#except for her valentine

[brainlessbaguette]

Y'all its been so long since I've drawn Three Houses, this made me so happy, I missed my kids. A late happy timeskip!

[hamandeggbun]

I hope this isn't weird but I've been reading this by @batmanisagatewaydrug and I had like the sudden, strongest urge to make art properly for the first time in ages, so uhhhh have some Jessie (or Jess? Can I call her Jess because I love her?) who is a terrible wet cat of a woman!

I wanted to get this done fast and human anatomy is not my forte so I traced a picture of Natalie in the City, who's a fashion blogger and has some cute fits, though no supervillain ones as far as I'm aware :3

[slocumjoe]

Biggest complaints about each companion

Warning, reference to in-game dark subject matter.

This is subjective and mostly me wishing for a more thoughtful story, with themes beyond robot racism.

Cait: TDLR; Her backstory is too much for how it's handled

It feels like Cait got thrown every bad thing she could have. With trauma in characters, less is more, and in Cait's case, it doesn't help that her writing is more interested in her trauma than who she is as a person. Like Cait only matters as a character because of what she went through and what that demonstrates about the wasteland, rather being a person first.

I would like to point out, her parents waited until she was 18 to sell her. Because, apparently, age of consent matters to sex slavers. It demonstrates a lack of commitment to the dark topic, which usually means you should tone it down. Leave one aspect, and keep the other. Abusive parents or slavery, not both.

Since Cait is our only basegame raider companion, you could use her to humanize raiders by showing how the cycle of trauma creates them. "But Gage—" is a little bitch.

Codsworth: TDLR; Focuses too much on his pre-war relationship to the player

What was Codsworth doing those 200 years? Did he just hang out in Sanctuary? Did no one ever come to Sanctuary in the meantime? Codsworth has no relation to the plot or world beyond Sole.

I think Codsworth should have had a quest about how he went out and tried to help where he could, but now doesn't know where those people are, and wants to know what became of them. Something to give Codsworth a connection to the wasteland. Or maybe Codsworth shouldn't have been the Sole Surivor's robot at all, just one that wandered into Sanctuary and met them. Then you could have a point that the first human the Sole saw after freezing (Kellogg) was cruel, but the first 'soulless' machine was kind, which makes a point about the main plot and the idea that being human doesn't make you 'human.'

Curie: TDLR; Should have been related directly to the main plot

Curie is a robot that is put inside a synth—which is, biologically, completely human in all but a chip in their head and the circumstances of their creation—and is totally fine. She learns to breathe, gets thoughts and feelings in a way a Ms. Nanny wouldn't, and handles sensations without bricking.

Send this bitch to the Institute and BOS, are you kidding me? Curie is walking proof of synths being more than machines. She has wants, imagination, potentially even dreams and nightmares. This is never brought up by anyone.

Also, Curie is a robot, and then inhuman, but still a person, and she uses science and her compassion to help the wasteland, where those who would destroy or enslave her use it to further their own egos.

Danse: TDLR; MAKE HIM SAY SORRY TO NICK AND HANCOCK

Danse's real character arc starts at his final affinity post BB, and then it doesn't go anywhere. He never learns to accept himself, or synths, or ghouls. Danse is a character that shows the terrible function of 4 Affinity Talks, because he needs, like, 10 of the things.

Danse needed his likes/dislikes updated after BB, interactions with Nick and Hancock, and a proper character arc where he unlearns his worst traits and the BOS's bullshit.

Deacon: TDLR; Dead wife? Really?

Can Deacon not just be a goofball man who used to be a bigot, and now works hard to help the people he hurt? Because Barbara and her death implies that Deacon didn't change because it was the right thing to do, but because bigotry personally affected him.

If there must be a death, make it that his community tore itself apart trying to find synths among them. Y'know, like...a witch hunt? In Salem, maybe? Since we didn't do anything interesting with Salem, one of the most interesting places in the USA? Deacon sees this and sees that it doesn't matter if synths are human or not, hatred will inevitably hurt anyone, because it doesn't actually care who you are. Hatred doesn't need a reason, only a target. The Synth plot should have been an allegory for McCarthyism instead of slavery, change my mind.

Hancock: TDLR; He's a historical LARPER that doesn't do anything in terms of a narrative.

No, Todd. You can't make John Hancock a ghoul and call it an OC.

Hancock could have had a story about identity crisis, idolatry, and trying to escape your past. We also get hints at a complex political issue in Goodneighbor about the push-and-pull between the desire for total freedom/anarchy, but the need for some kind of law and order. Hancock has a casual friendliness, and acts like 'one of the people,' but he is the mayor. There's tension there. Can your leader be your friend? Can your friend call all the shots while still being on equal footing with you? Can you lead a group of people who look up to you as a hero, and still retain modesty and not subconsciously separate yourself?

I like Hancock, he's fun, he has a lot of interesting narrative stuff. But he doesn't do anything with it. It could have been a nice parallel with Elder Maxson, too.

MacCready: TDLR; Small inconsistencies + dude, go get your son???

Mac doesn't ever go back to Duncan, and Duncan never comes to the Commonwealth. I understand that the former is for game play reasons, but the latter feels like the writers forgot that Duncan exists.

MacCready has some issues with the likes/dislikes. I think they're mistakes instead of intended, but still. For example, in the Vault 81 quest. MacCready likes letting Austin die. He dislikes it if you give the cure.

There's also Sheffield, the soda addict in Diamond City. MacCready claims to have never seen someone with a sugar addiction, but Zip, from Little Lamplight, had an addiction.

Mac is mostly fine, aside from these inconsistencies. The Dead Wife thing sucks, but I allow it because it's pretty fundamental to his story, rather then being tacked on for sad points.

Nick: TDLR; Eddie Winter is a stupid bad guy with a stupid quest and Jenny Lands is a stupid tragic backstory

Eddie Winter being the first ghoul ever is mind-bogglingly bad. You're telling me that they made ghouls before the bombs? And even if they did, Winter couldn't be the first. How the fuck would anyone know that radiation makes you immortal if you do it right, otherwise?! So, that's a contradiction within an already contrived premise. And not only that, but he just. Leaves a bunch of holotapes with a number on the back, that make a code to the basement of his favorite sandwich shop, which just so happens to be on the same street Jenny gets fridged?

So, Eddie Winter (or one of his goons) was eating one day, looked out, saw the fiance of the detective hunting him and recognized her (????), shot her, and then presumably returned to his fucking sandwich??????

And then 2 centuries later, a clone of that detective somehow finds the holotapes, untouched, unmoved, still functioning and retaining the painted-on numbers. The numbers didn't...fade? Wipe off?

You can keep the concept of Nick wanted to finish something Pre-war Nick didn't get to, but this...this isn't it.

Like, Skinny Malone was right there. Maybe just Darla shows up when you free Nick, and then later Nick has to contend with Malone and the Triggermen in some grand conspiracy with Mayor MacDonough, Hancock, and Piper.

Preston: TDLR; The radiant quest mechanic fucked him over and his voice actor needed some retakes

The moment you get Radio Freedom, Preston should have stopped giving quests. Easy fix there. It would have saved him almost a decade of shitty memes.

The real problem with Preston is that his VA beefed it bad. I can quote some of his lines with perfect inflection because the VA just did it so poorly. X6-88's VA had to play a monotonous, little-emotion character, and he still nailed it and gave X6 a lot of personality and distinction. Preston sounds like a modded-in character. And Jon Gentry is a pretty good actor! He has a great live-action presence in his demo reels on IMDB. I think he just struggled to put his performance into his voice rather than his presence/body language, and they didn't let/have him do a retake.

Piper: TDLR; So much potential, so much failure. Piper is a shitty reporter, and that could have been a great opportunity to have commentary on the ethics of journalism.

Journalism is supposed to be a duty to the people. It has responsibilities and ethics that are very easily misunderstood or forgotten for the sake of the next article. A good journalist is not always accurate. An accurate journalist is not always kind. A kind journalist is not always good.

Piper is not a good journalist, because her writing is not informative, it isn't news or useful info. She writes about MacDonough being a synth—she's basically writing callout posts on her blog.

Piper is not an accurate journalist, because she never has evidence for this claim. She says MacDonough is a synth, that the Institute took the Survivor's baby even if the Survivor says no.

Piper is not a kind journalist, because she fearmongers and makes things worse for synths. She complains that no one believes or trusts her word, but the second thing you ever see in Diamond City is a man trying to kill his brother for fear he's been replaced.

This is all fine, if addressed and explored. But it isn't. Piper seems to be chasing the high of exposing authority, and both times, she's right. We, the player, know she's right because we find out later she is. Imagine if we didn't. Imagine that reveal scene never comes. Every issue of Publick Occurances is trying to start a witchhunt, and Piper doesn't notice that it's working.

So, let's make her arc about worrying about her sister.

X6-88: TDLR; BRUH HE HAS NOTHING

No backstory, no relationships with other characters, no quest, no character arc.

TODD. You had the chance to humanize the Institute, or at least show what it's like being an Institute synth that isn't free. And you, instead, put all that time into fucking KELLOGG. You think I give a fuck about KELLOGG? I don't even give a fuck about SHAUN.

🌠Honorable mentions🌠

Gage: Hypocrite that thinks becoming the problem is fixing the problem, also he has both eyes. What do you need an eyepatch for.

Strong: Bethesda Super Mutants suck shit. Y'know Erikson fron Far Harbor? Would rather have him.

Longfellow: Dead Wife Man. Again, would have preferred Erikson.

Dogmeat and Ada: Perfect, no notes.

Best companions are:

Dogmeat, for being doggy

Ada, for being robot lady

Preston, for being perfect aside from two technical, Doylist issues.

[sea-lanterns]

*Ei and Miko (or any of the sapphic ships in the fandom) Finally giving into the sexual or romantic tension and getting together*

*Empress cheering in the background cause she was getting tired of them ignoring the tension*

Happy Valentine’s Day to all the fishy who don’t have a valentine!

-🌊

LMAO. Yeah, the Empress ships a few of her courtesans together in private 🤭

I won’t list these ships because they’re all entirely up to you, but the courtesans are allowed to have multiple lovers besides the Empress. She allows them, after all 💕

Happy Valentine’s Day to all my fishies! I hope you find your Genshin gf irl :)

[theriverpointace]

bmc/studio c silly art

this is a reference to this studio c video because i love it so

[hopeinthebox]

tagged by the exceptional @cordiallyfuturedwight and @cosmicdreamgrl thanks ever so much my loves <33

now tagging some heroes @aprylynn @thvinyl @visionsofgideontheninth @hoseeok @btscontentenjoyer @jihopesjoint @monismochi @raplinenthusiasts <333 and everyone else

[merge-conflict]

marked for death

(written for a weekly song prompt, just cleaned up today for shippy saturday. non-binary V/Goro)

--

Ten years ago an Arasaka bodyguard had died protecting the emperor of Japan. Beset by the slowly creeping threat of retirement, Goro had always hoped he would end his career the same way– but now his troubles are much bigger than young soldiers with fresh implants and endless ambition. Now he has lost everything and his only hope of redemption relies on the ebbing life of the thief he’s managed to drag into an AI-operated cab.

“Please keep all limbs inside the vehicle during operation,” the AI chirps brightly, and Goro clumsily leans across V to pull her right foot inside. In the enclosed space of the cab her height makes it difficult to maneuver her upright, and he ends up wedging one of her knees into the back of the seat in front of her before leaning back in his own side, keeping one hand clamped on his seeping wound.

“Thank you for your cooperation,” the AI says, and the doors on either side shut securely, with a faint whir. Goro exhales, allowing himself a moment of relief. “Please insert a personal jack to confirm all passengers.”

Ejecting the jack from V’s wrist takes Goro longer than it should, with hands are slippery with blood, shaking from the fading stim and physical shock. His implants are dulling the pain in his side, rerouting connections, reducing blood flow away from sliced veins– but the damage is extensive. Without medical attention he will eventually slip into unconsciousness and die. After much fumbling he finally coaxes her personal jack free, and inserts it into the waiting port, before doing the same for his own.

“Guest passenger confirmed,” the AI reports, the screen in front of Goro briefly pulsing green. “Primary passenger unconfirmed. Please try re-inserting the link.”

Goro does, a few times, without success. The longer they sit here the more danger they are in. “The personal link is damaged,” he says, with effort. He cannot take in a full breath– a blinking warning at the edge of his vision warns him of lung damage. “The bullet…damaged her implants.”

“All passengers must be confirmed before service,” the AI replies, and then pauses. “If you are unable to authenticate with the wrist jack, you may instead connect the diagnostic link directly to the port located near the right mastoid.” With a slight click, a cable springs free of the screen, and Goro picks it up, examining the sharp tip with a sinking feeling. “I’m afraid you will have to insert the link underneath the skin.”

“If I am not careful…she will die.”

“I suggest you proceed with caution.”

Goro lowers the cable to pull V closer and for the second time is astonished by her intense gray eyes, lit by some internal spark that is burning long after it should have been extinguished. She can’t pull herself upright, but she wraps her fingers around his wrist, where he has a firm hold on her collar. The expression on her face is serene, but it sends a burst of adrenaline through his system, and in response his implants steady his nerves in a cool rush of calm.

“Do not move,” he tells her, adjusting his vision so he can see the pulse of blood through the arteries in her throat, tipping her head back for a safer angle. Her fingers tighten on his wrist in alarm, but she does not struggle.

“Do it,” she hisses, when he hesitates.

Panic sets her heart beating frantically, the pulse in her throat jumping in time. Goro picks his angle, lines up the link and pushes it through the skin and tendon until it is nestled into the subdermal connector of her implanted interface. V’s back arches, her breathing panicked, forcing him to hold her still so she does not rip out the link or cause herself further damage. Blood spills down his fingers and over the back of his hand, soaking into the cuff of his shirt.

“Primary passenger confirmed,” the AI announces, before Goro can think of the right words to calm her. She tenses at the announcement but stops moving, except for the frantic pace of her breathing. “I advise you not to remove the link until we have reached our destination–“

A loud ringing in Goro’s ears prevents him from hearing the rest of the sentence. It’s all he can do to hold things steady as the car finally accelerates into motion, taking them further into the heart of a rotten city. V holds his gaze– both accusatory and forgiving with her blood oozing hot down the inside of his sleeve. Then between one street and the next, her eyes slide shut, and she slumps into his side.

The streets of Night City are as endless as they are ugly, and he cannot be certain if he orders the AI to drive faster or if he only dreams it. He grows weaker and weaker, with nothing but determination to keep him alive, to keep V alive– so long as she lives, there is hope of exposing Yorinobu. So long as she lives there is reason for him to live as well.

No sooner as he steels himself to stay awake then he finds himself jerked from unconsciousness as the cab comes to a rolling stop. Panic gives him the strength to open the door and crawl free from under V, limp but alive. A stranger is waiting– a man he can barely see in the end of his rapidly tunneling vision. On instinct he picks up V’s legs to help carry her, but after a moment he finds himself on the ground facing her body in careless repose. Death awaits them both in this filthy alley, within the shadow of Konpeki.

Before his eyes slip closed he is certain he sees a sliver of gray watching his weakness. Witnessing it.

When he finally wakes in the back room of the ripperdoc clinic, he can no longer escape the keen edge of despair– Arasaka-sama’s murder and the loss of everything, down to the cyberware implanted inside him. The emotion consumes him like the rising tide, inexorable and inescapable. He drowns in private grief, consumed with the contemplation of the bleak options before him, until he hears a low groan.

He’s not alone. On the other side of a narrow gap V lies on a makeshift cot the same as his own, connected to a portable set of monitors which display the vitals he can no longer see in the corner of his eye. She shifts in her sleep, making a strangled noise deep in her throat that mirrors the rage and agony in his own chest. Curiosity, or perhaps duty drives him to maneuver himself painfully out of bed.

The loss of stabilizing cyberware and too much blood make him clumsy, and he stumbles through his first step, crashing into her cot before he can grab the edge for balance. Her eyes snap open– desperate gunmetal gray once more arresting his attention.

She has ample reason to hate him– to resent and fear him for tracking her down and returning her to Arasaka for interrogation and execution. But when recognition flickers in her eyes, her bruised and battered face breaks into a soft smile that grabs him unexpectedly by the throat.

He is not alone.

Unsure of what to say he merely clasps her shoulder in acknowledgement, and sees relief flit over her face. She speaks, but her words are garbled and soft, and he’s lost his translation soft. He squeezes her shoulder in response, and with great effort she lifts her arm to rest her hand on his wrist. Her expression grows serene and remote, until her eyes close. He is not alone.

[bogdreamz]

SOOO WHAT DO YOU THINK ABOUT SEASON 4???

(love your art btw!!!)

smeltbracket found dead in this kitchen

[neolxzr]

its white day so remember to spoil ur gf today!!

[hsslilly-blog]

does thomas hunt get claire two gifts for their first feb 14th together or does he only get One Gift for both valentines and her birthday and then she goes 17 hours without talking to him. and then he learns the lesson

[non4ry]

after all she’s been through, she’s trying to make up for what happened to her.

[emzchaos]

[vulpinesaint]

the sheer number of incredibly intricate worlds and characters that i have created with people who i am no longer friends with so that i can no longer talk about those characters or use those settings. i only got half the dog in the divorce do you know what i mean

[the-rogue-mockingjay]

i was gonna do something productive, but then i thought about my alts/OCs in lvl100 outfits and. well!

in order from left to right: Asha Alaqa Sagahl, Aurélien de Sofinoy, Eden Lavellan, Emrys of the Darkened Steel, Félicienne Greystone, Lina Svanasch, Marielle de Dzemael, Mariko Iteya, Merethe de Sofinoy, Myreena, Rian Ashbrooke, Ysera Rowan, Valentin Breliseur, Zelala Zela

[shoechoe]

im not particularly into romantic ships !! (but i like contributing 2 ask games) sooo hmm... whats ur favorite canon friendship or dynamic ? or one u'd like to see in jjba?

Don't worry- I like this ask too.

I wouldn't say I have one canon (non-romantic) character dynamic in particular that I would consider my favorite, but I can list a few of them in no particular order:

-Polnareff and Abdul (I also think the ship is pretty cute)

-Diavolo and Doppio (I find this one the most fun to think & talk about for obvious reasons)

-Trish and Bruno

-Yasuho and Josuke (8) (this one was sort of implied-romantic, but I'll count it)

-Josuke (4) and Okuyasu

-Jolyne, Foo Fighters & Hermes

I also really would've liked to see what an interaction between Doppio and Trish would've looked like- both of them were criminally underused and it's a shame.

I get very excited about character dynamics, but I don't really care much for romantic ships myself either. When I say I "like" a ship, most of the time what I mean by that is if a mutual or friend is into it, I'll nod and give a thumbs up from the sidelines or maybe think "oh, that's kind of cute, sure". The only times I get the "shippy" feelings that I assume are the main appeal of shipping is if I care about one or preferably both characters very, very much, which just doesn't happen often. (Also, I get kind of irrationally territorial about characters I care about to that level, so I'd probably only trust ship art from me and a few people lol.)

[menphinaswhitemage]

Little Mermaid AU?