#evil 1.06

[evil-ot3]

kristen: if you believe all that about the catholic church, how can you work for them?

ben: I don’t work for for them. I work for david, and I like david. and you

kristen: oh shucks 🤭

the ot3 be ot3ing since s1 I fear

[thesorcerersshadow]

“he’s evil.”

“it’s not that simple.”

this exchange is so interesting to me. on the surface, this could read like gaius saying it’s not simple to intervene because edwin is blackmailing merlin (via gaius?) and i definitely think that’s a valid reading.

but gaius also says this right after gwen (not knowing most of the context) insists edwin is Evil, and because this is an episode where gaius is having to contend with his inaction, his own complicity, his guilt—i do think it’s fair to say that gaius probably does know it’s much more complicated than edwin being “evil”, even if he ultimately does condemn him for using “dark magic.”

[vidavalor]

🤯🤯🤯Just read a post where you're talking about how we've never actually seen Satan and a bunch of people have played him so far. Do you think we will see him? Do you think they'll cast someone new or someone we've already seen playing another role?

Hi there! 💕Yeah, Lucifer/Satan has technically been played by three people so far, imo-- Ben Crowe as Satan-as-Freddie Mercury in 1.01, Benedict Cumberbatch as Adam's idea of what The Devil sounds like in 1.06, and Derek Jacobi as Satan-as-The-Metatron in 2.06. None of these people were playing Lucifer/Satan in his usual, human corporation. We still don't know what he looks like in that form. I think odds are probably pretty high that we will see him in The Finale.

From a story perspective, I think that it would make more sense to not show Satan in his true human form until closer to the end, which might be what they're doing.

Early on, the audience needs to be thinking in terms of, like... but how can we kill The Devil because we can't kill evil forever? And that's all very true but, by the end of the story, the point will be that we aren't stopping all evil in the story to get to a happy ending. We're just stopping this one, powerful person, because this story is really a lot smaller than it seems like it is.

That's why waiting until near the end to show Satan in human form-- to make him visibly appear to be Just This Expletive of a Guy... which, fundamentally, is what he is-- works better for this kind of story, imho.

As for who I think might play him, I have had a hunch for awhile but we'll have to see what happens. If I turn out to have called it, we will have briefly seen him before because I think Lucifer/Satan could be the second role for David Morrissey.

I would love for this to be the case, too, because we are a bit short on time in the Finale and I can't think of anyone else who could better eat alive being the true face of this evil POS character in about 30 seconds flat than David Morrissey.

His first role in the story being The Captain of The Morbillo (from the Latin morbus, meaning: distress of the mind; sorrow; grief; disease), who ran aground when a blond priest basically took over his ship and starts winning at Discworld Symbolic Things? The Quoits contest & Atlantis rising is a parallel struggle to Aziraphale, the bookshop attack, the halo, & Satan in end of S2. All the players who have more than one role in the story are playing characters who are thematically connected. We'll have to see what happens but I think that would seem to make the one playing Satan most likely David Morrissey.

[scoobydoodean]

hi! i read your misogynist post and while i haven't read it all to analyze, this one stood out to me the most:

In 1.06, Sam cuts Dean off before Dean can accept an offered beer from Rebecca, but then as soon as Sam needs Rebecca out of the room, Sam asks her to not just bring them those beers... but also fix them sandwiches. Rebecca says, "What do you think this is, Hooters?" and Dean mumbles, "I wish" and we somehow lose sight of the fact that Sam literally just asked a woman to make him sandwiches which is possibly the number one misogynist man trope.

while that i'm not justifying or defending, the thing about this section is he ASKED rebecca those things to distract her and not have her come back in the room right away after grabbing the drink, because he needed to DISCUSS with dean what he just saw on the camera without freaking her out because that was her brother. i would have done the same thing, and i'm a girl.

I would greatly appreciate it if you would read posts fully before responding to them. That said, of course there's a context to Sam's comments. I in fact stated in the very portion of my post that you yourself quoted that he wanted her out of the room:

then as soon as Sam needs Rebecca out of the room, Sam asks her to not just bring them those beers... but also fix them sandwiches.

Misogyny almost always has a conversational motive/context. It isn't usually cartoonishly and randomly spewed. There's a context to Sam's request. There's a context to Sam lying to the women he loves and intends as life partners, and using the word "bitch", and usually being bad with women more generally, and tending to view women Dean might be interested in or who might be interested in him as loose distractions. But if you think the writers weren't aware of exactly what they were writing when they specifically went to sandwiches, I think you're wrong, and Rebecca's immediate objection to Sam's request lends to the author's awareness.

The context of that entire section of the post is not to demonize Sam, but to state that fans who push this narrative that Dean is a huge misogynist (in an effort to erroneously demonize him) are almost always contrasting him with Sam, who they believe to be some bastion of progressive morals who has never so much as looked at a woman lustfully (because that would be Evil and Bad™️). When shades of misogyny in Sam (that he is very very unaware of) are intentionally written into the script from the Pilot.

Kripke appears particularly fond of giving Sam an air of moral superiority that often backfires on him when he endeavors to judge Dean. 1.16 "Shadow"—another Kripke episode—is also a great example. Sam at one point criticizes Dean (who has gathered all of their major leads up to this point) for not "thinking with his upstairs brain", because Dean dared get a bartender's number while asking her questions about the victim. Sam, meanwhile, has been floundering reading books and getting nothing. Later in the episode, Sam peers up at Meg in an upstairs window as she undresses, and gets called a creep by a woman who passes by and sees him leering. It's again—a situation where Sam's initial intention isn't any brand of misogyny. He thinks Meg is bad news and is tailing her, but then can't help... looking... and then looking again. But it's so blatantly intentional from Kripke—especially the contrast of Sam peering in at Meg upstairs while Sam sits in a car below—downstairs.

The goal of the writing team in writing in these moments certainly isn't to make me think of Sam as some horrible evil man. It's simply to give him flaws with a fascinating and rich context that make him far more interesting than the Mary Sue some of fandom is obsessed with rewriting him to be. Sam's misogynistic moments don't endeavor to villainize him any more than Dean’s do—they provide fascinating insights into Sam’s relationship with and clashes with Dean, and add to other incidents where Sam takes on a morally superior air—perhaps, in some ways, out of subconscious jealousy. I won't link you to every single thing I've written adjacent to the subject, but for example, this post on how Dean earns money, how Dean pimps himself out for information, and how Sam and Meg both minimize Dean's contributions to the case in "Shadow" while Dean actually gets all of the leads (similar minimizations occur in 1.10 "Asylum"—which is another excellent example of Sam floundering while Dean repeatedly displays his brilliance, only for Sam to ultimately accuse him of having no mind of his own).

[cdyssey]

Agatha All Along (1.06) Reactions:

AW. Teen’s Bar Mitzvah…

According to the program, he’s William Kaplan…

WAIT THAT’S THE GUY FROM PRIVATE PRACTICE

THE TRANSITION TO HIM DANCING IS SO GOOD

LILIAAAAAA. Love that Teen is intersecting with her even before the coven officially begins

god I would die for Patti lupone. Have I said that yet

OOOH????)$&) SHE PUT THE SIGIL ON HIM

HEARING WANDA AND VISION’S VOICES ON THE RADIO ADDED TEN YEARS TO MY LIFE

FUCK. THIS CAR CRASH. THAT WAS VISCERAL

I HAVE TEARS IN MY EYES BECAUSE OF HIS PARENTS’ GRIEF GODDAMN

BILLY INHABITING WILLIAM’S BODY DEAR FUCKING GODDDDDDDDDDDDD

ALIIIIIICE.

OH. HE CAN READ MINDS

lol, the dog barking at Billy bit reminds me of the dog barking at Annie pretending to be Hallie in the parent trap

Something, something about Billy being trapped in a stranger’s body and agatha being trapped in her own mind—that a similarity between them is that they both know what it is to be displaced by circumstances beyond their control

Aww, Billy’s boyfriend. 🥹 This Disney+ show being so unapologetically queer is everything to me

The fact that Wanda inadvertently caused William Kaplan’s death, and in doing so, saved her son

JENNNNNNNNNNNN

“You can melt the probiotic candles.” I love a hot con artist <333

RALPH FUCKING BOHNER. BOHNNERRIFIC69.

“She stole my house, completely ruined the market value.” FJSKFJDN

Monica mention!!!!!

THE LORNA WU COVER!!!!! I’m still gagged over the reveal that it was a protection spell for her daughter. 🥹 Like, so much of this show is about a mother’s love

The implication that she’s caused so many famous disasters <333 AND THAT SHE’S THEE JOLENE

has someone edited flaming locks of auburn hair on kathryn hahn yet

agatha having whole ass wiki pages of all her cunty and evil exploits. slay

IS TEEN THE BLACK HEART

AGATHA HALLUCINATED WEARING A DYKEY FLANNEL AKAKQOWJDIWOWKAOW AND CARRYING BEERS

she really created an elaborate hallucination of herself where she was the butch lesbian ever <33

The chase scene showing Agatha being far more clumsy than she internally imagined lmao. Kathryn Hahn the actress that you ARE

MRS. HAAAAART

BOHNER FAMILY REUNION. WATER HOSE AS A GUN.

Kathryn Hahn acting all butchy with minimal makeup is my Roman Empire. Her manspreading wearing a boner joke shirt is everything 2 me

AGATHA JUST STRAIFHT UP KICKING HIM JAKSJDJS.

god I’m so gay

cursed agatha is such a rife place to explore. the way she was so locked in her own reality is fucking TERRIFYING. it was all so very real to her, and her behavior here contextualizes the delicacy that Rio showed her, the kindness that the citizens of Westview treated her with.

She was sick, and they took care of her.

her clicking the pen over and over againnnn

The fact that Agatha is talking to Billy about his mom and he doesn’t know it

Agatha’s pained shock when her reality starts falling apart is fucking brutal

“Come on, I do not wanna go back in the closet.” AKIQKWJDJDFIOWOW

BABY GIRL CRAWLING OUT OF THE MUDDDD like an evil witch coming out to devastate mankind

“It’s nice to see you again.” Agatha was there for Billy’s creation and raising. And there’s something utterly fitting about the role she’s taken on for him now, something of a distorted mother figure

ARE THERE TEARS IN AGATHA’S EYES

,JASKKDJSKSNS, agatha not being able to count how many people she’s killed

I love when agatha is a fucking shithead. This show wouldn’t work if she didn’t absolutely suck 90% of the time

“But don’t you dare feel guilty about your talent. You survived like witches have been doing for centuries. You saw an opportunity, an empty vessel, and you moved in. So you broke the rules. Big deal! That’s what kept you alive! That’s what makes you special! It’s what makes you a witch.” OH, THAT’S COMING STRAIGHT FROM AGATHA’S HEART. Because she’s clearly remembering her mother and how her powers were dismissed and discouraged from the very start. And so she’s telling Billy what she probably wanted to hear for herself when she was his age.

I love that Agatha just wants to mentor the Maximoffs haha

“How about Robo-Papa? Lord knows where he is or in how many pieces.” FOUL WOWODJIWJRJDJ.

“You’re after TOBY.” KQOQODJDJUFISOALWKFJSOAK

“Gosh, you really are a Maximoff. Otherwise, none of this would be nearly as dramatic.” JWJDIWOWDID

I would watch 300 more seasons of Kathryn Hahn chewing the scenery like no one’s business

MAKING A MUSTACHE WITH HER HAIR EIWOWJFNSJSJ

she is so fucked up. <33 I love her. I love this fucking show

[ghost-grumpy-aussie]

The Evil Campaign Begins (Yes I’m back)

Game

- BFME1 1.06 HD Edition Mod

Mod

Legends of the third Age 0.4

[thehylianbatman]

The Missing Episodes of Star Wars: The Clone Wars

This post has nothing to do with Disney or their movies.

Hello. Star Wars is extremely close to my heart, and extremely important to me. As a narrative and a creative work, I believe Star Wars is unique and distinctive. I believe that Star Wars is now in an unfinished state, and will more than likely remain so forever, but my anti-Disney tirades can go in another post. For now, I simply want to inform you about Star Wars: The Clone Wars, and share my theory that there are episodes of Star Wars: The Clone Wars being hidden from us.

All information in this post is publicly and freely available from Wikipedia.

Here is a list of every episode of Star Wars: The Clone Wars released before production was cancelled by Disney in 2014, along with seasonal notes.

SEASON 1 (2008) - This season contains 6 standalone episodes, 5 arcs of 2 episodes, and 2 arcs of 3 episodes, covering episodes 1 through 22 of the series. The seasons opens and closes on standalone episodes. As the first season of the series, these formats are all appearing for the first time.

"Ambush" (1.08)

"Rising Malevolence" (1.07)

"Shadow of Malevolence" (1.09)

"Destroy Malevolence" (1.11)

"Rookies" (1.14)

"Downfall of a Droid" (1.02)

"Duel of the Droids" (1.06)

"Bombad Jedi" (1.05)

"Cloak of Darkness" (1.10)

"Lair of Grievous" (1.12)

"Dooku Captured" (1.16)

"The Gungan General" (1.20)

"Jedi Crash" (1.22)

"Defenders of Peace" (1.24)

"Trespass" (1.25)

"The Hidden Enemy" (2.01)

"Blue Shadow Virus" (1.26)

"Mystery of a Thousand Moons" (2.02)

"Storm Over Ryloth" (1.15)

"Innocents of Ryloth" (1.17)

"Liberty on Ryloth" (1.19)

"Hostage Crisis" (2.04)

SEASON 2: Rise of the Bounty Hunters (2009) - This season contains 4 standalone episodes, 2 arcs of 2 episodes, 3 arcs of 3 episodes, and 1 arc of 5 episodes, "Senate Spy" to "Brain Invaders"; this covers episodes 23 through 44 of the series. The seasons opens and closes on 3-episode arcs. The 5-episode arc is appearing for the first and only time.

"Holocron Heist" (1.23)

"Cargo of Doom" (1.13)

"Children of the Force" (2.03)

"Senate Spy" (2.05)

"Landing at Point Rain" (2.07)

"Weapons Factory" (2.08)

"Legacy of Terror" (2.09)

"Brain Invaders" (2.12)

"Grievous Intrigue" (2.14)

"The Deserter" (2.06)

"Lightsaber Lost" (2.11)

"The Mandalore Plot" (2.13)

"Voyage of Temptation" (1.21)

"Duchess of Mandalore" (2.16)

"Senate Murders" (2.10)

"Cat and Mouse" (2.17)

"Bounty Hunters" (2.19)

"The Zillo Beast" (2.22)

"The Zillo Beast Strikes Back" (2.23)

"Death Trap" (2.15)

"R2 Come Home" (2.18)

"Lethal Trackdown" (2.20)

SEASON 3: Secrets Revealed (2010) - This season contains 3 standalone episodes, 5 arcs of 2 episodes, and 3 arcs of 3 episodes, covering episodes 45 through 66 of the series. The season opens and closes on 2-episode arcs.

"Clone Cadets" (3.01)

"ARC Troopers" (3.02)

"Supply Lines" (2.24)

"Sphere of Influence" (2.25)

"Corruption" (3.04)

"The Academy" (2.26)

"Assassin" (2.21)

"Evil Plans" (3.03)

"Hunt for Ziro" (3.05)

"Heroes on Both Sides" (3.06)

"Pursuit of Peace" (3.07)

"Nightsisters" (3.08)

"Monster" (3.10)

"Witches of the Mist" (3.12)

"Overlords" (3.09)

"Altar of Mortis" (3.11)

"Ghosts of Mortis" (3.13)

"The Citadel" (3.14)

"Counter Attack" (3.15)

"Citadel Rescue" (3.17)

"Padawan Lost" (3.16)

"Wookie Hunt" (3.18)

SEASON 4: Battle Lines (2011) - This season contains 1 standalone episode, "A Friend in Need", 1 arc of 2 episodes, "Mercy Mission" and "Nomad Droids", 1 arc of 3 episodes, "Kidnapped" through "Escape from Kadavo", and 4 arcs of 4 episodes, covering episodes 67 through 88 of the series. The season opens and closes on 4-episode arcs. The 4-episode arc is appearing for the first time.

"Water War" (3.22)

"Gungan Attack" (3.23)

"Prisoners" (3.24)

"Shadow Warrior" (3.19)

"Mercy Mission" (3.20)

"Nomad Droids" (3.21)

"Darkness on Umbara" (3.25)

"The General" (3.26)

"Plan of Dissent" (4.01)

"Carnage of Krell" (4.02)

"Kidnapped" (4.03)

"Slaves of the Republic" (4.04)

"Escape from Kadavo" (4.05)

"A Friend in Need" (4.06)

"Deception" (4.07)

"Friends and Enemies" (4.08)

"The Box" (4.09)

"Crisis on Naboo" (4.10)

"Massacre" (4.11)

"Bounty" (4.12)

"Brothers" (4.13)

"Revenge" (4.14)

SEASON 5 (2012) - This season contains 1 standalone episode, "Revival", 1 arc of 3 episodes, "Eminence" through "The Lawless", and 4 arcs of 4 episodes, covering episodes 89 through 108 of the series. The season opens on a standalone episode and closes on a 4-episode arc. This is the first season since Season 1 to open on a standalone episode, and the first season to open and close with episodes/arcs of different lengths, as well as the first season to have fewer than 22 episodes; it contains only 20 episodes.

"Revival" (4.26)

"A War on Two Fronts" (4.15)

"Front Runners" (4.16)

"The Soft War" (4.17)

"Tipping Points" (4.18)

"The Gathering" (4.22)

"A Test of Strength" (4.23)

"Bound for Rescue" (4.24)

"A Necessary Bond" (4.25)

"Secret Weapons" (5.04)

"A Summer Day in the Void" (5.05)

"Missing in Action" (5.06)

"Point of No Return" (5.07)

"Eminence" (5.01)

"Shades of Reason" (5.02)

"The Lawless" (5.03)

"Sabotage" (5.08)

"The Jedi Who Knew Too Much" (5.09)

"To Catch a Jedi" (5.10)

"The Wrong Jedi" (5.11)

SEASON 6: The Lost Missions (2014) - This season contains 1 arc of 2 episodes, "The Disappeared, Part I" and "The Disappeared, Part II", 1 arc of 3 episodes, "An Old Friend" through "Crisis at the Heart", and 2 arcs of 4 episodes, covering episodes 109 through 121 of the series. This is the first season to contain no standalone episodes.

"The Unknown" (5.12)

"Conspiracy" (5.13)

"Fugitive" (5.14)

"Orders" (5.15)

"An Old Friend" (4.19)

"The Rise of Clovis" (4.20)

"Crisis at the Heart" (4.21)

"The Disappeared, Part I" (5.16)

"The Disappeared, Part II" (5.17)

"The Lost One" (5.18)

"Voices" (5.19)

"Destiny" (5.20)

"Sacrifice" (5.21)

The series had 5 seasons conventionally constructed, intentionally sequenced and released weekly on television, and 1 season released in bulk on a streaming service, Netflix. Altogether, this covers 121 episodes of the series released before Disney's interference.

However, this is not all of the information we have. You'll notice that, next to every single episode title, there is a sequence of two numbers. This sequence is that episode's production code; the first digit is the production block, while the next two digits are the episode's particular order within the production block. This information is more pertinent for a look at the series from a production standpoint, so here is that information put together:

BLOCK 1 - This block contains episodes from Seasons 1 and 2.

1.02 - "Downfall of a Droid" (S1E6) 1.05 - "Bombad Jedi" (S1E8) 1.06 - "Duel of the Droids" (S1E7) 1.07 - "Rising Malevolence" (S1E2) 1.08 - "Ambush" (S1E1) 1.09 - "Shadow of Malevolence" (S1E3) 1.10 - "Cloak of Darkness" (S1E9) 1.11 - "Destroy Malevolence" (S1E4) 1.12 - "Lair of Grievous" (S1E10) 1.13 - "Cargo of Doom" (S2E2) 1.14 - "Rookies" (S1E5) 1.15 - "Storm Over Ryloth" (S1E19) 1.16 - "Dooku Captured" (S1E11) 1.17 - "Innocents of Ryloth" (S1E20) 1.19 - "Liberty on Ryloth" (S1E21) 1.20 - "The Gungan General" (S1E12) 1.21 - "Voyage of Temptation" (S2E13) 1.22 - "Jedi Crash" (S1E13) 1.23 - "Holocron Heist" (S2E1) 1.24 - "Defenders of Peace" (S1E14) 1.25 - "Trespass" (S1E15) 1.26 - "Blue Shadow Virus" (S1E17)

BLOCK 2 - This block contains episodes from Seasons 1, 2, and 3, tied with Block 4 for the most seasons within a single block.

2.01 - "The Hidden Enemy" (S1E16) 2.02 - "Mystery of a Thousand Moons" (S1E18) 2.03 - "Children of the Force" (S2E3) 2.04 - "Hostage Crisis" (S1E22) 2.05 - "Senate Spy" (S2E4) 2.06 - "The Deserter" (S2E10) 2.07 - "Landing at Point Rain" (S2E5) 2.08 - "Weapons Factory" (S2E6) 2.09 - "Legacy of Terror" (S2E7) 2.10 - "Senate Murders" (S2E15) 2.11 - "Lightsaber Lost" (S2E11) 2.12 - "Brain Invaders" (S2E8) 2.13 - "The Mandalore Plot" (S2E12) 2.14 - "Grievous Intrigue" (S2E9) 2.15 - "Death Trap" (S2E20) 2.16 - "Duchess of Mandalore" (S2E14) 2.17 - "Cat and Mouse" (S2E16) 2.18 - "R2 Come Home" (S2E21) 2.19 - "Bounty Hunters" (S2E17) 2.20 - "Lethal Trackdown" (S2E22) 2.21 - "Assassin" (S3E7) 2.22 - "The Zillo Beast" (S2E18) 2.23 - "The Zillo Beast Strikes Back" (S2E19) 2.24 - "Supply Lines" (S3E3) 2.25 - "Sphere of Influence" (S3E4) 2.26 - "The Academy" (S3E6)

BLOCK 3 - This block contains episodes from Seasons 3 and 4.

3.01 - "Clone Cadets" (S3E1) 3.02 - "ARC Troopers" (S3E2) 3.03 - "Evil Plans" (S3E8) 3.04 - "Corruption" (S3E5) 3.05 - "Hunt for Ziro" (S3E9) 3.06 - "Heroes on Both Sides" (S3E10) 3.07 - "Pursuit of Peace" (S3E11) 3.08 - "Nightsisters" (S3E12) 3.09 - "Overlords" (S3E15) 3.10 - "Monster" (S3E13) 3.11 - "Altar of Mortis" (S3E16) 3.12 - "Witches of the Mist" (S3E14) 3.13 - "Ghosts of Mortis" (S3E17) 3.14 - "The Citadel" (S3E18) 3.15 - "Counter Attack" (S3E19) 3.16 - "Padawan Lost" (S3E21) 3.17 - "Citadel Rescue" (S3E20) 3.18 - "Wookiee Hunt" (S3E22) 3.19 - "Shadow Warrior" (S4E4) 3.20 - "Mercy Mission" (S4E5) 3.21 - "Nomad Droids" (S4E6) 3.22 - "Water War" (S4E1) 3.23 - "Gungan Attack" (S4E2) 3.24 - "Prisoners" (S4E3) 3.25 - "Darkness on Umbara" (S4E7) 3.26 - "The General" (S4E8)

BLOCK 4 - This block contains episodes from Seasons 4, 5, and 6, tied with Block 2 for the most seasons within a single block.

4.01 - "Plan of Dissent" (S4E9) 4.02 - "Carnage of Krell" (S4E10) 4.03 - "Kidnapped" (S4E11) 4.04 - "Slaves of the Republic" (S4E12) 4.05 - "Escape from Kadavo" (S4E13) 4.06 - "A Friend in Need" (S4E14) 4.07 - "Deception" (S4E15) 4.08 - "Friends and Enemies" (S4E16) 4.09 - "The Box" (S4E17) 4.10 - "Crisis on Naboo" (S4E18) 4.11 - "Massacre" (S4E19) 4.12 - "Bounty" (S4E20) 4.13 - "Brothers" (S4E21) 4.14 - "Revenge" (S4E22) 4.15 - "A War on Two Fronts" (S5E2) 4.16 - "Front Runners" (S5E3) 4.17 - "The Soft War" (S5E4) 4.18 - "Tipping Points" (S5E5) 4.19 - "An Old Friend" (S6E5) 4.20 - "The Rise of Clovis" (S6E6) 4.21 - "Crisis at the Heart" (S6E7) 4.22 - "The Gathering" (S5E6) 4.23 - "A Test of Strength" (S5E7) 4.24 - "Bound for Rescue" (S5E8) 4.25 - "A Necessary Bond" (S5E9) 4.26 - "Revival" (S5E1)

BLOCK 5 - This block contains episodes from Seasons 5 and 6.

5.01 - "Eminence" (S5E14) 5.02 - "Shades of Reason" (S5E15) 5.03 - "The Lawless" (S5E16) 5.04 - "Secret Weapons" (S5E10) 5.05 - "A Sunny Day in the Void" (S5E11) 5.06 - "Missing in Action" (S5E12) 5.07 - "Point of No Return" (S5E13) 5.08 - "Sabotage" (S5E17) 5.09 - "The Jedi Who Knew Too Much" (S5E18) 5.10 - "To Catch a Jedi" (S5E19) 5.11 - "The Wrong Jedi" (S5E20) 5.12 - "The Unknown" (S6E1) 5.13 - "Conspiracy" (S6E2) 5.14 - "Fugitive" (S6E3) 5.15 - "Orders" (S6E4) 5.16 - "The Disappeared, Part I" (S6E8) 5.17 - "The Disappeared, Part II" (S6E9) 5.18 - "The Lost One" (S6E10) 5.19 - "Voices" (S6E11) 5.20 - "Destiny" (S6E12) 5.21 - "Sacrifice" (S6E13)

Looking at this list, gaps are plainly evident. 1.01, 1.03, 1.04, and 1.18 are all missing, and Block 5 is 5 episodes shorter than the previous 4 blocks. Where are these episodes?

The missing episodes from Block 1 are easy; they were cannibalized and stitched together to make the Star Wars: The Clone Wars film. The film is 98 minutes long, while episodes of the series are typically around 22 minutes long; 22 minutes per episode times 4 episodes is 88 minutes total runtime, 10 minutes short of the film's runtime. Those 10 minutes are likely the credits and polishing for the film's theatrical release, if not simply the episodes themselves being slightly longer.

Therefore, we can add these to the list:

1.01 - The Clone Wars Film (FILM) 1.03 - The Clone Wars Film (FILM) 1.04 - The Clone Wars Film (FILM) 1.18 - The Clone Wars Film (FILM)

This resolves the issue of the missing episodes from Block 1, meaning that all of the episodes produced before 5.22 were released. This gives us a total of 125 episodes. But what about Episode 5.22 and the rest of Block 5?

This is where the trail gets murky. Fans of the series who were around when it was cancelled may recall The Clone Wars Legacy, the plan to release content from the series in different means in order to not waste the work that went into it. Some may think that this simplifies things. In fact, it does the opposite.

Here is a list of all the content from The Clone Wars Legacy:

Darth Maul: Son of Dathomir, a comic adapting a 4-episode arc covering Darth Maul's story after getting captured by Darth Sidious at the end of "The Lawless", released by Dark Horse Comics.

Dark Disciple, a novel adapting either an 8-episode arc or two related 4-episode arcs covering Asajj Ventress' story after her last appearance in "The Wrong Jedi".

Crystal Crisis on Utapau, a rough story reel of incomplete episodes of a 4-episode arc, covering the emotional fallout of Ahsoka's departure from the Jedi Order after the events of "The Wrong Jedi".

The Bad Batch, a rough story reel of incomplete episodes of a 4-episode arc, intending to work as a backdoor pilot of sorts to a spin-off series focusing on the titular Bad Batch.

Those keeping track of the numbers will quickly spot that we have the content of 20 episodes released as The Clone Wars Legacy. This does not easily fill in the gaps we have, nor does it finish things off neatly.

The production codes of the original episodes adapted into the material for The Clone Wars Legacy are known. The production codes of the in-production 20 episodes are listed below:

BLOCK 6 - This block has 16 known episodes.

6.01 - "A Death on Utapau" (REEL) 6.02 - "In Search of the Crystal" (REEL) 6.03 - "Crystal Crisis" (REEL) 6.04 - "The Big Bang" (REEL) 6.09 - "The Bad Batch" (REEL) 6.10 - "A Distant Echo" (REEL) 6.11 - "On the Wings of Keeradaks" (REEL) 6.12 - "Unfinished Business" (REEL) 6.13 - "Lethal Alliance" (BOOK) 6.14 - "The Mission" (BOOK) 6.15 - "Conspirators" (BOOK) 6.16 - "Dark Disciple" (BOOK) 6.21 - "The Enemy of My Enemy" (BOOK) 6.22 - "A Tale of Two Apprentices" (BOOK) 6.23 - "Proxy War" (BOOK) 6.24 - "Showdown on Dathomir" (BOOK)

BLOCK 7 - This block has 4 known episodes.

7.05 - "Saving Vos, Part I" (BOOK) 7.06 - "Saving Vos, Part II" (BOOK) 7.07 - "Traitor" (BOOK) 7.08 - "The Path" (BOOK)

While we can add these to the list of produced episodes of Star Wars: The Clone Wars, this raises more questions than answers. Not only was there a Block 6, but there was also a Block 7 as well. Block 7 is nearly entirely unknown, while Block 6 also has gaps, and, to top it all off, none of the things we gain from this are in Block 5, meaning those episodes are still unknown as well.

However, we do gain one answer from this: the production blocks got shorter. The last episode of Block 6 is 6.24, not 6.26 as one might expect from Blocks past. This makes Block 5's gap a little more clear-cut; it means we're only missing 5.22 through 5.24. That's 3 episodes, a common arc length. If Block 5 was as long as the other blocks, that would be 5 episodes missing, which could be either a 4-episode arc and a standalone episode, or a 2-episode arc and a 3-episode arc. All still common arc lengths, but not as clear-cut.

Of course, there's no definitive proof that the blocks got shorter. It's possible there'a 5.25 and 5.26 and a 6.25 and a 6.26. That would be a 2-episode arc missing from Block 6, as well.

The only "proof" I have seen stating that the blocks got shorter, besides the lack of trails for a theoretical 6.25 and 6.26 confirming that Block 6 remained the same length, and therefore Block 5 must have, as well, is a statement by Pablo Hidalgo on Twitter, stating that there is no 5.25 or 5.26. I do not know where he gets his information from, and his relationship with Lucasfilm is murky to me, so I'm hesitant to just accept it as fact. There's also the fact that he could be lying to cover Lucasfilm and/or Disney for the sake of money and employment.

This is not an allegation or a statement of belief, merely an acknowledgement of possibility.

However, the production blocks do seem to be 26 episodes long specifically just to cover the film initially, which leaves 22 episodes for the regular season; since Season 5 definitively got reduced by 2 episodes, it's entirely possible that the production blocks did also get reduced by 2 episodes, and the new season length merely reflects this.

All this does is muddy the waters, however. Without solid answers, we've got next to nothing to go on.

Except Disney.

Of course, Disney resurrected the rotting corpse of Star Wars: The Clone Wars to be completely sure that the money well within was completely dry, before discarding it and moving on to whatever live action thing they're working on now. These episodes do, however, give us some information. Listed below are the episodes Disney released:

BLOCK 6

6.05 - "Gone with a Trace" (DISNEY) 6.06 - "Deal No Deal" (DISNEY) 6.07 - "Dangerous Debt" (DISNEY) 6.08 - "Together Again" (DISNEY)

BLOCK 7 7.21 - "Old Friends Not Forgotten" (DISNEY) 7.22 - "The Phantom Apprentice" (DISNEY) 7.23 - "Shattered" (DISNEY) 7.24 - "Victory and Death" (DISNEY)

While these episodes have been "adapted" (read: scrubbed and censored) by Disney, the fact that they continue to use the original production codes leads me to believe that these episodes originated as original episodes of Star Wars: The Clone Wars. However, they've been written or additionally written by Dave Filoni, who, aside from assisting with one episode ("Lethal Trackdown", S2E22, 2.20), was not a writer on the series until after Disney bought the property; he was a director. This tells me that the direction he took the episodes in was not their originally intended direction, but rather, the Disney-approved direction given to him. This says, to me, that we cannot pull any information from these episodes besides possibly basic premises, as these are not the original episodes with renewed production, but new "adaptations" of what was being produced when the series was cancelled.

However, this does give us new information, in telling us that the final episodes of Block 7 were the finale of the series. This feels too large of a fact to be new or changed; I feel that, while the content and direction of 7.21 through 7.24 may have changed, them being the series finale is just too big of a basic premise to ignore or change. If it isn't, then why make those episodes the finale of the revived series? Why not 7.01 through 7.04, or invent new numbers in 6.25 through 6.28?

Therefore, going off that conclusion, we have a solid ending point: 7.24, the end of the final production block, Block 7.

This also supports the idea that the production blocks get shorter with Block 5, as, while 5.24 is not known, both 6.24 and 7.24 seem to be the end of their blocks.

Therefore, with all this information, I feel we can see a basic roadmap of where Star Wars: The Clone Wars was going to go, and what Disney took from us. Looking at a list of the production blocks:

Block 1: 26 episodes Block 2: 26 episodes Block 3: 26 episodes Block 4: 26 episodes Block 5: 24 episodes Block 6: 24 episodes Block 7: 24 episodes

If all information is correct, this means LucasFilm were planning on producing 176 episodes of the series. Looking at a list of the released episodes before the buyout:

Season 1: 22 episodes Season 2: 22 episodes Season 3: 22 episodes Season 4: 22 episodes Season 5: 20 episodes Season 6: 13 episodes

This means that LucasFilm released 121 of their ostensibly planned 176 episodes. Adding the 4 episodes used for the film gives us 125.

Subtracting these two gives us a figure of 51 episodes remaining. These 51 episodes were likely in various stages of completion when the buyout occurred.

Looking at the seasons, Season 6 is not constructed like the rest, but rather, a bulk release of product. Assuming that Season 5 was intended to be the new model going forward, we can subtract 7 of those 51 unreleased episodes to round out Season 6 to it's intended length of 20 episodes.

This leaves us with 44 episodes. Divide that by 2, and you get 22 episodes. 22 episodes for a theoretical Season 7 and a theoretical Season 8.

Out of the 51 episodes not completed and released by LucasFilm, 28 have been adapted and released via other means. This leaves at least 23 episodes of Star Wars: The Clone Wars about which we know absolutely nothing, listed below:

5.22 5.23 5.24 6.17 6.18 6.19 6.20 7.01 7.02 7.03 7.04 7.09 7.10 7.11 7.12 7.13 7.14 7.15 7.16 7.17 7.18 7.19 7.20

These include a 3-episode arc from Block 5, a 4-episode arc from Blocks 6 and 7, and almost the entirety of the middle of Block 7.

These numbers are not solid. It's possible that Blocks 5 through 7 were intended to be 26 episodes as all the others were. That would add 6 episodes, for 182 planned episodes, and 57 uncompleted, about which we know nothing about 29 of them.

It's possible that Seasons 5 and 6 were intended to be 22 episodes as all the other seasons were, and things simply didn't work out that way. This would mean 11 episodes would be needed to round out the seasons, rather than 0 for Season 5 and 7 for Season 6.

This could leave us with 40 or 42 episodes to divide between a theoretical Season 7 and 8. 2 seasons of 20 episodes, or a season of 20 and a season of 22.

There are many possibilities, wrapped in shadows and behind closed doors, regarding this series. We will likely never know the facts, simply because the facts are nebulous and were not, nor ever will be, solidified.

But we can know for sure is that the original intended versions of Blocks 6 and 7, plus the final 3 episodes of Block 5, will likely never be finished, and that we have lost George Lucas' original vision for this series. Those 51 episodes, while potentially getting adapted, will never be released or even completed the way they were originally intended.

(Although George Lucas has stated previously that Star Wars is "like poetry, it rhymes", this series does seem to be lacking in rhyming. Production blocks and season lengths both change midway through, and there seems to have been intended 8 seasons, which is annoyingly only 1 short from matching the intended number of Star Wars movies: 9.)

This is a tremendous shame, because Star Wars: The Clone Wars is a fantastic series which lovingly and accurately adapts a big-screen property for the small screen, tells a dense, varied, but cohesive story, and expands the universe that so many of us have loved since 1977.

We wanted to know about the Clone Wars since that time, and we finally got it. While we may never see the original, epic conclusion, we should still be grateful for 6 seasons of wonderful television.

This post was typed listening to the theme for Star Wars: The Clone Wars on repeat for about 3 hours. As stated at the top, all information is publicly and freely available on Wikipedia.

Thanks for reading.

[daenystheedreamer]

allicent is mother to me so I'm biased but 2 of the funniest scenes in the show happen in 1.06 imo. council meeting, rhaenyra using that ball as a fidget toy and allicent CANNOT look away (same babe) and then criston Cole spoiled cunt rant and she gives him that look and he's like whoops sorry girl. I know a lot of people feel some type of way about the time skip but I really needed it. like child bride allicent and groomed rhaenyra were good but it was so so so so so so so sad and I like that everyone took 8 years and decided to become gay and evil

ough i get what you mean!! like im leaning towards hater on the timeskip thing but i get it. those were their terrible terrible salad days and now they're 20-somethings getting to be evil

[deanwinchester-baby]

I think there’s something to be explored about how humane/sensible/sensitive the boys remain in spite of everything anf how vital that is. Like yeah this is season one they’re a little green (although far more experienced in the grotesque and evil than most people twice their age will ever be) and think it’s “sick” the mere thought of a shifter shedding (Skin, 1.06) but like, even in season five (and Dean’s just back from hell!!!) and they both look so grossed out at the eye soup. Or the references to Bobby taking them game hunting and them being unable to kill animals. Dean’s series long indignation at bunnies being screwed. They can do the job but they don’t dettach so fully that it doesn’t freak them out. And it’s not just the care about the big tragedies, but being able to maintain the uneasy feeling even when life does it’s best to beat it out of you so you can be a cold dead eyed killing machine… That’s the Human Disorder.

[fisheremsims]

1.06 - Growing Pains and Winter Blues

After the birth of the twins, Rosie and Jules were certain their family was complete. Rosie went on birth control, hoping to stabilize their chaotic household. However, the long winter days, lack of outdoor time, and the side effects of her new medication took a toll on her mental health.

Rosie became withdrawn, spending more and more time napping and less time engaging with her family. Her once-encouraging parenting style shifted to being overly strict, snapping at the boys for small infractions. Jules felt the weight of the changes as well, trying to hold things together while his wife seemed to pull away. Their relationship, once filled with laughter and love, became tense and distant.

In the midst of her struggles, Rosie realized that something had to change. She decided to focus on her wellness as a way to pull herself out of her dark place. She started practicing yoga daily, finding moments of peace and clarity in the slow, deliberate movements. With her garden on hiatus for the winter, she had more time to work on herself. Rosie also picked up some handy skills, fixing small things around the house and channeling her energy into productive tasks.

“I’m not going to let this beat me,” she told herself one morning as she unrolled her yoga mat. She was approaching adulthood and determined to build healthier habits for a longer, happier life.

While Rosie focused on rebuilding herself, Jules stepped up to care for their boys. He became their emotional anchor, spending time playing with them, encouraging their budding personalities, and keeping them distracted from their mom’s struggles.

When their fifth birthday arrived, Jules made it a special day, baking a homemade chocolate cake and decorating the small living room with streamers. He helped River blow out his candles first, smiling as the boy wished for “a thousand new friends.” River aged up with the evil trait, paired with the aspiration to be a social butterfly. Jules found it ironic but endearing.

Rosie emerged from her room long enough to help Forrest blow out his candles. As the quieter of the twins, Forrest’s wish remained a secret, but he aged up with lactose intolerance and the aspiration to be the smartest kid in school. His lactose intolerance was discovered the hard way after he eagerly dug into his birthday ice cream, only to regret it shortly after.

After the party, Jules realized that their marriage couldn’t continue on its current path. Determined to reconnect with Rosie, he planned a date. With the boys off at school, Jules suggested a day trip to the local museum.

Sitting on a bench outside, Jules started the conversation, his voice soft but firm. “Rosie, I miss you. I miss us. I know things have been hard, but we can’t keep going like this.”

Rosie nodded, guilt flashing in her eyes. “I know, Jules. I feel like I’ve been failing you—and the boys. But I’m trying. I really am.”

They shared an intimate moment, holding hands as Jules reassured her, “We’ll figure it out together. We always do.”

Inside the museum, they admired the artwork, Jules cracking jokes about the “modern art” that looked suspiciously like finger paintings. Rosie laughed for the first time in weeks, a genuine sound that warmed Jules’s heart. They ended the day at the ice rink behind the museum, skating hand in hand under twinkling lights.

When they returned home, the boys were buzzing with excitement from their first day as elementary school kids. While Jules helped them with their homework, Rosie excused herself to take another nap. Jules sighed, brushing a hand through his hair. Some progress is better than none, he thought, reminding himself that healing wasn’t a straight line.

Though there was still a long road ahead, the day marked a turning point for Rosie and Jules. They had rekindled a small spark of connection, and both were determined to keep that flame alive.

1.05 - The Winter of Firsts

1.07 - New Year, New Life

[darlenefblog]

57 Seconds - 2023

"57 Seconds is a 2023 American science fiction thriller film directed by Rusty Cundieff, written by Cundieff and Macon Blair, and starring Josh Hutcherson and Morgan Freeman. It is based on the short story "Fallen Angel" by E.C. Tubb. The film was released in theaters and on digital by The Avenue on September 29, 2023."

"57 Seconds follows Franklin Fox (Josh Hutcherson), a tech blogger with a deep interest in the potential of AI for healthcare. His life takes a dramatic turn when, during an interview with visionary CEO Anton Burrell (Morgan Freeman), he inadvertently thwarts an attack, after which he discovers a mysterious ring belonging to Burrell that allows him to travel 57 seconds back in time. Determined to use this power to address past wrongs, particularly against a pharmaceutical company responsible for a personal tragedy, Franklin embarks on a risky journey that tests his morals and ambitions. Alongside, he navigates complex relationships, notably with Jala (Lovie Simone), using his new ability to influence and manipulate various outcomes. As Franklin delves deeper into the corporate world, he must decide how far he is willing to go to use his power for what he believes is right."

The promotion blurb makes the movie sound more interesting than it was. Morgan Freeman is on screen for what seems like a hot minute, not enough for his character to be fleshed out. Parts moved so slow it almost stopped. 1 hour and 39 minutes pretty much wasted even though it was a free movie weekend. There was such potential, time travel, good vs evil, revenge, depression, love, money & power. It never achieved that potential. The numbers don't lie.

*What was the budget for 57 Seconds? 7.7 million How much did 57 Seconds earn at the worldwide box office? $1.06 million* *Information from IMDB movie FAQ.*

[samwinchesterism]

lol you guys are all so stupid god bless. "he thinks going to college makes you smarter and better and having an apple pie life is more Worthy and so therefore the chronically homeless scholarship college dropout serial killer who's lived the majority of his life except for two years on the fringes of society is the epitome of the bourgeoisie" is nonsensical enough as is but the funniest part is that he DOESN'T hold any of those attitudes lmao the only problematic (but not even strictly classist) thing is the prison one i will give you that (one offhand comment at age 23) the rest is all just your weird projections with no basis in the text.

sam's entire thing w/ college and the apple pie life has been (1) wanting to be safe after a traumatizing childhood, and (2) textually, subconsciously trying to escape a pre-ordained destiny of evil that he could detect in himself before he even know how to read. literally from episode ONE of the whole sorry affair like you cant even be trying at this point:

DEAN: So what are you gonna do? You're just gonna live some normal, apple pie life? Is that it?

SAM: No. Not normal. Safe.

it's also evident at multiple points in the show that he never actually fully bought in to the idea of it. very very early on actually:

1.06: DEAN: I really wish things could be different, you know? I wish you could just be….Joe College. SAM: No, that’s okay. You know, the truth is, even at Stanford, deep down, I never really fit in.

also e.g. in s2 and s4 he literally says the opposite of what people think his whole thing is on this post lol

2.02: MR. COOPER. You see, this place, it's a refuge for outcasts. Always has been. For folks that don't fit in nowhere else. But you two? You should go to school. Find a couple of girls. Have two point five kids. Live regular. SAM: Sir? We don't want to go to school. And we don't want regular. We want this.

4.19: SAM. So we didn't have a dog and a white picket fence. So what? Dad did right by us. He taught us how to protect ourselves. Adam deserves the same.

it's explicitly revealed that sam also had very little agency in general, due to supernatural forces pulling at his life. lucifer in 5.22 suggested that even sam's desire to run away from his family was related to his destiny as lucifer's vessel, and more concretely, he was surrounded by "Azazel's gang – watching you since you were a rugrat, jerking you around like a dog on a leash. " to ignore the MASSIVE theme of agency and more importantly lack thereof in sam's life - leading to desperate grabs at agency and making his own choices being a consistent motivation for him throughout all of it - will mean always, always, always spectacularly failing at understanding his character or analyzing it in any meaningful way, leading to whatever the fuck is going on here

there are different points in the story where he's obviously less certain about it (e.g. s8) but the idea that he consistently thinks that the bourgeois upper middle class life is the ideal and everything else is lesser than is something you made up in your heads. it's a deeply personal issue for him that he often wrestles with - safety vs. duty vs. destiny vs family vs. fulfillment etc. it's never indicated meaningfully in the text that sam is concerned with gaining wealth or status or social capital through education or through his other desires for his life

there's also no evidence for what someone said in the tags about him looking down on stealing for money because it's just not true lol like the MOST negative thing he ever said was "It's not the most honest thing in the world, Dean" (1.08) lmao. he was just like maybe we could get jobs for a bit (he literally says "once in a while" lol). "maybe we could get jobs instead of stealing ALL the time, but sometimes is fine" = "classist" is rocks for brains analysis. like it's just very very very dumb. also like it's not necessarily classist to try to avoid stealing from other people when you think you can make a living without doing that. which is what sam's thing was. textually:

5.22: CHUCK. They'd pass the time lining their pockets. Sam used to insist on honest work, but now he hustles pool, like his brother.

in swan song when he asks dean to live a "normal, apple-pie life", it's very clear in the text that he's trying to make sure dean finds some semblance of non-hunting contentment after he dies, so that he doesn't try to bring sam back to life which in sam's mind at the time would re-start the apocalypse like you guys have to keep these things in their proper context lmao you can't just lift random lines of dialogue and be like SEEEEE he's homophobic and classist

in a similar vein him teasing dean about reading or whatever is literally just him being a little shit. there is not a single textual example of him sincerely thinking dean is less intelligent than him because he's not as into the book learning. the funny thing is that the most realistic interpretation is that it's just a reaction from dean making fun of him for being a geek/nerd/etc. lol like oh you're gonna make fun of me for being a nerd well do you even know how to read like lol. because siblings. when push comes to shove he sits dean down and monologues at him about how he is a genius (8.14)

also wanting to go to college doesn't make him a classist. it's not once indicated that he wanted to go to be rich and because higher education makes you better than others like that doesn't even have a nexus to his motivations. he has only ever said he wanted to go to school to go to school, and to do something he wanted with his life while escaping his traumatic and abusive childhood (see AGENCY point above). it's simply not classism unless you decide to filter it through seven layers of pseudo-intellectual fake analysis which doesn't make it right. in 1.08 when he encourages a kid to go to college, note what his reasoning is and feel ashamed for ever saying a bad word about him:

SAM. Well, don't sweat it, because in two years, something great's gonna happen. [...] College. You'll be able to get out of that house and away from your dad.

like TEXTUAL EXAMPLES or shut up which with this group always means shut up because there are never textual examples that aren't divorced so completely from their context as to be meaningless

Please don't fight with each other in the tags.

[oakdll]

this is my controversial opinions on the final bounties for the straw hats

1. robin - 6 billion (robin is the only person who can read poneglyphs, i think she will be more than luffy and also that it will be a big controversy in the fanbase)

2. luffy - 5.6 billion (56 is go-mu in japanese, he’s very sad about not being number 1 though)

3. zoro - 3.33 billion (very happy he’s above sanji, and there are three 3’s because he uses 3 sword style)

4. sanji - 3.2 billion (and he’s very upset that he’s behind zoro, also 3 and 2 can be read as san-ji in japanese)

5. jinbei - 2.5 billion (he’s just happy to be here :3)

6. go d usopp - 1.5 billion (following his trend of getting crazy high bounties that follow luffys bounty. he’s at 500 million rn so next jump is 1.5 billion)

7. nami - 1.06 billion (she is very important as the navigator, also keeping up the 6 motif from her previous bounties)

8. franky - 994 million (keeping up the trend of being juuust behind big milestones, he’s very upset he’s only 6 million away from 1 billion)

9. brook - 945.45 million (45 in japanese can be read as yo-mi like his devil fruit)

10. chopper - 911 million (not a 9/11 reference, 1 can be read as hito in japanese so it’s there twice for his fruit. also chopper is very happy to have a big bounty for once)

also just because i can hope, here’s some honorary straw hats

yamato - 2,310,100,000 (2.31010 billion because you can read 3-10-10 as ya-ma-to in japanese and i think he will return for the final war)

bon clay - 222 million (because they are mr 2 :3 i love them and i do think they are coming back from their cover story, but sadly i don’t think their bounty will be too massive)

vivi - 5 billion (she is related to nefertari d lily and is a big problem for the world govt rn, it’s gonna be massive)

carrot - 836,100,000 (the 8 is kind of meaningless, but 3 can be read as ka, 6 can be read as roku (ignore the ku part i’m struggling for meaning) and 10 can be read as to so it reads as karo(ku)to)

bartolomeo - 666 million (he causes a lot of trouble, is a big ally of the straw hats, and he’s been perceived as evil and a cannibal hence the 666)

hajrudin - 1.2 billion (no meaning for numbers i just think it’s gonna be high)

[danugroupsblog]

Ceylon Natural Yellow Sapphire

"The Radiant Beauty of Ceylon's Natural Yellow Sapphire from Pelmadulla Mines"

In the heart of Sri Lanka's Ratnapura District lies the Pelmadulla Mining area, where nature's hidden treasures await discovery. Among these precious gems is the remarkable Ceylon Natural Yellow Sapphire, captivating all who behold its luster and sparkle, especially when illuminated by the gentle touch of sunlight. Join us as we unveil the radiant allure of this octagon-shaped gem, an extraordinary find from Danu Group's collection.

A Lustrous Sparkle Unveiled

With a weight of 1.06 carats and dimensions measuring 5.78 x 5.10 x 3.59 mm, this Yellow Sapphire boasts an octagon shape that truly stands out. Its exceptional luster and reflective sparkle come to life when bathed in sunlight, making it a captivating gem of unrivaled beauty.

From Rough Formation to Dazzling Gem

Danu Group acquired this precious gem in its raw, rough formation and undertook a special cross-cutting process on its bottom side. This meticulous craftsmanship enhances the gem's natural sparkle, adding a brilliant touch to its already breathtaking charm.

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Our Yellow Sapphire comes with a certification of authenticity from the "IGLC" International Gemological Laboratory Colombo. Certified by Gemologist K. Samitha Liyanage, boasting impressive qualifications including an MSc in Gemology, BSc from the UK, and FGA from London, it carries the assurance of being a genuine masterpiece.

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In conclusion, the Ceylon Natural Yellow Sapphire from Pelmadulla Mining in Sri Lanka is more than just a gem; it's a radiant symbol of wealth, prosperity, and wisdom. Its dazzling sparkle, enhanced by expert craftsmanship, elevates it to a class of its own. Embrace its charm and allow it to accompany you on a journey of spiritual growth and protection. Explore the captivating allure of the Yellow Sapphire with Danu Group Gemstones Collections.

[thaiamulets-co]

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