#except I have no idea what my final theory is. The last one is the most likely but I'm starting to doubt

[probablyaparadox]

Ok so I was thinking about this colour spread and. Some thoughts. So, let's go through.

Big mom and kaido? duh They're two emperors. later we fight them in wano (this is from punk hazard if you couldn't tell from laws jacket and momonosuke). Basil and Apoo? They both joined Kaido and are both supernovas. Aokiji joined blackbeard, and killer ate a smile fruit. (And if you've heard the theory is maybe a donquixote- not confirmed and obviously this is a reference to him eating smile, but thought I'd mention it since figuring this parallel out is what got the gears turning.) Shanks is one of the greatest pirates, and sakazuki the head of the marines. Besides that last one, this is all super cool foreshadowing. But... Wait. What the fuck??? Why are kid and Jimbe up there together? Some thoughts: 1. They both met luffy in prison (kind of.)

So obviously, these two both met Luffy in prison. Kind of. Kid he actually met much further before that, all the way in the pre timeskip. But they actually hang out together in prison in Wano. This is totally fine for a conclusion, makes sense simple. Unfortunately if you're like me this feels SO unsatisfying just because of that kind of. All of the previous connections are either super intriguing narrative foreshadowing from what we know, and even if shanks and sakazuki aren't we still know they're grand roles and why they would be matched together. But Jimbe and Kid??? that loose of a connection isn't SUPER satisfying... so it's time to get into crack theory territory. 2. Arlong parallel???? So another option could be kid and Arlong's "evil charisma". They're both big scary, malicious, and they both essentially ruled an island. Great matchup right? I just don't like how this works though. It's the secondary connector. Not to mention this is such a prominent aspect of their characters. So I'm gonna cut the bs of logical conclusions. 3. Eustass will join Loki in shennanigans (crimes) At this point and time, I'd like to point out the characters on the right had their moments earlier/before wano with the exception of Apoo. Before wano, an important event for Jimbe was his deal with big mom to protect his people from her. Right now, Eustass kid is either dead, or VERY upset/injured, as well as his crew. And I mean. Killer is giving strong bury your gays as of right now. So Kid will join up will Loki in order to protect his crew, either out of fun revenge or out of sheer giving up to his "I bow to no-one" energy when his crew is at stake when they JUST had to spend Wano under the beast pirates thumb to protect him. My issues with this are what I hate to admit: I'm slowly getting more skeptical that kid is coming back, and if he'll really have a role in Elbaph. I'd LOVE if he did, but that brings skepticism to this last one, even though I think it's the most likely.

[brunchable]

POV: You're sucked into your fanfic - Part One

Pairings: Bucky Barnes x Fanfic Writer Reader.

Themes: Comedy - Chaotic Reader. Action scenes.

Summary: Waking up in a forest straight out of her own fanfic was not on Y/N's to-do list, especially not when she’s suddenly the villain about to fight Bucky Barnes. Decked out in an impractical gothic outfit, complete with a corset she can barely breathe in, Y/N realizes she’s written herself into a showdown she’s destined to lose. But instead of following the plot, she’s fangirling while getting her butt kicked by her fictional crush—and making things even worse with every sarcastic comment. Bucky thinks she’s insane. Y/N thinks she’s in heaven. What could possibly go wrong?

A/N: Isn't this anyone's dream? LOL to live your favorite fanfic LMAO.

You yawn as you type away on your laptop, the dim light of your screen the only illumination in the room. It’s late—way too late—and your bed calls to you, but you’re deep in the middle of a new scene for your latest Bucky Barnes fanfic. This one is different. This one is more intense, more dramatic. You smirk at the screen as you write your villainess character, who’s about to have a showdown with none other than Bucky.

“I’ll finish this tomorrow,” you tell yourself, half-heartedly knowing that you won’t. You glance at the clock and wince at the time. Ugh, work in the morning... okay, just five more minutes.

But even as you type that last line, exhaustion takes over, and your eyelids droop heavily. Before you know it, your fingers still on the keyboard, your head hits the pillow, and the world fades to black.

× × × ×

You wake up with a start, a cold breeze biting at your skin. Sitting up abruptly, you blink against the sudden brightness of your surroundings. Trees? The smell of wet earth? Slowly, you stand, your heart racing as you take in the unfamiliar scene around you.

Wait... This looks familiar. Too familiar.

The clearing. The night. The ominous, misty forest that surrounds you. No way...

The scene clicks in your head. This is the exact setting of your fanfic. The one where your villainess has her big moment—where she’s supposed to face Bucky in an epic, final showdown.

“Okay... maybe I’m dreaming. Maybe I’m still asleep,” you mumble to yourself, rubbing your eyes. But the cold wind is sharp, the sounds of the forest too real. You frown and glance down at yourself.

Your stomach drops.

You’re not wearing your usual pajamas. Instead, you’re decked out in a gothic nightmare of an outfit. Long black cloak, intricately laced corset, and leather boots that look cool in theory but are so tight you can barely walk. You tug at the uncomfortable collar of your dress, feeling more like a cosplayer gone wrong than a terrifying villain.

“Oh no. No, no, no...” You spin around, trying to figure out what’s happening. “This can’t be happening. I did not just wake up in my own fanfic!”

But before you can even begin to comprehend your situation, a voice cuts through the trees. A voice you know all too well.

“Give it up, villain. You’re not going to win.”

Your breath hitches, and you freeze. Slowly, you turn around to see none other than Bucky Barnes, in all his intimidating glory, walking out from the shadows, his metal arm gleaming under the moonlight.

Holy crap, he’s real. He’s actually real.

But there’s one problem. He’s looking at you like you’re his enemy.

“Well?” Bucky’s deep voice breaks through your panicked thoughts. “Aren’t you going to say something?”

Your mind goes blank. All those hours spent imagining this very moment, and now that it’s happening, all you can do is stand there, gawking like an idiot.

“I, uh... look, Bucky—” you start, but then it hits you. You’re the villain in this story. The bad guy. He has no idea you’re just a fanfic writer who’s been plopped into this nightmare.

You quickly glance around for an escape route. But there’s nothing except more trees, mist, and darkness. No way out. And then you remember what comes next in the story. The fight scene. A scene you wrote yourself... with the villain—you—losing.

Oh god. I am so screwed.

Trying to think fast, you wave your hands in surrender. “Wait, wait, wait! We don’t have to do this. Can we just, like, talk about this?”

Bucky’s eyes narrow, suspicion clear on his face. He takes a step closer, hand twitching toward his gun. “Nice try. I know your tricks.”

You cringe. Of course he wouldn’t believe you—you wrote him to be suspicious of every word the villain said!

“I’m serious!” you squeak, trying to keep the panic out of your voice. “You don’t want to fight me. I, uh... I surrender! Yeah, I totally surrender.”

But Bucky doesn’t back down. In fact, he steps even closer, and now you can see the lethal determination in his eyes. “Surrender, huh? Sounds like a trap.”

You mentally slap yourself for writing him to be this distrustful. Why did I make him so paranoid?!

“Okay, okay, I get it,” you ramble, desperately searching for a way out. “You’re probably thinking I’m trying to pull a fast one on you, but I swear, I’m not evil. Not really. It’s... complicated.”

Bucky doesn’t look convinced, and honestly, you wouldn’t be either if you were him. He raises his metal arm threateningly, ready to fight, and you know you’re out of time.

In one last-ditch effort, you blurt out, “Wait! I love you!”

That stops him in his tracks. His brow furrows in confusion. “What?”

You slap a hand over your mouth, mortified. Did I just say that out loud?

“Yes! I mean—no! I mean...” You fumble for words, feeling your face flush. “What I meant was, you’re amazing. You’re... everything. I’ve, um, admired you for so long, and I really don’t want to fight you. I’m just... a huge fan?”

Bucky stares at you like you’ve lost your mind. “A fan?”

You nod furiously, praying this works. “Yes! A huge fan. Of your work. Uh, your missions? And, you know, your... metal arm? It’s so shiny and, uh... powerful.”

He stares at you for a long moment, clearly baffled by your bizarre behavior. “This is a trick, isn’t it?”

You groan internally. Of course he’d think that. You wrote him to be impossible to convince!

Meanwhile, Bucky’s stance shifts, preparing for a fight. You realize with growing dread that if you don’t come up with something fast, you’re going to get your butt kicked by your fictional crush.

And it’s all your fault.

× × × × 

Without warning, Bucky lunges forward, and you yelp, instinctively trying to duck, but the heavy corset makes it hard to move.

“Wait! I’m serious! We can talk this out—oof!” You squeak as Bucky’s metal arm knocks you flat on your back.

“Oh my God,” you wheeze, lying on the ground, staring up at the stars. I’m getting my butt kicked by Bucky Barnes. This is the best and worst day of my life.

Before you can even get your bearings, Bucky grabs you by the arm and flips you up like you weigh nothing. You manage to stand, but just barely, wobbling in your ridiculous boots.

“Oh my God, he’s strong,” you whisper in awe, dazed. “This is like, the hottest thing ever—wait, no, focus!”

Bucky, looking at you with complete disbelief, narrows his eyes. “What is wrong with you?”

You try to explain, but then he sweeps your legs out from under you, and down you go again. This time you land face-first in the dirt.

“Hnggh... I deserved that,” you mumble into the ground. “I wrote this. I brought this on myself.”

You roll over, still fangirling, despite the pain. “Wow, even in pain, you’re gorgeous.”

Bucky looms over you, looking more confused than ever. “Are you hitting on me while I’m kicking your ass?”

“Yes,” you wheeze, still on the ground, clutching your ribs. “I regret nothing.”

Bucky sighs heavily, and for a split second, you think you catch a flash of amusement in his eyes. “You’re insane.”

You grin up at him, despite the dirt smeared across your face and the throbbing ache in your back. “I’ve been told that before.”

He shakes his head, clearly still trying to make sense of the situation, but you can tell he’s holding back laughter now. You’ve confused him, at least. That’s something.

“So... are you gonna help me up?” you ask hopefully, extending a hand.

Bucky stares down at you for a long moment, then mutters, “You’re not even a good villain.”

“Don’t remind me.” You groan dramatically. “It’s harder than it looks.”

With a roll of his eyes, he finally relents and pulls you to your feet again—though not without a little extra force that nearly sends you stumbling again.

You clutch your chest, still a bit winded, but can’t help the goofy smile on your face. I just got beat up by Bucky Barnes. And it was glorious.

× × × ×

You’re still catching your breath from being unceremoniously flipped, kicked, and restrained when Bucky wraps his metal arm around your waist and hauls you up against him, keeping a firm grip on you. He pulls out a pair of cuffs—the same cuffs you wrote about, of course—and slaps them onto your wrists.

“W-What are you doing?” you sputter, still in awe at how close you are to him now. You stare at his arm holding you in place, feeling your heart race like a schoolgirl with a crush. “Oh my god, am I being arrested? By Bucky Barnes? This is... this is a dream come true.”

Bucky looks at you, eyebrows furrowed. “Stop talking.”

“No, seriously. Where are you taking me?” you ask, wiggling in his grip but mostly just to make yourself more comfortable because—holy hell, his muscles are everywhere. You’re about to pass out from sheer fangirl euphoria. “Is it to a secret Hydra base? Are you throwing me in the trunk of a car? Wait, is there gonna be an interrogation? Do you have a secret lair? Because if there’s a lair, I’d love a tour.”

He tightens his grip, hoisting you up with one hand as if you’re nothing more than a grocery bag. You flail your legs a bit but quickly stop, realizing how cool this actually is.

“I’m not telling you anything,” Bucky says gruffly, dragging you through the trees.

“Oh! Is this like one of those slow-burn captor-captive situations?” you say, eyes wide with excitement. “Are we going to have a moment of shared vulnerability? Will we bond over our tragic backstories? Because, listen, I wrote an entire chapter about this, and let me tell you, it’s steamy.”

Bucky stops dead in his tracks, clearly regretting every life decision that brought him here. “What the hell is wrong with you?”

You grin, too giddy to care about the situation. “Oh, you’re gonna find out. I’m a lot.”

He lets out a long, frustrated sigh and continues dragging you through the forest like you’re a troublesome cat being hauled to the vet. You stumble along behind him, your boots still making it difficult to walk, but you’re too caught up in your own fantasies to care.

“Wait, wait, wait,” you gasp, pretending to be serious for a second. “Are you taking me to the Avengers? Am I about to meet Steve Rogers? Oh my god, if this is a prison transfer situation, I’ll take it. Honestly, throw me in a cell, just tell me Captain America’s on the other side of the bars.”

Bucky groans audibly, muttering under his breath. “You’re literally the worst villain I’ve ever met.”

“Oh, thank you!” You beam, still being pulled along like a rag doll. “I tried to make my villain complex, you know? With layers. You’ll see. There’s more to me than just an evil laugh and a cool outfit. I have depth! Trauma! A tragic backstory, even!”

Bucky finally stops and spins you around, looking you dead in the eyes. “Shut. Up.”

You blink up at him, biting your lip to suppress a fangirl squeal. “Wow, even when you’re angry, you’re hot.”

For a second, you think Bucky might actually lose his patience with you, but instead, he just rolls his eyes and resumes dragging you through the forest.

“You’re taking me to the Avengers, aren’t you? You can tell me! I won’t spoil it for anyone,” you whisper conspiratorially. “I mean, you know, since I’m totally going to escape and wreak havoc... right after I meet everyone and maybe take a group photo.”

Bucky doesn’t dignify that with a response. Instead, he hoists you up over his shoulder like a sack of potatoes and starts walking faster. Your head bounces a little with each step, but you can’t help but notice how strong he is.

“Is this the part where I pretend to hate being manhandled, or...?”

Another groan from Bucky. He’s definitely considering just leaving you tied to a tree at this point.

You sigh dramatically as you dangle over his shoulder. “You know, I could help you with your characterization. Maybe throw in some emotional depth, give you some really meaningful dialogue in your next big scene. Maybe a nice brooding monologue... You’re into those, right?”

“Where I’m taking you,” Bucky says, his tone clipped, “there won’t be any brooding. Or talking.”

You perk up. “Oh! Silent treatment? Broody captor vibes? I love it.”

You can practically feel the exhaustion radiating off him as he mutters, “I need a vacation.”

With a smirk, you reply, “I’m free this weekend.”

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[wanderers-vault]

Ooooh my god the new welcome home update was sooo good I love this project.

I have a couple of theories about it that I want to share, mainly surrounding Julie’s and Franks relationship and what that last image may mean for them.

I’m also gonna mention the buggle cause I have thoughts about the little guy.

Ok I’m gonna assume that y’all have seen everything in the new update so I’m only gonna really explain details that I think are important to my point. Also these are my thoughts and interpretations and could be tweaked in the future.

Okkay so first, Julie, Frank, and even Eddies deal. Gonna start with Eddie to get him out of the way.

I am very much a Frank x Eddie are endgame truther but what I’m stumped on is if they even see each other that way rn. There’s too much that’s unexplained right now, but with the lavender flowers around him and him expressing interests for a relationship, I think seeds are being sown for Eddie to potentially develop feelings for Frank assuming they aren’t already together.

So for Julie and Frank, it’s really cool that we get to see how deep their bond is at least on Julie’s side of things. Unfortunately so much so that the idea of him looking down on her sends her into a spiral and makes her desperate.

I think she may also have some feelings for Frank because of referring to the play they did together as “romantic” when she’s alone with the flower. Considering that this flower has been the only thing to “witness” this side of her, I can only interpret this as genuine. The play also seems to give her a a sense of wish fulfillment as she wishes her issues were so easily solvable and that she was glad Frank could take the lead once she goes to sleep.

It makes me sad how much pressure she puts on herself and how that overwhelms her.

She did seem to avoid the actual kiss in the play, so maybe by now she knows that Frank doesn’t reciprocate or feel comfortable with it? Idk, but it doesn’t completely rule out how she feels about him romantic or not. (Side note: it’s funny how high of a pedestal she puts him on when mentioning his performance in the play when he goes deadpan when she’s asleep and starts snarking about it)

But regardless of her romantic inclination, from what we hear about their relationship it makes sense she’s so attached to him! It’s sweet to see how much of a rock he’s been to her, making her feel safe and welcome. I was always a big fan of the two of them and seeing how this update developed the two warms my heart.

But it’s sad how much her care for him is a double edged sword cause when it mattered most she doubted her friend’s unconditional love and could not allow him to see her failure and potentially did something even worse.

Before we analyze Frank let’s get into theory territory.

I think she killed the flower in front of Frank, as well as the Buggle.

I mean, look at his face.

That looks like stumbling upon a murder.

And sure it’d be pretty low stakes if it wasn’t for the fact that caring for flowers is Julie’s THING and bugs are FRANKS.

I personally believe that Frank went to check on her since she seemed distressed, Julie panicked and tried to get rid of the flower. But since the Buggle was also there…

So what the hell is a Buggle and why did it suddenly get important this update?

Well let’s think about the three places it shows up in

It’s torn advertisement when it’s described to “change, grow, and love your life forever”, the box that W received covered in black goo to the point it couldn’t be Id’d, and in the final short on the black flower bud.

Except I think it shows up in one more place….

Frank’s “An Ode to: Hibernation”

I know it’s not a complete 1 to 1 but I think it’s interesting how it bears resemblance to the bug on the cover of this particular song (one that I am obsessed with). Because the transcript that this cover leads to shows Franks strong love of bugs and the loneliness he feels when they have to hibernate.

But I also think it represents how he misses Julie when she hibernates. Since not only is his topic of interest gone for months but so is his best friend.

No wonder he didn’t mind an early spring. But he also obviously know when he has to put his feelings aside for the sake of those he cares about.

So with the description of the Buggle on the advert and its possible connection to the hibernation song. I think the Buggle is not only something he’d be distress to witness killed but also represents Frank’s love and care. The update did a lot to demonstrate how Frank helped Julie through a hard time in her life.

But in her desperation to protect their relationship she did something worse that could threaten it.

So, what do I think happens next?

Honestly not much, I feel like we’re still in the “prologue phase” of the story and the other odd happenings from previous updates haven’t really led to any obvious changes from the status quo.

From what we understand of Frank, he’d probably still be more interested in making sure his friend is ok rather than be hung up on whatever happened. Obviously they wouldn’t be able to look at each other the same way, but they’d probably try to move on as soon as possible. Think of it more like an inciting incident for things to come. Who knows maybe she didn’t hurt the flower or the Buggle, maybe she was close to but stoped in time.

This kinda comes more from this image for the Spring update.

In the back it looks like Frank is comforting Julie over that unopened bud.

There’s just so much more story to tell and storms to weather before these characters have a major shift in dynamics I think.

Soooooo….what about Frank?

I’ll be honest (Frank if you will) Franks my favorite character. So I am both extremely scare and excited for what he’s being set up for. Bros witnessed his friend going through shit 3 times already.

I honestly believe he’ll be more involved in trying to figure out what’s going on.

Despite being the resident grump we’ve seen a very tender and caring side to him for his bugs, Julie, Poppy, and even Eddie.

Not to mention that he’s been closely associated with Hawthorn flowers which represent hope.

It’s hard to believe that he’ll see all these incidences and be happy with staying ignorant, he’s a curious fellow after all.

Now how successful he’ll be is another story.

(From the secret exhibition page)

“Julie says they still have something to say, though. I have heard from her… A rose without thorns… But still has leaves… Is filled with fear… And with hope. When both are not there, however… There may be neither hope nor fear.

Isn’t that something.”

(From the new phone call from Wally)

I am scared for these puppets

[therainscene]

I think I might have figured out what the Mind Flayer really is.

This theory has been percolating in my brain for a while now; it hasn't really finished baking yet but I wanted to get the gist of it down before The First Shadow debuts.

Let’s begin at the Hawkins National Lab, 6th November 1983. For the second time in her young life, El faces terrifying and deeply traumatic circumstances which cause her powers to lash out and rip a gash in the fabric of reality.

Meanwhile, across town, Will is doing what every queer 12 year-old has done and finds an excuse to spend an extra moment alone with his crush.

His little gay heart is as aflutter as the garage lights.

(Strange, that. The lights, I mean -- considering that he's on the other side of town from the lab. Do you suppose the Demogorgon trekked all the way to Mike's house and quietly followed him home again?)

Will heads home, lost in thought as he cycles past the lab. Is he thinking about how sweet his new X-Men #134 is gonna be? Or is he thinking about something even sweeter? The lights flutter again.

And something in front of him notices.

Will has always been noticeable: his clothes, his mannerisms, his interests -- they've always attracted the attentions of bullies. Now something new -- or maybe something that was always there and is only now making itself known -- has attracted the attentions of a monster.

He runs home, he calls for help, but he's alone, there's no escape. He races to the shed and loads a gun like his father taught him -- but it's not in his nature to be violent. He freezes, petrified.

The lights surge as his terror wrestles control of his powers and uses them to puncture an escape route in the fabric of reality.

Why were we so quick to believe that the Demogorgon -- a minion of the guy whose whole thing is his inability to open gates -- was able to open its own temporary portals in S1 and then never again?

Will could plausibly have been responsible for every temporary portal in S1: he’s at the Byers house when the Demogorgon pushes through its walls; he's on the run to Castle Byers when Nancy stumbles across that portal in the woods; and he's plugged in to one of Vecna's vines during the finale -- something we see Vecna plug himself into when he remotely opens gates in S4.

There’s one exception though.

Barb likely slipped through a gate in Steve's pool, but how could Will have opened that one when he was in his bedroom at the time, talking to his mother through the lights?

Let me ask you this: isn't it interesting that of all the injuries Barb could have obtained in her passage to the Upside Down, she got a nosebleed?

I think powers are more common than we’ve been led to believe, and gates are a last-ditch self-defense mechanism for anyone with powers.

This is why the four curse victims’ deaths opened a gate: Vecna pushed them to their breaking point to artificially trigger the self-defense response. Those headaches and nosebleeds weren't caused by Vecna directly, but by their own powers acting up as they inched towards oblivion.

[Shoutout to @givehimthemedicine's underrated powers and blood theory for the idea of Vecna's Curse being the overcharging of his victims' own powers.]

It was already pretty obvious that Vecna's Curse is a metaphor for suicide, and this theory reinforces it: every kid who gets targeted by the horrors of Hawkins for being "different" tries to find some way to escape.

Willel's misfortune is that their powers are considerably more easily manifested than the average person's. Byler tells the story of visible vs invisible queerness, but that's just a reflection of the larger theme at play in the show: the visible and invisible ways kids are othered and abused.

Max's trauma was a quiet thing that came from within and festered until it was almost too late to save her... but Willel's trauma manifests as a giant monster that openly hunts them down.

And I'm being literal when I say the Mind Flayer is a manifestation of their trauma.

We know that Vecna fashioned the Mind Flayer from a cloud of black particles he found in the Upside Down, but where did that cloud come from? The Upside Down is a mysterious enough place that it's easy to assume the Shadow is native to that realm... but what if it isn't?

The Mind Flayer is heavily associated with repression -- Will gradually lost his memories while he was possessed, and El lost her powers when the sliver of Flesh Flayer wormed its way into her leg.

But Will has mysteriously been without powers ever since leaving the Upside Down, and we've seen El lose memories too: her memories of surviving the lab massacre, in which she didn't simply escape by opening up a gate, but by disintegrating her attacker into black particles.

The Mind Flayer doesn't cause repression -- it is repression.

There must have been countless generations worth of traumatized children who took the extra step El did and sent their abusers -- or at least their memories of abuse -- into that hidden realm beyond the gate.

(There's also the possibility that Mr. Time-is-Just-a-Social-Construct is stuck in a time loop of some sort -- maybe the massacre has repeated hundreds of times, and Dimension X is a timeless graveyard of El's attempts to repress her trauma. This would explain why Henry seems to have both disintegrated and survived: we were watching at least two different iterations of the massacre all along.)

Whichever way you slice it, it's a perfect fit: the tool Vecna uses to perpetuate the cycle of abuse isn't some bizarro alien from an alternate dimension, but a direct consequence of the cycle itself.

The Mind Flayer tells us that escape alone doesn't work as a long-term solution: it might help you survive the initial abuse, but if you don't address the effect it had on you...

...it will come back to wreck havok.

[Edit: Click here for post-TFS thoughts on this theory]

[lord-shitbox]

shitbox guide to making touchstarved character info sheets:

aka i have no idea how to start making one for my OC before I break down how all the canon character ones are made. here are my notes:

#character bio, the one with likes/dislikes:

extra 2-word character description at the top, DND-esque; usually adjective-noun & establishes What they are [ex repentant angel, demon renegade, cursed outsider, heroic mage, chained charlatan] personality: (disposition adjective) + (role noun). ex "melancholic observer," "mischeivous thrillseeker" likes: self explanatory, but tend to have a good amount of ones that arent immediately discernible from the rest of their info sheets dislikes: same as above fatal flaw: plot relevant issue other: something unexpected quote: something they said in game that succinctly illustrates their personality or role in the story

captions: makes a question out of one of their notable traits, + relevant emoji (ex: One way to warm Mhin’s icy heart is with tasty sweets. What kind of dessert would you gift them? 🍰 / The last person who saw Vere's sketchbook mysteriously went missing… What do you think they saw in it? 🔪)

#character bio, character/narrative descriptions

2-word character description at the top again paragraph 1: establishes their role in the world, general disposition and reputation, a hint of their deep secrets & a subtle hint at what core issue plagues them (thing that defines their arc) paragraph 2: what they want/how they interact with you (core issue style), ends with their narrative question (the implied yes/no that determines good or bad ending) [ex: can you redeem him, or are you the final entry in a long list of tragedies?]

captions: restates implied core struggle & narrative question [Some people are beyond saving. Ais teeters on the brink of the abyss… Can you help him or will he drag you under? / Many Monsters lust for blood, but Vere promises to protect you. His collar prevents him from harming humans… But can it contain his deadly appetite?]

#relationship chart:

close/like/dislike arrow to each character, plus a two-bit blurb on how they think or feel about them. [ex. Mhin's only friend. As much as Mhin wants to trust him, they're afraid of being hurt. Or worse.] also have a little quote about how they view others/the nature of relationships [ex ais: "not bad to be the black sheep. you get the clearest view of the world" / kuras: "friends are fleeting, but no less precious for it"]

captions: posted twice, once with a caption that summarizes their general social attitude, followed by an engagement question [Kuras doesn’t mind most people… except Vere. They certainly have some kind of history, but do you have any theories as to what it is? 🤨/ A certain spoiled pup is missing from Ais’s chart… 🐕 How did your MC react to meeting Princess in the demo?] and once with a caption that summarizes their reputation, followed by a somewhat surprising tidbit [To stave off his constant boredom, Vere causes trouble all over Eridia 🧨 He’s likely the culprit behind several local ghost stories…/Leander gets along with everyone and he's extra frisky when drinks are involved 🍻 Despite his popularity, he doesn't have any close friends…]

#stat chart:

stats: 1-5 for strength, luck, and wisdom, followed by 2 character-specific notable stats at the bottom [ex. forbidden magic, rizz / animal handling, small talk / empathy, handwriting] blurb: abt one sentence, describes their typical behavior & maybe hints at some stuff [while more than capable in a fight, leander avoids unnecessary bloodshed to uphold his spotless reputation and to protect his handsome smile // Ais is a man of many talents, adept in the fine arts of bashing skulls, intimidation, taming wild beasts into submission, mastering long-dead tongues, and murder // thankfully, kuras is more interested in helping than harming others. his true power is almost as unfathomable as his handwriting // for decades, vere has left the remains of the drunks, swindlers, and amateur thieves that mistook him for an easy mark on the doormat of kuras's clinic // mhin may be short-tempered, but their sharp tongue and propensity for violence bely their wealth of knowledge]

captions: memey summary of their personality/habit they have [If Mhin wants to recite the entire Bee Movie script to you, it’s basically a love confession 🥰 If you say no, you will get stabbed / Many a drunken brawler has taken Vere for an easy mark, but his pretty face belies a shockingly high body count 🔥 / Wow, Ais is so talented… We love a guy who can give people a good pounding 👊🤯💥 in a fight]

#character lore

a) sentence that establishes relevant worldbuilding, followed by b) elaboration on it that doesnt explicitly mention the character; then c) some extra detail (sorta a climax; most significant info) -> d), a short resolution that implies a direction for the relevant lore subject

ex:

a, relevant worldbuilding) Mhin: in a bygone era, before eridia became the last bastion of humanity, there was Lovent / Leander: Visitiors drawn to eridia are often surprised by the senobium's apathy towards the surrounding city / Kuras: the senobium's folklorists note a curious pattern in humanity's oldest tales.

b, elaboration) yet where a bustling metropolis once stood, there is now only a blasted crater and empty ruins, blanketed by fog. / Lacking the senobium's protection, Lowtown has been divided into territories belonging to several gangs. / Though the details vary, these stories share a common theme: an otherworldly teacher, bringing the divine gift of knowledge.

c, most crucial info) the inhabitants, and large chunks of the city, had vanished into thin air. / While a significant portion is watched over by Leander, he refuses to stoop to bribery or senseless violence to maintain his power. / Alchemy and literacy, art and war...supposedly this being shared all they knew with the earliest civilizations.

d, direction) over the following years, scholars flocked to the ruins in earch of answers. like the loventians, they disappeared without a trace, and none ever returned. / locals speak praise for the charming leader whose seemingly benign reign extends even below the city streets into the shadowed depths of the Silent Crypts. / In some tales, the otherworldly teacher is a loving, benevolent figure. In others, they are a harbinger of chaos and ruin.

Captions: relevant quote from the character [not all seen in game so far. ex “Obedience suits you, sparrow.” / “Hope. A strange concept, after so long seeing myself as the agent of ruin.”]

[endearing-dalliance]

My two cents on Jayce's final speech

While I do not consider myself disabled, I have chronic health issues that are sometimes disabling. And I'm used to having to live my life with that in the back of my mind. Not in a self-hating way, simply pragmatically. I need certain medications and technology in order to function in a way I find worth living for. While I certainly don't speak for the entire disabled community, I'm not unfamiliar with the struggle™.

TLDR: they really, really needed a sensitivity reader or disabled person's input. A for the idea, F for the execution

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"You've always wanted to cure what you thought were weaknesses. Your leg."

Jayce: *breaks leg* *leg can now no longer support his weight* *builds brace to compensate for leg weakness* *proceeds to shame Viktor for wanting a permanent fix for his own leg issue*

"Your disease."

Last season, when Viktor's disease was actively killing him, Jayce got Heimerdinger voted off the Council so Viktor could keep researching what Jayce himself joyfully admitted was a potential cure. How hard did this man's head hit the bottom of the pit?

But you were never broken, Viktor.

Why is Jayce the one getting to say what is and isn't broken? Broken is literally defined as "damaged and no longer in working order". The man was in chronic pain, visibly wasting away before our eyes, and born with a body that was not functioning as it should. Viktor describes his body as "eroding". He has never said that it makes him feel bad about himself as a person. Even when he called himself a cripple, its one of a list of obstacles he’s had to overcome to get where he is now. He isn't ashamed, he's proud. And Jayce is inspired by it enough to not to give up on his work. Or his life.

Side note: Some neurodivergent and disabled people use the term broken in a non-offensive way. For some, its a reminder that they the *person* are not broken. For others, its simply a fact of life they adjust to. But that doesn't mean other people get to label them as such.

"There is beauty in imperfections."

Sure, in the same way they used to call tuberculosis "consumptive chic" because it made you pale and thin with red lips. Death isn't beautiful, its devastating.

"They made you who you are, an inseparable piece of everything I admired about you." 

Except, Viktor wouldn't be any less brilliant or determined or humorous if he wasn't disabled. Instantly made me think about this scene from Bojack:

Over and over I have watched the disabled community patiently explaining, passionately advocating, or righteously, ragefully, unceasingly insisting that they are more than their disability. That their disability doesn't define them. To see past it to who they are as a person. That regardless of your personal opinion, they have the same inherent value as an able-bodied person.

I get what Arcane was going for here. I really do. It was a nice idea in theory. But what they ended up with was a well-meaning, able-bodied, privileged person assigning labels to a disabled person's own opinion of himself, tell him what he should and should not do with his body, and then tie this deeply questionable conversation about Viktor's body to Viktor as a person.

And for once true to his S1 character, THAT DID NOT SWAY VIKTOR AT ALL. The last time he saw Jayce, he got soundly rejected. The next scene of them is him continuing to "evolve" Jayce. Ekko's device gave Jayce the opportunity tell Viktor how much he wanted him and THAT made the difference.

[cocogum]

Why you should care for Season 5.

When Tot announced that Season 5 would be Wakfu's true finale, I saw some fans expressing that a fifth season was unnecessary and that it seemed like a way to profit more from the series.

While it may be true from a financial perspective and given that it was previously stated that the fourth season was intended to be the conclusion, it’s always possible for Tot to change his mind if he receives support and attention from new partners and regional funding. He did mention at one point that he initially wanted Wakfu to be a trilogy, and yet he eventually made a fourth season.

Some people might overlook the fact that a fifth season could resolve several lingering storylines. The World of Twelve is expansive and filled with numerous conflicts and mysteries among its characters. A fifth season with 26 episodes could be just what we need to address these unresolved issues. Additionally, it's been quite a while since we had a season with 26 episodes. The last time we experienced this was in 2011 when season 2 concluded.

And speaking of unfinished business, it seems like based on the teaser we have received today by the Ankama team, Count Harebourg will be our antagonist of the season! For those who haven't watched it yet, here's a link to it that brings you on Ankama's official insta 👇

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Based on the teaser, several hints suggest that Harebourg will be the antagonist of the new season. The fact that he is in Waven assigning missions, along with the wording from the teaser video that indicate his return, both clues point towards this conclusion. Additionally, the ice-themed visuals of the teaser and the mention of Harebourg’s name in the eleventh chapter of the Great Wave further support this idea. So it is completely safe to say that Harebourg will be our antagonist for the finale and will pose a far greater threat than he did in the first episode of the OVAs released in 2014.

The fifth season will likely explain how Harebourg survived Oropo's bomb and how he came back to the World of Twelve. We will also most likely get to learn how Frigost's situation has been growing worse without him and how he will react to it once he'll reunite with his people.

And most importantly, we may get to see the Eliacube again. This artifact had completely been forgotten by the Brotherhood despite how it had played a significant role in their lives (but especially to Yugo and Adamai). I say this because when we take a look at the Season 5 kickstarter's information, we can see that the cover for the kickstarter has the Eliacube featured on it.

Adamai had only been capable of retrieving the six dofus eliatropes in Season 4 because he was capable of sensing their energies. He wasn't, however, able to get the Eliacube because it doesn't come from eliatrope origins. Because we're now seeing the Eliacube make a sudden comeback, it's very possible that Harebourg may have been the one to have found it first before anyone else. This would explain why the Eliacube is even presented so clearly to begin with.

(Speaking of the kickstarter, if you don't know already, it will launch on February 12th and has many great rewards depending on the amount you may decide to contribute. You can find the kickstarter here 👇)

You can even find some more clues in the kickstarter cover that suggest Harebourg will be involved. For example, there's a feather that could reference the time Echo gave everyone feathers to bring them into the Inglorium, except for Harebourg. Additionally, the cover features a destroyed piece of architecture that Oropo used to create a portal to reach the realm of the gods.

Also fun fact: at the time, I didn't believe that Harebourg could have died, so I came up with a theory about how he might have escaped unnoticed (and then only recently wrote it all down). Now that he’s actually returning, I find myself believing my theory even more! If you're interested, you can check it out right here.

So here you go! If you're unsure whether Season 5 is worth it, then I hope that my reasons will make you consider seeing it.

Please keep in mind that it's perfectly okay to feel that the fifth season may not be as enjoyable as the others. If you've already made up your mind about this final season, then at least you know what to expect! However, for those who are still uncertain, I hope my reasons encourage you to keep an open mind and consider giving the season a chance.

[rnadett]

I have an extremely wild theory about the ending...

So...

PLEASE DO NOT READ ANY FURTHER IF YOU DON'T WANT ME TO >>>POTENTIALLY<<< SPOIL SOMETHING FROM THE FINALE!!!!

I WARNED YOU!!!

I'm not going into too much details, since I don't have too much time because of my work. 😭

So let's start with Ekko:

We already know that the key character of Act 3 is him, whose unique ability is to turn back time. From the previous part, we also know that Jayce has tried to kill Viktor before, but every time so far, he has failed.

I think what Jayce and Ekko are trying to do in ACT 3: comes from the same root, but in very different ways – much like how their characters have always been, with parallels to each other throughout the series from the beginning. (the poster above is also telling)

We’ve also seen countless scenes from Act 3 that were quite significant hints... I haven’t pieced all the anchor points together yet, but my theory is that many characters will die in the final ARC — including Ekko, who will most likely make one last attempt to rewind time so the sisters can succeed.

We already have this screenshot from Reed. And It's from s2ep9. Behind Ekko it's some kind of machine, I believe it's a time machine, but not for rewind seconds, but for more... So much more. And they built it with Heimerdinger together.

This environment and this machine also appears in these scenes from the trailers:

Also in the recent teaser Vi says this.

I mean c'mon, It can't be more obvious than this at this point.

Also I noticed something while I rewatched this trailer:

https://youtu.be/Sl-xmZTH6GE?si=rW5vFHJUWm0ECD6p

Parallels and flashbacks were deliberately included. I think those will be the key points for the time travel.

The fate of the characters from a dramaturgical perspective... Well, I think many main character will die, What will make the stakes of the siblings' success even more important.

Yeah... Almost ALL characters except the sisters.

For example:

Caitlyn... I think Caitlyn may not die by Ambessa's hands but there is a possibility. But either way she will die. But one thing for sure: her final act will paves the way for the siblings to succeed. This makes her redemption arc finalized. Ambessa also planted this idea in Caitlyn's mind. Sacrifice . (Maybe the only thing truly worth learning from Ambessa about leadership, though not in the way Ambessa intended it to be understood.)

And for Vi... Yeah, she will watch yet another person she loves and cares about die. The Arcane writers seem to enjoy making her suffer....

Since the story revolves around the two sisters, they will finish the story, as they started.

THE LAST DROP

So the final scene probably will be about the sisters and the final sacrificing. Many say, Jinx don't need a redemption, but I think everyone deserves one in one way or another.

.

.

It has been hinted - or a fact from episode one that Jinx/powder ruins everything. She got her second name because of this. It's her character.

“Vi always used to say, I can fix anything... Before I broke everything.”

But why is it like this? What is it based on?

I think the 'last drop' will be foreshadowing of the first season, where she tried to save everyone, but nearly everyone ended up dying.

Why this would be any different?

I think what moslty form Jinx is how many people 'believe' in her.

Jinx and Powder, as appeared in a methaphore in Season 2, Episode 6, symbolize a coin with two sides. Both sides exist within her, but which side prevails depends on the events that unfold.

In Season 1, Episode 3, Vi allowed her heart to be influenced by the protective love she felt, which prevented her from trusting her sister.

That's why I believe that this will not just be Jinx's redemption, and not only will it rewrite her story, but also Vi’s. Vi, whose personality is so protective that she often doubts everyone else - (including Caitlyn), will have to learn to let go of this feeling and trust others, even if it means there's a chance her sister might die.

So what's my prediction?

So, if I wasn’t clear enough, (since English isn’t my native language and there are so many things in my head at all once that I want to express but I don't have time for more 😭)

My theory is that the siblings will eventually bring everyone back to life, but it will come at a cost, and I think Jinx will be the one to make that sacrifice.

But her death will not be a sad thing from her perspective, she will be finally free from the burden and suffering she felt, also she will be free from her demons as well.

.

.

As for the fate of the other characters I mentioned here, I can’t say for certain. Unfortunately, due to the 10-image limit, I couldn’t attach more visuals, but I believe Ambessa will die at the hands of the Black Rose. This is foreshadowed quite well in the intro: first, we see Ambessa crushing the rose, then a petal falls, but we don’t actually see her destroy it completely. Later, we see her daughter stepping in to take her place, reaching for the same rose while petals are scattered on the right-hand side, symbolizing Ambessa.

I think this story arc will continue in future *Arcane* series.

As for Sevika, it’s pretty clear that Viktor will transform her after her death and bring her back to life. That’s how she’ll end up with another cool new arm. (The new Sevika poster is literally titled “Armed and Ready,” by the way.) She’ll probably try to incite the Undercity against Piltover again, which is why we see in the trailer that Piltover is fighting Zaunite civilians.

My other theory for Sevika (Or a continuation of the above, perhaps a combination of the two. ) is that Singed will make her a new prosthetic to her... And it’s also possible that through Singed Savika will side with Ambessa.. Since Ambessa is very good at seeing what people need and how to manipulate them, she might offer Zaun's independence in exchange for her help.

From Corin Reveck’s side – He will succeed in bringing his daughter back to life (Orianna), and I think this is no longer in question... After nearly everyone in the series has suffered the consequences of his actions, directly or indirectly... One might hate this character, but he is the perfect example of someone who would do anything, sacrifice everything, and set the whole world on fire (and does) for the love of his daughter. He is fully aware that he has become a monster, but he doesn’t care.

From Viktor's perspective... I'm not sure what his story will be. Perhaps the fact that they’ve saved each other’s lives multiple times with Jayce will become a symbol that ultimately, they will end up taking each other’s lives together. At some point, there was a possible foreshadowing of this when the creators depicted a "Memento Mori" between the two characters in season 1, when they were at the place where they tried to jump separately. A "Memento Mori" is an optical illusion where the combination of various elements forms the image of a skull, symbolizing death and the transience of life.

Overall, please take all of the above writing as just a theory; many parts may not turn out this way, and in fact, nothing might happen as I’ve suggested. Have fun!

And yes, I know my post turned out quite long despite saying I don’t have time, but believe me, if I did have time, it would be about six times longer, with all the references and every thread detailed in full.

[irisintheafterglow]

like we’re made of starlight (timeskip!iwa x you)

summary: on the night of your birthday, you accompany hajime to the olympic team's new year's celebration, meeting the players and receiving a small surprise.

wc: 1.78k

cw/tags: swearing, alcohol and drinking, established relationship, crack and fluff and atsumu being dumb, one (1) down bad iwaizumi hajime, implied fem!reader but they/them pronouns used

note: this is dedicated to the #1 iwa lover @shotorus <3 i hope you have a spectacular birthday and enjoy this little thing for you and your man :))

likes, reblogs, and replies are appreciated !

“You know, if I’d known they planned this whole shabang on your birthday, I would have asked them to reschedule.” He squints skeptically at the colorful strobe lights shining outside of the club, one of the most prestigious in the city and the venue for the Olympic team’s belated New Year celebration. You could only imagine how loud the inside of the club would be, especially since it already seemed overwhelming outside and you weren’t even in the building yet. “I promise I’ll make it up to you this weekend, something a little…quieter.” 

“It’s okay, really,” you reassure him, setting a comforting hand on his thigh as he continues to bounce his leg in the driver’s seat. You run your thumb over the expensive fabric of his dress pants and he visibly relaxes, releasing a deep exhale and giving you an apologetic smile. The line for the valet was long and your boyfriend had politely declined your suggestion for him to hop out while you get the car situated. “I’m here for you and to meet the guys.” 

“That’s also something I’m a little anxious about,” he admits.

“How so?”

“They can get a little wild at these kinds of celebrations.”

“Well, we can bail whenever we want, right?” He nods, still a little unsure. “So, if the vibe is off or people start getting a little too wild, we leave and eat soup on the couch with a movie on.” The last comment about lounging around finally makes him smile and you lean over to press a light kiss on the side of his face, taking note of the way his ears become a little pinker even in the darkness of his car. A few minutes later, Hajime helps you step out of the car, tug on your coat and leads you to the entrance of the club, bypassing the extensive line with a tilt of his head to the bouncer. 

“This place was 100% Bokuto’s idea,” he mutters when you both step inside. “It’s like we’re at a frat party again.” A club employee escorts you up the stairs to a private, second floor balcony that overlooks the dance floor. “All the lights and music and drunk people is very reminiscent of that one during–”

“During junior year, second semester. The one I dragged you out of your dorm for because my roommates flaked out and I didn’t know anyone else to go with,” you grin, looking down at him over your shoulder as you climb the stairs. He’s quick to close any remaining space between you two once you reach the landing, snaking a protective arm around your shoulders while the employee gestures for you to join the rest of Hajime’s coworkers. “Except this time, everyone’s of age to drink.”

“In theory,” he murmurs. “I still think Hinata’s younger than he says he is.” You stifle a snort into your fist and catch him smirking before you’re bombarded by several suit-clad athletes with varying levels of alcohol intoxication. “Watch out for Atsumu. He spit-talks when he’s drunk.”

“Our beloved trainer has arrived!” On cue, the more chaotic Miya twin appears in front of you with one arm slung around his Jackal teammate, a buzzed-looking Bokuto, and followed closely by Hinata and Sakusa. “What took you so long?”

“I couldn’t find my good cufflinks,” he shrugs, revealing the silver volleyballs hiding on the inside of his wrists, the ones you got him on his first anniversary of working as a trainer. “Thought they were appropriate for the occasion.” You smile, watching your boyfriend act as cool and casual as ever, even in the face of his very enthusiastic colleagues. “I, uh, have someone for you all to meet,” he says, glancing at you with a questioning glint in his eye. Are you ready? You nod, taking a deep breath as he introduces you as his partner. 

“Like, in business?” Atsumu asks with such a genuine expression that makes you giggle. Behind him, you can see Sakusa slap an exasperated palm against his forehead. “You have a secret side hustle?” You bite your lip to keep from laughing too hard and look up to find your boyfriend with a similar expression. 

“No, dude,” Bokuto says slowly. “He means like, romantically. Like, a life partner.” Atsumu’s eyes widened to the size of car tires. “A partner for life, you know?” 

“Holy shit, you’re married?” You catch Sakusa mouth oh my god under his breath before he walks away from his dumbfounded teammate. Hinata is quick to steer both of his friends to a table before they fall over and rejoins the conversation as Hajime introduces you to the more collected players of the group. 

You shake hands with the stoic skyscraper that is Ushijima as well as receive a warm hug from Komori. Both note how great it was to finally meet you in person after your boyfriend seemed to never stop talking about you, before the man in question hurriedly introduces you to another player. Suna and Sakusa are quietly polite but open up more once you ask them about how training is going for the next Olympic games. While you chat with them, Hajime pulls over Aran and Yaku, introducing you as his partner with poorly hidden pride. Once they’ve assimilated into your conversation, he disappears into the herds of players and staff again to no doubt drag out another coworker.

“Forgive him for coming and going so much,” Yaku says apologetically. “I think he’s been waiting to show you off for a long time, even if he won’t admit it.”

“He’s really excited for people to meet me, huh?”

“I’ve never seen him this hyper and I’ve been drunk at a karaoke bar with him,” a new voice says who introduces himself as Kuroo, a tall guy with spiky hair that you remember Hajime arguing with over the phone several times. “Our offices are right next to each other and I like to play pranks every so often,” he explains when you ask him about why your boyfriend yells at him so much.

“Technically, it’s his fault for being out of the office so often,” Suna reasons. “And I only say that because I’m one of the accomplices to the office pranks. We all are.”

“I bought the wrapping paper for the one on his car,” Aran adds. “Yaku pitched in for the Post It notes on April Fools day, but we don’t let Atsumu in on the pranks anymore ‘cause he talks too much.” Your mouth gapes in disbelief, unable to imagine the organized, well put-together machine that is your boyfriend getting pranked so easily. 

“It’s only because we love him as a trainer, though.” Yaku is backed up by nods of agreement from the rest of his team. “He really loves his job; I think the only thing he loves more than volleyball is–”

“You, obviously.” Hajime returns from fishing out people to introduce to you, easily finding his place by your side. “They tell you about how much they fuck up my office?” The perpetrators’ voices overlap each other in protest, arguing that he’s the one who keeps leaving his door unlocked. “Yeah, yeah. Just you wait until I get this one in on pranks against you guys.” He tilts his head towards you and is met with friendly taunts of competition, saying that you’re too nice to prank them or that they’d never fall for any of his pranks. His head dips to whisper in your ear while the team is preoccupied with debating what song to request from the DJ to create one big Olympic flashmob. “Mind if I steal you away, real quick?”

“Of course. But be fast; you need to be back in time for the big dance number,” you tease and he rolls his eyes with an amused smile, lacing his fingers in yours and pulling you down a back hallway of the club. The black walls reflect the moody shades of pink, orange, and blue shining from the lights above and you find that the music isn’t as loud in the little corner he finds for you two. When you’re ready, he pulls out a small box tied with a ribbon from his pocket.

“Wanted to give you this on your actual birthday but didn’t want Atsumu’s big mouth to ruin it out there,” he says and you chuckle, carefully taking the box from his fingers and unwrapping the bow. You pull off the lid and find a delicately silver chain threaded through a pendant indented to resemble a volleyball; flipping it over and admiring it in the light, you discover a stamped “H” on the back that only appears when the light hits it just right. 

“Hajime, this is beautiful,” you breathe. 

“You like it?”

“I love it.” You remove the necklace from the box, but before you can fasten it around your neck, he stops you. 

“May I?”

“You are a hopeless romantic,” you grin. 

“Only for you.” His fingers brushing your neck send goosebumps over your skin and he carefully secures the chain at the back. 

“How do I look?” You turn to face him and see his pupils blown wide open, licking his lips and blinking to maintain his restraint. 

“Like you’re mine,” he rasps and he closes the remaining distance between your bodies, letting your back hit the wall and tilting your chin up with two fingers to kiss you. Your fingers comb through his hair and he groans into your mouth when you tug on it experimentally. His hands firmly grip your waist while he kisses you infuriatingly slowly, like he was savoring this private moment without the prying eyes of his teammates. He pulls away to breathe but doesn’t go far, nudging his nose against yours. “The guys didn’t say anything dumb to you, did they?”

“No, but they did let me know how much you talk about me,” you whisper and he rolls his eyes again, your eyelashes brushing his face when he leans in close again. “And how much your dumbass gets pranked.” 

“In my defense–” You cut him off with an uncontrollable fit of laughter, one that he joins into with a tired shake of his head. “You know what? I don’t have a defense. Happy birthday, my love.” He presses a sweet kiss to the top of your forehead. “Every day I think about what I did to deserve someone like you.”

“You existed and I found you,” you say simply. “That’s just how it works and now you’re stuck with me and all my future birthdays.”

“You say that like I’m not ready to grow old with you in any lifetime.”

if you enjoy my writing and would like to support me, you can buy me a coffee on my ko-fi! you can also check out my full masterlist here :)

[electric-hydrangea]

About Rhinedottir & The Shade of Life

5.6 Spoilers

Here, I'll be explaining Rhinedottir's connection with the Shade of Life and how it's not new information that she devoured the shade. Initially this was a conversation prompted by the question "is Rhinedottir more powerful than a Shade?", so the wording may seem strange. Credit to my partner for writing this - we both did the research & I edited.

My theory on how/why this occurred is that first of all all 3 of the main factions in teyvat have their own underling factions (all factions likely represent the 3 realms)

phanes - shades - angels

nibelung - sovereigns - vishap

either irmin or the unnamed descender - 5 sinners - Khaenri’ahn nobility/mages/take your pick

We have no concrete idea on the powerscaling of the sovereigns, but we at least know by default they are more powerful than archons.

We know very little about the Shade of Life, but what we do know is that Rhinedottir is obsessed with finding the truth of life in this world. Rhinedottir's story is likely man vs nature except in the end she became nature. With Little Witch & The Undying Fire, we've been told this story through an analogy of the Shade of Life being mold. Little Witch is a storybook where each volume is written by a different witch. Rhinedottir writes Vol 3.

Here, we have a script from the bottom of Ipissimus. "Red" is the foundational principle, the philosopher's stone, while "yellow" represents gold and mortal temptation. Yellow is simply bait. Red is the final goal. However, Khaenri'ah would likely seek the truth for gold's sake before turning that truth into a bread production pipeline..."

In the process of the Magnus Opus (in Genshin, an allegory for creating a Descender), Citrinas (yellow, in the above passage) is the step before Rubedo (red, in the above passage)

We can infer Rhinedottir's larger goal has been to create a Descender (the primordial human project and how her work is likely inspired by the adam kadmon). 

If Rubedo represents Descenders  (the wills that have changed the fundamentals of this world),  then what does Citrinas represent and why has Rhinedottir let it blind her?

We know the last thing she left Albedo was the message that she had found the Heart of Naberius. We know that the 5 Sinners abandoned Khaenri'ah after obtaining "world-shattering power". It is likely she is one of the three Sinners pursuing "some sort of perfection" (as said by Skirk)

For anyone out of the loop, Naberius is the name for the Shade of Life, similarly to the Shade of Void/Sustainer is Asmoday and Shade of Time is Istaroth/Tokoyo Ookami/Kairos/Astaroth. The Shade of Death is also known as Ronova. These are all names that come from Ars Goetia. It’s… a lot more complicated than that though.

Clearly she, Rhinedottir, has an incredible curiosity, and she has power seemingly equal to some of the strongest entites in Teyvat, so what stopped her from becoming a Descender?

Albedo says that when Rhinedottir told him to discover the truth of this world, she was just telling him to get a life. AKA saying that the truth of this world is the value of your friends and family.

Lumine also tells us to discover the truth of this world. She spent 500 years without us experiencing Teyvat; she has a deep connection with Teyvat we do not have. She wants Aether to understand why she is so desperate to save these people. This is identical to the Second Descender not understanding why Nibelung wanted to save this world until they experienced it firsthand by meeting the angel.

It's possible that to become a Descender, you must not just have a desire to change the world, but save it instead.

Now, one really interesting bit is what Rhinedottir wrote in the Little Witch and the Undying Fire. I have absolutely no idea what the rest of her volume is about but now that we have this context I think I can understand the mold part more.

"They told her: The more demon kings you kill, the greater your witch's power will grow.

This is, in fact, true.

Then, they encountered a mimic demon king."

There is a lot of emphasis on how this specific demon king is different than the others they've found/

"Her friends recovered, and told the little witch that this was the mimic demon king. It was a species of demon king, in the same taxonomic class as standard demon kings but not in the same order."

This means that they are of the same complexity, but are literally in different places on a hierarchy.

All of the Hexenzirkel use allegory for the divine in this book. Rhinedottir specifically approaches the divine through a scientific lens. I believe that it's not absurd to assume that a mimic demon king is equal to a Shade.

"The little witch discovered that the mold had its own consciousness, and had a power that allowed similar lifeforms to turn into their ideal state. She did not change because she was already very pleased with herself."

Here we see how Rhine stands out against her companions as the only one who does not desire change. Instead, her curiosity pushes her into literally becoming mold herself. Given our allegory, I don't think it's unlikely that this connects to her becoming the Shade of Life. Though she herself has no desire to create change, she would change herself in order to understand the world better

"In the end, the mold committed suicide. The little witch deciphered its way of communicating communications, and as it turned out, the colony experienced dissonance in self-perception and self-dissociation when it looked upon the little witch who had become just like them. The signals they sent had in fact been philosophical speculation "Who is me, and who am I?" Its intelligence was thus much higher than expected."

The mold literally killing itself is really interesting to me. It could imply that on a larger scale, there can only ever be one "mold".  We have multiple cases of this showing up in Teyvat already; Greater Lord Rukkhadevata, Egeria, and Focalors. Egeria somewhat naturally passed down her power, while the other two died so their successors could be free.

Ironically, all three of these gods have connections to the Shade of Life. Canonically Egeria was created by her, and while there's nothing to directly prove Rukkhadevata was created by the Shade of Life, we have motifs like mold, mushrooms,  knowledge, trees of wisdom, and other symbolism that connects the Dendro Archon to the Shade of Life. 

The mimic demon king being mold is also interesting as mold, being a decomposer, is something that HAS to exist in order to facilitate continued life.

[yustardino]

BELIEVE IN THE SIGN OF ZETA

Wow what an episode and alot to ramble, so yes this will be disjointed. First off, Macchu is privelaged and alot of people have mentioned that. What I dont think people have mentioned is how clan battle and the idea of Shuji loving her has got her to isolate away from her parents and the good life she had and because she's isolating herself, she gonna be alot more vulnerable to manipulation from other adults. She's not gonna have this good life for any longer, with all thats happened this episode, Macchu is gonna learn the horrors of war soon herself and be scarred for life. Same goes for Nyaan, whose in an even worse position than Macchu due to her being a trench kid living in a tiny apartment with no parents or any adult who gives a shit about her. Of course she maybe manipulated if it means survival or even some affection of love, something she craves which is why I believe she loves the idea of Shuji. She wants love she desperately craves. Chailla and Annqi's negotiations, we are seeing the seeds of war be planted as they discuss the fact the construction is to prepare for war. Chailla and Annqi also seem to know eachother somewhat considering their reactions and mannerism when negotiating for the GQux. also BASK OM GTFO... if you're here, please dont tell me that purple haired shithead is coming too cus the fear of god is put in me considering the writers also worked on a show with a purple haired shithead who did awful manipulative things to kids also. Aight back on track. Gates from Zeta is also here, a character I remember giving zero fucks about cus the Rosamia arc of Zeta is lets be honest, trash and really brings down Zeta's last ten episodes but perhaps Gates can be a much better character here cus he's not living in the shadow of repeated plot points. We also got a new cyber newtype, hello Deux.... we already have a grave prepared for you but you're cute and gonna see alot of fanart I suspect. But from what we can gather, Cybernewtypes are being developed just like in main UC but likely with lower budgets and lower tech available since Zeon won the war and the Federation are renmants atp. and the Murusame lab is where they're being made, Four likely also exists then. Perhaps evidence we may get Kamille and Fa later in the story. (Copium cus my faves are Kamille... if it wasnt obvious) It also seems Zeon hasnt been willing to fix the destruction the war they caused considering the city Gates and Bask were revealed to us in are in ruins. I haven't anything to say about Shuji this episode except he seems art is likely the one thing that is an outlet for the true shuji to use. I dont think he's a cyber newtype though, way too mentally stable by the standards of Cybernewtypes. Then we have good ole Useless Xavier, the babygirl of the year for real. Can we keep him alive just as a joke atp but Xavier is now getting distrustful of Chailla and for good reason considering how in the dark he and the crew are kept about everything. Then we have Chailla saving him with a jetback and shotgun and you gotta wonder how Chailla knew where Xavier was and to come with equipment to save him at just the right time... perhaps this was a set up to keep Xavier dependent on him. (Who knows, its just very coincidental unless he has a tracker on that poor boy) Next episode, we're finally get into more usual Universal Century battles with alot at risk now with Shuji, Nyaan and Machu in danger and the Psycho Gundam getting piloted meaning the Izuma Colony is gonna have major casualties. This is the turning point, we're gonna see the war spark next episode and my theory is, we're gonna see the GQux go fucking berserk like EVA Unit 01 would. (and I do wonder if I can try ediitng The Beast into that fight next week if I'm correct) Sorry this was majorly disjointed.

[hmslusitania]

Either 16 or 21 or both or neither

There was no specified ship, so it ended up being kind of pre-relationship TimKon

The party had been a questionable choice, Tim can admit that now. Nothing says “I’m so totally over a relationship, see how fine I’m doing!” like throwing a Halloween party, drinking a little too much at the sight of his ex-girlfriend making out with her new girlfriend who is, for most purposes, Tim’s sister, and then retreating to the bathroom because his more recent ex-boyfriend had actually taken him up on the invitation and brought a plus one.

Which is why he’s hiding in the bathtub in his own bathroom, not totally shielded from view by the novelty map of Faerûn shower curtain Steph had helped him pick out. At least it matches the elf ears that had seemed like a good idea six hours ago, and at least the porcelain he’s resting his face against is cooling and pleasant.

His relative peace — generally not helped by the thumping of the bass from the stereo in the party beyond his room — is interrupted an unknowable amount of time later by the bathroom door opening without a knock, and then he’s in the company of…

“What are you supposed to be?” Tim asks without lifting his head from the side of the tub.

Kon looks down at his “costume” which includes fingerless gloves, a denim jacket, and a black and red buffalo check shirt.

“Breakfast Club?” Kon prompts.

Tim blinks at him.

“Come on, we watched it for YJ movie night like last month,” Kon reminds him.

“I wasn’t there,” Tim says, miserable, and sags a little farther into the comforting embrace of the side of the tub.

“We were gonna do a whole group thing, right, except we decided you’d for sure have to be Ally Sheedy, not Emilio Estevez or Anthony Michael Hall,” Kon continues, unphased by Tim’s demeanour. “But then Cissie wanted to dress up like Wendy instead, and I’m pretty sure Cassie’s dressed up like me, which is kinda a head trip. And Bart had some whole situation where he can’t make our party because he got roped into babysitting Jai and Irey while they go trick-or-treating, because as screwy as my family might be, only when you’re a member of the West-Allen family do you really get to go babysit your, uh…”

“Second cousins,” Tim supplies.

“Huh, I definitely thought that was gonna be a weirder chain of relationship,” Kon says.

He sits on the bathmat next to Tim’s head and pokes him in the side of the face.

“Stop,” Tim says.

“So is there a particular reason you’re hiding from your own party in your bathroom?” Kon asks.

“I’m bitterly single?” Tim replies.

Kon considers him. “So, I get why you invited Steph, because she’s still for sure one of your best friends, and I’m pretty sure you’re, like, contractually obliged to invite Cass to events, and they’re a matched set. But like… your civilian ex-boyfriend who likes to conspiracy theory about the majority of the rest of your guests?”

Tim groans and shuts his eyes, only to have Kon pry one of them open and stare at him up close.

“I wanted to prove I was, like, mature and evolved and so totally over it,” Tim says, and feels stupid even saying it.

“Which is why you’re drunk in your bathtub, sure, yeah, I get that,” Kon says, and smiles when Tim rolls his eyes.

“You don’t have to be in here being nice to me, you can just like… enjoy the party,” Tim says.

“The party where my ex-girlfriend is dressed up in my clothes and making out with our other very good friend who’s dressed up like my all time fictional crush? That party?” Kon asks, and Tim snorts.

“Do you ever think about the fact you dated two girls named Cassandra and both of them turned out to be gay?” Tim asks.

“With really similar taste in women, also,” Kon adds. “And, like, yeah, every once in a while.”

Tim hums and closes his eyes again, but this time, Kon doesn’t pry his eyes open.

“I know you’re mad at me,” Tim mumbles finally. “You didn’t have to come.”

“I’m not mad at you,” Kon says, and this time the physical botherment he inflicts is tweaking the elf ear Tim had spent a stupid amount of time gluing on. “I was questioning your judgement, which is so not the same thing.”

“Judgement I definitely didn’t improve by throwing this party, right?” Tim guesses. Kon makes a noncommittal noise.

“Like I get that you have a thing for blonds with a penchant for getting into trouble, but…” Kon says.

“Not just blonds,” Tim mumbles before he can think better of it. He blinks when he realises what he’s said and finds Kon staring at him curiously. “I’m really fine, Kon, you can go enjoy the party.”

“Nah,” Kon says, and before Tim can move to stop him, he clambers over the side of the tub to squish into the narrow space between Tim and the shower wall, his combat boots which have a certain authenticity that say they might have been Pa Kent’s from the ’60s clunking against the basin. Kon wriggles his shoulders trying to get comfortable for a second, and then gives up and wraps his arm around Tim. It’s just for the better use of space, Tim’s sure, but it’s… it’s really nice. And when Kon tugs him sideways until Tim rolls over so he’s resting the side of his face on Kon’s chest rather than on the side of the tub, it’s so damn pleasant he can barely stand it. “I’d much, much rather be in here with you.”

It makes Tim’s heart flutter in his chest and he knows Kon can hear that, which is just embarrassing, and which he can only sort of blame on the alcohol.

“Yeah, okay, Bender,” he says, trying desperately to hit annoyed.

Kon gives him a full belly laugh that echoes off the bathroom tile, and squeezes him just a little closer. “I knew you’d seen the Breakfast Club before.”

Tim rolls his eyes and smacks Kon in the stomach with a light, open palm. It gets him another laugh, and maybe, just maybe, this party hadn’t been the worst idea after all.

[romantic-revolution-iv]

Have you ever wondered why the series is called Andor?

What I'm about to write is a figment of my imagination based on the theory that the creators of the series might shock us with the revelation of Bix's pregnancy.

At first, this theory horrified me, but then I remembered the economic system we live in, and that Star Wars belongs to Disney. This company always prioritizes profit and the exploitation of familiar characters (after all, why create something new?)

And the idea was obvious. Rogue One was a box office success, earning Disney over a billion dollars. The film received critical acclaim and remains beloved by fans. BUT there’s one problem: Jyn, Cassian, and all the other members of the Rogue One team are dead, and the company wants to make more money off them.

So, what can be done in this situation?

You could take one of the characters and 'give' them a child. This is a perfect scheme to keep milking the Rogue One brand indefinitely. It avoids dealing with aging actors and conveniently bypasses the deaths of the original characters.

I hadn't thought about it before. After all, naming the series after the main character's last name makes perfect sense. And the generous funding for Andor could easily be explained by Disney's desire to create something high-quality. But now everything is falling into place.

Why don’t I like the possibility that Bix and her child, who will inherit the surname Andor,  could appear in the second season’s finale (maybe B2EMO will be shown, since it’d look cute and sell well)? 

For this plot twist, the writers had to significantly change the character of Cassian, making him someone else. This turns Bix's character into a function to extend the family and launch a pipeline for producing new content and generating profits for Disney. This changes and distorts the meaning of the movie Rogue One and brings Cassian to the fore, making him more significant than Jyn, K-2SO, Bodhi, Chirrut, and Baze.

The Rogue One team was diverse, but what they all had in common was that they were lonely and had lost everything except their hope. As a result, they found support in each other, created a 'family' and died for a higher purpose. They didn't have anyone to mourn them, and that was the main tragedy that stuck with this movie for years.

I really hope all of this turns out to be untrue and just a product of my overactive imagination. I really want the finale of the second season to be amazing and not destroy the meaning of the movie that we love.

There is still hope…

[jaspbi]

Chapter 1143 (and a very short 1142) review!

Starting with 1142, I think the only thing I really want to talk about fron it is the nightmares at the end of the chapter. They are probably being used to distract the other giants from the children being kidnapped. I really find the idea of it interesting

And Gunko saying her worst fear is Nika...

---

Now with 1143!

We see Saul trying to save the kids, but he gets cut by thorns surrounding them

- the girl btw is Ylva, the great-great granddaughter of Jarul!

This ends up being St. Summers devil fruit, the thorn-thorn fruit

The way he talks about love is super insane to me, though. "Love is death"? Even from the last chapter, "To love is to hurt one another"? That's going to definitely be important about his character later on

And Qilingam's power? Literally also INSANE. What do you mean he can make you dream about something and control when you wake up??

Also I appreciate how silly the knights are being when not doing their duties. I expected them to be serious, but they are just doing whatever they want. They're having a full 5 star meal rn

Going back to Loki and the others, we see he and Harjudin are fussing, with Loki threatening again Elbaf. But before he did anything else, he ultimately passed out either before or after Luffy punched him.

Gerd is recovering Loki, but apparently it'll take months before he is fully healed.

I'm hoping there isn't some sort of timeskip involved tbh. I am not a big fan of the whole "Elbaf slows down time" theory. I think what's going to happen is that Loki will be fully, or mostly, healed in timed for the final war, to showcase his strength. That is what I would prefer at least

Anyways...

LOKI'S HORNS ARE REAL I KNEW IT I KNEW IT!!!

(He looks gorgeous here wow)

And we get our first flashback of both Harjudin and Loki!

We see that King Harald had to go somewhere, maybe a hunt or even a meeting with the WG based off theories.

But when he left them, Loki was being an ass :( Saying that Harjudin and his mom don't belong there due to their blood.

Now, Harald doesn't seem like the type of person to teach his own kids to not like each other either based on blood. He actually seems to love them equally! Maybe Loki's mom had this sort of ideology and Loki learned from it? Or even from other giants?

I can see why Harjudin would hate him. Him and his mom probably went through hell because of their blood.

Because of Harjudin's anger, he actually tries to kill Loki (which actually shocked me when I saw it). Loki says that Harjudin's anger has blinded him and that he really doesn't understand him or why he had to kill Harald.

In the end, Loki actually thought that Harjudin knew why he had to kill his father and wasn't like the others who thought he murdered him out of spite. Could this be something that Harjudin had known, hasn't excepted yet?

---

Notes:

- Summers's ideology is so interesting to me. I may be brewing up a theory about how it may connect to another character (love, death, thorns, and especially flowers? Any guesses?) I'll have to add it to my to-do list

- I am so torn between thinking either Harald was good or bad, I can't tell at this point 😭 It changes each time a chapter comes out

- Loki has had his bandages over his eyes ever since he was a kid... we now that it isn't because of his devil fruit ig

[zedecksiew]

THE BLOGGIES 2023: FINALISTS

(If you just want to skip to the list of BLOGGIE finalists, scroll to the "Who Are The BLOGGIES?" section below.)

+++

WHAT ARE THE BLOGGIES?

Awards for some of the best tabletop roleplaying game (TTRPG) blog posts to come out in 2022. There will be five awards: Best Theory Blogpost, Best Gameable Blogpost, Best Advice Blogpost, Best Review Blogpost, and, the biggest one, Best Blogpost.

I won Best Blogpost, last year. So I am hosting the BLOGGIES, this year.

+++

WHY ARE THE BLOGGIES?

Blogs are worth celebrating. Barring the actual playing of actual games, they are our most fertile field, our most volatile laboratory. Longform, text-based, and informal---they are a place to jot down our most outre design ideas. Free and publicly available---they are a vector for open debate and serendipitous discourse. Perhaps most importantly: relatively free of algorithmic social-media pressures---they are the best chance we have at a cultural memory.

I got into TTRPGs because of blogs.

The BLOGGIES are, at best, an affirmation of the above. At least, they are a way to celebrate 64 excellent blog posts from the last year, and maybe get them in front of people who did not read them the first time.

+++

HOW ARE THE BLOGGIES?

Nominations: I put an open call for blog-post nominations on Christmas 2023; I also canvassed the TTRPG communities I am part of. Nominated posts had to be from between 1 December 2022 to 31 December 2023.

I closed the nomination period on 1 Jan 2024 with 149 blog posts for consideration. I read / re-read them all.

I chose a slate of 64 finalists, according to the following metrics, in order:

Enthusiasm---a post got multiple nominations;

Diversity---no one blog was allowed to be a finalist more than once in a category (except the Reviews category, where this rule was tied to individual writers, due to shared review blogs);

Notability---a post was extraordinary in presenting a novel idea, addressing an important subject, or reflecting a community current.

Obviously, that last metric is highly subjective, and limited to my knowledge and perspective in the scene. I did my best.

I will not have final final say. Finalists will go head to head, vying for to be anointed best of the best by ballot. The bracket was seeded in order of number of nominations received. The BLOGGIES await your vote, o TTRPG folx.

+++

WHEN ARE THE BLOGGIES?

Throughout January 2024! Voting is >>>NOW OPEN<<< on Google Forms according to the following schedule (I will link to the forms and result threads as I post them):

First Week January - THEORY

3 January: Round of 16

4 January: Round of 8

5 January: Round of 4

6 January: Quarterfinals (winners in category) - Results

Second Week January - GAMEABLE

10 January: Round of 16

11 January: Round of 8

12 January: Round of 4

13 January: Quarterfinals (winners in category) - Results

Third Week January - ADVICE

17 January: Round of 16

18 January: Round of 8

19 January: Round of 4

20 January: Quarterfinals (winners in category) - Results

Fourth Week January - REVIEW

24 January: Round of 16

25 January: Round of 8

26 January: Round of 4

27 January: Quarterfinals (winners in category) - Results

31 January - FINALS

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WHO ARE THE BLOGGIES?

Your BLOGGIES 2023 FINALISTS are (presented in bracket order):

(High-res version here)

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THEORY

🥉 (1) being a problem - playable orcs at the limits of humanity, from Majestic Fly Whisk Some deep thinking about the racialisation of the orc in elfgames, why mainstream fixes fall short, and ways to move beyond.

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(16) #132: Axes of Game Design, from The Indie RPG Newsletter An exploration of the design axes / spectrums on which every TTRPG may fall.

(8) The Genres the OSR Can't Do, from A Knight At The Opera Sketching the limits of the OSR playstyle by looking at genres which are too differently-bound for it to emulate.

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(9) RPG Transcript Analysis: Critical Role, from Trilemma Adventures Examining a style of play through transcript analysis (looking at what is actually being said during a session), with Critical Role as case study.

🥈 (5) Critical GLOG: Base Resolution Mechanics, from Goblin Punch A deep dive into dice and resolution mechanics, and what they do in practice.

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(12) My favorite problems, from Failure Tolerated A list of design problems in TTRPGs, and a case for game design and theory to be driven by problem-solving.

(4) Roleplay Is Folk Art, from Wizard Thief Fighter An impassioned call to consider TTRPGs as folk art as opposed to corpocratic walled-garden IPs.

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(13) ART, PRODUCT, BOARD GAMES AND MAUSRITTER, from Fail Forward Critique of reviews that accuse TTRPGs for being too slick; interrogating the assumptions behind the label “commercial”.

(6) Toolbox Design, from The Dododecahedron Considering the principles of designing TTRPGs like toolboxes, through the lens of Cairn RPG and similar.

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(11) Mario vs ActRaiser vs Final Fantasy vs Zelda - Types of Advancement in RPGs, from Rise Up Comus Identifying some general types of advancement in TTRPGs, using videogames as a comparative lens.

(3) Posters, Posers and POSR(s), from Prismatic Wasteland Relitigating whether the OSR is dead, and defining its successor, the Post-OSR.

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(14) psychosis is badly written in tabletop games, from paper cult “Attempting to mechanize something so intensely personal, different, and mutable as mental illness is complicated. I think that makes these depictions bad!”

(7) “Rules Elide” and Its Consequences, from Jared Considering the implications of the maxim that "a game is about X when you have rules for everything but X".

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(10) Models of High-Level Play, from Benign Brown Beast Loose but useful classifications for types of high-level play: domains; god-like play; etc.

🥇 (2) OSR Rules Families, from Traverse Fantasy Sketching the landscape of the OSR, how various systems function, and how their attributes cluster and trend together.

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(15) Moralising and manipulation in tabletop roleplaying games, from Playful Void The importance of having design preferences without tying these preferences to moral judgments.

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GAMEABLE

🥉 (1) Flux Space, from Papers & Pencils A point-crawl procedure specifically designed for labyrinths / dungeons that are architecturally confusing / samey.

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(16) Generating Elevation in a Hexcrawl, from Traveler's Rest Procedures and advice on how to generate a mountain-crawl: hiking-focused adventure geography.

(8) The Autumn of Summers, from False Machine God-monsters born of summer, the hunting culture around such beasts, and random tables to generate their attributes.

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(9) MIMICS, from Vaults Of Vaarn A spread of novel pretender-creatures, with ecological and social implications.

(5) Another take on demihumans as social constructs, from Cavegirl's Game Stuff What if we consider fantasy races not as separate species, but as differing social roles?

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(12) The Apocalypse Archive, from Bearded Devil An unfinished by exemplary #dungeon23 attempt that includes wonderful maps and soundtrack notes.

🥈 (4) Pointcrawling Character Creation, from Rise Up Comus A framework for tying character generation to a geography, generating history and familiarity with campaign locales.

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(13) how to be erased, from Straits Of Anian Procedures for getting lost and getting led astray, and the kith and spirits one meets in those places.

(6) Dungeon Skirmishing, from All Dead Generations Feature-complete skirmish combat mechanics for OD&D, and the design rationales thereof.

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(11) Zelda-Style NPC Personalities, from To Distant Lands A system of generating quick and punchy NPCs, inspired by the way Zelda videogames present NPCs.

(3) GULCH, from Mindstorm A starter town specifically designed for contemporary (horror, urban fantasy, non-fantasy) campaigns.

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(14) Down the Road: Local Situation Design, from Deeper In The Game A procedure for quickly generating a powderkeg situation in a local geography of play.

🥇 (7) Laws of the Land: meaningful terrain via in-fiction limits and conditions, from Was It Likely? A method to generate meaningful diegetic terrain and tone in an adventuring region.

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(10) False Equivalent Exchange, from The Graverobber's Guide A novel magic system, done in natural language, with discussion on how it could be used in play.

(2) Deeper Catacombs, from Benign Brown Beast Iteration notes and a presentation of a comprehensive dungeon tracking procedure.

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(15) Inadvisable Decisions (GLΔG), from The Nothic's Eye An evocative alienist character class, based on drawing the attention of alter-describable things from beyond.

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ADVICE

🥈 (1) How to Handle Parley as an OSR DM, from Goblin Punch Comprehensive notes on how to run non-combat encounters without resorting to boring rolls.

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(16) GM Pointers: Live-Text Games, from Shadow & Fae Good reminders on how to run live-text games better, so they are better coordinated and don't take forever.

(8) ONLY Roll Initiative, from Bastionland Considerations on how to adjudicate combats, if initiative were the only dice roll in a combat system.

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(9) Action Mysteries, from A Knight At The Opera Asserting that good TTRPGs mysteries involve action---not just figuring out the truth but opposing the antagonist's goals.

(5) Modular Ecology, from The Graverobber's Guide A practical approach to including gameable ecology in TTRPGs, by tying materials to specific locations and conditions of the world.

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(12) ULTIMATE ANIMIST MECHANIC: EVERYTHING IS A REACTION, from Alone In The Labyrinth How to run a game where all actions are resolved by reaction roll: everything in the world responds by how much they like you.

(4) Game Mastering Like A Park Ranger, from SILVERARM Advice about GM-ing, based on the real-world work experience of being a park ranger.

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(13) An OSR approach to Spotlight, from Permanent Cranial Damage The suggestion that intentionally spotlighting characters solves the real-life problem of spotlighting players nicely.

(6) #Dungeon23, from Win Conditions The idea that spawned a thousand notebook dungeons, plus salient advice on how to start / keep going.

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(11) The Storyteller Technique, from Possum Creek Games When writing TTRPGs, imagine your game text as a diegetic artefact in the world of the game.

🥉 (3) RANSACKING THE ROOM, from Mindstorm A simple and powerful three-step method to handle room-searching in games: inspect, search, and ransack.

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(14) Cairn Crash Course, from Widdershins Wanderings A masterclass example on how to write player guides to a game, for Cairn RPG.

(7) AN EXAMPLE OF FKR (NEAR-)DICELESS COMBAT (WITH COSMIC ORRERY!), from Underground Adventures Describing combat in a Free Kriegsspiel Roleplaying (FKR) game, useful in understanding that playstyle.

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🥇 (10) Re-inventing the Wilderness: Part 1 - Introduction, from sachagoat Figuring out problems with wilderness exploration, and applying a mental-map framework from urban-theory academia.

(2) Dungeon Design, Process and Keys, from All Dead Generations A detailed process to designing and keying a traditional dungeon adventure.

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(15) THE D&D IN MY HEAD: In Only 6 Load-Bearing Numbers, from I Cast Light! Identifying the essential and minimum rules you need to remember, to run D&D.

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REVIEW

🥇 (1) An Empty Africa - PF2E's The Mwangi Expanse and the strange career of Black Atlanticism, from Majestic Fly Whisk A review of Pathfinder’s "The Mwangi Expanse", and a discussion of Black Atlanticism's fraught relationship with its sourcelands.

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(16) What Hull Breach Teaches Us, from Mazirian's Garden An assessment of the Mothership RPG third-party "Hull Breach" anthology as a "new standard for anthology companions".

(8) Grave Trespass - Jim Henson's Labyrinth: The Adventure Game, from Bones Of Contention A review of the Labyrinth RPG. It’s got all these things which are "bad" in RPGs, so why does it work?

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(9) The First Rumor Tables, Part 2: Caverns of Thracia or Caverns of Quasqueton?, from Tom Van Winkle's Return To Gaming An investigation into the origins of rumour tables in TTRPGs. Did TSR plagiarise Jaquays?

(5) Standing up for D&D's Gen X: 2e (Part 1), from Mythlands Of Erce A full-throated defense of D&D2E, viewing it in the context of its time and as a refinement over 1E.

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(12) Systemcrawl: Break!! RPG, from Widdershins Wanderings A review and system analysis of Break!! RPG, which marries JRPG and OSR inspirations.

(4) Dungeon Crawls in Cinema, from Directsun Games Evaluating several films on the basis of how well they function as dungeon crawls.

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(13) Reasonable Reviews, from Rise Up Comus A general overview of TTRPG reviews, and what may or may not make them useful.

(6) Deep Dive: A|STATE, from The Indie Game Reading Club A review of a|state, and how it builds on and departs from the Blades In The Dark formula.

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(11) I Read Cloud Empress, from Playful Void A review of Cloud Empress, the first descendant of the Mothership RPG ruleset.

🥈 (3) Plagiarism in Unconquered (2022), from Traverse Fantasy A forensic analysis of how Unconquered plagiarised Ultraviolet Grasslands and Vaults Of Vaarn.

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(14) Rod, Reel, & Fist (Review), from Benign Brown Beast A substantial review of Rod, Reel, & Fist, a "system-forward fishing simulation RPG".

(7) Pedantic Wasteland - Vampire Cruise, from Bones Of Contention A review of Vampire Cruise, a largely system-neutral horror-comedy adventure set at sea.

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(10) Dragon Magazine: Player Advice Collection Overview, from Attronarch Athenaeum A comprehensive read-through and rating of 143 Dragon Magazine advice articles.

(2) Spire: The Monstrosity of Empire, the Necessity of Violence, from A A Voigt A comparative-literature analysis of Spire RPG through R F Kuang’s spec-fic novel "Babel, or the Necessity of Violence".

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🥉 (15) MICROBLOG: CHILDREN'S BOOKS AND TABLETOP GAMES, from Fail Forward Considering the influence of children’s books on TTRPG designers and works like "Barkeep on the Borderlands".

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It is difficult to describe how hard it was for me to whittle down the list of nominees to these finalists. I consider each of these 64 a landmark in 2023's TTRPG thinkings, and the folks from which they issue essential reading, going forward. They already deserve a prize.

So here it is, dear bloggers: a hand-carved linocut "finalist's pin" graphic you are free to use on your sites / posts, should you wish:

(High-res downloadable version HERE)

Thank you for writing! And good luck in the coming rounds of voting!

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CORRECTION: A blog post from 2021 (Not All Crunch Is the Same, from A Knight At The Opera), was included in the soft-launch posting of this list. An error on the part of its nominator, compounded by a data-entry error on my part. It has since been replaced by a post from the same blog with the actual most nominations (The Genres the OSR Can't Do). I have also double-checked my lists and all finalists. Apologies for my error!