#every writer has a reason for not finishing

[solarhysm]

DUST OF US #DRABBLE - HOW YOU MET HIM

> synopsis: 7 years ago Y/N broke Jungkook’s heart when she decided to end their relationship without an explanation. When they meet again at a friend's wedding, after almost a decade, Jungkook needs answers to move on.

> pairing: Jungkook x reader

> genre: romance, ex to lovers au

> warnings: explicit languages, violence, smut, cheating, nsfw, angst, +18 minors dni !!

> word count: 1046

MAIN STORY HERE.

*french writer, i apologize in advance for my awful english!

AGE: 16 years old.

“Do you know that girl?” Jungkook asks Jimin as he sits beside him in class, and throws his backpack at his feet. Jimin arches a brow.

“Which one?” Jimin replies, scanning the classroom with his eyes. Jimin is popular in their high school. Not only is he handsome, but also really nice and charming, and for good reason.

Jungkook gained popularity shortly after Jimin, mostly because he’s Jimin’s best friend and also for his shy, cute bunny smile. Jungkook continues, pointing to the girl sitting next to the window in the last row.

“Y/N? The girl who got in a fight earlier?” Jimin frowns, his eyes fixed on you as you stuff a tissue into your bloody nose. Jungkook nods, his doe-like eyes falling on you too. He was there when you threw your tray at a girl who had tried to bully you.

He followed the scene from a distance. That girl came straight to you, screaming, mostly to get everyone’s attention. Apparently, the fight was about the girl's boyfriend cheating on her with you, but Jungkook didn't really understand the situation.

It was crazy for Jungkook. He had only kissed a girl once. He found it unimaginable that two sixteen-year-old girls would fight over one sleeping with the other's boyfriend. Well, he knew that most of the girls now were bolder than in his parents’ years.

However, that still wasn’t a good reason for the girl to grab your face and shove it into your food. Although he opposed violence, he couldn’t help but feel a small sense of satisfaction when you hit her with your tray, jumped over the table, and started throwing punches at her face.

He couldn't deny being impressed by your ferocity. Like every other student, he watched you two fought on the floor until two professors intervened to separate you.

Despite being restrained by the professor, who was blocking both your arms, you still had a fistful of her hair and tried to kick her with your foot, while she coughed on the floor.

“Y/N” Jungkook repeats your name as Jimin raises an eyebrow.

“Why?” Jimin questions, turning his attention back to his friend. “Honestly, it’s the first time I have heard something like that about her. Y/N is usually calm and drama-free,” Jimin continues, as Jungkook nods, his eyes still on you, and you feel it, turning your gaze to him before frowning.

His eyes widen, and he quickly looks down at his table. When he shyly glances up again, you’re already gone from your seat, and his brows furrow in a frown as he searches for you with his brown eyes, only to find you stepping out of the class, leaving your stuff at your table. At least you’ll come back, he thinks.

“Kookie!” Jimin calls out loud to Jungkook, who turns to him, “Aren’t you coming with us? We’re going to grab some snacks and head to Hongdae.”

Jungkook scrunches up his nose, shaking his head. He likes arcades, like every boy his age. However, he doesn't know half of the people in the group with Jimin. He's aware that the girl with short light hair, hopelessly looking at him for a positive answer, is trying to flirt with him.

He hates feeling uncomfortable when he's supposed to be enjoying himself with his friends. Jungkook is also too nice to simply tell her he’s not interested. He has homework to finish anyway.

After waving at his friend, he starts to make his way home. He’ll probably be alone. His parents are working, and his brother left for college a while ago. After grabbing a snack at the convenient store, he ends up sitting on a bench at the park, a spot he sometimes stops at with Jimin. Then, he sees you, and his eyes widen as he watches you with a little boy. Is he yours? He chuckles at himself.

The boy seems four or five years old. It was dumb of him to even think that. With a slight smile on his lips, he doesn't even notice that you’ve seen him too. You ruffle the boy's hair before letting him run off to play with the other kids, then make your way to him. Only now does he notice the bruise under your left eye.

“What are you looking at, chestnut?” You call him out, and he freezes, mumbling something as he nearly drops his chocolate bar.

“I- Wh- Me?” Jungkook babbles in a small voice as you stop right in front of him, hands in your pockets.

“Do you see anyone else around here with such a ridiculous haircut?” You raise a brow, and his cheeks flush as he tries to fix his hair, but it only makes it worse—and he knows it. “It’s the second time I catch you staring at me. What do you want?” You ask, folding your arms across your chest. His eyes fall on his shoes.

“Nothing.” He mumbles, avoiding your gaze. You sense his discomfort. He’s clearly not part of the group of friends of the girl you beat up earlier. That’s enough to make your features relax slightly.

“I’m Y/N”, you say, more gently this time, offering your hand.

“Jungkook.” He smiles softly, meeting your eyes and shaking your hand.

“I know. Everyone knows you, Jungkook.” you chuckle. He sighs, rolling his eyes.

“Unfortunately.”

“You don’t like being the prince of our school?” You tease him as he rolls his eyes, taking a bite of his chocolate bar.

“It's Jimin's title, not mine.” He corrects you. You always get their names mixed up, even though you know them, since you haven’t paid much attention to who’s who. His eyes fall back on your black eye. “That’s a colorful one,” he says, attempting to make conversation, though the words sound stupid as soon as they leave his mouth.

It was probably too bold of him, and you probably hate him now. But to his surprise, you smirk and brush the bruise under your eye.

You raise your shoulders, sit next to him, “She got worse.”

“Yeah, I saw the hair and blood on the floor.” he grins, shaking his head. When you laugh, he feels something new stir inside his chest—something he’s never felt before.

DUST OF US MASTERLIST.

WATTPAD.

buy me a coffee<3

[alliethearcanian]

I just finished Arcane...

It was so beautifully tragic, so heartbreaking yet significant, so devastating but beautiful, and I'm left having no idea how to feel. And I think that's the entire point of Arcane - Nothing is ever black and white. Each and every little thing has so much depth to it, an entire story written beneath. Each character a motivation, a reason, a heartbreak; Each relationship a development, an overcoming, a challenge. This entire story has been written so beautifully in the way that there is no right answer. There is no yes or no, good or evil, right or wrong. Everything is written with so much depth and power, and I truly applaud and admire the writers for creating something that I never imagined to be possible. This was truly a work of art, and it was and will always be more than just a TV show to me. Arcane, I cannot believe you're over, but I know that you'll never truly be. 💔❤️‍🩹

[madonnamadeofasphalt]

EA & Bioware honestly did an incredible job at killing any enthusiasm I had for a new Dragon Age. Fucking hell, man, I've played the first two games so much I could probably go through them with closed eyes and still pick all the right dialogue options to get My Exact Personally Canonized Plot. And the only reason I didn't do the same thing with DA:I is because it was made after EA completely gave up on optimizing their shit so the fucking thing takes up like a billion terabytes of disc space and takes 10 hours to download and install. I honestly think it's the best-written cRPG franchise to ever have a budget that doesn't involve a list of Kickstarter backers or getting an eccentric Estonian billionaire fixated on the project. And the gameplay is also there, I don't really care about that part.

Then they proceeded to fire all the talent that made me love those first three games, and scratch and restart the production twice, and be suspiciously cagey with any details or gameplay footage for a fucking decade, so my hype consistently went down and down. And yet I still managed to hold out some hope that somehow, by some miracle, it wouldn't fucking suck.

I kept that hope until the trailer dropped. You know the one. The one where we see a bearded Varric. This, I think, was the exact moment when I lost any desire to play fucking Veilguard.

Like, first of all, Varric being there at all is already an issue. Leave the man alone. His presence was already kinda forced in DA:I. And after DA:I and Tresspasser, his story couldn't be more finished if he got killed, eaten, shitted out, condemned to hell, redeemed by divine sacrifice, bathed for eternity in the everlasting light. There is no point to Varric anymore. Whatever arc they've given him in Veilguard, and I don't even give a shit enough to read the spoilers before writing this post, it has no business existing. Fuck you. The only reason he's there is because he's a recognizable IP, and when you're a certain kind of soulless corporate moron, you think there's nothing more important than putting a recognizable IP in whatever new bullshit you're trying to peddle. Maybe if you didn't fire every decent writer in your trash fucking company, you'd have someone to tell you about the importance of Ending The Fucking Story When The Story Fucking Ends.

But that's not even the core of the problem. Beard? they gave Varric a Beard? Varric I fucking hate everything that's even tangentially connected to dwarven culture with a passion which is why I've made a point to shave my beard all my life to spite anyone who gives a fuck about it Tethras? beard? you gave him a beard? He changed so much offscreen in the goddamn timeskip between these two games that he got a motherfucking berd? fucshhfdbeard? feadsgfsvarricafgfdh BEARD? yyousftoiuslyhhabevarricasgsfucningbeardandthivkimgosabedineditit?beard????

PS. (edit after finding out spoilers) I've gone to TV Tropes to read up on Varric's role in DATV after writing this (just in case I'm wrong and dumb, and there's actually a deeply compelling narrative reason for his presence), and, well, this shit is cheaper than I thought. And more importantly, just as I thought, there appears to be no justification for the beard beyond "adding a beard is a cliche way to show that a bunch of time has passed, and we didn't care enough to think this shit through". I'm fucking tired, man.

PPS. (edit after reading the rest of big spoilers) This is so much worse than I could even begin to suspect. This is worse than the final season of Game of Thrones. This is the final season of Game of Thrones if they straight-up fired GRRM, burned his notes and hired a showrunner who's only read a one-page summary of the first six seasons. This is fucking depressing, man. I'm genuinely fucking sad. So many subplots that were started over the course of these three games, that were clearly going somewhere, scrapped in favour of a simplistic good vs. evil story that would get rejected by fucking CD-Projekt in 2007 for being too basic. All because the artists who poured their hearts and souls into this bullshit franchise got thrown out like trash by its "owners". Morrigan's kid, the Well of Sorrows, all the implied complexities of Tevinter politics, the Crows, the Old Gods, Andraste. All went to shit. Death to capitalism.

[carriedreamerxx]

Just adding here : This is also super disrespectful for the "memorial" fics - as in the writers literally passed before finishing and now some fools are "finishing" their fics and even *posting* these AI blasphemies for attention.

People

This is utterly ghoulish. For God's sake have some decency.

kind of wanna reinforce this here. because i’ve seen ai writing become so popular on tik tok.

ai writing is not okay.

it’s literally theft. just like how ai art steals, ai writing steals. it’s using authors’ very real work to generate whatever you type in. and this also needs to be said as well.

writing is a form of art. fanfiction is a form of literature.

seeing this all over my fyp is REALLY discouraging. fanfic itself is already a labor of love and we love it when you interact. but please do not use ai writing for your fanfic needs when this writing literally steals from fanfic authors.

genuinely don’t know if this post will go around because my interactions outside of hcs are shit, but i hope it does.

[poebrey]

gonna write a whole thing someday about how characters of color who clearly have a history of trauma or mental health issues aren’t given consideration or acknowledgement in the fandom imagination

[pyrriax]

ANYWHO goodnight tumblr i'll be back on the art grind tomorrow i think 🙏

[musical-chick-13]

I...I think I need a beta reader for this.......

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[malachitezmeyka]

*wakes up*

*grabs phone*

*email notification*

*new comment on SotRL*

*throws phone to the far side of adjacent couch*

*goes back to sleep*

[heartthrobin]

the hate game (1)

oliver wood x female!reader

wc: 13.3k

warnings: enemies to lovers, so damn much pining, set in poa, timeline is a bit wonky, limited use of y/n, super grumpy!oliver, oliver's scottish accent (it's a warning in itself), alcohol consumption, super! duper! cheesy! (sorry not sorry)

an: just survived the worst two weeks of my life, but the fic is finally here! this fic was originally a full 50 chapter fic i had planned for wattpad like three years ago but i found my draft for it recently and decided it needed a revival. so enjoy it, and don't forget to comment and repost to support your favourite writers :)

summary: the only thing more grating than Oliver's foul moods and his permanent scowl, has to be the fact that he's so damn pretty. you fucking hate him for it.

part two/final part

Movies, as is their premise, glamourise plenty of things - high school, politics, tiny Greek islands - but none more than the classic sucker-punch.

The teeth-crunching, blood-spitting moment where skin meets skin in a satisfying thump that sends an unsuspecting victim to the floor. Music plays and the hero grins, grabbing the girl round the waist: dipping low to kiss her.

What’s consistently (conveniently) left out is how bloody painful it is to be on the sending end of that fist.

The first, and only, time you’d ever punched someone was in second year.

It had seemed like a great idea in the moment, quickly succeeded by the mind-numbing pain that shot up your arm where knuckle met face.

You’d aimed for his jaw, but as it turns out: in addition to painful, punching someone wasn’t a particularly accurate sport for a beginner and your slippery skin found a round-tipped nose instead.

A collective gasp and a month’s worth of detention waited for you on the other side of your act of rage.

And sure, while afternoons in Snape’s classroom every Friday sucked: it was all worth it.

Every purple knuckle that throbbed with the slightest brush, the points lost to Hufflepuff, the pages and pages of Hogwarts Does Not Condon Physical Violence you’d been forced to write was worth seeing the trickle of blood running down from Oliver Wood’s nose.

To see that smug fucking look wiped clean from his face. To watch how he doubled over in pain, grappling onto his friend for balance.

“Tyler fancying you? Any bloke would rather snog a goblin.”

His little comment had earned him a broken nose.

It had been the start of a five year long feud.

It’s the reason - now - why the ground is racing up to meet you, the nose of your broomstick pressed down towards it and wind whipping so hard against your face it draws tears. You knock into the ground, catching yourself on wobbly legs. A few feet away, Oliver Wood has done the same.

He’s marching towards you with the same ferocity that’s curdling in your chest:

“Tha’s blatching and you know it!” His accent is ringing, thick and blistering with heat like it always is when he talks to you. At you, rather.

The accusation is crystal clear, and loud despite the echoing din of the quidditch stands above. From the field where you're parked, you can hear the chatter and the cheers and the boos all conglomerating into a fuzzy uproar.

There’s still twelve brooms floating in the air, spewing irritated shouts from players in both yellow and red:

Just let it go, Wood!

Come on, Cap, can we just finish the match please!

You promptly ignore them. Oliver follows suit.

“What?” You scoff, face hot as a kettle on a lit stove. “As if Laurel and Hardy haven’t been elbowing my girls all game!”

It goes without saying that you’re referring to Gryffindor’s red-head twin-set of beaters.

“Bullshit.” He seethes, it’s purposefully quiet enough that McGonagall’s approaching figure doesn’t pick it up.

She, unlike yourself, is less patient and knobby vein-webbed hands come out to knock you both against your chests: widening the gap to a safe enough distance between the opposing captains.

“You two are exhausting.” And she sounds it too. Her glasses tremble at the edge of her nose, sun shining down on her aged face. "If one more match this season is interrupted because you two can't control your tempers, you will both be stripped of captainship and you will not fly until you graduate. Do I make myself perfectly clear?"

But Oliver isn't looking at her. His eyes are focused on yours over her cloaked shoulder.

He's taking the predictable route of not replying first.

"Crystal clear, Professor." You resign to speaking first, skewing a grin at his anger-sewn face.

It’s another long boring moment before he cuts his gaze from yours, kicks up a patch of grass and grits through his teeth.

“Yes, professor.”

As can be imagined, things between you and Oliver Wood have been tense since the day he’d hobbled up to the hospital wing with a palm over his face and blood dripping down over his already red tie.

But with age, came ferocity, and what started as passing glares in the corridor melted into anger-drowned faces and sharp words flung with intent to scar.

Things got infinitely worse when you were elected captain of the Hufflepuff quidditch team in the same year Oliver was made captain for Gryffindor. It stoked the already sizzling embers that made moments around him warm and stuffy and hard to breathe.

The murky history swirled with what should be friendly competition, instead frothing into a bubbling pot of annoyed teammates and exasperated teachers and more sessions of detention than you would have ever had if you'd never met the son of a bitch that is Oliver Wood.

It's what puts you in situations like the ones you find yourself in the middle of before you even know how you got yourself there.

"You two," Professor Burbage had never held you in particularly high favour. It was just your luck that Oliver received the same courtesy. "One more word out of either of you and I will be seeing both of you this afternoon for detention in my classroom."

It was even unluckier that she'd sat you two barely three wizards away from one another and one fly-away comment had blown out into another heat-filled exchange. It always does.

"But professor--" you try.

"Right then. I'll see you both at five o' clock."

Oliver sighs, hands running up over his head between chestnut locks: "Fucking perfect. Thanks, big-mouth."

"Would you like to make it two days, Mr Wood?"

He huffs like an angry dog, tightening the grip on his writing-feather but says nothing else.

The end of the lesson doesn't come soon enough and when it does, Oliver is first out of his seat. You're grateful for it.

Cherry bumps you in the shoulder where she throws her bag over it. "You just can't help yourself, can you?"

You grin, despite the sunken feeling hollowing your chest with the acknowledgment that you're gonna be spending yet another afternoon at the mercy of an under-paid staff member alongside the hothead that was the Gryffindor captain.

"Come on, that wasn't my fault and you know it."

Her tight red curls dance when she shakes her head. They match her blood red tie. "Somehow it never is."

To your dismay, but not surprise, Enzo shares Cherry's views when he waltzes into step beside you in the corridor between Muggle Studies and Divination. His arm drapes over your shoulders and his tall frame shakes when he laughs.

"You know," his voice is thick and gravelly. "You two are gonna have to fuck it out eventually."

You roll your eyes, shoving him off you with a chuckle. The sentiment isn't anything new. "Oh, shut up."

The day folds blurrily between classes and lunch and greenhouse visits that by the time you look up it's just about five o clock.

Burbage's office door stares down at you.

The corridor is ghostly all the way behind you and it's emptiness means it's easy to make out Oliver's heavy footsteps down the stone floor. They're not slow, in an arrogant strut, neither quick like he has somewhere to be.

He trudges. Like the weight of the world is strapping him to invisible pins in the floor. It's easy to figure that your existence doesn't lighten his load any.

You don't turn. He simply falls into place beside you, keeping a good foot distance between your tightened shoulders.

The door opens.

Charity Burbage is insufferable in the way that she forces you and Oliver to sit almost on top of each other behind a scratched up desk where she can watch you under the curtain of her ratty blond hair.

You inch the chair dramatically away from Oliver's.

She's set a stack of pages by him and a wet stamp. "Stamp these and sign the date."

Additionally, she's dropped a stack of envelopes under your nose. "Tuck and seal. When you're done, you can leave."

You eye the papers. There must be hundreds.

To Whom It May Concern,

Hogwarts would like to remind all parents and guardians that the third-years will require prior permission before being allowed to visit the nearby village of Hogsmeade--

You jump when Oliver's elbow knocks yours (more violently than what was really necessary). He holds the first page out to you silently, face dripping with impatience.

When you take the page, his thumb brushes yours.

The paper is delicate in your fingers where you fold it. You tuck and seal, and by the time you've set it aside Oliver is offering the next page to you again.

His thumb brushes yours for a second time.

You find that it does for every letter that's passed on.

It's hard not to watch him out the corner of your eye. Oliver has this dark brown, nearly black, hair that's thick and almost too long and untamed all over. It's matched by bushy eyebrows and speckled freckles over the bridge of his nose.

If you didn't hate him as much as you did, you might think he was pretty. You might think that anyway.

Time stretches until the sun is setting the classroom afire with golden light and it's boredom that causes it, or possibly a desire to hear his voice at such tight quarters, but you speak.

"You know," it's soft enough that Burbage doesn't look up from her Witch Weekly magazine. "Even if - in some act of God - Scotland qualifies for the semi-finals, Luxembourg is gonna flatten them. I mean, think about it unemotionally, Wood: they have Luca Schmit as seeker. It's really a no brainer--"

"Are y’really just stupid or are you purposefully trynna start another argument?" His gaze flickers up to eye Burbage's desk warily, she still doesn't react.

Maybe it's both. After all, the subject of the Quidditch World Cup had been what put you both there in the first place.

You shrug, unfazed by his scathing remark.

"I'm just trying to make conversation."

"Well don't."

His hand brushes yours again.

-

Every second Friday, generally at the tail-end of lunch, Hooch's grey barn owl swoops low over your head and drops a smaller-than-average white envelope right into your mashed potatoes. Cherry yelps in surprise every time.

Then you watch the bird drop the same over the Gryffindor, Slytherin and Ravenclaw tables.

Good afternoon,

Reminder of Captain's meeting this afternoon in my office. Six o' clock, don't be late.

Regards,

Madam Hooch.

The letter says the same thing it has since you became captain and it's a wonder you still take the effort to break the seal on the envelope.

But come six o' clock, you're traipsing towards the west end of the castle. Lavender streaks caress the sky under the last impression of sunlight through the ornate stone arch of the corridor windows and an autumn chill creeps up your arms where your sweater isn't thick enough.

Hooch's office is in a quiet alcove, nearly impossible to find if you didn't know where to look, and the lamps are lit. Beyond the door, you can hear voices: you grin.

The door creaks noisily where you push it open. Inside it's cramped and cluttered with shelves of quidditch equipment - broken brooms, punctured quaffles and loose kits draping every open surface - but it's warm and smells like leather and is maybe your favourite little room in the whole castle.

The quidditch legend herself, Rolanda Hooch, has her legs kicked up on her desk and the boys are standing ahead of it locked in animated chatter.

She's laughing at something they said, and smiles when you enter.

"Sorry I'm late, coach."

It's nothing new and she waves you in with a smile. "Come in, poppet."

"Merlin," Marcus' shoulder finds yours and the force of the bump nearly sends you off your feet. "You'd be late to your own funeral hey, Puffers?"

You laugh, shoving him back with as much force as you can muster against the giant brute that is Slytherin captain Marcus Flint. It barely nudges him but he barks out a laugh, rough like tractor tires over crumbly concrete.

"I'm worth the wait." You quip back, leaning around Marcus to wink at Roger Davies. "Isn't that right, Rodger?"

He flirts back, "Always, sweetheart."

Roger is the antithesis of Marcus: all pale skin, blue eyes and short blonde hair. Easy on the eyes.

Oliver lingers just behind him, the tallest of the captains. You catch his eye, face slipping into something more serious, and nod. "Hey, Wood."

He nods in return, curt like how a ministry wizard's might be.

"Right," Hooch sits up straight in her high-back chair. "There are just a couple things we need to get through tonight, we won't be long."

The dynamic between the captains would be easy, if not for Oliver.

You're the only girl and that made for tough beginnings. Marcus is naturally brash and brutish, but - as you found - easy to impress with a couple showy tricks on the broom. A single promise to show him how to pull off a Woollongong Shimmy had him eating out your hand: the favour of a couple Slytherins was generally hard to buy and invaluable to a plushy Hufflepuff such as yourself.

Roger popped out the womb with a wink at the nurse. Impeccably charming and impossibly negotiable. Beyond being slightly dim, it was hard to say a bad thing about the Ravenclaw captain

On the other hand, Oliver was … well, Oliver.

Hooch tapped the sharp end of a writing feather rhythmically at a spot on her desk, eyes roving her clipboard.

"Next week we're doing a clean up of the supply room down by the pitch. I've set you each up on days, the whole team needs to be down to help unless they're excused by a teacher: I want a written letter."

She offers a piece of parchment without looking up.

"As you all know, it's the Slytherin versus Ravenclaw game next week."

You bump your elbow to Marcus'. He looks down and grins a mouthful of crooked teeth before turning to Roger. "Ready, pretty boy?"

Roger rolls crystal blue eyes, but he's smiling too. "Bring it on, tough-shit."

"Oy," Hooch interrupts them with a cool sigh, "The last thing, you all submitted your autumn practice requests for the pitch: Roger, Marcus, you have the days you want--"

They nod. Your shoulders stiffen.

"--Oliver, Y/n. You both want Wednesday afternoons. Monday afternoon is open, I'll let you two decide between each other who is gonna move their practice. I want a decision before tomorrow night."

Marcus is sniggering under his breath. The edges of your mouth sink into a frown, of course he wants the same day as me.

You can feel the heat of Oliver's eyes on the side of your face. You don't indulge him, keeping your gaze settled on Hooch's face.

"We'll figure it out, coach."

"Unlikely." Roger's quip is barely a whisper but you catch it.

"Alright." Hooch doesn't. "You're dismissed, go get some dinner kids."

The office door bounces back off the stone wall where Marcus tosses it carelessly open, echoing all the way down the empty corridor.

Frosty air chases over your face and the boys start down towards the Great Hall. Roger is complaining about a potions essay he hasn't started and Marcus is shrugging him off with a suggestion that includes something along the vein of blackmailing a sixth year into doing it for him but you can't focus long enough to follow.

"Oliver." Irritation is prickling at the surface of your skin. It flares into an almost rash when he stops walking, glancing over his shoulder with an unconcerned expression. "Who's giving Wednesday up?"

His arms fold against his chest. You're working extremely hard not to look down where his biceps stretch the seams on his Hogwarts jumper. "Well, you obviously."

Marcus barks another laugh, he calls down the corridor: "We'll see you kids at dinner."

"Yeah, don't kill each other! It's only practice!"

You huff in disbelief, unconcerned with the running commentary.

"Uh," you mirror Oliver by folding your own arms. "no it's not. Come on, we can negotiate like civil people can't we?"

Thick caterpillar eyebrows disappear beyond the overgrowth hiding his forehead. "Negotiate? I'm the one who wasted three hours of my life in detention last week thanks to your big fat mouth. Wednesday is mine."

"That was a joint effort, twat." You can feel where your throat is flush with rising anger. It wires your jaw tight. "Are you really so bloody difficult that we can't even come to a simple agreement?"

"Difficult?" His arms have shifted from his chest to perch against his hips. "Just because I'm not giving you what you want? Cry me a fucking river, darling. Sorry Puffers, but I'm not your precious Marcus or Roger. I'm not gonna fold just cause you bat yer pretty little eyelashes at me."

Pretty?

You blink in surprise. It's brushed quickly aside for more pressing matters. Your hands scrunch into fists at your side:

"Well. I'm not giving it up. I want Wednesday."

"Neither am I."

"Fuck you."

"In your dreams."

-

Oliver collapses loudly into the open spot at the Gryffindor dining table. His callousness knocks Archie's goblet of pumpkin juice across the shiny wooden surface between dishes of sausages and peas and roast potatoes.

"Bloody hell, what's got you in a mood?" He's patting down the table with a serviette, transforming it into a orange lump under his palm.

Shaking his head, as if it would joggle the thought of you loose, Oliver stabs a chicken drumstick from the top of a nearby pile with his fork. He doesn't respond.

"Wait, let me guess." Archie presses the elbows of his red jumper into the still wet surface beside his plate. "Something to do with your little Hufflepuff sweetheart?"

Oliver grunted around a mouthful, looking annoyed. "Not mine and not a sweetheart. A fucking brat."

Archie seems to find something funny, leaning back on the bench with a haughty laugh. "Right. What she do this time?"

"Wants the pitch the same day as me for practice." He's mumbling around a mouthful of chicken, tipping forward to shove a spoon teetering with peas alongside it. "Refuses to give in, despite the fact that she put me in detention last week with Burbage."

Shifting to the edge of his seat, Archie leans around Oliver's frame to find your figure across the Hall at the yellow-lined table. He nods, seemingly finding you. "Yeah, she don't look too happy either."

"I don't care."

Oliver is trying very hard not to give into the itch to look back.

"Whatever," Archie's gaze finds his again. "in better news ... I spoke to the twins just before dinner. They're still on for tomorrow."

He's twitching in his seat, eyebrows dancing and grinning around his words like a kid who's found a matchbox.

Right. The twins.

Specifically, Daisy and Delilah Dawson: two Ravenclaw sisters a year below Oliver.

They're peng, Archie had reasoned, you need a little fling to get your mind off quidditch. You're too strung up, mate.

And sure, they were, but Oliver had more important things to do than gallivant across Hogsmeade attached to the hip of some sixth year who just wants to earn her I Kissed The Quidditch Captain! badge.

He'd groaned and whined and glowered at the prospect. Was it petulant? Naturally, but spending five sickles on subpar hot chocolate and making false conversation with some Ravenclaw was a waste of precious time in Oliver's humble opinion.

His priorities are, as they've always been, crystal clear in his mind.

1. Win Gryffindor the Quidditch Cup 2. Refer to point (1)

There was little wiggle room for the introduction of girls into any spot on that list.

You're the only one who came almost close to the tight list. Only because if there had to be a third priority, "shove winning the cup in Hufflepuff's face" might just crack it. He thought about you significantly more than any other girl in the castle and maybe that might mean something if he thought about too long about it, but fortunately, he refused to.

Regardless, Archie was adamant and more than a little pathetic when he mentioned that Daisy only agreed to see him if he had a date for Delilah. It was all settled very quickly.

And it's in this show of loyalty to his dearest friend that Oliver finds himself walking the cobblestone path down into Hogsmeade on a crisp Saturday morning.

The little village is bustling with students - it normally is - and the crowd has him knocking shoulders with Delilah who's walking in step beside him.

He's uncomfortable to find that she's staring dreamily up at the underside of his jaw.

On Oliver's other side: Archie is talking Daisy's ear off, making another pitiful attempt at holding her hand. He doesn't quite manage it and Oliver can't tell whether it's because she genuinely doesn't notice or she just can't be arsed.

"So," Delilah's voice is light and sweet. Delicate. "You mentioned that you take Arithmancy? I've heard it's tough."

Oliver nods airily. "Yeah ... yeah, it's difficult."

He tightens his jacket closer over his frame. The wind is whipping between their bodies and he thinks that maybe she didn't hear him over it's howling if her confused expression is anything to go by. He finds he's not bothered enough to repeat it.

The entrance of Madam Puddifoot's comes into view at the end of the walkway.

Oliver’s relieved. It's freezing out here and maybe he'll be more in the mood for flirtatious conversation once he's gotten some food in his stomach (Archie had insisted they skip breakfast: we have to order something to eat, so we can sit longer).

There's a jingle of a bell overhead when Archie pushes the door open, standing awkwardly aside to let the ladies in first.

Inside the shop, it's more than busy: powdery blue walls barely visible beyond the sea of Hogwarts couples crammed around tiny circle tables and waiters in red uniform knocking the back of their chairs with wobbling trays.

There's music coming from ... somewhere, it sounds like The Weird Sisters and at the sound, Oliver can't imagine how this morning could possibly go any worse.

Oh wait, yes he can.

You could be sitting at a table right by the door across a too-small-table knocking knees with some Slytherin prick. Like you are right there right now.

Delilah tugs on his wrist, it's gentle and he almost doesn't feel where he's being lead between tables towards an open booth across the room. He falls unceremoniously down against the torn leather, eyes never leaving your table.

You haven't noticed his presence, he knows because your lips are stretching around a giggle he can't hear but can already imagine. You don't smile around him, that's for sure.

Oliver's stomach is frothing and bubbling and he's trying really hard to tune back in where Archie's knocking a menu into his hand.

Of course you're there. To ruin his mood and his day, because you're just bloody perfect at it.

"So, am I seeing you girls at the Quidditch match on Saturday?" Archie's voice carries somewhere over his head.

Delilah laughs. Or maybe it's Daisy, Oliver doesn't look.

"Maybe," she says, "Depends if Oliver's gonna be there. You're gonna be there, right?"

He feels a hand nudge at his forearm. Definitely Delilah.

His gaze floats back over the table to offer a fraction of eye contact, he nods. "Oh, uh ... yeah. Sure, definitely."

Archie saves him by speaking again and your table finds Oliver's attention just in time for him to watch the boy sitting across from you swipe away a smudge of hot chocolate over your cheek. You smile, looking bashful and a little bit flushed.

A suffocating, searing heat rushes from the soles of Oliver's feet up between his every organ and over every tendril of hair on his head. His jaw tightens.

Of course he recognises the pratt across you.

Ryo Yoshida.

Every girl in the castle's wet dream, if the rumours he's heard are anything to go by. With his fucking sleek black hair and his Japanese accent that had witches flocking to him in the dozens.

He doesn't wonder why you're here with him.

Oliver is a proud man, but even he could admit that you're beautiful. Albeit reluctantly.

With your wide wet eyes that make him a little sick in a way that turns his stomach warm and the way you do your hair and those fucking dangly earrings that clink when you loose your cool on him.

That's without even mentioning the sound of your laugh - the one he only ever overhears - and your legs in the school uniform skirt and the way you look when you're diving on your broom under the light of a sunny day.

Alright, maybe he couldn't admit to all of it ... but you were okay.

Okay enough to crack a date with Ryo Yoshida or any other schmuck in the castle if you wanted.

"Anything good to eat here, Oliver?"

He pretends he doesn't hear her at first, but the kick at his shin under the table is harder to ignore.

Archie is glaring at him across the table. Dude, don't fuck this up for me.

Oliver's eyes find Delilah. She's scooted up close under his elbow and, to be fair to the poor girl, she was pretty too. Red lipstick smeared across her smiling lips, painted nails edging closer to his arm and perfectly styled hair sitting over her shoulder.

He nods, reaching for the menu: "Yeah. Actually, last time I had the Merlin Meal and it was pretty good."

She perks up, cherry red smile widening at his reply. "Oh, I thought that looked good!"

Training his eyes on the menu, Oliver wills himself not to look back at you. You're already souring his mood and you haven't even said a bloody word.

It's just what you do. What you do to him: infuriating him with the threat of an argument around any and every corner.

The waiter comes by and Oliver finds himself generous enough to gift Delilah with an arm draped over the back of her seat. She giggles and he pretends he doesn't notice when she mouths something that looked suspiciously like 'he's so hot' to her sister across the table.

Archie seems pleased too. Daisy has granted him, finally, her hand and his arm bends at an awkward angle to maintain the grip in hers under the table. He's positively beaming.

But despite Oliver’s best efforts to stay engaged, he still catches himself - only when it's too late - and his eyes are already glued to watching the way your jeans are hugging your thighs where you shift in your seat.

Your table is sat by the door. The chime of the bell calls for his gaze every time it tolls and every time he finds you let off a violent shiver in your seat as the autumn crisp rolls over your shoulders.

The door shuts again and you still.

Oliver can feel where the tips of his ears are burning red and his bones are itching: Ryo’s black suede coat is hanging over the back of his chair.

You’re still talking - hands rubbing together, fighting for warmth - he’s leaned over with his chin in palm to listen and his jacket sits unused behind his shoulders while you fucking shiver in the breeze.

It’s pathetic, really. He’s not sure whether he’s referring to himself or you: but Oliver is still looking and you’re still shaking like a leaf and he’s halfway to flipping tables to get to you and just give you his own fucking coat so you’ll stop shaking and stop annoying him—

“Oliver was just telling me about wanting to join the Hogwarts Choir.” He turns again to find Archie waiting with an expectant face, it's laced in a little bit of smugness: caught you. "Weren't you, mate?"

When he looks back you’re gone.

There's a short pile of sickles abandoned on the table and he hopes that Ryo at least had the good sense to pay for your drink after forcing you to sit in the freezing cold.

He shakes the thought off. Who cares.

In fact, he hopes you catch a cold.

-

The day passes like swimming through molasses: slow and sticky and exhausting.

It's nearly seven when Oliver presses a sympathy kiss into Delilah's cheek - Daisy allows for no such thing from Archie - and the two sisters skip off down the west wing corridor with a wiggle of their fingers over their shoulders at the boys.

"I think that went well." Archie's grinning, hands on his hip and glasses edging down his brown nose.

It's the first thing that genuinely brings a jolt of life out of Oliver all day. He teeters back on his heels, hands gripping his stomach where he laughs. Laughs like a madman.

"I think you need to get yer fucking head checked, mate."

The tail end of his outburst is simmering down, now barely a breathy chuckle, when a voice washes over him from down the other end of the corridor. "Wood!"

He'd recognise that voice anywhere. From the dead of sleep or the depth of the ocean.

He's slow when he turns on his heel, the remnants of his smile dripping all the way off the edge of his jaw until he's nearly frowning.

You're jogging, scarf bouncing at your shoulder with the movement, and coming to a stop right under his chin.

"What?"

There's a sharp edge to his tone - there always is - but he really hopes you haven't noticed how the syllable wobbled at the end. Now that you're right beneath his frame and not across the room, it's harder to ignore the lashes kissing at the corner of your eyes. You're wearing lip gloss and he knows it's for Ryo.

His stomach is churning and your face is twisting into something he is struggling to recognise.

"I--" your hands wring, eyes flickering behind to where Archie's watching curiously (you wave awkwardly). "You ... you can have Wednesday."

It's not what Oliver is anticipating. He almost takes a full step back in surprise.

"Why?"

Your eyes roll in a comfortably familiar way, "Because Hooch wants an answer tonight and one of us had to be the bigger person."

His brow tightens, eyes roving down the stitching of your sweater. It's cute. He's quiet.

"You not gonna argue?" You throw your words quickly, snatching them back before he can answer: "Perfect. I'll send her an owl before bed."

You're marching back down the corridor before he has chance to say anything else and he's watching your retreating figure with the hope - that he’s not gonna address - you’re not going to cozy up somewhere in the Slytherin dorm room.

“Well.” Archie’s running a hand over his thick black curls. “That was unexpected.”

Oliver huffs. “It’s been a weird day.”

-

An uneasy air has settled over Hogwarts.

It came in like a storm front, drifting in on the wind that dropped the article at the door of the castle. 

The same copy of The Daily Prophet has been doing the rounds between dormitories and class rooms all week: Sirius Black, Azkaban’s most infamous prisoner and recent escapee, has been sighted in Dufftown by an astute Muggle, The Daily Prophet reports. 

Dufftown. A barely twenty minute ride by carriage from Hogwarts bridge. 

It’s got the castle on edge, it’s got you on edge. Creeping around the castle like Sirius Black is gonna jump out from around any corner. 

Dumbledore stationing dementors at the edges of the castle was the tipping point for the cold drip of trickling fear in your chest that's become easy to ignore in daylight - when Cherry and Enzo are flittering around you between classes - but in moments like these, like now, when you’re on the tail end of a quidditch practice, grow like a poisonous black vine up around every nerve in your body. A Monday night, the team’s kit weighing heavy in your arms - broomstick tucked precariously in the bend of one elbow - and following the siren call of the dormitory showers. 

You’d promised the team you’d get them to the house elves before the upcoming match on Saturday. The match against Gryffindor. 

But for tonight, they’re gonna live in a pile at the end of your bed. 

You’re exhausted: calves burning, sweat sticking loose hairs to your forehead and probably smelling like wet socks and broomstick polish. 

The touch of night is suffocating the flicker of the corridor lamps. It’s long past the recently set curfew and you know that if McGonagall finds you out you’re likely in deep enough trouble to get you off Saturday’s match roster. 

Despite the prospect, you don’t dwell on it. You find you’re more worried about escaped Azkaban convicts: the echo of your own footsteps setting you further on edge. 

You’ve craned your neck over your shoulder enough times to form a knot there. Each time you’re relieved to find that Sirius Black hasn’t crept up behind you. 

Suddenly, the squeak of your boots against the stone floor are un-alone. 

Someone is marching and right in your direction. Your heart bangs wildly on the inside of your ribcage - blood turning to an icy slurry in your veins, but you don’t move. 

The corner is sharp when the figure turns into the corridor you stand and the scream is halfway out your throat when your eyes find his face. 

Absent is the matted black hair and sunken eyes you’re anticipating. Instead, warm brown rings reflect the fire of the lit torches. 

Your broomstick clutters to the floor, warm relief flooding down to your fingertips. “Fucking hell, Wood.” 

He looks just as surprised as you. Only for a moment, though, before his gaze is tightening in annoyance again. 

“I thought you were Sirius Black.“ 

“Well that’s stupid isn’t it.” 

You huff, shifting the weight of the team’s robes precariously between your arms: squatting to try scoop up your broomstick off the floor again. You’re halfway successful when it clatters loudly back against the stone floor. 

“What are you even doin’ out here so late? You know curfew is passed, don’t you?” His voice curls with something that might be mistaken for concern if you didn’t know who you were talking to. 

“I could ask you the same thing.” 

You’re reaching down again. A robe on the top of the pile slips off, landing beside the broomstick. 

“Aye right. Whatever, goodnight.” 

He’s brushing past you. 

In a movement neither of you anticipated, driven by the fear shooting up your spine again, your hand finds his wrist. “Wait—“ 

Oliver freezes: eyes dropping to where you’re connected. You rip your hand back, as if scalded. 

“I …” the words mash and wrestle at the back of your throat. “Could …”

You glance down the darkened corridor awaiting you in the journey back to your dorm before meeting his face again. It’s unreadable. 

His brow scrunches. “Yes?"

"Could you want me to walk my common room?” 

Embarrassment sears at your cheeks. On a normal day, you’d sooner go dancing naked under the Whomping Willow before asking Oliver Wood a favour but that was before the image of Sirius Black swum behind your eyes everywhere you looked. 

Oliver would be fairly useless if faced with the criminal, naturally, but at least you wouldn’t die alone. 

“Please?” Your voice is quiet and you think it’s the gentlest word you’ve ever said to him. 

There’s a long stretch of quiet. His eyes flicker between your face and the broomstick on the floor. It’s quickly stretching past the blurring boundaries of an appropriate time for consideration. 

You’re practically melting in embarrassment now, electing to make the decision for him. 

“Never mind.” You squat again, successful this time in sticking the broomstick back under your arm. The dropped robe is more difficult but you manage to replace it. “Forget I asked.” 

Oliver’s moving before you’re stood straight up again. He’s reaching for your broomstick, you instinctively yank it back but he sticks you with a firm look and his thumb is unexpectedly soft where it caresses over your knuckle wrapped around the handle. 

Your grip loosens and he perches the broomstick over his shoulder with ease. He surprises you again by taking half the load of laundry in your arms into his own. 

“C’mon, before someone catches us out here. I’m not doing any more detention because of you.” 

He’s already three feet ahead when blood rushes down to your legs, prompting them to chase after his figure. The movement is easier, lightened by Oliver’s surprise act of kindness. 

You fall into step beside him, half-tempted to comment on his willingness to share your burden, but knowing him, one wrong word and he’d dump it all back into your arms. 

It’s quiet. 

You don’t make a move to talk and Oliver doesn’t look your way. It dawns on you that Gryffindor dormitory is in the other direction and you’re still deciding whether to feel guilty or flattered over the fact when Oliver speaks. 

“Why’re you out here alone?” 

You look, met with the side of his face: it’s still like he hadn’t said anything at all. There’s a tugging instinct to snap at him. 

Why do you care? 

But his tone is perceptibly gentle enough that you think maybe, just this once, it won’t end in an argument. You test the tepid waters. 

“Uh …” your head knocks sideways, tilted as you speak. “I let the team come up early while I sorted the quaffles in the sports closet by the pitch. Didn’t want them walking up in the dark.” 

You’re tempted to mention that it was his team last week that left it in such a mess. You don’t.��

"And now you’re walking in the dark yourself? Smart move, princess."

Your breath hitches. 

It’s not the first time he’s called you that. Princess. A couple times over the years, usually in the heat of a spiraling argument, but never so benign. While still ungentle, the tone is soft enough that it rings in your ears.

You choose not to succumb to the antagonization of his reply. Humming, you shrug. "Rather me than them."

His eyes flicker, almost barely, to the high apple of your cheek. You notice in the corner of your eye how his jaw twitches, like he wants to say something. 

He seemingly decides otherwise because he focuses his eyes ahead of him and stays silent. 

The overhanging ceiling art is sloping down, air going sticky with the scents of the kitchen the further you go: it’s the trademark of the approaching Hufflepuff common room. 

Another two turns and it will be the end of your little journey with Oliver Wood.

"‘M surprised Ryo didn’t walk you up."

You're more surprised than you've been since finding him, eyes widening in confusion. He grants you another look out the side of his eye.

"How do you know about that?"

Oliver shrugs, shifting your broomstick to the other shoulder.

"The whole world saw your little date down at Madam Puddifoot's the other day."

Of course. Word travels faster through seventh year than a new Firebolt.

"Yeah. Well." You hum. "That's not gonna be happening again anytime soon.” 

It had all been good and well. The rush of having Ryo Yoshida, Hogwart's most eligible bachelor, ask you out and - to be fair - the date had been fine. Ryo was funny and made good conversation but nothing near thrilling enough to daydream over and you'd allowed yourself to brush over a couple red flags because of it, until Cherry came bursting into your dormitory less than a day after your date relaying how he'd caught her between classes to ask her out to the same spot.

"Why's that?"

You're confused now, why Oliver cares or how he'd become curious enough to actually ask. You're even more confused as to why you decide to answer him. You shrug, "He asked Cherry out the very next day. She said no, obviously, but that was enough to let the whole thing go."

You expect him to say something malicious, quip something spiteful about What you did you think would happen? You're nowhere near in his league.

He doesn't.

"He's an idiot."

Not for the first time in the last five minutes, you're not sure what to say. You think this is the longest a conversation has gone without an argument. You sigh, "Yeah."

The stack-up of barrels comes into view. You dig into you the deep pocket on the inside of your robe, emerging with your wand.

Oliver stops, eyes flickering between the barrels and his shining black boots.

You step ahead, tapping the barrels in the rhythm that's become second-nature and the entryway opens.

Turning to him, you offer out an arm and he sets the robes back into your hands. The awkwardness is stifling. He leans forward, tucking the broomstick under your arm, hand wavering to make sure it doesn't fall again. The gesture makes the hold in your knees wobbly.

He nods. "Right. Goodnight."

You nod back, so quickly that you hear your earrings jingle. "Yeah, g'night."

Oliver turns, marching back the way you came and you watch him: biting your bottom lip so hard you're half expecting to draw blood.

"Thank you!" It leaps from your mouth before you have you moment to let it marinate on your tongue. You wince immediately.

He pauses, turning halfway on his heel. He smiles, it's not wide enough for teeth, but definitely wide enough to have your heart falling through your stomach. He nods again and then he's gone.

-

Saturday arrives gloomy and dripping.

It makes for good quidditch conditions, but the chill in the air is still hard to ignore when you step out into mushy grass under stadium lights. The roar of the crowd nearly deafens you, but it'll only take a couple minutes in the air for it to burn down to a soft hum.

In the middle of the stadium floor: Hooch is standing with a whistle to her lips, her figure blurred by the drizzle. Oliver stands beside her, and behind you, your team is clambering onto their brooms and rising into the air with the freshly washed kit over their backs.

You go to walk, but the icy glance Oliver is sending your way convinces you into a jog. He's always impatient before a game, itchy, antsy.

"On time as usual." Hooch hums when you land beside her.

"Got the whole bloody school waiting on her." Oliver mutters but Hooch shrugs him off, pulling the game coin out from inside her robes.

"Perfect." She positions it so we can see, "Gryffindor?"

Oliver straightens out, chest swelling: "Heads."

Hooch nods and before you can suck in another breath, the coin is in the air. She catches it with a skilled hand, flipping and revealing it to the set of captains.

"Hufflepuff, first ball!" She shouts loud enough that the floating players can hear. They nod, some groaning.

The coach turns back on the captains, "I want a fair game kids, no fighting."

"Me and Ollie? Fight?" You smile, "Never, coach."

Oliver rolls his eyes. "Yes, coach."

Suddenly you're above the pitch, sucking in breaths of wet air and struck with that familiar feeling like you could conquer the world on just your broomstick.

The quaffle flies and you stoop to catch it, twisting around Alicia Spinnet to snatch the ball before she's even noticed you're there.

Rain pelts on heads and the game goes on.

Oliver is shouting like a madman from his place in front of the goals behind you - you’ve long learnt to drown it out. He does it half to annoy his own team and half to distract yours. 

You're spinning, flying, swooping and - as you predicted - the crowd has become a distant call, a blurring sight of yellow and red.

An hour passes and the game is already halfway into the next when there's a rise in the crowd. It's not the normal yells and whoops and hollers, but you still don't look up: you're calling over to Jane and Wyatt, your beaters.

“Get between the twins, and stay there!” 

Below, Harry Potter and your own seeker, Cedric Diggory, are flying in circles around each other. The call of Cedric's name is on the tip of your tongue when there’s another ripple of sound off the crowd and this one draws your eyes. It’s there for a second before you find the army of figures descending on the pitch. 

Your breath catches in your throat, freezing solid so you can’t swallow. 

The dementors are even more ghostly this close. You'd never seen so many.

A darkness is permeating the air, the sight of the supporters in the stand dissipating into black. They’re floating in from every corner, drifting at a pace that’s too fast for you to make a move in any direction. 

There’s a scream and your gaze finds the body falling through the sky: it’s Harry.

The ground is racing up to meet him and adrenaline drives your hand to tip your broom, to chase after his quickly disappearing shape when a blurry figure blocks your way. 

Someone yells your name but you don’t hear it. 

You’d never imagined examining a dementor, much less this up close, but even if you had: nothing your imagination could conjure up would ever come close to the harrowing darkness of its empty eye-sockets. 

Its silhouette spreads over every corner of your vision, black like night and blocking the view of the sky. Your nose is so close you could tip forward and meet it's silken cloak.

A cold washes over your body like you've never felt, like you're freezing over: ice creeping up your fingertips, shoulders and face.

Your brain looses all grip on thought, replaced with a seeping dread. It barely acknowledges where a scabbed, decomposing hand is reaching out to you.

Charcoal fingertips brush your cheek when you're tugged back, all the way off your broomstick.

There's not even a last coherent thought to panic when you're engulfed in a warm chest, a hand stabilising around your waist onto a new broomstick. It dips and the green grass is reaching up to you.

The new heat engulfs you through to your bones. You grasp blindly for the expanse of a thick veined neck, wrapping yourself around him.

Digging your face into his shoulder, it takes one glance at the scarlet robes to know who it is. Oliver's panting, one hand holding you against him while the other steers the broomstick down to the floor.

You're trembling, no thought occupying any space beyond Oliver, Oliver, Oliver, Oliver--

"What the bloody hell were you thinking?"

The voice is distant, said against your temple but echoing as if from the end of a long corridor. You don't register where hot tears are wetting your cheeks, erupting over your face without being called.

His words prompt you closer: a tight arm furling over his shoulders and wrapping around him like a vine around an old tree.

"O-Oliver ..."

The hand over your waist tightens. "Sh ... it's fine. You're fine."

The broomstick lands shakily, Oliver's boots squelching into muddy grass. You barely realise you're back on ground when another hand is tugging you off, but you cling tighter to the sweaty red neck: shaking your wet face against his well-pressed robes.

"C'mon, princess ..." His calloused hands pry you from him, gently like you're a piece of china sitting on the very edge of a high shelf. "It's Pomfrey, she's gonna look after you."

You think you feel a kiss press into your hairline before you're being scooped up into a new set of arms. Madam Pomfrey is warm too, smelling like antiseptic and maple syrup.

There's another swell of noise erupting from the supporters above and you're being lead away.

Oliver watches your figure, slumped against the school nurse until you've disappeared into the medical tent.

His heart is going wild, slamming against the walls of his ribcage. Beside him his hands are shaking and he's sucking in thick gulps of air, he finds it still isn't enough oxygen.

There's another splatter where Angelina has landed a few feet behind him. She's panting too, tugging on the edge of his robes and pointing up into the sky.

"Wood!" She's frantic, "They won, Cedric caught the snitch!"

His mouth is dry when he swallows. Rain catches in his eye when he looks up, half the Hufflepuff team is no longer in the sky and the Gryffindors are all on their way down.

"I ..." feeling is returning to his fingertips, "is ... where's Harry?"

Angelina points in the direction of the medical tent. Above, the pitch is engulfed in a bright white light and Oliver catches the wispy end of a shining phoenix chasing between disappearing Dementors. It's a patronus. Dumbledore's, Oliver figures somewhere in his muddy brain.

"Is everyone else okay?"

Angelina nods. Her eyes flicker to the medical tent then back at him. "Is she?"

The image returns to him: the mass of darkness engulfing your figure in the sky. The terror that ripped through him like he was being torn apart from the inside, the whistle of the wind that stung over his ears and how it blocked out his mutterings of please, please, please--

He shakes his head. "She's too tough for her own good. She'll ... she'll be fine."

But it comes out like he's trying to convince himself more than Angelina.

-

Oliver doesn't see you for a few days.

Two, to be exact, and his skin itches the entire time. A deep itch, like it's coming from his bones.

It's only on Monday evening at dinner, with the Hufflepuff table whooping, that you come strolling back into the light of his eyes.

Your head is down, flushed with all the attention, and when you sit, kids are rising from their seats to tackle you into side hugs. He can tell you're embarrassed but he can't gather himself enough to care: the warm rush of relief flooding his stomach so much so that if he dared open his mouth it would all come rushing out.

You look fine. All limbs attached and smiling, it settles him.

He doesn't snap at Archie when he knocks his shoulder with a "you're staring" and his dinner suddenly looks more appetising when he peels his eyes off your figure down to his plate. He finds that he doesn't care as much as he usually does where Enzo's lanky arm is strung over your shoulder.

The week passes in a flurry.

While you share several classes, Oliver doesn't share a single word with you. It's hard not to notice that you're working very hard not to interact with him.

In Muggle Studies, you arrive late and keep your nose tucked deep into the pages of a textbook he knows you couldn't care less about. You're up and out of the classroom before he's even zipped up his bag. It's the same in Potions and Arithmacy.

While going days without talking to each other is not unusual, this time he can tell it’s on purpose. He pretends that he doesn't care.

The rain has cleared and when Friday arrives the sunset is red and orange and purple, granting Oliver with a rare enchanting view out his bedroom window where it's setting behind the East tower.

It's in this quiet, peaceful moment that Archie comes bouncing in with some news of a party happening in the Ravenclaw dormitory.

He's indifferent but Archie is nothing if not convincing.

"Come on, dude. You're literally a hermit crab." He sighs, falling back against his own poster bed across Oliver's. "There will be girls."

"There's girls everywhere, Arch."

His eyebrows wiggle, "And alcohol."

It takes a bit more pestering and the Weasley twins rushing in after him with the same news (and a far less patient approach) to get him up off his bed.

He digs in his cupboard for the last pair of clean jeans and a somewhat suitable purple jumper, tugging them on with a grumble, before he's being dragged by both arms - a twin on each side - across the castle to the West tower wherein resides the Ravenclaw population.

The common room is bustling with seventh years, he recognises them from all houses, and a table set up to the side with some trays of food. He's barely made himself comfortable when Katie Bell is shoving a red solo cup into his hand:

"It's Angelina's brew." She informs him.

He can believe that. The liquid is strong, burning down his throat followed by the barely there after-taste of pumpkin juice. Oliver downs the whole thing in one go.

The music swells louder and he's three cups of Angelina's concoction deep when you come tumbling through the entrance portal.

You're drunk yourself, he can tell by the way you're giggling and half leaning on Cherry Stretton. Bumping through people, not passing without leaning back to apologise to them tipsily, you head straight into the arms of Angelina and Alicia Spinnet. They smile in surprise, engulfing you in their arms.

Despite his and your long-held rivalry, it had done nothing to stop the rest of his team from sweetening up to you. The twins called you their favourite yellow tie at regular intervals and the girls found you nothing less than endearing. Oliver could lie and say he hated it.

Instead, he wrestles his way to where Katie is situated with more to drink, filling his cup and downing it.

-

The room is twisting in a flurry of colours and faces and it's the lightest you've felt in almost a week. You giggle against Enzo, his dreads tucked safely back in a bun while Cedric sets a Dragon-Barrel Brandy shot on fire and hands it carefully over.

Enzo's head knocks back, slipping the burning liquid down his throat with a wince. There's a cheer at his accomplishment, and suddenly Cedric's knocking your elbow: "you're next, Cap!"

After the match-gone-wrong, Madam Pomfrey had held you down in the infirmary until Monday morning. You were fed copious amounts of chocolate - in the form of bars and drinks and cakes and ice creams. By Saturday night you were - surely a couple kilograms heavier - and feeling fine, but Pomfrey was nothing if not paranoid:

"That was no light ordeal you went through, dear. I'm not letting you out of my sight until I'm happy with you."

In all honesty, you'd prefer if the whole school forgot it ever happened.

If Pomfrey didn't fret and your friends didn't come by every meal time and your team stopped sending you get better! letters and nobody mentioned it ever again.

More than anyone, you wished Oliver would forget. The ordeal, or maybe just you as a person.

You'd made a stupid decision under the heat of stadium lights and the influence of racing adrenaline, trying to chase for Harry, and he'd made a stupider decision coming to save you from yourself.

When it got quiet in the infirmary past dusk and Harry's shadowy figure was long since snoring in the bed across yours, you could feel Oliver's touch. Could feel it's strong hold wrapped around your waist and the voice against you the back of your neck and the lips at your temple.

You never reminisced long: for with his touch came the writhing, scalding fear burrowing a hole in your chest.

He could tease you, he will tease you.

Oliver had saved you from the clutches of a dementor moments from your soul being sucked out your body and you'd cried in his chest the whole time, refused to let him go in front of the whole school. It was a mortification you would never live down. And if Oliver decided he was going to use it against you, even once, you were sure you'd melt into the floor in shame.

It's what's made the Firewhiskey and Lemon squash concoction Cherry had handed you back in her room so easy to toss back. It stung and steam rose out your mouth where you'd panted for air. There was another ... and another, they went down the same.

The walk across the castle to reach the Ravenclaw Tower had been wobbly and you'd laughed with your friends loud enough to wake up the whole castle you're sure, but it dissolved the fear that clung to your bones. The fear that he was here, lingering between the people in the crowded blue common room.

Now the liquor is fading. Numbing to a dull buzz and you decline Cedric's offer at a burning shot, thinking about how proud you'll be of yourself when you wake up tomorrow morning in bed rather than wrapped around a toilet seat and hauling up guts into the bowl.

The party, not unlike yourself, is dimming.

Students are crawling away into all corners, each with their own excuse. I have a potions essay to do or No, dude, I'm too drunk for this or Flint wants us down at the pitch for drills at eight tomorrow morning, I gotta head to bed.

The crowd, though thinning, is beginning to clump into respective circles across the room. You glance annoyed at the fireplace where the flames crack merrily. Even with your short skirt and thin satin top, the heat of the common room is stifling.

Enzo is on his fourth burning shot, it's lost it's appeal to the crowd but he seems undeterred, knocking Cedric in the shoulder with the empty shot glass motioning: another! You yawn, playing mindlessly with the ruffled sleeve of your shirt.

"Oh no," A harsh tug at your hand draws you from the lure of sleep that's fogging your mind. "The night is young, no yawning!"

Cherry has your wrist in her grip, Enzo's in the other. He blinks blearily down at his friends.

"Huh?"

"Come on," Cherry's brown eyes roll far back in her head. "Fred says they're starting Seven Minutes In Heaven. Let's go join--"

"Seven minutes--?" you laugh between words, "Cher, are you mad?"

She whines, pouting like a kicked dog. "It'll be fun. Besides, when last did you have a good fucking snog? Too long, I say!"

Somehow, you're not only convinced across the room into a spot onto the floor in a circle of a couple others, but a drink has ended up in your hand and its contents quickly down your gullet.

For the nerves, you assure yourself.

Before you know it, Angelina - who's conveniently settled beside you - is topping up your plastic cup with a nearly empty bottle of Daisyroot Draught. "This is the good stuff. Katie stashed it in, her sister works at a brewery."

You smile nervously, nod, and take a tentative sip. The pre-existing buzz in your head convinces you it's not so bad.

In the circle is a couple Gryffindors you recognise, some giggling Slytherin girls, a Ravenclaw you can't name and three members of your quidditch team. There's an open spot on the side you don't take note of.

That is until Archie Kumar is steering a grumpy, visibly drunk Oliver Wood into the open place and collapsing beside him.

Your breath catches in your throat, heart sinking into your stomach like a stone. You're halfway off the floor, suddenly desperate for the loo, when Cherry - on your left side - drags you back down to the floor.

Maybe it's Katie's sister's brew, but you tumble too easily back onto your bum.

"Relax. Just don't look at him, okay?"

You suck in another breath, eyes trained on the white moon outline sewn into the rug. "Yeah ... okay."

It doesn't hold long and when you find the Gryffindor captain again, his gaze is trained on your face. It's stone cold. You gasp quietly and look away.

"Right!" George Weasley is on his feet, setting an empty Firewhisky bottle into the centre. "Who's first?"

Alicia shuffles forward on her knees, the first of the group to move, and the bottle goes spinning. It lands on the Ravenclaw boy. He grins and she does too: Fred wolf-whistles when they stand.

The "heaven" in question is a tall oak cabinet leaning against the back wall of the common room. The pair disappear into its depths and conversation rises again as the circle waits.

You sip your drink in large gulps, trying to hold conversation with Angelina against Oliver's hot gaze that's burning a hole through the side of your face. It's difficult: the Gryffindor girl is so drunk that she's talking with her eyes closed.

Seven minutes later, there's a chorus of "time's up!", Alicia and the boy emerge another ten seconds later. They're rearranging their clothes and Alicia is as scarlet as her quidditch robes. The boy is grinning like the cat who caught the canary. You're suddenly struck with the violent urge to throw up.

The game goes on like that, round after round. Lee Jordan and Jane Emmet (your beater), Katie and Wyatt (your other beater), Cherry and a pretty Slytherin girl you don't know - she's especially chuffed when she returns, red lipstick smeared over her chin.

You're working very hard not to look at Oliver, much less think about him, but it's proving difficult. Every time the bottle takes its spin, your stomach churns.

It had occurred to you during the time that Alicia and that boy were in the closet that there was a very real chance that Oliver could be called up when one of those pretty Slytherins take their turn at the bottle. The thought had made you down the last of your drink and immediately want to vomit it all back up into your cup.

The image of their slender arms curling around his criminally wide-set shoulders, Oliver pushing them back against the inside wall of the grand closet. Would he make noise? Would he sigh or groan against their lips or whisper something about how beautiful they looked tonight in their ears--

"Ollie, you're up mate."

You can't remember who said it, but the words stripped your gaze off Angelina and straight into the pooling brown eyes you'd been avoiding all week long.

He sighed, grumbling under his breath and only with a less-than-gentle nudge from Archie, did he lean up on thighs that flexed unfairly -- bloody hell, stop it! -- and wrap his hand over the neck of the bottle: it went spinning.

The only sound you could hear was the twist of the glass against the woven rug and the hum of your own blood rushing past your ears. It stopped.

"No fucking ways." Enzo cracked from two people down.

A hand landed on your shoulder, shaking you half off your arse: Angelina. "You're up, babe! Go!"

The bottle was pointing irrefutably at your little spot in the circle.

Oliver's face was as white as you'd ever seen it when you dared look up.

"I-I'm not going in with him--" It was the first thing that came to your mind and went spluttering out your mouth.

George was laughing so hard that he'd fallen all the way onto his back. The roar of the group was ear-splitting.

"There's no ways I'm going in with her!"

"Let's end this feud once and for all," Katie bellowed over their heads. "Captain versus captain!"

You're being knocked from all sides, hands crawling under your arms and lifting you off the floor. Across the circle, Oliver is experiencing the same and before you know it: the wooden doors of the cabinet are creaking open.

"Go on!" Lee's finger is piercing your side.

Oliver is beside you but you won't look. You take one last look over your shoulder at Cherry back on the floor, she does nothing but offer a sympathetic shrug and mouths "sorry, dear".

Your hand reaches before Oliver's, flinging the door open with maybe a little too much force. It bangs against the wall behind it.

"Let's get this over with." You mumble, only half concerned that he heard you.

You slouch climbing in, the top is low and the space is even more cramped than what you assumed. To your surprise, Oliver is stepping in after you. He takes his turn at slamming the door, shutting it this time.

It's dark inside, but not enough that you can't see. Light is peaking in through the cracks and he's leaned back against the opposite wall to you.

In the narrow space, your legs are twisting around each other to stand: his one knee situated between yours. In the dimness, he folds his arms and you notice for the first time the jumper he's wearing. The purple one, you recognise it as the one he's had for years. Time has taken its toll where the jumper is clinging to life around his frame, Oliver having grown at least three times wider while the jumper has remained the same size.

"Go on, Wood, give her a kiss!"

The voice is unrecognisable but it knocks your tongue back into your mouth where you'd been ogling at his torso.

His arms are folded, proffering you with a glare that could cut through steel. He makes no visible sign that he'd heard the shout at all. You mirror him, folding your own arms.

"I'm not kissing you."

His head cocks. "Oh, so you're talking to me now?"

You suck in a sharp breath. It's not the response you're anticipating. "What?"

"So we're playing dumb?" He leans just a fraction closer. You can smell the linger of alcohol on his breath, but it doesn't work hard enough to drown out the smell of peppermint that follows him around. "Doesn't suit you, princess."

"I'm not playing anything. I don't know what you're talking about." You double down. It's probably not sustainable but the heat of his body almost against yours and the thrum of liquor in your blood makes the decision for you.

"Y've been avoiding me all week."

"I haven't"

"You're a bad liar."

You swallow hard. Embarrassment is rising again, making your head spin. Oliver's chest is puffed up in anger, you can tell because you've had five years to learn the look like the back of your hand. Except, now - as it has been for a longer time than you care to admit - it's harder to focus on the waves of fury reflecting off of him when his face is just so ... beautiful. Nose scrunched and lips pulled tight into a grimace.

It's what makes you change tactics, you think.

"So what if I was? Why does it matter?"

His arms unfold, eyes rolling so far that his head knocks back against the wood of the cupboard.

"Why?" you press, "Did you miss me, Wood?"

"Maybe I did."

He's looking at you again. For what feels like the hundredth time just tonight, your breath escapes you in a rush and your lungs struggle to grasp back at it. Your face softens without meaning to.

You blink at him.

"You did?" It's a whisper.

His arms are still folded but something clement passes like a shadow over his features.

"No."

His face betrays his words, eyes soft and lip daring to curl up at the edge.

The air in the tight space goes cold. Or maybe it's your blood. It's more likely the look on Oliver's face: like he hasn't just turned your organs to slush. You're all the way sober now.

"I'm not kissing you." You repeat dumbly, but it's gentle.

Merlin, you want to kiss him so fucking badly.

"You mentioned." He's almost, almost, smiling. It's gentle too.

The space between you falls quiet. You're suddenly overly focused on the brush of his knee between yours. His swirling brown eyes catch on the split of light creeping in past the hinge on the door.

It stays like that until your voice creeps nervously out. "I was embarrassed. Am, I am embarrassed."

A thick brow tightens in confusion. "Why?"

You huff, almost annoyed. Your eyes train on a dark spot by your intertwined feet. "Come on, Wood."

"What, about the match?" The alcohol thickens his accent.

Your silence seems to answer his question. The apples of your cheeks are warming again.

"What was I supposed to do, leave you to have you bloody soul sucked out yer body?" His voice is rising, "No, princess, I'm not apologising for that."

It's an outpour that you're not expecting. Oliver's clearly in the mood to shock and surprise tonight.

Your lips tighten around the words that are all fighting for the spot at the tip of your tongue. Silence reigns while they argue, he's still watching you with exasperation set into the lines of his face.

"Princess." You settle.

His expression twists again. "What?"

"You always call me that. Why?" It's a question that you buried long ago. But his proximity, in conjunction with the night you've had, unearths it.

It's his turn to look surprised. He grumbles some indiscernable Scottish blabber before-- "It's because y'are a princess. Spoilt and bratty. Always gets her way."

There's no malice to his response, you find. It draws a chuckle from the depths of your chest.

"Aye, right." You mimic his accent and his quip, one he's used many times at you.

He laughs. It's not a sound you hear often and it's setting your whole nervous system alight like a tangled bunch of christmas lights. His whole body's shaking with it, head resting back against the wood again, and you really do think you might grab him and kiss him -- when the door flies open again: seeping his whole body in yellow light.

Alicia's standing at the opening, grin wide as night is wide and clearly expectant on catching you with your tongues down each other's throats.

If she'd given you another three seconds she just might have.

"Oh." She slumps in disappointment, looking back over her shoulder and shaking her head to the expectant crowd. They groan collectively. "Well, love birds, your time is up."

You'd almost forgotten where you were. Oliver clears his throat, the ghost of his laugh impossible to find on his face, and clambers over your legs out into the common room again. He doesn't pass without brushing his hand over yours.

-

It's nearly three in the morning when Enzo finally lets up.

His long legs are sprawled across the midnight blue couch in the middle of the common room. Fiona, a lovely Ravenclaw girl you'd met just tonight, shrugs at you: "Don't stress it. He can crash here tonight."

The party is long since dead. Seven Minutes In Heaven had looped another three rounds before everyone had gotten their chance in the dusty cupboard and began to grumble in boredom.

You'd avoided Oliver's eyes the whole time again, sure that if you looked he'd be able to read the fondness on your face.

It wasn't long after that the last of the students dissolved in the direction of their respective bedrooms. With your dear friend in good hands with the Ravenclaws, you loop your arm with Cherry - knocking against her side towards the portal.

You've barely pushed it ajar when she breaks off you, "Hold on, I need to get my Transfig notes from Jacob!"

"Cher, it's three in the morning?"

Alcohol is directing her legs in the opposite direction clumsily, "I'll wake him. If I fail another quiz, Mcgee's gonna have my arse."

She's gone before she catches your call: "I'll find you outside!"

The portal creaks where you shove it open again. The corridor is dimly lit and colder than the common room and a shiver chases up your exposed legs.

"Bloody hell." You run a hand over your forearms.

It's quiet too, and empty besides the Gryffindor captain leaning against the stone wall closest to the entrance you've just emerged from.

"Merlin," your eyes find his. "Not you again."

The flush over your cheeks is warding off the chill.

Oliver shrugs. "Me again."

An awkward silence permeates. Against better judgement, you shuffle forward, leaning against the wall beside him. He doesn't react, arms folded and staring into the inky abyss of the corridor leading out to the rest of the castle.

"Why're you out here?" You ask, tucking your hands between your back and the wall.

"Archie." He huffs out, voice wrapped in annoyance. "He's in there with Penelope. I gave him ten minutes."

Ah, Penelope Clearwater. She'd joined the game in the last round. A good thing too because Oliver's friend was looking more crestfallen as the bottle spun again and again, surpassing him each time. Penelope had taken the last turn, ending up with her hair in every direction and Archie's spectacles leaning half off his face when they emerged from the cupboard.

"You?"

The eddy of average conversation is strange, but you find you like it.

"Cherry." You hum. "Something about quiz notes."

He drops his head back against the wall.

"That what they calling it now?"

It startles you, head tilting to stare up at the side of his face with a grin: "oh, Wood’s got jokes now? I didn’t know it was possible for you to make a joke."

His eyes flutter shut, a twinkle of laughter bubbling out of his frame. Tucking his head down to his chest, he shrugs against his own light chuckle. "I have them. I just don’t share them with you."

You giggle back at him. "Right. Well then you better stop smiling there, someone might walk past and think we’re friends."

He shakes his head, the sound of his snicker fading but leaving behind the imprint of a smile. "Nobody’s gonna think that."

You lean back again, eyes drifting over the low ceiling. Quiet falls again - not uncomfortable - and you let it linger for a moment. A thought tugs on a loose string in your mind, not a new one, but one you’ve carefully buried over time.

It comes falling out your mouth. "You ever think about how it might be ... if things were different?"

The question grants you a look out the side of his eye. "Different?"

"Y’know," you shrug, the very last remains of alcohol are ebbing and unsureness is replacing where it stood. "If we … we had—"

"If you hadn’t suckered me in the bloody nose?" His words are unexpectedly fond.

You laugh at him, "If you hadn’t deserved to be suckered in the bloody nose."

He draws in a long breath, not answering. It prompts you.

"We could have been friends." You whisper, more to your chest than to him really.

But he hears it. "We would never be friends."

It stings sharper than it should. Your shoulders go stiff and the corners of your eyes sting inexplicably, turning the corridor blurry. A dying fire revives in your chest, blistering the cave, reminding you why Oliver Wood has been nothing but a stake in your side since you were thirteen years old.

"Of course. How stupid of me, for a minute I forgot what an absolute arsehole you are." You push off the wall, intent in going to dig out Cherry from the depths of the Ravenclaw dormitory. "Goodnight, Wood."

An arm wraps around your waist, not unlike it'd done a week ago in the air of the quidditch pitch, lurching you into him until you're pressed back against the cool stone of the corridor wall.

Oliver looms over you, crouched so that your nose bumps against his. "Don't sulk, princess."

It all happens at once: his hands grab onto the fat of your hips, digging in there like he really does hate you, and lips crash against yours like maybe he doesn't at all.

He stays there, unmoving for a second that feels a year long.

Where the inside of your brain had been buzzing with runaway threads of thought, ribbons streaking out in all directions: they disappear in a sizzling light. Oliver Wood is kissing me.

You melt against him, tipping up onto your toes and latch onto muscled shoulders. He seemingly takes that as his cue, pressing you closer against his body with his arm - lifting you half off the wall.

He tastes like the remnants of Firewhisky and pumpkin juice, the flavour setting every nerve ending in your body on fire. Lips soft but persistent while his hands grip onto you like you'd dissolve into dust if he didn't.

It's aggressive, but familiar in that way. Oliver is nothing if not hot-blooded and his touch, darting between your hips and your face is turning you tipsy again.

"If you want a friend," It's muffled when he speaks, punctuating his words with hot wet kisses, "go be friends with Ryo."

It's only in this moment, with his desperation mirroring in the glimpses of sugar brown irises you catch where he's fluttering his eyes over your face, that it dawns on you.

"Jealous much?"

He growls lowly and it makes you giggle against him, your hands slithering up into the hairs at the base of his neck. Oliver shakes his head against you, still huffing in disbelief.

"Shut up." It's accent-heavy and bleeds a hole through the bottom of your stomach. "You're such a fucking brat."

"And you're a fucking prick."

He huffs lowly, you press harder to him: solidifying the sentiment. Somehow the bickering makes it all sweeter, like you're dissolving cotton candy against your tongue where his swoops over it.

You'd just about forgotten where you were when a creak echoes down the corridor. Halfway to ignoring it in favour of Oliver's touch, your situation dawns on you in the same moment it does him.

Like you'd both licked the end of a live wire, you and Oliver jolt back a foot, hands diving to your respective sides.

Cherry is standing against the light of the common room behind her, a lanky Archie parked beside her. Their eyes are wide and Cherry's hand is against her jaw in shock.

"Oh my god." She mumbles against it.

Blood is rushing to your face and out the corner of your eye, Oliver is running a hand over the hair that's sticking in all directions from the influence of your fingers.

Cherry is laughing breathily, eyes still wide and white in surprise. "Oh my god."

Archie's eyes are flickering between you and Oliver.

"Sorry to interrupt." He says, a smirk curling onto his features.

It jumpstarts your entire system. You step forward, grabbing Cherry by the arm.

"Well," you nod at Archie and at Oliver, not daring to meet his eyes, "goodnight then."

You march with fervour, half-dragging her in the direction of the Hufflepuff common room until your figure disappears behind the next corridor.

Oliver stands with his hands hanging at his side dumbly. He swipes a finger of his bottom lip, still tasting the strawberry lip gloss you'd left there.

"Can't say I didn't see this coming, mate." A hand claps over his shoulder.

He groans, running both hands over his face, and Archie shakes him lightly.

"So ... how was it?"

With another groan, Oliver shoves Archie's hand off of him. "Bloody hell, Arch."

Archie throws his head of curly black hair back, laughing so loud it bounces off the wall. "That good, huh?"

(part two/final part)

-

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[mistymisfit]

Dirty A-Z headcanon game  

MINORS DNI!!!

Implied that reader is shorter than Jason. Most are GN reader, except the pet names (princess and ma) but other than no specified gender :)

My personal headcanons. Sorry everyone, I don't think he'd be all that kinky, he just needs some affection fr. I have a Dick Grayson version on my drafts, and he is a slut so wait for that one lol.

Finished this draft trying to get out of writer's block, I don't think it worked lol.

edit: fixed some typos

A - Alone time (how do they get off when they’re all by themselves? do they watch porn, is it all in their imagination, do they jerk off, do they use toys?)

On nights where he spends too much time away from you, and he starts missing your your kisses, your warmth, your jokes, your hands on him, and his on you, he's forced to take out the big guns. That encrypted (mentioned in point P) folder he keeps as protected as he can for your safety. It has a few videos, some of them more intense, others more goofy with you two laughing. The one he watches the most is the one that begins with him telling you to say something to check the sound and you reply with "I love you" a sweet smile on your lips. The camera's then hurriedly left on the nightstand, and your giggling ensues with him kissing you all over your face.

B - Bondage (do they like it? do they not? do they prefer to be the one being tied or the one doing the tying?)

Absolutely against being the one tied up, past traumas and all, he needs to be able to move for his peace of mind. Completely opposite opinion if you're the one being tied, especially if he's tying your wrists with his costume's garrote (ribbons).

C - Crying (is it a turn on? a turn off? do they cry during sex? have they cried during sex? what was the reason?)

Very much into you crying, and he definitely feels conflicted about it. He wants nothing more than seeing you happy and safe, so why is his dick getting hard when he sees tears streaming down your pretty face? Also, yes, he cries during sex!!! It's not always, but sex is such a vulnerable moment for him--something he struggles with very much, so he can't help but shed a few tears. And you're also into it. Truly matching each other's freaks.

D - Dominance (do they prefer to dominate, or be dominated? do they have experience as a Dom? Do they have a Dom that they trust already? What kind of things do they enjoy as/with their Dominant partner?)

Prefers dominating, low-key a control freak, and is obsessed with the amount of trust you have on him. If he's letting you take control, it's in a more "let me take care of you, baby" way. On some occasions, more often than he'd like to admit he enjoys it more when you both refuse to let the other take charge, usually happens after an argument (see next point). He'd never admit it but he likes that more than anything.

E - Extra info (any other fetishes? feet? leather? role playing? blood? fantasies that they might want to experience not on this list?)

Marking: He would never hurt you, really. But there's something about his teeth leaving a mark on your skin, the whimper you let out every time he does it, and the soft kiss he leaves behind after he's done. God forbid he draws blood, it drives him up the wall. It's only fair game that he'd let you do it too, catching himself proudly smirking when he catches a glimpse of the scratches you left across his back. Or the time you bit his shoulder as you came, he followed shortly after. He's never lost his composure that fast before.

Role-Playing: It started with you joking once, playing damsel in distress and acting like he'd just saved you from a life-threatening situation, but it awoke something in him. Something something about calming his anxieties about not being able to keep you safe. He asked if you could do it more often, you nodded excitedly. If you knew it'd get him so riled up, you'd put yourself in danger earlier. Would love to fuck in his Red Hood get up but he thinks it'd be too impersonal to you--you'd agree in a second if he asked.

Praise kink: He needs you to tell him he's good, that you want him. You told him "I need you, Jay," and he's never taken his clothes off so fast. Most times it's not sexual; he just loves hearing you tell him he's doing a good job.

Make up sex: Jason likes seeing you mad, something about how feisty you get and how you could be as stubborn as him turns him the fuck on. He likes how rough you both get, gripping each other's clothes, hair pulling and biting harder than what you two usually do. Sometimes he starts arguments for this sole reason.

F - Food play (do they like using food in the bedroom? are there any foods they prefer to use during sex or foreplay? any they’d like to try?)

He got hit with fear toxin one time, you spent a couple of days taking care of him until he came down from a nasty fever. A side effect to the antidote Alfred and Bruce couldn't work out yet. You spoon-fed him soup, and he swears he fell in love with you all over again. If he hadn't been so sick he would've knocked over the plate and kissed you senseless.

Also! He likes watching you eat whatever he cooks. Sometimes he waits for you at home with dinner ready, well aware you always come back home starving. Most times, too hungry to cook a decent meal. So watching you sigh when you take your first bite, telling him how good it is, how much of a good boyfriend he's for doing this for you, his blush reaches his ears. He's just winning his way to your bedroom heart with food.

G - Group sex (would they have a threeway? four? an orgy? do they put on a show for spectators? or do they like to keep it just between them and their partner?)

Another no for him. Jason's not good at sharing, he's way too possessive to share your attention. And honestly, it'd hurt his ego a little bit if you were to suggest it. He's insecure, so his mind would instantly go to "I'm not enough"

H - Humiliation (does degradation and insults get them hot? do they get off on humiliating someone else? what kind of humiliation is good for them?)

See point E. He's too in love to call you a bitch. He's not exactly opposed to the idea of having kids with you someday if you wanted to, and he just can't imagine calling the future mother of his kids a whore. However, he's not past calling you a "fucking brat" if you keep on teasing him or using a mocking tone every once in a while like "Aw, is it too much? Thought you said you were a big girl"

I - Impact play (here’s where talking about things like spanking, paddles, canes, floggers and the like.)

Not specifically into spanking but has slapped your ass before, heart skipping a beat when his hand left an imprint on your skin. You could awake something in him if you tried, for sure.

J - Jelly (what kind of lube are they using? is it flavored? have they tasted it? do they prefer to use something other than real lube during sex?)

He's a big boy, so you could imagine what he's got under his pants is proportionate to the rest of him. He'd use it to make sure he won't hurt you, but he's more old fashioned prefering making you cum a couple times to prep you.

K - Kissing (what parts of their body do they like having kissed? what parts of their partner do they enjoy kissing? do they like leaving marks / having marks left on them?)

He's a hungry kisser, knocks the air out of your lungs, grabbing your face, knocking things over as you take a step back not to fall type of kiss. Tied in with C, he likes kissing the tears off your face. Most random spots he likes to kiss are the back of your knees and your ankles when he puts them on his shoulders. If he's sitting down and you're standing in between his legs, petting his head, he'll most likely kiss your stomach.

He has a spot, his pulse point on his neck, not easy to reach considering his height, so he has to be in a horizontal position for you to reach. You kiss him there, and he melts instantly. And his back, if you manage to cuddle as the big spoon and start pressing kisses across his back, he could pass out right there. Matter of fact, any kiss from you makes him melt, he's touch starved, so any contact you initiate flusters him.

L - Lighting (are the lights on? off? do they have some kind of mood lighting set up?)

At first, off. You have to work your way until he's comfortable enough to have some dim lights on. He's too afraid to scare you off with his scars.

M - Masochism (do they like pain? scratching? biting? being bossed around? spoken down to? choked?)

Scratching, biting, are all fair game with him. He's a bit feral like that. Doesn't like being spoken down; his ego's fragile enough from all his own self-hatred. Being bossed around? He's almost incapable of following orders, this man had no figure of authority before Bruce when he was a kid.

N - Not yet (orgasm delay? orgasm denial? do they tell their partner not to touch themselves for a certain amount of time or under certain circumstances? do they delay or deny other things like bathroom usage or food? do they need to beg first? do they like being denied / delayed?)

He's tried, seriously, but all you had to do was beg a little and look at him with those glassy eyes, and his resolve faded away fast. He's unable to say no to you; you know it and often use it to your advantage.

O - Outdoor sex (have they ever done it in public? would they? where?)

Yes, on his car, the bat-mobile he stole once just out of spite (Bruce was well aware he took it- and traumatized to find out his adoptive son's reasons) and against his bike on an empty parking lot (that one was pure wish fulfillment for him)

P - Photography (are cameras allowed in the bedroom? do they send nudes? do they ask for nudes? would they ever record themselves having sex / being caught up in a sexual act?)

For safety reasons he doesn't keep any pictures or videos on any phone (he's got many). HOWEVER, he has a couple of encrypted-not even Babs wouldn't be able to hack- videos of you two for times he stays away from you for long.

Q - Quiet please (what’s the volume like in the bedroom? are they quiet? do they scream? do they like a loud partner? do they prefer if their partner is more soft spoken?)

He whimpers!!! he acts though but he's a whimperer!!! It takes a while before you warm him up to make more noise, he was shy at first. On the other hand if you were quiet he'd worry, he need some encouragement to know he's doing good.

R - Routine (do they have a routine when it comes to picking up one night stands? do they have scheduled sex with their partner? are things spontaneous or planned ahead of time?)

Jason's not really one for one night stands, he has problems with vulnerability--and intimacy as a consequence. He's more of a spur of the moment guy; everything else he does is planned-- stopping some villains' plans, striking a drug trade deal--, so he's glad he gets to be more spontaneous with you.

Once you're in an established relationship, and he knows you're okay with him being blunt, he'd straight up ask you. "Can we have sex when I get back home?" you got a text while he was out on patrol; you blushed and giggled before telling him "yeah" and "wake me up if I fall asleep." he replied with a smiley emoji.

"Babe?" His hands held your hips, correcting your posture. You could feel the warmth radiating from his body behind you, and there's no reason why he should be sticking this close to you. He insisted on teaching you some self-defense moves, so now you were both sweaty, the furniture in your shared apartment moved so you could have more space to move freely. Sure, he could've brought you down to the cave, but this was more private and intimate. You hummed in response, eyes looking up at him. "Wanna ruin the carpet?"

Or he catches you bending over, your arms resting on the kitchen island, mindless watching something on your phone. He stands behind you, hands grabbing your hips. You look back, and you're about to ask him what he's doing when he wins, saying "Haven't had you like this in a while, you busy right now?"

S - Sleepy sex (do they give oral to wake their partner up? do they like receiving oral to wake up? do they like fucking their partner awake? being fucked awake? how about being fucked to sleep at night? do they have lazy morning sex?)

Being fucked awake would probably be too overwhelming for him. And no matter how many times you told him it's okay, he probably wouldn't like that doing it to you. BUT he's very much waking you up kissing you so you could have lazy, half asleep, sex. In his head, it feels extra intimate, even more if he does it in the attempt to make you stay in bed with him a little longer.

T - Top or bottom (self explanatory…)

U - Underwear (what kind of underwear do they put on in the morning, if any at all… do they own any sexy underwear or lingerie?)

In your opinion, the sexiest underwear he could wear is a towel right after he showers, hair still dripping water onto his chest. It makes you come up behind him, wrapping your arms around his uncovered torso as he looks for clean clothes in his drawer. You stand on your tip toes to press your lips between his shoulder blades. He turns around, smirking and already knows exactly what you want.

"We'll get the bed wet" He reasons

"Don't care" You smile, fingers tracing his v line stopping where the towel starts.

V - Voyeurism (do they like to watch, or are they more hands on? are they more of an exhibitionist?)

Wouldn't like anyone seeing you two in that situation. Even if he convinced you to have sex in a risky place most times, he's already gotten rid of any possible outcome where you two end up on a certain list. Also watching? He can barely keep his hands to himself around, in a sexual way or not. He's just touch starved like that.

W - Water (pool sex? bath / shower sex? are they into watersports at all?)

I may be biased but I don't really think he'd be into watersports lmao.

Shower sex is a yes, he particularly loves when he comes back from patrol and you get in the shower with him, helping wash the blood off. He's always a bit shaken when he comes home, thinking about his own mortality and how fragile life is, and it ends up with something else. Just to feel alive. Jason's very fond of moments where you run him a bath, in the hopes of calming his nerves and the soreness in his muscles. You'd sit next to him, outside the tub, washing his hair. He'd always manage to find a way to convince you into getting in and riding him.

X - X-dressing (do they crossdress as a part of teasing / foreplay? does crossdressing turn them on? turn their partner on? do they prefer to do it or watch their partner crossdress instead? do they use other costumes? cat ears, tails, etc?)

Not exactly cross dressing lol. But if he catches wearing any of his clothes, it's over for him. You put on his Red Hood muzzle once, and he couldn't get it out of his head for a month straight.

Y - Yes, Master (what kinds of names are used during sex? do they like being called master / mistress, daddy, etc…? what names do they call their partner?)

Him to you: Sweet pet names, most used are princess, pretty, baby, him calling you ma with a breathless sighs makes you want to jump his bones--again.

You to him: Handsome, if you want to see his entire face turn red. He also likes hearing you moan his name. My love, you called him this once while sitting on his lap and felt his attitude change, clearing his throat, and moving you away from his crotch.

Z - Zones (what are their erogenous zones? what spots on their body should be touched, bitten, kissed, when someone wants to get them in the mood?)

Like mentioned before, his pulse point on his neck. If he's mad at you, all you have to do is trace your fingers under his shirt and over the hem of his pants, and he's already forgotten why he was pissed off to begin with. You were play fighting with him once and dragged your teeth through his bicep, threatening to bite if he didn't let you go, he didn't silently waiting for you to sink your teeth into his skin. Even hoped for a scar, a permanent mark that didn't come from violence but affection.

[ashomodeus]

Hi all, it's been a minute... Work has been really rough. I promise I haven't disappeared again. Here's this.

Where is each brother + Dateables favorite place to... connect with Mc.

Gn!Mc, Smut warning, bad grammar, take a shot every time breeding is mentioned, food porn for Beel.

Why am I at work for 12 hours???

Thank you, Beyonce, for providing me with this phone to write. She's my ghost writer if anyone asks. If her lawyers ask, this is a joke.

Lucifer 》 His study

●With under the desk support from Mc all his stress is magically gone.

●No one bothers him when he's in his study, meaning hours... and I mean hours could go past and no one would question why he's in there so long.

●Would test Mc's limits, having them cock warm him as he finishes his last bit of work. Don't think that Mc is the only one being teased. Lucifer has always been able to focus on one thing at a time but with Mc there? Forget it. 'How would Mc look bent over there, How about on my desk, or right in front of the door for his brother's to hear MC is all his for the night'

●Mc giving him head while he's trying to have an important conference call.

●Having Mc lay on the couch exposing their filled holes threatening to drip out while he finishes his work.

●He has some things in his office for Mc like a designated drawer for Mc that only Mc and Lucifer can access like rope, towels, a change of underwear, some toys for Mc to use while Lucifer is busy.

Mammon 》His car

●Two things that he loves.

●His favorite thing is to recieve head while driving. He enjoys edging and pushing himself as far as possible until he has to pull over. He wants to pull over because he wants to be milked until he's weak.

● He would want to drive while pounding into Mc.He would never be able to drive without Mc again without having to pull over and masturbate to the idea of Mc being there.

●Mammon likes to convince Mc to go run an errand with him just for them to both to come back disheveled. Mammon doesn't want anyone to see Mc in that way and doesn't want anyone to hear them so he'll find a few places.

●Once Mc did a nude photo shoot in Mammons car and those photos will always remain in his empty wallet.

●Mammon hates messes in his car but he so his seats have waterproof covers for certain reasons...

Levi 》Anywhere with water

●Listen water can make you feel weightless. Since water is his strong suit he knows how to control water and make sure Mc doesn't drown.

●Beach trips normally involve Mc and Levi leaving for a swim and not coming back for hours. Mc would think the sand would get everywhere but devildoms sand is so much different.

●Levi loves sneaking into the shower while Mc is showering. Sometimes, he just loves to watch Mc. He especially gets turned on if Mc doesn't notice he's there watching. He slowly strips as he walks into the shower with Mc, only startling them for a second. He loves taking the shower head and putting it on sensitive places of Mc's increasing water pressure the more sensitive Mc got.

● He loves "accidentally" spilling water on Mc while gaming together.

Satan 》 Library

●Knowledge is power and just when he think he's read every book. There's a new series he can read. Once he met Mc it was a bit difficult to focus on both reading and Mc. He soon realized he can have it both.

●Having Mc read to him while he fucks them. He would stop everytime Mc would stop. He just loved felling Mc tense as he stopped.

●Another fun thing to him is that Mc would have to keep quiet since they were in a public place. The rush he got thinking of someone walking in on him having his cock rammed into the beloved Mc.

●He keeps a list of books to the said that he thinks would sound a lot better with Mc's breathy moans. He also finds it as great stress relief. They would sneak into the library after hours so Mc could make as much noise as possible.

●Sometimes when they're reading together Satan makes Mc wear a vibrating toy and silently turns it on and off when he pleases.

Asmo 》His bedroom

●Asmo is an expert when it comes to connecting. His room has all the necessities. Sound proofing, toys, ropes, leashes, wax, towels, everything. He could give Mc a facial mask after giving them facial.

●Theres a mirror on the ceiling that is right above the bed, mirrors everywhere. If Mc was having a low confidence day he would cover up the mirrors or fuck Mc in front of them in every position to show them how hot they truly are.

●Asmo room also has a camera that follows sound so he can record whenever they are fucking but of course that involves being loud enough.

●Sometimes Asmo will indulge in black coffee because he doesn't want to loose energy or stamina. He wants Mc to do so many things and make sure that Mc's mind is just full of how good they feel and how horny they are.

Beel 》 Kitchen or bedroom

●Duh

●Food play. He loves nyotaimori/ namtaimori; Body sushi, Human tray. He loves to layout his favorite foods on Mc, keeping them as protected as possible. He also would love to fuck Mc with a certain things then eat them. Ie: Cucumber. He wants to see how much of the thick cucumber Mc could take, licking the cucumber in-between tries. Then proceeding to eat it after.

●His fantasy would involve him coming down for a midnight snack and Mc is there surrounded by his favorite food. Mc being just as hungry for Beel as he is for them.

●Ever since the few nights Mc slept on Beels bed. He's been hungry. Their smell is permanently embedded into the bed. He would want to fuck Mc in that bed. He would give Mc a lot of oral. Making sure to taste every drop of them.

●He would to fill up Mc with his load to make sure Mc is as full as he is.Though he's very considerate Mc should expect a bit of soreness next day.

Belphie 》 Attic

●A place to be by himself in a cozy bed Mc riding him as he's slowly woken up.

●The attic is a quiet place. He normally dreams the most about Mc in this room. If anyone tries to interrupt their time together Belphie will quickly cum inside Mc and plug their hole with their underwear. He likes to see them squirm around at the discomfort of the underwear getting soaked with Belphie's juices.

●He likes waking up Mc with him about to cum on their face. He also loves sleepy horny sex where they can't even tell what's where.

●Belphie is extremely possessive so everything is on his stuff. It's not because he's lazy It's because their sent keeps him calm and makes him want- actually NEED them.

●He once used bedsheets to tie up Mc to the bed to overstimulate and exhaust them.

Solomon 》 Anywhere and everywhere

●Mc's room, his room, over here, over there, everywhere. Solomon is proud he scored the hottest human out there. He will fuck Mc when he wants wherever he wants. The idea of someone walking in on them makes him fuck Mc’s throat harder.

●One of his favorite places is the empty classroom right next to an active classroom.

●He admits to watching Mc change in their bedroom from an enchanted mirror he gifted them.

●He loves to tease Mc while they are out. Together they can make a single trip turn into an 8 hour errands day. Once he had Mc pinned in an alleyway while feeling them up and giving them aggressive hickies. He walked away as if nothing happened and Mc weak knees would struggle to carry themselves.Mc would get so desprate that they would drag Solomon to another alleyway and they would be at it for at least an hour.

Diavolo》 The balcony of the Castle or even hidden rooms

●He loves to show what he can offer Mc besides he massive cock. Of course he's anxious to rule devildom but he will do what needs to be done. Mc grounds him. What he doesn't tell Mc is that it's practically impossible to see that balcony. He would never jeopardize Mc or anyone's respect. The balcony gives him time to think a time to feel and reflect. Making Mc feels good makes him feel good.

●He loves exposing Mc's gaping hole towards the balcony. It shows everyone that only he can fill that hole.

●Diavolo is constantly hiding from Barbatos and he loves to drag Mc with him. Sometimes Diavolo forgets what rooms are in this huge castle so it's an adventure with Mc. Small rooms where Mc can barely move due to being pinned by Diavolo. He loves the rush of hiding and trying to be as quickly as possible. He wants to please every part of Mc.

●He loves when Barbatos finds themsawsee and he awkwardly leaves while Diavolo continues.

Barbatos 》 Mc's room

●He wants Mc to be as comfortable as they can be. He enjoys giving Mc massages. Waiting on Mc hand and foot. He wants Mc as comfortable as possible.

●He's more of a pleasure dom than anything. He gets off by just seeing Mc sprawled out on the bed shaking from pleasure. He could simply cum to the thought of it. It's private and quiet. He doesn't have to worry about anyone else except Mc. After he Mc into mush he'll be in the kitchen cooking them their favorite meal. Just to give them enough energy for a round two. He would snap photos of the exhausted Mc to keep for later just to stare.

●Mc's room is also good for Barbatos because Diavolo won't bother him as much. Barbatos only uses his demon form when he wants to fill all of Mcs holes.

●Any messes made in the room he'll clean it up. Since he knows he'll be cleaning anything that happens to get dirty. He's into a lot of WAM (wet and messy) Mainly with saliva, cum, sweat. The more the better it shows him he's doing a good job at pleasing Mc.

Simeon 》 Mc’s bedroom

●He wants Mc to be comfortable. He's never really felt as calm and confident ever since meeting Mc. When Mc looks like they are calm it calms him. Simeon feels safe to sort of lose control. He's a tease outside of the bedroom but now he can actually act out everything he wants to do. By everything, he means everything. Everyday he thinks of a new way He could fuck Mc or even have Mc fuck him.

●Mc's room feels familiar enough for the both of them. Of course it's a bit difficult when the brothers are home but that's when Simeon implements the quiet game. He slams himself into Mc and see how long it takes for Mc to almost give out.

●He loves texting Mc to meet him in their room. He's just so excited to be able to show Mc he's not just an Angel. He can make Mc feel things that they have yet to feel.

●They barely use the bed. Simeon likes to make sure there's a different position everytime. His mind is corrupted by how many positions or how many times can he make Mc cum that night.

[burntoutdaydreamer]

To Write Better Antagonists, Have Them Embody the Protagonist's Struggles

(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).

Writing antagonists and villains can be hard, especially if you don't know how to do so.

I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.

Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).

What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.

To show what I mean, here's four examples of the thematic roles an antagonist can serve:

1. A Dark Reflection of the Protagonist

The Devil Wears Prada

Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.

The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.

In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.

2. An Obstacle to the Protagonist's Ideals

Avatar: The Last Airbender

Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.

Why?

Because his very existence is a threat to Aang's values of nonviolence and forgiveness.

Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.

In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.

3. A Symbol of the Protagonist's Inner Struggle

Kung Fu Panda 2

Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.

Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.

Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.

Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.

4. A Representative of a Harsh Reality or a Bigger System

The Hunger Games

We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.

President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.

Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.

Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.

In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.

[imaginespazzi]

Part 1: Simple Things

Masterlist - Part 2 - Part 3 - Part 4 - Part 5 - Part 6 - Part 7 - Part 8 - Part 9 - Part 10 - Part 11

Cause your presence still lingers here (it won't leave me alone)

(In which a procrastinating writer starts another series to continuously procrastinate on)

Pairing: Paige Bueckers X Azzi Fudd

Themes: Angst, Pining

Words: 5.8K (lowkey shocked I managed that)

TW: Swearing (I think that's it?)

A/N: Hello my lovelies <3 Look at me not being a liar! I'mma try to be good with updates but we all know me. This first chapter is mainly buildup and it's not my favorite but it's important to get the plot rolling. I know very little about California and it's going to become more and more apparent throughout this series so everyone who knows Cali, just pretend thanks! Did I edit? Yes. Are there probably still mistakes? Also yes. As always, let me know what you liked, what you disliked, and what you wanna see next!

February 2033

“Anywhere but GSV,” Paige says adamantly, staring at the white wall in front of her, instead of her exasperated agent. 

Talia lets out a deep sigh, perfectly manicured sharp red nails tapping incessantly against her desk. For the most part, Paige is a dream client and when Talia says jump, she says how high. It’s easy to trust Talia’s vision when she hasn’t let her down once since Paige’s management company has assigned her to their basketball sensation. But most of those decisions had been about endorsement opportunities, opportunities that wouldn’t have other ramifications on the rest of Paige’s life, opportunities that didn’t come with personal consequences. 

“Paige-”

“How about the Sparks?” 

“They’re not offering nearly as much.”

“I’m okay with taking a pay-.”

“You do not pay me as much as you do for me to let you finish such a stupid sentence.”

“Fine,” Paige spins around in her swivel chair, “you’re telling me nobody else is offering me anything as big as GSV.”

“Well I mean Indiana…” Talia trails off, barely able to hide an impish grin at Paige’s pronounced eyeroll, “and of course you could always just stay in Dallas.”

Paige winces at the mention of the current team. With one championship and two MVP campaigns under her belt, it would be incorrect to say her time with the Wings hadn’t been fruitful but she’d never felt quite at home here. And that had been before the personnel changes had hit Dallas and suddenly, the team coming off a near perfect season with a trophy in their hand, was struggling to keep themselves in playoff contention. Paige had stuck it out two more seasons after, a testament to her loyal nature and desire to start and finish her career at the same place like many legends had done but ultimately enough had been enough and she’s come to terms with the fact that she’s not meant to be a part of the Wings forever. 

“Can’t you try talking to the Sparks again?” she says, hands massaging her temple as she resorts to begging, “it’s fucking L.A. they’ve got to have some money lying around somewhere.”

“Even if they did, you and I both know the Sparks aren’t a good fit basketball wise either. GSV has everything you’re looking for. They need a PG and you need a championship contender who’s offering you a deal like they are. You can’t throw all of that away just because-”, Talia bites her lip, catching herself before she can vocalise out loud the real reason they’re having such a complicated conversation about what should be a simple decision. 

Paige swallows uncomfortably, skin prickling with that all too familiar fire that spreads through her veins every time her past brushes a little too close to her present. It would be impossible to keep them from ever colliding, but for almost a decade now, Paige has managed to keep them separate beyond absolute necessity. She’s done the cordial handshakes when the Wings played the Valkyries and given due diligent praise when the media had asked about the competition, but that was it. More than that would have been like willingly walking into a fire with kerosene all over her body. And Paige can’t do that, not when the burn marks from years and years ago, still haven’t healed. 

“Team chemistry is important,” Paige says finally, “I might be an on-court fit at GSV but that won’t matter if it’s a disaster off the court.”

Talia sighs and Paige can tell she’s fighting the urge to whack her head against her desk, “it’s been years Paige. You've lived a whole life without each other. The two of you are adults. You’re professionals and you’re two of the best goddamn players in the league. You have the same goal; you want to win. You don’t think you can put that behind you to get you both what you want?”

You've lived a whole life without each other

It’s like a well-aimed arrow that barely breaks skin but shatters something underneath, something buried deep within, something she should have gotten rid of years ago but hasn’t been able to let go of yet. Something that feels a lot like a forever she’d never gotten to live out and an always that had flown out of her reach. And Paige knows nobody lives the life they’d expected to live at fifteen or even eighteen but the truth is that most of her dreams had come true. The only thing missing was the person she’d expected to be there by her side when they did. 

“Okay listen,” Talia begins again, “here’s what’s gonna happen.”

“Bossy,” Paige smirks, bracing herself, knowing she’s not about to like the next words out of Talia’s mouth. 

“You’re going to go to San Francisco,” the older woman raises a silencing hand the minute Paige tries to protest, “you’re going to meet the front office, you’re going to meet the GM and you’re going to tour their facilities. And if after talking with them and seeing all they have to offer, if it’s still not enough to counter having to play with her, then we can revisit this conversation.”

“Can I say no?” Paige tilts her head with a sigh. 

Talia smirks and it’s enough for Paige to let her head finally hit the table, “your flight leaves in two days.”

***

Azzi wakes up to a light weight sprawled over her back and tiny fingers rubbing circles against her temple. She can’t help but smile, keeping her eyes closed and listening to the sound of her daughter’s quiet breathing as the little girl continues her ministrations. It’s a new skill she’s been taught, to wake her mom up like this instead of screaming. So far, Azzi think’s it’s been a successful transition. 

“Mama,” Stephie whispers in Azzi’s ear, “are you awake yet cause I really really want waffles.”

Azzi laughs, finally flipping herself over and Stephie squeals as she goes from on top of her mother, to landing on the bed, “I thought you said you wanted pancakes last night?”

“I did,” a thoughtful look crosses the five-year-old's eyes, “I think I changed my mind.”

“You think?” Azzi suppresses a smile. It’s uncanny really how she’d given birth to her perfect mini-me. The moment the nurses had placed the tiny little creature into her waiting hands, she’d noticed immediately how much it felt like looking through a door into her childhood. And with every passing day, it seems Stephie morphs more and more into Azzi. From the way her face betrays her every emotion to the way she can’t make a decision to save her life, it’s all Azzi and really it makes sense, because Stephie is all Azzi’s. 

“Yes,” Stephie nods matter-of-factly as she sits up onto her knee and pulls at Azzi’s blanket, “so can you get up and make me waffles now?”

“Oh of course I can, your highness,” Azzi says dramatically, rising off the bed and letting Stephie climb onto her back, “would you like chocolate sauce or maple syrup with that your majesty?”

Stephie groans, burying her face in Azzi’s neck as if her mother has asked her to make the most difficult decision in the world. They settle into their morning routine, Stephie brushing her teeth as Azzi goes through her meticulous skin care regiment, occasionally dabbing little bits of this and that on her daughter’s skin, eliciting soft giggles from the little girl. It’s her favourite sound in the entire world. Azzi’s life isn’t perfect and there’s a million what if’s, one bigger than all of the others, that plague her mind sometimes but then she looks at Stephie, and she knows she wouldn’t change a single decision she’d made. Because they’ve all led to this moment, 9 am on a Friday, making waffle batter as her five-year old sits on the counter-top. It’s not everything but it’s enough. 

The frantic sound of a door being haphazardly slammed open has both Stephie and Azzi startled, until Colleen comes bursting through it like a tornado. 

“Oh thank god you’re awake,” Azzi’s best friend and manager says, out of breath, as she throws her car keys on the kitchen table.

“Hi Aunty Leen,” Stephie grins, waffle batter all over her mouth as she continues to dip and lick. 

“Hey kiddo,” Colleen ruffles Stephie’s hair before sitting down and staring pointedly up at Azzi, “you might wanna sit down for this. I have news.”

“Sorry to break it to you Collen but your new h-o-o-k-u-p-s are not sit-down-newsworthy,” Azzi smirks as Colleen scrunches up her nose trying to keep up with the spelling. 

“Oh trust me Az, I wish this was about my h-o-o- whatever,” Colleen takes a deep breath, “GSV is meeting with a potential point guard this week.”

“I would hope so. We really need a PG if we’re gonna redeem ourselves next season.”

“Right, well- you see- the thing is-”

“Today if you can please Colleen,” but there’s this knot forming in the pit of her stomach. Her sixth sense that’s been dormant for years is prickling and if she’s honest with herself, Azzi knows the next words that are about to come out of Colleen’s mouth before her best friend has even said them. 

“GSV wants to sign Paige,” Colleen says slowly. 

For a moment there’s silence and it’s ridiculous how all it takes is her name for Azzi’s mind to start flipping through pages and pages of a photo album she’s buried deep in the treasure chest of her mind. And for a second, she allows herself to get lost in a flood of everything we could have been until the sting of her hand slipping against the waffle iron jolts her back to reality. 

“Fuck,” she curses, immedaitely blowing at her fingers. It does nothing. She should know by now that when things burn, the flames might die out, but even the ashes remain on fire. 

“Bad word Mama,” Stephie chides immediately, unaware that her mother’s world has just been thrown off balance, “you owe me a kiss.”

She juts her cheek out and Azzi complies, trying to ignore the way her heart is desperately trying to beat out of her chest. It only calms down a little when Stephie presses a kiss of her own against Azzi’s cheek. 

“Sorry sweetheart, mama’s bad, Here can you mix this batter for me,” Azzi whispers to the younger girl, distracting her child with something to do, before rounding on her best friend, “she can’t come here.”

Colleen sighs, getting comfortable in her chair, “unfortunately I don’t think you have much choice.”

“The h-” Azzi cuts herself off, closing her eyes and taking a deep breath, “the haystack I don’t. This is my team and I don’t want her on it and I’m gonna walk into Ohemaa’s office and tell her exactly that.”

“Right and what exactly are you going to tell her when she asks you why you don’t want the best point guard in the league on your team Azzi? Your team, who mind you, lost in the finals last year because you didn’t have a point guard.”

Azzi flinches, gritting her teeth, both at the reminder of the loss that had happened not long enough ago and the fact that she couldn’t very well go into her boss’s office and blurt out the truth about a tragic relationship that had lived and died in secret. 

“It's a bad idea, the two of us- we’ll kill each other Colleen,” she struggles to string the words together, swallowing away the we already have that tastes like bile on the tip of her tongue. 

“Well you’re gonna have to learn not to,” Colleen says decisively, slipping from being Azzi’s best friend to her manager, “because you and I both know that if you want GSV to win another championship, you’re going to need her.”

“Are you my manager or GSV’s,” Azzi grunts, rubbing a tired hand against her forehead. 

Colleen smiles, “it’s the same thing isn’t it? What’s good for GSV is good for you. And we all know the two of you thrive on the court together.”

“We did. Past tense,” the admission falls like lava from Azzi’s lips, singeing the edges of her mouth as everything that she’d let simmer underneath threatens to bubble over, “there’s no guarantee we still will. Besides, it's all a moot point anyways because she would never agree.”

“Wouldn’t she?” Colleen cocks an eyebrow and Azzi groans at the rhetorical question, waiting for the inevitable other shoe to drop, “because last I checked, she’s flying into San Francisco tomorrow.”

***

Paige has a problem. A really big fuck i really want to be a golden state valkyrie type of problem. She’d fought it every step of the way since she’d landed in San Francisco. Something about the city felt like it was bursting with basketball. The drive from the airport into Oakland had been bursting with murals of the Warriors and the Valkyries and for a split second, Paige can see her own face up on the billboards in a #5 Valkyries jersey. She just doesn’t know if it she can imagine herself next to the woman in #35 again, the woman whose smile in the posters is exactly as she remembers it to have been like when it was pressed into Paige’s skin every night almost a decade ago. 

On top of that, Omehaa Nyanin had seemed to know exactly what made Paige Bueckers, the basketball player, tick. Every argument Paige had about why she shouldn’t be Valkyrie, the woman had a counter ready, as if she’d already anticipated exactly what the blonde would say. The Valkyrie coach had been even more prepared with videos of their offensive and defensive sets and how they fit in tandem with Paige’s own skill set, all ready to show off the minute she had walked through the door. It should be the easiest decision in the world to let herself just belong to this world that is screaming her name but there’s a rope around her waist trying to tug her back to safety, trying to tug her away from dousing her still-open wounds in salt. 

Sighing, Paige lets herself into what she’s been told is called the “chill area”. Coach had offered to give her a tour of the facilities herself but Paige had declined, asking instead for her former UConn teammate and currently Valkyrie centre Jana El Alfy to do the honours, desperate for a familiar face who knew her history to bounce her thoughts off. It clearly wasn’t what the woman had wanted, but considering she was trying to convince Paige to choose them, whatever the blonde wanted, she was going to get. Massaging her temples at this irritating predicament she’s unwillingly found herself in, Paige’s head rolls back against the back of the chair, eyes closing involuntarily. 

“You’re not supposed to sleep in here,” a tiny voice echoes and Paige almost jumps out her skin in shock. 

“Fucking hell,” she curses as her eyes fall upon a little girl who seems to have materialized out of nowhere, “shit kid, you scared me.”

The child scrunches her nose and Paige feels her heart beat start to quicken as recognition settles in. She knows this little girl, has seen her on the sidelines at countless games and just like every other time, all she can think of is just how much this child resembles the future Paige had once believed would be hers. 

“You owe me three kisses,” the girl says matter-of-factly, her tone so similar to her mothers. It shouldn’t surprise Paige, not when the kid has those same dark curls, those same doey brown eyes, that same nose scrunch.

“I owe you three kisses?” Paige repeats. 

The girl rolls her eyes letting out a sigh far too grave for someone of her age, “yes. Mama says whenever someone says a bad word around me, they have to give me a kiss. You said three bad words, so you owe me three kisses.”

“And what does Mama say about asking strangers for kisses?”

“Stranger danger duh silly,” the child puts her hands on her hips, tilting her head as she looks at Paige with a far too familiar expression, “but you’re not a stranger.”

Paige purses her lips, “I’m not?”

“You’re Paige Bueckers. I’ve seen you at Mama’s games and Nanna and Pops have pictures of you in their house,” she stops, staring accusingly, “you don’t know who I am? Did you forget me?” 

And Paige doesn’t know what catches her off guard more. The casual mention of a house that used to feel like a home, of people that used to feel like family or the fact that, that puppy dog stare still has the exact same effect on her that it did years ago, even if the owner of said eyes is different.

“Of course I didn’t forget you. You’re Stephanie,” Paige says softly, trying to muster a smile as she adds the last name, “Stephanie Fudd.”

“Stephanie Katarina Fudd,” comes the immediate correction, “but everybody calls me Stephie,” tiny hands wrap around Paige’s neck as Stephie climbs on to her lap, tapping a finger on her left cheek as she smiles up at Paige, “so now can I have my kisses?”

Slowly, Paige presses three featherlight kisses against the little girl’s cheek and when Stephie squeals in delight, she wishes she could record it. Someone somewhere is playing a practical joke on her, Paige is sure of it. Because all of a sudden, all the little things she’s been collecting as to reasons why she might just like the Bay Area are starting to feel insignificant in front of this one, in front of Stephie and her innocent smile and the way her free hand is curled around Paige’s neck as if she’ll hold on forever. And the world is definitely playing a cruel prank on her because Stephie can’t be the reason Paige wants to stay, not when her mother’s the reason Paige needs to go.

“Your Mama just lets you run around the building like this?” Paige asks, trying to focus on Stephie instead of the turmoil in her brain. 

Stephie smiles sheepishly, “well I was ‘posed to stay with Aunty Leen while Mama talks to Miss O but then Aunty Leen got a call and I was bored so I came here.”

It doesn’t take Paige too long to decipher that Miss O must be Omehaa, but she’s stuck on who the hell Aunty Leen could be. She’s distinctly aware that her skin has no right to prickle, her hands have no right to sweat, her stomach has no right to knot, she has no right to feel anything when it comes to Stephie’s mother. But jealousy floods through her anyways. 

“Who is Aunty Leen?” Paige asks and then mentally slaps herself for it. 

“Aunty Leen is Aunty Leen,” Stephie explains unhelpfully, “so Miss Buecks-”

“Bueckers.”

Stephie shoots her an unimpressed look, “same things Miss Buecks. Are you here to join Mama’s team?”

“I-” Paige scratches her neck, only slightly taken aback by the direct question, “I don’t know.”

“You should,” Stephies says decisively, “Mama’s team is the best team in the world and Mama’s the best player in the whole wide world.”

Paige can’t help but smile at Stephie’s loyalty, “so why does her team need me then?”

Stephie looks contemplative for a moment before she uses her index finger to beckon Paige towards her, “can I tell you a secret?”

“Of course you can,” Paige says, leaning her ear down so Stephie can whisper into it.

“Don’t tell anyone but you’re my second favourite player.”

Paige swears her heart feels like it might burst. She’s been plenty of people’s favourite player and it’s always been nice to hear. But somehow, all of that seems to pale in comparison to being Stephie’s second favourite player. 

“Why’s that a secret?” she asks softly. 

“Cause you play for the wrong team silly. I can’t cheer for not Mama’s team,” Stephie huffs and then her eyes twinkle, “that’s why you should play for Mama’s team and then I can support you!”

“Can’t argue with that logic,” Paige concedes, battling against the part of her brain that’s conjuring up an image of Stephie on the sidelines, cheering for Paige. 

“What’s log-ic?” Stephie asks. 

“Just means you’re a really smart kid,” Paige says, tapping the little girl’s nose. Her head is ringing with warning bells because this floaty feeling of belonging that’s encompassed in this little bubble she’s found herself in with Stephie is not one she’s allowed to feel, not now, not ever. 

“STEPHIE,” a shrill voice echoes outside and Stephie immediately dives into Paige’s neck, hiding herself in the crook of it as a frazzled woman bursts through the door. Her eyes soften when they fall on Paige and the blonde can’t help the caught expression that filters on her face. She knows she’s done nothing wrong; Stephie had been the one to find her after all. But perhaps it’s because she’s scared Colleen will take one look at her and see that tiny rebellious part of her that wants to fight what’s coming next, wants to fight the woman who’s going to take Stephie away from her. Paige isn’t one to get attached easily. It had only ever happened once before when she was fifteen and she’d just known that the girl shooting three’s next to her on the court was meant to be in her life in one way or another. But things had been simple then. Nothing was simple now. 

“Stephie,” Colleen says slowly, “what have I told you about running away from me?”

Stephie peeks her head out from Paige’s chest, a coy smirk playing on her lips, “not to do it? But you were boring me Aunty Leen.”

Oh that’s Aunty Leen, Paige thinks and she absolutely should not let out a sigh of relief at that but she does anyway. 

“I was on the phone for two minutes, Steph.”

“Two minutes too long,” Stephie counters and Paige has to stifle a laugh. 

Colleen rolls her eyes before holding out a hand, “well your Mama’s nearly done so we have to get going kiddo.”

“Can Miss Buecks come with us?” Stephie asks innocently and both Colleen and Paige freeze. 

“I don’t think-”

“I’m not sure-”

They both begin before their eyes flicker to each other and they can’t help but smile. It’s funny how relationships work, how one snapped string can cause a whole web to dissolve, no matter how hard everyone involved had tried to make it work. 

“I’m waiting to meet someone sweetheart so I can’t come right now,” Paige explains, “but maybe next time?”

And she shouldn’t add that last part, not when Paige should be devising an escape plan to never be in Oakland again instead of giving Stephie false hope about a next time that’s far from guaranteed. But it’s worth it for the way Stephie grins, staring at Paige like she’s given her the world’s greatest gift. 

Before Paige can say anything, the little girl presses her lips against Paige’s cheek and she swears she stops breathing for a moment, “I hope you choose to play for Mama’s team Miss Buecks. I think you’d look pretty in purple.”

***

May 2024

“I’ve figured it out,” Paige says triumphantly as she unceremoniously flops onto Azzi’s bed.

“Well hi to you too babe,” Azzi grumbles as she scoots over to give the other girl space. It’s unnecessary because the minute she does, Paige only moves closer, wrapping an arm around Azzi’s torso. 

“Hi baby,” she whispers before pressing a kiss against her girlfriend’s lips and pulling away so quickly that it leaves Azzi chasing after her. 

Azzi huffs and Paige laughs as she gets herself comfortable, resting her chest on the darker skinned girl's stomach, “I’ve figured it out.”

“Figured what out?”

“Our future,” Paige says triumphantly and Azzi can’t help but smile at the our as she intertwines their fingers together. It’s been years in the making and there’s nothing Azzi’s more confident in than those two words. Not everyone finds forever this young, but she’s certain they have because really she can’t imagine a life where they don’t belong to each other, a life where every night isn’t spent exactly like this. 

“And what do you see for our future,” Azzi asks softly. 

“Well it’s simple really,” Paige hums, “I’m going to get drafted wherever next year but the year after,  you’re definitely getting drafted to Valkyries-”

“I don’t know about definitely-”

“Azzi it’s rude to interrupt,” Paige sends her a chastising look. 

“Right of course,” Azzi nods solemnly, “continue.”

“As I was saying. You’re definitely getting drafted to the Valks and then we just have to wait for my rookie contract to be up and boom! I’ll join you in the Bay Area and we’ll be together forever and ever and ever.”

Azzi giggles, brushing her hands through Paige’s hair, “that simple huh?”

“That simple,” Paige promises, catching hold of one of Azzi’s hands to press a kiss to her palm, “it’s us Az, we’ll always be simple. Besides, I think we’d both look pretty good in purple.”

***

May 2033

The Valkyrie facilities are state of the art as expected. Jana is the perfect tour guide, pointing out everything she knows will garner Paige’s attention. As they step foot onto the practice court, Paige feels the overwhelming sense of this could be home that’s been dancing along with her every step of the way today. All the resolve she’d carried with her from Dallas is slowly crashing down and she can practically hear Talia’s sing-song i told you so voice echoing in her head. 

“You’d be really good here P,” Jana says excitedly, doing a little spin.

“You’d be lucky to have me,” Paige teases, as she picks up a basketball and subconsciously starts dribbling. 

Jana laughs, before a serious expression takes over, “we would. We got really close to winning it all last year and I think you might be our missing piece.”

“I want to,” Paige confesses, “I just-” her eyes flicker to the most recent MVP poster hanging on the walls, Jana’s gaze following hers, “I don’t know if I should. It’s so complicated.”

“Only if you let it be,” Jana says as she swipes the ball out Paige’s hands, “don’t think of everything else P, just- just think of the basketball. Because you know basketball-wise, this is the right move,” she passes the ball to Paige with a smirk, tilting her head towards the basket, “why not take a shot at it P?”

Paige shakes her head, palming the ball in her hands, “can’t believe my son’s all grown up.”

“Children of divorce have no choice but to grow up,” Jana says gravely and Paige laughs despite herself. 

Taking a deep breath, Paige raises the ball, arching her arms perfect as she shoots it. It barely touches the rim, before falling through the basket with swish. Hitting the floor with a quiet thud, the ball rolls until it’s stopped by someone's foot. Behind her, Paige can hear Jana cheering for the shot but she barely registers it, her entire attention on the new figure who’s just entered the court. It’s a tale as old as time. Azzi Fudd enters the room and suddenly everything else in Paige’s peripheral fades away, until it’s just her and the girl who still manages to steal her breath away. 

“Nice shot,” Azzi says, as she takes a slow step towards Paige. The air is thick with tension as if a time capsule has been opened and their past is leaking onto the pages of their present, staining it with marks of the you and me that we used to be. She should say something, even if it’s just an acknowledgement of the compliment but her tongue feels dry and she’s scared that if she opens her mouth, all the things she shouldn’t say will flood out instead. 

“Hey Az,” Jana’s eyes flicker awkwardly between her former teammates, “I didn’t know you were coming in today.”

“Had to talk to Omehaa about a couple of things,” Azzi says airly, eyes still fixated on Paige, “Jana can we have a minute?”

“You won’t kill each other will you?” Jana asks nervously.

Azzi laughs and even Paige cracks a small smile, “no Jana, we won’t kill each other.”

“Just making sure because last time-” Jana clamps a hand to her mouth as both Paige and Azzi flinch, “because nothing- you guys- you guys talk. I’ll give you guys a minute.”

She scampers away cursing to herself about putting her foot in her mouth and it would be amusing, if not for the fact that Paige can still barely breathe. They haven’t been alone in a room since last time and the air around them hangs heavy with the casings of the grenades they’d hurled at each other. 

“I’ve never seen you with braids this early in the year. They used to be your summer braids,” Paige remarks slowly. It’s a mundane change to notice but it’s significant of the larger truth, significant of all the time that’s passed, significant of the fact they don’t know these new versions of each other. 

“Yeah um, can’t really do summer braids with the W season,” Azzi chews at her lip.

“Right yeah- yeah that makes sense,” Paige nods. The awkwardness is killing her. She’d never been a fan of the silence, always more comfortable in the chaos but it had been different with Azzi. There had been something peaceful, something calming, about the quiet, when it was just the two of them, hands intertwined, eyes closed, as they listened to the sound of each other’s heartbeat. 

“Paige-”

“Are you here to tell me not to come to GSV?” Paige blurts out, “because it’s- it’s okay if you are like I get it. I mean- the two of us- it’s just really fucking complicated so I get it- I get it if you don’t want me here.”

“I didn’t,” Azzi admits and it shouldn’t, but Paige feels it sting anyways, “you’re right. You and I- there’s just a lot there and it would- it would be really complicated and when Colleen first told me I- I was gonna go fight Omehaa and be like abso-fucking-lutely not but-” she sucks in a deep breath, “do you remember the promise we made to each other?”

“We made a lot of promises to each other,” Paige says, unable to keep the harshness out of her tone, “sorry I-”

“No you’re right,” Azzi swallows, “but I meant the promise we made when we first started dating. We said we’d never let the personal affect the professional. We promised each other that no matter what, we’d never let our relationship affect us on the court And I know- I know we’ve broken a lot of promises to each other,” they both let out a breath at that, “but I think- I think maybe we should try and keep this one.”

“What are you saying?”

“I’m saying you need a championship contender and GSV needs a PG. Paige, I’m not here to convince you to not come to GSV, I’m here to ask you to join our team,” Azzi says resolutely. 

Paige isn’t easily shocked by anything really. She’s lived what she’d consider a pretty interesting life but of course if anyone was going to surprise her, it would be Azzi. Azzi, who has always been an exception to every rule. 

“You- you want me on your team?” Paige repeats, a little dumbfounded.

“Yes,” Azzi affirms, “you told me once that we could be the best backcourt duo in college basketball and we were, even if it was only for a year, we were and so now I’m telling you that I think we could be the best backcourt duo in the WNBA.”

Paige is silent for a second before a smirk takes over her features, “I think I did a lot more than tell you, pretty sure I had a whole video that proved it.”

“Are you asking me to make you a recruiting video?” Azzi raises an unamused eyebrow. 

Paige shrugs, “could be a nice gesture.”

“I have a five year old child, Bueckers. Trust me when I say I don’t have enough spare time for bullshit like that when you can easily just search up our highlights on youtube. Or just look in your trophy case if you’re looking for proof of how good we can be together,” Azzi says, a hint of that familiar sass bleeding into her spiel. 

“We really were good together weren’t we,” it spills out before Paige can stop it and it’s like they’re taking two steps back from each other, the friendly-ish banter of mere seconds ago being clouded by a past tainted by their mistakes, “on the court I mean. We were really good on the court.”

“Right,” Azzi averts her gaze, “just- just think about it okay? This doesn’t- it doesn’t have to be about you and me, not like that at least. It’s about basketball. GSV is the perfect fit for you and you’re the perfect fit for us. And deep down you must know that too, otherwise you wouldn’t be here.”

“Maybe I’m just in it for the free trip to Cali,” Paige surmises. 

Azzi scoffs, “you and I both know you make too much money to need a free trip to Cali. If anything, the hotel they’ve given you is probably cheap for your standards.”

“Maybe I just like feeling important? I always did love people showering me with praise.” 

“You always did love the attention,” Azzi grins teasingly, “but there’s one thing you always loved more.”

You, Paige thinks but she can’t say that, “and what’s that?”

“Winning. That’s what this is about. You want another championship, so do we. Come help us and let us help you. It’s that simple.”

As Azzi turns to walk away, Paige can’t help but call out from behind her, “you know I think your daughter’s pitch might have been better.”

There’s a smile playing on Azzi’s lips when she turns her face back a little. It’s a new smile that Paige can only assume is Azzi’s Stephie smile,  “yeah? What did she say?”

“She told me she thinks I’d look good in purple,” Paige smirks. 

Azzi laughs, and it’s exactly like Paige remembers,  “it’s that simple huh?”

“It’s that simple.”

[youkissedareaderinthedark]

The Scare

Synopsis: A terrifying crash puts Y/n in an even more terrifying situation, and it affects everyone, in the end.

young female driver x 2023 F1 Grid

A/N: for this one, valtteri is retired and reader has taken his seat at alfa romeo

also, @badassturtle13 you requested a fic like this a month or two ago while i was in my writers block-era, but if you remember your ask and would still like to read it, here it is

You knew the risk. All twenty of you did. That’s how yet got into these cars every weekend. But that doesn’t make it any easier when you actually face the risks.

You weren’t the biggest fan of the Las Vegas Grand Prix from the start. You knew the planning for it was rough, and that there were a lot of elements of the weekend that everybody was unsure of.

You weren’t exactly surprised when the reasoning behind the storm drain incident was released after Free Practice 1, or when race directors revealed they didn’t even look at the predicted weather for this weekend.

But there wasn’t much you could do about either, about any of it really, so you put your head down and focused on your car.

You joined Alfa Romeo as the third rookie of the 2023 season, and although you and Zhou weren’t getting wins and podiums each weekend, you finished in the points nearly every race, and helped bring your team up to 8th in the Constructors Championship.

As of the second to last race, you were having a good first season; you and Zhou got along great, your team trusted you, and you liked getting to know and hanging out with the rest of the grid. Specifically, your closest friends Logan and Oscar, who you were walking with in the paddock before Sunday’s race.

“Is it bad that I’m not excited for the race?” Oscar asks from the middle of you three, as you walk down the grid.

“I don’t blame you, I wouldn’t want to start P17 either” You admit.

“You’re gonna be fine Oscar, you’ve made your way up the field before, you’ll do it again” Logan shrugs, assuring him.

Oscar nods as you speak up with the beginning of a smirk on your face. “When you make it up the field and into the points, along with me and Logan, what are we doing to celebrate?”

“No. No, we have-” Oscar’s already shaking his head as Logan laughs. “I know some of the grid is going to a club a few blocks away, you guys wanna go?”

“Yes,” You rush to say after you see Oscar start to protest. “we’ll go. No objections”

“We have flights tomorrow-” You interrupt the Australian. “I don’t care, we should all go. And I have to leave now so you can’t say no” You point out as you near the Alfa Romeo garage. Oscar rolls his eyes playfully as Logan continues to laugh.

“Good luck Y/n, see you after the race” Logan says, still chuckling as Oscar waves and continues down the paddock with the American by his side.

You greet Zhou as you walk towards your drivers room to meet with your trainer. The last 20 minutes you have before you’re needed on the track is spent doing reflex tests and speaking with the strategists one last time.

You leave the garage to stand for the national anthem after a brief Grid Walk interview with Martin, and quickly return for the formation lap.

“Alright Y/n,” Your team principle, Alessandro, comes over your radio as you’re pulling out into the pit lane. “do your best to maintain P7 or higher, just be aware of the tires. Stay safe, good luck”

“Thanks, will do. See you at the finish line” You reply before flipping down your visor and accelerating onto the track.

“Ladies and gentlemen, it’s a cold night here in Las Vegas, but the city is awake and ready to watch the last U.S race of the 2023 season. Our drivers are approaching the starting line, the five lights are coming on, and it’s light’s out and away we go!”

You manage to pull away from Magnussen behind you and advance closer to Logan in front of you as you near Turn 1. You get through the first and second lap fine, until your race engineers Alex, informs you that Lando’s crashed during Lap 3, and the 19 drivers remaining are being led by the safety car until Lap 7.

You think your race will be uneventful past that point until you notice the reluctance in the car’s breaking during Lap 19. “There’s something wrong with my brakes, it’s getting hard to slow down” You radio concerned, back to your team.

“Stand by Y/n, we’re checking” Alex tells you as you approach Turn 1 on the next lap. After a few moments without an update, you radio again.

“Anything? It’s getting bad, I can’t slow down” Your voice shows your clear concern. It’s clear to everyone that you’re getting more and more distressed each minute.

“One moment, Y/n, we’re trying” The engineer becomes audible again, and you get that everyone in the garage is trying, but right now it’s not enough.

You’re going at 150 miles an hour down the straight after Turn 4, and you could practically hear your heart beating nervously as you approach Turn 6.

You press on the brake pedal. Nothing. You try to release your hold on the accelerator pedal and clutch on your steering wheel. Nothing.

You go through the options in your head;

Turn and crash purposefully now to slow your car down? There are drivers less than a second behind you, the straight isn’t that wide, they could get hurt.

Turn and hit the curb as you pass the corner to slow down? There are drivers less than a second behind you, the corner isn’t that wide, they could get hurt. You could get hurt

Your adrenaline is pumping, thoughts are flying through your head at a million miles per second, and you don’t know what to do.

You’re going 150 miles an hour down a straight, but now the corner is coming closer.

“I can’t fucking stop! Alex!” You’re pressing the radio button frantically, hoping someone, anyone responds.

Nothing.

It all goes by in a flash.

Turn 6 comes at you faster than you imagined. Your Alfa Romeo crashes front-wing first into the barriers, the momentum of a 150 mile-per-hour car so strong, not even your harness can stop your body from colliding into your steering wheel.

Everything goes white for a moment, all you could hear is a deafening ringing in your ears, and then the only thing you could feel is pain.

The hurt in your chest is intolerable. You think you’re screaming. There’s smoke or clouds of dust or something else you can’t begin to decipher in the air surrounding you. You could feel the vibrations of the track from the passing cars below you, but you don’t bother to move your head up from where it rests on top of your wheel.

If the ringing wasn’t so loud, you might’ve been able to hear three of your ribs on the right side of your chest break when you first made impact with the wheel. If the pain wasn’t so unbearable, you might’ve been able to notice how because three of your ribs on the right side of your chest are broken, your lungs can barely produce oxygen for you to breathe.

It’s only when you try to gasp for air against the tears running down your face do you notice. The second you try, it sends streaks of pain overflowing throughout your body. Then you realize. You can’t breathe.

You want to stay calm, you really do, but you’re crying so much you could feel them soaking your balaclava, you’re scared to the point that your hands are shaking uncontrollably, there’s still so much adrenaline in you, and you can’t breathe.

You try to radio your team to tell them to send medics or just do something to help, but when you open your mouth to speak, the same thing happens as when you tried to radio for help earlier.

Nothing.

You’re stuck in your crashed car, without a voice, without a breath, and you think this is it.

It feels like hours, but really, it’s only been about a minute since you’ve crashed. Every grand stand is silent, and Martin Brundle and David Croft are speechless. Alex is trying to communicate with you while the other engineers attempt to figure out the the state of your car. Drivers are being led by the safety car under a red flag, anxiously talking to their own engineers to find out if you’re okay. And finally, the safety marshals and medical staff have made their way onto the track and to your car.

The marshals repeatedly shout to you for a sign of responsiveness while the medics move to pull you out of the car. Everyone else is either running in and out of the ambulance that’s just arrived, or helping place a curtain around you for privacy.

The medics transfer you onto a gurney on the ground while the lead medic assess you. She’s pulled off your helmet and balaclava and is left staring at your pale face, alarmed eyes, and gasping mouth.

A few touches to your pulse and lungs confirm her suspicion, and the woman quickly asserts her team. “She has flail chest, she needs an oxygen machine and an IV for pain meds. Her ribs are broken on the right side of her lungs, she’s been barely breathing”

The materials asked for are provided in seconds, and within a few moments, an oxygen mask is placed around your face, and the skin in your left forearm is being pierced with a needle.

For the first time since you started Lap 19, you’ve found both your voice and your breath, the pain striking through your body isn’t as severe anymore, and your nerves have calmed down.

The lead medic hovering over you notices your less-tense state, and lets out her own breath. “You okay kid?” With an oxygen mask, 3 broken ribs, and an IV in your arm, you nod with small smile of relief on your face.

The medics let you stay laying down on the gurney, and transfer you into the waiting ambulance to get you to the nearest hospital. The safety marshals update the Alfa Romeo garage on your state of health, and your damaged car gets moved off the track. Once informed themselves of the situation, Crofty and Martin advise the anxious and waiting fans of your condition and when the race will resume.

The 18 drivers that were restlessly sat in their garages are now visibly relieved and preparing for the race start. The engineers on your side of the garage are pouring over the data from Lap 19 to figure out where it all went wrong, while your trainer leaves to go meet you at the hospital.

While you’re in the hospital, you get hooked up to a new IV and get assessed by a nurse before a doctor comes in to take your X-rays. The results show your 3 broken ribs and the few bruises on your lungs that are set to heal within a week or two.

You’re put on a ventilator to help your breathing after the doctor tells you that you had to stay in the hospital for at least 3 days, and you’d miss the last race of the season as a precaution.

You also undergo surgery hours later to stabilize the broken ribs, and ensure you’re not internally bleeding. Because of all the anesthesia and pain medicine, your either asleep or painless for your first night in the hospital.

The next day is when you’re brought into the real world again, and your trainer tells you everything you missed. He tells you Lando, who you learn was in the room a few doors down when you came in, visited you after your surgery and wished you to get better soon. He tells you about the rest of the race and everything the rest of the drivers have said about you and your crash.

You talk to your team eventually and convince them to let you travel to Abu Dhabi on Saturday to at least watch the race from the garage. You talk to your parents and friends to inform them that your lungs are healing accordingly, that you’re off the ventilator, and have been breathing fine by Thursday.

You’re discharged from the hospital Friday night, and only stop at your hotel to collect your things before catching a flight to Abu Dhabi. You told Logan and Oscar you’d be arriving Sunday morning, which explains why they’re so surprised when you show up in the paddock after Qualifying Saturday night.

“It’s not the best place to start from but-” Logan spots you first, in the middle of a conversation with Oscar. “Oh my god” Is all he mutters before running up to bring you into a hug. You’re smiling, almost laughing at his reaction, until you hear what the American says.

“Don’t do that again. I thought you-” You notice his voice break, and you’re once again aware of what everyone else was feeling while you were breathless inside your car almost a week ago.

“I won’t Logan, I’m okay now” You assure him as best you can before Oscar comes over to both of you. Logan lets go momentarily while the McLaren driver hugs you.

“We were all really scared, y’know. We didn’t know,” He pauses, his voice catches before he’s speaking into your shoulder again. “we didn’t know if you were okay”

“I know Oscar, I’m here though, I’m okay” You know you can’t say much in sympathy to either of the drivers right now, you’ll never exactly know the anxiety and worry they felt on Sunday, but you do tell them about your time in the hospital and how you’re expected to make a full recovery in time for next season.

“I wish you were driving today though, you should be in your car for the last race” Oscar says as the three of you walk through the paddock together.

“I know, I want to drive too, but at the same time, I’m kind of glad I’m not driving until next season. I want to let my lungs rest and everything before I get in my car again” You say with a shrug.

You were being truthful; you weren’t afraid of crashing again, you actually couldn’t wait to drive your Alfa Romeo, but you heard all the possible long term affects of rib and lung damage, and you’d rather miss out on one race than your entire F1 career.

“I’m just glad you’re okay” Logan admits as Oscar nods.

“Yeah, me too”

a short, somewhat emotional f1 fic. 1 down, 3 to go

[writingwithfolklore]

Writing a Story from Start to Finish - Guide

                I see you guys in the tags and reblogs talking a lot about how you have a desire to write, but have no clue what to write about, or where to even start figuring that out. While starting any project can be incredibly daunting, I wanted to put together a little guide to hopefully make it a bit more accessible. Be warned, this will probably be a long post.

Step 1: Form an idea

All writing begins with this: an idea. Ideas can start as small as an object, or as big as a world or cast of characters. What’s important is that your idea genuinely interests you, and makes you want to explore it more.

                There are a million ways to gain inspiration for ideas, but my favourite method is a sort of brainstorm/mind map of all the little and big things you find interesting. Any tropes, characters, places, concepts, objects, animals, other stories, etc. you love—write them down. Then, start connecting the pieces. Each connection is one concept or idea you could explore further.

                If this doesn’t work for you, try using some writing prompts or check out 15 ways to spark new ideas.

                If you are a planner, proceed to Step 2. If you are a pantser, skip to step 7.

Step 2: Create your Protagonist

Now that you have a sort of concept or inspiration to work off of, you need your main character. There are about as many ways to create characters as there are characters themselves, and each method is going to work better or worse for every writer.

                At the barest minimum, all your protagonist needs is a Goal to work towards, a Reason for wanting it, and a Flaw that keeps them from having it right away.

                These three things can form a baseline character. Consider what the thing they want, why they want it, and what’s keeping from it says about them as a person.

                Rapunzel (from Disney’s Tangled) wants to see the ‘floating lights’ on her birthday. She wants to because she believes she will learn more about herself through seeing them. Her fear over disappointing and disobeying her ‘mother’ keeps her from it.

                My favourite character creation technique is actually Here—it takes you through creating character in order to create story.

                If that one doesn’t work for you, try this one. It is more focused on defining traits and figuring out the personality of the character first.

Step 3: Your Plot is your Protagonist’s Arc

As stated in the character creation technique I shared in Step 2, character is plot. By that I mean, the character’s journey is the plot of the story. We’re here to see the protagonist transform because of the circumstances incited in the beginning.

                So to form a plot, we need to know who the character is at the beginning, and what they need to learn by the end.

                Your character’s arc is A but B so C:

                A – your character and their flaw

                B – The conflict they go through

                C – how they change

“Obsessed with success, Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class, but when the new girl in town pulls her into a whole new world of excitement and fun, she must stand up for herself against her impossible standards and learn how to be a teen again.”

                This one sentence has everything we need to know about this story and character: “Obsessed with success (character trait/flaw), Jenny Beech works tirelessly to earn the approval of her strict parents and graduate top of her class (goal), but when the new girl in town pulls her into a new world of excitement and fun (conflict), she must stand up for herself against her impossible standards and learn how to be a teen again (change).”

                If you have these three things, congratulations! You already have a story. If you’d like, you may begin writing it now (skip to step 8). Or…

Step 4: Theme

                I did a whole post on theme you should check out here. Essentially, the big takeaway is that your theme is a lesson to impart to the readers—which means it is not a question, it is an answer.

                For the example given above, our theme would likely be something like, “Teens need to balance their additional responsibilities as they mature into young adults with the joy of being young and having fun.” Or, “Friends and a close social network is more important than having the best grades.” Or, “It’s important to take frequent time away from work in order to maintain one’s humanity.” Etc. Etc.

                Theme is conveyed through what your characters need to do to succeed (or what they do that causes their failure). If Jenny lets loose and suffers consequences for it in the end, we’re saying that she should have stuck to her studies rather than letting herself have fun. If she lets loose and is rewarded with a greater relationship with herself and her parents, we’re saying that was the correct thing to do.

Step 5: Outlining

                Now that we have a plot and a theme, we can outline our story. An outline is like a roadmap of what you’re writing. It can be as specific or broad as you want. My outlines tend to follow this structure, and I improvise the little stuff in between, but if you need to get all your ideas within your outline, that’s good too!

                Just make sure your notes make sense to you so when you need to know where to go next, you have a handy tool just for that.

Step 6: Worldbuilding

                Worldbuilding is probably where you’ll spend the most time because there’s just so much. However, I also find it one of the most fun parts. The minimal thing you need to know is your world’s normal, and how that normal is disrupted in the inciting incident.

                Jenny’s normal is school work and trying to impress her parents. The disruption is the new girl in town.

                Rapunzel’s normal is the tower and her hobbies. The disruption is Flynn breaking in.

                I did a more in-depth post on worldbuilding here, but the basics is just ask questions, explore consequences, and do plenty of research.

                Which brings us to…

Step 7: Research

                This can also be done after your first draft, but can’t be skipped entirely. It’s important when trying to convey experiences that may not be wholly your own, or unique perspectives, that you understand the context behind those things in the real world.

                Once again, ask questions, talk to people, and remain open to what you find.

Step 8: We can start writing now

                Now that you have all your planning ducks in a row (or have a good inspiration to jump from) it’s time to start writing! Either go from the outline you built, or just try out scenes. I have some tips for actually writing the dang thing that I’ll put here:

                Let me know how your writing goes, good luck!