aegon, Rio, and Cregan are sitting in the living room and eating pancakes off paper plates, carelessly spilling Mrs. Butterworth’s syrup on hideous 1970s couches ornamented with scenes of pheasants and autumn leaves. Down on the Turkish-style area rug, Ice is merrily chomping her way through a stack of burnt pancakes.

“So Cregan,” Rio says, his bare feet propped on the coffee table. “What did you do before the whole zombie situation?”

“I was a lumberjack.”

“No way!”

“Yes sir. I cut down trees for the power company.”

“What a coincidence,” Rio says around a mouthful of pancakes. “I was an electrician!”

“Well how about that? We oughta go into business together once the world straightens itself out. Where’d you work?”

“All over. Wherever the Navy sent us.”

Cregan sets his fork down on his plate. “You were enlisted?”

“Yeah, me and Chips both. That’s how we met.”

Cregan, much to Rio’s surprise, seizes his hand and shakes it soberly. “Thank you very kindly for your service.”

“No problem,” Rio replies, then turns to Aegon. “No gratitude from you, huh?”

“I showed my gratitude when I let you have the last pancake, you ogre…”

In the only bedroom on the first floor, down a hallway and towards the back of the house, Jace looks worse than you expected. He is heaving into a reusable plastic popcorn bucket, gluey ropes of saliva dangling from his lips; his skin is pale and bloodless, his dark curls damp with sweat. Baela is perched beside him on the bed and holding a wet washcloth to the back of his neck. Rhaena and Luke are loitering anxiously in the doorway, watching Aemond to determine if they should panic.

Jace casts you a bitter glance. “You poisoned me with your poor people food.”

“There’s nothing wrong with eating opossum,” you say, somewhat defensively.

Aemond feels his forehead. “That wouldn’t give you a fever. And everyone else is fine.”

“Maybe I’m extra sensitive. My digestive system has higher standards. I’m built different.” Jace resumes retching into the bucket.

Baela tells Aemond: “He can’t keep anything down. There’s nothing left in him, but he’s still so sick…it has to be a stomach flu, right?”

“Who would he have caught it from?” Luke asks, and Baela doesn’t have an answer.

“Stand up,” Aemond orders Jace when his wave of nausea abates. “Strip down.”

“Aemond, he wasn’t bitten,” Baela says. “I saw his whole body last night. He doesn’t have any scratches or bruises or anything.”

“Fine. But I want to see for myself.”

Jace stumbles out of the bed, pushing away Baela’s hands as she tries to stop him. “Okay, Nick Fury. If you wish to gaze upon the goods, I won’t deny you. I’m not shy.” Aemond rolls his eye. You turn around to give Jace privacy. “What’s the matter, Chips? The only dick you’re interested in belongs to Mike Wazowski over there?”

“Jace,” Baela says, but she’s chuckling. Amused, you stare at a picture on the wall—a haloed Jesus guiding a flock of lambs—as Jace sheds his clothing and follows Aemond’s instructions: lift your arm, turn around, show me the bottoms of your feet.

“No bites,” Aemond confirms, deep in thought. “But the symptoms…”

“It’s not that, Aemond, I’m telling you,” Jace insists, rasping breaths between each clause. “Listen, I got sick when I was alone, before I found you guys again. My stomach, my head. Maybe it’s the same thing now. It didn’t last long, and I thought I was over it, but I guess not.”

“People don’t get better and then worse again after they’ve been bitten,” Rhaena observes softly. “They just get worse.”

Jace lies back down on the bed, his face crumbling with pain. Baela uses the wet washcloth to cool his cheeks and neck. “My head hurts so fucking bad…”

“Because you’re dehydrated,” Aemond says.

“Helaena brought pills, but every time I try to take one I throw it up before it can start working.” There is a gurgling sound in his guts, and then a horrified expression. “Baela, I gotta get outside again.” She and Luke immediately swoop in, grab one arm each, and usher him out of the bedroom, through the back door of the farmhouse, and into the cornfield to allow him some semblance of dignity.

Rhaena gives you and Aemond an awkward smirk. “Helaena found Jace a 24-pack of Angel Soft toilet paper in the basement. So there’s some good news.”

“He needs electrolytes,” Aemond says. “We can’t let him get so dehydrated that his kidneys shut down. IV fluids aren’t an option. Pedialyte would be the next best thing, Gatorade or Powerade if that’s all we can find.”

“We passed a pharmacy on our way here,” Rhaena recalls. “It’s only a mile back, I think.”

Aemond nods. “Then that’s where I’m going,” he says, and walks out of the room.

You say as you follow him: “I want to go with you.”

“No.” Aemond points to Rio, who is now playing Uno with Aegon on the coffee table in the living room. “You and I are going to a pharmacy to get Pedialyte for Jace so he doesn’t die.”

“Cool,” Rio says, standing and fetching his Remington shotgun from where he propped it against the wall. “What’s wrong with him?”

“We don’t know. Maybe food poisoning.”

Aegon says, a hand pressed to his heart: “Personally, I loved the opossum.”

You stare defiantly up at Aemond. “If Rio is going, I have to go too.”

“Aww, so you can protect me?” Rio teases fondly, patting your back with one monstrous palm, an unintentional battering.

“Yeah. Exactly.”

Rio looks at Aemond. Aemond looks at you, touching his chin agitatedly. “You are stressing me out.”

“I’m the best shot. I want to be there in case anything happens.”

“Fine, okay, whatever you want. Just stay near Rio.”

“That’s the idea.”

“A pharmacy?” Aegon asks excitedly. “Can I go?”

“No,” Aemond snaps, and continues out onto the porch. In the gravel driveway, Cregan and Daeron are kneeling by the Tahoe and inspecting the front tire on the driver’s side. “What’s wrong now?” Aemond asks, exasperated.

“Got a flat,” Cregan says. “The little fella here noticed it.”

Daeron is mortified. “Please don’t call me that.”

Aemond peers around mistrustfully, out at the road, into the cornfield. “Someone sabotaged us?”

Cregan shakes his head and taps the tire. “Naw, we just ran over a nail yesterday. You can see it right here. A big one too, a masonry nail, I suspect.”

“Can you fix it?” Rio asks.

“I think so. I saw a jack and a lug wrench hanging up on the wall in the barn, now I just need a new tire, a real one. A spare wouldn’t do us much good, not with all the weight we’re carrying. It’d pop in twenty miles.” Cregan gestures to the main road, but westward, the opposite direction from the pharmacy. “Don’t remember seeing a tire place on our way in. Figured I’d try the other direction. I’ll walk ‘til I find a shop or a truck with the right kind of tires to steal from, whichever comes first. Can’t change a tire on gravel, though. I’ll have to drive the Tahoe out to the road and fix it there. I’m gonna need Rhaena’s keys.”

There is an uneasy lull as Aemond studies him. You, Rio, Daeron, and Aegon—who is lingering on the front porch, not yet ready to admit defeat—glance between them apprehensively. Ice is rolling around in the gravel, coating her grey fur with dust. “How do I know you won’t take off without us?”

Cregan’s face goes dark. His brow, heavy and furrowed, settles low over his eyes. “Look buddy, I’ve done a lot of things for you and your people that I didn’t have to. And now I’m fixing the Tahoe so it can take you west, someplace you decided we’re going. If you don’t trust me, do it yourself. Kill your own opossum. Change your own flat tire. But you can’t, can you? Just like I can’t shoot a zombie straight through the eye or tell you how to cure that sick boy in there. We’ve all got jobs here. Let me do mine.”

Aemond glowers at Cregan, knowing he’s right. Daeron averts his eyes; Rio, grinning, eats a handful of Cheddar Whales from a pocket of his cargo shorts. You lay a palm on Aemond’s forearm. “Aemond…he’s trying to help.”

“Sure,” Aemond replies crossly.

“You want collateral?” Cregan says. “Take my dog.” He whistles, and Ice scampers to his side. He points to you. “Go on, princess.” Ice obediently trots over to stand with you, shaggy ash-colored fur, bestial amber eyes like a rattlesnake’s. “She’ll look after you on your way to the pharmacy and back. And if the Tahoe and I have mysteriously vanished upon your return, you can eat her for dinner.”

“You don’t want a warning if you’re about to run into zombies?” Rio asks.

Cregan chuckles as he picks up his axe off the gravel. “Don’t you worry about me. We haven’t heard a peep since we got into town, and I’m just going a little ways up the road. Any less than ten of those abominations, and I can take care of myself.” He gives you and Rio a parting salute and strides into the farmhouse to collect the Tahoe keys from Rhaena.

Aemond turns to Daeron. “Stay here, keep watch. We’ll be back as soon as we can.”

Daeron nods, glancing to where his compound bow rests on the front porch. “Got it.”

“Aegon will help you.”

“Wait, wait, wait,” Aegon says. “I want to go to the pharmacy too.”

Aemond is losing what remains of his patience. “No.”

“Please?”

“No!”

“Then can you at least bring me something back?”

Rio is confounded. “What do you need?”

“You know…” Aegon gestures vaguely. “Percocet, Vicodin, Oxy, maybe some of that cough syrup with the codeine in it—”

“Grow the fuck up,” Aemond flares, and Aegon falls silent. “You’re thirty years old. Take some goddamn responsibility for something, for anything. I have to go to the pharmacy, Cregan has to fix the Tahoe, someone has to stay here with Daeron to help protect Jace and Baela, and Luke and Rhaena, and Helaena too. Just shut up and do the right thing. You have to start acting like an adult. Who do you think is in charge if I get killed? I’ve never for a single day of my life had the luxury of making selfish choices, and now I feel like I’m not even allowed to die. Leaving everyone else with you would be like leaving them with nobody.”

Aegon gazes up at him, not offended but childishly, mortally wounded. His oceanic eyes are huge and glistening. “But you’re not going to die before me.”

“That’s not the point,” Aemond pitches back, cutting, caustic. Then he starts down the long gravel driveway towards the road. You give Aegon a small, apologetic half-smile and then follow after his younger brother, Ice loping alongside you.

Rio thumps Aegon encouragingly on one shoulder. “See you soon, Honey Bun.” And Aegon watches the three of you disappear, standing in the dazzling midday light with his arms folded over his chest and his hair in hie face, kicking at the gravel with the Sperry Bahama sneakers he once wore on yachts and golf courses.

“Please try to be nice to him,” you tell Aemond when you’re far enough away to be out of earshot. Rio is humming a song you don’t immediately recognize—probably Enrique Iglesias—and acting like he’s not listening. “You don’t know how much longer any of us have. And if that was the last thing you ever said to him, you’d feel awful about it.”

“You have no idea what it was like being his brother. Since I was born all I’ve done is try to plug the holes he blasts into ships. But there’s always water on the floor, I’m never done bailing it out. He needs to learn how to do things for himself.”

“Yes, he does. But he loves you, and he wants you to be happy. He would never intentionally take anything from you. He’ll grow into his purpose, whatever that is.”

“He needs to do it faster,” Aemond says harshly, and you walk the rest of the way without speaking, listening for snarling or lurching footsteps, hearing nothing but birdsong and wind whispering through leaves.

The pharmacy—a diminutive family-owned business, not a chain—has been ravaged. The glass of the large bay window has been broken out and the shelves looted, empty containers and wrappers littering the floor, crystalline shards threatening to gash, stab, infect.

“Stay out here with the dog,” Aemond tells you. Ice is panting calmly, her ears relaxed, her strange yellowish eyes taking in the scenery without any concern. “If she gets her paws sliced up, Cregan will have yet another accusation to levy against me.”

“You’re going to have to get used to him.”

“Not much of an adjustment for you, it seems,” Aemond says, then steps through the shattered window, glass crunching beneath his shoes. Rio gives you a wink and goes after him. They rummage through the remaining merchandise, strewn about randomly and interspersed among trash. Aemond peeks behind the counter where pharmacists once filled prescriptions and climbs over it, searching for any bottles or boxes that were left behind.

“Sorry guys, no condoms,” Rio announces, then laughs at his own joke.

“Be careful,” you urge from outside. “Look underneath, check the bottom racks. Rio? Rio, down low, check them!”

“Relax, ain’t nothing going on in here. It’s silent as the grave.” He laughs again. “Get it? As the grave.”

“Aemond?”

“I’m fine,” he tells you as he squints to read medicine bottles.

“Okay, okay,” Rio says, squatting to examine the shelves closest to the cluttered floor. “I’m checking all the racks. There’s nothing scary under the racks. Happy now?”

“Very. Helaena said something that freaked me out.”

“She can be a bit of an enigma,” Aemond admits. He is taking a tiny box from a drawer to keep.

“Oh, we got Pedialyte!” Rio says, yanking a jug of pink fluid from a pile of debris. “You think Jace likes strawberry?”

Aemond hurries over to help him hunt for more. “Yeah. It’s like a Twizzler, right?”

Ice noses your hand and whimpers softly. You look down at her. “What?”

She whirls and canters around the side of the pharmacy, then returns to make sure you’re keeping up. You go after her, slow and wary, a hand on one of your Beretta M9s. There’s nothing of note to be found in the narrow, shadowy alleyway other than an overflowing dumpster and two skeletons stripped of every shred of fabric and flesh; even the bones were licked clean.

You turn to Ice. “Did I need to see this?” She whines and shifts her weight from foot to foot, ears perked up. Something else? You look down the alleyway. Far behind the pharmacy and the shops that surround it is a church on a jade green slope, old-fashioned, white wood and a belltower. There is a cemetery beside it, and amidst the small grey blurs of headstones are… “Oh,” you breathe. “So that’s where the rest of the town is.”

The graveyard is full of limp, swaying figures that can only be zombies. You are far away and draped in shadows; you retreat back to the pharmacy without any indication that you’ve been spotted, Ice trailing close behind. Aemond and Rio are climbing out of the window just as you arrive. They are each carrying three jugs of Pedialyte in various flavors.

“Where the hell’d you go?” Aemond says; but he sounds more relieved than irritated.

“There’s a church about an eight of a mile away. And there are a lot of zombies in the cemetery.”

Rio sets his Pedialyte down on the sidewalk and reaches for the Remington 12 gauge hanging over his shoulder by its leather strap. “Okay, let’s go clear them out.”

“No, I mean a lot. Like a hundred.”

He freezes. “Oh.”

“We should leave town,” you say.

“While Jace is puking and shitting everywhere? You want to be stuck in a car with that?”

Aemond is thinking, toying with the little box you saw him pick up earlier. “We’ll leave as soon as we can.”

“What’s that?” you ask him.

He shows you the label. “Injectable morphine. All the pills were gone, but I found one vial of this, and I have syringes in my medical kit. It doesn’t need to be refrigerated. It should still be useable.”

“For Baela?” For when she delivers the baby?

“Yeah, that’s what I was thinking. Just in case.” Then he looks at both you and Rio meaningfully. “Don’t tell Aegon I have this.”

“We won’t,” Rio promises. And Ice begins trotting back towards the farmhouse, as if trying to rush you along.

~~~~~~~~~~

The Tahoe is at the mouth of the long gravel driveway, still up on a hand-cranked scissor jack. The tire appears to be new, but the lug nuts haven’t been tightened, and the wrench is nowhere to be found.

“Cregan?” Rio says uncertainly, peeking through the cornstalks as they bend in the wind. “Hey, Cregan? Aemond’s sorry he was a bitch to you earlier. He wants you to return ASAP and do manual labor for him.” Aemond grimaces; Rio beams in reply. But Cregan does not appear.

You can hear them long before you reach the farmhouse, muffled chaotic chattering, raised voices and rushing footsteps. As you ascend the steps of the front porch, Rhaena bursts through the door.

“Thank God you’re back,” she says; there is blood on her hands. “It’s Jace, he…he…come look at him. Aemond, you have to do something. He’s sick, he’s really sick. He’s bleeding.”

“From where?” Aemond asks, urgent, bewildered.

“From everywhere,” Rhaena replies, and beckons for him to follow.

The bedsheets Jace is swathed in are blooming with crimson, flowers of doomed gore. Blood drips from his nostrils and his eyes; when he retches into the popcorn bucket, clots of pink and red spew out. Everyone is gathered around him and speaking at the same time, except Helaena. She is crouched on the floor of the hallway just outside his room, her arms wrapped around her bent knees and her face stricken. Ice curls up beside her.

Above the other voices, Baela screams at Aemond, a desperate horrified moan: “What’s wrong with him?!”

Aemond pushes by the others and feels Jace’s forehead, then grabs his wrist to measure his pulse. As Aemond’s fingers tighten, Jace’s skin rips beneath them, the top layer sliding off and leaving only glistening, raw pink. Jace howls, tears of blood streaming down his cheeks. “I don’t know,” Aemond says, his voice unsteady.

“What the fuck do you mean you don’t know?!” Baela shouts back. “You’re a doctor! Fix him!”

“It hurts, Aemond,” Jace gasps, fresh blood on his teeth. When Baela touches his hair, locks of it fall out into her hand.

“He’s turning, right?” Rio says to you. “This is what happened to Snowflake, the blood and the skin and everything—?”

“He wasn’t bitten!” Luke insists, positioned in front of Jace’s bed as if he’s guarding it.

“I don’t care if we can’t find a bite mark, he’s decomposing for Christ’s sake, what the fuck else could it be?!”

Daeron returns with more blankets and towels. Aegon grabs a strawberry Pedialyte out of Rio’s grasp and tries to help Jace drink it. Cregan is muttering: “I ain’t never seen anything like this…”

Decomposing, you think dizzily. He wasn’t bitten, but he’s falling apart…what else does that to a person?

Baela cleans blood from his lips, a towel turning from snow to rubies. “Jace, baby, it’s going to be okay, we’re going to help you…”

“Could it be rat poison or something?” Cregan is saying. “Rabies? Mad cow disease? Ebola?”

“How the fuck do you think he got Ebola?!” Aemond exclaims. “You think he took a jet to sub-Saharan Africa when he was on his own? Use your brain.”

“I’m just trying to come up with ideas here, doc, and I don’t see you with any bright ones!”

He’s decomposing. He’s decomposing.

And then you remember. You kneel down beside the bed so you can look into his face, so you can make him pay attention. “Jace, listen to me.”

“I’m listening,” he replies faintly. He coughs, wet and gurgling. Fresh blood paints his lips. There are blisters beginning to form up and down his arms, you see now, the skin bubbling and separating.

“Jace, do you remember Three Mile Island?”

“What the fuck.” He is baffled, dismissive. “Three Mile what? Huh? What are you talking about…?”

“You’re upsetting him,” Baela says fiercely, tears glittering in her eyes.

But you are determined. “Outside of Harrisburg, Pennsylvania, after we left Fort Indiantown Gap. There were these huge concrete cooling towers. We saw them from the Wawa parking lot.” But he wasn’t there when we talked about radiation. He was still inside searching for guns. “Remember, Jace? Do you remember?”

Now Aemond and Rio are looking at you, petrified, realizing what you must be thinking. No one else understands yet. After a long pause, Jace nods feebly. “Yeah. I remember the towers.”

“Good,” you say, smiling to encourage him. “Okay, this is important. After we lost you at the river, before you found us again, did you see anywhere that looked like Three Mile Island?”

“Yeah,” Jace murmurs as he stares back at you with glazed, bloody eyes; and Rio sighs and shakes his head. “I drove right by it on the Honda. The sign said Byron.”

And it’s been over for him since that moment.

“Alright, Jace.” You want to touch him, to embrace him or cup his cheek. You know it will only make his suffering worse. “Thank you. That’s all I wanted to ask.” He begins to gag again, and Baela hurries to place the popcorn bucket so it can catch his liquefying organs. You turn around and walk through the doorway.

“What’s happening?” Aegon asks you, hushed voice, frantic eyes. He has followed you to the living room, along with Aemond, Rio, and Cregan. You nod to Aemond. He knows.

“It’s radiation sickness,” Aemond says, low and bleak.

“What?!” Aegon gapes at him. “I mean, are you sure…?”

“It fits all the symptoms. He was in close proximity to a nuclear power plant, something the rest of us have intentionally avoided. If there was a meltdown, there are miles and miles that are poisoned with radiation. Passing by on a motorcycle could definitely result in a lethal dose.”

“Poor guy,” Rio says. “Not a good way to go.”

“No,” you agree. It isn’t.

“So how do you treat something like that?” Cregan asks Aemond.

“It can’t be treated,” Aemond replies tersely. “Not here, not by me, not by anyone. Not even if the world was normal again.”

“What do you mean it can’t be treated?! Everything can be treated nowadays! Cancer, heart attacks, diabetes, hell, my cousin got testicular cancer and he was fine a month later, he even got to keep one of his balls!”

“Radiation sickness can’t be treated. He’s going to die.”

“But how is that possible when—?!”

“I need you to try to not be stupid for five minutes,” Aemond snaps.

You say quietly: “He’s not stupid, Aemond. He just doesn’t know about this.”

“You are always defending him.”

“Because not going to med school isn’t a character flaw.”

Cregan asks mildly, looking at Aemond: “Could you explain it to me?”

“It’s pennies in a jar, man,” Rio says. “Radiation stacks up and at a certain point it kills you. It destroys your DNA and your body falls apart. You can get it just by going near someplace contaminated, and you might not even feel it happen. And there’s no way to undo the damage. The pennies never leave the jar.”

Cregan raises an eyebrow at Aemond. “Was that so difficult?”

Aemond ignores him. “We have to tell Jace,” he says instead.

Back in the bedroom—a mineral stench in the air, coppery blood and the salt of sweat—Aegon sits on the edge of the bed and takes one of Jace’s swelling, blistering hands carefully in his own.

“Don’t hold my hand, you loser.” Jace mumbles, and Aegon respectfully releases him.

“Jace,” Aegon begins. “We think you have radiation sickness.”

Jace blinks up at him, wincing and disoriented. “Which means…?”

“Which means, um, it’s going to be…not great.”

“Why are you the person explaining this?”

“You’re right, I really shouldn’t be explaining it. Can someone else explain it…?” Aegon glances around hopefully.

“Jace,” Aemond says. “Those cooling towers you drove by were part of a nuclear power plant that melted down when the power grid collapsed. You received a fatal dose of radiation. It’s the only thing that explains what’s happening to you.”

“Fatal…?” Daeron ventures.

Rhaena gasps and reaches for Luke. Baela’s face is a mask of numb shock. Jace stares up at Aemond for a long time before he speaks. “Aemond, fix me.”

Aemond’s words are brittle and fracturing. “I can’t. I’m sorry.”

“Stop fucking around, man, you’re a doctor. You can fix me. I know you can. You’re a genius. You’re a total freak but you’re the smartest person I’ve ever met. Give me the pills, give me the shots. Cut me open if you have to. I won’t scream, I promise. Fix me. I trust you.”

“Jace, I can’t do anything. No one can.”

“I have to meet the baby, Aemond,” Jace whispers, scarlet tears bleeding down his cheeks. “I have to be here for Baela and Luke. Fix me, man. I’ll do anything you tell me to.”

“Jace,” Aemond says, his voice breaking. “I’m so sorry. I can’t help you.”

Jace looks to Baela, Luke, Rhaena, and at last back to Aemond. “How long?”

“Not very. A few days, maybe.”

“Days?” he echoes, dazed. “What happens?”

Aemond shakes his head. You don’t want to know.

“Yeah I do. Tell me.”

Aemond can’t respond; clear silent tears snake down the right side of his face. Rio answers for him. “You continue to bleed out of every orifice and the rest of your skin falls off. And eventually you die.”

Jace breaks down in sobs. “I was trying to find you guys.”

Suddenly, Baela turns to you and Rio and Aemond, wrathful, hissing. “This is your fault.”

Aemond pleads: “Baela, please don’t—”

“You made me leave him at the river. I knew he was still alive, but you forced me to leave him. If he’d been with us, this never would have happened. But he was alone, and it was because of you. You did this to him. You stole him from me.”

Rhaena tries to console her. “Baela, no one meant to—”

“I just got him back!” she screams, and then shelters Jace in her arms as he clings to her, the skin of his fingers and palms flaking at the pressure, holding onto her anyway. No one knows what to say; everyone has tears burning in their eyes and embers in their throats. “Get out,” Baela demands. “Leave us alone. This is the last time I’ll ever have with him and it’s your fucking fault. So get out.”

And you leave them to their final moments, failing flesh in a dying world.

~~~~~~~~~~

Only Luke and Rhaena flit in and out of the bedroom, carrying soiled linens and the plastic popcorn bucket to be periodically emptied. The rest of you are engrossed in a grim, thunderstruck deathwatch in the living room. You discuss the inevitable in hushed murmurs. It is cruel to let Jace suffer; it is unspeakably horrible to let Baela witness it. Ice alternates between receiving scratches from Cregan, Helaena, and Aegon, never trying to enter Jace’s room. You can hear Jace and Baela talking in there, his retching and groaning, her sobs.

It is not until dusk that Rhaena summons Aemond. Luke is weeping as he paces back and forth in the bedroom. Baela is still sitting on the bed with Jace, resigned now. She does not apologize, but she doesn’t have any more venom to spit either. The rest of you watch from the hallway, keeping a respectful distance. Ice nudges your hand with her nose, but you ignore her. Jace’s bloody eyes roll to Aemond.

“I’m keeping you here, aren’t I?”

“Yes,” Aemond replies. There’s no point in lying.

“And I don’t need to feel myself melting like this for days. I get the idea.” Jace looks at Aemond for a while. His voice is anemic but calm; there are fresh blisters on his face and neck. “What can you give me?”

Aemond opens his medical kit and shows Jace the vial of morphine. “I found this at the pharmacy today. It would be painless, like going to sleep and never waking up.”

“Why do you have that?”

“I was thinking a small amount might help Baela during labor.”

“Is it the only morphine in your kit?”

“Yes.”

Jace nods. “Save it for Baela.” His gaze drops to the Glock in the holster at Aemond’s waist. “Can I borrow that?”

Rhaena stifles a dismayed yelp. Baela closes her eyes, but does not protest. Aemond says: “I don’t think you want to do this.”

“Don’t tell me what to do, Cyclops,” Jace says, smiling. “I’ll be quick, I promise.”

“It’s heavy,” Aemond warns. He clicks off the safety and gives the Glock to Jace. “Are you able to use it by yourself?”

“It’s a very simple two-step process. Barrel to skull, finger on the trigger. I think I’ll manage.”

Again, Ice bumps her nose against your knuckles; again, you barely notice. Baela kisses Jace on the mouth, her lips coming away bloody. Rhaena says goodbye to him, then Luke, whispered parting words you don’t try to listen to. Before Aemond exits, Jace grasps his hand.

“Take care of my family, Aemond.”

“I will.”

“Don’t let the zombies eat me afterwards.”

And then it becomes real. Aemond’s composure falters. “Jace…I’m so sorry…”

“Go,” Jace urges him. Then there is a coughing fit, fresh blood and pieces of stomach and lungs. “Right now. Before I lose my nerve.”

Baela is the last one to leave the bedroom; she shuts the door behind her. Almost immediately afterwards is a deafening bang. Baela sinks to the floor and wails, one hand on her belly, the other embracing Rhaena and Luke when they rush to her. Ice is whining and pawing at the floor, her nails screeching on the hardwood. Aemond alone returns to Jace’s bedroom and reappears with his Glock. He places it back in his holster, his scarred face vacant. There’s blood on his fingers, you see. Jace’s blood, the last he’ll ever shed. Aemond hasn’t noticed yet.

You reach for Aemond’s hand; he flinches away. You ask him, pained: “Do you think if you don’t touch me, it won’t hurt you when I die?”

“Please don’t say that,” Aemond responds in a hoarse, splintering whisper.

Ice yowls, and Cregan is abruptly aware of her. “Oh shit, the Tahoe is still up on the jack. I’ll go get it.” He opens the front door. Under the moonlight, there are upwards of a hundred zombies stumbling down the long gravel driveway. Everyone begins screaming. Cregan slams the door shut and shoves one of the couches in front of it. “What now?!”

“We go through the cornfield,” Aemond says as you are all frantically gathering your sparse possessions. “It will be more difficult for them to see us. We kill as many as we can and we make our way to the Tahoe. Cregan, how long will it take you to get it ready to drive?”

“Maybe a minute. But I’ll need someone to spot me while I tighten the lug nuts.”

“Sounds like my kind of job opportunity,” Rio says, pumping his Remington. Helaena gives you a flashlight. Cregan secures the lug wrench under his belt and picks up his axe. Rhaena has her Ruger out and is telling Baela to breathe, to stay focused, to let her and Luke lead the way.

Aemond comes to you and leans in close so the others can’t hear. “How many bullets do you have left?”

“Not enough. Maybe fifty.”

“Do what you can. Stay near Rio.”

“I’ll try.”

Now there are zombies at the front windows, beating their spongy swamp-colored palms against the glass. Baela, Rhaena, and Luke are leaving through the back door with Daeron; you can hear the whizzing of his arrows and the sick soft sound they make when they pierce rotting meat. Under the weight of so many hands, one of the living room windows pops from its frame and clatters against the floor. You open fire, bullets exploding skulls and spraying brains, corpses jolting and then diving to the ground. You shoot until both M9s are empty, then pause to reload, boxes of bullets that Cregan gave you back in Iowa.

“Let them in,” Helaena says.

“Are you out of your fucking mind?!” Aegon shouts at her. He’s firing his Marlin .22 beside you, quite poorly; Rio and Aemond are in the backyard killing any zombies that find their way towards the cornfield. “We’re not letting them get through the house!”

“Not through,” Helaena says placidly. “In.”

“Oh.” Aegon understands. “Oh! I get it! Trap them inside!” He races to the kitchen and tears the remaining bottles of Grey Goose vodka out of the cabinet, then begins spilling them onto the wood floor. “Helaena, give me a lighter.”

She places one in his outstretched palm and then leaves with Cregan as he escorts her away, leading her by her fragile hand. They vanish together into the cornfield, Ice on their heels.

“Time to go, Chips!” Rio booms; he can’t be far behind Cregan.

“We’re on our way!”

Zombies are pouring through the front of the house; another window has given way. You pull the trigger over and over again as you move with Aegon towards the backyard, his clear river of vodka drawing a path from one end of the house to the other. You hit the grass before he does, then wait for him by the edge of the cornfield. Aemond and Rio are shouting for Aegon to hurry up. He crosses through the threshold, flicks the lighter to life, and throws it into the house. His plan works—the farmhouse is abruptly aflame, cooking zombies like long-spoiled hams—but he neglected to realize that in his haste, he had also accidentally doused his own left leg and Sperry Bahama sneaker. The fire licks up over Aegon’s skin and blazes there radiantly. He shrieks and falls to the ground. Rio yanks his own shirt off and uses it to smother the inferno, then throws Aegon over one shoulder to carry him.

“Go to Cregan!” Rio tells Aemond, shoving him in the direction of the Tahoe. Rio will be slower now, but no one else could still run with Aegon’s added weight. “You and Daeron spot him until I get there!” When Aemond is gone, Rio glances back at you.

“I’m fine,” you say, felling zombies as they round the house. “Get Aegon to the car!” And Rio listens to you like he always does, vanishing with Aegon through the cornfield.

You weave through the leafy stalks, investigating each growl and rustling with the beam of your flashlight. Grotesque, fetid faces plunge through the greenery, and you demolish them. You’re in the rhythm now, wheeling for a target and locking in, squeezing the trigger and watching ghoulish faces disappear. And then you spy a zombie lurching towards you from fifteen feet away, a twenty-something in a red Nebraska Cornhuskers t-shirt making her way down the dirt aisle between two rows of corn; and when you pull the trigger, there is only a dry click in reply. Your other M9 is already empty. You’ve used all the ammo Cregan gave you.

“I’m out of bullets,” you say, but no one hears you; you are alone. Aemond always told you to stay near Rio and you never did. Too late, you realize what an oversight that has been. “Rio? Aemond?!”

There are human voices and gunshots, but reverberating from a distance. Far closer are snarls and groans of the dead. You click off your flashlight, drop to the earth, and crawl until you are as far under a row of corn as you can be, long leaves tickling the back of your neck and damp soil in your nostrils. Clumsy, lumbering footsteps trod by you. From the road, you hear the Tahoe’s engine start with a rumble.

They’re leaving.

You shake your head, here with no one to see you in the dark. Still, the thought persists.

They’re leaving. I left my family and now my family is leaving me.

“Chips, stay where you are!” Rio shouts. “We’re coming back, we’ll find you!”

You wait until they are within ten feet of you, Rio cracking skulls with his Remington—he must be out of bullets too—and Aemond firing his Glock. “I’m here, I’m here!” you cry, and they are lifting you up from the dirt and dragging you towards Tahoe, and Aemond puts his pistol in your hand knowing you can do more good with it. You fire ten rounds before the Glock is empty, and you think with terror: Do any of us have bullets left?

Then you are being helped into the Tahoe, and the second all the doors are shut Rhaena floors the gas pedal, heading west on State Route 92.

~~~~~~~~~~

“I got my drugs after all,” Aegon rasps as Aemond injects him with morphine on the floor of a laundromat on the edge of Merna, Nebraska, far enough to escape the zombies, not so far that the Tahoe risks running out of gas before you reach the next town. His left leg is burned from the knee down, and burned badly: skin, fat, muscle, blood-red scorched ruin. Even through the modest dose of morphine—Aemond is terrified of accidentally killing him—Aegon can still feel what has happened to him. He knows it’s bad. He knows it could be the last mistake he ever makes. “I’m so thirsty…”

“I got you, Honey Bun,” Rio says, and then uses the butt of his Remington to bust open the vending machines and bring him bottles of Powerade. Baela is sobbing in the corner with Luke and Rhaena. Helaena is shining a flashlight on Aegon’s leg so Aemond can see. Daeron and Cregan are keeping watch by the entrance. You don’t even know why. All the bullets and arrows are gone, Aegon can’t walk, the Tahoe’s gas tank is nearly drained. If you are descended upon now, what will you do?

Aegon sobs and clutches for you, links his arms around your waist, rests his head in your lap. You hold him and comb your fingers through his unruly hair over and over again, like a compulsion, like a ritual. You are so afraid to let go of him. You are terrified he’ll disappear.

I wish I knew what to say. I never know what to say.

He’s shaking uncontrollably as Aemond cleans his leg: peeling away dead skin, wiping down the raw flesh with disinfectant. Aegon’s eyes are wide and glassy. There is blood on the white tile floor, pinkish lymph fluid, bits of charred skin. Ice is whimpering, her muzzle propped on her paws and her eyes darting around the room. Aegon manages through the pain, a reedy, gasping whisper: “Tell me about all those places you went when you were in the Navy.”

You can see it like the miles-deep blue of his eyes: the Indian Ocean, the jewel-tone equatorial sky. “On Diego Garcia, they have these birds called red-footed boobies—”

Aegon barks out a weak laugh. “They do not. You’re making that up.”

“No, really, I swear! They’re like seagulls, but they have blue on their face and bright red feet, hence the name. They’re extremely stupid, and one night a few of us were hanging out drinking Guinness and playing pool, and a booby flew in through an open window. We panicked, it panicked, and then it was flying in circles and couldn’t get out. We opened all the doors and windows, and the booby still just flew around banging into the walls. And of course the whole time it was shitting and bleeding and getting feathers everywhere, we knew it was going to take hours to clean up. After thirty minutes of chasing this idiot bird around, Rio snapped, took off his boot, and smacked the booby with it. He was trying to fling it out the window, like hitting a tennis ball with a racket, but he accidentally hit the bird too hard and murdered it. Its beak literally separated from its body and flew across the room. None of us could believe it, we didn’t even know that was possible. Rio felt so bad he started crying. We took the booby—and its beak, of course—out to the beach for a Viking funeral. We made it a little raft of coconut tree leaves, set it on fire with a lighter, and pushed it out into the waves.”

Aegon is cackling. “Bryan Osorio, terrorizer of the homicidal undead and boobies!”

“What else?” Baela says, and you look over at her, startled. The flashlight incandescence turns you all to ghosts, phantoms, half-shadows. At first you don’t know what she means. “What else did they have on Diego Garcia?”

“Oh, tell them about the coconut crabs,” Rio prompts you. He’s settled down beside Aegon and is resting one broad hand on his trembling shoulder.

“Coconut crabs?” Rhaena asks you, wiping tears from her cheeks with her delicate, small-boned fingers.

You are abruptly aware that you have an audience. You can feel yourself shrinking beneath their gazes. “Rio should tell the story. I’m not good at it.”

“Sure you are,” Rio says, smiling kindly beneath dark, wet eyes. “Go on. Tell them.”

So you do.

#aemond targaryen x reader #aemond targaryen #aemond x you #aemond x reader #aemond x y/n #aemond targaryen x y/n #aemond targaryen x you #hotd fanfic #hotd fic

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